#favourites hai dono mere | Explore Tumblr Posts and Blogs

visionteller · 3 years

Text

Call To Action

CALL TO ACTION "Ayesha, Muraad, Zeenat", yeh teen naam aapko ek typical traditional - muslim family ke samajh aa rahe hain jo ya fir jinke naam se aapko koi aisa khayaal aa raha hoga jaisa yaha koi mamuli teen muslim logo ki baat ki jaa rahi hai. Yeh teeno hi INDIA ke teen shehero mein rehne wale wale log hai , pehli hai AYESHA sidhe Allahabad se , dusra hai Muraad jo ki hai Delhi ke Muzzaffarnagar se , aur aakhir mein Zeenat jo hai Mumbai se, yeh teeno ka haav - bhaav bilkul common man jaise hai. Toh kaha se shuru kiya jaye, toh chaliye pehle sapno ke sheher se kickstart maarte hai. kyun thik hai na ? Toh chalte hai aapko lekar ,"Mumbai" = "City of dreams", yeh jagah toh sabko pata hai ki kisliye prasiddh hai, toh chaliye fir bhi main thoda sa , bataa hi deta hoon ki "Mumbai"="Bollywood" , arthaat hindi cinema ki adbhut duniya , jahaan aapko apne chahide sitaare milenge jo laakhon logo ki dil ki dhadkan hai jaise SALMAN KHAN , SRK, AKSHAY KUMAR, etc. waise inn logo ke toh huge fan following hai puri duniya mein, aur kyun na ho bhai, inhone mehnat karke apna naam banaya hai , par meri story ki pehli character ki story ab shuru hone wali hai, toh dil thaam ke baithiye aur purey mann lagakar suniye . Mumbai ke Galaxy Apartments ka naam toh aapne suna hi hoga, woh toh famous kis liye hai hum sabhi jaante hai, par ab meri jo 1st character "Zeenat" hai, woh kis liye famous hai aaiye dekhte hai.. "ZEENAT" urf "Zeenat Ali Khan" , naam aapko thoda connected with "Saif Ali Khan" se lag sakta hai, but waisa kuch hai nahi. Humari "Zeenat Ali Khan", apne ammi - abbu ke saath unke 2 room flat mein , khushi khushi rehti hai , isko koi kaam chota ya bada nahin lagta, pure ghar ka saara kharch ka hisaab yeh apne paas hi rakhti hai, kehne ka matlab yeh hai ki, kahan pe kitna kharch karna hai, ya kitni cheezein kitni maatra pe chahiye , inko acchi tarah se pata rehta hai. Kabhi kabhi toh inki ammi - abbu soch main pad jate hai ki kaash unhone "Zeenat" ko science ke saath MBA bhi karwa diya hota toh sone pe suhaaga hi ho jaata . Par jis hisaab se "Zeenat" kharch ka dhyaan rakhti hai , unke liye toh woh jeeti jaagti computer se kum nahin hai. Dusri taraf "Zeenat" ka bhi bahut mann hai "MBA" karke acchi MNC mein naukri karne ka, par paiso ke kami ke kaaran uske graduation ke baad ki padhai maano jaise bandh hi ho gayi thi , dusri taraf "Zeenat" ko actress banne ka bahut shauk tha , yeh acting ka keeda usme bachpan se hi tha aur uski toh favourite actress thi /hai "KARISMA KAPOOR" aur favourite actor hai "GOVINDA" , arthaat "Hero no. 1" . "Zeenat apne khali waqt par inn dono ke hi gaano pe dance kiya karti thi aur khud ko unn jaisa mehsoos mehsoos karne lagti saral bhasha mein bole toh " living life king size ". Ab badhte hai, humaare kahaani ke dusre character pe, jo ki aati hai seedhe "Allahabad" se , ya fir kahe toh Allahabad University se , jaha ki woh one of the top brilliant students ke list mein , ya fir kahe ki merit list mein har baar 4th aane wali "AYESHA Saraf" , jo hai sab ki chaheedi aur sabse dashing & studious & "no care attitude" waali MBA pursue karne waali student , thodi naughty & also quite smart & witty & of course a chashmish & a cutie. Toh yeh jo hai, inke college mein bade charche hai , aur kyun na ho yeh hai hi itni studious , etc. . Iske peeche college ke saare ladke paagal hai , but yeh na hi short skirts pehanti hai, aur na hi boys ko lure karti hai, yeh toh bas apne mein hi rehti hai, in a dungree with round specs , short hair with a pony tail & a charming but bold smile on her face , enough to make a heart skip a beat. Ab yeh jo hai "Ms.SARAF" yeh toh thehri mystery , detective , horror, thriller ke bade fan , inka adha waqt crime solving games, aur books related to all the above mentioned genres ko padhne meinhi waqt nikal jaata tha, jo thora waqt waqt bachta tha usko yeh mohtarma MBA ki pahai pe laga deti hai, nahin toh inke parents ka manna haiki agar woh pura dhyaan sirf MBA pe de toh woh 1st position laa sakti hai sivaaye 4th position ke, par inhe koun samjhaye ki thoda time MBA ke saath spend karke 4th aana bhi is a big achievement, aur woh kahawat hai na "An active mind & a racing heart is the greatest combination leading to success" , aur wohi aata raha tha "AYESHA Saraf" ke saath. Ab kuch door chalte hai aur batate hai aapko kahaani ke antim character ki kahaani jo "Delhi ke Muzaffarnagar" seshuru hone jaa rahi hai, aur uss shaks ka naam hai "MURAAD HOSSAIN", jo hai DU [Delhi University] ke geography & statistics ke top professor . Inka worldly knowledge itna achha hai aur yeh itne self confident hote hai har waqt ki duniya ki koi bhi musibat maano inke saamne haar mann hi jaegi, iska kaaran hai jaise ki maine pehle bataaya self confidence , proper knowledge, hard work, aur allah pe pura bharosa. Aap soch rahe honge , ki main yeh teacher ka concept kyun use kar raha hoon , toh main chota sa hint de deta hoon, "worldly knowledge" Inki age lagbhag 28 saal hogi, par yeh jaha ke teacher hai, arthaat D.U. waha inke bahut charche hai, aur lakho ladkiyaan inpe line maarti hai, short mein kahe toh , yeh d.u. ke one of the sexiest , good looking masculine male hai,inka attitude bole toh ekdum "faadu" hai, aur khaas kar ke jab woh agar kabhi white shirt aur blue mein college aa jate the toh college mein bawaal ho jaata tha aur ladke sharam se choor choor ho jaate they aur ladliyaan na jaane kitne corridoors mein line lagakar unki ek jhalak ko taras jaati hai aur unko bahut tohfe bhi mil chuke hai, kayi ladkiyaan ke taraf se , even proposals you know, par yeh jo "Mr.Hossain" hai inko koi farak hi nahi padta, yeh gifts toh hai par unka ek unique style hai, woh yeh gifts charity ya fir kahe old age home mein distribute karwa dete hai, kyunki inhe lagta hai ki yeh apne ammi abbu ki sewa kar rahe hai, aur agar naseeb mein hua toh allah kasam agle janam fir unke hi bete hokar janam lena pasand karenge. Toh yeh the humare kahaani ke teen characters. Ab aap soch rahe honge ki aagey kya hone wala hai. Abhi interval ka maza lijiye , thode snacks grehan kijiye kyunki interval ke baad hi toh maza shuru hota hai. Ab inn characters ke updated version se aapko milwate hai, so mere priye audience 3,2,1....fast forward. Let me introduce you to 1. Captain Muraad Hossain [M.F. Hossain] [Captain of INDIAN ARMY] , 2. Madam ZAK / Zeenat Ali Khan [cyber expert ATS= Anti Terrorist Squad] , 3. Ms. One Woman Army/ Ms. Ayesha Saraf [top spy of IB & RAW]. Kyun chauk gaye na ? ek dialogue yaad aya "Tide hai toh white hai " but in this situation the dialogue goes "Jo Jeeta Wohi Sikandar" , kyunki yahaan sab connected hai, lekin koi ek dusre ko nahin jaanta, par teeno INDIA ke liye kaam karte hai apne tarike se, ya keh sakte hai yeh teeno apne tarike se desh ki raksha karte hai. Ab aapko main ek ghatne ke baare mein detail mein bataane ja raha hoon , jisme inn teeno ka bhut bada yogdaan hai, aur kahin na kahin yeh teeno ek dusre ke lifeguards bhi reh chuke hai varna aaj shayad teeno mein se koi bhi zinda nahin rehta. Toh baat hai 2011 ki , ek udti udti khabar aayi thi ki cyber cell dept. aur Indian Army mein tension ka mahol utpann hua hai. Iska kaaran yeh tha ki achanak cyber crimes bhut zyada badh gaye the aur Indian Army mein se bhut se gopniya details leak ho jaa rahi thi , ab dono hi taraf tension ka maahol ban raha tha , aur saath hi kuch khabar udti udti aa rahi thi jo logo ke liye ya INDIA ke liye bhut haanikaarak saabit ho sakti thi . Toh jab aise haalaat utpann hue, tab inn teeno departments [IB , ATS[CYBER CELL],INDIAN ARMY] mein selection shuru ho gaya taaki crimes & terrorism in all forms ko tagda jawaab dene wale teeno department se 1 candidate select hoga is live/die mission ke liye. Toh teeno departments mein se 1 specialist ko chunna tha per team. Candidates toh bahut the par time kam tha , tph finally teeno departments ne apna task captain chun liya tha. Toh woh 3 koun they , any guesses ? arrei yaar , the best ko hi chuna hoga na, toh woh 3 hai :- 1. MURAAD HOSSAIN [ INDIAN ARMY ] 2.ZEENAT ALI KHAN [ CYBER CELL / ATS] ATS= ANTI TERRORIST SQUAD 3.AYESHA SARAF [IB] [ TOP SPY] Toh har department mein zoro shoro se kaam shuru ho gaya tha, har dept. ko unjke head dekh rahe the , taaki kahin bhi bhi bool se bhi bhool na ho, aur proper stragies apnaayi jaa rahi thi , aur execution plans bann rahe the, in return the hands were expecting full cooperation & support from their teams, aur full on details nikali jaa rahi thi against any type of attack in any form. virtual & physical weapons bhi taiyaar ki jaa rahi thi , aur top managements bhi bilkul tight lipped way mein iss mission ko anjaam dene mein lagey hue the. Toh teeno departments fully ready they with all the necessary equipments aur saath hi virtual & physical preparations bhi ready the , but to their shock pehle hafte mein kisi prakaar ka koi attack nhi hua,toh departments ke kaafi log jo chaukanne the , woh thoda sa lightly lene lage matter ko , par teeno departments ke hero's MURAAD, ZEENAT AUR AYESHA, ko daal mein kuch kaala lag raha tha jab 2nd week mein bhi kuch nhi hua aur sab normally guzar gaya. Fir 3rd week mein achanak se Mumbai ke mall road mein ek bomb blast hua , aur kaafi log injured ho gaye the , saath hi saath Delhi ke Sarojini Market mein do din ke antraal mein ek aur bomb blast hua, aur top companies ke data chori ki khabar bhi aane lagi , inn sab ghatnao ne desh bhar me breaking news ke zariye tehelka macha rakha tha. Ab teeno depts. ke experts HOSSAIN , KHAN aur SARAF ne apne teams ko kaam pe laga diya tha, ki jald se jald inn terrors ka koi na koi suraag ya link mil jaaye toh tab iss case ko solve karne mein thodi maddad ho jaegi . Iss dauraan, Zeenat ke phone pe ek call aata hai aur woh bhi unknown number se, jiska daava tha , ki yeh jo bomb blasts aur cyber breach hua hai inn kuch dino mein , iske piche ke "MATERMIND" ki khoj karna bandh kar diya jaaye turrant,warna Zeenat ki jaan ja sakti hai , aur teeno departments ki badnaami bhi ho sakti hai , aur hokar rahegi agar yeh search operation turrant radh na kiya gaya toh , itna kehkar phone hang up ho gaya. Fir dobaara uss number ko call laga nhi , tab immediately uss number ko trace kiya gaya , but uss ka sirf laswt location hi pata chala jo KARACHI ka dikha raha tha , aur sim bhi bandh aa raha tha . Fir kuch der sochkar, "Zeenat" ne apne higher authorities ko yeh suchna dena zaroori samjha aur pure form mein jaakar puri baat bol dala. Tab waha bhi tension ka mahol utpann hone laga tha, immediately all 3 forces ke heads ko jaankari video calls ke sahaare de di gayi . Fatafat , ya phir kahe bina waqt gawaaye, INDIAN ARMY , IB aur ATS [ CYBER CELL] ko turrant kaam pe lagaya gaya, aur unka ek hi lakshya tha , ki kisi bhi tarah "MASTERMIND " ko dhoond nikaalna hai , jo iklauta zimmedaar hai cyber theft aur unn teeno blasts ke liye. Ab teeno departments high alert mein they, aur teeno ne search operation shuru kar diya tha apne tarike se. Fatafat KARACHI Govt. se contact kiya gaya aur jaankaari ki pushti karne ki koshish ki gayi, par unhone saaf inkaar kar diya ki , waisa koi bhi call unke state se nhi kiya gaya hai, fir bhi dept. mein asantushti bani rahi, tab top spy "AYESHA SARAF" ko contact kiya gaya , aur usko puri baat btayi gayi , aur uso unke strategy ki puri detail di gayi , saath hi "ZEENAT" aur "MURAAD" ko bhi unke respective depts. se bhi aagha kar diya gaya. Ab unn teeno ke liye action time shuru ho gaya tha. Ab teeno ka ek hi mission tha "Mission MASTERMIND" . A b iske liye teeno ko karachi phuchna tha, toh teeno ne jaha the wahi se KARACHI ki flight pakdi aur KARACHI ke liye ravana ho gaye. Most importantly iss beechek co- incidental ghtana ghati ki teeno ne ek hi brand ki flight mein boarding ki thi "INDIGO" , but tickets different thi toh timing bhi different thi, sabse pehle "Muraad" phucha, fir "Ayesha" phuchi , fir aakhir mein "Zeenat " mein phuchi, abb teeno "KARACHI " phuch chuke the. Ab ittefaq dekhiye , teeno ne ek hi hotel mein room bhi le liya, usme bhi timings thodi aagey peeche thi, aur hotel ka naam tha "HOTEL PARADISE" . Iss hotel ki khaasiyat yeh thi ki teeno ne apne sutro se pata kiya tha, ki "MASTERMIND" ka hotel , ya fir kahe iss hotel ka maalik "MASTERMIND" tha. Ab aapko lag sakta hai ki teeno fas chuke hai, aur baagh ke illake mein ghuss chuke hai , jisse nikalna asambhav hai , par case ulta bhi toh ho sakta hai. Teeno ne janbujhkar issi hotel ko apna hunting ground bana liya tha, kyunki yeh jaha the waha se kuch na kuch jaankari toh praapt ho hi jaati aur hafte mein ek na ek din toh "MASTERMIND" ki ek jhalak dikh hi jaegi yahi soch kar mission mein agey badh rahe the. Aaye toh teeno tourist banke , par jaise maano teeno hi detectives ban chuke the, koi ek dusre ko nahi jaanta tha , teeno ka mission ek tha , par kaam karne alag tha, aur teeno khud se zyaad aksis pe vishwas nahi karte the , halaki teeno mein se koi kisiko nahin pechaanta tha. KARACHI mein ,"MASTERMIND" ko lagbhag koi nhi jaanta tha, bahuto se pucha gaya par koi jawaab nahi mila , ya fir shayad log darr se kuch bata nhi rahe the, kyunki unko apni jaan aur apne pariwaar ki jaan pyari thi. Ab dono taraf search opration chal raha tha, ki "MASTERMIND" ki ek jhalak dekhne ko mil jaaye, dusra uske related kuch jaankari mil jaye. Teeno ko apne higher officials ko per day ka progress report dena parta tha . Sab allah ko yaad kar rahe they aur duaa maang rahe the ki koi clue mil jaaye "MASTERMIND" ke related, ya koi link mil jaaye , toh unhe ",ASTERMIND" tak phunchne mein aasaani ho jaati. Isi beech ,ek number se "Zeenat "ko call aya aur phone ke dusre side se ek shaqs ne kaha ,mujhe pata hai aap "MASTERMIND"ko dhoondna bandh kar dijiye yeh meri aakhri warning hai., par zeenat ko koi farak nhi pada , aur usne sidha phone kaat diya. Inn logo ko pata mhi tha ki wha pehle se unke madad ke liye IB , CYBER CELL [ATS], INDIAN ARMY se log bheje gaye the , aur woh log bhi "HOTEL PARADISE" mein hi ruke huye the. Toh aapko samajh aa hi gaya hoga ki purey desh ko "MASTERMIND" chahiye tha zinda ya murda. Ab sirf tha ,"wait & watch" ka time aur kyunki laakho logo ke sentiments jude hue they toh success toh anyhow achieve karna hi tha iss mission mein . Achanak hotel stay ke 5th day mein ek shaks aata hai hotel ke reception pe , bilkul mamuli se kapdo mein , aur ek room ke details puch raha tha . Uske kapde dekh kar kisiko shaq nahi hoga ki woh normal tourist nahi hai. Par pata nahi kyun "MURAAD" ko thoda khatka laga aur uss aadmi ke jaane ke baad reception waale se uska id proof dikhaane ko kaha, dusrea koi hota toh shayad objection karta par kyunki receptionist Indian tha jo karachi mein kaam ke silsile mein reh raha tha 5-6 saalo se , toh usne bejhijhak uss shaks ka ID proof dikhaya, woh bhi jab "Muraad" ne apna ARMY ka badge dikhaya tab hi warna har desh ke liye yeh illegal hai dusre ke documents kisi unknown person ko dikhana. Ab ID Proof se kya pata chala hoga "Muraad" ko ? sochiye aur interval ka maza lijiye. Haan toh hum kaha they , ab uss ID Proof se uss shaks ka naam pata chala jo tha "Hamid Qureshi" . Koun tha yeh? yaha kyun aya tha ? kya yeh normal tourist tha? ya "MASTERMIND" se connected tha? yahi sab chal raha tha "Muraad" ke dimaag mein aur woh kisi bi tarah iss "Mr. Qureshi" ke baare mein aur jaankari nikalne ke liye kuch bhi karne ko taiyaar tha. Toh usne bina waqt gavaaye usne uske ID se apne team ko uski khoj mein laga diya , team ki details respective heads ko mail kar di gayi thi departments ke taraf se. "Muraad" ko "Qureshi" ki har waqt ki khabar chahiye thi , isliye usne waisi hi instructions de rakhi thi apni team ko. Ab yeh baat toh "AYESHA" aur "ZEENAT" ko khabar nahin thi, par jab unhone apne tarike se "MASTERMIND" ko dhoondna shuru kiya,tab unhe apne sutro se pata chala ki, "MASTERMIND" "KARACHI" ka sabse raees insaa hai, aur yeh khabar bhi thi ki "MASTERMIND" ka "KARACHI market" mein kaafi aana jaana tha. Toh inn dono ne apne log karachi market mein tainaat kar diye the, ab na yeh 'Qurseshi" ko jaante they aur na hi "Qureshi inko jaanta tha. Allah ka kamaal dekhiye, yeh dono mall road waley market mein they, par "Zeenat" ka bag churakar koi bhaagne laga, aur "Zeenat" bhi uske peeche bhaagi, achanak se "Qureshi" scene mein aa jata hai , aur chor ko pakad leta hai. Toh yeh dono bilkul anjaan ek dusre se , "Qureshi" "Zeenat" ka bag use wapas kar deta hai, aur "Zeenat" toh raah chalte ko shaq karti nahin, toh unhe thank you treat dene pe tul jaati hai , jispe pehle toh "Qureshi" manta nahin , fir bola sirf coffee kaafi rahegi , jispe "Zeenat" ne haami bhar di. Fir dono ne kuch der yunhi baat ki aur shukriya adha kiya "Qureshi" ka , toh "Qureshi" ne "Zeenat" ko apne ghar bulaaya jispe woh pehle toh maani nahi , fir "Qureshi" ke bahut insist karne par woh mann gayi. "Qureshi" ka ghar "Karachi" airport se 4 kilometre door tha, aur "Zeenat" thi uski guest, "Zeenat" ne suna tha ki "Karachi" waley apne guests ki khoob khaatir karte hai , toh usey bhi mehmaan nawazi lene mein koi aapatti nahi thi. Issi beech "Zeenat" ki nazar "Qureshi" ke table top pe padi jisme ek photo mein "Qureshi" aur ek aadmi saath photo khichwa rahe they , toh pata nahi "Zeenat" ko kya laga ki usne "Qureshi" ko puch hi liya, ki uss tasveer mein unke saath woh shaqs koun hai ?, usey laga ki unka bade bhai honge , par jawaab toh kuch aur hi tha .. pehle toh "Qureshi" ne kuch socha , fir kaha ki uss aadmi ka naam "AKBAR ALAM' itna kehke woh chup ho gaya. Ispe "Zeenat" ne thoda aur utsaah ke saath ke pucha ki "ALAM" ji karte kya hai , ispe bhi jab "Qureshi" sochne laga tab "Zeenat" ne bola ki agar woh nahi batana chahte toh koi baat nahin usne toh yunhi puch liya tha , koi zabardasti nahin hai , aur woh thoda flirt karne lagi "Qureshi" ke saath aur "Qureshi" ko pata nahin tha ki kaise react kare , aur woh tha thoda sharmiley type ka insaan tha , toh usne jhatapat bataana shuru kiya "Zeenat" ke prashno ke uttar dena , "AKBAR ALAM" Karachi ka sabse raees insaan tha aur uska ek aur naam bhi tha , toh "Zeenat" ne socha ki koi nick name hoga jo gharwalo ne rakkha hoga , par "Qureshi" ka jawwab sunke "Zeenat" ka dimaag chakkar khaa raha tha , kyunki woh "Akbar Alam" aur koi nahi balki "MASTERMIND" tha . Bahut uts chahiye iske baad kisiko jo bhi yeh prashna puche ya bole toh "Zeenat" ko hi uss jagah rakh lijiye , usne bade himmatr se bina darre "Qureshi" se aur baatein ya information nikaalne ki koshish karte hue pucha ki "MASTERMIND" ka matlab kya hai , aur unka kaam kya hota hai? Toh ispe "Qureshi" thoda soch vichhar karne laga , ki "Zeenat" ko "MASTERMIND" ke kaam ke baare bataana sahi rahega ya nahi , fir usne socha khamakha "Zeenat" darr jaegi aur unki bani banaati nayi dosti wahi khatam ho jaegi isliye usne "Zeenat" ke prashno ko avoid karna shuru kiya aur baat ghumane ki koshish karne laga , kyunki " Zeenat" ko woh mamuli guest samajh raha tha , aur aane wale khatre se usey bachana hi uska lakshya tha . Par "Zeenat" ke baar baar zid karne par , usne kaha ki main zyada toh nahi jaanta par "MASTERMIND" ka kaam bhut risky job hai aur khatarnak bhi. Ab "Zeenat" ko toh kisi bhi haal mein iss "MASTERMIND' se milna hi tha , toh usne "Qureshi" se pucha ki kya woh usey "MASTERMIND" se milva sakta hai ya nahi , kyunki usey aise dangerous logo se milna unke baare mein pata lagana bahut mazedaar lagta hai , ek alag sa thrilling wali feeling deta hai, aur bhi bahut kuch bola "Zeenat" ne jaise ki "Qureshi" uss se impress hokar usse "MASTERMIND" se milwa de. Ispe "Qureshi" ensocha aur kaha ki woh koshish kar sakta hai ki "Zeenat" ki mulaqaat "MASTERMIND" se ho jaaye , but kuch confirm nahi bataa pa raha tha, isme "Zeenat" ne usko thoda seduce karna shuru kiya uski taarif karni shuru ki ki wwoh kitna handsome tha aur mashallah kitna cute hai "Qureshi" aur sexy bhi wagera wagera , aur "Qureshi" apni taarif sunke na chahte huye bhi "Zeenat" ke baaton mein aa hi gaya, aur unhone kuch intimate moments bitaaye , "Zeenat " ne socha manzil ke itne karib aakar usey khina bewakoofi hogi , toh kya hua agar ek anjaan insaan ke saath kuch intimacy ho hi jaaye toh , waise bhi "ZAK" apni raksha karna acchi tarah se jaanti thi, arthaat woh hamesha ek condom apne saath apne purse mein carry karti thi , arthaat "all work no play makes ZAK a dull girl". Fir jab unki intimacy khatam hui aur "Qureshi" ghode bech kar so raha tha , tab usne uska pura ghar ko search karna shuru kiya , ki kahin toh kuch aur prrof mil jaye "MASTERMIND" ke khilaaf , usne sab jagah dhoond liya saboot ke liye , par kuch na mila , tab usne uss photonko gaur se dekhne ka socha jo table top pe tha par uspe bhi kuch nhi mila. Fir jab "Qureshi" ki aankh khuli toh "Zeenat' ne usey kiss kiya aur alvida kehkar waha se nikal gayi."Qureshi" ka toh "dil garden garden" ho gaya tha, aur "Zeenat" ko shayad "MASTERMIND" tak phunvhne ka raasta mil gaya tha. Dusri taraf "Muraad" tha jo apni sources lagaye baitha tha "MASTERMIND" ki khoj pe , aur ab toh woh Karachi police se toh puch nhi sakta tha "MATERMIND" ke baare mein toh usne socha ki chalo Karachi jab aa hi gaya hoon toh sheher kyun na ghom liya jaaye , ab uske paas toh "MASTERMIND" ki koi tasveer toh thi nahi jisse "MASTERMIND" ko dhondne mein aasaani ho , tab usne kya socha ki kyun na apne chief se contact karke unhise "MASTERMIND' ki tasveer maang li jaye , toh turant usne ARMY chief ko phone lagaya aur unse "MASTERMIND" ke kuch pics usey whatsapp karne ki darkhaast ki , par chief ne kaha ki unke paas "MASTERMIND" ki abhi ki photo nahi hai , par ek puraani photo hai jab woh apne mid 30's mein hua karta tha, unke paas jo photo tha usi ko bhejne ko kaha "Muraad" ne aur shukriya zaahir karke baat khatam ki aur unke message ka intezaar karne laga. Teesri taraf "Ayesha" ke paas already "MASTERMIND" ki poori gutthi thi usne pehle se hi ikkatha kar rakha tha, kyunki SPY ka kaam hi hota hai ki woh apne target ki full details pehle se apne paas mauzood rakhte hai,taaki target pehchanne mein bhul na ho aur na hi apna kaam ko anjaam dene mein. "Ayesha" ne "MASTERMIND" ke baare mein apne team ke duara jo information ikkatha kiya tha , woh yeh tha ki "MASTERMIND" ek lamba chauda 6'2'' ka hattakattainsaan tha , jiska lifestyle raeeso jaisa tha , uska bahut sara dangerous ya fir kahe illegal karobaar tha, jaise ki jism faroshi , etc. . Unka behaviour ekdum kattar tha , unke family mein woh aur unke 2 biwi aur 1 bete aur 1 beti rehti thi. "Ayesh" ne shyad "MASTERMIND" ki gaadi ko dekhliya tha karachi bazaar se guzarte waqt uss waqt usey pata nahi tha ki yeh "MASTERMIND" ki gaadi thi, uss gaadi mein baithe shaqs ne apne driver ko bolke karachi market ke saamne se ek phalwale se kuch dozen phal liya aur gaadi ka seesha utarkar phalwale ko paise de diye , tab "Ayesha" ne dekha ki uss shaqs ke dihine haath mein bade bade stones se saji hue anguthiya thi , shayad woh astrology mein vishwas rakhte honge , fir usi haath mein ['right hand} mein ek khareoch ya fir koi purane chot ka nishaan bhi tha thik haatho ke nasso ke beech , jaha se doctor heartbeat measure karta hai , thik ussi jagah , toh "Ayesha" ne bade gaur se sab notice kiya , aur apne saamne se gaadi ko jaate dekha toh usne kya socha ki fatafat usne gaari ka number plate ka number yaad karliya , aur gaadi bhi kounsi thi woh bhi likh dala , tabhi se woh iss shaqs pe apni nazar jamayi rakhi thi, arthaat usey bhi pata nahi tha par uski gut feeling usey cheekh cheekh kar keh rahi thi ki ho na ho yeh aadmi hi "MASTERMIND" hai. Isliye usne iss shaqs pe pura dhyaan de rahi thi jis baat ka andaza bhi shayad uss shaqs ko nahi tha ki koi uski har waqt ki activity track kar raha tha . Aakhir yahi toh kaam hai ek Spy ka. Dusri taraf "MURAAD" ke paas "MASTERMIND" ki puraani tasveer aa chuki thi , usme "MASTERMIND" ek wakayi ek lamba chauda handsome youth nazar aa raha tha , halaki yeh photo aaj se 20 saal pehle ki thi as mentioned by ARMY chief . Par uss photo mein "Muraad" ne kuch ajeeb cheez notice ki thi jo shayad kisisne nahi ki thi ya ki hogi , woh yeh tha ki picture mein "MASTERMIND" ne ek bhut alag type ki angoothi pehen rakhi thi, jiski baarik kaarigari dekh kar bahut log uske laalach mein pad sakte hai, woh tha hi itna behtareen ki uspe hi "Muraad" ki aankhein kuch der usi pe fix ho gayi, kyunki aisi kaarigari wali anguthi usne pehle baar dekhi thi, aur woh uske dimaag mein chapp gayi thi, aur woh ghar jo photo mein tha woh shayad "MASTERMIND" ka ghar hua hoga , isliye woh ghar uske mastishq mein chapp gaya tha . Ab "Muraad" ko sirf uss ghar ka pata lagana tha , toh woh photo usne apne team ko forward kar diya aur fatafat uss ghar ka pata lagane ka nirdesh de diya unko. Teesri taraf , thik do din baad "Qureshi" ne "Zeenat" ko "MASTERMIND" se milwane ki baat kar dali , kyunki thik do din baad "MASTERMIND" ke ghar pe unke bete ka janamdin manaaya jaane wala tha arthaat "RAFI ALAM" ka janamdin hai, abse thik do din baad . "ZEENAT" ka khushi ka thikana nahi tha , aur usne issi baat pe "Qureshi" ko kiss kar diya , aur saath hi usne mann hi mann soch liya ki plan ko anjaam kaise dena hai, aur saathhi saath kuch intimate moments bhi dono ne bitaaye , aur ek jhoota wada bhi kar dala "Zeenat" ne ki aaj usko itni khushi ho rahi hai ki woh bayaan nahi kar sakti hai , aur usne "Qureshi" se nikaah karne ka jhoota wada kiya , jispe "Qureshi" ka dil garden garden ho gaya , par usey [ Qureshi] kaha pata tha ki ek anjaan shaqs ko trust karna usey bhaari pad sakta hai , yeh soch "Zeenat" mann hi mann hass rahi thi , bechara "Qureshi" bali ka bakra befaltu ka banne ja raha tha. Ab kehte hai na kuch paane ke liye , kuch bho sacrifice karna padta hai . Itni der mein "MURAAD' ne 'MASTERMIND' ka ghar ka pata laga dala tha . Ab intezaar tha D-DAY ka . Waise dekha jaaye toh ab sher khud fass chuka tha aur ghir chuka tha chaaro ore se , aur "MASTERMIND" ne apne security mein har kadam mein 2 security guards tainaat rakhe the . "Ayesha" ne saari taiyaari pe nazar rakha hua tha aur usse acchi tarah se pata tha ki plan ko kaise execute karna tha. Aur ab isi ka fayda uthana tha humare teeno characters ko . Aur ab bas D-DAY ka intezaar karna tha . Dusri taraf teeno ne apne headquarters ko bhi aagha kar rakha tha apne plan ke baare mein . Ab aakhirkaar woh din aa hi gaya aur humare teeno jawaan ekdum taiyaar the. Yeeno ko pata tha apna apna role iss mission mein. Ab kaun kaisa dikhne wala tha aaiye dekhte hai, pehle toh baat yeh hai ki "MASTERMIND" ka bangla bada hi alishaan tha , maano bilkul chaand mahal jaisa , uff aisi sajawat ki gayi thi jiska koi jawaab nahi tha, iske aagey toh mughlo ki imaarat sharma jaaye. Waqayi lag raha tha 8wa ajooba ho duniya ka . Ab logo ka aan shuru ho gaya tha , sabko dekhkar lag raha tha maano , sab raees parivaar ke log hai, ab isis beech hamari teeno characters ki entry hoti hai. Thoda vistaar mein agar bataaya jaye toh , black kurte aur white pyjame mein "MURAAD" with a stylish beard entry aur woh bhi muslim they isliye unhe zyada takleef nahi hui iss getup mein sabke saamne aane mein, woh bade hi stylish , sexy aur macho lag rahe they. Unki entry mein janamdin ke function mein chaar chaand lag gaye the, woh they hi itne handsome ki sabki nazre bas unhi pe tiki ki tiki reh gayi, aur jitni ladkiyaan thi mehfil mein sab toh maano unki fan ho gayi ho , usne toh "MASTERMIND" ke bete ka show pura flop kar diya tha , woh "MASTERMIND' ke bete se kahi zyada handsome lag raha tha , maano lag raha tha koi film ka hero aa gaya ho , uff kya lag raha tha boss, ekdum bole toh "faadu", maano yeh akela hi sab ke dil ka chor bann gaya tha, ladkiyatoh jaise latoo hon gayi thi "MURAAD" par , aur kyun na ho ek toh waisi personality uppar se INDIAN ARMY , par insab ke beech "MURAAD' apna lakshya bhula nahi tha, aur kisiko shaq na ho isliye, usne khud ko "MASTERMIND" ke bete ka dost bataaya , aur door ka rishtedaar bhi. Ladkiya toh har waqt "Muraad" ke agey piche ghppm rahi thi, par woh kahaan kisko dekhta , woh bas apne kaam pe focus kar raha tha. Ab iss beech "Ayesha" toh apni nazar jamaye baithi thi "MASTERMIND" ke ghar pe , bole toh spying constantly, unke har movement ka track rakh rahi thi , aur sahi mauke ke talaash mein thi apne kaam ko anjaam dene ke liye . Teesri ore , "Zeenat " aur "Qureshi" ki entry hui mehfil mein , ab "Zeenat' ko pata tha ki plan execute kaise karna hai. "Qureshi' ko woh zid karne lagi ki "MASTERMIND" se mila de , toh "Qureshi" ne sahi waqt dekhkar "Zeenat" ko le gaya "MASTERMIND" ke paas , aur usne piche se awaaz di "jahaanpanah , zara iss sangi ko do baatein kehne ka muka mil sakta hai kya ? yeh sunn "MASTERMIND" piche ki ore mudew , toh jaisa description pehle bataya hubahu waise hi hai "MASTERMIND" ,lamba chauda , hattakatta, sir pe baal kum , lekin koi wrestler se kam nahi lag raha tha , aur waisi hi physique. "Qureshi' se toh far handsome la g raha tha "MASTERMIND", ek oomph factor tha unme jo bayaan- e - bahaar tha. Par kuch baaton ke baad "Zeenat" ko introduce karaya "Qureshi" ne , ab "mastermind' uske saamne khada tha aur usne "Zeenat" ka haath chuma aur uski taarif ki. Doosri taraf "Muraad" ki aankhen "MASTERMIND' ko dhoond rahi thi , toh wohapni nazre chaaro ore aur yahi karte waqt usne socha ki kyun na kisi ladki ki madad le li jaaye "MASTERMIND" ko dhoondne mein. yahi soch woh yunhi dusri taraf muda hi tha ki usne dekha ki ek ladki usse ek takk dekhi ja rahi thi. "Muraad" dheere se uske taraf badh raha tha , aur uske karib pahuch gaya , woh ladki sharam ke maare maano kahin bhaag hi jaegi, "Muraad" ne uska haath piche se pakda, aur pucha ki kya woh usey "Akbar Alam" se milwa sakti hai, ispe woh ladki aur sharma gayi aur bola ji haan aap jinhe dhoond rahe hai woh mere abbu hai, yeh sunkar "Muraad" ki khushi ka thikana nahi raha, toh usne uss ladki ka naam puchte hue kaha, ki woh kaha mil sakti hai ? Ispe uss ladki ne bola ki uske abbu varanda mein kuch logo ke saath gappe lada rahe hai aur uska naam "Aaliya' hai , pura naam "Aaliya Alam" hai, "Muraad" janta tha ki ek yahi mohra hai jiske sahare woh "MASTERMIND" ko aasani se apne kaam ko anjaam de sakta hai. Ab isi beech "Muraad" ne apna plan shuru kar diya tha woh bilkul stranger ke tarah gaya "MASTERMIND" se milne aurjaisae hi pahuncha usne "MASTRMIND"ko uppar se niche pura nirikshan kar liya tha, aur usko kaisa counter attack ka plan bhi bana liya tha apne mastishq mein. Waha pahunvhkar uska khoon khaul raha tha par woh toh INDIAN ARMY isliye use apna kaam karna dimaag shaant karke apne objective poora karna tha ya fir kahe mission accomplish karna tha. Waha par usne unka haal chaal pucha aur unke bete ke janmadin ke liye shubkamnayein di. Ab itne logo mein "MASTERMIND" ne khyaal nahi kiya ki "Muraad' ek ajnabee tha , aur bina soche hi usey gala laga liya aur shkriya adha kiya , uss waqt fir "Muraad " ne apne gusse ko control kiya , warna agar woh dono akele hote toh abhi tak "Muraad' ne " MASTERMID" ka kaam tamam kar diya hota aur wahi dafna diya hota , ab woh bas "MASTERMIND" ke akele hone ka intezaar kar raha tha. "Ayesha" bhi sab par rakhi hui thi ki kab "MASTERMIND" thoda akela ko paya jaye toh apna nishaana saadhkar "MASTERMIND" ka kaam tamam kiya jaaye. Ab sher teeno taraf se ghir chuka tha aur apne ghar mein fass chuka tha aur usey iss bat ki bhanak tak nahi thi, lekin phir bhi uski protection zabardast thi , kyunki sher ko bhi apni jaan pyaari hoti hai , isliye in teeno ko bahut chalaki se apne kaam ko anjaam dena hoga, ab issi beech "MASTERMIND" ko ek call ata hai aur dusre taraf se koi shayad unhe inform kar deta hai ki unki jaan shayad khatre mein pad sakti hai , aur unhe chaukanne rehne ki salah de raha tha , par "MASTERMIND" ne caller ki baat hasi mein uda diya aur kaha ki kisiko pata nahi ki woh kaha rehta hai , toh usey koi kaise attack karega , aur yeh bhi kaha ki allah unhe mehfoos rakhenge woh unki tension na le , aur bataaye ki kya haal chaal hai ? , yeh conversation sunkar "Muraad' ko thoda tension ho raha tha aur woh aur chaukanna ho gaya , par jab dekha ki woh matter ko maze mein le rahe the uska mann halka hua aur woh ab satark ho gaya aur mann mein thaan liya ki ab toh "MASTERMIND" ki khair nahi. Par thodi der mein kahase pata nahi par ek bullet aakar "MASTERMIND" ko lag hi jaati agar "Muraad' ne notice nhi kiya hota toh aur "MASTERMIND" ko kheech ke dusre taraf mud na gaya hota toh , aur iss dauraan goli "Muraad' ko chu kar nikal gayi , jisko "Mastermind' ne khyaal kiya aur usey dusra room mein le gaye apne saath , aur fatafat uski patti karne lage , saath hi apni praan bachane ke liye shukriya karne lagey , aur kaha ki woh agar na hota toh aaj "MASTERMIND" toh allah ko pyaare ho jata , ispe mann hi mann "Muraad" ne socha ki wohi toh karne ko usne chot khayi kyunki woh apne haatho se 'MASTERMIND" ko maut ke ghaat utaarna chahta tha. Isi beech "Muraad" ne puch hi dala ki koi kyun unpe attack karna chahega, ispe toh pehle "NASTERMIND" kuch bone se itra raha tha ,fir kyunki "Muraad' ne unki jaan bachane ke liye goli khai thi aur socha unhe isse koi khatra toh hai nahi , tab kehna shuru kiya ki bhai tumko shayad mere business nahi pata , toh suno yeh jo bomb blasts hue hai delhi mein aur baaki shehero mein woh sab mere hi order se hi hua hai, kyunki main inn hindustaniyo ko maarkar bada mazaa aata hai,yeh saale pakistaniyo ko anaab shanaab bolte hai aur samjhte hai ki khud hi sharif hai aur hum beimaan , bhut khoon kholta hai yeh sab sunn mera isliye bhuto ko tapka daalta hoon , mujhe sach bolu toh jab inn logo ki maut ki khabar milti hai tab mujhe aisA lagta hai ki duniya se kuch nasamhjo ko meri madad se allah apne paas bula lete hai, aur yahi log hi hume majboor karte hai terrorism karne ko , phir bhi aa jatehai hai marne ko. Yeh sunkar "Muraad" toh ussi waqt usse maar deta par socha ki uski khabar ko sach karne ka waqt aa gaya hai. Isi beech "Zeenat' ne inn dono ko jab "MASTERMIND" zakhmi "Muraad" ko room mein le ja rahe the tab inn dono ko usne dekh liya tha. Toh woh "Qureshi" ke saath washroom jaane ke bahane usey washroom tak usey saath vchalne ko kaha aur jaise hi woh phuche "Zeenat" ne usko bhi andar kheech liya aur intimate signals dete huye aur humara " Qureshi" waha apne aapko sambhal nahi paya , aakhirkaar "Zeenat" ke liye woh paagal tha . Toh dono hi washroom mein the aur washroom "MASTERMIND" ke room se bikul nazdeek tha i mean ekdum chipki hui thi . Isme "Zeenat" ko information ya 'Muraad' se jo bhi baat uss room mein ho rahi ho rahi thi woh clearly usse sunayi pad raha tha aur samjhne mein koi dikkat bhi nahi ho rahi thi , aur waisa hi sochkar "Zeenat" ne washroom lock kar liya aur waha woh aur "Qureshi" apni intimacy enjoy kar rahe they , atleast "Qureshi" toh enjoy kar hi raha tha , aur "Zeenat bhi cooperate karte huye apna dhyaan "MASTERMIND" ke baaton pe hi fixed rakhi hui thi. Ab iss hamle se "MASTERMIND" toh tension se purey pasina se bheeg chuke they, uppar se A.C. toh chal raha tha par usmein bhi pasine ruk nahi raha tha "MASTERMIND" ka, toh "Muraad" ne unko relax karne ko kaha aur khidkiya khol di . Ab pehli goli jo "Muraad" ko lagi , woh "Ayesha" ki rifle se chali thi, par galti se "Muraad" ko goli lag jaati hai. Saamne building mein "Ayesha" full focus lagaye usi khidki ke taraf ekk takk dekh rahi thi. Ab "Muraad" ne haav dekha na taav aur woh "MASTERMIND" pe goli chalane wala tha , usi waqt uska call baja aur dusri taraf se usko puri jaankari di gayi baaki do logo ke baare mein, yeh sunn uska josh aur badh gaya ab woh maar hi dalta "MASTERMID" ko , ki dusri taraf "Zeenat" ne "Qureshi" ko intimacy ke dauraan injection ke zariye uske sharir mein zeher inject kar diya , jisse uski sang sang maut ho gayi , aur isne wohi usey ek goodbye kiss dekar "Qureshi" ka chapter fully close kar diya. Dusri taraf "Ayesha' bilkul taiyaar thi , tabhi usne dekha ki "Muraad" ne usko dekhliya aur woh usse wahi shoot kar deti , par tab usne dekha ki "Muraad" usko kuch dikha raha tha , usne jab binoculars se dekha tab woh INDIAN ARMY ka badge tha aur woh samajh gayi ki woh INDIAN ARMY se tha , aur unn dono ka laskhya ek hi tha . Ab woh aaram se tamasha dekhne lagi. Aur issi beech "Zeenat" andar ghusi chali aayi aur aisa dhong karne lagi ki woh jaise dekhne aayi ho goli ki awaaz sunkar ,ki "MASTERMIND" thik hai ki nhi kahi unhe koi haani toh nahi pahuchi ,tab "MASTERMIND" ne kaha ki unhe bachate bachate iss naujawaan "Muraad" ko goli lag gayi , warna aaj agat yeh na hota toh woh toh allah ko pyaare ho jaate. Yeh sunkar usko aur gussa badh gaya aur woh toh "Muraad" ko wahi maar dalti , par bahgwaan ka lakh shukar hai ki "Muraad" ko khabar mil gayi thi baaki dono ke baare mein , toh "Zeenat' ke haav bhav dekh kar usey pehle shaq tha fir confirm ho gaya ki ho na ho wohi woh dono mein se ek hogi tab isi beech "Zeenat" ke pocket se ATS [cYBER CELL] ka id card gir gaya aur turant usey "Muraad" ne usey uthakar uthakar de diya isse pehle "MASTERMIND" usey dekh leta. Aur taaki "Zeenat" bhi jaan sake ki "Muraad" INDIAN ARMY se hai toh usne apne aapko usi jagah dobaar achot lagaya aur girne ka naatak kiya aur apna badge gira diya , jisko "Zeenat" ne dekh liya aur usko sab samajh aa gaya tha, aur first aid lene ke bahaane se "Muraad" ne usko khidki ke paaswale drawer se first aid box lane ko bheja , jaise woh phuchi usne "Ayesha" ko dekha rifle liye bilkul taiyaar , usko pura plan samajh aa gaya tha aur usne bhi "Muraad" ke hi tarah "Ayesha" ko apna id card dikha diya tha. Ab teeno ready the , teeno ne allah ko yaad kiya,aur countdown shuru ho gaya, niche toh sabko har team ke logo ne baaton mein uljha rakha tha , aur yeh log bhi guests ke tarah hi ghus aaye the mehfil mein . Uppar "Zeenat" ne jaise hi first aid karna shuru kiya tab woh samajh gaya tha ki "Zeenat" uske taraf attract ho rahi thi, aur usne isika mauka uthaya aur usle saath intimacy karni shuru kar di jispar "Zeenat" hairaan ho gayi aur "MASTERMIND" ko kuch samajh nahi aa raha tha ki kya kare, tabhi "Muraad" ne uske saath zabardasti karne ka jhuta naatak shuru kar diya aur woh samjh gyi thi ki yeh plan ka hissa tha , toh woh naatak asli lagey isliye woh "Muraad" se door jane ki koshish karne lagi par "Muraad" bhi kuvh kum toh tha nahi usne wapis aur zor se usey apni ore khichna shuru kiya,aur yeh dekh "MASTERMIND" ne "Zeenat" ko bachane ki koshish karne laga aur bas yahi tha perfect moment aur khidki ke lagbhaag saamne hi khade the "MASTERMIND" ab isi khichatani mein bina waqt gawaye ayesha ne aim fix kiya aur fire kar diya aur rifle mein silencer fit rehne ke wajah se koi shor bhi nahi hua aur laga toh laga pura headshot , 1 second mein kahaani khatam. Ab yaha do baatein proof ho gayi ki "MASTERMIND" confusion mein marra aur inn logo ne usey uske ghar mein ghus kar uska kaam tamam kar dala. Terrorism ka "MASTERMIND" ab allah ko puri tarah pyaar ho chuka tha aur kisko kaano kaano kaan khabar bhi nahi hui . Ab yeh teeno apne teams ko lekar waha se aaram se nikal padi. Arthaat yeh mission pure teams ke effort ki success reult thi , aur iska shray ya credit all 3 heads aur unke pure teams ke joint effort ko jaata hai. Uss raat ke baad woh log Karachi emein kabhi fir dikhayi nahi diye aur koi unhe thik se janta bhi nahi tha isliye kisika shaq unpar gaya hi nahi, toh karachi ke logo ke liye "MASTERMIND" ki maut ej rahsya banke reh gayi. Fir agle din IB, ATS, INDIAN ARMY , heads apne apne teams ke saath INDIA wapis laut aayi aur congratulate kiya ek dusre ko , aur saath hi apne apne departments ke hero bann gaye. -x-

#achanak #thriller #action

1 note · View note

shaonsim · 4 years

Note

What did you like the most about Meghna Dubey while creating her?

Thank you so much for asking!!! Meghna is very close to my heart, so I loved this opportunity to gush about her, and to collect my thoughts as to what I want out of her character arc. Thank you!

Meghna Dubey was a character I built for a RP (which, for the uninitiated, is a form of writing where multiple writers collaborate to write a story, each only controlling their characters and influencing the story via the things done by their characters. There are a lot of these on tumblr. Thankfully mine was hosted somewhere else, and the format was much cleaner and now I have lost the focus of this post...) Anyway, let's get back to the matter at hand. Unlike my other RPs, I had this one fully planned, as in I knew where I wanted to take this story. So Meghna's character arc was more or less clear to me, and I built her according to what will happen in the story, and what ideas I wanted to explore with her character.

Let's side track once again and learn more about her story because it will explain my reasoning a bit, as to why I created her the way I did, and such.

THIS was supposed to be a retelling of an ITV classic, rich boy (son of a business tycoon and lives abroad) crossing paths with middle class girl (small town girl with a big heart and a nasty habit to meddle in other people's business), coming together to reunite star crossed lovers and falling hard and fast for each other, ending with the classic rich guy abandoning his girlfriend for the past X years.

Meghna is the ex girlfriend in this story.

You know, the one who is also super rich, lives abroad, comes from a business family (she might be very career-oriented, but that's a cute bonus, not a requirement to fit into the trope). She would be mean spirited and a snob and she will create a ruckus before and after the breakup, and will lose her mind and hire goons and plan murder.

Only, my Meghna is not the vamp of this story. She is a flawed human, who loves too deeply, suffers through the heartbreak and gathers herself together to wish for happy things for all of them.

This is her story.

Now that you know about the plot and where I wanted to take it (as of yet, it has been put on an indefinite hiatus), let me come around and answer your question.

What is my favourite thing about Meghna? Her passion for her work, her dedication to the business, and how, Meghna Dubey of Saroja Jewelleries is a separate entity from the Meghna who had fallen in love with Ankit (the guy, my writing partner's character). Meghna goes through a lot, and it is the family business that helps to keep her head above the water.

Was it really necessary to make her fall so deeply in love with the guy, especially when I knew they wouldn't be together? Yes. I wanted to explore the mindset of a girl who had planned her whole life with a person, and who does NOT turn into a psychopath in her grief, but comes out of it the same, positive person she had been, if only a little jaded and bearing the scars of her first love. She never really fully recovers from that, although she does get her happy ending with her husband (Ajitesh). Her first love remains in a corner of her heart, whereas Ajitesh occupies most of the place. I even made a graphic to explain this mindset, and although this isn't my most favourite thing about her, it ranks pretty high up there. Sharing the graphic just because -

((Meri kahani toh Ankit se hi shuru hota hai aur ussi pe khatam.

Jane kaise, kab, kahan, meri duniya ussise takrayi, aur bas, pyaar hogaya. Mai toh wohi par atki rahi, par woh age bar gaya. Ajitesh bohot acha hai, aur mai bohot khush bhi hoon. Par phir bhi. Dil he ki maanta nehi. Pehle pyaar ki peheli nishaani hoke Ankit mere dil me rah gaya. Waise, mera dil hai bohot bada. Mera bita hua kaal aur mera jeevan sathi, dono ek hi jagah pe khusi-khusi rahte hain. Aap soch rahe honge, ki main kaun hoon? Mera naam kya hain?

Main MEGHNA, aur yeh, meri kahani hai.))

⬆️Transcript because the font is hard to read.

Coming back to the importance of her career, I wanted to give her something, and no, not as a hobby. A full blown career, and I wrote in the conflict with her orthodox aunt as a side plot for her cousin, but let's just focus on Meghna.

The only child of business tycoon Ronit Dubey, and sole Heiress of Saroja Jewelleries, Meghna stood on solid ground. A lot of the hard work was already done for her, though I did emphasise on how she had been very involved in the business from early on, and how she keeps coming up with new designs at random points, because her work is always there in her head. It is a huge, HUGE part of who she is. She is MEGHNA DUBEY, and that never leaves her.

She has a legacy to uphold, a society to fight with.

And when Ankit’s absence leaves her broken and without a sense of self (because she did go all out in her life. Back when they were dating, she had moulded herself into the role of his girlfriend < and future wife > and had it not been for Saroja Jewelleries, we could have lost Meghna to the shadow of a woman whose life revolved around Ankit), this connection, this purpose, is what motivates her. This is what makes her realise that she was much more than Ankit’s Meghna, and she comes up like a phoenix rising from its ashes and becomes her own person. She blooms.

Which is funny, because life was simpler and happier before, but even before Ankit had stepped into her life, she had built her identity around her business, and it is this same habit that made her switch targets and orbit around Ankit.

And now, the Meghna that comes out of all this is a person, an individual, and in my opinion, that's the best thing.

The thing I loved most when creating Meghna Dubey?

Her journey.

#please leave a message || asks #tag: my ch #tag: M Dubey

5 notes · View notes

australian-desi · 5 years

Text

Kahaan Hum Kahaan Tum ~ Episode 72: Of Coin Tosses and ‘Friendship’

This episode is hands down one of my top 5 episodes in this show. I absolutely loved every bit of it. Also I realised I prefer doing these type of mini summaries/liveblogs rather than a full on liveblog (it takes so much longer idk how @ishqsa and @tellywoodtrash do it for every episode. I applaud their efforts). But this turned out to be quite long coz again, got carried away with the feelzzz

AAHHH THE AWKWARDNESS, man Rohit Sippy sucks at small talk #relatable

The hand grab, when he thanks her for the night before <3 <3

Girl’s resolve is breaking, ‘itna toh kar his sakti hoon tumhaare pyaar ke liye’ good coverup with the, I mean for you and Raima

And we’re back at the ‘ache dost’

Trust Rohit to do a coin toss rather than to just say what he wants, and then lose the coin in the process

Sonakshi hits him with the ‘it was nice dating you’ and forwards her hand to shake his, LOLLLL THIS LOOKS LIKE THE END OF A BUSINESS MEETING

Also the use of Do Pal, very apt, hit the feelz

Deepa confronting Rohan

Does Deepa know that Rohan cheats on his wife on the regular?

Proud of her for not stepping down when he hits her with his ‘you’re not family bs’ but also Rohan is an outright dick, I mean she cares more for your wife than you ever will, so basically more family than you

Fkn hell, Akaash always coming to put is tang in matters that don’t require him. Just go make some food or something

YASSS AA GAYA MERA CUPID, AJIT, IN DO GADHO KO RAASTA DIKHANE

You guys, Rohit would be fucked without Ajit

Ajit being all like, ‘I’m so excited you were about grow a pair and talk to her, but alas, you’ve disappointed me, yet again’

“main kya apni feelings force karoon uske upar...” OMG a tellywood hero, understanding that he cannot force his feelings/decisions on the heroine

Am I in a parallel universe?

Is this actually happening?

Does Rohit Sippy actually exist, or is he just a figment of our imagination, because we got sick of MCPs?

I never knew I would live to see the day that a tellywood male lead would think this way

Rohit is becoming my ultimate favourite tellywood male lead

LOLLL AJIT HITTING HIM WITH THE “aap bade hain, isliye mooh pe gadha bhi nahi bol sakta”

Ajit inn dono ki love story set karte karte khud buddha ho jayega

YEH TOH 6 MONTHS MEIN SONAKSHI KI SHAADI PE PAUNCH GAYA

Omg shaadi bhi karadi, pregnant bhi kardiya, bache bhi kardiye bechaari ke, aur bhai ka funeral tak paunch gaya yeh idiot

But hey, at least it shook Rohit enough to take action

Omg he actually found the coin and ofcourse it’s tails

Why does this dude need messages from God, kismat, his alter ego etc. to take action, very Parvati-esq of him

Yaar, ab YK ki maa bhi tapak padi, I can only deal with one stereotypical regional mother, either Raima’s Bengali mother or YK’s Punjabi one, you cannot hit me with both, I do not allow it

LOOK AT THE HAQ THAT HE GOES TO HER CAR WITH AND TELLS HER TO LISTEN TO HIM BECAUSE IT’S ‘VERY IMPORTANT’

If he says it today, I will personally fly to india and hug the writers, thanking them for a show where fanfiction tropes come to life

Omg WHY IS HE STILL STUCK ON CALLING HER A FRIEND EVEN RAVI IS DONE WITH HIS SHIT

dosti ke aage badh, nahi toh dono ke dono tum akele maroge jaise ajit ne bola

Okay we’ve gone from ‘you are my best friend’ to ‘you are my special friend’ #progress

“Tumhaari bohot keemat hai mere dil mein, meri life mein”

UMMM YES NOW WE’RE TALKING, JALDI BOL

OOH BOI IS SELF AWARE, WITH ACCEPTING HIS RUDENESS, SHORT TEMPER AND SELFISHNESS

“I know tum mujhe like karti ho, matlab ‘like like’ nahi, but like...”

Is Rohit a teenage girl, with his whole ‘she doesn’t like like me. you know’

I mean have you seen her face when you enter the room, it lights up like a bulb, god men are so dumb

Agar isne ek aur baar apne aap ko iska dost bola toh main, Sona, Ravi aur Ajit iska gala daba denge

YESSS HE’S FINALLY SPITTING IT OUT, “Lekin main tumhe like se ziada karta hoon” HE SAID IT AS A 14 YEAR OLD GIRL, BUT HE SAID IT, AND THAT’S ALL THAT MATTERS

“Main tumhe ‘like like’ nahi karti? Rohit please, dekho meri aankhon mein, kya dikhaya deta hai?”

OMG THE STARE, THE CHEEK CUP!!!!!!! KISSSSS ALREADY GO MAKE OUT, YOU HAVE TWO EMPTY CARS JUST GO FOR IT

Sorry for the Tharak, I just got carried away. I’m still reeling in this excitement that the lack of precap isn’t even getting to me

#kahaan hum kahaan tum #khkt #sonakshi rastogi #rohit sippy #i am dead #dead i am

17 notes · View notes

lovingbirds25 · 3 years

Photo

🎧 🎶 Tu Hi Bata Mere Maula, Tu Hi Bata Mere Rabba ... 🎵 Another of our most favourite, soulful tracks from SANAYA IRANI & BARUN SOBTI (SaRun)’s blockbuster, evergreen show ORIGINAL ‘ISS PYAAR KO KYA NAAM DOON’ / IPKKND (2011-12) ❤️ You can go to this #Spotify link to listen 👇🏼 https://open.spotify.com/album/4jGo98IGmfFKxUOKBLhcv7 🎵 Tu hi bata mere maula Tu hi bata mere rabba Tu hi bata mere maula Tu hi bata mere rabba Faasle milo ke hain Dono hai alag disha Kabhi ye mile payenge Nahin kaisi ko hai pataa Nahin kisi ko hain pataa! Tu hi bata mere maula Tu hi bata mere rabba Tu hi bata mere maula Tu hi bata mere maula Ek baat uss mein bhi hai To ek baat uss mein bhi hai Hai dhoop saa woh agar Woh chaandani raat si hai Mil paaye kabhi dono Kya teri iss mein hai raazaa Kya teri iss mein hai raazaa Tu hi bata mere maula Tu hi bata mere rabba Tu hi bata mere maula Tu hi bata mere rabba! Tu hi bata... Na paas aa sake, na door ja sake Na paas aa sake ho na door ja sake Gar pyar inko kheenche Takrar inko roke Agar pyar inko kheenche Takrar inko roke, rabba Yun toh badhe hain inke kadam Inhe raasta tu hi dikha Inhe rasta tu hi dikha Tu hi bata mere maula maula Tu hi bata mere rabba Tu hi bata mere maula maula Tu hi bata mere rabba Tu hi bata mere maula maula Tu hi bata mere rabba Tu hi bata mere maula maula Tu hi bata mere rabba Is pyar ko kya naam doon Is pyaar ko kya naam doon? 🎶 #SanayaIrani #BarunSobti #SaRun #SanayaBarun‬ ‪#BarunSanaya‬ ‪#KhatarnaakChemistry ❤️🔥 #IssPyaarKoKyaNaamDoon #IPKKND #RabbaVe #Arshi‬ ‪#ipkkndekjashn‬ ‪#arnavsinghraizada‬ ‬ ‪#KhushiKumariGupta #KhushiKumariGuptaSinghRaizada #NoSanayaNoIPKKND‬ ‪#NoSarunNoIPKKND ‬ ‫#سنايا_ايراني‬ ‎‫#بارون_سوبتي‬ ‎‫#من_النظرة_الثانية‬ ‎‫#من_النظرة_الثانية_الجزء_الرابع‬ ‎‫#من_النظرة_الثانية4‬ ‪#MBCBollywood #khushiindosiar‬ ‪#dueleamar‬ ‪#birgaripaşk‬ ‪#SarunHamesha‬ ❣️ We want a #NewSarunShow with SANAYA IRANI ( @sanayairani ) & BARUN SOBTI ( @barunsobti_says )‬ ‪@starplus‬ ‪@disneyplushotstar @starbharat @startvnetwork @disneyplushotstarpremium @disneyplushotstarvip Reposted from @arshisarunfan https://www.instagram.com/p/CNeZtWqp9wP/?igshid=14ivx7vvoybpm

0 notes

soumyasaritadubey · 4 years

Photo

Din dhal jaate hai yaade nahi... It was one hell of a birthday after so long. Still can't believe I am 22 now. I had so many traveling plans for my birthday but couldn't go anywhere because of pandemic and was stuck at home and I am so glad for that. . Best birthday's are the one you spend with people who love you unconditionally. My Sister and Mumma did every possible thing to make me happy. The decor, the gifts, mera favourite khana and most importantly supporting me in my decisions. Septum piercing and undercut hair was a big step and their support help me fight the world stronger. . Alag hu mai thodi aapse nahi sabse ye janti hu Galtia karti hu, jaldi samajhti nahi ye bhi manti hu, Mujhe apna lia tha aap dono ne jab aankhe khuli thi meri tabhi, Par mere vicharo ko bhi dill se svikara Isliye khudko itni khushnasib manti hu, Aap dono dunia ho meri, Jab bahar lad kar thak jati hu to meri rahat ho, Jab jhuthi muskan se ro jati hu To mera sukoon ho, Jab log galat batate hai mujhe Jab nahi apnate hai mujhe Aap meri himmat ho... Jab pehle din aankh kholi thi Tabse hi meri dunia ho... Thank You for making my birthday and my life so beautiful ♥️@dr.swati78 @saritadubey94 . 📸 - Self Captured #soumyasaritadubey (at Ahmedabad, India) https://www.instagram.com/p/CDyKXHSJhYh/?igshid=1pw47vcdlzijy

#soumyasaritadubey

0 notes

tadibaaaz · 7 years

Text

Episode 3

Oberoi Mansion mandir.

The room is being decorated for the pooja. Jahnvi and Bua Maa are supervising.

Bua Maa: Jahnvi, teri pandit ji se baat hui?

Jahnvi: Haan, Bua Maa, woh time pe pohonch jaayenge, don’t worry.

Bua Maa: Alright, good good. Just make sure koi cheez missing na ho.

Jahnvi: Maine sab check kar liya hai. Sab bilkul waisa hai jaisa pandit ji ne bola tha.

Bua Maa: Ek baar phir ache se check karle. Aaj koi abshagun nahi hona chahiye, got it?

Jahnvi: Don’t worry, Bua Maa. Sab theek ... Oh! Inn arrangements ke chakkar mein main Omkara ko jagaana bhool hi gayi. Usko bhi to tayyar hone mein time lagega.

Bua Maa: Oho, Jahnvi! Tu yeh sab dekhle. I’ll go check on him.

Omkara’s room.

Bua Maa enters and sees Omkara lying on his bed.

Bua Maa: Omki, tu abhi tak so raha hai? Come on, get up! Pooja ki saari tayyariyan hogayi hain, chal abb tu bhi jaldi se tayyar hoja.

Omkara reluctantly gets up.

Omkara: Bua Maa, yeh pooja kyun?

Bua Maa: Iss ghar ke bachon ko pata nahi kis ki nazar lag gayi hai. Pehle Rudra, Shivaay, phir tu. Shivaay ne to iss pooja ke liye manaa kar diya, but I’ll make sure you and Rudra are a part of it.

Omkara: Kya zaroorat hai iss sab ki, Bua Maa? Abb to main theek hogaya hoon na?

Bua Maa: Yeah, yeah I know, tu inn sab cheezon ko nahi manta. But dekh Omki, meri khushiyan mere bete se judi hain. Iss hi liye main chahti hoon ke yeh saari balaaein, saari mushkilein tittar hojaein.

Omkara: Par Bua Maa...

Bua Maa: Do it for me, please?

Omkara (sighs): theek hai. Aapke liye.

Bua Maa: Thank you, puttar.

He gets up and goes to get ready.

Bua Maa (to herself): Tere problems har baar mere aur mere bete Ratan ke beech mein rukaawat laate rehte hain. Par abb bohot hua. Aaj ke baad tujhe mere Ratan ke raaste mein nahi aana chahiye, Omkara.

Main hall area.

Dadi, Tej and Jahnvi greet the pandit. Tej escorts him to the mandir, Dadi follows. Jahnvi is just about to head to the mandir when she hears Omkara’s footsteps behind her. She stops and turns to face him. Omkara walks down the stairs and comes up to her. She hugs him.

Jahnvi: Mera beta aaj kitna handsome lag raha hai!

She admires him.

Omkara (embarrassed): Mom...

Jahnvi: Pata hai Om, aaj itne dinon baad iss ghar mein tumhare kadmo ki awaz sunn ke main bohot khush hoon.

Rudra pops up from behind her and startles her.

Rudra: Haan, haan! Aapka favourite beta finally theek hogaya hai, abb mere kadmon ki awaz aapko kahan sunaayi degi.

Omkara: Shut up, Rudra.

Jahnvi: Main apne dono beton se bohot pyaar karti hoon. Priyanka ki shaadi ke baad abb mere paas tum dono hi to ho. You know, ek bete aur maa ka bond bohot special hota hai. Betiyan maa ke kandhe se kandha milaake chalti hain, par bete unki dhaal hote hain. Aur mere paas to 2 bete hain jo mujhse itna pyaar karte hain, I’m so lucky.

Omkara: Love you, mom.

Rudra: Main bhi!

Rudra hugs them both. Bua Maa is hiding around the corner listening to everything.

Bua Maa (to herself): Yeh pal jo tum apni maa ke saath ji rahe ho, yehi sab tumne mujhse cheen liya, Omkara. Abb tu hi mujhe mera Ratan waapis laake dega. Aur jab tak mera beta laut ke nahi aata, tab tak teri zindagi ka har faisla main loongi.

She calls someone on the phone.

Bua Maa (on the phone): Pooja shuru hone wali hai. Jaise hi khatam hogi, tum pohonch jaana.

She joins everyone else.

Bua Maa: Aw, how sweet! Kaheen nazar naa lag jaaye.

Rudra, Jahnvi and Omkara stop hugging.

Jahnvi: Bua Maa, pooja shuru karein?

Bua Maa: Haan, haan! Let’s go!

They all go to the mandir.

Mandir.

Pooja starts. Bua Maa, Jahnvi, Tej, Dadi watch both Omkara and Rudra take part in it. Everything goes well. Pooja ends.

Main hall, near the entrance.

Bua Maa and Omkara are sitting on the couch.

Bua Maa: Iss pooja ke saath tera bura waqt khatam, Omki. Main chahti hoon ke abb tu sab bhulaa ke zindagi ki ek nayi shuruwaat kare.

Omkara: Ji, bua maa.

Bua Maa: Ji bolne se kuch nahi hona, puttar. Aage badhne ke liye you’ll have to make more effort. Aur pehle kadam mein main teri madad karna chahti hoon. I have a present for you.

Bua Maa opens the entrance door. Gauri walks in to Oberoi Mansion, dabangg style (glasses on, wind in the hair). She goes towards Omkara with some documents in her hand. Omkara is shocked and angry.

Omkara: Tum yahan? I knew it. Tum Oberoi Mansion ko kabhi nahi chodogi na?

Gauri: Nandi banne ki koi zaroorat nahi hai, Omkaraji. Hum yahan rehne nahi, aap se talaaq mangne aaye hai. Aur hum koi apni marzi se nahi aaye. Bua Maa laayi hain humein, jail se baa-izzat bari karwaa ke.

Omkara: Bua Maa, yeh sab kya horaha hai?

Bua Maa: Puttar chahti to main bhi yehi thi ke yeh jail mein sadti rahe. Laikin tumhare future ke liye yeh divorce bohot zaroori hai. To teri azaadi ke badle maine isko azaad kiya. Main chahti hoon ke tujhe naya mauqa mile ek pati ke rishte ko nibhanay ka, apna pariwaar banaane ka.

Omkara: Par iss waqt meri zindagi mein pariwaar aur shaadi ki koi jagaa nahi hai. Aur shayad kabhi hogi bhi nahi.

Bua Maa: I understand this is hard for you. Par Omki, tune mujhse vaada kiya tha. Ratan ki shaadi to main nahi dekh payi,to maine apne saare armaan tujhse bandhe hain. Kya tu mere liye itna bhi nahi kar sakta?

Omkara: Of course kar sakta hoon, Bua Maa. Laikin yeh meri zindagi ka ek bohot badaa faisla hai. Mujhe sochne ke liye kuch waqt chahiye.

Bua Maa: Omki main yeh nahi keh rahi ke aaj divorce papers pe sign karke kal hi shaadi kar le. But you need to understand that Gauri is now your past. To usko present mein rakhne ka kya faida? Apne kal ka boj uthaake agay badhna bohot mushkil hai.

Omkara: (pauses) I guess you’re right Bua Maa. Mujhe usko talaaq de deni chahiye. Laikin phir bhi, I need some time.

Bua Maa: Theek hai, puttar. But don't wait until it's too late.

Bua Maa gets a phone call and leaves.

Gauri: Bohot hi ajeeb chirautay ho aap, Omkara ji. Pehle to humein har baat pe jaane ko bolte the, aur abb jab hum khud aapse alag hona chahte hain, aapko sochne ka waqt chahiye?

Omkara: Aur tum? Khud iss ghar mein Chulbul bann ke ghussi, har baar rukkne ke liye koi na koi bahaana dhoonda, aur abb khud hi divorce maangne aagayi ho? Rudra tumhare baare mein sahi bolta hai. Kya sach hai kya jhoot, kuch samajh mein nahi aata.

Gauri: Omkara ji, agar sach ko dimagh se pehchaanne ki koshish karenge aur jhoot ko dil se, to sab kuch ulta hi lagega.

Omkara: Par tumhara sach to main jaanke hi rahoonga. Yeh divorce zaroor hoga, par tumhara poora plan expose hone ke baad.

Omkara takes off her glasses and looks her straight in the eyes with anger. Gauri tries to respond with a similarly tough look, but ends up staring at him longingly. Caught off guard, Omkara’s expression softens. Gauri suddenly looks away.

Gauri (trying to hide her sadness): Humara koi plan nahi hai. Hum bas aap ki tarha ek nayi shuruwaat chahte hain. Iss ghar mein humein izzat aur sammaan kabhi nahi milega, kyunki aap to iss shaadi ko maante hi nahi hain. Yeh rahe talaaq ke kagazaat, jab mann kare sign kar dijiye ga.

She hands him the papers.

Gauri: Hum jaa rahein hain. Namaste.

She takes a few steps towards the door, stops and turns to Omkara.

Gauri: Humara chashma?

Gauri spots the glasses in his hand, grabs them and starts to walk away, but something is holding her back, so she stops. It’s her glasses, which are stuck in a thread around Omkara’s wrist. The thread she had tied 3 months ago.

#dil boley oberoi #dil bole oberoi #ishqbaaz #ishqbaaaz #rikara #rudra singh oberoi #omkara singh oberoi #gauri kumari sharma #ff

3 notes · View notes

tellywoodtrash · 7 years

Note

Some old albums and my all time favorite - Hum dono, Jewel thief, Abhimaan and Teesri manzil. You have heard these, right ? Also not sure if you received my last ask about Tia. Have a great day !

Hi @jobless-n-aimless!

Did receive the Tia ask and had replied to it privately, did you receive it? In any case, I’ll do some research and get back to you with a definitive answer!

Thanks for sending in such great classics! Love all these albums so much!

HUM DONOFavourite Track: Main Zindagi Ka Saath Nibhaata Least Favourite Track: Allah Tero NaamOverrated Track: None! Underrated track: Jahan Mein Aisa Kaun Hai

JEWEL THIEFFavourite Track: Hoton Pe Aisi BaatLeast Favourite Track: Baithe Hai Kya Uske PaasOverrated Track: None!Underrated track: Rula Ke Gaya Sapna Mera

ABHIMAAN Favourite Track: Nadiya KinareLeast Favourite Track: I don’t not like it, but I like Meet Na Mila a little less than the other songsOverrated Track: Oh Saathi ReUnderrated track: Nadiya Kinaare

TEESRI MANZIL Favourite Track: O Mere Sona ReLeast Favourite Track: None!Overrated Track: None! Underrated track: Dekhiye Sahibon Woh Koi Aur Thi

Send me a Bollywood album!

#album ask #answered #jobless-n-aimless #tt answers

3 notes · View notes

shankerjaikishen-the-unbeatables · 6 years

Text

Life and times of Jaidev.

Vikram Appasaeb Jadav

*“Dekh li teri khudai, bas mera dil bhar gaya* *Teri rehmat chup rahi, main rote rote mar gaya . .”*

One of the greatest but unsung and unwept composers of yore was Jaidev. In 1933, 15 year old Jaidev Verma ran away from Ludhiana to Bombay, to become a film star. He acted in eight films as a child artist in Wadia Film Company. But owing to his father's blindness, he had to return to Ludhiana. While he was acting in films in Bombay he took music lessons from Krishnarao Jaokar and Janardan Jaokar. After his father's death, it was his responsibility to look after his sister. After he got her married, he went to Lucknow and continued his music studies under Ustad Ali Akbar Khan.

Ali Akbar took Jaidev as his music assistant when he composed music for Navketan's “Aandhiyan” and “Hum Safar”. From “Taxi Driver” he became SD Burman’s assistant. SD had full trust in his genius assistant; each time he entrusted him with a composing or creative job, he would advise him not to complicate it with difficult ‘murkis’ and ‘harkats’. Jaidev’s contribution to the compositions of SD Burman can be gauged through these very intricate nuances, very typical of him, obvious in a number of gems like ‘Phaili hui hain sapnon ki baahen’ (House No. 44), ‘Hum bekhudi mein tumko pukare chale gaye’ (Kala Pani), ‘Hum hain raahi pyar ke’ (Nau Do Gyarah), ‘Dekho rootha na karo’ (Tere Ghar Ke Saamne), ‘Aise to na dekho’ (Teen Deviyan), and ‘Tere mere sapne ab ek rang hain’ (Guide) to name a few.

Jaidev got an independent assignment in “Joru Ka Bhai”, after which he composed music for ChetanAnand’s “Anjali”. Music of both of these films became very popular. But, with “Hum Dono”, Jaidev came into the limelight, and how? Who can forget the bhajan ‘Allah Tero Naam, Ishwar Tero Naam’ sung by Lata! And as long as there are lovers around, ‘Abhi Na Jao Chhodkar’ will be their favourite anthem as if it is a Valentine message. ‘Main zindagi ka saath nibhata chala gaya’ became the life philosophy of Dev Anand. Jaidev built a reputation as a sensitive composer who did not compromise on the quality of music for the sake of applause.

After Hum Dono’s success, a promise was made by Dev Anand that every alternate film of Navketan will have music by SD Burman and Jaidev. Accordingly, SD Burman was entrusted the baton of “Kala Bazaar” and Jaidev ‘signed’ for the music of “Guide” for which he is believed to have composed a couple of tunes too (‘Tere mere sapne ab ek rang hain’, and ‘Din dhal jaaye haye raat na jaaye); however, the film was made and released finally with music by S D Burman, his career best. Jaidev proposed, Dev Anand disposed! Probably, for the first time, Jaidev felt exploited and stifled at Navketan and “Guide” marked the end of his long and fruitful musical association with both Dev Anand and SD Burman. Navketan, too, never called him back, which was the unkindest cut of all. Though the hurt feeling lurked in his mind for long, his respect and reverence for SD Burman remained the same till his last. Besieged by a chain of misfortunes, Jaidev made “Jo kho gaya main usko bhulata chala gaya” the mantra of his life with his spiritual character to ‘guide’ him.

What happened to Jaidev after Hum Dono is the kind of heart-wrenching cruelty that film industry keeps inflicting on its best talents. After the mega success of Hum Dono songs Jaidev was the natural choice of Navketan for their next film Guide starring Dev Anand. Jaidev composed and recorded two brilliant songs and all persons in Navketan management were extremely happy with the songs. But all of a sudden, mysteriously enough Jaidev was thrown out of Guide!

It is said that Dev Anand pressurized Jaidev to work as S.D. Burman’s assistant in Guide. It was a cruel event where a sensitive creative genius like Jaidev was suppressed by the heartless mighty. Jaidev was never again invited by Navketan to compose songs. Dev Anand used both the Jaidev songs in his film Guide. It is said that those two songs were ‘Din Dhal Jaaye Haye Raat Na Jaye’ and ‘Tere Mere Sapne Ab Ek Rang Hai’ sung by Mohammad Rafi. Being cast out of Guide was a very big setback in Jaidev’s film music career. He never really recovered from the shock. Jaidev used to frequently narrate such incidents to his friends, wracked by inconsolable grief.

This was the time when Jaidev met and got introduced to young composers like Roshan and Madan Mohan. This is a great example of the saying ‘genius finds genius’. Roshan invited Jaidev to sing in his very first film. Once, when Roshan and Jaidev were going together to a film company, they saw Madan Mohan. Roshan was reported to have told Jaidev, “I am going to introduce you to a brilliant young composer”. On introduction, Madan Mohan and Jaidev needed no time at all to become best of friends.

Roshan, Madan Mohan and Jaidev had many similarities. They were rare music geniuses. They were unfailingly great human beings too. Their unquenchable thirst ran to music, languages, literature and wine. None of them were given the importance or prominence that they richly deserved. But they lived their entire lives as friends and supporters. Theirs was a rare friendship in the ‘man eats man’ world of cinema.

Film world has its own inviolable rules. It needs people who can achieve mass popularity by shortest possible route. Its impatience with geniuses is well known. Geniuses like Salil Chowdhury, Madan Mohan, Roshan, Vasant Desai and Jaidev failed in this race to huge popularity. They did not have the talent to market themselves. What complicated the matter was group politics that acted as a barrier to fresh music entering the industry. True geniuses who blazed their own path overcoming all barriers in our film industry are very few.

Jaidev also composed the musical score for “Maitee Ghar”, a Nepali film produced by King Mahendra. The King was so pleased with Jaidev that he offered him a blank cheque and asked him to fill in any amount as he wished. But Jaidev returned the cheque and asked for a tiger skin instead!

People who speak of the Golden Age of Hindi film music mostly speak of commercially successful names like Naushad, Shankar Jaikishen, S.D. Burman, R.D. Burman, Kalyanji Anandji and Laxmikant Pyarelal. But there are many composers who established their identities through the uniqueness of their compositions alone. They may not have composed music for a very large number of films. Many of their films might not have succeeded at the box office.

Jaidev had composed music for less than thirty films. The number of songs to his credit may not be more than hundred and fifty. But Jaidev is a name imprinted on the hearts of lovers of vintage Hindi film songs as the genius who gave such fabulous numbers as ‘Kabhi Khud Pe Kabhi Haalaat Pe’, ‘Allah Tero Naam’ and ‘Abhi Na Jao Chhod Kar’. ‘Kabhi Khud Pe Kabhi Haalaat Pe’ is among the best ghazal numbers sung by Mohammad Rafi. There are many who rate the number sung by Lata Mangeshkar for Jaidev ‘Allah Tero Naam’ as the best prayer song to have emerged from Indian films. In a recent televised event, Jaidev’s ‘Abhi Na Jao Chhod Kar’ was rated both as their favourites and the best Hindi film song ever by today’s stars Shankar Mahadevan and Farhan Akthar.

It is possible that an average listener may identify Jaidev as the only music composer from Hindi films to have won the National award thrice. But the lamentable fact is that this composer of incomparable songs, winner of many state awards and winner of ‘Sur Singar Samsad’ award for Lifetime Achievement in Music remains so unknown to common man that we keep hearing the question, “Jaidev? Who is he?” even from people who love his music!

It was Jaidev who introduced ghazal singer Hariharan to film music in the film Gaman (1979) with the song ‘Ajeeb Saaneha’. This is not merely one of Hariharan’s best songs it has become one of the finest ghazals in Hindi film music. It won the U.P. state award and a nomination for National award for Hariharan. In the film Kinare Kinare, Jaidev brought together four leading singers Mohammad Rafi, Talat Mehmood, Manna Dey and Mukesh to sing a song to be picturised on one character played by Dev Anand. It was an event nobody had tried till then.

Jaidev gave Yesudas some of his best Hindi songs that suited the unique pathos that Yesudas carried in his singing style. He even made him sing for Amitabh Bachhan in Aalaap released in 1977. ‘Zindagi Ko Sawarna Hoga’ and ‘Chand Akela’ with a light classical touch and the sad lullaby ‘Koi Gata Main So Jata’ in this film, were Yesudas’ very important Hindi film songs. Another fine ghazal singer Bhupinder shot to fame with a fabulous Jaidev song from his film Gharonda. Who can forget the depth of feeling that the song ‘Ek Akela Is Shahar Mein’ carried with such conviction? Jaidev’s Gaman also saw the introduction of another important singer, Suresh Wadkar to Hindi films with the classical based ‘Seene Mein Jalan’.

Jaidev was admired by producers as a good composer, but they considered him good enough for the small-budget films. Though most of his films failed at the box office, many of them, such as 'Kinare Kinare', 'Reshma Aur Shera', 'Alap', 'Prem Parbat', 'Gaman' and 'Ankahee', are remembered for his imaginative musical score. It is unfortunate that despite his expertise in classical and folk music and imaginative approach, Jaidev had only 'Hum Dono' and to a certain extent 'Mujhe Jeene Do' as the only commercially successful films to his credit.

Jaidev was a lonely man with no house of his own and no family to take care of him except a few friends who were mostly from the literary fields or judges, lawyers, painters, high rank officials and dignitaries. He needed a room to display his awards and trophies but sadly, most part of his life in Bombay, he lived alone as a tenant in a single room at Lily Court, near Ritz Hotel, Churchgate. His “Gharonda” song ‘Ek akela is shehar mein aab-o-dana dhoondhta hai, ashiyana dhoondhta hai…’ was almost biographical and depicted his plight.

A winner of four Sur Singar Samsad awards, the Lata Mangeshkar Award of the MP Government and three National Awards (‘Reshma Aur Shera’, ‘Gaman’, ‘Ankahee’), Jaidev did not get the recognition he deserved and that is a sad commentary on the musical culture of modern cinema. Looking back on Jaidev's career as a music director, his struggles, achievements and set-backs, his pensive melody 'Kabhi khud pe kabhi halat pe rona aya' from 'Hum Dono' suddenly comes to mind and the heart grieves for the talent that was wasted. By a strange quirk of fate, before his composing days, Jaidev also sang songs on All India Radio. Sahir’s “Tang aa chuke hain kashm-e-kash-e-zindagee se hum” was first sung on AIR by none other than Jaidev. He was the first composer who used the 'glockenspiel' for the cigarette lighter tune in “Hum Dono”. (It was Kersee Lord who brought this instrument to India, and also played it to good effect.)

As compared to his contemporaries, Jaidev was underpaid or not paid in time or not at all paid many a times. But, money considerations did not dilute his passion or affect the quality of work. He was a workaholic and had a method to his madness; he took note of the backdrop of the film, the situation, the character, the dialect, the lyrics and worked meticulously on the details of the song, its arrangement and orchestration till the final recording. No doubt he was exploited many a times of which he was well aware, but it was only when he felt so, he cut off his ties with the filmmakers (like with Dev Anand and S D Burman after “Guide”) and dissociated himself from the composing assignment. Not many know that the title track of Ramanand Sagar’s epoch making serial “Ramayan” was by Jaidev. He left the serial at the nascent stage itself as he was not even reimbursed the taxi fare (from Churchgate to Natraj Studios, Andheri East), leave aside the credit or remuneration for composing!!

In Jaidev’s own opinion he gave his best for Hrishikesh Mukherji’s “Aalap”, but when Mukherji and Amitabh Bachchan were ignored, what can be said about Jaidev’s plight? But Jaidev gave his all for the ultimate reward he got from “Aalap”. His association with Harivanshrai Bachchan got him the opportunity to compose the “Madhushala”, which had Manna Dey singing the “Madhushala” into the annals of posterity!

After three decades of continuous struggle as a music director, and with only thirty six films to his credit, Jaidev was a tired man. Age was catching up with him and his health was failing. He had no one except friends to care for him and no house to call his own. Earlier he used to spend his vacant hours over a glass of liquor. But later even that blessing was denied to him on medical grounds. On December 14, 1986, when Jaidev stepped on the stage to receive the fourth Sur Singar Samsad award for his classical music in 'Ankahee', he looked weak but healthy enough to last another decade. The glow on his tired face was probably the last flash of a falling star. On January 6, 1987, he died suddenly, at the age of 68, leaving the film industry to grieve for the loss of a talent it had consistently neglected. Life had been unreasonably cruel to him but death was more than gracious to liberate him from the misfortunes of life.

A Tribute to Jaidev ~ Vikram Appasaheb Jadhav Kolhapur 06/01/2019

जयदेव को देवानंद और s d burman ने दुःख पहुंचाया guide के 2 गाने तेरे मेरे सपने याब एक रंग हैं और दिन ढल जाए रात न जाये की धुने जयदेव नेबनाई थीं।

#Jaidev #jaidev the music director

0 notes

tellytantra · 5 years

Quote

Prologue Dr. Sonakshi Bose sat at her desk, in her chamber, going through the list of apartments she could rent in the city of Delhi. She had just received an job offer from one of the best hospitals in the city of Delhi. They wanted her as their head Psychiatrist and it was an offer that she wouldn't dream to refuse. But the only problem was, that they weren't giving her, her own accommodation. Even though they were paying for it, she had look for a place herself. She hadn't yet planned to settle in Delhi, but she knew for at least the next two years, she would work there. So she looked for rented apartments. As she scrolled up dissatisfied, there was one advertisement that caught her eye. **************************************************************** Devrath Dixit was one of the top businessmen of India at the moment. He achieved new heights everyday. A hardworking businessman, he had seen both dark days and happy days. Though he had his own house in Delhi, for work purposes he bought himself a penthouse apartment. He shifted to the apartment so that he could solely concentrate on his work. Though he would drop by his house whenever he missed his family, he mostly lived in the penthouse. But recently whenever he would be on tours, the penthouse would remain empty and become dusty. And Dev hated coming back to an empty house. After a suggestion from his secretary Tina, Dev decided to rent out half his apartment. Because the penthouse had two levels, he could easily rent out the ground level as he had set up everything in the top level. He kept the rent reasonable so that he would get a housemate soon enough, because the money wasn't his requirement. So he advertised on a site and waited. ****************************************************************** Two weeks after he gave the advertisement, she chose it as her abode for the next two years. So now Dev and Sonakshi's paths were about to meet. How would this meeting turn out to be? A chance acquaintance? Or a lifelong relationship? Mishti94 Chapter 1 "Kyaaa?" Sonakshi yelled, wide-eyed at Elena, with a hand on her chest. Elena fell back on the couch laughing like a madwoman while waving the letter she had been reading out loud in front of her sister's face. "Arey pagal, kahan na maine, Dr. Sonakshi Bose ko Goenka Hospitals, Delhi me Head Psychiatrist ka post mil gaya hai!" Elena proclaimed dramatically, once again making Sonakshi eyes just go wider, if that was even possible. "Kya bol rahi hai Elena? Meri Shona ko uska dream job mil gaya?" Asha asked Elena, smiling with pride and then went on to hug her daughter tightly. Sonakshi, who had been sitting still in shock all this while, finally reacted properly feeling her mother's hug. "Shyotti?! I can't believe this ma. Mera sapna poora ho gaya!" She said hugging her mother back with all the strength she could manage. "Sirf tera nahin Shona, tere baba ka bhi. Aaj woh rehtey toh kitne proud hote!" She said wiping a few stray tears that had slipped down her cheeks. Seeing her mother cry, Sonakshi also tried hard to control the tears that were on the verge of slipping out. Elena seeing the moment take a sad turn, jumped into the hug and said, "Yeh hug mere Bina kaise possible hai?" Wiping her Maashi's and sister's tears she happily said, "Aap dono bilkul pagal hai. Mesho abhi upar se aap dono ko dekh rahey hai and Sona ko apna full ashirwaad send kar rahey hai bag bhar bharke, aur yahan aap dono ro rahey ho. Bolo achha lagta hai?" She said trying to imitate the way her late uncle spoke.3 Asha and Sonakshi burst into laughter at her antics and patted her head affectionately. Elena was Asha's sister's daughter and had come to live with them two years back, right after Sonakshi's father, Mr. Bijoy Bose, passed away from a cardiac arrest. It had been a very difficult time for Sonakshi and her family and Elena had proved to be a great support for all of them. They never had financial problems because Bijoy had been a very successful businessman of his time and his business was now being perfectly handled by Sonakshi's elder brother Saurabh. "Hey Bhagwaan, inn sab kuch me, dada ko phone karna toh bhool hi gayi!" Sonakshi said, jumping up to get hold of her mobile so that she could call Saurabh, who was now busy on his Honeymoon. "Sona! Baad me karlena naah, Dada abhi Raunita Boudi (Bengali for Bhaabi) ke saath Busy hongey naah" Elena said winking at Sonakshi, while Asha swatted her hand laughing. Sonakshi also joined into the laughter and said, "Koi baat nahin. Apni favourite sister ke liye toh woh time nikal hi sakte hai naah?" She said winking back at Elena who threw a cushion, from the couch, at her. Dodging it gracefully Sona entered her room with the appointment letter in one hand and her phone pressed to her ear with the other. On the second ring her brother picked up, "Kya hai Shona, hum abhi Gondola ride pe aye hai, baad me call nahin kar sakti thi?" Saurabh said impatiently from the other side. Giggling at her brother's irritation Sonakshi said, "Kya Dada, honeymoon pe jakey, apni behen ko bhool gaye. Chee chee. Waise Venice achhi lagi aapko aur Raunita ko?" Saurabh just blew an impatient sigh and said, "Achha toh tab lagega naah jab tum phone rakhogi!" She was having fun, getting her brother all angry and annoyed, but didn't want to spoil their trip and so got to the point quickly. "Achha achha, aur taang nahin karungi. Buss yahi bolna tha ki mujhey woh job mil gayi Dada" she said gripping her phone tightly. Hearing silence on the other end she repeated, "Dada?" Immediately she heard him say, "Kya bola tumney? Who job? Matlab wahi job naah? Jiske liye tumney itni mehnat ki?" Sonakshi broke into an even bigger smile and said, "Haan Dada, wahi job. Mera aur Baba ke sapne wala job. Aap abhi Goenka Hospitals Delhi ke Head Psychiatrist se baat kar rahey hai!" She squealed happily. From the other side she heard Raunita say, "Congratulations Sona, mujhey pata tha ki you'll do it!" Sonakshi laughed at her sister-in-law's confidence in her. But much before being her Sister-in-law, Raunita had been her best friend right from the diaper days. And Raunita never once doubted the abilities of her best friend. "Thank you Ro. Tumhare trust ne hi mujhey agey badhne ka strength diya" Sonakshi said sincerely, only to be immediately challenged by her brother, "Aur hum sab. Hum sab kya side me khade hoke dekh rahey the?" He demanded to know. Sonakshi laughed heartily at her brother's reaction and said, "Kya Dada. Badi jaldi gussa ho jate ho aap ajkal. Ja Ro, inko Gondola pe ghuma lao. Shayad dimaag thanda ho jaye!" She disconnected the call before her brother could react, listening to Raunita laugh and her brother grumble. She sat on her bed and took a deep breath and finally looked at the letter that Elena had read out to her a few minutes back. Finally, after years of working hard, she had fulfilled her father's wishes and her dream. She looked at her father's photo on the bedside table and said, "Finally Baba. Maine apka sapna poora kiya. I wish aap yahan hote. But I know ki aap mujhey ab tak help karte ayein hai. And I wish ki aap isi tarah mujhey help karte rahey. I love you Baba!" She said wiping a happy tear. She then proceeded to read the letter thoroughly to see what the rules were and was astonished to find that she had to look for her own accommodation even though the money for it would be given to her by them. On top of that they expected her to join within two days. Sonakshi scratched her head, "Itni jaldi ghar kaise dhoondo?" She pondered. As she thought hard about it, an idea struck her. Taking out her laptop, she opened a website that advertised about flat rentals in different cities. Setting her preferences on Delhi, she scrolled through the list of advertisements but nothing seemed to settle well with her. She didn't want it to be too expensive, neither did she want her apartment to be dingy and small. As she continued her search Asha called her from the dining room, "Shona taratari ao. Dinner thanda ho jayega. Phir karna jo bhi kar rahi ho." Sonakshi decided it was best to get some food into her stomach so that she could think properly. So leaving the laptop on the table, she left the room. Just as she exited the room, the pop up box inside her computer suggested another suitable match for her - "1st level of penthouse apartment for rent out. Fully furnished. Amount to be disclosed only after deal is sealed. For further information call Ms. Tina Patel at 9********7" ********************************************************** "Tina, Ahluwalia and Co waali file kahan hai?" Dev spoke into his intercom as he looked for a pen in his desk drawer. "Woh sir, file abhi tak accounts section se ayi nahin hai" Tina replied immediately. She knew Dev Sir hated waiting unless it was for a very important reason. "Kya matlab ayi nahin hai? Poochon unheyy, ki ek file ka itna time kyun lag raha hai. Kal jane se pehley I want that file on my desk" he finished brusquely and went back to working on the presentation that he needed for the tour he would go for, the very next day. Sipping his coffee, he went over the final corrections of his presentation for the fourth time so that there would be no scope for any mistake during the conference. Tina knew that her boss was stressed about the upcoming conference and hence didn't mind his rude tone at all. "Pata nahin kab Sir ko thoda rest milega" Tina thought sadly. Dev had been working almost continuously for the past three days to make sure everything would go perfectly. Often when under stress, Dev would become irritated and curt, but otherwise he was the best Boss one could hope for. He wasn't hailed one of the top Businessmen for just any reason. He worked hard to reach the top and worked twice as hard to retain it. And for Tina, Devrath Dixit was an inspiration. He had shifted into a penthouse apartment a year back, so that he could focus on his work properly because he had a huge loveable family who refused to let him work once he went back home and for a hardworking businessman, whose aim was to be on top, this did not sit well with Dev. But after moving into that penthouse, Dev had become somewhat of a recluse. When he lived with his family, he would still be dragged to different social events. But since his move, his social interaction had become zero, besides all his work meetings. Tina had been working for Dev for the past four years and had steadily become a kind of confidante for him besides being his PA. In fact they were such good friends that, it was Dev who set up Tina with his childhood friend who had now become her boyfriend and she couldn't thank him enough for this happy twist in her life. But lately her Boss turned friend was not doing well with all the stress. He would often overwork himself due to the lack of having anything else to do and that would ultimately lead to some sort of illness. Tina, being Tina, demanded that he do something other than work, like attending parties or going to hang out with friends or family. But Dev was stubborn and Tina knew he would never heed to these ideas. So she made a plan. She knew he needed someone in his life, someone who would love and appreciate him. Even if it wasn't a romantic attachment, he needed a real and proper friend. So she talked him into renting out half his penthouse. Of course she did not tell him her real motive. She just told him that he wouldn't have to return to an empty house everyday and would have someone to talk to in case he wanted to get rid of his loneliness when he needed a break. Dev had taken two whole months to warm up to the idea but finally two weeks back he had let Tina Post an advertisement to rent out the lower level of his penthouse. Tina checked the website once again. There were still no proper takers. She only hoped someone would take up the offer soon and she hoped it would be a woman. She had turned down all the male applicants for the ad. And till now only two women had contacted her for the same and both were not up to the mark according to her. Once again she never told Dev the real reason she rejected them. She was just waiting for the right one and she hoped that she would appear soon. Just as she finished pondering upon this thought Dev came out of his office and stood before her desk making her jump up and stand in attention. "Main ghar ja raha hoon. Kal subah tak file desk pe rakh dena. Kal subah 9 bajey meri flight hai aur main office akey phir jaunga. Tum sab kuch ek baar finally check kar lena and let me know before I board my flight, theek hai?" Tina nodded in agreement. "Ab ghar jao. Meri dusri car neechey hi hai, driver tumhey drop kar dega. It's late." He told her in that same curt tone. Tina smiled. No matter how much he wanted to show a cold exterior to the world, his warmth and goodness managed to show through every time. Dev was about to turn away when his gaze landed on Tina's computer monitor. He smiled a little, "Koi mila?" He asked. Tina sadly nodded, "No Sir. Ab tak koi dhang ka nahin mila" Dev just waved his hand dismissively, "Aur milega bhi nahin. Now don't waste time, ghar jao" and with that he was off. Tina sighed and slowly packed her things. But just as she was going to shutdown the computer a chat box below the advertisement opened. The message read, "Hello Ms. Tina, could I call you now? I am interested in talking about the penthouse on rent. And the name of the sender read "Dr. Sonakshi Bose."+ Tina abandoned her belongings on her chair and immediately got to work. This better be the one. She couldn't wait to see Dev Sir get back to his real self. ********************************************************

http://jodifiction.blogspot.com/2020/03/devakshi-ff-reaching-out-krpkab-ff-kuch.html

#SEO #Local SEO training Devakshi FF : Reaching Out | KRPKAB FF | Kuch Rang Pyaar Ke Aise Bhi http://

0 notes

lyricsocean · 5 years

Link

Bhankas Song Lyrics

Loading…

Bhankas..

Ek aankh maarun toh

Arrey ek aankh maarun toh parda hat jaaye Duji aankh maaru kaleja kat jaaye

Dono aankhein maarun toh chhori pat jaye Chhori pat jaye Dono aankhein maarun toh chhori pat jaaye Chhori pat jaye

Bhankas…

Dil mein tere kya hai mujhko bata de Tere mere bich ka ye parda hata de

Haan dil mein tere kya hai mujhko bata de Tere mere bich ka ye parda hata de

Aaja meri raani tujhe gale se lagaun Vayakul jiya mera bas yehi chaahein

Tere paas aaun to Jo tere paas aaun to Door ghatna ghat jaye na ghat jaaye

Dono aankhein maarun toh chhori pat jaye Chhori pat jaye

Bhankas…

Related Songs Lyrics

Tags: Bhankas song lyrics, hindi songs lyrics, Bhankas lyrics from movie Baaghi 3 (2020), Bhankas hindi lyrics

Note:

Share your favourite lines from lyrics by selecting the lines and click on “FShare” button that appears.

The post Bhankas Lyrics – Baaghi 3 (2020) Songs Lyrics appeared first on Lyrics Ocean.

#Lyrics #LyricsOcean

0 notes

lazyupdates · 6 years

Link

Ask any director who he’s been influenced by and Vijay Anand’s name will feature notably in that list. Because the filmmaker was not just a textbook of cinema. He was an entire curriculum. Not limited by any genre or stymied by his own sensibilities he could flit through comedy, thriller, drama, musical and even masala fare with ease. His directorial excellence was as much about his deft camera work as it was about his nuanced characters. Waheeda Rehman in Guide, despite playing an adulteress, went on to become an iconic symbol of rebellion. Vyjayanthimala went notches further as a dancer after she kept pace with his trailing camera in Jewel Thief. Shammi Kapoor became India’s answer to Elvis Presley as he matched Anand’s vision of a rockstar in Teesri Manzil. So did Mumtaz drape her sexuality in homely cotton sarees to give her best performance in Tere Mere Sapne…

Anand’s songs too outlived his times, most being the pride of satellite TV. Love awakening against a rising sun in Tere mere sapne ab ek rang hai. Dreams lettered in Pal pal dil ke paas… Love scaling heights in Dil ka bhanwar… Vijay Anand’s creative picturisations took the story forward. “My camera listens to the song and moves with it,” he once said. Long shots, lush backdrops and sharp intercutting brought out the poetry in the prose.

Yet Anand’s life was not confined to the boundaries of fame. He was essentially a seeker, his quest leading him to somewhere finding the ultimate answers with guru UG Krishnamurthy. It was also this philosophical side that helped him tide an ebbing career and health. For someone who could almost predict the period of his death, the shenanigans of fate were no threats. Today, Anand’s genius lives on in the cinematic jargon. In fact, Sriram Raghavan’s Johnny Gaddar, a noir thriller, paid a subtle tribute to the master in a scene where his blockbuster Johny Mera Naam played… Memories of an unforgettable man and an extraordinary filmmaker in the words of wife Sushma Anand… THE MAKER Goldie’s (Vijay Anand’s pet name) childhood was spent in Gurdaspur in Punjab. A fair child with blonde curls, he was naughty. Hence, his father called him ‘Goldilocks’. With time, locks nikalgaye, ‘Goldie’ rehgaya! Goldie lost his mother when he was seven. He, along with his two older sisters (they were a family of nine siblings), came to live with Chetan saab (Anand, filmmaker) and Uma bhabhi (Anand) at their ‘shack’ in Juhu. Chetan saab was older to Dev saab (Anand, actor/filmmaker) by 10 years, who in turn was older to Goldie by 10. Uma bhabhi was like a mother to Goldie and had a great influence on him. She urged him to write, given his sharp imagination. Goldie often said, “I owe everything to Bhabhi.”

While Goldie was studying in St Xaviers College in Mumbai, he directed several plays, including the play Rehearsal. It was a takeoff on Hamlet and the catch phrase ‘to be or not to be’. Just out of college, Goldie wrote the script of Navketan’s Taxi Driver (1954), with Uma bhabhi, which Chetan saab directed. He had also written the script of Nau Do Gyarah (1957) and wanted to direct it but didn’t have the courage to tell Dev saab about it. Once when Dev saab was going to Mahableshwar, he asked Goldie for the script to read it on the way. Goldie refused saying he’d narrate it himself. He hopped in the car and narrated the story through the journey. On reaching Mahableshwar, Dev saab called his office and said, “Navektan’s next production will be directed by Vijay Anand. Make an announcement!” From then Goldie’s career as a director took off.

Kala Bazaar (1960) was one film where all the three brothers worked together. Dev saab produced it. Goldie wrote and directed it. Chetan saab acted in it. During his college days, Goldie would see tickets being sold in black at theatres including Metro, Liberty and Empire… That gave birth to this concept. He even included real shots of the premiere of Mehboob Khan’s Mother India with actors including Dilip Kumar, Nargis Geeta Dutt, Guru Dutt, Raaj Kumar and Rajendra Kumar.

Amarjeet, who was a publicist and Goldie’s friend, lived in Chetan saab’s shack with Goldie. Once, Goldie fell sick. Amarjeet nursed him with affection. He’d serve him soup, press his legs, check the temperature… Goldie promised him a directorial assignment. Goldie wrote a detailed script of Hum Dono (1961, had Dev Anand in a double role) with everything marked…. entry, exit, camera placement… so that Amarjeet wouldn’t face difficulty while directing. But yet Amarjeet couldn’t do it. Finally, Goldie directed the film but gave Amarjeet the credit that he’d promised him.

Nutan was one of Goldie’s favourite actresses and suited perfectly in the comedy Tere Ghar Ke Saamne (1963). Dil ka bhanwar had a beautifully filmed song. It was shot in the Qutub Minar to get the feel of Delhi. The duo (Dev-Nutan) climbs up as friends but when they come down, they’re lovers. The song Ek ghar banaaonga had camera tricks – Nutan is seen in the glass of whiskey. Guide (1965) was Navketan’s first film in colour. Based on RK Narayan’s novel The Guide, Tad Danielewski was directing the English version for writer Pearl S Buck. Chetan saab was to shoot the same scenes for the Hindi version He found it frustrating. So when he got a financier for Haqeeqat (1964) he quit. Goldie accepted it on the condition that he’d rewrite the script as a subject like blatant adultery would not be accepted by Indian audiences. Guide became a classic because it excelled in photography (Fali Mistry), acting (Dev Anand-Waheeda Rehman), music (SD Burman), editing (Vijay Anand and Babu Shiekh)… The song Tere Mere Sapne was shot in the early light in Udapiur. It was an emotional mood where Dev saab builds hope in a dejected Waheeda Rehman. Aaj phir jeene ki tamanna hai was filmed in the Chittorgarh Fort in Rajasthan. Her playing with the straw showed her light-heartedness. When she throws the matki singing dil woh chala it spoke of shedding the past and new beginnings. The finest compliment for Goldie came from RK Narayan who said, “The film is more beautiful than my book.” Goldie went on to direct the spy thriller Jewel Thief (1967). For the legendary Hothon pe aisi baat filmed on Vyjayanthimala, three to four cameras were put up including a trolley camera. Later, Dev saab was to do Nasir Hussain’s thriller Teesri Manzil (1966). When he couldn’t, Shammi Kapoor was roped in. Initially, Shammiji came at his own time. But he realised that this man comes at 9 am with a ready script and his cameras are placed beforehand. He too began coming on time. Shammiji and Goldie struck a great rapport. Aaja aaja and Oh haseena zulfonwali will always be remembered for their energy, Shammiji playing a musician in the film. O mere sona re is my favourite because through the song Goldie played interestingly with Shammiji’s briefcase. Later, Johny Mera Naam (1970), an entertainer, further proved Goldie’s versatility. In Pal bhar ke liye… Goldie played with the windows, where the persistent lover (Dev saab) finally woos the heroine (Hema Malini).

A film that remained close to Goldie’s heart was Tere Mere Sapne (1971, based on AJ Cronin’s The Citadel). He was hurt that the ‘sensitive’ film was not a commercial success. It was the story of human relationships amidst materialism. Goldie met doctors to understand the authentic body language for his doctor protagonist (Dev Anand). The songs were unique too. Mumtaz sings Radha ne maala japi when she accepts the hero’s marriage proposal. Hey maine kasam li was filmed on Dev saab and Mumtaz on a bicycle. Jeevan ki bagiya was shot in close-ups and established their intimacy. But the less heard Mera antar ek mandir, a song, which hinted at conceiving a baby, was Goldie favourite. Goldie liked Nutan and Waheeda for their expressive eyes. He found Nanda to be a fine artiste as much as he liked Asha Parekh for her naughtiness. But in Mumtaz, he saw a great dancer and actress. Basically, he liked simplicity in a woman.

My favourite in Blackmail (1973) is Mile mile do badan. It’s the first time that the couple (Dharmendra-Raakhee) have come together. They’re hiding among the wood pile in the jungle even as dogs are sent to hunt them. The danger and intimacy makes the song beautiful. Pal pal dil ke saath is romantic because of the dreamy picturistaion. He directed some more films like Chhupa Rustom (1973), Ram Balram (1980) and Rajput (1982) but didn’t meet with much success. He also happened to act Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), which were huge hits. Goldie was proud of his later films Hum Rahe Na Hum (1984), a relationship saga that featured him with Rehana Sultan and Shabana Azmi and Jaana Na Dil Se Door with newcomers. Sadly, he couldn’t release them and that left him dejected. He’d say, “Perhaps, my time is over.”

THE MAN Goldie and I got married in 1978 during the shoot of Ram Balram. We cared for each other to the extent that we wanted to get married. He liked my simplicity. I understood his temperament. He rarely lost his cool. I was the one who’d lose my temper. I was crazier. I’d deliberately do things to annoy him. Sometimes, he manaoed (cajoled) me, sometimes I manoed him. Yes, women did throw themselves at him. But I never felt jealous or insecure. Rather, I’d tease him, “Main dekh rahi hoon! Maze karo! Enjoy yourself.” He rarely complimented me but when he did it made me happy. He liked me in sarees and sometimes picked up sarees and pieces of jewellery for me.

We loved to travel. Our best holiday was in Hampstead in London just after our marriage. There were theatres across the road. We shopped a lot. Once when we were in Europe, he quietly slipped out. “Yeh lene gaya tha,” he said later showing me a sweater he had bought for me.

He had a passion for ballroom dancing, waltz and fox trot. As a youngster, he’d travel from Chetan saab’s shack to a school in Colaba to learn waltz. He did a dance with Bindu in Chupa Rustom. The song Joh main hota ek toota tara was filmed on the bonnet of a car. He also loved shirts. He’d pick a dozen at a time. He was fond of watches and cologne and had grown fond of horses when he was working with Kalyanji Anandji.

Chetan saab’s shot division was superb. But Chetan saab changed things on the set, he was spontaneous. While Goldie went fully prepared. That’s why actors understood they couldn’t fool with him. They understood he meant business.

Goldie liked Guru Dutt’s realism, Raj Kapoor’s glamour and the existentialism in the works of Satyajit Ray. Meghe Dhaka Tara (1960) by Ritwik Ghatak was his favourite. But as a filmmaker he didn’t want to make realistic movies. He’d say, “This is a media for entertainment!” Goldie was not fond of drinks and nursed a peg throughout the evening. Rather, he was interested in spirituality and astronomy. He had read all religious books – the Gita, the Bible, the Upanishads, the Koran… He became a disciple of Osho Rajneesh but reached a dead end when he couldn’t find answers. Then he met UG Krishnamurthy (spiritual guru) in whom he found solace. UG once said, “If anyone, anywhere has understood me, it’s Goldie.” Instead of revolting, he accepted life as it came. He was against pretence. He never missed his past glory. He’d say it was a closed chapter. He didn’t want to write his biography. He believed, “Joh hoga so hogaya. My work will speak for itself.”

Towards the end he had developed a heart problem. Vaibhav had assisted him in Jaana Na Hum Se Door and then went off to attend a filmmaking course at the Lee Strasburg Institute in New York. Vaibhav returned in January 2004. Goldie passed away in February 2004. In fact, having some knowledge of astrology Goldie had predicted that February 2004 was a bad month for him. His only regret was that he couldn’t do much for our son Vaibhav, who’s inherited his sensibilities. After he passed away you do tend to get isolated. But it’s fine. I’ve taken to singing – something I was always interested in. And in my circle of friends I often sing Tere mere sapne ab ek rang hai…

YOU MUST KNOW…

Taxi Driver was inspired by Hollywood’s noir movement

Nau Do Gyarah was an urban thriller/road film with elements borrowed from Frank Capra’s It Happened One Night (1934).

Vijay Anand filmed Aaja panchi akela hai in a constricted space (a room and a toilet!) in Nau Do Gyarah. The film’s other hits were Hum hain rahi pyar ke and Aankhon mein kya ji.

Rhim jhim ke tarane (Kala Bazar) is remembered for Dev Anand and Waheeda Rehman under an umbrella!

In Tere Ghar Ke Saamne, Anand used camera tricks where Dev Anand imagines Nutan inside his drink! Then Dev’s aide puts an ice cube into the glass causing Nutan to shiver!

Hum Dono with Sahir Ludhianvi’s lyrics and Jaidev’s music gave the immortal gems Allah tero naam and Abhi na jaao choddh kar.

Aaj phir jeene ki tamanna hai (Guide) had Waheeda dancing along the ledge of the temple while Tere mere sapne was canned in just three shots.

RD Burman’s rock n roll inspired score in Teesri Manzil gave Shammi Kapoor his rockstar image.

Jewel Thief’s Hothon pe aisi baat had Vyjayanthimala gliding through an entire stanza in one take.

Johny Mera Naam had Hema Malini riding on a cable T-bar on Dev Aand’s lap

The great music and picturisation of Anand’s films can largely be credited to composer SD Burman, lyricist Shailendra and cinematographer Fali Mistry who translated his vision.

#lazy #lazy updates #Updates #trending #news #bollywood #recipes #entertainment

0 notes

tellytantra · 5 years

Quote

Kartik was supremely excited! It was an extremely special day after all! It had been a whole year since Naira had finally expressed her feelings! He could remember it like it was yesterday. Naira's phone buzzed on her bedside table. It read, " Happy first anniversary my jaan! I will pick you up at six. Be ready! Love you! :) ". Naira couldn't help but smile. A scarlet blush crept over her cheeks as she thought of their year together. They had only just started their journey together when tragedy struck and her mother passed away. Her mother had been the most beloved person in their household and with her gone, it had seemed like the happiness, the laughter, the warmth had also gone. It had become cold, and gloomy. Naira was going through unimaginable grief and pain but she had to be strong for her family. She missed her mother dearly but she couldn't fall apart in front of her family. Kartik had been her rock all through out and in him, she found someone who not only shared her grief, but understood her loss, having lost his mother a few years back. Kartik was extremely proud of her about the way she had handled herself and kept the family together. Their relationship had only strengthened and grown over the past year. Things had started to settle down in the past few months. They had gradually come to terms with the situation and the grey clouds looming over their house were beginning to disappear. Kartik was busy making arrangements for their special day. He wanted this day to be memorable and was doing everything just to see Naira smile. She deserved it after everything. He had planned for a dinner on a private rooftop. He had booked the chef from Naira's favourite restaurant to prepare a delicious meal for them. He had even arranged for a live violin player so they could dance under the moonlight! But the highlight was that he had planned a helicopter ride over the city before dinner! It was quite unlike him to be this extravagant but he thought this day called for it! It was for his Naira after all! He dressed up in a blazer and kept his hair a little messy, just the way Naira liked it. He drove up to the Singhania house and waited. And then he saw her! She took his breath away! She looked absolutely resplendent in a royal blue gown! He couldn't take his eyes off her! She had to snap her fingers to get him out of his trance! "You are looking exquisite!" he said. It made her blush crimson. He liked the effect. She tried to ask him multiple times on their way what his plan was. But he was adamant that it has to be a surprise. They had parked in the basement of a sky-high building. He couldn't wait to take her on the helicopter ride. The timing was perfect and so was the weather. The sky was crimson but it wasn't dark yet. So they could watch the sunset and the lights below. It would be an amazing view! Naira wondered what is going on while Kartik seemed like an excited child in an amusement park! She smiled at how adorable he was! They entered the elevator to make their way up and as it was ascending, it suddenly came to a halt with a jolt. Kartik's face fell while Naira was confused. The lights went out and Naira suddenly held his hand. Thankfully, there was an emergency power supply and the lights flickered back on. Kartik: Naira, tum daro mat. Sab thik ho jayega. I will take care of it. Naira: Tum mujhe samjha rahe ho ya khud ko? Main Naira hoon! Main darti warti nahi hoon! Kartik: Achha fine meri sherni! Ab mujhe ye phone chal raha hai kya dekhne do. Kartik used the emergency phone in the lift to call maintenance. They said they would see what the problem was and fix it as soon as possible. Meanwhile they need not worry as there was an air vent in the lift and the emergency power supply was working so the lights would remain on. Kartik was getting frantic by the minute as time was going by and he so wanted this evening to be special. Finally, both of them sat down side by side as there was nothing to do but wait. Naira looked at Kartik's upset face and held his hand giving him a reassuring look. Naira: Waise ab to bata do ki plan kya hai? Kartik: Nahi! Jab thodi der mein lift thik ho jayegi to tumhe apne aap pata chal jayega. But alas! It took the maintenance people three hours to get things fixed. By the time they got out of the lift, it was too late for the helicopter ride! Kartik had no option but to proceed to the next part of his plan. He was disheartened but he was determined to make at least dinner memorable! Of course, fate had other plans. They got stuck in terrible traffic for another hour and by the time they reached the venue he had booked, it was already shut! Kartik's spirits were completely dampened now. All his plans to make this day special were falling through. They walked back to the car and he leaned on it utterly disheartened. Naira saw this and leaned beside him. Kartik: Maine kya kya plan kiya tha! I wanted this day to be our best day together! He narrated all his plans for the night. She beamed listening to all his plans thinking of all the trouble he went through. She took his hand in hers and kissed it. Naira: Tumhi to hamesha kehte ho na. Ye humari love story hai! Ye normal kaise ho sakti hai! Kuch na kuch gadbad to honi hi hai! Phir upset kyun hona? I take this as a sign that everything is great between us! Agar gadbad na hui, to pakka gadbad hai! Kartik smiled hearing this. Kartik: Par humari date to adhoori reh gayi! Naira: Arre! Hum done abhi saath to hai! We still have an hour before our anniversary is over. Aur waise bhi hum dono ka saath hona is the most important thing. Baki sab to add-ons hai. Its alright. They looked around and realised they had parked on a beautiful road. It was empty but for the two of them. There were trees on both sides of the road making almost a canopy above. It was beautifully tranquil with just a couple of street lamps lighting the way. The entire setting seemed right out of a fairy tale. The opportunity seemed too good to waste and Kartik was struck with an idea. The radio in the car started playing the song, "Main agar kahoon, tumsa hassen, Kaynaat mein, nahi hai kahin, Taarif ye bhi to, sach hai kuch bhi nahi" Kartik went down on his knees and asked for a dance. Naira took his hand and they both got lost in each others arms, swaying to the soft tune in the moonlight. After a while, a sound broke their reverie and they turned around to see a chaat vendor making his way home. Naira excitedly exclaimed "Pani puri!" as it was her absolute favourite! They were both ravenous after the happenings of the evening and ate to their heart's content. They started walking down the road hand in hand. Naira's hand fit in Kartik's like it was made for her. There was cool breeze in the air and Kartik noticed Naira was shivering a little. The gentleman that he was, he gave her his blazer. Their idyllic walk was interrupted when they came across a small 'chai ki tapri'. They both sat down to have a steaming cup of tea. The hot 'adrak wali chai' helped bring some warmth into the chilly night. Just then, Kartik had an idea. He had a spare blanket in the back of his car. He took Naira back to his car. Then both of them sat on the bonnet of the car with their backs against the windshield with a cozy blanket wrapped around them. They looked up into the sky and it was magnificent! It was clear and shone bright with stars. They lay in the silence beside each other taking in all the beauty. After a while, Naira sat up and broke the silence. Naira: You know I always thought that people become stars when they leave us. Kya mumma bhi taara bani hongi, Kartik? Kartik sat up and took both her hands in his. Kartik: Mere paas tumhare liye kuch hai. Socha tha, uss rooftop par dance ke baad tumhe ye anniversary gift dunga. Tumhe uss sabse bade taare ke bilkul bagal me woh cute sa, chhota sa taara dikh raha hai? I had it registered online and named it "Akshara". Ab tumhe jab bhi mumma ki yaad aye, tum bas uss taare ko dekh liya karo. Aur wo bhi humesha tumhe dekh sakti hai. I am sure she is very proud of you Naira. And so am I! Naira's eyes glistened with tears listening to this. She couldn't find words to thank him and she didn't need to. Such was the beauty of their relationship. They understood without words. She hugged him tight and poured all her emotions into the hug. She said a simple 'Happy anniversary Mendak' and melted into his arms. He kissed her forehead and understood everything she didn't say. They were best friends, they were soul mates. They just lay down in the starry night reveling in the beauty of the night, the comfort of the silence, the safety of their togetherness and the warmth of the blanket. That night, that star 'Akshara' shone the brightest for them. And in the end, it indeed turned out to be a memorable night of their lives. Miraya

http://jodifiction.blogspot.com/2020/02/kaira-os-starry-night-yrkkh-os-yeh.html

#SEO #Local SEO training Kaira OS : Starry Night | YRKKH OS | Yeh Rishta Kya Kehlata Hai OS | Kartik

0 notes