#fast paced editing

[jaythelay]

If I kept doing LC content, I'd probably pull another Comic Dubbing situation, where nobody made high quality content until I did, and then it became the norm seemingly only after I stopped.

Because wow. I haven't found anyone who edits as hard as I did for my LC videos yet, mostly seeing just...honestly boring or uninspired clips with friendgroups that sound...dead.

But I imagine, once one creator with the passion and drive sees my content they'll be like me, and go "I can do that. Shit I can do that better than them!"

And I look forward to it as I have with undertale comic dubs.

Because before UT comic dubs, all videos doing dubs were intensively lazy. still ass PNGs with dollar store mics, reading dialogue in their normal ass voices, not a hint of editing or energy or passion. I made some slick edits and suddenly everyone was aswell. Good shit. Like seeing mediums grow, especially when I was but one of the losers at the forefront essentially giving guides with my amateur editing of the time that people could easily replicate.

To this day I still think anyone who watches one of my UT dubs could replicate them better than me, and when I get sad that perhaps that inspiration didn't hit, that maybe the artistic foundation I laid wasn't utilized, I'll get a comment, go to one of the videos, and see in the reccomended that while I moved on, so many talented creators took up that space and surpassed me. I won't know who was inspired, but I can see the rise of quality since, and say, hey man, I think I helped that growth, and as an artist, that's all I really want from my creations.

Foundations for others to build off of. One day a creator will see it, and recognize the sheer potential within them by recognizing my own flaws, knowing how I did things, and wanting to surpass them.

[paimt]

its just supervised phone calls like

in the wise words of stan himself: give me money

[dawnarrii]

Guys, I swear Sloppy Seconds is almost finished-

[saltpepperbeard]

Coach the NBA Finals, or perform in the Superbowl Halftime Show? I’d coach the NBA Finals because uh, I know more about basketball than performing at a halftime show. [x]

[daffi-990]

Fuck it Friday

Tagged by @diazsdimples and @tizniz. Thank you lovelies for the tag! Everyone be sure to check out what they shared okay?!

Today I present to you some tsunami action from Rival Firefighters 🚒. I finished all of the tsunami stuff for Buck’s chapter today which I am happy about … I’m just not sure how I feel about what I wrote 😬. I found the tsunami difficult to write and I’m very nervous and slightly overwhelmed at revisiting it again in the next chapter but in Eddie’s POV. It’s definitely going to be a challenge, but I want to improve and stretch myself as a writer which means challenging myself haha.

Prev snippet from this au can be found here

“I can’t hold on!” Chris cries out before he’s losing his grip and slipping under the water.

Heart hammering in his chest Buck waits for a moment before diving into the rapids, swimming with all his might. If he timed it right he should intercept Chris.

Fuck he hopes he timed it right.

Debris clouds the water making it hard to see but not impossible, and coming straight towards him is Chris. Buck reaches out and grabs onto Chris, pulling him towards him.

I’ve got him, I’ve got him, I’ve got him.

They break through the surface, both sucking in deep lungfuls of air as they hold tightly to each other, Buck cradling the back of Chris’s head as he repeats I’ve got you over and over again, as much a comfort for himself as it is for Chris.

With Chris now in his arms, Buck begins swimming in search of safety where they can rest and wait for help, ideally somewhere out of the water.

He doesn’t have to search far, for less than a mile ahead Buck spots a fire engine, the red of the roof standing out among the ocean of blue and white surrounding them, a bright beacon of hope. Buck swims towards the engine and pushes Chris up onto the roof as quickly as he can. He begins to pull himself up, arms shaking from exertion but he doesn’t stop, keeps pulling up and up until his torso is over the edge and he’s able to crawl into the center, collapsing beside Chris.

We’re safe.

We’re alive.

We’re alive.

No pressure tagging: @wildlife4life @hippolotamus @spotsandsocks @steadfastsaturnsrings @wikiangela @watchyourbuck @athenagranted @alliaskisthepossibilityoflove @malewifediaz @spagheddiediaz @lover-of-mine @ladydorian05 @loserdiaz @exhuastedpigeon @elvensorceress @eddiebabygirldiaz @evanbegins @rainbow-nerdss @rewritetheending @thewolvesof1998 @try-set-me-on-fire @theotherbuckley @princessfbi @shitouttabuck @devirnis @disasterbuckdiaz @fiona-fififi @fortheloveofbuddie @giddyupbuck @hoodie-buck @homerforsure @honestlydarkprincess @jeeyuns @puppyboybuckley @jesuisici33 @captain-hen @bekkachaos @nmcggg @monsterrae1 @missmagooglie @epicbuddieficrecs and anyone else who has something they want to share -> consider this your official tag 😉

[ken-branagh]

King Lear curtain call

William Shakespeare's King Lear (directed and played by Sir Kenneth Branagh) at Wyndham's Theatre in London's West End, October 22 - November 2 2023.

Playing from October 21 - December 9 2023, 50 performances only. Ken (King Lear) is joined by Mara Allen as Curan, Deborah Alli as Goneril, Raymond Anum as Burgundy, Melanie‑Joyce Bermudez as Regan (RADA graduate 2023, professional debut), Doug Colling as Edgar, Dylan Corbett‑Bader as France, Eleanor de Rohan as Kent, Chloe Fenwick‑Brown as Oswald (RADA graduate 2023, professional debut), Joseph Kloska as Gloucester, Corey Mylchreest as Edmund, Hughie O'Donnell as Cornwall, Caleb Obediah as Cornwall, Jessica Revell as Cordelia / The Fool (RADA graduate 2023).

Source: Jenny_McShane, theothersophiet (via coreymbrasil), zerrintekindor, core_mylchreest

[ibenology]

I miss lokius so much man

[jenomong]

"Numbers without sources Don't mean a thing to me at all Just enjoy it like we always have"

hongjoong, matz (2023)

[theflyingfeeling]

I think today I will cry about BC not making tour vlogs anymore 😔

[personinthepalace]

Fitz - Everybody Wants To Be A Cat (The Aristocats)

[manchesterau]

im like...i need the random jump cuts / zoom in's to end like now it's so fucking frustrating it's actually annoying and makes me not want to gif

[blorbologist]

Most fun thing in the world for me is always adapting a canon scene/moment to an AU <33

Also like half of chapter 11 is just going to be pure Perc'ahlia fluff at this rate good god you guys save some for Vasselheim.

--

[il-predestinato]

MOOD. 🙄😒

Charles Leclerc | post-race | 2022 Mexico City Grand Prix

🎥: Ferrari

[ltcdrmcgarrett]

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Steve McGarrett || I’m Dangerous (short preview)

I was craving an action-packed Steve video 😏

[yzafre]

Song : Apple - Charli xcx

Hoooooly SHIT it's done! The Rise animatic is DONE! AHHHH. This became much more polished and thus took much longer than I ever intended, I was going a little crazy by the end there. But its done!

Here's the initial thumbnails I was working with:

[ectoimp]

I tried looking at that A/mazing d/igital c/ircus that I saw tumblr simping over and like.....thats it? I saw all these "omg so much existential horror! can you imagine being trapped in another world? This is so unique." and its like...fine? But its just looks like a cocomelon clown isekai?

Animation is well done and all but like....its...its just an isekai?

Is it cause that rabbit looks like you fused bonnie and purple guy? is it that?

Idk im just fascinated by why this caught on with tumblr. This is more interesting then the actual show tbh. I want to put fans of this in a jar and study them.