#fares icons

[alexjcrowley]

Comunque ho terrorizzato almeno un paio di amici con questa informazione quindi la condivideró anche qui.

Sebastian Vettel ha solo un anno in più di Yotobi.

[behindfairytales]

icons of Fares Fares in The Wheel of Time (s1-2) as Ishamael

[local-redhead-bookworm]

I didn’t realize until today, but Almiria is an Ophelia archetype, in the same way that most Char clones are Hamlet archetypes

[yeehawbro]

Edgerunners when Christmas 😭💖

UPDATE MORE CHRISTMAS EDGERUNNERS ICONS

[incazzhada]

like or reblog if you use or save.

[gay-for-zoya]

I was vibing a bit to hard to the horrible histories soundtrack and fully flung my headphones off my head 😭😭

[afterthefeast]

If I had a nickel for every they/them lesbian I saw with a Shadowheart icon I'd be able to buy a house. They really put something special in her huh

-sincerely a they/them lesbian with a Shadowheart icon

honestly shadowheart is just catnip for they/them lesbians. idk what it is but she compels me

[transbee]

getting a new phone soon which means i only have so much time left with my un-updated tumblr mobile 😭

[linguenuvolose]

Pros: yellow jackets <3, I would've been fine with them this morning (actually didn't wear any jacket at all)

Cons: I'm not sure I'd be fine with them in the evening (I'm willing to risk it though I have a big scarf and also I don't have to walk)

[tkhuluq]

Crafting Perfection: The Art of Making English Bangers and Mash – A British Pub Classic

Enter the heart of British cooking practice with our overview of understanding the precious club timeless - English Bangers as well as Mash. Boost your home-cooking experience as we take you via a detailed trip of developing this comforting as well as delicious recipe that has actually stood the examination of time in British clubs.

The Significance of English Bangers as well as Mash:

English Bangers as well as Mash is a quintessentially British recipe that weds succulent sausages (bangers) with luscious mashed potatoes (mash), all kindly smothered in abundant onion gravy. This hearty mix of tastes as well as appearances personifies the heat as well as convenience of standard British club make out.

Active ingredients You will Require:

Premium pork sausages Potatoes ideal for mashing Butter as well as milk for luscious mashed potatoes Onions for the mouthwatering onion gravy Delicious supply Fresh natural herbs for included fragrant deepness Peas or various other veggies for a wholesome touch

Action 1: Sausage Excellence:

Start by pan-frying or oven-baking your sausages up till gold brownish as well as prepared via. Select premium bangers to make sure a durable taste account.

Action 2: Luscious Mashed Potatoes:

While the sausages are searing, steam as well as mash your potatoes. Include a charitable quantity of butter as well as a dash of milk for that best luscious uniformity. Period to preference.

Action 3: Mouthwatering Onion Gravy:

Develop a mouthwatering onion gravy by caramelizing carefully cut onions in the frying pan drippings. Include delicious supply as well as fresh natural herbs, allowing the blend simmer up till it gets to a delicious, thick uniformity.

Action 4: Layering Excellence:

Area a charitable offering of mashed potatoes on home plate, leading with the golden-brown sausages, as well as ladle the mouthwatering onion gravy over the recipe. Do not forget to include a side of peas or various other veggies for a wholesome touch.

Action 5: Appreciate the British Club Experience at Residence:

Relish the fascinating tastes of your home made English Bangers as well as Mash. Set it with a timeless British ale or cider for a genuine club experience within the conveniences of your personal residence.

Verdict:

Congratulations! You've understood the art of crafting English Bangers as well as Mash - a classic British club timeless that radiates convenience as well as taste. Share this cooking work of art with loved ones, as well as bring the beauty of a standard British club right into your residence. Boost your food preparation abilities as well as relish the heat of this famous recipe, transcending the borders of time as well as preference. Joys to the best Bangers as well as Mash experience!

Tags : English Bangers and Mash, British Pub Classic, Sausage and Mash Recipe

[musical-chick-13]

Related to previous post: I am genuinely curious if H/Lizzie would have been the fan-preferred-couple if Lizzie had been neurotypical.

[behindfairytales]

icons of Fares Fares in The Wheel of Time (s1-2) as Ishamael

[hellfirecvnt]

Hallelujah, What a Payday

Baby Billy Freeman x Fem!Reader

Summary: Baby Billy's on the search for his next co-star.

Warnings: Sex with that weird, old man (at the very end.) Religious trauma but with zero detail at all. If I refer to anything as "nonsense" or whatever, that's not about any religion and is only about the silly Gemstone activities.

Notes: Tiffany just doesn't exist here. I love her too much to write that she got left or something. This should've been two parts, but I promised we were gonna fuck him, so. We're also gonna ignore the Baby Billy body-double pp they show in the first episode. Don't even fucking act like that dastardly old man isn't packing.

"Five minutes, Y/N!" The angry stage manager screams backstage. You perfect your lipstick in the mirror and stand to straighten up your ensemble. You sing a few nights a week at a local lounge/venue for extra money. You're a local hit and it pays the bills.

Across the entire building, a man pays his way inside, tired after days of wasted effort. He sighs as he takes a seat, alone in a VIP booth. They're not cheap, but even if he hadn't sat there, anyone can tell he has money just from the way he dresses.

"Ladies and Gentlemen, tonight's entertainment." A smooth voice vibrates over the intercom. You gracefully file out onto the small stage, illuminated well by a single spotlight amongst the mood lighting throughout the lounge. The tired man taps a finger on his table, watching with boredom as he waits for his drink to arrive.

"I'm all out of hope. One more bad dream could bring a fall..." Your voice rings through the air like honey sweetens tea. The lone man at the VIP booth nearly gives himself whiplash with the rate at which he turns to face the source of the illustrious talent. You continue to sing your cover, and slowly he begins to recognize the song.

Your eyes meet his, as you do at every show to engage with the audience.

"It's easy to deceive. It's easy to tease," you slide your hands down your sides, swaying back and forth sensually for this verse. "But hard to get release."

The pianist serves as backup vocals, delivering the iconic lyrics: "Les yeux sans visage."

"Eyes without a face; got no human grace. You're eyes without a face." Your vocals swell and the man stares at you, inspired. His mouth hangs agape with a hopeful smile.

After you finish your set of five songs, you take a small bow and excuse yourself to the bar. The well-dressed man all but trips over himself as he scrambles to meet you over there.

"Double vodka cran, please, Henry." You tell the bartender and he nods, starting your order.

"That's some voice you got there, darlin'." The man appears next to you, smiling a large, white, evangelical grin.

"Thank you, I'm glad you enjoyed the show."

"Well, I more than enjoyed it. You got yourself a gift, now." The man extends his hand. "I'm Baby Billy."

"Baby?" You look at him, perplexed. He explains his backstory a little, insisting you should at least know who his sister is.

"You ain't never heard of Aimee-Leigh Gemstone?"

"Of course I have, I just don't listen to a lot of gospel." You shrug, truthfully hoping the conversation could end there.

"Well, darlin', do you ever sing gospel?" His eyes twinkle in the dimly lit bar area.

"I don't think that'd fare well for me here. This place looks fancy, it's costly to get in, but it's just a bar at the end of the day. No one wants to be preached to." You take a sip of your drink and he watches you closely, noting the pout of your lips as you press them to the glass.

"No, not here. Here." He lies a pamphlet out in front of you, sliding it closer along the bar. "I'm the head preacher at the new church in Locust Grove. Opens in a month."

"A man of God, huh?" You mumble as you skim over the pamphlet. "Does this gig pay?"

"God never asked us to exploit our talents for free." Baby Billy grins. You look him up and down. He's a walking red flag, but it's clear he's got money and as a broke woman on your own, you can never have enough.

"I'm free on weekends. I'll adjust my availability when I know you're serious." You say, stone-faced. Baby Billy hands you his card, passing it smoothly between his index and middle finger. You take it and stand from the bar, walking away, and disappearing into the green room to prepare for another set in an hour. He watches you, still sporting a wide smile as you stand. His eyebrows twitch in short-lived confusion. He pushes all that aside, only one thing matters now. He has his co-star.

Friday afternoon rolls around and Baby Billy attends your show, beaming at you from his expensive, empty VIP booth. He's practically got dollar signs for pupils.

"Friday is a weekday, Billy." You call over your shoulder as you excuse yourself to the bar.

"Baby Billy," he corrects, clinging to his childhood fame with all he has. "It's a brand, now. And who said I'm here for work? Can't a man just enjoy the show?" He follows you to the bar, taking a seat next to you.

"Well, did you enjoy it?" You turn to him with an amused smile. "The show?"

"It was even better the second time around."

"Thank you, Baby Billy," you say, with a knowing emphasis on 'baby.' "I guess I'll be calling you tomorrow, then."

"I'll be ready when you are, darlin'." He smiles warmly and you begin to wonder if you'll ever see him without that goofy, toothy grin stretched across his face.

Saturday morning, you're up, bright and early. You think nothing of the process of getting ready, throwing on a T-shirt and jeans along with various accessories you only get to wear on your days off, so you take every chance.

"This ain't a repeat of that... Lost soul you brought in last time, is it?" Eli settles back in his seat. He's sitting in one of the thousands of seats in the Gemstone Auditorium along with his three children, Judy, Jesse, and Kelvin. Baby Billy stands before them.

"No, damn, Eli. She's perfect for the job. She's got the face, she's got the voice, and most importantly, she's got stage presence." Baby Billy makes a grand case, convincing the Gemstone family that he's found an angel on Earth. Which is why it's all the more shocking when you walk in looking like an entirely different person than the woman he met at the lounge.

Everyone falls silent, they turn to face you as you walk through the door. The second you come into clear view, Judy Gemstone does a poor job of stifling a hateful chortle. Baby Billy meets you halfway, keeping you off to the side before you're front and center in front of everyone.

"The fuck you look like that for?" He asks with a peculiar sense of genuine confusion/ curiosity.

"I'm sorry, I didn't think it'd be a dress rehearsal." You narrow your eyes, placing a hand on your hip.

"When you called me this morning I thought I made it clear what kind of... Environment you might find yourself in." He waves his hands around as he says this.

"Is this an audition or did you scout me out?" You ask with a smirk, looking him up and down.

"Well, hear me out, now. Because if it were up to me, you're hired. But you need to hop up on there and prove to these assholes that I know what I'm doing."

"Playing dress up costs extra," You whisper. Without leaving time for him to respond, you walk ahead of him and confidently offer a handshake to Eli. The two of you become acquainted and he welcomes you to the stage.

As you step out onto the grand platform, it's awkwardly empty. You find yourself almost nervous, which is out of character for you. You've been performing since you were young.

"What am I singing for you today, Dr. Gemstone?" You ask, sensing a little bit of decorum could go a long way here.

"Looks like she's about to start blasting Rob fuckin' Zombie," Jesse, the oldest Gemstone son, quips under his breath. You narrow your eyes at him, clocking his appearance on the spot.

"I think I know what you wanna hear," you smile politely, pointing directly at Jesse. After a quick speed walk to the sound tech, you queue up the track for the song you've chosen. The music starts, and the two youngest Gemstone siblings burst into laughter. Even Eli chuckles.

"Hello, Darlin'. Nice to see you," you start. "It's been a long time, you're just as lovely as you used to be." The joke about Jesse's appearance quickly fizzles away as the Gemstones take in your voice. Baby Billy stands off to the side, gauging their reaction, absolutely elated.

"I told you he was trying to be Conway fuckin' Twitty," Judy whispers to Kelvin.

"Come back Darlin'. I'll be waiting for you..." You finish your song and take an unserious bow. You secure the job, and Eli even commends Baby Billy for finding you. After researching the Gemstones a little bit the night before, you quickly begin to realize how much money you could potentially make here.

"That was fantastic! That old fucker didn't think I could do it," Baby Billy gushes.

"And what did you do, just now?" You side-eye him.

"I found a star." He emphasizes his words with his hands. He's a charismatic and handsome man even given his older age.

"What's next? I'm sure this next month will be pretty busy with rehearsals." You laugh, already contemplating quitting your recurring lounge gig.

"Well, sure. We'll put in the work and all, but," he looks at you expectantly.

"What?" You ask, but he only gestures with his hand as if you should've caught on by now. "Oh, Baby Billy. I don't know if I'll be attending church tomorrow. I'm um, not a Christian."

"Huh," he says, dryly. You scrunch your nose, awaiting an uncomfortable lecture. "You work in this industry for so long, you forget some people aren't religious." He shrugs and you feel a sense of relief.

"I'm not busy today. Care to show me around the Locust Grove church? It's nice to know what I'm going into." He holds the door for you as you step out into the bright parking lot.

"I'd love nothing more." He grins.

At the Locust Grove location, you're wowed by the remodeled mall-turned-megachurch. He gives you the grand tour, specifying that you'd have your own area to get ready before each service.

"This is... A lot," you laugh.

"You're about to make it much more, darlin'." He ushers you up to the stage with him. "Let's give it a go, see how we sound together."

"What song are you thinking?"

"You don't know any gospel?" He peeks over his glasses at you.

"Not really," you shrug. "Well, I know Angel Band and I know Down to The River to Pray from that movie I like."

"Good fuckin' God." He sighs. "Down to The River." He counts off and starts the first verse. His voice is southern, crisp, and clear. You quickly decide in your head what fashion of singing would best compliment his. The chorus approaches and you ready your breath.

"Oh, sisters, let's go down. Let's go down, come on down," your voices melt together pleasingly. You can tell by the look on his face that he likes what he hears. The song ends for the two of you after that first chorus, that's all he needed to hear.

"It's about time something worked out for ol' Baby Billy," he shakes his head. "Now, the next matter to discuss is... Wardrobe."

"Yeah, I figured 'sunday best' would cut it, right?"

"Well, not quite." He leads you to a room past the storage area full of broken, useless mannequins. He walks up to a large armoire and pulls it open. Inside is one dress. It's wrapped in a layer of protective plastic that's done wonders to preserve it. It's campy and dated, though you can tell it was high dollar fashion for its time.

"Baby Billy, I'm not wearing this." You look at him, as if hoping he'll tell you he's joking.

"What? Why not? Now that was Aimee-Leigh's favorite dress," he glances back and forth from you and the dress.

"Okay and it's beautiful, but it looks like it's a hundred years old." You look at the striking piece of clothing again. "This is helpful, though. If this is the kind of look you wanna go for, I think I can make it work."

The two of you spend the rest of your time in the unopened church getting acquainted. You find him charming and entertaining. He finds you beautiful and unintentionally hilarious. You make him laugh often. It's like his own personal ray of sunshine on his shoulder.

It's late when you head to leave. You hardly noticed how long you'd been there. As you open the door to the dark parking lot, you turn to bid Baby Billy goodbye.

"Well, hold on, now, darlin'. Let me walk you to your car." He follows you out the door and to your vehicle. You roll the window down to thank him for the job, pulling your seatbelt over your head.

"I'll see you...?" You wait for him to tell you what day he plans to start practice.

"Monday afternoon, if you can make it." He places a hand on the roof of your car. "Now, listen. I know you ain't the religious type-"

"I will see you Monday, Baby Billy." You interrupt before he has the chance to invite you to church tomorrow. He shrugs, waving to you as you drive off.

That night, as you shower, you wonder if you were too rude with your rejection of his invitation. After all, you grew up going to church. Certainly not a mega church, but a church regardless. It's not a chapter of your youth and adolescence that you hold dear, hence your inclination to stay away from it all.

You set an alarm and wake up early Sunday morning... To get ready for church. You take this outing as a chance to demonstrate to Baby Billy and all the Gemstones that while your personal style may not mesh with their vibe, you've always had a way of blending in.

You put on a white dress with statement sleeves. Something to play off of the whole "voice of an angel" shtick. After perfecting the rest of the look, you leave with a satisfied smile.

You walk through the large double doors to the "Gemstone Worship Center" and look around. It's needlessly gigantic and overwhelming to take in.

"Y/N, is that you, darlin'?" Baby Billy's voice grounds you back on Earth. You turn to face him and he raises his eyebrows, shocked by your range of appearances. "Don't you look pretty this morning?" He grins, admiring your pearly glow in the white garment. He's elated to see you there. Not because he thinks you need church, but because he wanted to see you.

He introduces you to a few colleagues, and even Eli Gemstone reintroduces himself, shocked to learn you're the same woman from yesterday.

"Who is this with you today?" A tall, bald man with a thick African accent asks with a warm smile.

"Now, this is my girl, Y/N," Baby Billy gestures to you like a grand prize. Something about the title "his girl" makes your stomach flip, and you're not sure how you feel about that. "She'll be performing with me at Locust Grove."

The theatrical, pretentious service is long, loud, and feels uncomfortable the entire time, so it's hard to keep your mind and eye from wandering to anything else. Often, you glance at Baby Billy. He's brought you to his seats in the front area, so it's hard to drown the music out entirely, but everything does seem to muffle when you're staring down the white-haired enigma of a man before you.

After service, Baby Billy invites you to join the family at a restaurant called Jason's. You're hesitant at first, but Eli insists. When you arrive, the Gemstones are escorted to a level above the restaurant to a private section for their own VIP dining experience. It's frivolous to you, but it's nice to do something different for once.

After church lunch, the entire group congregates in the parking lot, saying their goodbyes and making promises to see each other next week. You smile politely, though a bit awkward, as you don't really know anyone besides Baby Billy.

"Nice get up, Rob Zombie." Judy Gemstone appears beside you, seemingly complimenting you, but she's just as confused as you are.

"Thank you, Judy. I just wanted to show that I know how to fit into a crowd."

"Yeah, well. You're not so bad, up there, on stage." Her tone sounds like she's accosting you, but her words sound genuine. As if she's not sure how to... Just be nice without intimidation tactics. "Singer to singer, don't let Uncle Baby Billy ride your coattails too hard." She struts off, linking arms with her husband and loading up into their lavish vehicles.

You feel a sense of comfort now, knowing Judy is just like that. It's nice to know you have another woman in the mix that you can look to as an acquaintance. Slowly, but surely, you find yourself melding into the atmosphere that follows people like Baby Billy around. You begin to feel more comfortable around the rest of the church leaders, though you realize rather quickly that there isn't much talk about God. It's nice.

As the weeks go by, you meet up with Baby Billy for practice every day. It's not the schedule you meant to give him, you just find yourself wanting to see him more and more. You delight in the strange way he talks and his charming mannerisms. You also think it's really funny when something goes wrong and he's suddenly not grandpa sunshine anymore, and he's kicking a speaker calling it a dick.

As the rehearsal window comes to a close, you and your co-star are inseparably close. On more than one occasion, one of you has slipped up and gotten a little too comfortable.

"Baby Billy, why does the mirror say something about washing my hands keeping me safe from Satan?" You ask, returning from the restrooms.

"That was song lyrics from back in mine and Aimee-Leigh's day," he laughs.

"Well, how do clean hands keep me safe in the eyes of the Lord?" You furrow your brow, in disbelief that anyone could believe this. Baby Billy is tinkering with the stage lights as they two of you converse.

"Well," he says, still messing with the light. "Just like those hands can commit sins, they can be washed clean by his mercy." He chuckles as if he already knows he's going to overstep. "Those look like sinner hands to me, darlin'." He winks.

"Sinner hands?"

"Ain't you ever done anything with those hands? Something the Lord might not smile upon?" He continues with his back to you, finally flicking on the light after his adjustments. Your face is hot and red with the realization of what he meant.

"Oh, yeah. I guess so." You shrug. Baby Billy turns to face you, taking a few steps closer. He's a good deal taller than you, so his lanky frame looms over you in a way that makes your stomach flip. He's barely a foot away, smiling down at you.

"You guess so," he repeats, tilting his head and grinning, letting the silence thicken for a moment. You give up on trying to fight back the blush in your cheeks, there is no way around it.

"Well, I guess let's get back to it," you clap your hands once in front of you as if to break up this moment and you take your position. Baby Billy just laughs and leaves you with a lingering confusion. The rest of the day, you can't seem to keep your head clear. A flip has switched and you find yourself lusting after this televangelist old man.

The two of you wrap up rehearsals for the day, but instead of leaving, you linger behind a little longer. You're unsure if it's nerves telling you to practice more, or if it's just you wanting to be around him.

"Next week is opening day," Baby Billy grins. The excitement is clear on his face with that brilliant, big smile. He takes a seat next to you and you both face the large, beautifully lit and decorated stage.

"That fast, huh?" You chuckle, trying to laugh away the knot in your throat so you don't have to swallow it.

"You're gonna be great up there," he says, catching you off guard. He seems to have mistaken your unexpected attraction as pre-show nerves. "Right next to ol' Baby Billy Freeman. This is a big break for you."

"Oh, it is?" You laugh.

"Look, I'm serious, now. The right ears hear us and we're signed and touring," he snaps his fingers. "Like that!"

"You sure you could handle being on the road with me? I'm kind of a diva," you joke. "If I don't get my beauty sleep, I look like a dead bug and I'll hit someone." Baby Billy bursts into laughter.

"I don't think a lack of sleep or even a semi-truck could deter what you've got goin', sweetheart."

"What do you mean?" You ask through a laugh.

"You're a looker, darlin'. You walk into a room and draw everybody's eye." His hands are animated as he speaks.

"Oh, yes. Flattery will get you everywhere," you laugh, lightly shoving his arm playfully.

"I mean it, now. You the prettiest girl I know." He shrugs.

"You're not so bad yourself." You smirk, leaning closer to him than you realized. He notices the closing gap and can't help himself, he leans toward you as well. Time seems to slow down just for a moment as you two share this closeness.

He glances at your lips, and then back up to your eyes. Your heart begins to race before the sudden, loud crash of the stage light Baby Billy messed with hitting the stage with great weight. You both sit up, startled by the sound, jumping away from the close quarters you'd just been in.

"Oh, uh," you regain your grip, realizing what poor business practice has just nearly taken place. You've fucked your boss before. You know it doesn't end well... "I should get going."

You stand and readjust your skirt, smiling nervously as you start toward the door. Baby Billy stands too, hopelessly searching for his next sentence, but for the first time in his life, he seems unable to find the words.

"Same time tomorrow, darlin'," he calls out to you as you step out the door. He takes a step over to the stage, sitting down and exhaling a big breath. What an old fool he'd have to be to think you'd want anything to do with him when you're so young-spirited and beautiful? Will that stop him? No. It won't.

The last few days leading up to the grand opening are full of those small, close encounters. One day, you tripped during dance practice and practically landed in his arms. You two locked eyes and it would've been done for right then if a janitor hadn't walked through the stage door. Another time, you were high up on a ladder, making Baby Billy hold it steady out of fear. The entire time you're above him in your dress rehearsal skirt, he can't seem to fight the perverted urge to glance up. When he does, he nearly loses his bearings. His face ignites red and he can't help but smile ear to ear.

It's no secret to either of you that some kind of tension has been brewing. Even the Gemstone siblings share a look of confusion when they see you two forget anyone else is in the room. Neither of you seems to notice how long your eye will linger on the other.

The Sunday of the Church's debut sneaks up on you after the last few days of having nothing but Baby Billy on the brain. You're less nervous about performing and more nervous about seeing him again. It's as if every time you two come together, the palpable tension in the air becomes thicker. You're certain you'll lose the ability to breathe the air around you if it gets any worse.

"You ready to make some magic, darlin'?" An excited Baby Billy startles you as he intrusively enters your dressing room.

"My God, don't you knock? I could've been naked," you laugh, perfecting your makeup in the mirror.

"I don't think you'd hear any protest from me, sweetheart." He winks and makes a quick getaway. To be honest, he wasn't quite meaning to say that part out loud. You're left red-faced and pleasantly shocked. The comments between the two of you have been growing more bold by the day, but that one takes the cake... So far.

You get dressed in your opening night outfit. It's a bit different than the one you wore to rehearsals. It's nicer, fancier, flashier, without all the dated glitz of Aimee-Leigh's 80's-esque dress that Baby Billy attempted to lend you.

It hadn't occurred to you that Baby Billy hadn't seen this outfit of yours. But his beaming, smiling face when the two of you step out in front of the crowd from opposite ends of the stage gives you a needed stroke of your ego. He holds an arm out to you, inviting you to his side as he introduces you and himself. It was established early in the arrangement that he'd do most of the talking, so you put on your best "quiet and pretty" act. You clap when the crowd claps, and you throw your hands up in "praise" when it seems appropriate.

Anyone who'd met you before this performance is genuinely confused by who they're watching right now. They expected you to give a hell of a singing show, they didn't expect you to play the full part so well. As you told them, you know how to blend in. The surge of energy that comes with any performance this in-depth carries you throughout the whole service.

With each song you sing, with or without Baby Billy, you cannot stop yourself from looking at him, over and over. Fuck the tension, something is building up inside of you and the adrenaline of the stage is only making it worse, for both of you.

Baby Billy bids the crowd farewell and you give a gentle wave as the two of you exit the stage, arm in pining arm. The very second the stage exit door closes behind you, muffling the sounds of the cheering and dispersing crowd, you and Baby Billy fall still, silent, and stare at each other for barely one breathless second and then your lips are on his. You both stumble for a moment before he steadies you, pressing you up against the nearest wall.

"God damn, Y/N," he whispers between hungry kisses. You pull away for just a second, just enough time to ask a question.

"My dressing room or yours?" Baby Billy answers that inquiry by reconnecting his lips to yours and guiding your intertwined bodies to his dressing room. It's the closest. The two of you stumble through the door and straight to the lengthy couch meant to make the room look more glamorous. He lies you back on the cushions and his two careful hands begin to wander.

"Darlin, you look incredible in this get-up," he huffs. "But I can't wait till I get it off of you." He quickly unfastens the buttons of your blouse and groans roughly just at the sight of your lacey bra-clad breasts. Soft, breathy moans escape your lips over and over as he gropes at you and grinds against you. "Now, you don't mind where this is goin', do ya?"

"No, shut up," you chuckle, pulling his mouth back to yours. Your hands rake through his hair and find their way down to his expensive, flashy belt buckle. He sits back on the couch, legs hanging off with his Italian leather shoes resting on the floor. He spreads his knees and you take your position between them. You're breathless with excitement as you free his erection from his slacks. The moment you wrap a hand around his shaft, you feel him still growing harder in your hand.

"God damn it," he sighs, tossing his head back against the couch. He wraps one hand in your hair, guiding your lips toward the head of his cock. "Come on, now. Don't make me beg for it." You chuckle at his eagerness, but you do as he says, wrapping your lips around his tip. Baby Billy sighs with relief as you slowly welcome him into your mouth. He gasps as you press your nose to his waist, taking his full length in your throat.

You bob your head up and down, still riding an adrenaline high that's enough to power through even the worst of neck cramps. He calls out small exclamations and whispers sensual praise, all of which makes the heat between your thighs burn hotter.

His moans become more and more vocal until he roughly pulls your head away, jerking you by the hair. You gasp at the pain, but it only fuels your fire.

"Get on up here, now. Let an ol' man get his kicks," he quips, helping you out of the floor before you take your place, lying before him on the couch. He buries his face in your neck, kissing away up and down your flesh as he continues undressing you. He unfastens the rest of the buttons on your blouse, slipping a hand under your bra and squeezing your breast eagerly.

"Come on, don't make me beg for it," you mimic his words, sliding your skirt up your legs, and exposing your panties. They're wet with arousal and he grins at the sight.

"I might just like to hear a pretty young thing like you beg to get fucked by the pastor." He grins deviously, pressing a gentle hand to your clit over the panties. "All this for me?" He chuckles, basking in the effect he has on you. After what feels like ages of teasing and edging, he slips the drenched underwear from your legs. The white-haired man stares in awe at your throbbing core, extending a hand to play with you.

He slips one digit inside you, earning a filthy, needy moan from your chest. Your mouth hangs agape with a gasp as he pumps his finger in and out of you, staring deeply into your shining eyes. He shakes his head, amused by his power over you and also in disbelief at the position he's in at this moment. Just a month ago you were a stranger with a beautiful voice on a stage he'd never taken a second look at. Since then, you've been the object of all his desires. How could he ever imagine you'd feel the same?

"Oh, my God! Please," you whine, arching your back as he fingers you. He chuckles, unsure how he's holding himself back. It must be how much he's enjoying the show.

"Shhh," he whispers, adding another finger. Guttural moans of heated pleasure pour from your lips like a waterfall. He eats up every second of it.

"You're doin' real good, now, darlin'." He positions his twitching erection at your aching entrance, playing with your arousal with the head of his cock. "Keep being good for me," he says as he slips himself inside. A long, needy cry escapes you as he slowly sinks to his hilt.

You stare up at him, locking eyes as his mouth hangs slightly open. He's breathless as your tightness squeezes him just right.

"Aw, damn, sweetheart," he groans, pulling back only to quickly slide back in. "You're somethin' else." He grunts and moans as he thrusts in and out of you, hastily picking up his pace. For an older man, he's incredibly virile. He fucks you for what feels like hours but is surely only a handful of steamy minutes. You squirm and whine beneath him as he steadily guides you to your climax.

"I- I'm-" you try to speak, but it's too late, he's fucking you into oblivion, riding out your high with a bright white, goofy smile on his face. He loves watching your face contort as you soak him with your orgasm.

"I hope you ain't done yet, sweetheart," he chuckles, sliding out of you. "Flip on over, now, darlin'. Let me get a look at that perfect ass you got." His praise ignites a wave of goosebumps across your skin. You do as he says, turning over and assuming a position on all fours, presenting yourself to him perfectly. He releases a breathy laugh, slapping both hands down on each ass cheek.

Baby Billy tightens his grip on your glutes and fervently tugs at you until you're lined up with his swollen cock. He slips inside you again, thrusting away at maximum pace. Your ass jiggles as he slams into you and he's hypnotized by the sight. His goofy grin has fallen to a serious expression as he chases his climax. He mumbles curse words and praise under his breath while pressing your back downward to amplify your arch.

"God damn, just look at you," he huffs, coming closer and closer to completion. "Whatever you want, Y/N, just say the word," he grunts between heavy breaths. "And it's yours, darlin'." You laugh at the way he offers you the world just from how good he feels inside you. It's a high compliment.

"B- Ba-!" You attempt to beg for mercy, but he's quick to cut you off.

"Shh, shh, now, sweetheart. Just... A little more," he groans, quickening his thrusts as he ends his sentence. He slams into you impossibly hard, incredibly fast, with both hands hooked around your waist. You release sensual cries of pleasure as he chases and finally catches his climax.

He withdraws from you, breathless and sweating. A string of lusty moans drips from his lips as he strokes himself until he finishes all over your ass. He stutters out a grunt before collapsing back on the couch. You're breathless, fucked out with your face buried in the cushion. The two of you fall silent for a moment as you catch your breath.

"Baby Billy?" You break the silence.

"Yeah, darlin'?"

"Could you pass me, um, a towel?"

"Oh!" He scrambles to his feet, tucking away his softening length. His unfastened belt jingles as he makes his way across his dressing room and grabs a towel from the neat, little stack of hand towels. "Allow me," he whispers, still catching his breath, as he wipes your skin clean, allowing you to comfortably collapse as well. He joins you on the couch, buckling his belt and straightening up his suit.

"That was... Amazing..." You sigh, somehow a little shocked at how well he just fucked you.

"It certainly was, Y/N. It certainly was." He lies back on the couch, allowing his eyes to fall shut. A hand reaches up to fix his disheveled hair. "Let's get them drawers back on you, now. We're late for Church Lunch."

You regain your composure and fix your clothes, sliding your panties back up under your skirt. After fixing your hair and your smudged makeup, you're ready to head to Jason's. You and Baby Billy arrive a few minutes after everyone else, and you take your seats next to each other. The table seems to grow quiet when you two join.

"Don't everybody start talkin' at once, now." Baby Billy looks up and down to both ends of the table. "What'd we miss?"

"From the sound of it, you didn't miss anything, Uncle Baby Billy," Judy scoffs. Baby Billy gives you a knowing look, grinning at you sweetly.

"No, Judy, I did not." He beams, proudly, placing an arm around your shoulder and planting a kiss on the side of your forehead.

•••••

Taglist: @justme12200 //

[lifemod17]

thoughts on 'Unaired EP'

IN THIS ESSAY I WILL-

below the cut in case you don't want spoilers <3

Nobody's Soldier

THE FUCKIN FALSETTO IS DRIVING ME INSANE ITS LIKE HE LACED THIS SONG WITH CRACK

"Benzos and gasoline" line is WILD (it is so hot for no reason wtf Andrew)

the little break that happens at 1:43 with. i don't even know what that is? like a sort of distorted / reverbed guitar bend / riff? either way, LOVE THAT.

also lets give it up one time for the organ, that is SO GNARLY, YOU CANNOT DENY IT!!!

hearing the live version vs. this recorded one is different, I literally went "OMFG WHAT IS THIS PART" starting at 2:53 when he gets all whisper-y WHY IS IT SO HOT

Listen man, I am a sucker for a good pause, and that pause after the bridge has me UNWELL.

SLOWING IT DOWN for the ending will never not be iconic. you don't see that happening a lot!

the intake of breath on the outro??!! tumblr user lifemod17 is NOT FARING WELL

July

so full of hope and promise and really just about having that thing or that someone to look forward to. The definition of "postpone that funeral"

THE SYNTHS??? FORGIVE HIM FATHER FOR HE HAS SYNTH!!!

"JUST KNOWING THAT'S GETTING ME THROUGH"?!?!?!? I wanna throw up. that is a Tonee-ass line. yeah 'July' is DEFINITELY taking the crown. This is my favorite from the EP.

i WAS right! he says 'prada' because it just made so much sense with the 'wore me out' line.

the whole second half had me in SHAMBLES. the lyrics were already insane but also throw in his soft voice mixed with the FUNKY & GROOVY beat?? I fear it is so over for me (I was genuinely screaming into a pillow and needed to sit down even though I was already sat and also I didn't know what to do with my person so I was just laying there and looking up at the ceiling while fighting off tears. I was SHOOK.)

It makes me feel all warm and fuzzy and makes me want to roll downhill a field and pick flowers to give to strangers

Have I mentioned the pen game? Because it is on level 9000. His pen was on fire when he has writing this

B A S S O U T R O GOT ME ACTING TF UP

That You Are

I was not expecting the lyrics to be "that I'd be anywhere that you are". im sorry but that is devastatingly beautiful and rips my heart out brb sobbing

my wig quietly and peacefully ascended from my head.

it's a lot more raw, production wise. the vocals aren't super clean, but I actually really like it this way!!! it makes the song that much more precious, gentle, intimate

Bedouine's vocals NEVER DISAPPOINTS!! She always has a way of transporting you with her music- makes you feel like you're floating above water

I needed to sautee the yearning for this one, its so pretty but hits you right in the feels

The fact that this is speculated to be the contender for the spot of 'I, Carrion (Icarian)' I'M GONNA CRY AGAIN Andrew please do an EP breakdown cuz I need to know!

that little instrumental interlude towards the bridge is so lovely and the entire song really! I think they did a good job of splitting the vibe 50/50 <- I say this because I listen to Bedouine a lot and the vibe of her songs is definitely here. it just really shows that they both wrote this together. its not a feature, its a collab

We're all gonna cry and then afterwards we're all gonna hug cuz this song just inflicted so much emotional damage upon all of us

[mj-dev]

Long Post

Someone said Rhysand is too perfect to be morally grey and I almost laughed. So, let’s dissect him a little.

Rhysand is the second villain in TAR who torments and abuses Feyre. In the end, he reveals his true nature and his intentions of breaking free from Amarantha’s curse. He saves Feyre from Tamlin when their relationship turns abusive and offers her a home where she heals and grows to love him. Along the way, he does many unspeakable things which has earned him the ‘morally grey’ label. But I disagree.

Before we get into this in-depth, first we need to talk about what makes a character white, black or grey.

When is a character grey?

Morally grey characters are interesting and have more facets to them which make them more relatable than a perfect hero or an absolute villain. But the problem is modern media and literature are so cluttered with them these days that no one even knows anymore what distinguishes a hero with a flaw from a villain with a virtue from the characters in between. Everyone is morally grey as long as they make one mistake or they have ‘a reason’. 

There are key aspects when fleshing out a character without which they don’t have a leg to stand on—goals, morals and choices. It’s complicated and not a fixed scale, but for brevity, let’s simplify.

Goals: Greater good vs self-serving. These characters have their own agenda which doesn’t root in the common good or evil, although they may indirectly result in a bigger impact. The more these goals lean towards one’s personal gain, they fall farther into the grey area.

Morals: Defined vs None. Almost all characters (except villains) come with a set of defined morals guiding their choices, which when aligns with the general ‘good’, the character lies close to the hero and if they are self-imposed, the character slides along the darker greys.

Chosen path: Ethical vs Malicious. Finally, if they choose honourable methods to achieve their goals, they are closer to being a hero.

(Yes, I made a damn chart. That's how dedicated I am to my hatred)

So, a basic grey character should have a set of self-imposed values that guide them and should be willing to take ethically ambiguous steps to achieve a personal goal that may or may not align with the common good.

How does Rhysand fare in all this?

In MAF, Rhysand opens up about his dreams for the first time. He wishes to live in a free world where the higher and lesser faeries can coexist peacefully. He even named his counsel as Court of Dreams to signify this. Throughout the series, he’s the icon of fairness, justice and autonomy, and it’s his vision of a better future that apparently drives his actions in the plot.

The entire foundation of his growth and redemption relies heavily on the argument that all his vile deeds have been for ultimate peace. Though his values are reiterated over and over again to support the good guy narrative, his actions contradict every single one of them. It’s a lot to explore in detail, so let’s pick the most obvious ones.

Peace

Rhysand claims to wear the mask of a villain for the sake of Night. Despite his grand dreams, he never allies with the other courts. He holds a grudge against Autumn for a personal reason which doesn’t even include him. When Summer extends an olive branch and is the first willing to trust Night after centuries, he steals an artefact from them. He isolates Spring because of what the previous High Lord did to his family during a war, and he continues this rivalry after the fall of Amarantha until Feyre destroys it completely, and some after that. He often breeds hostility with other courts, seeks them out and ruins any chance of peace, all because he wants to keep his facade up which beats his vision to build an eternal utopia.

And under Amarantha’s reign, he claims to attempt to dismantle her from within but when the opportunity is presented, he’s the first to sabotage it. Feyre is the key to breaking the curse and when he reads her mind and knows her feelings, if he truly cares for peace, he could have made a truce with Tamlin and helped him. Or he could have influenced Feyre to confess her true feelings sooner. Instead, he is the cause of Tamlin and Feyre’s capture which leads to…well, everything. (Honestly, I can go on and on this alone.)

Equality

Hadn’t Night been in tatters, his ‘bad guy’ act to protect his people would have had more credibility. Instead, Rhysand actively encourages the segregation of Illyrians and the subjugation of Hewn City. Despite his experience in the Illyrian camps and being a first-hand witness to the atrocities, he continues to allow the military abuse on children and has done little to ban wing-clipping.

His life Under the Mountain for 50 years is similar to that of his people in Hewn City, yet he rallies for their imprisonment solely based on his prejudice. When Keir is willing to settle for limited freedom, which is a moment of vulnerability from the big bad guy and quite a selfless request, Rhysand shuts it down instantly. He then pretends to grant that wish when he secretly orders Velaris to discriminate against them on their visit. Moreover, he allows the oppression of women in this city.

Rhysand isn’t a commoner fighting the system in his court. He’s a ruler. He sets the law, he is the law. And yet, he has abandoned any notion of reform as ‘change takes time’ when he’s been a High Lord for 500 years. For a man who dreams of eliminating discrimination, he actively enforces it himself. He doesn’t even wish to fix his court but wants other courts to get behind his vision of building a better world. This contradicts his dream of fairness among all species when he can’t even extend it to his own kind.

Justice

Rhysand refuses to hold himself or his IC or Feyre accountable for their atrocities. And yet he’s the first to judge someone and execute their punishment right away. He slaughters the remaining of the Illyrian bands who sided with Amarantha when he and IC abandoned their court, while he was playing her lackey for 50 years. He villainises Tamlin for the crimes he didn’t commit and constantly uses his powers to antagonise him. He also disrespects the laws and authority of other courts. During the High Lords meeting, he refuses to accept the possibility of Tamlin spying for Prythian but expects his excuses to be believed for the crimes he committed under Amarantha’s rule or before that. He’s heavily biased on which deeds are forgivable and who are worthy of his benevolence.

His sense of justice is askew and it’s obvious with how he views Feyre’s imprisonment against Nesta’s, or villainising Eris when it’s Keir who brutalised Morrigan, or IC’s treatment of Nesta in contrast to Elain.

Freedom and Autonomy

Rhysand uses the word ‘choice’ quite liberally emphasising the importance of freedom in his life. He fights against Amarantha for the same. But he allows agency to others only as long as it benefits him or doesn’t get in his way. He violates others’ minds whenever it pleases him, especially when he feels threatened. He often uses it to establish his control or dominance over others rather than out of necessity. He exploits his High Lord’s powers as well, like with Nesta and Azriel forcing them to submit to his will, especially in matters that don’t concern him. After the war, he imprisons Nesta because of her ‘uncontrollable’ behaviour while still condemning Tamlin for doing the same. He takes away Feyre’s bodily autonomy during her pregnancy.

Compassion and Empathy

He’s quick to distrust someone and never gives them the benefit of the doubt but he expects understanding from others. Despite his Daemati powers and often taking control of others’ minds, Rhysand refuses to believe their intentions. He’s been terrorising other courts since he claimed his title and yet, he wishes everyone to take his words for truth (Winter children massacre). He can’t forgive a man who made terrible choices to protect the woman he loves and yet he expects everyone to believe he abused Feyre for her safety. He can’t forgive a woman who made a mistake as a child and is misunderstood by everyone when he claims to have endured it all his life and longs to be seen. Even after 500 years, he doesn’t offer sympathy to Eris. Feyre is the only one to have received his true compassion to some extent, and it’s not proof of his morals—she is the exception.

Morals and Goals alone are not enough when all the characters are morally grey

A morally grey character still needs…well, morals. But in the case of Rhysand, they are malleable and ever-changing depending on how he feels at the moment or what the plot requires of him. He’s a dreamer but wouldn’t make a change in his court. He’s a feminist who wouldn’t free the women in his court. He’s a sexual abuse victim but sexually assaults someone to rile a man up. He’s a child abuse victim but allows it to continue for his army. He contradicts his own values so much that they are not just inconsistencies anymore.

For the sake of argument, let’s assume they are his internal conflict in upholding his morals or his hypocrisy because of his upbringing. In that case, his struggles to go through his decisions and the aftermath of the events give us an insight. Here are the four criteria a character must meet to be grey.

Recognition of the harm: Rhysand is aware of the consequences of his actions at all times.

Remorse: He expresses it on certain occasions when it directly impacts him or people close to him. However, his actions don’t support this as he rarely hesitates to carry forward with his plans.

Redemption: After the harm is done, Rhysand never changes his ways. He only apologises when the outcomes serve a purpose—like convincing Feyre, making up with Winter, or shutting Morrigan up about Keir. He never atones for his sins, not for forgiveness from others but for his conscience which is vital for a morally grey character.

Reasons: They are BS. His actions don’t truly amount to anything and definitely don’t lead him towards his said goal.

The ‘bad guy’ act may not be an act after all

In TAR, Rhysand does a lot of outright evil things to keep his facade. At no point in the series, does he pay the price for his actions, feel burdened by his choices, or strive to clear his name.

Instead, he’s excused with his backstory. None of his past truly explains his drive for his present actions, they don’t motivate him in any way but every good deed he’s praised to have done is a deliberate insertion to counteract the wrongs he committed. He assaults Feyre but he was exploited by Amarantha, harassed by Ianthe, and he saved the priestesses. He terrorises other courts and carries out Amarantha’s orders but he’s the martyr who sacrificed himself for his city (which is already protected and a secret from his own citizens). He only cares about the people of Velaris, but he saved Morrigan from Hewn City. He’s deeply prejudiced against Illyrians but he took in two beaten down bastards of that race.

Moreover, Rhysand enjoys all this—belittling Illyrians, degrading and imprisoning Hewn City, tormenting Tamlin when he’s at his lowest, and vilifying Eris. Why would someone playing a role out of necessity enjoy doing terrible things? Even after revealing his ‘true self’ in WAR, he still hasn’t changed his ways which begs the question, why does he still need that cruelty or control? There’s a difference between deploying questionable methods to achieve one’s cause versus actively undermining it. Rhysand definitely falls in the latter.

In the end, Rhysand fails as a character

The only thing Rhysand has in common with a grey character is that he pisses off a lot of people in the series, and that doesn’t make him a misunderstood hero. He is not a complex character. He lacks the internal struggles that come with making the impossible choices for his goals and also the self-reflection to right his actions or even be remorseful of them. At this point, he is just an object to carry out sexual fantasies in Feyre’s story and a general pain in the ass in Nesta’s.

On the surface, he is morally grey whom SJM, later, chose to paint white in her narrative. He is neither. Instead, he has all the bones to be a great anti-villain or a villain, but he falls short in every way to be even a decent character.

[jovial-thunder]

Downtimes, module editor, water temple

Happy summer! There's smoke in Portland but it's not too bad. Bless firefighters. Work on Lancer Tactics continues apace.

This month has been mostly focused on the largest heretofore-untouched section of the game: downtimes and the module editor for designing the sequences between combats. We're not planning on doing anything particularly innovative or new in its design — if you've played Banner Saga, Fire Emblem (gameboy versions), or Rogue Squadron you'll recognize what's going on here.

Repair, level up, have visual-novel-style conversations with companions, do some light choose-your-own-adventuring, and pick & launch the next combat. All pretty standard downtime fare — games have pretty thoroughly explored these patterns as vehicles for narrative at this point.

The unique thing that Lancer Tactics is offering on this front is an editor to make your own entire campaigns. Classic games like Warcraft or Age of Empires had incredible scenario editors, but making anything more than a one-mission map was solely the domain of modders. Over the last few weeks, we've gotten a full basically-visual-novel-editor working ingame where you can orchestrate NPC story arcs, clocks ticking, branching paths, and triggered events for all the stuff that happens between combats.

All of the campaigns we ship with the game are going to be made with these same editors, which'll force us to really make sure that they're solid tools. I think it'd be very funny to someday see someone like completely ignore all the mech stuff and just make a visual novel in this engine.

There's no new preview game build this month because adding this big section of the game means too many things are under construction. I'm happy with how fast we've been able to get this going, but making ingame editors is a lot of unglamorous UI piping and data refactoring work. Fingers crossed that it'll come together enough that we'll be able to get the first version of this editor in your hands in time for the next update

Other Changelogs

Carpenter has started re-making the tutorial level from the demo in this new engine, which is pushing us to add a bunch of stuff to the combat editor. I added triggers for playing arbitrary effects on the map, moving the camera, storing arbitrary data to the battle/module states, enabling/disabling/triggering other triggers, AND/OR conditions, and putting execution limits on triggers.

Triggers can highlight UI or actions (so it can be like "use the boost to get through!" and the boost button becomes all shiny)

New "camera start" zone type

Added a "hotspot" zone type that has a little floating title, and plastered the names of other zones on the map (visual style stolen from some Foundry VTT modules)

Added water, whose level can be set via the editor or triggers.

Added unmounted pilots who can mount up into Shut Down mechs. We continue to plan to not have pilot combat be a part of the core game, but it'll be useful for scenario or scripted sequences.

Added activation pips and template icons to the mini healthbar on units.

A bunch more portrait editor assets from Martina, including facial hair. Here's a check Carpenter did where he tried to recreate some official Lancer art ingame. ✨

Schedule update

Taking a look at our original date for the "bones" of the game ("finishing the battle engine, basic character creation, 2 mechs per manufacturer, and an a 'instant action' mode"), we estimated being able to get it done by the end of November. The emotional milestone for me on this front is getting the game to a complete enough state that I feel OK about swapping it in on the itch.io page.

I've been saying that the 3D cataclysm has pushed us back back about 3 months, and I think that's still holding true. Carpenter and I haven't officially made the call yet, but I think it's likely we'll need that time to port more mech content; here's a graph they made that shows about where we're sitting on the PC and NPC mechs for the "bones" target in terms of mechanics and action icon/sprite. 

(This data is pulled from a big table they made that includes ALL talents/gear/traits where we've been marking things off as we've implemented them. Very handy for tracking where we are.)

That's all for now. Tata!