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imnotevenusin · 6 months

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The Astrology of: John Lennon

Often considered the leader of The Beatles—an insanely talented and influential rock-band coming out of Liverpool—John Lennon was a complicated artist in every sense of the word. His songs were honest and vulnerable, as his personal life (and behavior) was questionable, unpredictable, and even violent. After The Beatles disbanded in 1970, he’d relocate to New York, where his public image would now center around peace and love. Unfortunately, New York is the place where he would unexpectedly be gunned-down in front of his apartment by a deranged fan - which makes his life story and legacy even more intriguing.

no official birth time for him, so just focus heavily on aspects

Jupiter-rX conjunct Saturn-rX: Seen as the strongest conjunction ever, Jupiter conjunct Saturn is a success placement; Jupiter gives us abundance, while Saturn gives us boundaries and longevity. This can attribute to his long-standing artistic influence—he was apart of The Beatles. Both in retrograde tells me that his life felt very unlucky and unstable at times - which makes sense.

Sun conjunct North Node: This is another fame placement. North Node is our life “goal” and the Sun is how we express pride and ego. Most people with this aspect may feel like they are supposed to take center-stage and be the “main character”. He’s an ultra-famous musician, who is still talked about 40 years after his death.

North Node in Libra: Libra energy is all about social gracing, attractiveness, and fairness. Earlier in his life, Lennon struggled with maintaining his anger—he would take his anger out on his family and get in random fights at bars. Later on, he would be a famous advocate for peace. South Node would automatically be in Aries, showing that he was already a fighter and aggressor early on in life.

Mercury square Pluto: Pluto is a controlling planet, while Mercury looks for problems and communicates. Disharmonious aspects between the two planets give someone a very paranoid personality, and no filter in what they say. Lennon would always get himself in trouble with what he said: he claimed The Beatles were more popular than Jesus and later would make fun of Beatles’ songs that were written by other members.

^He also had a song titled “Woman is the N*gger of the World”??? He had no filter.

Venus sextile Mercury: Venus gives an aesthetic touch to how we communicate and work. Lennon was a great songwriter. He even published a few books.

Moon opposing Pluto: The Moon is our emotional comfort, while Pluto is intense and addicting. This aspect points to emotional upheavals and an inability to control your reactions to things. This can add explanation to his behaviors earlier on in his life and the emotional turmoil you hear in his music.

^Pluto can also signify death and being overpowered, while the Moon is the mother figure. Lennon’s Mother unexpectedly passed away when he was just 15 years old.

Moon in Aquarius: Despite how personal the Moon placement is, Aquarius deals with impersonal subjects (i.e., human evolution, new-ways-of-thinking, and inventions). The good side about this placement is, when Humanity feels good, they feel good. This gives insight into his humanitarian approach later on in life.

#astro observations #astrology #astro community #astro notes #astro placements #astrology observations #john lennon #birth chart #natal chart #zodiac #rising sign

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hooked-on-elvis · 9 months

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[📸PHOTO STORY⚡] A couple of "first-times" — Elvis and Alfred Wertheimer, 1956

On the next two pictures, on March 17, 1956, Elvis seeing in his "argyle socks, shantung pants and jacket, black shirt, freshly combed slick brown hair and a sneer" at CBS Television Studio 50. This was the moment Alfred was first introduced to EP (photo taken by him). By Alfred Wertheimer's accounts, to him, Elvis "didn't look much like a star, more like just another backstage guy'.

At the moment this picture was taken, Mr. Wertheimer said "a balding jewelry salesman (seen sitting beside Elvis) was handing him a diamond ring that could have been seen from the back row of Carnegie Hall. Elvis pulled his feet off the table, leaned on the back of another chair, and in a soft low voice with a mild Southern accent, said simply, 'Hi.' He returned his examination of the ring, a diamond-studded horseshoe around a gold horse's head. I took my place behind the camera. The salesman closed the deal."

Excerpt from "Elvis '56 In The Beginning" by Alfred Wertheimer.

This was a 14k gold ring that belonged to Elvis Presley early in his career. Designed in the shape of a horseshoe with fourteen single-cut diamonds around the surface while a horse head adorns the middle, this ring was worn pretty frequently by the King for a number of years.

Those March 1956 pictures show the purchase of one of Elvis' first most easily relatable diamond jewelry pieces and Alfred Wertheimer's first, of what would become exclusive, unique and legendary, shots of the King of Rock and Roll.

ADDITIONAL INFO On Elvis' horseshoe rings:

EP is known for giving away his own things as quick as the thought, so he gave some of his own horseshoe rings away and ordered new ones. As the years passed and EP's love for horses grew, more rings would be made on the same theme, even by his private jeweler Lowell Hays - and by the way Elvis and Priscilla owned matching horseshoe rings in the 60s.This picture below shows EP and Priscilla wearing matching horseshoe diamond rings - Elvis' is not the same ring bought in 1956, it's a different one. Elvis and Priscilla were wearing those horseshoe matching rings on their wedding day in May 1, 1967.

If Elvis liked the “Good-Luck” idea behind this famous symbol, possibly... specially by the beginning of his career when it would come to great use. EP's jewelry contained themes and selected precious stones, full of meaning and grace. As he grew older he came to study astrology and numerology, and would even know the meaning of 'birth stones' and he would use this to chose and gift his loved ones with beautiful exclusively-made jewelry pieces with their own birth stones on it at times; besides Elvis was a believer... in God above anything else, but even tho he was a Christian man, he didn't deny anything was possible, so harmless mysticism was welcomed in his mind as well. With this said, it's not hard to believe Elvis indeed chose the horseshoe ring for a reason. But either the case, the man didn't need any help from lady luck.🍀

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On Alfred Wertheimer's background story:

In March 1956, Alfred Wertheimer was hired by Anne Fulchino, publicist for the Pop Record Division of RCA Victor, to photograph Elvis. Here's Anne with EP:

Elvis, RCA Victor' Pop Records Division publicist, Anne Fulchino, and a William Morris' agent [name unknown] on March 17, 1956 at NBC's Studio 50, New York City. © Photo by Alfred Wertheimer.

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deeply-moonstruck · 26 days

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NEW Seiun Lore analysis!

“Parallax-polysemy” is a whole reference to her ability, I’ll break down both words.

•Parallax is a term primarily used in astronomy and photography, referring to the apparent shift in position of an object when viewed from different perspectives. In a broader sense, it can refer to the idea that something may appear different depending on the viewer's position or perspective. Which is a reference to Seiun’s ability to change her appearances, or even reality to an extent.

•Polysemy is a linguistic term that refers to a word or phrase having multiple meanings. Like how Seiun has multiple “selves” and is never sticking to just one persona.

When combined, "parallax polysemy" suggests the idea that the meaning of a word or concept can change or shift depending on the perspective from which it is viewed, like how Seiun changes depending on the task at hand or how she’s feeling. Essentially, it implies that the multiple meanings (polysemy) of a word or concept might vary or appear differently depending on the context or viewpoint (parallax) of the observer.

“Polysemic Monodrama” refers to again, the word polysemy, and then a “monodrama” refers to a dramatic work, typically a play, where only one character is present or one actor performs all the roles. It's often an intense, focused exploration of a single person's thoughts, emotions, or experiences. Like Seiun’s view on the world being “one big stage play” and how she refers to herself as an actor.

NAME:

Seiun’s name (星雲), is a whole astrological reference, tying to the origin of the word parallax.

•In Japanese, "nebula" is written as 星雲 (せいうん, seiun). This term combines 星 (hoshi), meaning "star," with 雲 (kumo), meaning "cloud," reflecting the concept of a star cloud or nebula.

CHARACTER INSPIRATION:

Seiun’s concept itself was heavily inspired by Sparkle of Honkai: Star Rail, and Heath Ledger’s Joker. A case of method acting gone wrong. Here is a brief summary.

TW: Mental illness, idk what else but I feel like it should have a TW..?

The Great Actor: Heath Ledger

(Seiun Performance No. 1)

those being hidden under the veil

Heath Ledger was an Australian actor. After playing roles in several television and film productions during the 1990s, he moved to the United States in 1998 to further develop his film career.

Heath Ledger made history with his performance as the Joker in The Dark Knight. The Dark Knight won Ledger a posthumous Academy Award and a Golden Globe for Best Supporting Actor.

Ledger's portrayal of the Joker in The Dark Knight was initially deemed "inappropriate," but he delivered an unexpected and incredible performance that silenced the skeptics.

Mirroring Character: The Joker

(Seiun: Performance No. 99)

those being reflected on the mirror

During the filming of Batman: The Dark Knight, Heath Ledger kept a scrapbook which he called “The Joker Diary”. It was a scrapbook where he kept everything that was related to or could be helpful for his role.

He sometimes wrotes horrifying stuff in the diary as the Joker himself, like how blind babies and AIDS make him laugh. He also placed pictures of villains from other movies in this Joker Diary.

Ledger isolated himself for weeks before the movie, in the hotel room, people used to hear him laugh all by himself and make creepy voices. He was trying to choose the perfect voice and laugh for The Joker.

The actor even tempted one of his famous co-stars to hit him while filming the scene. Bale said to Ledger: 'You know what, I really don't need to actually hit you. It's going to look just as good if I don't.'

Then Ledger replied, 'Go on. Go on. Go on ...' as he was slamming himself around and there were tiled walls inside the set which were cracked and dented from him hurling himself into them.

Heath Ledger explaining his sleep troubles when portraying the character and summed it up on New York Times Interview back in 2007 while the film in production, he said:

"It's physically and mentally draining role: psychopathic, mass-murdering, and schizophrenic clown with zero empathy."

Losing Himself: Self Doubt

(Seiun: Performance No. 990)

those being stared by her own mask

After Batman was filmed, Heath Ledger could no longer separate the character and himself, he suffered from serious depression. Some said he got too absorbed and didn’t know how to come back.

He wanted fame and then when he got it, he didn't want it. The whirlwind shock that came with a new level of renown struck the actor hard. Like many artists, Ledger grappled with self-doubt.

He often felt there was a chance his performances could be better or that he simply hadn't hit the mark. He comments about his consistent nervous energy:

"It's pattern for me, going into any job carrying certain level of anxieties and doubt, self-doubt, fears toward my inabilities and not being able to. I fooled them, or I can't do this. I'm not an actor. I shouldn't be here. I think everyone goes through that. I certainly do."

I won’t say anything else cause this is already pretty long, but I’m sure you can see the parallels with him and Seiun.

@the-mafias-muzzled-dog here!

#bungou stray dogs #original character #LOOOORE *MatPat voice*#Rp #bsd rp #oc #Oc lore #yeoyaps

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astrstqr · 5 months

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abt my dr self ⵢ yana dr

Category: bad bitch, I'm thе bar. Alien superstar

✦⊃୨୧˙˖ NAME : Sekaiya Winters

✦⊃୨୧˙˖ NICKNAME(S) : Kaiya , Suki

✦⊃୨୧˙˖ HEIGHT : 5’4

✦⊃୨୧˙˖ WEIGHT : 120

✦⊃୨୧˙˖ BLOOD TYPE : A

✦⊃୨୧˙˖ BIRTHDAY : October 11th 2004

✦⊃୨୧˙˖ ZODIAC : Libra

✦⊃୨୧˙˖ AGE : 19

✦⊃୨୧˙˖ POB : New York

✦⊃୨୧˙˖ RACE : Black

✦⊃୨୧˙˖ NATIONALITY : American

✦⊃୨୧˙˖ MBTI : INTP

✦⊃୨୧˙˖ LOVE LANGUAGE(S) : physical touch, acts of service, affirmation, quality time

✦⊃୨୧˙˖ LANGUAGE(S) : English, Spanish , Korean , Japanese

✦⊃୨୧˙˖ HOBBIES : gaming, cheer, volleyball, astrology, singing, dancing, playing the electric guitar, streaming, fashion, modeling, shopping

✦⊃୨୧˙˖ LIKES : Beyonce, going out, parties, watching tv, cooking, makeup, nails, sweet food, adventure games, multiplayer games, Fire Force, Dr.Stone, Avatar: The last Airbender, dogs, summer, music + more!

✦⊃୨୧˙˖ DISLIKES : rain, long lines, bad smells, bad smells, being early, country music, getting up early, ads/commercials, sand getting in my shoe, frog legs, alligator meat, coleslaw + more

YANA FACTS & TRIVIA

– She was born was in Manhattan, New York, but grew up in Huston, Texas.

– She has two siblings named Quincy Winters & Daisha Winters

– Her parents are the famous Amari & Naomi Winters

– training period : 3 years 4 months

– When she turned 6 , she began taking singing and dancing classes.

– Her, along with her sibling, received an informal mentorship in the art of music. Her parents, people in the industry such as Nicki Minaj, Beyonce, Jay-Z, Drake etc

– At the age of 13, she auditioned to join the South Korea label Hybe Labels ( known as Big Hit Entertainment at the time) through their international auditions.

– She made her acting debut in the show Dragonborn: The Elder Scrolls Saga (2023)

– She's bestfriends with soloist Stasia and Rei

– She's a meduim, so she can see ghost

– She played volleyball in high school and did cheerleading

– Before becoming a idol she went by the name Ice Spice

– She is known for her fiery and funny personality

– She often goes live on twitch, streaming games such as The Elder Scrolls 5: Skyrim , Sims 4 , and Etherea

– She writes and produces her own music with the help of her in house prodcer Riot

– She wrote Enhypen's 'Bite Me' and choreographed it

– Her favorite color is Pink

– She is many artists ideal types such as Enhypen's Sunghoon , TOMORROW X TOGETHER's Soobin , and Luh Tyler etc.

– Gege Akutami the creator of Jujutsu Kaisen makes a character based/inspired by her

– the song ‘me or sum’ by nardo wick was inspired by her and he has a crush on her

#𝜗𝜚 ‎‏‏‎ ‏‏‎ ‏‏‎‏‏‎ ⌗ ⭒ ‏‏‎‏‏‎ 𝓨𝐀𝐍𝐀 dr #kpop shifting #reality shifting #shiftblr #shifting motivation #shifters #shifting community #desired reality

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hedgewitchgarden · 8 months

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Pamela Colman Smith. Image in the public domain.

She’s the world’s most famous occult artist but her name is almost unknown.

Such is the enigma of Pamela Colman Smith (1878–1951), an early 20th-century artist, writer, and mystic. Smith created dreamy, Symbolist-inspired watercolors that won her acclaim in her youth, including three successful exhibitions at Alfred Stieglitz’s famed New York gallery, 291, where she was the first non-photographic artist to have a show.

She was also an intimate friend of Dracula writer Bram Stoker, poet William Butler Yeats, and the actress and artistic muse Ellen Terry, for whom Smith designed illustrations and stage sets.

However, Smith’s most lasting artistic contribution was undoubtedly her designs for the Rider-Waite tarot deck. Made in collaboration with mystic and scholar A.E. Waite, Smith created the Art-Nouveau-inspired imagery of mythical archetypes set against luminous monochromatic backgrounds. Released in 1909, the deck is now regarded as the standard set, with more than 100 million copies in circulation. Smith’s imagery has become synonymous with tarot itself.

And yet, for more than a century, Smith went wholly uncredited for her contribution. Her claim to the deck was only cemented by her iconic serpentine signature, a monogram she created while studying Japanese design, and which she embedded into the decoration for every Tarot card.

“Tarot is a visual device—and yet the visual artist who composed them was eclipsed by Waite, the scholar, and Rider, the manufacturer,” said Micki Pellerano, a New York-based artist, astrologer, and scholar of occult history, “Academics, with all their inertia and corporatism, are somehow more palatable to the public and valuable to the market than artistry and vision… little has changed.”

But Smith has slowly been gaining recognition. The exhibition “At the Dawn of a New Age: Early Twentieth-Century American Modernism,” currently on view at the Whitney Museum of American Art, features an entire vintage set of the Rider-Waite tarot deck with attribution to Smith alongside The Wave, a luminous 1903 watercolor and ink drawing in the museum’s collection. The artist’s place in art history is still forming, however, and her contributions are more complex than a simple story of rediscovery.

Pamela Becomes Pixie

Born in London to upper-class American parents, Smith moved through a sophisticated and cultured circle, spending her childhood in New York and then Jamaica, where she would be profoundly shaped by that nation’s folkloric history. Smith returned to New York in 1893, enrolling in Pratt Institute, though she would leave after two years to pursue her own interests, then returning to London following the death of her mother.

She was deeply involved in the literary world and her early accomplishments include the illustrations for a volume of verses by William Butler Yeats (1898), as well as the publication of her own writing, Annancy Stories, a collection of Jamaican folktales, and Widdicombe Fair, an illustrated version of a popular English folk melody.

By 1901, she had established a weekly salon at her London studio and apartment, and she started her own journal, The Green Sheaf, which she edited as well as contributing her own poems and illustrations. She devoted herself to miniature theater as well, constructing dazzling and diminutive stage sets for toy performances.

The Annancy Stories particularly won Smith admirers and a bit of notoriety. Smith toyed with gender conventions, granting the women characters in these stories more agency, and sometimes making the gender of the characters ambiguous. She’d also written these stories in Jamaican patois, with which she was familiar from her childhood—an unconventional decision at the time.

Smith was familiarly known as Pixie, a nickname bestowed on her by Ellen Terry and which captured something of her undefinable, impish spirit. Smith was often known to wear flowing robes, and occasionally pants, and her self-styling welcomed all sorts of speculation. “She adopted native costumes and wore feathers in her hair and colorful ribbons. It was almost like a self-constructed persona that she adopted,” explained Barbara Haskell, curator of the Whitney exhibition, in a phone interview.

Her sexual orientation and her ethnic makeup also sparked curiosity. She lived for many years with Nora Lake, her companion and business partner, with whom she may have shared a romantic relationship. Others have speculated that Smith was of biracial descent, with an English American father and a mother of either Jamaican or East Asian ancestry—although not much evidence exists to lead to any decisive conclusions on the matter. What was certain is that Smith was regarded as “other” by those around her and which in turn inspired her approach to art-making.

Early Fame and Acclaim

In 1907, Smith had her first exhibition at 291, featuring 72 watercolor paintings. These works were partially inspired by Smith’s own synesthesia, in which she experienced visual sensations set off by auditory impulses (her first synesthetic experience occurred while listening to Bach). She organized her works for the show with overtly musical references, such as overtures, sonatas, and concertos.

“In the 19th century, there was an idea that art was an expression of the unconscious and that it would elicit unconscious non-rational ways of thinking about the world,” Haskell said. “Smith would paint while listening to music as a way to unleash her unconscious, which would have fit Stieglitz’s mission at that point.”

This first exhibition was a commercial hit and Smith would have two more shows at the gallery in the following few years. Eleven of her unsold paintings and drawings remained in the collection of Stieglitz and Georgia O’Keeffe. Eventually, however, Stieglitz would turn to a more masculine vision of Modernism, leaving Smith somewhat disheartened.

The Embrace of the Occult

From early in her life, Smith’s spiritual beliefs were oriented toward the esoteric and arcane. She had been raised a Swedenborgian, a mystical denomination of Christianity, and, as early as 1901, began to engage with the Hermetic Order of the Golden Dawn, a secret society that explored occult, metaphysics, and paranormal activities, which certainly influenced her artistic output.

For Haskell, these influences were symptomatic of the time. “Smith represents a strain of artists in early American Modernism who were disaffected with materialism and rationalism, but who were also unsatisfied with organized religion and so turned toward more occult pursuits,” she explained. “Theosophy was so influential at the turn of the century and the Hermetic Order of the Golden Dawn was similar—a secret society that looked at ancient texts, the kabbalah, and tarot cards. This was predominant among women and I think of Agnes Pelton as a parallel.”

Smith was eventually approached by A.E. Waite, a scholar of the Hermetic Order, who had ambitions to create a new version of the 78-card tarot deck, and who commissioned Smith to create the illustrations.

Waite, a Grand Master of the Hermetic Order, offered direction for his vision for the order of the Major Arcana, which is characterized by allegorical characters such as the Fool and the Sun. The Minor Arcana, cards in four suits of wands, swords, cups, and pentacles, were left entirely to Smith’s discretion, and she transformed these cards, which had traditionally been simply symbols, into lush, image-laden scenes.

The deck is mythical in scope, ranging from moments of exalted regality to mischievous pleasure, and Smith’s compositional signature predominates the cards: a lone, mysterious, medieval hero appears against a nearly Byzantine monochromatic background.

For Pellarano, Smith’s familiarity with the significance of the tarot is evidenced by her detail. “She possessed a rare command over iconography, and a deep understanding of it,” he said. “Her designs are constantly revealing new layers of information. They encode so much meaning and evoke so much contemplation, but are gentle in their elegance and appeal.” Haskell notes commonalities to the work of Dante Gabriel Rossetti. “She was in England, and through the theater, she was exposed to a lot of Pre-Raphaelite art” Haskell noted.

Some of the tarot archetypes are believed to have been modeled by Smith’s friends—Ellen Terry’s daughter, Edith Craig, appears as the Queen of Wands and actor William Terriss as the Fool. Smith, who struggled financially throughout her life, would receive no copyright or credit for her contribution, and was paid only a nominal commission.

A Retreat to Obscurity

Following the publication of the deck, Smith grew increasingly interested in Irish mythology, and in 1911, she made illustrations for Bram Stoker’s final book, Lair of the White Worm. But soon enough, Smith withdrew from the art world. That same year, she converted to Catholicism and with a small inheritance purchased a home in Bude, England.

There she would devote herself more fully to causes like women’s suffrage and the Red Cross. She would die at age 73 in Bude, all but penniless. “It was her decision. She just exited the art world,” Haskell said.

Still, Haskell believes it is time for Smith to rejoin the story of Modernism. “Art, more than words, presents the mood of the time, and Pamela Colman Smith’s work does get to the essence of a feeling of that era,” she said. “On one hand, people were excited about industrialization and that was the dominant mode, but there were also those who were very concerned that it was stripping individuals of a sense of spirituality and connection to their inner core. That certainly hasn’t gone away and we’ve come fully back into such a moment.”

“Smith’s works feel even more resonant,” Haskell added, “showing art as a way to find a personalized, spiritual connection to divinity in isolating times.”

#pamela colman smith #tarot

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edwardslovelyelizabeth · 5 months

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I see a saying that Edward IV was very interested in Alchemists? (Elizabeth Woodwell's family also has magical rumors... hhhhh)

Hi! Yes, there is an interestng book called Arthurian Myths and Alchemy: the Kingship of Edward IV by Jonathan Hughes.

The author points out Edward's own interest in alchemy as well as how the symbolism during Edward's reign was used as a propaganda in favour ot the King.

" The justification for Edward’s seizure of the throne from Henry VI was also based upon his British ancestry, with specially-produced genealogies, accompanied by prophecies and other historiographical material proclaiming him to be the ‘second Arthur’, who would unite the kingdoms of Britain, thus fulfilling the prophecy made by the Angelic Voice to Cadwallader, last king of the Britons, at the end of Geoffrey of Monmouth’s Historia Regum Britannie."

"...the alchemical influences that shaped much of Edward’s propaganda at its point of origin. Symbols such as the ‘sun in splendour’ and the ‘three crowns’, by which Edward was known, had alchemical meanings, however else they came to be perceived by contemporaries. This raises questions about how such symbols were perceived by different sections of the community – they could be heraldic, natural, alchemical, astrological, mythological or simply be associated culturally with ideas such as ‘the sun of majesty’ (as with Richard II in Clement Maidstone’s account of Richard’s reception in London in 1392). Few people, as Sydney Anglo has pointed out, ever saw the king; but they ‘saw’ him in the symbols by which he was represented. The ‘perception history’ of such symbols is clearly important not only for this period, but for other reigns, and the alchemical origins and understanding of some of them has implications for the study of prophecy. Whilst it is not true that all images used in prophecy had their origins in alchemy, this set of meanings needs to be examined, and some prophecies, such as Adam Davy’s Dreams about Edward II, most certainly offer themselves for this type of explanation."

"...Edward IV’s own interest in alchemy, his close relationship with George Ripley and others with similar interests, and the influences which this had upon Edward’s own ideology and self-belief. Also really interesting is the connection between Ripley, Thomas Norton (alchemist and ‘prophet’) and George Neville, archbishop of York. Hughes’s knowledge of the nature of fifteenth-century alchemy enables him to offer interesting new perspectives on the motivations of this group, and the fluctuating nature of their relationship with their royal patron. Particularly striking is the revelation that to men such as Ripley, the rise and fall of kings was seen in the nature of an alchemical experiment."

The author also points out that the kings interest in alchemy is not something unique, the kings before him such as Henry V and Edward III also had astroligists/alchemists at their sides.

Here is a very good review of the book: https://reviews.history.ac.uk/review/335

as to Elizabeth all the "witchcraft" accusations againt her and her mother were a smear campagn and totally unfounded. The only "magial" connection that her and a few other european royal houses claimed is the famous myth of Melusine (a figure from European folklore depicted as a mermaid, sometimes with two tails, as a serpent from the waist down, or as a dragon. She is associated with the ruling houses of Anjou, Lusignan, and Plantagenet and supposedly warned nobles of these houses of impending death or change.) Here is more on the myth: https://www.worldhistory.org/Melusine/

#ask #edward iv #elizabeth woodville

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psychicmahadev · 2 years

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best indian astrologer in new york

The best Indian astrologer in New York for a reason, we provide the most accurate predictions and solutions for your better furture.

#best indian astrologer in new york #indian astrologer in new york #famous indian astrologer in new york #top indian astrologer in new york #famous astrologer in new york #moufas astrologer near me #black magic removal #tarot card reader #indian puja in usa

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coffee-n-bagels-comic-universe · 11 months

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Brainwaves Bios: Louis Tully (1984)

Dana's Neighbour & Mars' Accountant Louis Tully

An accountant and Dana Barrett's neighbour who gets possessed by Vinz Clortho, then gets to be a temporary Ghostbuster, as well as their accountant.

"Who does your taxes?"

Name

Full Legal Name: Louis Bertram Tully

First Name: Louis

Meaning: French form of 'Ludovicus', the Latinized form of 'Ludwig', from the Germanic name 'Hludwig' meaning 'Famous in battle', composed of the elements 'Hlut' 'Famous, Loud' and 'Wig' 'War, Battle'

Pronunciation: LOO-is

Origin: French, English, Dutch

Middle Name: Bertram

Meaning: Means 'Bright raven', derived from the Old German element 'Beraht' 'Bright' combined with 'Hram' 'Raven'

Pronunciation: BUR-tram

Origin: English, German, Germanic

Surname: Tully

Meaning: Form of 'Tullius', derived from the praenomen 'Tullus', which is of unknown meaning.

Pronunciation: TUL-ee

Origin: History

Titles: Mr

Nicknames: Lou, Bert

Characteristics

Age: 31

Gender: Male. He/Him Pronouns

Race: Human

Nationality: American Citizen. Born in America

Ethnicity: White

Birth Date: April 18th 1953

Sexuality: Straight

Religion: Christian (Non-Practicing)

Native Language: English

Known Languages: English, (Some) French

Relationship Status: Single

Astrological Sign: Aries

Actor: Rick Moranis

Geographical Characteristics

Birthplace: Auburn, DeKalb County, Indiana

Currant Residence: Central Park West, New York, New York

Appearance

Height: 5'5" / 165 cm

Weight: 169 lbs / 77 kg

Eye Colour: Blue

Hair Colour: Brown

Hair Dye: None

Body Hair: Hairy

Facial Hair: Clean Shaven

Tattoos: (As of Jan 1984) None

Piercings: None

Scars: None

Health and Fitness

Allergies: None

Alcoholic, Smoker, Drug User: Social Drinker

Illnesses/Disorders: None Diagnosed

Medications: None

Any Specific Diet: None

Relationships

Affiliated Groups: Ghostbusters (Employee)

Friends: Heather Nieto-Jorge, May Keaton, Allison Wada, Nova Teufel, Peter Venkman, Egon Spengler, Winston Zeddemore, Raymond Stantz, Janine Melnitz, Dana Barrett, Mars Teufel, Ira Freud

Significant Other: None

Previous Partners: None of Note

Parents: Richard Tully (70, Father), Annabelle Tully (66, Mother, Née Gold)

Parents-In-Law: None

Siblings: William Tully (40, Brother)

Siblings-In-Law: Penelope Tully (36, William's Wife, Née Haber)

Nieces & Nephews: Lewis Tully (10, Nephew)

Children: None

Extras

Level of Education: Taking Law School Night Classes

Occupation: Accountant, Ghostbuster (In-Training), Student

Employer: Ghostbusters / Self-Employed

Expertise:

Accountant Certificate

Actuary Certificate

Notary Certificate

Knack for Loopholes & Exploits

Once Possessed by Vinz Clortho

Faults:

Weak to Good Looking Women

Coupon Collector

Street Food & Junk Food

Backstory: In 1984, Louis Tully was a resident of the Shandor Building at 550 Central Park West and lived on the 22nd floor. Louis occupied 2202. He had unreciprocated romantic feelings for Dana Barrett and clumsily burst out of his apartment whenever she was in the hallway. He was mysteriously locked out of his apartment numerous times, unaware of the supernatural history of the building.

#Brainwaves #ghostbusters 1984 #ghostbusters #louis tully #Louis Tully

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