#fahr el nissa zeid

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Fahrelnissa Zeid (Turkish, 1900-1991), Untitled, c.1950s. Oil on canvas, 182 × 222 cm. Tate

[random-brushstrokes]

Fahr-el-Nissa Zeid - Portrait of the artists daughter, Şirin Devrim as Lady Macbeth (ca. 1960)

[oldsardens]

Fahr El-Nissa Zeid - Untitled

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Fahrelnissa Zeid (1901–1991), Resolved Problems, 1948.

[rfsnyder]

Beduoin (Bedevi) By Zeid Fahr-el-Nissa;

[guyyanai]

Installation of L’Anti Destin, Paris

Organized by Pauline Pavec et Quentin Derouet Participating artists: Nabuyoshi Araki - Fernandez Arman - John Armleder - Louis Cane - Quentin Derouet - Cyril Duret - Nada Duval - Nils Guadagnin - Raymond Hains - Michel Journiac - Ra’anan Levy - Jean Von Luger - Aristide Maillol - François Morellet - Fahr el Nissa Zeid - Gaspard Oldman - Karolina Orzelek - Eugenio Pipo - Danh Vo - Guy Yanai

64, rue de Monceau 75008 - PARIS En collaboration avec la Galerie Derouillon, la Galerie Helenbeck et Pierre et Alexandre Lorquin

September 7 - September 9 2017

Credit for photos: Paul Mouginot

[wikivn-info-blog]

Fahrelnissa Zeid và những tác phẩm tiêu biểu của "Nữ nghệ sĩ vĩ đại nhất thế kỷ 20"

Fahrelnissa Zeid và những tác phẩm tiêu biểu của “Nữ nghệ sĩ vĩ đại nhất thế kỷ 20”

Hôm nay 7/1/2019, Google Doodle vinh danh Fahrelnissa Zeid, vậy Fahrelnissa Zeid là ai?

Tiểu sử và sự nghiệp Fahrelnissa Zeid

Fahrelnissa Zeid (tiếng Ả Rập: الأميرة فخر النساء زيد‎) Fakhr un-nisa or Fahr-El-Nissa (7/1/1901 – 5/9/1991) là nữ họa sĩ người Thổ Nhĩ Kỳ. Bà nổi tiếng với dòng tranh trừu tượng. (Theo Wikipedia)

Fahrelnissa Zeid (1901-1991)

Fahrelnissa Zeid, còn được gọi là Fakhr un-nisa��

[mavazabybit-blog]

FAHR EL-NISSA ZEID  Break of the Atom and Vegetal Life 1900-1991)

The artist use of colour first intrigued me, as I began to research more into the context behind her work I was taken back even further. The series of these pieces began when she had gone through depression over the death of her close friend. As she sat watching a fly make home to her wall she traced the patterns it made as it travelled and thus began her colourful pieces. 

I found it interesting how something so chromatic and beautiful first came from a place of darkness. The idea that she used nature to find patterns and shapes appeals to me and ties in to my work. Her work allowed me to think deeper about the influence of nature on patterns, and how nature itself is so complex that it can only be seen in its simplest form. 

“Trained in both Paris and Istanbul, Fahrelnissa Zeid was an important figure in the Turkish avant-garde d Group in the early 1940s and the École de Paris (School of Paris) in the 1950s. Her vibrant abstract paintings are a synthesis of Islamic, Byzantine, Arab and Persian influences fused with European approaches to abstraction. Many of her abstract works are monumental and demand attention.

Zeid’s reputation as an artist was cemented in the 1950s when she was living between London and Paris and exhibiting extensively internationally. The artist also began experimenting with painting on turkey and chicken bones, which she later cast in polyester resin panels evocative of stained-glass windows. In the later years of her life she unexpectedly returned to figurative painting, creating stylised portraits of her friends and family.

Indulge in Zeid’s obsession with line and dazzling colour in this exhibition. Rediscover one of the greatest female artists of the 20th century in this first major retrospective.​“

[selfportraitsofcolor]

Fahr-el-Nissa Zeid, b. 1901, d. 1991 Self Portrait Turkey (undated) Drawing in ink and blue pencil [Source]

The written bits say: “Vous étiez très expressif - cela faisait noir et blanc à l’écran de la télévision”, which means, “You were very expressive - it was black and white on the TV screen.”

[schasem]

[thunderstruck9]

Fahr El-Nissa Zeid (Turkish, 1900-1991), Into the Void, c. late 1980s. Oil on canvas, 100 x 70 cm.

[rfsnyder]

Zeid Fahr-el-Nissa;

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Fahr El-Nissa Zeid (Turkish, 1900-1991), Composition. Oil on canvas, 195 x 97 cm.