#fagg*t
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My insides want to be outside. They do not feel comfy inside my body they yearn
Guys my partner left back to the states. Where they are trans and they kept getting clocked left n right while here but like yall- that shit was scary cuz I was like oh gawd they prolly clocked ME too. Like FUCK.
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hilarious how the only food I've tolerated these last two days are boiled pipianes (a type of squash), which is a word used in spanish to refer derogatively to gay people ✨
#ig it's the spanish equivalent to fagg*t in my country#so the only food I've tolerated so far are gays!! amazing!!
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just because I'm using myself on my icon portrait doesn't mean I'm a personal blog and suddenly some weirdos can stole and repost my gifs, hum
seriously when I fucking GET YOU
#it's always an obsolete fagg 0 t trying to diminish your workstuff all the time#but crazy how they talk shit about you but tries to get notoriety by repsosting YOUR stuff#some people just talk about you on their back they don't have the balls to talk about you#don't you ever compare yourself to me *naomi voice*
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FUCK THAT FAGG*T! ASSASSINATION NATION (2018)
#assassination nation#cody christian#jiggle physics#assassinationnationedit#cchristianedit#filmedit#gayedit#2409#*
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Sea Shanty Books
For all those who are looking for books on the subject of sea shanties.
The Early Naval Ballads of England, by J.O. Halliwell, 1841 Naval Songs, by S.B. Luce, 1883 The Music of the Waters, by Laura A. Smith, 1888 Songs of Sea and Sail, by Thomas Fleming Day, 1898 Old Sea Chanties, by J. Bradford and A. Fagge, 1904 Sailors' Songs or Chanties, by Ferries Tozer and F.J. Davis, 1906 Sea Songs and Shanties, by Captain W.B. Whall, 1910 Shanties and Forebitters, by Mrs. Clifford Beckett, 1914 Songs of Sea Labour, by Frank T. Bullen and W.F. Arnold, 1915 King's Book of Chanties, by Stanton H. King, 1918 Capstan Chanteys, by Cecil K. Sharp, 1919 Pullings Chanteys, by Cecil K. Sharp, 1919 Deep Sea Chanties, by Owen Trevine, 1921 The Shanty Book, Part 1, R.R. Terry, 1921 Sea Songs and Ballads, by C. Fox Smith, 1923 Roll and Go: Songs of American Sailormen, by Joanna C. Colcord, 1924 Sea Chanties, by Geoffrey Toye, 1924 Songs of the Sea and Sailors Chanteys, by Robert Frothingham, 1924 Ballads and Songs of the Shanty- Boy, by Franz L. Rickaby, 1926 The Shanty Book Part II, R.R. Terry, 1926 The Seven Seas Shanty Book, by John Sampson, 1927 A Book of Shanties, by C. Fox Smith, 1927 Salt Sea Ballads, by R.R. Terry, 1931 American Sea Songs and Chanteys, by Frank Shay, 1948 Shantymen and Shantyboys: Songs of the Sailor and the Lumberman, by W.M. Doerflinger, 1951 The Shell Book of Shanties, 1952 Sea Songs of Sailing, Whaling and Fishing, by Burl Ives, 1956 Shanties from the Seven Seas: Shipboard Work- Songs from the Great Days of Sail, Stan Hugill, 1961 Sailo's Songs and Shanties, by Michael Hur, 1965 Shanties and Sailors's Songs, by Stan Hugill, 1969
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I've looked through the gheist stuff, and apparently, their reasoning is that's what the characters would say. Also, they're used to being around people who aren't so 'sensitive' and that they've been around real marines and veterans. I'm white, so I have no right to decide anything, but I just thought I could offer more insight.
(prepare yourself, this is long, and this is by no means an attack to you, just me using this to voice my opinion)
Let me start out by saying: I absolutely agree...
And, sure, if we're addressing it from a (I wanna say 'realistic' but I don't like that word for the context of the game but also nothing else fits) realistic lense, then, sure, yeah, soldiers in general are absolute bastards (affectionately) and make racist/homophobic jokes often.
I've seen it irl and online, it's just a fact of the matter, their humor tends to be dark (I mean look at Ghost in game as an example, many soldiers have said his dialogue is realistic) and many more soldiers online make jokes like "oh if being called a fagg*t offends you, you wouldn't survive a day in basic training" or whatever.
It's also worth mentioning that different circles will view and 'engage' with certain topics in different ways. Things that 'fly' with a group of people will not fly with others (all ethical and legal concerns aside).
And just like, I believe, @/weebumochi said, if they wanna make those jokes and can make them 'freely' with their friend group without upsetting people? Great! They SHOULD do them with their friends!!
But that doesn't mean that some of the people that read that joke and felt upset at it (asians and not + mexicans at one point were involved) aren't also in the right to feel that way.
The moment they made that joke in a public blog they got themselves open to being crictised for it.
It also does not excuse gheistheist's behavior and the way they addressed the joke afterward, and how they addressed people's concerns over the joke, or any of their actions afterward including the dismissal of the joke and the mention of the Palestinian genocide.
Plus, just, in general, I am not (and everyone else are also not!) required to allow that mess to remain in my dash.
I don't want to be involved.
I don't want to see it.
I don't want to engage with it.
I don't even wanna think about it any longer.
I want my peace of mind and I'm getting that by blocking them.
(I'm not encouraging anyone to block them or unfollow them! I shared what I saw as the facts of the matter and what I've been told, what you do from there is your own decisions)
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Hii, this fic was on ao3 for sure. Its pre s4 relationship. Eddie has low grades on PE and gets steve asigned to help him, like some tutoring. They end up getting together after steve kinda ran from his feelings a little. Its all ok untill eddie gets punched by tommy at a party, calling him fagg*t and stuff. Steve didnt do anything so eddie pulls away. They had already had their first time together. They meet then during season 4, steve is still in love w eddie. I remember a scene when they were in the stolen rv and "still loving you" by scorpions started playing, robin turned it off and said she hated scorpions. I will look thru my bookmarks, but idk if i bookmarked it 😩, thank uu
Request 811! Send us an ask if you recognize this fic!
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↑ average russian when they're asked not to use homophobic slurs to curse at war criminals
2014 era tumblr discourse in the dolorian church tonight
#'pIdOr' Is NoT a HoMoPhObIc sLuR#who the fuck cares where it originates from its been used as a homophobic slur for ages so no amount of#workarounds will get you out of this one#'fagg*t' is a word that can be used interchangeably with son of a bitch#' it means a bundle of sticks there's no inherent homophobia in it'#' it's like a generic derogatory word at this point '#<- no it's not. please stfu
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every time i see two cartoon guys say/do some sus shit that one tiktok audio of the guy DECLARING the word FAGG*T just like BLARES in my head
#f slur#shockingly this is not about vashwood#it is about the narrator and stanley from the stanley parable#i say this with love as the guy whos algorithm has decided i need to see stanley fuck that old man
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if eddie was supposedly queer then what was "chrissy this is for you" lol
Oh little anon, when i tell you, you picked the WRONG bitch, I mean you picked the wrong bitch! firstly, cowardly to hide behind a grey face and not expose your blatant homophobia with your whole chest, but we move...
Let's take this in two parts, shall, we? Lets look at Stranger Thing's use of the word 'Freak' which from season one of the show has been used as a replacement for 'Fagg*t' the first instance being against Will Byers, when Joyce is reporting him missing and goes onto to explain to Hopper how Will's been bullied by his peers and his own father, where she explicitly uses the F slur to explain it, and from there it's been consistently used as a placeholder for it. Will is canonically confirmed gay by Noah, and to everyone else who knows how to read queer coding in his coming out scene to his brother in the pizza shop in volume 2. Eddie refers to himself on more than one occasion as a 'freak' - particularly in the boat house scene where he looks directly at Robin, a canonically confirmed lesbian and says to her, 'hunt the freak, right?' you can see the fucking pain in that boys face as he says it, and the gentle look Robin gives him in nodding, it's very clear to read that as them both having the understanding of what that meant, because while your little cishet brain may be incapable of critically reading subtext in media, us queers are very well versed at recognising our own, both on screen in queer coded storylines and off-screen in real life, and in this scene those two things meshed perfectly to demonstrate it.
Also, whether or not the nod to Queer Flagging was intentional or not, it was absolutely read that way by most of the Queer audience. Hanky Code was just one of the methods of Queer flagging that existed (and still exists today) which is predominantly used by Queer men (read: gay, bi, pan etc) to flag their sexual positions and interests at a time when it wasn't safe for them to be openly out without endangering their lives. Of course, bandana's were a big part of Metalhead culture too, but subcultures like metal, punk, etc, all these counter culture movements have a extensive and rich history of intersecting with the queer community. They are not mutually exclusive. Metal has massive ties to gender nonconformity and queerness, with bands like Judas Priest (who's lead singe Rob Halford was a gay man who came out in '98) who Eddie has a pin of on his battle vest, and while in '86 he wasn't out publicly, speculation about his sexuality had been around then too.
And all that is before we look at Joseph Quinns performance as Eddie and the little way in which he shamelessly flirted with both chrissy cunningham and steve harrington - which joe has confirmed at multiple convention panels that Eddie was flirting with Steve - he even, at the German con last weekend said that him and steve would have been a good fit, romantically.
BISEXUAL PEOPLE EXIST, PANSEXUAL PEOPLE EXIST. And if you can't see that not only are you homophobic, participating in bi/pan erasure but you're also just frankly fucking dumb.
And finally, if you think 'this is for you chrissy' meant he was somehow harbouring romantic feelings for her rather that he wanted to avenge for her murder you are delusional, and honestly giving Eddie ZERO respect if you honestly believe that it was because he fancied her and not because he was traumatized and guild ridden over not being able to do anything other than run away. This was him saying, I'm sorry Chrissy, I wish I could have saved you, but fuck it, your death won't be in vain we're going to save this goddamn town and burn the fucker who took your life.
I don't engage in ship wars, I don't give a fuck if you ship hellcheer, or steddie, or whatever other eddie ship, but i do give a fuck if you're going to come into my house and disrespect my son like this. DO BETTER.
#❛ shit talking ❜ [ ooc ]#sorry for the long rant my mutual pals but fuck me this anon PISSED me off#also to anon don't bother sending anymore they'll be deleted
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while many of you are experiencing young people policing the word "queer," i am witnessing the opposite at my incredibly gay&trans workplace: everyone getting talked to by management because the bby fagg*ts wont stop saying fagg*t at inappropriate times in front of straight ppl lol
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sorry if this is bad to post but is "fagg*t" a bad word? cause sometimes on here it seems like a good word but when my dad calls me it it feels like it's supposed to be bad and mean
all help appreciated!
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I need to hear blitz say fagg*t
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200 Films of 1952
Film number 157: Mother Riley Meets the Vampire (aka, A Vampire Over London and My Son the Vampire)
Release date: July 1952
Studio: Fernwood Productions/Renown Pictures
Genre: comedy
Director: John Gilling
Producer: John Gilling, Stanley Couzins, George Minter
Actors: Arthur Lucan, Bela Lugosi
Plot summary: Mother Riley spends most of her time avoiding her rent payments, but due to a crazy mix-up, she finds herself in a mansion with a vampire who is kidnapping women and trying to control the world with robots.
My rating (out of 5 stars): **
Oh god, that was an experience! I put this film on and off my list more than once, but I finally decided to give it a go. It was seriously weird, but I didn’t hate it as much as I feared. It was so wacky and silly, it was never drudgery, but would I want to watch it again? No. And was it funny? Barely. The funniest thing to me was the fact that a contemporary reviewer of the film said it was “stupid, humorless, and repulsive!” That’s a bit harsh, but still hilarious. (minor spoilers)
The Good:
The song! There was one random song in the whole movie, and it was a fun little thing Mother Riley sang with a chorus of “Lift up your finger and say tweet tweet, shush shush, now now, come come!” It seemed pretty clear that it was performed live on set with a piano, which I loved.
It did make me laugh a couple of times with some of its more absurdist humor and funny names. For example, a law office was called “Fleesum Fleesum Fleesum and Grab!”
It had much of the camp you would expect from a dirt-cheap comedic horror film starring a man in drag. It could have had so much more, though.
Bela Lugosi was good. His entrance genuinely made me smile- he came out of a coffin bed wearing a tuxedo and cape.
I liked the maid character Tilly for some reason. She was cute.
The Bad:
The Mother Riley character was played by a male comedian in drag, and let's just say it was an acquired taste that escaped me. Evidently, the Old Mother Riley character was the star of many serials in England, and a large part of her following was children. That makes sense to me, given the broad style of humor.
The “special effects,” if you can call them that, basically consisted of some reversed footage, a man in a robot suit, and terrible rear projection!
It honestly didn’t make me laugh. The humor was mostly uninspired slapstick. If you’re looking for witty British repartee, drive right on past this.
Slide-whistle sound effects?? Really? That illustrates again how basement level low-brow everything was.
The film screamed low budget from start to finish.
The Robot was a huge letdown! It was obviously just a guy in a costume, and not an impressive one at that. He was also easily destroyed in a brawl with an old woman! And yet, he was supposed to help take over the world?
The plot was kind of a stop-start mess. It was mostly a succession of gags, it sucked any suspense out of the story, and there were several dangling threads left at the end.
The Interesting: I learned some old British slang that... well, I’ll let it speak for itself. Early in the movie a man called Mother Riley a “silly old fagg*t.” She looked shocked and responded, “Me a fagg*t?!” I had to look it up, because I was sure that was the word I heard, and indeed it used to be “an abusive term for an old woman.” That was also likely a part of the origin for its homophobic use.
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ME TOO!!!!! :D
Are you perchance a fagg🥺t too?
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