#f.a. photos

[wetravellight]

The moon last night vs this morning

📷 F. A. Wayfarer, 03.09.2023

[van-yangyin]

Following Custom Content I shared the other day, here is EyeTree Head Set that contain a EyeTree head and Eyes of Tree Accessory for all ages. Hope you enjoy this one! 💗

Short brief when this post is published: I'm currently without pc because it's being repaired since it was failing me, so I leave you this publication that I left prepared. Until I have it back, it's possible that I won't be much on my social medias. When I return I'll answer to your lovely asks and replies. @lea-heartscxiv will probably lend me his, but it will only be for occasional times like posting things we've worked on together or new CC if pc takes too long to repair. Thank you for your patience with me ❤

They look at you, they judge you, they discriminate against you. From a planet far away from Sixam, called Lerighett, reside these tree-headed beings with eyes. They're said to be of many varieties and species, though residents of the hidden lands of Heyadee are one of the most frowned upon for being so perceptive and judgmental. If they have more eyes around them, they may be even more judgmental for being able to see beyond your soul. 👁️🌳

Download under keep reading ↓

If you download my CC it means your agree with my T.O.U (English/Español/日本語).

EyeTree Head

General Info:

13 swatches

Base game compatible

Located on Detail Skin, Forehead

all ages

disable for werewolves (don't show good on them)

all LOD's

All Maps (Diffuse, Normal, Specular)

Mesh and texture made from scratch by me

Custom Thumbnails

Compatible with higher and lower game sliders

Known problems: Some parts of the trunk may go deeper into the skin. Since is placed in Skin Details, Forehead, both packages are shown, no matter the gender, but they're written as Male Frame and Female Frame on thumbnail so that they can be easily recognized. Try to use them properly so they don't look bad unless that is the result you want to achieve.

LOD Information: LOD0: 7232 poly | LOD1: 3615 poly | LOD2: 1806 poly | LOD3: 903 poly

IF YOU LIKE MY WORK PLEASE CONSIDER BECOME A PATREON OR TIP ON KO-FI. ANY HELP IS ALWAYS WELCOMED BUT ALWAYS OPTIONAL. YOU CAN ALSO COMMISSION ME HERE OR FROM TUMBLR, IF YOU WANT ME TO DO SOMETHING SPECIFIC FOR YOU.  THANK YOU FOR YOUR SUPPORT!

※Choose download the one/ones you want the most or only download Merged: "_T-E_Merged" or "_AllMerged" where all the files are together.��

✨DOWNLOAD LINK✨ (Patreon ~ Always free, no adfly) [Same link]

✨DOWNLOAD LINK✨ (SFS ~ Always free, no adfly)

Photo in CAS and in-game photo without shaders:

~⭐️~

Eyes of Tree Accessory

General Info:

1 swatch, since use eye texture

Base game compatible

Located on Detail Skin, Crease

all ages

all LOD's

Mesh made from scratch by me

Custom Thumbnails

LOD Information: LOD0: 2880 poly | LOD1: 1440 poly | LOD2: 720 poly | LOD3: 360 poly

Do you want to know what else I'll be releasing this month and on what day? You can support me on Patreon or Ko-Fi and find out in this posts, here (Patreon) and here (Ko-Fi).

※Choose download the one/ones you want the most or only download Merged: "_T-E_Merged" or "_AllMerged" where all the files are together.※

✨DOWNLOAD LINK✨ (Patreon ~ Always free, no adfly) [Same link]

✨DOWNLOAD LINK✨ (SFS ~ Always free, no adfly)

Photo in CAS:

Compatible with LightHead/EyeHead and without LightHead:

~⭐️~

Btw, do you saw my last CC post? ��️

HERE

This CC is made in part in honor of the fucking eyes (the big one and the little ones) of Arc the Lad the Twilight of Spirits, who gave me and Lea a hard time many many years ago to defeat them. They aren't the same, but every time I was doing it I was thinking about them. Has anyone else played this game? I loved it and I love it!

Let me know if you find any problem. 🙏❣️ Also if you use this or any of my CC, feel free to tag me so I can see your sims, it will make me very happy to see it!

👀👉MORE DOWNLOADS

Happy simming! 🍀

💛

🛹 You can find me also on Patreon | Pinterest | Ko-Fi | Blogger (Shared with Lea) | Instagram | X (Twitter) | My F.A.Q. | My T.O.U. | MORE DOWNLOADS 🛹

[intrepidacious]

for sss, frank + getting older? 🥺🫶🏻

nostalgia | f.a.

a/n: seven sentences was not enough to be as soft as i wanted with this but i tried my best 😭

When you first met her, Mary was three-and-a-half years old and already able to count to sixhundredandninetynine, as she told you, breathlessly, her eyes bright and cheerful and so unlike like his it made your heart ache, even then; the "thevenhundreds" were still a bit too difficult for the moment, but that was only because there weren’t enough books in the local library for her to practice her counting, of course. You’d never forget the way Frank looked at you as she chattered on; so hesitant, so proud and hopeful and quietly adoring of this little girl life had thrown into his lap.

She was far too big for that now, and she’d lost her sweet lisp somewhere between kindergarten and braces.

That day, you found Frank on the couch in the living room, surrounded by old photo albums and polaroid pictures; you recognized the one he was staring at, Mary’s nose turned up at the camera with a scowl while your face was a blur of a smile as you held her up.

"She used to be so small," you said quietly, wrapping your arms around him from behind, and he let out a sigh as he leaned into you; you raked your fingers through his hair soothingly, smiling at the silver strands you found peppered through at the back.

You knew that when Mary got home from high school, she’d roll her eyes at the sight of you both and call you sappy as hell with a scoff before vanishing into her room; but the good part was that after a while, she’d come back down and join you on the carpet, cat in her lap, and quietly scroll through her phone as you continued looking at the old pictures. Sometimes, she’d even smile.

[entheognosis]

Chief Bill Rock. Crow. 1900.

Photo by F.A. Rinehart

[littlefeather-wolf]

Blue Horse ... Oglala ... 1900 ... Photo by F.A. Rinehart

[xtruss]

Joe Rosenthal And The Flag-Raising On Iwo Jima

Read Rosenthal’s own story about his picture of six U.S. Marines raising the American flag on Mount Suribachi — perhaps the best-known Pulitzer Prize-Winning Photograph.

Perhaps no Pulitzer Prize-winning photograph is better known than Joe Rosenthal’s picture of six U.S. Marines raising the American flag on Mount Suribachi on Iwo Jima. It was taken on Friday, Feb. 23, 1945, five days after the Marines landed on the island. The Associated Press, Rosenthal’s employer, transmitted the picture to member newspapers 17½ hours later, and it made the front pages of many Sunday papers.

The photo was the centerpiece of a war-bond poster that helped raise $26 billion in 1945. On July 11, before the war had ended, it appeared on a United States postage stamp. Nine years later it became the model for the Marine Corps War Memorial in Arlington, Va.

Normally, the Pulitzer Prize Board considers journalism published in the previous calendar year for the prizes. It made an exception for Rosenthal’s picture, awarding it the 1945 prize for Photography a little over two months after it was taken.

F.A. Resch, The AP’s executive newsphoto editor, submitted it, supplemented by others taken by Rosenthal on Iwo Jima, on March 29, 1945. The Photography jury was just finishing its work and apparently did not consider it.

“We felt the material was so outstanding that it merited consideration accordingly,” Resch wrote to a Pulitzer Advisory Board member.

“The endless citations which have been made in connection with the flag-raising picture — in Congress, as the basis for the Seventh War Loan drive, as the basis for numerous statue and memorial suggestions — are unprecedented in the history of news pictures.”

The War-Bond Poster Inspired By Rosenthal's Prize-Winning Photo

Resch pointed out that the AP had transmitted to its members half the 60 pictures Rosenthal made on Iwo Jima. “To the best of my knowledge no newsphotographer on any assignment before or during this war has achieved such results either in terms of so many newsworthy pictures taken under dangerous conditions, or in terms of consistently high technical quality of the product.”

The Pulitzer Advisory Board acknowledged receipt of the photos on April 18 and assured Fesch they would receive consideration.

A short time later, it was announced that the Rosenthal photo had won the prize.

A misunderstanding later led to repeated allegations that the photo had been staged. Sgt. Bill Genaust, who had been with Rosenthal at the time of the flag-raising and made a film of it, was later killed in action. His film proved that Rosenthal had not staged the picture.

Here is Rosenthal’s own story about the picture, which the AP put out on March 7, 1945, less than two weeks after the flag-raising.

‘I hope this was worth the effort’

“See that spot of red on the mountainside?” the bos’n shouted above the noise of our landing craft nearing the shore at the base of Suribachi Yama.

“A group of Marines is climbing up to plant our flag up there. I heard it from the radioman.”

He was plenty excited — and so was I.

The Marine Corps War Memorial in Arlington, Virginia, United States

The fall of this 560-foot fortress in four days of gallant marine fighting was a great thing. A good story and we should have good pictures.

So in I went, back to more of that slogging thru the deep volcanic ash, warily sidestepping the numerous Japanese mines. On past the culverts where the Japanese dead lay among the wreckage of their own gun positions and up the steep, winding, always sandy trail.

Marine Pvt. Bob Campbell, a San Francisco buddy of mine, and Sgt. Bill Janausk of Tacoma, Wash., were with me and carried firearms for protection (which is disallowed to correspondents).

There was an occasional sharp crack of rifle fire close by and the mountainside had a porcupine appearance of bristling all over, what with machine and anti-aircraft guns peering from the dugouts, foxholes and caves. There were few signs of life from these enemy spots, however. Our men were systematically blowing out these places and we had to be on our toes to keep clear of our own demolition squads.

As the trail became steeper, our panting progress slowed to a few yards at a time. I began to wonder and hope that this was worth the effort, when suddenly over the brow of the topmost ridge we could spy men working with the flagpole they had so laboriously brought up about quarters of an hour ahead of us.

I came up and stood by a few minutes until they were ready to swing the flagpole into position.

I crowded back on the inner edge of the volcano’s rim, back as far as I could, in order to include all I could into the scene within the angle covered by my camera lens.

I rolled up a couple of large stones and a Japanese sandbag to raise my short height clear of an intervening obstruction. I followed up this shot with another of a group of cheering Marines and then I tried to find the four men I heard were the actual instigators of the grand adventure. But they had scattered to their units and I finally gave it up and descended the mountain to get the pictures out and on their way to possible publication.

'This picture has done quite a lot to attract attention of people to what those men were doing out there, and they then want to get more of the story what kind of a battle it was, what their courage and tenacity was and the great losses, great sacrifices,' Rosenthal says here.

The way down was quite a bit easier, the path becoming well worn, and men were carrying ammunition, supplies, food and rations necessary for complete occupation of this stronghold.

The Marine history will record Iwo Jima as high as any in their many gallant actions in the Pacific.

I have two very vivid memories: The fury of their D-day assault and the thrill of that lofty flag-raising episode.

It is hard now in the quiet atmosphere of this advance base to find words for it. The Marines at Iwo Jima were magnificent.

[instantebookmart]

Phlebotomy Notes: Pocket Guide to Blood Collection 2nd Edition, ISBN-13: 978-0803675650 [PDF eBook eTextbook] Publisher: ‎ F.A. Davis Company; Second edition (December 19, 2019) Language: ‎ English 216 pages ISBN-10: ‎ 0803675658 ISBN-13: ‎ 978-0803675650 A Davis’s Notes book! This pocket-sized reference provides great information on phlebotomy techniques, with nice summaries of procedures with many photos and illustrations. It is ideal for clinical rotations, for quick review of coursework, and to study in preparation for your certification exam. The write-on/wipe-off pages feature a dedicated space where you can fill in the specific requirements for evacuated tubes, instrumentation, and analytical procedures for two different locations. Clinically focused, it’s the perfect guide to collecting, transporting, and processing quality blood specimens for laboratory testing. Table of Contents: Tab 1 Equipment Tab 2 Venipuncture Checklist Tab 3 Special Procedures Tab 4 Dermal Puncture Tab 5 Arterial Puncture Tab 6 Safety Tab 7 Laboratory Tests Tab 8 References Index What makes us different? • Instant Download • Always Competitive Pricing • 100% Privacy • FREE Sample Available • 24-7 LIVE Customer Support

[eduebookstore]

Phlebotomy Notes: Pocket Guide to Blood Collection 2nd Edition, ISBN-13: 978-0803675650 [PDF eBook eTextbook] Publisher: ‎ F.A. Davis Company; Second edition (December 19, 2019) Language: ‎ English 216 pages ISBN-10: ‎ 0803675658 ISBN-13: ‎ 978-0803675650 A Davis’s Notes book! This pocket-sized reference provides great information on phlebotomy techniques, with nice summaries of procedures with many photos and illustrations. It is ideal for clinical rotations, for quick review of coursework, and to study in preparation for your certification exam. The write-on/wipe-off pages feature a dedicated space where you can fill in the specific requirements for evacuated tubes, instrumentation, and analytical procedures for two different locations. Clinically focused, it’s the perfect guide to collecting, transporting, and processing quality blood specimens for laboratory testing. Table of Contents: Tab 1 Equipment Tab 2 Venipuncture Checklist Tab 3 Special Procedures Tab 4 Dermal Puncture Tab 5 Arterial Puncture Tab 6 Safety Tab 7 Laboratory Tests Tab 8 References Index What makes us different? • Instant Download • Always Competitive Pricing • 100% Privacy • FREE Sample Available • 24-7 LIVE Customer Support

[maryegallagher]

Discovering an Architectural Gem in the One-Time Rubber Manufacturing Capital of the World

By Dave Zuchowski with photos by Bill Rockwell     A recent pilgrimage to Akron, Ohio, which once produced forty percent of the world’s rubber, introduced me to a remarkable architectural and horticultural vestige that best reflects the wealth that industry once produced. Stan Hywet, the magnificent home and gardens of Goodyear Rubber and Tire co-founder, F.A. Seiberling, reflects the design…

[wetravellight]

– 07.11.2023

📷 F.A.

[whichlikefire]

"Hattie Tom, Apache." Taken by F.A. Rinehart, 1899. Boston Public Library photo.

[stoneantler]

Here is the full uncropped version of this photograph, courtesy of National Museum of the American Indian Archive Center. This photograph was taken by F.A. Rinehart in 1898 for the U.S. Indian Congress of the Trans-Mississippi and International Exposition photo album. A write up about the event from the archive:

The Trans-Mississippi and International Exposition World's Fair was held in Omaha, Nebraska from June 1 to October 1898. Over 500 Indian delegates from over thirty-five different tribes were present at the Fair. James Mooney (Bureau of Ethnology) and Captain William A. Mercer organized and managed the Indian Congress in conjunction with the Exposition. It included "living exhibitions," with mock Indian villages and demonstrations of dances, daily activities, and sham battles. The official photographer of the U.S. Indian Congress was Frank A. Rinehart (ca. 1862-1928) with his assistant Adolph F. Muhr (ca. 1858-1913).  Rinehart shot the majority of the outdoor battles, dance scenes, and events, while Muhr photographed the majority of the delegate portraits. Rinehart copyrighted the photographs under his own name in 1899 and 1900. The Rinehart and Muhr photographs are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.                                                        

Here’s another image of Hattie Tom from the same event:

Hattie Tom, a young Chiricahua Apache, 1890

[petermorwood]

Dear British Museum...

I got a pleasant surprise in an email yesterday.

Last week I was poking around some modern-ish paintings of historical events, and on the British Museum website I found this...

...with the catalogue description:

Arena with group of Assyrian soldiers on the left, among them an archer aiming at a lion on the right; in the background, watching from the stands, a king and his retinue; after Bridgman. Photogravure.

It so happened that I’d also seen F. A. Bridgeman’s original painting here, (Wikipedia link) much larger and clearer.

...and I’d seen in-period art of Assyrian lion-hunts, all of which made me think that the British Museum’s description wasn’t quite on the money.

After a bit of debate (what, me, suggest the BM needs correction? come on!) @dduane said that if I was wrong they’d tell me, and if I was right they’d appreciate the input. So I wrote an email...

Dear British Museum Database compilers,

The print entitled "Diversion of an Assyrian King" (Museum Registration Number 2012,7081.3) is based on the painting of the same name by Frederick Arthur Bridgeman, and its current description reads:    

“Arena with group of Assyrian soldiers on the left, among them an archer aiming at a lion on the right; in the background, watching from the stands, a king and his retinue. After Bridgman. Photogravure.”

A larger, clearer image of the original painting can be seen here at Wikipedia; both the art and associated information suggests  that the richly-dressed and well-escorted archer may in fact be the king himself, Asshurnasirpal II or Asshurbanipal, since both are associated with lion-hunting in original art of their period.

My supposition is based on the "Lion Hunt" reliefs held by the British Museum, all of which show the king killing lions in person with bow, spear and even sword; in several instances he wears the same style of headdress as the archer in the painting.

Curator Gareth Brereton's blog article "Lion Hunting: The Sport of Kings" (4th January 2019) emphasises the royal, religious and political connections between these hunts and the king playing an active part in them rather than remaining a passive observer.

The only potentially kingly male in the "royal box" is sitting to one side of the decorative hanging, rather than in-line with its centre as might be expected.

In addition, Bridgeman has painted him in a headdress based on that worn by Lamassu man-headed bulls (it doesn't appear in the Lion Hunt reliefs) so he may represent a High Priest.

Finally, there seems to be a vacant chair alongside the white-clad woman (the queen?); it's partly hidden by fabric, possibly a cloak or mantle set aside by the king when he descended to begin this particular fish-in-a-barrel "hunt".

I'll be interested to learn what you think of my image analysis, though I won't be surprised to learn that your own object description is based on some research note by the artist which has never been made public.

Yours sincerely,

Peter Morwood

                                ��                   ---------------

It generated this automatic response...

Thank you for your comment.  We have forwarded it to the relevant department, who will give it consideration.

Thank you for using the British Museum Collection Online.

But then I got this...

Dear Mr Morwood,

I agree that in view of the title of the painting it probably is Ashurnasirpal doing the shooting, hence I have amended the title to:

Arena with group of Assyrian soldiers on the left, among them an archer (perhaps Ashurnasirpal II) aiming at a lion on the right; after Bridgman. Photogravure.

The change will be visible when the BM database is fixed sometime next year. We are always grateful to have corrections.

Best wishes,

Hugo Chapman

The Simon Sainsbury Keeper of Prints & Drawings

The British Museum

London

                                                 -----------------

I’m pleased about this; not smug, that would be silly, but I’ve provided a tiny scrap of new information that wasn’t there before, and it feels...

Satisfying.

As Diane wrote in “So You Want To Be A Wizard” - “...don’t be afraid to make corrections...” :-D

[littlefeather-wolf]

Geronimo (or Goyaałé), was a prominent leader of the Bedonkohe Apache, C. 1898 ...

The name Geronimo translates to “The one who yawns.” Photo by F.A. Rinehart, via the Boston Public Library

[kkdas]

Chief Goes to War and son, Chief Hollow Horn Bear and John Hollow Horn Bear. Sioux. 1898. Photo by F.A. Rinehart. Source - Omaha Public Library.

[entheognosis]

Blue Horse. Oglala. 1900. Photo by F.A. Rinehart