#extremely interesting tidbits about S3 and some potential characters

[onaperduamedee]

Translation mine under the cut:

PREMIÈRE: At the end of season 1, Moiraine loses all her powers… In what state do we find her?

ROSAMUND PIKE: Moraine isn't the same woman anymore. She's traumatized and isolated like a wounded animal pushing away all those close to her. In this world, being cut from the One Power for a woman is one of the most painful traumas, akin to losing a child. So you're going to see how an incredibly strong character up to that point tries to fight her enemy without her greatest weapon.

Which new sides of her character did you discover?

She seems much more vulnerable. She feels like a fundamental part of her identity is missing. And that doesn't happen in the books, it's our writers' exploration. I was a little stunned: I liked Moiraine for what she was and I didn't want to see her suffer. So it was a challenge, not exactly pleasant, but very interesting.

Losing the One Power means losing her Warder's bond. How was the relationship between Moiraine and Lan affected?

Their dynamic takes a hit! In this universe, Aes Sedai and Warders are mentally linked as well as physically: this bond allows them to stay awake without food longer, but also to feel what the other feels. Suddenly, Moiraine and Lan find themselves in deafening silence, cut from each other. They have never needed to communicate because they always had this intense connection that did it for them. So Moiraine starts to distance herself, she doesn't feel worthy of him, she pushes him away and becomes very cruel. Daniel and I were separated for a long time in season 2 and we missed working together…

Will we dive deeper into this universe's mythology?

Oh yes, and it's incredible! The first season allowed us to set the rules, and season 2 goes into them in depth. We go further into the characters' exploration: there is a new major foe, the Seanchan, people from across the sea. They enslave women who can channel and use them as weapons. Their goal is to conquer the world: we see them seize cities, terrorize populations. But there are also new interesting female characters like Elayne Trakand, a new novice at the White Tower and future queen of Andor. She meets Egwene and their personalities clash.

Ultimately, wouldn't this season's main theme be sisterhood?

100%. It's one of the great appeals of the Wheel of Time. And that female power is depicted in diverse ways, there isn't just one example of what it should look like: in season 3 that we're currently filming, there are two incredibly powerful roles played by women over 70. And then we celebrate women, but not only! We play with genders, creating fluid characters. Our casting director is constantly finding brilliant and unusual faces, unknown to the audience. I won't be that interesting anymore when we reach season 3 because there are so many new fascinating characters! (laughs)

What can you tell us about season 3 of the Wheel of Time?

With the third season, we're opening up the field of possibilities. We're currently shooting an episode that's really avant-garde, almost psychedelic. We have the opportunity to push things as far with the studio's support. I think we're making a show that, I hope, will be watched in 20 years. The goal isn't to only touch our time, but to make something timeless.

[diabolikmosquito]

Just-Watched Thoughts on S3

Alright time to write this while I’m still here recovering so I can go to bed already. I might add more/clean this up once I get some proper sleep. Tagging it but putting Castlevania Season 3 spoilers under a cut just in case people haven’t got tags hidden and such. Here goes-

Overall I’m honestly just kinda shocked? I think it’s because a lot of things were easy to predict (that the cult might be trying to bring back Dracula, something was up with the Judge, Hector was obviously gonna fall for Lenore’s bs, etc.) so when things happened I didn’t see from a mile away.. 

When I was only like an episode or two in, things actually felt a little stunted to me? Something about it felt like “This is what people liked from before, right??” particularly with certain action or such, but I feel like it picked up pretty quickly from that. I’m still kinda in winding-down-emotions mode so I can’t really definitively say what storylines I liked and which ones I disliked for the most part. I liked Isaac’s, and the design of the... Hivemind Magician? Was all pretty sick. It felt like the first thing that was actually a massive challenge for him, and nearly overtook him, but he overcame it and even came out of it thinking through what he wanted for the future. It’s a nice change from seeing him steamroll anything that came his way. 

I like that Trevor and Sypha’s storyline ends up with them not getting their heroic grand time like they did last time. Yes, there were sacrifices made, but before it still felt grandiose: they’d worked together to kill Dracula, something the world didn’t even think possible for the most part. This time, they sacrificed a lot more and ultimately didn’t win a thing other than their own lives, and were helping a hidden monster in their process of killing other monsters. What a crushing thing for them to have to go through, and I think Trevor’s conversation with himself before (and later with said monster, ironically enough) about missing parts of his old non-heroic non-adventuring life was pretty somber and interesting. 

The whole Lenore/Hector route was exactly what’s expected from the beginning, but it was done well for what it was, and I don’t think they were trying to fool anyone with the direction it was headed. Carmilla’s plot was.. eh, more or less not much seemed to actually happen, but it did introduce us to the awesome vampire sisters so I’m more than down with it. I wish we got a little more about Saint Germain’s whole deal with that portal and such, who he was looking for and how he knows they’re still alive in there, but I assume that’s a next-season kind of thing. I’m gonna ramble if I write anymore so here’s a more concise/clear list:

Things I liked -  Trevor and Sypha’s chemistry! I thought it was good the first couple seasons (which apparently puts me in the minority?) but they felt much more compatible as a couple this time around. The little exchange about the “taste for rougher things in life” is wonderful, and I definitely snorted when she sleep-bapped him in the face. - The tidbits of funny dialogue! Seems to still be a show specialty. Some of them were understandably a bit funny (using “Nope! speedwalks away” in place of “shut it” is pretty good), and others weren’t funny but I just found it hilarious (e.g. Morana’s repeated fancily-stated things that boiled down to “... Lenore, seriously, TMI”) - The soundtrack! Not really any surprise, despite it not being the famous Symphony of the Night tracks people clamored for trust me I totally get that and despite it still not being released even from season 2 much less 3,  it was very nice to listen to.  - The vampire sisters! While it was obvious from the beginning Lenore was the “cutest/nonthreateningest-looking of the scary bunch but actually the scariest” one I liked the energy they all had, especially Striga and Morana and their relationship. I liked that we got to see Carmilla’s attitude bouncing off of other vampires who (while respecting her skill) also called her out for it from time to time. - The references! I’m sure there’s more and I’m a dumbass who only spots the obvious ones, but... the fact there’s demons that’re exactly ones out of the ol’ Symphony of the Night game again, like the Malachi and Fire Demon. It’s so dumb but I love shit like that, especially since they obviously stray far from the game canon and don’t have to do that but do it anyway. - Some of the action scenes. I cannot mention what I like without mentioning the parts that made me go “... Okay, yeah, that was badass.” You know the ones! When Cho busted that sword with her hands, when Sypha chopped that angel-like demon into pieces. ... A lot of the stuff Sypha did, actually, I’m glad she got some more epic moments to kick ass this season. I thought the earlier action scenes of the season were just alright, but by the last fight it was definitely starting to feel like that awesome dynamic fight style we saw in season 2. - The fact Dracula saw an opportunity to return and didn’t want to. Not much to say here other than the obvious - I feel like that’s extremely fitting, and I’m glad they made it clear without bringing him back and having him be angry/regret it or something like that. Without any dialogue, even. - The ending.. somewhat. It destroyed me a little on the inside, but I actually like that nobody really had a happy ending. Particularly if there could be another season, it feels really fitting. I’ve seen some people complaining “They ended up where they started! Trevor and Sypha are back on the road, Isaac’s traveling with his army, Alucard’s alone in the castle and Hector is a slave” but I couldn’t disagree more. Of course if you boil it down to the words themselves, it’s “the same,” but did ya see the sheer trauma literally everyone was put through? Obviously some had it worse than others (and we’ll fucking get to that) but nobody came out unscathed. Everyone’s now had some belief challenged or retreated further into a fear/mistrust that already existed - previous events planted the seed for it and the hell the cast went through gave it growth. 

Trevor and Sypha are going to have to challenge their goal they’d been following since working together/getting together: they can’t just go headlong adventuring and fixing people’s problems, because things like this can happen. Their new allies and the entire town were slaughtered or trapped somewhere, and the man they’d trusted and been helping this entire time was a serial killer, particularly of children. Alucard is drifting into a state of consciousness not unlike his father before he met Lisa, but potentially in a worse place since he’s witnessed and felt true kindness, but has retreated away from it even so due to the betrayal he’s suffered at an already-fragile time for him. Isaac has to reconsider what he’s going to do once he has his proper army, and even if it’s worth it to get his revenge or to carry out Dracula’s original plans. Saint Germain.. I mean, he’s in psychodelic hell searching for that person and presumably a way out, I assume it’s tragic. Hector’s learned a hard lesson in trusting and is going to have to figure out if his freedom is worth risking pain or death. Likewise I think the characters grow this way. Even if it was a happy ending, or an ending where everyone “wins” some small victory somehow, I think it’d ultimately have been worthless if nobody was fundamentally changed by the end of the season.

Things I didn’t like - The sex scenes. I’ve seen a lot of people like “If you’re gonna put in gratuitous sex then actually include Trevor and Sypha??” and I’m gonna have to disagree with that. While I love the ship and all, I’d like to give the benefit of the doubt and say sex scenes weren’t thrown around randomly or just to flex the rating - they were only tied to actual story, hence why I’m down with the bedroom stuff of the show’s main ship only being alluded to. However, I gotta say that the long broken-up sex scenes mixed with battle/action was not the way to do that. I think I know what they were going for (it definitely drove my anxiety up having those scenes back to back with intense action/violence, I can tell ya that!), but it just wasn’t a good idea. Yes, they were obviously made to be uncomfortable (particularly since I’m pretty sure one of them was dubious consent at best?) but that was reflected well just in a few key frames/actions - it didn’t need to be drawn out and mixed with the action. It made me want to skip through (I didn’t out of fear I’d miss battles, which isn’t really good design) and I’d like to bet parts of the finale are unwatchable for some. For the record, yes you could say “well they got into an adult-rated show, deal with it,” but the fact of the matter is up until now sexual violence/discomfort wasn’t heavy-handed and in-your-face like this. Non-sexual violence was definitely all over the whole series, but it’s still a bit like whiplash considering. Also, the fact people think the scene with Alucard was at all chill. I see it from a story standpoint (though I honestly think their motivations were weak and there’s other ways to betray someone/get their guard down), but I think the people going on about “power bottom” and this and that are forgetting that the absence of a no is not a yes, particularly with someone severely emotionally damaged after spending months alone not only without a support group but without any contact, immediately following the death of his father by his own hands. I’m no expert but I don’t think that’s someone in the proper state of mind to consent to anything sexual, even if there were a couple weeks or whatever of spending time with these new friends. He very well might’ve been on the way to a stress disorder before they turned his world upside-down and frankly I’m wondering how he’s going to be faring come the next season (assuming there is one.) That’s more of a fandom gripe than the show itself I suppose but it’s worth a mention. - The pacing. It’s hard to pinpoint it, but something about it felt off, especially in the first half. The best way I can describe it is when you pump the gas and brakes because your brakes aren’t working great and you’re loosening them up - maybe it was necessary to get things going, but it’s a bit destabilizing/odd for anyone in the car. I think it’s what contributed to that stunted sense I got until things picked up a little more. You can see it more in just how packed with stuff the latter half is, some things which could’ve been planned a bit better through the whole season. - Sumi and Taka. I honestly felt that they wanted to get in a way to have a punch-in-the-gut arc with Alucard (not a bad idea, I am one for tragedy), wanted to kill off some characters who were actually important, and decided to do these both with one stone. I don’t think they were successful on the second part, because these two absolutely contributed to the stunted feeling I had about some of the season. They had a good start in terms of backstory, and the idea of two people working together to fight vampires without having some big legend tied to their name to drive it (e.g. Speaker magicians, Belmont legacy, Alucard’s heritage), as well as a connection to/fleshing out of one of the nameless generals, sounded like a great concept. A great concept, but it was rushed I felt, to the point that their motivations for turning on him were so packed and squished in they just weren’t believable if we’re supposed to believe these two were sane. They had some sort of mental/trust issues due to their backstory - that’s fine, and could contribute some emotional problems. However if their distrust in Alucard had been given more time to fester and grow, more little comments of Alucard’s brushing off their attempts to learn about specific things, and more cues from him that could be misinterpreted by them as him causing trouble and lying (not just them not believing him by itself), it would be more believable that the past and misinterpretations of the present get into their head and poison their thoughts of him. You can plant a seed of doubt but just like any other character bonds, it has to be given time to grow. Alucard’s rapid bonding with them could be attributed to his loneliness, trauma, and need for a support system, but you can’t make that excuse for Sumi and Taka’s motivations going from “Hm.. I wonder what he isn’t telling us” to “We need to emotionally gut him and then kill him” basically overnight. Edit:

I forgot to add a conclusion last night, so I guess the TL;DR is season 3’s a good 7.5/10 for me, -1 for the overall pacing, -1 for missing a bit of the punch from before, and -0.5 because the last few episodes jumped me with a bat and I let it happen.