#extra beloved when it's united/f1

[killa-trav]

Bradley writes: A bit of a strange celebration this one, a determined Mason Mount squeezes the face of Rasmus Højlund after the Danish striker had put Manchester United 2-1 up against Turkish side Galatasaray in the Champions League at Old Trafford.

📸; BRADLEY ORMESHER

[franchufeuillassier]

seven... SEVEN LEAGUES?????? do you sleep

anon stop making it sound like a lot its not that much 😭😭😭😭

[caesarsme]

Dior Bag

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[knowthatiloveyou]

Catherine Russell Interview for Diva Magazine June Edition

”WHEN IT COMES TO WHAT OUR BODIES LOOK LIKE, WHAT ARE WE DOING TO OURSELVES?”

When Catherine Russell announced her temporary departure from BBC medical soap Holby City, queer fans were in uproar. Together with Jemma Redgrave, she was half of the monumentally popular ship Berena – otherwise known as Major Bernie Wolfe (Redgrave) and Russell’s toughas- nails but impeccably stylish Serena Campbell. But while Serena was on a sabbatical, grieving the death of her daughter and making her beloved Shiraz in a French vineyard, Russell was delighting audiences in Joe Orton’s black comedy What The Butler Saw and taking a road trip around Europe. Now, Serena Campbell is back on the wards and about to be reunited with Bernie, but for how long? Catherine sat down with DIVA to talk feminism on the Holby wards, Serena’s coming out arc, and whether Bernie’s brief return to Holby means an end to Berena – or a whole new beginning.

“I’m very, very lucky in that Serena isn’t a one-trick pony… She’s not just the one canvas. So I get to do a bit of comedy sometimes. Sometimes I get to do a bit of angst with storylines like my mother having vascular dementia, and then the tragic storyline of Serena’s daughter dying. I get to do that. Then of course I get to do romance too.”

It’s the romance that totally hooked viewers to the already-popular soap. Serena and her leopard print scrubs were already established as a fan favourite, and then Jemma Redgrave brought her following from Doctor Who. The combination of two professional women in their 50s teaming up and supporting each other would have won audiences over even without the romance.

In fact, Holby now seems like a hotbed of feminism, which delights Russell. “When I first joined, there was basically me and Jac Naylor, and that was it really. Everybody else was either a nurse or an F1 (foundation doctor).

Now we’ve got a really fabulous strong team of women of a certain age, holding down positions of power and authority, and doing it really well. And also doing it without necessarily all bitching at each other. I’ve always said we mustn’t fall into the stereotype that because there are women in positions of power, they have to be competitive with each other. It’s just been done to death. I don’t believe it, I don’t buy it. That’s not what I see in my day-to-day life.”

Although she is back for good on the show – “That is if Holby want to keep me of course. Every year we have a new contract. It’s not a done deal, but if they do, I think I’d like to be there for a good few years to come yet” – Redgrave isn’t slated to return beyond the few episodes they have in the can. Which sounds a bit ominous for our favourite queer lady surgeons, right? “Basically Bernie comes back as a surprise, wanting to persuade Serena that it’s time for her to go back out and help set up the new trauma unit. Which needs two heads because it’s so huge. That’s essentially where we’re at, and Serena wasn’t expecting her at that point.”

Although the relationship has had to take place offscreen since Serena’s return, the show’s writers have made a conscious effort to keep it alive. But how sustainable is that? “I think up to that point it’s been tricky. I think they’ve tried very hard to do this long-distance, and I’ve think they’ve probably succeeded better than most people do at it, because of the age they are really… But it’s not easy, and I think some of the communication where Bernie’s been has been difficult as well. It hasn’t been straightforward; there hasn’t been great phone signal and stuff like that.

“There’s absolute delight from Serena that suddenly she’s there, but she turns up on a day that’s extremely busy with a very difficult operation that has to be done. So it’s tricky. I think people will really like it because it’s two episodes, and it’s a real rollercoaster. It’s an emotional rollercoaster but I’m pretty sure that people will be very happy with its outcome.”

Hear that, Berena fans? We can all release that breath we’ve been holding. Probably. Either way, Russell was delighted to be working with Redgrave again. “You never can tell with another actor, even if it works, whether there’s that sort of extra spark that’s undefinable.

It’s difficult. It’s a bit like mercury, you think you’ve got it one minute and you can explain it, the next minute it’s gone. There’s a certain amount of extremely friendly rivalry insomuch as the old adage, that if you want to learn how to play better tennis, well, play with somebody who’s a bit better than you. I think that quite often that’s part of the reason we work well together – because she’ll do a bit in a scene and I’ll think, ‘Bloody hell, that’s good. Ok, better up my game’. Then she’ll look at me and go, ‘Oh, I see. That’s good, I’d better up my game then…’ But there is also the air between the two of us that is difficult to explain. There is definitely something chemistry-wise that works.”

”WE’RE CONSTANTLY TOLD BUYING THINGS WILL MAKE YOU HAPPY. IT WON’T. IT’S BULLSHIT”

Although this isn’t Russell’s first time locking lips with a woman onscreen – she played Rachel in lush wartime period drama The Cazalets in the 1990s – the plot line quickly transformed her into a lesbian icon and she’s since appeared with Redgrave on the convention circuit to the delight of fans. Was she surprised by the way fans embraced the relationship?

“It would be disingenuous of me to say that I wasn’t. I was surprised at the strength of feeling, and I was surprised by the numbers. That’s just my ignorance more than anything else. I hadn’t really clocked how bad gay representation is, particularly for women. I have to put my hands up to that. So I hadn’t really understood quite how impassioned and important it was going to be. But as soon as I did, I was delighted.”

She’s determined to use her platform, both on social media and on Holby itself to talk about issues that affect women, particularly older women. “I’m slightly banging my drum at the moment, saying we should do a storyline about menopause, because that’s another thing. You turn the television on, you listen to radio drama, anything. It’s not there. 50% of the population are going to go through this and there are no stories about it. It’s very bizarre. So I do think that issues that aren’t seen and aren’t written about, and there’s a great chunk of the population that are going through certain issues, are vitally important.”

In a profession where women are constantly told they need to look young in order to work, Russell surprised viewers when she returned from her hiatus with grey hair. “I knew I had the nine months off. I knew I would need a wig for What The Butler Saw. I knew nobody would give a monkey’s what I looked like in a van. So I cut it all off, really short, just before I went into the play and I just let it grow out. I’ve been dyeing my hair since I was 28. I had no idea what was under there. I quite like it. When I came back to Holby I think that the producers were a bit…ok, really? Grey? But when I showed it to them, they liked it. At the moment, that’s where it’s staying.

“I really just don’t get the obsession with trying to look younger than you are. I get being thin, I get being fit, I get not wanting to have spots. I get all that, but the obsession with wanting to look younger, I find curious and I don’t really get it. I don’t want to have any more children, why do I want to look like I’m fertile still? It would be weird.”

She’s also passionate about a subject near to the hearts of many LGBT women – vaginas. A Twitter defence of the “full 1970’s bush” a few years ago is only the tip of the iceberg when it comes to her one-woman crusade to normalise women’s pubic hair. “I think it’s there for a reason, you know? It’s healthy, it’s good for you, it should be there. The porn industry has a lot to answer for when it comes to what our bodies look like, in terms of hair and the whole designer vagina area of things. Again, really? What are we doing to ourselves? Come on, people. It’s very strange.”

Her current reading is The Wonder Down Under: A User’s Guide To The Vagina, and when she says she’s thinking about buying copies to leave on public transport, you don’t get the sense that she’s joking. “My daughter read it and she thought it was quite academic. I said, ‘Well, good’.

‘Medical’ was the word she used [and] that’s exactly what people need. For young women and young men, there are so many myths and notions of what’s normal and not normal out there. Actually, what we need are a few facts.”

Although Russell confesses she enjoys the fame that Holby brings – “If you’re going to be an actor, you can’t be cross if somebody wants to come up and say, ‘We really like watching you, please could you sign this photograph?’ It’s part and parcel, and it’s fun” – she’s refreshingly unstarry. Three months spent travelling around Europe with her husband in a van saw her embracing a minimalist lifestyle she’s reluctant to let go of.

“That was absolutely one of the most extraordinary things I’ve ever done. It really, really was, and if anybody has the opportunity, take it. Those moments in your life don’t come along very often, and it was absolutely a once-in-a-lifetime opportunity, and has stayed with me a huge amount.

Not least of which because I realised that we don’t need a hell of a lot of stuff. We think we do, and we think it’s important. We’re constantly being told to buy things, and it’ll make you happy if you own this dress or that pair of shoes. It won’t. It’s bullshit, and actually I could have done it for longer. Coming back to a house with all the stuff in it was difficult because I’d just spent three months never wearing make-up, never putting a brush through my hair really. Just having three sets of clothes to change into. It was just great. I loved it.”

So are we going to lose Russell to the road – or, after her hilarious turn in What The Butler Saw, the stage? Not likely, she says. “I had forgotten how arse-wettingly terrifying live theatre is, as I hadn’t been on stage for about five years. It’s a bit like having a baby. You hear people have a baby and they go, ‘I’m never doing that again’. Two years later they’re going, ‘Oh I’m going to have another’.

Have they forgotten? I think theatre’s a bit like that. You forget that it’s frightening and it’s hard work and all of those things. I do love to make people laugh, and so to hear an audience laughing at something you’ve said or done, or a turn of the head, was gratifying to say the least. But I didn’t get to the end of it and think, ‘Right that’s it. I must be on the stage forever, I’ve made a clanging error in agreeing to go back to Holby’. At all. In fact, I thought ‘Well that’s that itch scratched for a while. Jolly good, get me back to the hospital please.’”

So there you have it – Holby City won’t be saying goodbye to Serena Campbell any time soon. Russell is tight-lipped about how that will ultimately affect Berena, but it’s hard not to be glad that the formidable surgeon will be stalking the wards for a long time to come.

Still, if she ever decides to take her feminist politics to a bigger platform, she’s got our vote.