#ex but was shut down except plot twist they apparently Were on first name basis at some point still because jackie first named her which
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Ok oc thoughts are back in the bin back to the Olivia Broussard thoughts grind
#rat rambles#oni posting#despite how seperate my oni lore and oni gameplay obsessions typecally are olivia is very present in both#I like to reply to alerts and descriptions and such as if Im talking to olivia directly because dear god is she so silly#I love her so dearly shes a lesbian shes divorced she has strong morals shes still morally dubious anyways she put herself in a ai#and she looks at baby critters and goes tiny baby! and she makes jokes and she is still driven by progress and scientific curiosity#she isnt personally invested in most art but still wanted to preserve it she stutters when stressed or happy she doesnt stutter as a#printing pod until she remembers her life before she is both kind and also emotionally distant she tried to be on first name basis with her#ex but was shut down except plot twist they apparently Were on first name basis at some point still because jackie first named her which#might imply that the two started hanging out outside of work again but at the same time they still had such a strained relationship and#did I mention that she put herself in an ai she put herself in the fucking pod I will never get over this woman
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Another axis for story description should be Homeliness vs Exoticism.
Homeliness: Some depictions of real or real-analogue places are rooted in an understanding of the logic of that place. Geography/climate is described as welcoming or at least non-hostile. Customs are treated as common-sense. Details of everyday life are accurate.
ex. Oofuri shows life in a major Japanese urban area with very little deviation even in the name of story convenience. The logistics of train rides, local landmarks, sunset, and distances factor into the plot.
ex. Infinity Train Book 4 sets its real-world portions in the Canadian music scene during like one of two 5-year periods in history when the Canadian music scene was ever relevant. Its characters’ backgrounds are rooted in two real-world demographics (third- or fourth-generation Japanese-Canadians whose parents grew up in internment camps, first-generation Korean-Canadians whose parents were displaced by the Korean War) and their backgrounds match (Ryan’s family are more assimilated, Min-Gi’s are less).
Exoticism: Some works depict settings with no understanding for why the community depicted came to exist in that way in that place. Worldbuilding doesn’t add up. Rules of culture aren’t explained and have no reasonable basis. Any questions about the setting are shut down or are answered with absurd responses. The setting is bizarre, hostile, impossible to understand, difficult to question. This isn’t necessarily a bad thing; just as homeliness enhances realism or emotional connection, exoticism can enhance performance. Depictions of real-world customs are outright false, inaccurate, or twisted.
(loose) ex. 1990s-2000s DC Gotham City depicts a version of New York that gets razed to the ground every 6 months and never gets any new buildings. The people living in it are hardened criminals, child vigilantes, and also murder victims, with nobody apparently working in insurance. The city is full of glowing green chemical vats while also, apparently, being the home of the nation’s ruling class. There’s an evil clown there. The place is not meant to feel real, it’s a caricature of 70s NYC as depicted by conservative news channels. The real forces and pressures that created 70s NYC (waves of immigration from Europe in the early 20thC, hostile WASP power structures, the Cold War turning the federal government’s resources to overseas imperial conquest) don’t really exist except by implication.
ex. Robert Jordan’s Wheel of Time has dozens of gimmick fantasy cultures that function by nonsense rules designed to waste the reader’s time and put female characters in situations that only he, personally, finds sexy.
In-Between: Then other depictions have a grab-bag of the two. Some rules about the setting are treated as normal, others are nonsensical or shown to be strange. There are outright mistakes, but there’s an effort at accuracy. Something like that.
ex. North American writers using the UK as a setting while writing with US colloquialisms and demographics.
ex. Pathologic, which scores full points on the Homeliness scale except for the treatment of the Kin characters, who are firmly on the Exoticism end of the spectrum.
Homeliness and Exoticism don’t have to be determined by the creative team’s ID. A lot of US writers treat the US with Exoticism by having 0 clue about the history of their country and writing about its customs without any sort of context or understanding for where they came from. Writers from one region can do enough research with enough good will to treat another region with Homeliness. The above Infinity Train example is a piece of work by a US team set in Canada that feels really homey from a Canadian perspective. Admittedly these are 2 really similar nations, but I’ve seen US writers fuck it up before. Can’t ever expect anything from those mfs.
#couuuuuuld further break out an accuracy/inaccuracy spectrum but I think it’s not quite that simple#some inaccuracies are just honest mistakes that come from encountering bad faith sources in research#some inaccuracies aren’t culturally loaded#homeliness vs exoticism is all about how a work situates the setting#is it supposed to be familiar. realistic. intuitive. relatable.#or is it supposed to be surface-level. arbitrary. flat. alienating.#kelsey rambles#another Canadian example (lmao the place with no national identity) is……#the character Langa from Sk8 the infinity that I’m still embarrassed to have watched#he’s a Canadian character from a place with lots of snow. right?#but the few details of his background that we do have all clash with each other to make him from exactly nowhere#there’s no city here that fits his criteria. Canada was written as Exotic and as a consequence it doesn’t really exist as Canada
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