#everyone thinks hes some scary iceblock

[prideblades]

hisana cups his cheeks and brushes her thumbs over his skin while smiling up at him, " you're far more radiant than the sun itself, byakuya-sama. "

Her touch is welcomed, causing him to lean further into it gently. Seeking affection, almost starved for contact despite the fact that he is almost always near her. Yet every time he approached, or she approached him, Byakuya found himself becoming needy. Embarrassingly so the way he instantly melted into her hands at her mere proximity.

It was nothing short of devotion. His eyes turn to look at her. He takes in her words, feeling her touch and reveling in it. The fact that she was the only person to make him feel like this. Surely, she knew the effect, the power she held over him? Often times he felt as if life was a dream. To be granted the ability to go through life with her at his side was something he spent so long fighting for ----- against all the rules.

Here she was at his side, holding him together with her soothing presence ----- his wife. It may have been years, but it still only feels like days. His devotion and love only yet stronger for it.

Hands reach to clasp themselves overs hers.

❝ You are far more beautiful than any flower. You're far grander than any star. You are the world my life revolves around, Hisana . . . dearest. ❞

[white-weasel]

Saw IV and V thoughts after my Saw Saturday movie viewing experience last night:

Really glad we got some new characters introduced into the series. It breathed a lot of life into things I feel like

Finally got to meet Hoffman and Strahm let’s gooooo! I knew that these were popular characters and honestly they did not disappoint

I cannot believe that John Kramer ate a fucking tape before dying. My friend and I were discussing how he did that so cleanly without gagging or choking and our only explanation is that he’s a throat goat

Rigg’s whole trial was rough man, but it was actually very interesting. Basically “You’re obsessed with saving everyone, so the only way you can win this gauntlet (and save your friends) is to let it go.” I think that this series of traps was MUCH more well done than the series of traps Jeff went through in 3 and they also did each feel like they were testing different aspects of the same “sin” so to speak.

Favorite of those trial traps was probably the one with the husband and wife and them being impaled. I thought it was clever in its theme and its conceit. Sometimes I look at some of these saw traps and go “okay so somebody just thought of the most fucked up thing they could for the shock value” but this was not one of those so I enjoyed that

The iceblock trap though? Amazing idea and execution on that shit. Just the concept of a melting block of ice slowly hanging someone while that melted ice water fills a pool that will eventually touch another person, thereby electrocuting them because there’s a current running through the pool? Very very cool. Plus the added mechanism that kills you if someone (Rigg) walks through the door. Very scary but very good

The puppet still makes me laugh. Him just sitting on the chair before (unfortunately) blowing up at Perez got me. My friend is convinced that I need a little Saw puppet for my apartment now, though I think having the actual thing and seeing it irl might freak me out

Not sure I *needed* to learn more about John’s past before his diagnosis and his descent into becoming Jigsaw, but I also didn’t absolutely hate it. I liked getting to see his ex wife at least and get an insight into his interpersonal relationships

I’m 50/50 split if I like John’s first victim being someone who personally wronged him and ruined his life. On the one hand, I think it does great to kinda show his own hypocrisy in all of this. He says it’s not emotional and these traps are meant to save his victims, and he does at least give him a way out, it did not seem like he really wanted to reform him and that’s interesting to me. On the other hand, I don’t think the movie presents this action or putting him in the trap this way so??? Yeah

My new motto for these movies is “If I don’t see you get murked on screen, you’re still alive somewhere.” Because I was *positive* Eric was dead before they revealed him, but, well, he’s certainly dead now I guess lol

The reveal this movie that it was all taking place at the same time as 3 and that Hoffman is Jigsaw’s apprentice was amazing. Absolutely brilliant, no notes at all

I really liked how Saw 4 and 5 basically felt like a TV show in that they were very obviously meant to be viewed together/feel like one continuous story. I’m assuming that production wise the studio knew that they had 4 and 5 guaranteed so they could leave some stuff for the next movie which I appreciated

(I’m assuming they knew they were at least getting a 6 too because we didn’t get any answers for what was in that box Jill got 👀)

Hoffman carrying that little girl out of the warehouse and being like “We were the only survivors :((“ only for Strahm to get wheeled out on the gurney literally seconds afterwards was so funny

Speaking of, I can’t believe Hoffman didn’t take Strahm’s pen from out of his pocket during the water cube trap. He took all his other stuff but it’s weird he overlooked that. Granted, I doubt that he knew that Strahm would perform a tracheotomy on himself but wow

I liked the backstory we got with Hoffman and how he came to know Jigsaw. The idea of a copycat killer designing his own “trap” but it really just being a way to murder someone he wants revenge on was marvelous. Then the whole part with John kidnapping him and teaching him his ways was also cool

(Hoffman tied up with the shotgun nestled right underneath his neck? Unfortunately kinda hot)

The trap gauntlet for the five people was fine. The first trap I was like “oh my god he’s telling you to all work together! Just go get your keys one by one or have someone get their key, unlock, and then get the next person’s after they’re unlocked” at least for that one though I can see why they panicked. The second one they had no excuses lol I literally said out loud “you can definitely fit at least two people in a cubby hole”. That one seemed sooo obvious, too obvious to at least not give it a try. I didn’t totally hate the set up though, just moreso me getting mad at horror movie characters lmao

And I get Hoffstrahm now lmao. Saw IV I was like “? They barely interacted what’s this?” And then we got the whole cat and mouse game in Saw V and went “Oh yup. There it is. Theres the dynamic.” Especially with the whole glass coffin bit at the end

Speaking of the glass coffin I loved that scene. Just the wasy Strahm shoves Hoffman into the coffin and you can see Hoffman start to gloat and taunt Strahm from behind the glass because he’s sealed his own fate? Amazing. No notes. I did have to look away at the end of the trap though because watching the Saw movies has taught me I cannot handle broken bones, especially when they are very prominent. As soon as I saw Strahm start pushing on the walls I went “I know where this is going” and dutifully turned my head away

Anyways Hoffman is an interesting new antagonist! I’m curious what’s gonna happen next in this little murder soap opera. Honestly, I hope that Agent Perez gets out of the hospital and fucks up Hoffman. She finds out that Strahm is supposedly Jigsaw, goes “wtf no I could never believe that” and starts trying to pursue the real killer

Current Saw movie ranking (giving this because I gave it to my friend after discussing Saw V and my thoughts on the franchise overall)

Saw (The og and the goat, don’t think anything will really topple this one. I was glued to the screen the entire time and loved how this one really focused on Adam and Lawrence, the people in the trap, rather than the killer himself. I feel a lot of future installments lack compelling trap victims which is kinda a shame)

Saw V (I liked the story of Hoffman in this and the cat and mouse between Hoffman and Strahm a lot)

Saw IV (This was a really well done trap gauntlet for the main portion of the plot and the ending reveal was so awesome. Lots of adrenaline pumping for this one, but it did get lowered because I’m still meh on a lot of the John Kramer additional backstory stuff atm)

Saw II (Saw II gave me so many issues ranking it because the final reveal was PHENOMENAL but the main game portion didn’t always work for me. I did like the idea of Eric’s game of just having to wait out the clock but I kinda count that as being a part of the final reveal and thus it can’t elevate the whole movie. There’s potential this and Saw IV could flip flop depending on my moods. This one just has higher highs but lower lows for me)

Saw III (I liked Amanda getting tested and the whole ending with the chain reaction of violence/death, but that’s about it. The main traps in this game did not do it for me, nor did the story connecting those traps. This one also just really felt that they needed to escalate the traps for escalation’s sake rather than to tell a compelling story, which I know is probably a dumb complaint for the gory trap horror franchise but idk I just didn’t like it)

[theowlsarenotwhattheyremembers]

Episode 1: Dragonstone

Right guys I know you’ll have already watched this but look I only just started this blog and I can’t miss the first episode off also you will benefit from my insights regardless. 

!!!! I have been in a state of extreme agitation all year and I can’t actually cope with the fact that it’s here. I am not emotionally prepared and do not know what I just saw. 

Scene 1: Did everyone else not realise that was Arya and think we were in a flashback? I am so overwhelmed I am just right there in the moment I have no idea what’s about to happen. Then all those ratface (rats are intelligent moral creatures but you know what I mean) Freys start coughing up their own lower organs!! When did Arya learn about poisons? Was her training montage long enough to justify this?? I guess it was! And I know the Freys have deathsentence hospitality karma but baking your sons in a pie and feeding it to you and then dressing up in your corpse and poisoning your entire family - is that an eye for an eye according to whichever god is keeping score in this case? I guess possibly! 

This recap blog is going to have an eye for History and Fable (matters which I know only very modest amounts about but there is google) and the sparknotes on Titus Andronicus on which the pie move is based indicates that it may lead to an ambivalent conclusion:

[After a succession of grisly heinous acts of reciprocal violence, Titus] tricks [Tamora, Queen of the Goths], captures her sons, kills them, and makes pie out of them. He feeds this pie to their mother in the final scene, after which he kills both Tamora and Lavinia, his own daughter. A rash of killings ensue; the only people left alive are Marcus [Titus’ brother], Lucius [Titus’ son], Young Lucius [his son], and Aaron [Tamora’s lover]. Lucius has the unrepentant Aaron buried alive, and Tamora's corpse thrown to the beasts. He becomes the new emperor of Rome.

This does not end well for the pie baker, though I suppose his kin are the ones who ultimately triumph. My male friends will often assume that I, a woman, feel empowered and liberated by the character of Arya, the traumatised magical child murderer. Not so, friends. My favourite liberated Game of Thrones #strongfemalecharacter is the lost unlamented Ros, sex worker from the north invented for TV for the purposes of the early sexposition-heavy plot who voyages down south with the Starks and whose illustrious sex spy career is wastefully cut short by Cunt Joffrey. Ros was working-class woman who fled the north before winter even came, whose talents were picked up by the farsighted Varys and who would have made an incredible Kings Landing player had it not been for the misogyny of Joffrey and the script writers and the twat fans who think the TV has to be like the crappy books which I have not read. Rest in Power Ros, this blog is dedicated to you. 

Anyway I haven’t really recapped anything yet and this blog is already overlong  so let’s get back to it. 

Scene 2: The army of the north are coming!! This is too terrifying, it’s hot outside but I am wrapped in a blanket. There are multiple ice zombie giants as we all knew there would be. Let’s remember that like one living giant almost successfully broke through the gate at Castle Black during the wildling battle ages ago; multiple zombie giants are going to make fucking matchsticks of it no magic required, though they probably also have loads of that, those dragons need to get here pronto. Also why haven’t they iceblocked up the gate like Jon said they should ages ago??

Scene 2.5 (s2 was a vision I guess) Commander Dolorous Edd opens the gate to Meera and Bran, and asks if they are wildlings. Why does it matter? Wildlings can all come in anyway, that’s very much the policy now. Also if anything Bran saying “you were at Hardhome” etc only makes him seem more like a wildling, and a scary one? Anyway, no-one cares / everyone is too spooked to stay outside for long and so thank god poor Meera in particular can have a massive eat and a sleep by the fire. She and her magic and fighting skills have been wasted on being a less effective Hodor / wheelchair substitute, I eagerly anticipate her being given a chance to shine now our kids are back to what passes for civilisation. 

Scene 3: Jon and Sansa are still holding court with the whole Northern gentry from last season. At least all those guys look warm in that nice hall toasting their feet on Winterfell’s famous underfloor heating! That awful bloke from the Vale *googles it* Yohn Royce makes an extremely unreasonable and tactics-free suggestion to demolish some of the last strongholds between them and the wall because of “justice” or whatever. Sansa points out that the castles themselves didn’t commit crimes (top-notch statecraft) but suggests they be given to loyal families to punish treason and reward loyalty. Jon makes a generous decision to let the young Karstarks and Umbers stay in their homes despite their twatty dads, making the good and frankly biblical point that the sons shouldn’t be punished for their fathers’ sins. Sansa is unhappy about this and she is probably a better king than Jon, or rather, I think they are both good kings but need to team up and respect each other, which she is really keen to do but unfortunately is also a woman so this makes things harder for everyone because they have to unlearn misogyny first.

Then she tells Littlefinger who barges in to their important conversation what would make her so happy was if he shut up and fucked off, and not to bother trying to get the last word, she’ll just assume it was clever. Which is a King’s Landing style burn! Please Jon, show that this queen is not wasted on the north. Also please Littlefinger, fuck off and die. 

Scene 4:  I collapsed a couple of bits into one there but I am aware that this is too long already because of my Titus Andronicus and Roslove detour, for which I am unrepentant, tune back in next post for more of the same. ANYWAY, here she is, best villain in GoT. She may be evil, but who wouldn’t be in her position? Cersei marches over a map of Westeros telling Jaime she is already 5 moves ahead of him and has an Armada on the way headed by a man who is desperate to impress her. Everyone thinks Jaime is going to kill her, but might she not kill Jaime? She absolutely has no further fucks to give whatsoever and just wants power and revenge and to die a fabulous drunk old evil empress with ten husbands each more devoted and militarily useful than the last. I hope she dies much sooner than that! I also think she will because she can’t be the one to win the game of thrones. Can she?? Could the alcoholic childless widow of the usurper king really win in the end? She could have more children if she could be bothered probably, if she was in a mood to consider dynastic matters. In this scene, she is not, and is just savouring the prospect of ruling the world asap and as bloodily as you like. 

Scene 5: And here he fucking is! They really did cut down every tree on the Iron Islands! How did they throw this fleet together so quickly! It does not look like they cut corners! Those boats are fucking terrifying!

Is this even scene 5? Cersei and Jaime are immediately there, standing on the balcony, watching Euron’s terrifying Armada approach. Everything is happening extremely fast. This is not like the midseasons when everyone was walking painfully slowly around the Riverlands. Why do they have to get it all over as quickly as possible? Have they run out of money? I am no less overwhelmed than ever.

Scene 6: Thesp Goth Euron woos Cersei by saying she’s the most beautiful woman in the world and promising to give her a priceless gift to get to her woman’s heart. This is very tacky but it kind of confirms her power as actual queen and is a highpoint so far since the nadir of the Walk of Shame. Do you think the wildfire explosion of all the King’s Landing gentry and the Sparrows was the highpoint? Maybe that was the violence highpoint, and this is the statecraft highpoint. Also Euron’s “gift” is going to be more violence, and he also offers up his “two good hands,” at which Jaime, on behalf of us all, recoils. 

Cersei seems likely to graciously accept the first gift before declining the second. Has her Sparrows experience taught her not to unleash forces against her enemies which she then cannot control and which then turn on her? Probably not!

I hate that sleazy prat Euron and can’t believe that Fantasizr drafted him into my Game of Game of Thrones league. Any points I get for him are a badge of shame (I got 15 for this scene). 

Scene 7: Sam stars in music video soup poop library montage! Sam during this is confirmed as the fat nerd with a goatee and slicked back hair avatar of the show’s condescending idea of what a GoT fan looks like, corroborating the theory that Sam is actually the narrator / the Perspective from which the story is seen. Sam nicks some useful books after Jim Broadbent tells him he believes but doesn’t care that the White Walkers and the Long Night are coming. There is science going on in the Citadel, medical science involving weighing organs. This science needs to be more applied. Incidentally everyone, Game of Thrones is not medieval, it is Early Modern:

What Martin actually gives us is a fantasy version of what the historian Alfred Crosby called the Post-Columbian exchange: the globalizing epoch of the 16th and 17th centuries. A world where merchants trade exotic drugs and spices between continents, where professional standing armies can number in the tens or hundreds of thousands, where scholars study the stars via telescopes, and proto-corporations like the Iron Bank of Braavos and the Spicers of Qarth control global trade. It’s also a world of slavery on a gigantic scale, and huge wars that disrupt daily life to an unprecedented degree.

[…] even the medieval aesthetics of the show owes a debt to the 16th and 17th centuries. As any scholar of the The Fairie Queene will tell you, Renaissance literature is replete with tales of chivalry, jousting, dragon-slaying, and magic. Writers from Spencer to Cervantes displayed and abiding fascination with these medieval tropes precisely because they were witnessing their demise. And our modern conception of the Middle Ages, which emerged out of the Victorians’ fascination with Neo-Gothic and Pre-Raphaelite aesthetics, was actually based upon these early modern retellings of medieval life.

So why, outside of dorky pedantry, does any of this matter? Because fantasy worlds are never just fantasy. They appeal to us because they refract our own histories and speak to contemporary interests. George R.R. Martin’s fantasy has grown to enormous popularity in part because of its modernity, not its “medieviality.”

Scene 8: Back at Winterfell, we get to see Tormund’s brilliant face he puts on when he looks at Brienne:

To me this is adorable rather than creepy because though Tormund is a sex pest, it feels like this comes from a place of respect and genuine adoration. Also Brienne could dispatch him devastatingly before he knew what was happening and he absolutely knows it. 

Actually this scene is where Sansa delivers her burn to Littlefinger, but onwards!

Scene 9: The unforgivable casting and all-round existence of Ed Sheeran aside, this scene was bad because of the insufferably one-dimensional laid-on-thick Simple Honest Country Blokeness of the Lannister soldiers. Arya is obviously considering whether or not to kill them, do you think? But they are so Nice she reconsiders. 

The fact that she is still more than capable of affection, forming relationships, caring about people and so on, as also witnessed by that actor mother figure she befriended last season, indicates that despite ongoing trauma (actor murdered horribly in front of her, like all her friends) she is not the cold psycho she sometimes pretends she is. She is not Cersei (yet anyway). This is the point of this scene. Also to confirm that she is working through her list and Cersei is next. 

Scene 10: More redemption of traumatised killer characters! The Hound is riding with the Brotherhood Without Banners in a frozen bucolic twilight. What an adorable combo! Lines like “Why are you always in such a foul mood?” “Experience” and “There is no Divine Justice, you dumb cunt. If there was, you’d be dead” indicate that the BwB bring out the best in my bff @lasophus’ favourite character. They stop at the place where The Hound robbed those innocent country folk a few seasons back, as we were reminded of in the excitingly scored Previously sequence at the beginning. They have subsequently died of starvation-related causes as he and Arya predicted they would at the time. The Hound is now sorry and sees a vision in the flames of the Army of the Dead and buries the bodies of his victims and says some adorable words over them. The Hound’s redemption story is much more moving and interesting and spiritual than Jaime’s (a plotline I name “Choozy the Floozy” because of its Manichean orbit around his two love interests Evil Cersei and Good Brienne). But meanwhile the dramatic irony is killing us viewers at home! That poor little girl and her dad are going to rise as wights!! 

Scene 11: Sam fails to impress by finding out in the stolen restricted classified high-importance books that he was sent to the Citadel to read something that Stannis already told everyone but they ignored because he was too boring to listen to (what a merciful death that was at the hands of Can She Do No Wrong Brienne): Dragonstone needs to become an opencast Dragonglass mine asap. Which is a pity as Dragonstone is such an arresting work in the ‘dragon-brutalist’ style popular at the time of Aegon the Conquerer (which we will be admiring in the next scene but one). Sam fires off a raven to Jon which I hope will not be intercepted by some library rules-stickler maesters. 

Also it’s nice to see Gilly and Little Sam looking so well-dressed and -fed in this scene. Gilly, a sexual abuse survivor subaltern from a wintry hellhole with an evil father and who would otherwise have become an ice zombie by now, is far, far south, in a land where you can still get away with dressing lightly, inside a city which according to awoiaf “is surrounded by massive, thick, high stone walls.” Also their flat looks really nice.

Well done Gilly.

Scene 12: Jorah! Things have not gone well for you! Jorah is an obsessively lovelorn prisoner in a well-regulated, proto-humane leper colony. I guess actually that going to the seat of all worldly learning was a good move, but your terrible disease is going to need more than trolley gruel and a clean cell to be cured. Thankfully Our Sam is wearing gloves when Jorah does his unnecessarily dramatic Ghoul Grab. 

Scene 13: Our queen is coming home and everyone has put on eyeliner for the occasion! The general drift of the season’s wardrobe has been towards a kind of moody, shoulderpads-and-eyemakeup, subdued-charcoal-tones vibe. Everyone is looking great. Especially Cersei actually when she was receiving (at safe distance) Euron, and now Daenerys is looking wonderful too, with fine dragony detailing on her the tips of her shoulderpads. Actually Sansa had this look too, “Goth Military Queen” is clearly going to be massive this season. 

Daenerys has a moving moment with the Westerosi sand when she comes ashore. We have been waiting 6 seasons for this. Oh my god. 

I hope all the dragonglass mining won’t damage these amazing rock formations too much! 

This scene is mainly going to be recapped in screenshots.

A gorgeous example of Early Modern Dragon Brutalism.

Art throne

Fucking YES!