#every time they trend i am consumed by delusions

[alexandrathegreat5700]

Hannibal and supernatural both trending within the first three months of 2024 is not good for my mental health,,,

[jomamaofficial]

You should have said something: Finale (Bakugou x fem!Reader)

A/N: HELLO BESTIES, IT'S YOUR *lmao I just realised I wrote sentimental here instead of CRUSTY here* CRUSTY TOE HERE. Now please, for the love of whoever's up there, PLEASE READ THE TRIGGER WARNINGS. I'm not going to dawdle along because this was the finale you all were waiting for, so enjoy. Social Media & LinkTree & Discord Server TW: Very gruesome descriptions of: Death, Burning, Heavy cursing, Blood, Abuse. Masterlist Taglist: @spicy-therapist-mom @speedmetalqueen @silentw-lkr @loki-an-idiot @clickbait-official @captainchrisstan @kamalymaly @idk-sam @runrabbitrun3 @power-house-fan12 @mrslawliet @memeingcheetah27 @lonleyweeb77 @midnight-storm Word Count: 1743

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Sirens flooded the scene, police cars blinding passerbys. Ambulances rushed to the location, paramedics pushing their way through the crowd of people, the heat travelling the smell of iron across the streets of Musutafu. Firefighters reached the estate, dragging people away from the hazard, eyes gawking at the uproar of fire. The house was engulfed in flames, crying voices piercing through the ears of those who looked on. Ashes here and ashes there, belongings erupting into soot and red embers.

A body was heaved onto the stretcher, blood staining the white cotton.

“The heart rate is lowering, I repeat the heart rate is lowering.”

The static noise from the walkie talkie was merely another addition to the tumultuous screams and orders.

Wind ran through his hair, panic stricken over the nurse's face who ran as fast as her environment could let her, the heavy but precious, bleeding body straining her arms and staining her hands.

The door was held open, commands being barked at her.

The reporters bombarded her, obstructing the nurse’s view. She shoved past them; her heart hammered in her chest inspecting the monitor, her movements speeding up as she reached her destination. The body was rushed into the ambulance, attached to pipes and machines.

It was the last thing the public saw before the door was shut and the sirens fled away.

Trending headlines and hashtags spread like wildfire.

Masaru switched on the TV, his wife finishing up her dinner in the other room.

“I am now live at the Bakugou-L/N estate. Word from our information team has come out and the fire has been going on for twenty minutes, however these twenty minutes were enough for Prohero Ground Zero to be sent to the emergency room after a local found him covered in burn marks and injuries inside his already smoking house. Prohero Y/HN is nowhere to be found and all forms of contacts have been shut off. I am now handing over to Tanaka-san who is live at the-”

Switched off. Masaru sat there glued to his seat with his fingers pressing on the power button.

-

Hope came crashing down and you could only stare at the broken screen of your phone, tiny glass particles spewed on the floor.

Your skin was boiling up but your blood ran cold. Your throat dried up but your tears were wet. You couldn’t feel anything but his nails, digging in through the layers of clothing you comforted yourself in.

If you could go back in time, you would have. If you could stop yourself from dialing Izuku’s number, you would have. Anything, anything would have been better than this.

Silence. And you still had the urge to cover your ears. There was nothing to look at apart from your only form of communication. Everything else was black. And the traitorous phone that gave you away was dissipating as well. It faded away from your sight, leaving you a wide smile on your face. Too wide. Stretching from one cheek to the other, your lips were quivering, forcing it to stop. But it didn’t stop. It was getting wider and wider and it was hurting but could you stop it? No.

You couldn’t stop anything. Not this marriage, not this moment, not your own body.

He pulled on your hair and you couldn’t even stop the pain. He crushed your face between his hands, searing pressure building up in your skull and you still couldn’t stop him. He shouted and he screamed and it was slowly seeping into your skull how loud he really was. Nothing would stop. You couldn’t stop it.

You were useless. Your shrieks were useless because he drowned them out with his own voice.

His words were barely comprehensible. You could either focus on the warm blood trickling down your hairline, or him.

But that took energy. And right now, trying to stay alive was sucking all of the energy out of you.

“YOU FUCKING BROKE RULE NUMBER THREE, YOU FUCKING WHORE.”

Rule number three spiked your interest. Not because you remembered what it was. It only drew your attention to him amidst all the repeated curses and the names and the agony, ‘rule number three’ was something new.

Why would you understand rule number three though, you couldn’t even understand why you were smiling, giggling underneath your breath.

“And out of all the people you could have gone to”, he sucked in a breath, squeezing your cheeks. He could feel your clenched teeth fighting against the strength of his hold.

“You fucking went to that useless cunt Deku”, Bakugou spat out, a crazed glint in his eyes as he felt your face shake and crumble under his grip.

“Where is he now huh?” he scoffed, a breathy laugh escaping from the depths of his body.

“WHERE THE FUCK IS THAT PATHETIC BITCH NOW?” Screaming once again, he activated his quirk, missing you by a hair. The flames mocked you, free to move, free to grow.

“Is he gonna come and get you now? See your precious ‘Izu-kun’ anywhere?” he derided, smiling at the blackened area his palms left on your shoulders.

“I’m sorry, I’m sorry, I’m sorry, I’M SORRY.”

Your tears said it enough, tears that were mixed in with the sweat and blood that dripped from your forehead. All you wanted was someone, someone who would hold you and stroke your head and clean you up. Someone who would take him away from you and let you live in a fantasy where you weren’t wrong anymore.

You apologized in the false anticipation that he would stop, and caress your face and pepper it in small kisses. You apologized in the false anticipation of thinking that’s what he needed all along. Just an apology.

So when he pushed you off of the sofa, your knees igniting in irritantance and bruises, you could only look at him. And when he crouched down in front of you, tilting your chin upwards, your heart almost fluttered at the thought that he would pull you into a kiss. A warm kiss where you would feel at home and feel loved.

The sad part was that you knew that you would forgive him if he kissed you once.

But the worst part was that you knew this would never happen. And it didn’t. But you were happy to live in your delusion. Because your delusion masked the sheer force at which he defiled your body.

The lethal blaze mirrored the lethal blaze that ignited his eyes. And this was the last time you’d ever see such hate, and animosity in them.

With your hands shielding you too late, all you saw was a blinding light shining through you, filling every crevice in your body with a scorching glow. But then it was extinguished by the darkness.

Alarms were going off in your head, telling you to breathe quickly and panic and scream and reach out and find something to see. And you did. And it entertained him.

So small and so vulnerable, scrambling around beneath him to try and escape. But he had you under his grip. And he wasn’t going to let you go until you remained lifeless under him.

Smoke infiltrated your lungs, forcing you to flail and writhe on all fours. You were heaving, trying oh so very hard to breathe in the oxygen that limitlessly surrounded you.

But you were useless. And you couldn’t breathe to save your life.

Coughing and slobbering, kneeling in front of him, you begged.

“Please, forgive me.”

“Please, I’m sorry.”

“Please, I didn’t mean to.”

“PLEASE, MAKE IT STOP. PLEASE JUST MAKE IT STOP.”

The fumes were stabbing at your throat, filling your head with fog.

And your world was running slowly. The noise was slowed, darker and deeper, slurred beyond understanding. The agony was slow; equally as painful, but slow. It gave you little breaks in between to piece everything together, bit by bit.

Growing up, your world was black and white: heroes were benevolent, there to serve the society and protect them whereas villains were malevolent, there to wreck the balance of society and harm them as they pleased.

Growing up, the first people you relied on were heroes. Even as the Number 3 Hero, Y/HN, you relied on your colleagues who worked day and night to ensure the safety of the country you served.

Maybe that was your downfall. Blindly trusting heroes as if they were some sort of untouchable deities who could never harm. Because here you were, taking the last few breaths with your world spinning around you and being snatched away from you.

And it wasn’t at the hands of a villain that you were dying. It was at the hands of your so-called superior, the Number 2 Hero: Ground Zero.

Ground Zero; the hero who everyone respected but feared. His snarl, his anger, his drive. The very hero who was found in every treacherous battlefield. He was the same hero who took on anything he found that threatened the life of the citizens he made his duty to protect from harm's way.

But who would take him on when he caused harm to you?

No one.

It wasn’t the smoke, or the burns, or the bleeding that caused you to take your last breath. It was the realization that no one would save you.

-

The pulse under Katsuki’s fingers diminished until it was nothing. And he cried. Veins standing out in livid ridges, his eyes seared in rage as they watered and dripped down his face, cooling his body in the circle of fire he put himself in.

If he wasn’t trained to suck his guilt up every time his hands were responsible for someone’s downfall, he would have been consumed in his own self loath…

But what was the point of feeling guilty when you deserved it?

It was because of you Eijiro broke up with him. And he internally promised himself he would always stand by this.

Blinking away his tears, he channeled all the remaining energy he had, letting his anger flow through out of his body.

His wrists were giving in but he swore it was the final time. Just one more blow. One more big blow.

Silencing his cries underneath the deafening roar of his explosions, he clenched his jaw, pressuring his body on and on.

No one would find you now. No one would know.

[the-path-of-zen]

Spiritual Materialism: An Exercise in Western Consumerist Vanity

When one thinks of themselves, as in ‘Who am I’, it is common to see yourself as in what you do to make money, your positions in various societies, your looks and appearance, and lastly your family status – married or unmarried.

An example is when a person introduces themselves, they may say such as, “Hi, my name is Jack, I am a plumber, my wife is Mary-ann and I have two kids” and they have the appearance of a plumber, that corresponds with their station and position in life, according to societal standards. If someone was to introduce themselves as a Lawyer, we then expect them to have the appearance of a lawyer, that being a sharp haircut and wearing a suit.

These materialistic adornments of position and station trend through all societies and cultures from the dawn of humankind.

In Zen, particularly with the Western Japanese Cultural appropriation centers, members take on positions within the Zen organization by wearing cloth adornments, such as Japanese-style robes, a bib like cloth called a ‘Rakusu’ that denotes seniority and commitment, and lastly haircuts that also denote membership and position within the organization.

All of the above listed, are Materialistic adornments of Station and Position, much like you find in any human society.

It was Trungpa, the Tibetan scholar in his book ‘Cutting Through Spiritual Materialism’ that coined the term Spiritual Materialism, in meaning to create an Ego, a self, an identity through the adornments of the Spiritual Path, as well as through the methods, rituals, and ceremonies, and what Spiritualist term as ‘Practice’, that being a core belief put into action.

Western Zen is no exception to Trungpas’ criticisms of being a Materialistic ‘New Age’ view, clinging to station and position, creating the egos and the identities within the society of Japanese cultural appropriation.

Oh, I know many who read the charge will protest, in saying that Zazen, the core practice of the Western ‘Dogenism’ Zen centers perform, is not materialistic. However, it is, and here is why: The Zazen is a performance act, thus "sitting like a Buddha is being Buddha" is what Dogen the revered patriarch of Western Zen says. This a materialistic stance that the Zen practitioner takes in mentally saying “I am practicing Zen, this is Zen”.

Lets look at how Dogen embraces the Materialism of Zazen: “We truly know that when we make a mirror by polishing a tile, Ma-tsu becomes a buddha. When Ma-tsu becomes a buddha, Ma-tsu immediately becomes Ma-tsu. When Ma-tsu becomes Ma-tsu, zazen immediately becomes zazen.”

Dogen statement is exactly contrary to the old Ch’an masters who urged students to abandon Materialism, here is an example:

Nangaku one day goes to Baso’s hut, where Baso stands waiting. Nangaku asks, “What are you doing these days?”

Baso says, “These days Dōitsu just sits.”

Nangaku says, “What is the aim of sitting in zazen?”

Baso says, “The aim of sitting in zazen is to become Buddha.”

Nangaku promptly fetches a tile and polishes it on a rock near Baso’s hut.

Baso, on seeing this, asks, “What is the master doing?”

Nangaku says, “Polishing a tile.”

Baso says, “What is the use of polishing a tile?”

Nangaku says, “I am polishing it into a mirror.”

Baso says, “How can polishing a tile make it into a mirror?”

Nangaku says, “How can sitting in zazen make you into a buddha?”

The Zen Materialist often cite the above as a ‘Koan’, or spiritual riddle, and see it as an affirmation of the practice of Zazen, where it clearly IS NOT.

Take away all the Japanese cultural baggage (the robes, the bibs, and haircuts) and the performance arts of the Zen Materialist, and ask them what Zen is...they simply fall apart in a heap of psychological babble and pseudo-scientific double-talk (more materialism if you ask me) because they have no clue as to what Zen is.

I tend to find this same sort of issue with westerners in any Buddhist traditions, and I venture to say it stems from the materialistic culture we are born and raised in, and that is presented to us every day, every second, through the media devices that brainwash and mind-control people to be nothing more than materialist that consumes market goods.

It is a complete delusion to think that just because one joins a Zen or any Buddhist organization, that one does not bring everything in from their ordinary everyday life to that organization that troubles them in the first place as to why they sought out Zen!

What is Zen? I can say it's not Zazen, the performance art, and it is certainly not the robes, the bibs, and the haircuts. It's not a Station or Position within a society, it's not physiological babble or pseudo-scientific double-talk, and it's not head-game either, of ‘Zen is everything and nothing’ sort of nonsense.

The book, The Secret of Zen, is perhaps the best nonsense teaching of Zen that is not based on Materialism as we see in these Zen Center cults. For the true zen seeker, is that not what you were seeking this entire time?

Those who insist that Dogens’ teachings are Zen, that Zazen is Zen, that the Society methods and way are ZEN, need to be seen for who they are: MATERIALIST! They don’t teach Zen, never have, they teach something else...Dare I say what it is? Yes, it's just more suffering. Materialism only bring suffering, for those who have not long for it, and for those who have cherish it, and fear to lose it.

[stonecoldhedwig]

Et puis, épuisée // And then, exhausted

This article was posted in the summer of 2019 by Pauline Harmange, but it’s something that has resonated with me ever since I read it in August 2020. I find myself returning to it, thinking about it.

There’s one phrase that hums around in my head a lot from it: J’aurais pu faire sans toutes les micro-agressions d’un quotidien qui n’a pas de place pour les doutes. J’aurais pu apprendre dans la douceur. // I could have done without all the micro-aggressions of a daily life that has no room for doubt. I could have learned gently.

I’ve translated it into English below (thank you, trusty French dictionary), trying to keep the tone of the original piece in mind. Numbered footnotes are the author’s, asterixes are mine.

Tw: abortion; pregnancy; sexism

For several weeks, I’ve been trying to write this article, and I can’t find the right angle. I want, or even need, to talk about the questions I’ve been posing to myself for months now about femininity, about what it is to be a woman at the moment, but how do I talk about all this without falling into an incredible pathos? I feel so out-of-touch with Insta accounts and the warrior-witch-superwoman trend, I don’t know how to articulate these intense, almost negative emotions that come over me as soon as I start to think about it.

Because I’m going to be very honest: right now, I’m exhausted by being a woman.

Before I became a feminist, I was a girl, and that was enough*; it didn’t cause me any headaches. Once I became a feminist, I had to question a lot of things: why I denigrated girls more feminine than me, why I forced myself to wax when I didn’t like it, why I let men comment on my appearance and didn’t stand up for myself, or why I was scared when I was out on the street by myself. It was tiring, but I didn’t feel myself being overwhelmed by the weight of a burden too heavy for me. The truth was that I needed to take breaks. To create sacred rituals that celebrated my period, or to read books with hypernormative gender representations, so as to forget for a few seconds the numbers that made me feel sick (which numbers? Simply put, all of them, because they are all horrible).

And then, I was betrayed by my own flesh. I got pregnant when I had an IUD. (1) I experienced a heartbreak that it is illusory to want to put into words: the heartbreak of ending a pregnancy that should never have occurred, even though I’ve wanted a child for a long time. I nurtured, and still nurture, a black anger towards this life (this society, too) for forcing me to make a choice I don’t regret. How complicated life is.

And ever since that moment, I have had the feeling that life is becoming even more complicated. I feel like I’m suffering. Suffering because my body has struggled to recover from its tiny 5 weeks of pregnancy. Suffering because of my Polycystic Ovary Syndrome, which ruins my life, as well as suffering from my contraception because no matter where I look, there’s no ideal solution. I am suffering the after-effects of an anorexic adolescence, strewn with bad people, which has crippled the way I look at myself. I suffer that mental load, always so strong, when my IUD is removed and I have to calculate the risk, and deal with the terror of getting pregnant again, the reminders on my phone not to forget my pill, waiting for the next period. I suffer the mood swings, the water retention, the irritability, I suffer that sticky feeling every month before I bleed, of not being able to do anything, especially of not being able to create.

I am even more affected than before by what I already felt: that I am a woman, socialised as such, and that if I want to exist in this world, I must constantly do violence** to myself. In a utopian version of life, I wouldn't need to force myself to speak louder, I wouldn't need to fake it till I make it, I wouldn't have to take on more masculine ways and a self-confidence that I don't have. Because in a utopian version of life, doubts, fragility, sadness and uncertainty would be respected, and I would not be encouraged to be someone other than myself. My body betrays me there again (unless it’s just too faithful this time): whenever I’m confronted with a situation where I don’t want to have to pretend, I sweat a bitter sweat that confirms to me I’m going against what I am. I was going to say “against my nature”, but that’s not it; against my culture, perhaps, or against what I was educated to be. (2) 

I'm exhausted by being a feminist, but then again, what can I do about it? I cannot take a vacation from my downtrodden condition, nor from my empathy for the horrible things happening all over the world. I am exhausted though, and angry too, for being a permanent spokesperson for my cause but speaking in an echo chamber. Writing those feminist articles that only women will read. Reading those feminist books and talking about them with other women. I don't listen to any feminist podcasts, by the way, because I'm fed up with content that doesn't teach me much (3) and I'm sickened to see so few men taking their place (silent and humble) in the discussion. What good are all these podcasts and all these articles and all these books, if it's women who buy them, consume them and then regurgitate them to the men around them? Who compensates for the time spent, the energy wasted in teaching men too lazy, too selfish and too vain to educate themselves? (4)

Maybe that's why I don't identify at all with movements of self-gratitude or of celebrating femininity. Being a woman and realising it has made me harder on myself and on others (for example, I really don't have any patience with men anymore, and I’m not ready to apologise). Certainly, I'm stronger, too. I know better how to say no, I know my body better, I have much better tools to manage conflicts than the ones I started with, I let myself do less and I pretend better. But I am convinced that I could have acquired all this knowledge without the violence inherent in a society that does not really want us, we who are not able-bodied, old and wealthy cis-straight white men. I could have done without all the micro-aggressions of a daily life that has no room for doubt. I could have learned gently.

There are, of course, unexpected joys that being a woman brings me. When I read an excellent book written by a brilliant woman, I am overcome with the emotion of being inspired, and I also allow myself (which I never would have done before) to include myself in the circle of these creative women, I allow myself to feel close to them. When I think of the women around me, incredible in their strength, their refusal to compromise, their talents, I am filled with incredible gratitude, because I finally know how to recognise that the work, the luck and the happiness of my sisters do not diminish the value of mine.

But I’ve never had the courage to be a role model, an “inspiring” woman. To exist, women must either fit into boxes (do we really exist then?), or get out of them in a total, radical and claimed way. So much work, once again. I was thinking about this issue this summer as I considered my body hair: to shave? not to shave? I realised that as soon as I went out with visible hairy legs, I tended to dress better, do my hair, and even put on makeup, thus carrying the image of an assumed feminist, whose hair is a message, a standard. Actually, I'm just a big slacker with hyperpilosity, but without my drastic disguise, I was afraid I would simply portray an image of a neglected woman.

It makes no sense, it's not even a liberation anymore. I am discouraged.

I know that it's my fault too, it’s up to me to take a step back and let go, and that my anger and exhaustion are symptoms to deal with, not necessarily emotions from which I will draw positive things in order to move forward. (5) Still, I am where I am today. At war. Feeling like I’m not very far from losing, by the way.

I'm going to take a vacation (from the internet, from life, and from myself) and put things back in an order that makes sense. Who knows, maybe if I put my head deep enough in the sand, when I bring it out in September, the patriarchy will have been abolished? We can but dream.

________________________

(1) Yes, it does happen, but no, it’s not common. Whenever I mention it, women around me who have an IUD look at me in horror and I feel compelled to reassure them, as if I was the only one in the world to whom this could happen. This is not the case, and I do not have the energy to reassure, I’m afraid.

(2) You might call it “stepping out of your comfort zone”, but listen, after a while staying in your comfort zone doesn’t strike me as a delusion-like desire***.

(3) I'm not saying that to brag; it's just that after almost 10 years of feminism and a passion for reading, I'm relatively familiar with a lot of the topics that are now more mainstream.

(4) You don’t need to write to tell me “not all men”. Thank you in advance!

(5) We could talk forever about the idea of “positive”, about how it is often a way of silencing our anger and sweeping away injustices, and that it is a new, fashionable way of policing women, but hey... we need another article for that, and this is not it.

________________________

*the term used in the original article is basta; the Italian for stop. I've treated it as an equivalent of ça suffit, or “that’s enough”.

**I was a bit iffy on whether this should be do violence to or violate so French speakers who are less rusty than me, please forgive me xoxo

***It honestly took me about twenty four reads to work out what this sentence meant, but I did learn the verb “to strike”, so there we are.

[nithyanandaparamashivam]

2020年7月20日尼希亞南南達共修講座要點（英語）

圣尊尼希亚南达 帕冉玛希瓦上师在凯拉萨庭院会议之掠览 Glimpses from Nithya Satsang with HDH Nithyananda Paramashivam 2020年7月20日 - 星期一印度标准时间晚上07:49 IST - 尼希亚南达共修讲座要点（英语） 20 JULY 2020 - 07:49 PM, MONDAY (IST), NITHYANANDA SATSANG - ENGLISH GIST 帕冉玛希瓦直接来自凯拉萨的信息： *PARAMASHIVA’S MESSAGE DIRECTLY FROM KAILASA: 大瓦解PRALAYA（梵文词汇：消融，瓦解)的化学原理现在正在发生中： *CHEMISTRY OF THIS PRALAYA HAPPENING RIGHT NOW: 当我用”大瓦解PRALAYA的化学原理”这个词时，在大瓦解PRALAYA开始在宇宙中发生的化学原理是什么开始吧，它在我��所有人身上显化的化学原理是什么，是什么炼金程序能使从这个大瓦解 PRALAYA，洪水，流行病，流行疲惫症以及流行病的所有后果中拯救出来。 *WHEN I USE THE WORD “CHEMISTRY OF THIS PRALAYA”, WHAT IS THE CHEMISTRY HAPPENING IN THE COSMOS FOR THIS PRALAYA TO START, GET INITIATED AND WHAT IS THE CHEMISTRY IT IS MANIFESTING IN ALL OF US AND WHAT IS THE ALCHEMY PROCESS TO SAVE OURSELVES FROM THIS PRALAYA, DELUGE, PANDEMIC, PANDEMIC FATIGUE AND ALL AFTER EFFECTS OF THIS PANDEMIC. 了解了大瓦解PRALAYA的化学原理，你就能保护自己免受大瓦解PRALAYA的伤害。 *KNOWING THE CHEMISTRY OF THIS PRALAYA, YOU CAN PROTECT YOURSELF FROM THIS PRALAYA. 昨天我解释了这种洪水 - 大瓦解PRALAYA - 是一种幻象。通常幻象对你的系统是化学原理。 *YESTERDAY I WAS EXPLAINING THIS DELUGE - PRALAYA - IS DELUSION. WHAT USUALLY DELUSION DOES TO YOUR SYSTEM IS THE CHEMISTRY. 这种幻象对你的内在化学原理有什么影响？这种幻象对你的化学原理有什么影响？它会导致不间断的自杀式傲慢；生活消极的极端情绪波动。 *WHAT IS THE IMPACT ON YOUR INNER CHEMISTRY OF THIS DELUSION? HOW THIS DELUSION IMPACTS YOUR INNER CHEMISTRY? IT CAUSES DIS-CONTINUOUS SUICIDAL ARROGANCE, LIFE-NEGATIVE EXTREME MOOD SWINGS. *感应寂定三摩地的第一影响将是极度的狂喜，绝对的喜悦和充满甘露的头脑！幻象的第一影响将是极端的情绪波动，甚至感觉与你生命存在的目的脱节。这就是为什么我坚持到12月14日，带来更多更多的爱，喜悦，圆满和放开(UNCLUTCHING). *THE FIRST IMPACT OF BHAVA SAMADHI WILL BE EXTREME ECSTASY, ABSOLUTE JOY, AND BRAIN FILLED WITH NECTAR! THE DELUSION’S FIRST IMPACT WILL BE EXTREME MOOD SWINGS AND FEELING DISCONNECTED EVEN WITH THE PURPOSE OF EXISTENCE OF YOUR LIFE. THAT IS WHY I AM INSISTING THAT TILL DECEMBER 14TH, BRING MORE AND MORE LOVE, JOY, COMPLETION, UNCLUTCHING. *认真的看待我说的话. 我说的每一句话都是真心实意的。 *TAKE MYWORDS VERY SERIOUSLY. EVERY WORD I AM UTTERING IS REALLY REALLY REALLY UTTERED WITH EXTREME SINCERITY. *放开(UNCLUTCHING)，圆满法，睡眠不要超过六个小时，所有这些对你来说都很重要，至少在12月14日前不能放松。 *UNCLUTCHING, COMPLETION NOT SLEEPING MORE THAN 6 HOURS, ALL THESE ARE TOO IMPORTANT FOR YOU TO KEEP YOURSELF TOGETHER AT LEAST TILL DECEMBER 14TH. *内在和外在的极端暴力，谋杀，自杀式傲慢将因这个大瓦解PRALAYA而普遍流行。 *EXTREME VIOLENCE INSIDE AND OUTSIDE, MURDEROUS, SUICIDAL TENDENCY WILL BE THE NORMAL FLOW DUE TO THIS PRALAYA. *通常容易情绪波动的人，请把你的刀和化学毒品，所有的东西都离得远远的，像我们所说的那样：不要让你的孩子接触这种东西！我是认真的！ *PEOPLE WHO USUALLY ACT DURING THE MOOD SWINGS, KEEP YOUR KNIFE, POISONOUS CHEMICALS, EVERYTHING AWAY FROM YOUR REACH LIKE HOW WE SAY: KEEP ALL THIS AWAY FROM CHILDREN’S REACH! I MEAN IT! *我说的每一句话都是经过深思熟虑的，是带着责任感说出来的。包括我如何坐，如何表现我自己，都是非常有意识的完成的。 *EVERY WORD I AM UTTERING IS CAREFULLY THOUGHT THROUGH AND UTTERED WITH RESPONSIBILITY. EVEN HOW I SIT AND HOW I PRESENT MYSELF IS VERY CONSCIOUSLY DONE. *长发、圣灰、金刚菩提子-所有这些都代表了我对行为准则部分——生活方式的一致性-。 *JATA, BHASMA, RUDRAKSHA - ALL THESE REPRESENT MY INTEGRITY TO CHARYA PADA - LIFESTYLE. *我一直戴着的个人专属灵迦，我每天都要做尼希亚礼拜，代表着我对帕冉玛希瓦说的灵修部分KRIYA PADA的一致性。 *THE ATMALINGA I AM ALWAYS WEARING WHICH I DO NITHYA PUJA TO EVERYDAY REPRESENTS MY INTEGRITY TO KRIYA PADA OF PARAMASHIVA’S WORDS. *我曾经告诉每个人：即使你错过了食物，也不要错过礼拜。即使在我的在游历时，有时如果我不能带着我的神像，就像有时我会想我会去附近的村庄，并在晚上回来，但我会被卡住，因为一些自然灾害不能回来，即使在那些日子，我会保留一滴水JALA LINGA或拿着金刚菩提子并供奉。 *I USED TO TELL EVERYONE: EVEN IF YOU MISS FOOD, DON'T MISS PUJA. EVEN DURING MY PARIVRAJAKA YATRA, SOMETIMES IF I WAS NOT ABLE TO CARRY MY DEITY WITH ME, LIKE SOMETIMES I WILL THINK I WILL GO TO THE NEARBY VILLAGE AND COME BACK IN THE EVENING BUT I WILL BE STUCK AND NOT ABLE TO COME BACK DUE TO SOME NATURAL CALAMITY, EVEN DURING THOSE DAYS, I WILL KEEP A DROP OF WATER CALLED JALA LINGA OR KEEP RUDRAKSHA AND OFFER PUJA. *莲花式盘坐和坐直显示了我对帕冉玛希瓦的瑜伽部分的一致性。 *PADMASANA AND SITTING STRAIGHT SHOWS MY INTEGRITY TO YOGA PADA TO PARAMASHIVA. *我正在下载并与大家分享的伟大真理是我对帕冉玛希瓦的真���部分JNANA PADA的一致性的证明。所以我所说的和所做的一切都完全符合帕冉玛希瓦和祂的教义。 *THE GREAT TRUTHS I AM DOWNLOADING AND SHARING WITH YOU ALL IS DEMONSTRATION OF MY INTEGRITY TO PARAMASHIVA’S JNANA PADA. SO EVERYTHING I UTTER OR DO IS ABSOLUTELY IN INTEGRITY WITH PARAMASHIVA AND HIS TEACHINGS. *现在以这种一致性，我和你们分享这个真理由。由于这个大瓦解PRALAYA和洪水，你过去的暴力，业力，一切都将从源头触发。这也是一个好消息，你可以利用这个机会来圆满所有未知的未圆满部分，它们现在将由于这场洪水而烟消云散。 *NOW WITH THAT INTEGRITY, I AM SHARING THIS TRUTH WITH YOU. DUE TO THIS PRALAYA, DELUGE, YOUR PAST VIOLENCE, KARMAS, EVERYTHING WILL BE TRIGGERED FROM THE SOURCE. IT IS ALSO GOOD NEWS THAT YOU CAN USE THIS OPPORTUNITY TO COMPLETE ALL UNKNOWN INCOMPLETIONS WHICH WILL NOW BE SMOKED OUT DUE TO THIS DELUGE. *当有一个集体的洪水，大瓦解PRALAYA，即使是你的模式的最深层，不圆满都会渗出。所以，如果你练习全然圆满，非暴力，对所有的不圆满，模式出来，爆发，涌出和渗出，没有反应或回应，如果你去放开 UNCLUTCHING，这场大瓦解、大流行病的时间，会给你超意识的突破，开悟的力量，而且不仅你会穿越它，通过设定一个趋势和模型，你会给别人一个超意识的突破。 *WHEN THERE IS A COLLECTIVE DELUGE, PRALAYA, EVEN THE DEEPEST LAYERS OF YOUR PATTERNS, INCOMPLETIONS WILL ALL OOZE OUT. SO IF YOU PRACTISE ABSOLUTE COMPLETION, NONVIOLENCE AND NO REACTION OR RESPONSE INTERNALLY AND EXTERNALLY FOR ALL THE INCOMPLETION, PATTERNS COMING OUT, ERUPTING, GUSHING AND OOZING OUT, IF YOU GO FOR UNCLUTCHING, THIS PRALAYA, PANDEMIC TIME, WILL GIVE YOU SUPERCONSCIOUS BREAKTHROUGH, ENLIGHTENMENT POWERS AND NOT ONLY YOU WILL SAIL THROUGH THIS, YOU WILL GIVE A SUPERCONSCIOUS BREAKTHROUGH TO OTHERS BY SETTING A TREND, MODEL. *如果说有两个人憎恨尼希南达，那么有200万人因虚假谣言而误解并憎恨尼希南达。这就是我所说的基于幻象的仇恨，一切都会瓦解。 *IF THERE ARE TWO PEOPLE WHO HATE NITHYANANDA, THERE ARE 2 MILLION PEOPLE WHO HATE WHAT THEY FALSELY THINK AS NITHYANANDA DUE TO FALSE PROPAGANDA. THAT IS WHAT I CALLED DELUSION BASED HATRED. ALL THAT WILL MELT DOWN. *通过品牌建设活动推广的名人们，他们所喜爱的并不是他们的素质。基于幻象的爱和基于幻象的仇恨，两者都会瓦解。 *THE CELEBRITIES WHO ARE PROMOTED BY THE BRAND BUILDING EXERCISES ARE LOVED FOR THAT WHICH IS REALLY NOT THEIR QUALITY. DELUSION BASED LOVE AND DELUSION BASED HATRED, BOTH WILL MELT DOWN. *太多你爱的东西，那些你认为是你日常生活的一部分的东西，太多你爱的人，曾经是你日常生活一部分的人，将不再像以前那样存在。会有一些人死亡，一些人会失去你所谓的品质。 *TOO MANY THINGS WHICH YOU LOVED, WHICH YOU THOUGHT AS PART OF YOUR EVERYDAY LIFE, TOO MANY PEOPLE WHOM YOU LOVED, WHO WERE PART OF YOUR EVERYDAY LIFE, WILL NOT BE THERE ANYMORE AS THEY USED TO BE. THERE WILL BE SOME DEATHS, SOME PEOPLE WILL BE LOSING THEIR QUALITIES OF WHAT YOU CALL AS THEM. *虚假观念推动的爱情和错误观念推动的仇恨将在这场洪水中瓦解。对许多人来说，我不是他们生活的一部分，他们会突然发现我是他们生活中的一个重要组成部分来维系他们的关系。 *THE FALSE IDEA-PROPELLED LOVE AND FALSE IDEA-PROPELLED HATRED WILL MELT DOWN IN THIS DELUGE. FOR MANY PEOPLE, FOR WHOM I WAS NOT PART OF THEIR LIFE, WILL SUDDENLY DISCOVER ME AS AN IMPORTANT COMPONENT IN THEIR LIFE TO KEEP THEMSELVES TOGETHER. *很多你认为是你生活一部分的名人会突然失去他们对你生活的影响。 *MANY CELEBRITIES WHOM YOU THOUGHT AS PART OF YOUR LIFE WILL SUDDENLY LOSE THEIR INFLUENCE OVER YOUR LIFE. *这个大瓦解PRALAYA，大流行病，为你们提供了一个机会去经历开悟的炼金术。许多你需要放开的东西将被强行从你身上放开。你不应为此而暴力、愤怒、沮丧。 *THIS PRALAYA, PANDEMIC, PROVIDES OPPORTUNITY FOR YOU TO GO THROUGH THE ALCHEMY OF ENLIGHTENMENT. MANY THINGS YOU NEED TO UNCLUTCH FROM WILL BE FORCIBLY UNCLUTCHED FROM YOU. YOU SHOULD NOT BE VIOLENT, ANGRY, DEPRESSED ABOUT IT. *每一天，就像你呼吸着空气中的一切，吃着以食物形式提供的东西，消耗着以思想形式存在的生态系统一样，你无法停止它对你的影响。无论你认为自己有多聪明，你都无法阻止负面新闻对你的影响。你唯一能做的就是，你的内心空间可以通过放开Unclutching被净化。 *EVERYDAY, JUST LIKE YOU BREATHE WHAT IS AVAILABLE IN THE FORM OF AIR, EAT WHAT IS AVAILABLE IN THE FORM OF FOOD, CONSUME THE ECOSYSTEM WHAT IS AVAILABLE IN THE FORM OF THOUGHTS, YOU CANNOT STOP ITS INFLUENCE OVER YOU. HOW MUCH EVER YOU THINK YOU ARE INTELLIGENT, YOU CAN'T STOP THE INFLUENCE OF NEGATIVE NEWS OVER YOU. ONLY THING YOU CAN DO IS, YOUR INNER SPACE CAN BE PURIFIED WITH UNCLUTCHING. *你需要通过新闻知道你周围发生了什么。你需要知道规则和规章制度……正在发生什么……你需要做些什么来保护自己免受这种流行病的侵袭，所有这些都需要从外在世界到达你的身边。所以你不能完全脱离自己。因此，当你让新闻传到你身边时，所有与之相关的事情都会触及到你，但你的反应是由你控制的。这不是别人能控制的。没有其他人坐在里面为你着想。 *YOU NEED TO KNOW WHAT IS HAPPENING AROUND YOU THROUGH THE NEWS. YOU NEED TO KNOW THE RULES AND REGULATIONS...WHAT IS HAPPENING...WHAT YOU NEED TO DO TO PROTECT YOURSELF FROM THIS PANDEMIC, ALL THESE NEEDS TO REACH YOU FROM THE OUTER WORLD. SO YOU CAN'T COMPLETELY DISCONNECT YOURSELF. SO NATURALLY WHEN YOU ALLOW THE NEWS TO REACH YOU, ALL THE OTHER THINGS ASSOCIATED WITH IT, REACHES YOU BUT YOUR REACTION IS IN YOUR CONTROL. IT IS NOT IN SOMEONE ELSE'S CONTROL. NO ONE ELSE IS SITTING INSIDE AND THINKING FOR YOU. *没有欲望、上瘾的身体价值数十亿美元。一个享受和欢喜禁食的身体，价值万亿美元；我应该说价值数十万亿美元！一个能以莲花式双盘坐着并放开，在内在拥有强大的认知的身体，价值万亿万亿万亿！ *THE BODY WHICH DOES NOT HAVE CRAVINGS, ADDICTIONS, IS BILLION DOLLARS’ WORTH. THE BODY WHICH SALIVATES TO TASTE AND REJOICE FASTING, IS TRILLION DOLLAR WORTH; I SHOULD SAY MULTI-BILLION DOLLAR WORTH! THE BODY WHICH CAN SIT IN PADMASANA AND UNCLUTCH AND HAVE HIGH POWERFUL COGNITIONS INSIDE YOU, IS TRILLIONS TRILLIONS TRILLIONS WORTH! *如果神给我一个选择：以莲花式双盘坐着，放开，有高度的意识，而另一边，万亿美元，我绝对会120%完全，有意识地，选择一个身体，可以莲花式盘坐，放开，并拥有强大的认知，因为那可以显示出比任何万亿美元都要高得多的东西！ *IF GOD GIVES ME THE OPTION: THE BODY THAT SITS IN PADMASANA, UNCLUTCHES, HAVING HIGH CONSCIOUSNESS, AND THE OTHER SIDE, TRILLION DOLLARS, I WILL ABSOLUTELY 120% FULLY, CONSCIOUSLY, CHOOSE THE BODY THAT CAN SIT IN PADMASANA AND UNCLUTCH AND HAVE POWERFUL COGNITION, BECAUSE THAT CAN MANIFEST MUCH MUCH MUCH HIGHER THINGS THAN ANY TRILLION DOLLARS! 同样的道理，较少即刻反应的人的头脑，就像百万富翁的头脑一样，而放开uncluthing的人的头脑就是十亿美元的头脑。在PARAMASHANTA SWARUPA 那种状态下，没有束缚但非常活跃的头脑，从绝对和平的状态中，非常活跃，这是千亿富翁无法想象的。它超越了暴力和非暴力。它知道绝对非暴力，并做正确的事情，就像克里希纳告诉阿诸那：“非暴力是终极的。अहिंापरमोधर्म：AHIMSA PARAMO DHARMAHA。现在杀了所有这些需要被消灭才能让 SRISHTI（创造）在地球上生存的人！这超出了你通常所理解的暴力。这就是宇宙层面的非暴力。 SAME WAY, THE MIND WHICH HAS LESS REACTIONS, IS LIKE MILLIONAIRE’S MIND AND WHICH IS UNCLUTCHED, IS BILLION DOLLAR MIND. THE MIND WHICH IS UNCLUTCHED BUT INTENSELY ACTIVE IN THAT STATE IN PARAMASHANTA SWARUPA AND FROM THAT ABSOLUTE PEACEFUL STATE, INTENSELY ACTIVE, IS BEYOND TRILLIONAIRE’S MIND. IT IS BEYOND VIOLENCE AND NONVIOLENCE. IT KNOWS TO BE ABSOLUTELY NONVIOLENT AND DO WHAT IS RIGHT LIKE KRISHNA TELLING ARJUNA: “NONVIOLENCE IS THE ULTIMATE. अहिंसा परमोधर्म: AHIMSA PARAMO DHARMAHA. NOW KILL ALL THESE PEOPLE WHO NEED TO BE ELIMINATED TO KEEP SRISHTI ON PLANET EARTH ALIVE.” APPARENTLY VIOLENT BUT ABSOLUTELY NONVIOLENT! THAT IS BEYOND ORDINARILY WHAT YOU UNDERSTAND AS VIOLENCE. THAT IS THE COSMIC LEVEL NONVIOLENCE. *奎师那领导摩诃婆罗多战争是��对的宇宙层面的非暴力；在宇宙的尺度上是无暴力的！因为有太多的武器被堆积起来，太多的人知道太多的武器，太多的人知道婆罗门的科学，太多的人知道太多的BRAHMASTRA（创造者梵天为了维护法和真理而创造的武器。）的科学，所以任何一种武器都落在这个人的手中，他会因为他的假设而做出激烈的反应，他会发疯，陷入大流行性的疲劳状态，这让人们有勇气说：“不管怎样，反正我要走到水沟里去，然后让我把所有人都拉下来……”，这将毁灭整个地球。 *KRISHNA LEADING THE MAHABHARATA WAR IS THE ABSOLUTE COSMIC LEVEL NON VIOLENCE; AHIMSA IN THE SCALE OF THE UNIVERSE! BECAUSE TOO MUCH WEAPONS WERE PILED UP AND TOO MANY HAD KNOWLEDGE OF TOO MUCH WEAPONs, TOO MANY KNEW THE SCIENCE OF BRAHMASTRA, TOO MANY KNEW THE SCIENCE OF TOO MANY ASTRAS, SO ANY ONE WEAPON LEFT IN THE HANDS OF THE GUY WHO CAN DO VIOLENT REACTION DUE TO HIS ASSUMPTIONS, WHO CAN GO CRAZY AND GET INTO PANDEMIC FATIGUE THAT EMBOLDENS PEOPLE TO SAY: “COME WHAT MAY, ANYWAY I AM GOING TO DOWN THE DRAIN, THEN LET ME PULL EVERYONE ALONG WITH ME...”, WILL DESTROY THE WHOLE PLANET EARTH. *当你觉得你生命只有这一世的时候，这些思潮就会出现。当你知道你会再回来的时候，你会离开这个地球星球，幸福而富有，比你进入地球时更丰盛，因为你会回来的！ *THESE THOUGHT CURRENTS COME WHEN YOU FEEL YOU HAVE ONLY ONE LIFE. WHEN YOU KNOW YOU ARE GOING TO COME BACK, YOU WILL LEAVE THIS PLANET EARTH HAPPY AND RICH, MORE THAN WHAT IT WAS WHEN YOU ENTERED, BECAUSE YOU ARE GOING TO COME ! *失去了这种平衡，毁灭了整个地球，就好像没人知道SRISHTI（创造）什么时候会被毁灭。 *LOSING THIS BALANCE AND DESTROYING WHOLE PLANET EARTH, IT IS LIKE NOBODY KNOWS WHEN SRISHTI WILL BE DESTROYED. *太多人知道BRAHMASTRA（创造者梵天为了维护法和真理而创造的武器）的科学。ASHWATTHAMA只能释放BRAHMASTRA，却无法召回BRAHMASTRA…！ *DRONACHARYA, ASHWATTHAMA...TOO MANY PEOPLE KNOW THE SCIENCE OF BRAHMASTRA. ASHWATTHAMA CAN ONLY RELEASE THE BRAHMASTRA, BUT CAN'T RECALL THE BRAHMASTRA…! *心胸狭窄的人开始相信生命只有这一世。伟大的远见卓识者认识到生命多世的真理。相信一世生命是迷信的。许多人由于幻象而知道了生命是轮回的真相，于是开始在一个生活的超级舞台上追随自己的思想。如果你有一个更广阔的生活的愿景，你永远不会做出愚蠢、愚昧的自杀式傲慢、大流行病式的傲慢的化学决定。 *NARROW MINDED PEOPLE START BELIEVING IN ONE LIFE. LARGE BROAD VISIONARIES REALISE TRUTH OF MULTIPLE. BELIEVING IN ONE LIFE IS SUPERSTITIOUS. MANY POEPLE WHO KNOW THE TRUTH OF MULTIPLE LIVES DUE TO DELUSION STARTED FOLLOWIN ONE LIFE SUPERSTITUOS MENTAL SETUP IF YOU HAVE THE VISION OF A LARGR LIFE, YOU WILL NEVER DO SILLY, STUPID SUICIDAL, PANDEMIC ARROGANT CHEMISTRY BASED DECISIONS. 奎师那别无选择，只能在受��条件下销毁所有武器。所以祂收集了KURUKSHETRA所有的武器和所有知道摧毁整个SRISHTI（创造）的人。祂在可控的条件下完成了它。这就是为什么我要说，奎师那纳亲自领导摩诃婆罗多战争，在那里坐了18天，实际上是奎师那在当时被隔离。祂只是坐在那里，燃烧、治疗、释放、清洗，没有用任何武器！祂只是作为一个催化剂，这整个清洗发生。这是最伟大的非暴力AHIMSA。 *KRISHNA HAS NO OTHER WAY BUT TO DESTROY ALL WEAPONS IN CONTROLLED CONDITIONS. SO HE COLLECTED ALL WEAPONS IN KURUKSHETRA AND ALL THE PEOPLE WHO HAD THE KNOWLEDGE OF DESTROYING THE WHOLE SRISHTI. HE FINISHED IT OFF IN CONTROLLED CONDITIONS. THAT IS WHY I SAY, KRISHNA LEADING THE MAHABHARATA WAR PERSONALLY, SITTING THERE FOR 18 DAYS WAS ACTUALLY KRISHNA IN QUARANTINE AT THAT TIME. HE WAS JUST THERE, BURNING, HEALING, RELEASING, CLEANING, EVERYTHING WITHOUT TOUCHING ANY WEAPON! HE WAS ONLY AS A CATALYST FOR THIS WHOLE CLEANSING TO HAPPEN. THAT IS THE GREATEST AHIMSA, NONVIOLENCE. *奎师那正在展示祂保护SRISTHI（创造）的责任，作为帕拉达玛毗瑟奴的责任，通过亲自指挥摩诃婆罗，消除所有的破坏性能量，并将战争的所有责任推到自己身上，从而维护世界。 *KRISHNA IS DEMONSTRATING HIS RESPONSIBILITY TO PROTECT THE SRISHTI, RESPONSIBILITY AS PARANDAMA - VISHNU - OF MAINTAINING THE WORLD BY CONDUCTING THE MAHABHARAT PERSONALLY AND ELIMINATING ALL THE DESTRUCTIVE ENERGY AND TAKING ALL THE BLAME ON HIMSELF FOR THE WAR. *那些把摩诃婆罗多战争归咎于奎师那的人是愚蠢的。即使摩诃婆罗多战争晚了一天，SRISHTI （创造）人也会迷失方向；有一个傻瓜会毁灭整个世界。就像兴地语连续剧《DEVON KI DEVON》：“SRISHTI NASHT HO JAYEGASRISHTI NASHT HO JAYEGA！帕冉玛希瓦只会醒过来。通常纳拉达只会去那里说“SRISHTI NASHT HO JAYEGA”……然后玛哈德瓦会睁开眼睛做必要的事情。这是宇宙层面的非暴力。负责任的非暴力！ *STUPID ARE THOSE WHO BLAME KRISHNA FOR MAHABHARATA WAR. EVEN IF IT WAS ONE DAY LATE FOR THE MAHABHARATA WAR TO HAPPEN, THE SRISHTI WOULD HAVE BEEN LOST; SOME ONE FOOL WOULD HAVE DESTROYED THE WHOLE WORLD. LIKE IN HINDI SERIALS LIKE DEVON KI DEV: “SRISTI NASHT HO JAYEGA!” ONLY THEN PARAMASHIVA WILL WAKE UP. USUALLY NARADA ONLY WILL GO THERE AND SAY “SRISHTI NASHT HO JAYE”...THEN MAHADEVA WILL OPEN HIS EYES AND DO THE NEEDFUL. THAT IS COSMIC LEVEL NONVIOLENCE. RESPONSIBLE NONVIOLENCE! *那些把摩诃婆罗多战争归咎于奎师那的人是傻瓜。愚蠢的人甚至认为摩诃婆罗多战争是暴力。他们不知道摩诃婆罗多战争的大局。 *FOOLS ARE THOSE WHO BLAME KRISHNA FOR THE MAHABHARATA WAR. FOOLS ARE THOSE WHO EVEN THINK MAHABHARATA WAR WAS VIOLENCE. THEY ARE THOSE WHO DO NOT KNOW THE LARGER PICTURE OF THE MAHABHARATA WAR. *那些指责奎师那的RASA LEELA（甜蜜的行为）是傻瓜。他们既不懂欲望也不懂非暴力。 *FOOLS ARE THOSE WHO ACCUSE KRISHNA FOR RASA LEELA. NEITHER THEY KNOW LUST NOR NONVIOLENCE. *通过摩诃婆罗多战争，奎师那展现出绝对的非暴力。 *THROUGH THE MAHABHARATA WAR, KRISHNA DEMONSTRATED ABSOLUTE NONVIOLENCE. *通过RASALEELA（奎斯那甜蜜的行为），奎师那全然展示了纯然的婆罗门教！ *THROUGH RASALEELA, KRISHNA ABSOLUTELY DEMONSTRATED ABSOLUTE BRAHMACHARYA! *通过所有的策略，ASHWATTHAMA ATHAAKUNCHANA，通过这一切，奎师那展现了全然的真理。 *THROUGH ALL THE STRATEGIES, ASHWATTHAMA ATHAAKUNCHANA, THROUGH EVERYTHING, KRISHNA DEMONSTRATED ABSOLUTE SATYA *奎师那拥有世界上最好的东西，他展示了全然的APARIGRAHA（不执着、放下或不役于物）。 *HAVING THE BEST THINGS OF THE WORLD AROUND HIM OF THE WORLD, KRISHNA DEMONSTRATED ABSOLUTE APARIGRAHA. *从人类身上拿走东西，他表现出绝对的不偷窃ASTEYA！ *TAKING AWAY THINGS FROM PEOPLE, HE DEMONSTRATED ABSOLUTE ASTEYA! *祂是全然纯洁的顶峰，这是中产阶级心理永远无法把握的。祂是纯洁的化身。 *HE IS THE PEAK OF ABSOLUTE PURITY WHICH CAN NEVER BE GRASPED BY MIDDLE CLASS MENTALITY. HE IS AN INCARNATION OF PURITY. *祂从那么多房子里偷了黄油。没人抱怨。她们去了南达家，但没人抱怨。她们只是来他家再看一眼奎师那。当奎师那再次去他家拿黄油时，他们抓住祂不是为了惩罚祂，而是再一次把祂关在家里！ *HE STOLE THE BUTTER FROM SO MANY HOUSES. NOBODY COMPLAINED. THEY (WOMEN FOLK) WENT TO NANDA’S HOUSE, BUT NOBODY COMPLAINED. THEY JUST CAME TO HIS HOUSE TO GET ONE MORE GLIMPSE OF KRISHNA. WHEN KRISHNA WENT AGAIN TO HIS HOUSE TO TAKE BUTTER, THEY CAUGHT HIM NOT TO PUNISH HIM BUT HOLD HIM ONE MORE TIME IN THEIR HOME! *通过逃避与JARASANDHA的战争，祂展现了自己的才华。如果祂不逃跑，继续与JARASANDHA战斗，那将是大流行性疲劳导致的自杀式傲慢。祂知道谁能杀了JARASANDHA，谁必须杀了JARASANDHA和VIVEKA，祂制定了策略。 *BY RUNNING AWAY FROM WAR WITH JARASANDHA, HE DEMONSTRATED BRILLIANCE. IF HE DID NOT RUN AWAY AND CONTINUED TO FIGHT WITH JARASANDHA, IT WOULD HAVE BEEN PANDEMIC FATIGUE EMBOLDENED SUICIDAL ARROGANCE. HE KNOWS WHO CAN KILL JARASANDHA, WHO HAS TO KILL JARASANDHA AND WITH VIVEKA, HE STRATEGIZED. *那些指责奎师那是因为祂逃离了与JARASANDHA的战争的人是傻瓜。现代的TROLLS（网络上的攻击者）也显现了同样的愚昧，他们认为我逃跑了。 *PEOPLE WHO ACCUSE KRISHNA BECAUSE HE RAN AWAY FROM WAR WITH JARASANDHA ARE FOOLS. THE SAME FOOLISHNESS IS MANIFESTING AS MODERN DAY TROLLS WHO THINK I RAN AWAY. *指责奎师那的RASA LEELA（奎斯那甜蜜的行为）的人都是傻瓜。我总是看到：那些指责奎斯那因为他的RASA LEELA而有女人味的人，很快他们所有的变态故事都出来了！奎师那是绝对的婆罗门。所有指责的人，他们的故事很快就会出来，而且很快就会出来！ *PEOPLE ACCUSING KRISHNA FOR HIS RASA LEELA ARE FOOLS. I HAVE ALWAYS SEEN: PEOPLE WHO ACCUSE KRISHNA OF WOMANISING DUE TO HIS RASALEELA, SOON ALL THEIR STORIES OF ALL THEIR PERVERSIONS COME OUT! KRISHNA IS ABSOLUTE BRAHMACHARI. ALL THOSE WHO ACCUSE, THEIR STORIES WILL COME OUT SOON AND ARE COMING OUT SOON! *指责奎师那或摩诃婆罗多的人都是傻瓜！ *PEOPLE WHO BLAME KRISHNA OR MAHABHARATA ARE FOOLS! *那些指责奎师那杀了SHISHUPALA的人是愚蠢的。SHISHUPALA正在毁灭那些信奉奎师那本该开悟的人的。每一个弟子就都是我所持的一个JNANA（真知） GARBHA（孕巢，胎藏、库藏，亦译虚空���、虚空库，孕藏无尽虚空之意）。所以，摧毁他们的信奉就像是堕胎。SHISHUPALA做了太多的灵性流产。那是奎师那别无选择的时候。所以宇宙的非暴力行动需要做它的工作。这场大瓦解、大流行是一个伟大的宇宙无暴力的显现。 *PEOPLE WHO ACCUSE KRISHNA FOR KILLING SHISHUPALA FOR VERBALLY INSULTING KRISHNA ARE FOOLS. SISHUPALA WAS DESTROYING KRISHNA BHAKTI OF THOSE WHO WOULD HAVE BEEN ENLIGHTENED. EACH DISCIPLE IS LITERALLY A JNANA GARBHA THAT I AM HOLDING. SO, DESTROYING THEIR BHAKTI IS LIKE AN ABORTION. SISHUPALA WAS DOING TOO MANY SPIRITUAL ABORTIONS. THAT IS WHEN KRISHNA HAD NO OTHER WAY. SO THE COSMIC NONVIOLENCE NEEDS TO DO ITS JOB. THIS PRALAYA,PANDEMIC IS A GREAT COSMIC AHIMSA MANIFESTATION. *与奎师那站在一起的人有福了。 *BLESSED ARE THOSE WHO STAND WITH KRISHNA. *स्वल्पमप्यस्य धर्मस्य त्रायते महतो भयात्OSE WHO STAND WITH SWALPAMAPYASYA DHARMASYA, TRYAAYATE MAHATO BHAYAT -即使在这段时间里练习一点非暴力也会有很多好处。 - EVEN PRACTISING LITTLE BIT OF NONVIOLENCE DURING THIS PRALAYA WILL DO A LOT OF GOOD. *练习非暴力、放开、感觉情感连接、循环默诵无上真言、合一…开始练习这六种，无论你喜欢什么时候都行。练习非暴力。过了一段时间，如果你的思想突然不平静下来，那么你可以做放开。过了一段时间，如果它还没有解决，练习合一，看合一胶囊…有时做循环默诵…做什么有效的。这一切都是一样的，你会进入涅磐三摩地。有时你喜欢咖啡，有时热巧克力，有时茶…像这样你可以享受任何东西！这六个都通向同一个空间！享受吧！ *PRACTICE NONVIOLENCE, UNCLUTCHING, FEELING CONNECTION, AJAPA JAPA OF MAHAVAKYA, ONENESS...START PRACTISING ALL THESE SIX, WHENEVER YOU LIKE WHICHEVER YOU LIKE. PRACTICE NONVIOLENCE. AFTER SOME TIME, IF THE MIND SUDDENLY DOESN'T SETTLE DOWN, THEN YOU CAN DO UNCLUTCHING. AFTER SOME TIME IF IT DOESN'T SEEM TO SETTLE, PRACTICE ONENESS AND WATCH ONENESS CAPSULE...SOMETIMES DO AJAPA JAPA ….DO WHAT WORKS. ALL THIS IS ONE AND THE SAME; YOU WILL FALL INTO NIRVIKALPA SAMADHI. SOMETIMES YOU ENJOY COFFEE, SOMETIMES HOT CHOCOLATE, SOMETIMES TEA...LIKE THIS YOU CAN ENJOY ANYTHING! ALL THESE SIX LEAD TO THE SAME SPACE! ENJOY! *通过亲自指挥和管理摩诃婆罗多战争，奎师那展现了对 SRISHTI（创造者）的绝对极端的承诺，并展示了祂的宇宙非暴力！ *BY PERSONALLY GUIDING AND MANAGING THE MAHABHARAT WAR,  KRISHNA DEMONSTRATED ABSOLUTE EXTREME COMMITMENT TO THE SRISHTI, CREATION AND DEMONSTRATED HIS COSMIC NONVIOLENCE! *医生用刀切除你的肿瘤不是暴力。这是你生命中绝对的非暴力。他为你做了最好的事。同样的，奎师那亲自指挥摩诃婆罗多战争是非暴力和宇宙大爱的最大体现。 *A DOCTOR REMOVING YOUR TUMOUR WITH THE KNIFE IS NOT VIOLENCE. THAT IS THE ABSOLUTE NONVIOLENCE FOR YOUR LIFE. HE DID THE BEST TO YOUR LIFE. SAME WAY, KRISHNA CONDUCTING THE MAHABHARATA WAR PERSONALLY IS THE GREATEST DEMONSTRATION OF NONVIOLENCE AND LOVE COSMICALLY. *克里希纳在摩诃婆罗多战争��表现出的爱比祂在RASA LEELA（奎斯那甜蜜的行为）表现出的爱多一百倍！祂强烈的爱、能量、同情心和光环负责在受控条件下摧毁所有武器和负面知识，保护整个SRISHT（创造者）。就在祂在KURUKSHETRA的呼吸空间里，祂创造了一个房间，所有这些婆罗门和各种毁灭性武器的知识都可以被烧掉。 *KRISHNA MANIFESTED 100 TIMES MORE LOVE DURING THE MAHABHARATA WAR THAN WHEN HE DID RASA LEELA! HIS INTENSE LOVE, ENERGY AND COMPASSION AND AURA WAS RESPONSIBLE FOR DESTROYING ALL WEAPONS AND NEGATIVE KNOWLEDGE IN CONTROLLED CONDITIONS, PROTECTING THE WHOLE SRISHTI. JUST IN HIS BREATHING SPACE IN KURUKSHETRA, HE CREATED A CHAMBER IN WHICH ALL THESE BRAHMASTRAS AND KNOWLEDGE OF VARIOUS DESTRUCTIVE WEAPONS CAN BE BURNT AWAY. *摩诃婆罗多战争是非暴力的 *THE MAHABHARATA WAR IS NONVIOLENCE *RASALEELA （奎斯那甜蜜的行为）就是婆罗门。 *THE RASALEELA IS BRAHMACHARYA. *如果你读摩诃婆罗多，祂让达摩王说出所谓的谎言，那不是谎言。即使事实上，这也不是谎言。祂展示的这个技巧就是宇宙的真理，祂对宇宙真理的承诺。 *IF YOU READ MAHABHARATA, HE MADE DHARMA RAJA UTTER THE SO-CALLED LIE WHICH IS NOT A LIE. EVEN FACTUALLY IT IS NOT A LIE. AND THIS WHOLE TRICK HE DEMONSTRATED IS COSMIC SATYA; HIS COMMITMENT TO THE SATYA OF THE COSMOS. *通过逃离 JARASANDHA 战争，祂展示了绝对的积极生活的勇气。 *BY RUNNING AWAY FROM THE JARASANDHA WAR, HE DEMONSTRATED ABSOLUTE LIFE POSITIVE COURAGE. *自杀就是勇气？这叫大流行病！生命本身就是一场大流行。当你对这种大流行病生活方式感到疲惫时，你就会变得胆大包天，这被称为自杀式的傲慢。就像孩子们参加新冠病毒派对，看看谁受到了影响。这是自杀式的傲慢，不是勇气。 *COMMITTING SUICIDE IS COURAGE? IT IS CALLED PANDEMIC! LIFE ITSELF IS A PANDEMIC. WHEN YOU FEEL FATIGUED WITH THIS LIFE PANDEMIC, YOU GET EMBOLDENED AND IT IS CALLED SUICIDAL ARROGANCE. IT IS LIKE KIDS ATTENDING COVID PARTIES TO SEE WHO IS GETTING AFFECTED. IT IS SUICIDAL ARROGANCE, NOT COURAGE. *与污蔑上师派别交谈和参加新冠病毒19派对是一回事。两者都是自杀式傲慢，而不是勇气。 *TALKING TO THE GURU ABUSING GANG AND ATTENDING COVID 19 PARTIES ARE ONE AND THE SAME. BOTH ARE SUICIDAL ARROGANCE, NOT COURAGE. *这就是为什么我坚持说：“不要和污蔑上师派别交谈，因为这就像一种病毒，他们可以在你不知情的情况下，在你没有能力保护你的情况下，把它植入你体内。” *THAT IS WHY I INSIST ON: “DON'T TALK TO GURU DROHIS AND ABUSERS BECAUSE IT IS LIKE A VIRUS THAT THEY CAN PUT INSIDE YOU WITHOUT YOUR KNOWLEDGE, WITHOUT YOUR ABILITY TO SAFEGUARD YOU.” *奎师那从与JARASANDHA的战斗中退出，展示了“远见卓识的勇气”。这就是为什么“牧场”不应该被用来诋毁奎师那的方式。这应该作为祂“有远见的勇气”示范的荣耀。那些嘲笑我为“牧场”的TROLL 以后会明白的。我决定退出是因为我知道会发生什么！ *KRISHNA DEMONSTRATED “VISIONARY COURAGE” BY WITHDRAWING FROM THE BATTLE WITH JARASANDHA. THAT IS WHY “RANCHOD” SHOULD NOT BE USED AS DEFAMING A WAY ON KRISHNA. IT SHOULD BE USED AS THE GLORY OF HIS “VISIONARY COURAGE” DEMONSTRATION. FOOLS WHO TROLL ME AS “RANCHOD” WILL UNDERSTAND LATER ON. I TOOK THIS DECISION OF WITHDRAWAL BECAUSE I KNOW WHAT IS COMING! *我已经说过很多次了，站在路上的人可以看到10辆车从两边开过来——两边100英尺。但是站在25楼的人可以看到两边25公里，有100辆车开过来。我能看到比你更远大的生命，因为我是不受束缚的，我是基于这个做决定的！ *I HAVE TOLD SO MANY TIMES BEFORE, PEOPLE STANDING ON THE ROAD CAN SEE 10 VEHICLES COMING BOTH SIDES - 100 FEET BOTH SIDES. BUT THE PERSON STANDING IN THE 25TH FLOOR CAN SEE 25 KM ON BOTH SIDES AND 100 VEHICLES COMING. I CAN SEE THE LARGER LIFE THAN YOU BECAUSE I AM UNCLUTCHED AND BASED ON THAT I MAKE DECISIONS! *当你没有更大的视野时，你会指责我逃跑。现在要明白：这不是逃避，而是灵性上的自我隔离！ *WHEN YOU DON'T HAVE A LARGER VISION, YOU ACCUSE ME OF RUNNING AWAY. NOW UNDERSTAND: IT IS NOT RUNNING AWAY; IT IS SPIRITUAL SELF QUARANTINE! *让这个大瓦解显现并安定下来，那么你就会明白我所说的每一句话，我所做的每一个行动都是为了让自己和你们所有人做好准备，成功地通过这个大瓦解，给后大瓦解世界带来超意识的突破。 *LET THIS PRALAYA MANIFEST AND SETTLE DOWN, THEN YOU WILL UNDERSTAND EVERY WORD I UTTERED, EVERY ACTION I DID WAS TO PREPARE MYSELF AND ALL OF YOU TO SUCCESSFULLY SAIL THROUGH THIS PRALAYA AND GIVE SUPERCONSCIOUS BREAKTHROUGH TO THE POST-PRALAYA WORLD *有很多关于奎师那偷窃的故事，甚至在小时候从GOPIKA那儿偷黄油，包括女人。通过这一切，他展示了宇宙的不偷盗ASTEYA。那些指责奎师那是小偷的人都是傻瓜！你永远无法理解奎师那宇宙尺度的行动和反应显现。 *BY STEALING BUTTER FROM GOPIKAS, EVEN AS A KID, SO MANY STORIES ABOUT KRISHNA STEALING IS THERE INCLUDING WOMEN. WITH ALL THIS, HE DEMONSTRATED COSMIC ASTEYA. PEOPLE WHO ACCUSE KRISHNA AS A THIEF ARE FOOLS! YOU CAN NEVER UNDERSTAND THE COSMIC SCALE ACTIONS AND REACTIONS MANIFESTATIONS OF KRISHNA. *聆听奎师那，享受奎师那，庆祝奎师那，敬拜奎师那。别试图用你愚蠢的、歪曲的、不圆满的东西来衡量他。 *LISTEN TO KRISHNA. ENJOY KRISHNA, CELEBRATE KRISHNA. WORSHIP KRISHNA. DONT TRY TO MEASURE HIM WITH YOUR STUPID PERVERTED INCOMPLETIONS. *人们指责克里希纳偷了16000个女人。但这些女人崇拜祂，因为祂把她们从NARAKASURA救出来，并给予她们自己妻子的地位。她们与奎师那没有性关系。他想给她们一个他自己的PATNIS - ARDANGINIS的地位。这是奎师那所做的最伟大的舍TYAGA ！ *PEOPLE ACCUSE KRISHNA FROM STEALING 16,000 WOMEN. BUT THOSE WOMEN WORSHIPPED HIM FOR RESCUING THEM FROM NARAKASURA AND FOR GIVING THEM STATUS OF HIS OWN WIFE. THEY DID NOT HAVE SEXUAL RELATIONSHIP WITH KRISHNA. HE WANTS TO GIVE THEM THE STATUS OF HIS OWN PATNIS - ARDANGINIS. IT IS THE GREATEST TYAGA KRISHNA HAS DONE! *因为祂把她们从NARAKASURA手中解救出来，没有男人愿意娶她们，因为他们认为这些女人是NARAKASURA的奴隶，他们为什么要娶她们。这些妇女没有生命、希望和未来。奎师那��布她们都是自己的妻子，并给予她们这种地位！你还需要什么比被称为奎师那帕特尼！ *BECAUSE HE RESCUED THEM FROM NARAKASURA, NO MAN WANTS TO MARRY THEM BECAUSE THEY THINK THESE WOMEN ARE KEEPS OF NARAKASURA AND WHY SHOULD THEY MARRY THEM. THOSE WOMEN DID NOT HAVE LIFE, HOPE OR FUTURE. KRISHNA DECLARED ALL OF THEM AS HIS OWN WIVES AND GAVE THEM THAT STATUS! WHAT MORE DO YOU NEED THAN TO BE CALLED AS KRISHNA PATNI! *祂知道全世界都会指责和污蔑祂，这是多么大的牺牲啊！祂不在乎。祂只关心那些向祂臣服的人。那些女人祈祷奎师那来救她们。祂救了她们，给了她们地位。多有个性啊！ *WHAT A SACRIFICE KNOWING THAT THE WHOLE WORLD WILL ACCUSE AND ABUSE HIM! HE DOESN'T CARE. HE CARES ONLY ABOUT THE PEOPLE WHO SURRENDERED TO HIM. THOSE WOMEN PRAYED TO KRISHNA TO RESCUE THEM. HE RESCUED THEM AND GAVE THEM THE STATUS. WHAT A PERSONALITY! *APATH PANDAVA ANAADA RAKSHAKA! 只有奎师那才适合这个词！真是太棒了！祂知道：在历史长河中，祂将永远背负着女人癖的恶名，但祂并不在乎。祂说，“保护她们并给予她们地位对我来说比地位更重要！“把你的衣食财富当作受戒僧尼来牺牲，比起奎师那的舍，这是太小的舍。像奎师那这样的人格，祂将如何在历史上被载入史册是非常重要的事情，但祂甚至准备牺牲这一点。 ONLY KRISHNA FITS THAT WORD! WHAT A TYAGA! HE KNOWS: FOREVER IN HISTORY, HE IS GOING TO CARRY THE BAD NAME AS A WOMANISER, BUT HE DOESN'T BOTHER. HE SAYS, “PROTECTING THEM AND GIVING THEM STATUS IS MORE IMPORTANT FOR ME THAN STATUS!” SACRIFICING YOUR FOOD WITH CLOTHES AND WEALTH AS A SANYASI, IS TOO SMALL TYAGA THAN THIS TYAGA. A PERSONALITY LIKE KRISHNA, HOW HE IS GOING TO GO DOWN IN HISTORY IS VERY IMPORTANT THING, BUT HE IS READY TO SACRIFICE EVEN THAT. *प्रणमामि मुहुर्मुहुः कृष्णं वन्दे जगत गुरुं PRANAMAMI MUHURMUHUHU. KRISHNAM VANDE JAGAD GURUM. *我一次又一次地向奎师那的泰加鞠躬。我完全可以肯定，这16000个女人中没有一个被用来为奎师那性或愉悦的目的。我有120%的把握。祂解救了NARAKASURA的性奴隶，给了他们奎师那帕提斯 KRISHNA PATNIS的地位！ *I BOW DOWN AGAIN AND AGAIN TO KRISHNA’S TYAGA. I CAN BE ABSOLUTELY SURE THAT NOT ONE OF THOSE 16,000 WOMEN WAS USED FOR THE PURPOSE OF SEX OR PLEASURE FOR KRISHNA. I AM 120% SURE. HE RESCUED THE SEX SLAVES OF NARAKASURA AND GAVE THEM THE STATUS OF KRISHNA PATNIS! *为什么祂需要愉悦？如此非凡的牺牲，包括祂将要载入史册的牺牲。 *WHY HE NEEDS PLEASURE? SUCH EXTRAORDINARY SACRIFICE INCLUDING THE SACRIFICE OF WHO HE IS GOING TO GO DOWN IN HISTORY. *你需要“DIVYA DAKSHU”去见奎师那。只有当你看到更大的我，你才能理解我为什么退出人类。为什么我要自我隔离。 *YOU NEED “DIVYA DAKSHU” TO SEE KRISHNA. ONLY IF YOU SEE THE LARGER ME, YOU CAN UNDERSTAND WHY I WITHDREW FROM HUMANITY. WHY I SELF QUARANTINED MYSELF. *大瓦解PRALAYA还没有结束。它才刚刚开始。它将于12月14日完全触发，此后，连锁危机将开始。 * IS NOT YET OVER. IT ONLY STARTED. IT WILL BE FULLY TRIGGERED BY DECEMBER 14TH, AND AFTER THAT THE CASCADING CRISIS WILL START. *这场大瓦解，这场洪水的化学反应，会激起极端的消极情绪和自杀式傲慢。唯一的办法就是：不要睡超过6个小时。通过一整天来保持你自己在越来越高的意识中，或者练习放开或者圆满，或者与凯拉萨数码之邦一起工作。当你在凯拉萨数码之邦工作时，你总是不断地吸入了“我”。你在我的呼吸空间里。 *CHEMISTRY OF THS PRALAYA, OF THIS DELUGE, WILL INSTIGATE EXTREME NEGATIVITY AND SUICIDAL ARROGANCE. THE ONLY WAY TO SAVE YOURSELF FROM THIS IS: DON'T SLEEP MORE THAN 6 HOURS. KEEP YOURSELF IN HIGHER AND HIGHER CONSCIOUSNESS BY WHOLE DAY EITHER PRACTISING UNCLUTCHING OR COMPLETION OR WORKING WITH KAILASA DIGITAL NATION. WHEN YOU WORK WITH KAILASA DIGITAL NATION, YOU CONSTANTLY INHALE ME. YOU ARE IN MY BREATHING SPACE. *行动是终极的炼金术。 *ACTION IS THE ULTIMATE ALCHEMY. *有意识地决定与帕冉玛希瓦合一，超越已知和未知的圆满和不圆满。告诉帕冉玛希瓦：“除了我的已知和未知，我向你投降，哦，帕冉玛希瓦！让我与你合一。让我与你合一。无论我知不知道，无论我是否圆满，让我与你合一，因为我知道你的存在。我可能没见过你，但我的上师见过你。你是由我信任的人介绍给我的-我的上师！我的上师告诉过你存在，所以你存在。就连我自己都没有经历过。但我知道你的存在，你是我存在的源泉。所以请让我与你合一。当你把它给我的上师时，把它给我。” *CONSCIOUSLY DECIDE TO BE IN ONENESS WITH PARAMASHIVA BEYOND KNOWN AND UNKNOWN COMPLETION AND INCOMPLETION. TELL PARAMASHIVA: “BEYOND MY KNOWN AND UNKNOWN, I SURRENDER TO YOU, O PARAMASHIVA! KEEP ME IN ONENESS WITH YOU. LET ME BE IN ONENESS WITH YOU. WHETHER I KNOW IT OR NOT, WHETHER I AM COMPLETE ABOUT IT OR NOT, LET ME BE IN ONENESS WITH YOU BECAUSE I KNOW YOU EXIST. I MAY NOT HAVE SEEN YOU, BUT MY GURU HAS SEEN YOU. YOU ARE INTRODUCED TO ME BY SOMEONE I TRUST - MY GURU! MY GURU HAS TOLD YOU EXIST, SO YOU EXIST. EVEN I HAVE NOT PERSONALLY EXPERIENCED. BUT I KNOW YOU EXIST AND YOU ARE THE SOURCE OF MY EXISTENCE. SO PLEASE KEEP ME IN ONENESS WITH YOU. AS YOU GAVE IT TO MY GURU, GIVE IT TO ME.” *决定超越你的妄想。这就是一致性、合一性、开放、圆满。 *DECIDE TO BE BEYOND YOUR DELUSION. THAT IS INTEGRITY, ONENESS, UNCLUTCHING, COMPLETION. *与你个人经历之外的事情中一致性，提升你认识到这个现实。我称之为“宇宙的一致性” *BEING INTEGRATED TO SOMETHING BEYOND YOUR PERSONAL EXPERIENCE, RAISES YOU TO THAT REALITY. I CALL THAT AS ‘COSMIC INTEGRITY.’ *今日共修讲座精华：通过放开的炼金术，发挥大瓦解、洪水、大流行病回响的化学反应。 *ESSENCE OF TODAY'S SATSANG: THROUGH THE ALCHEMY OF UNCLUTCHING, PLAY THE CHEMISTRY OF PRALAYA, DELUGE, ECHO PANDEMIC. *我将在下一个共修讲座中解释这个大瓦解的生物学。 *I WILL EXPLAIN THE BIOLOGY OF THIS PRALAYA IN FURTHER SATSANG. https://www.facebook.com/ParamahamsaNithyananda/posts/4124847857603033 ～尼希亚南达中文翻译小组

[srinithyananda]

Glimpses from Nithya Satsang with HDH Nithyananda Paramashivam 20 JULY 2020 - 07:49 PM, MONDAY (IST), NITHYANANDA SATSANG - ENGLISH GIST *PARAMASHIVA’S MESSAGE DIRECTLY FROM KAILASA: *CHEMISTRY OF THIS PRALAYA HAPPENING RIGHT NOW: *WHEN I USE THE WORD “CHEMISTRY OF THIS PRALAYA”, WHAT IS THE CHEMISTRY HAPPENING IN THE COSMOS FOR THIS PRALAYA TO START, GET INITIATED AND WHAT IS THE CHEMISTRY IT IS MANIFESTING IN ALL OF US AND WHAT IS THE ALCHEMY PROCESS TO SAVE OURSELVES FROM THIS PRALAYA, DELUGE, PANDEMIC, PANDEMIC FATIGUE AND ALL AFTER EFFECTS OF THIS PANDEMIC. *KNOWING THE CHEMISTRY OF THIS PRALAYA, YOU CAN PROTECT YOURSELF FROM THIS PRALAYA. *YESTERDAY I WAS EXPLAINING THIS DELUGE - PRALAYA - IS DELUSION. WHAT USUALLY DELUSION DOES TO YOUR SYSTEM IS THE CHEMISTRY. *WHAT IS THE IMPACT ON YOUR INNER CHEMISTRY OF THIS DELUSION? HOW THIS DELUSION IMPACTS YOUR INNER CHEMISTRY? IT CAUSES DIS-CONTINUOUS SUICIDAL ARROGANCE, LIFE-NEGATIVE EXTREME MOOD SWINGS. *THE FIRST IMPACT OF BHAVA SAMADHI WILL BE EXTREME ECSTASY, ABSOLUTE JOY, AND BRAIN FILLED WITH NECTAR! THE DELUSION’S FIRST IMPACT WILL BE EXTREME MOOD SWINGS AND FEELING DISCONNECTED EVEN WITH THE PURPOSE OF EXISTENCE OF YOUR LIFE. THAT IS WHY I AM INSISTING THAT TILL DECEMBER 14TH, BRING MORE AND MORE LOVE, JOY, COMPLETION, UNCLUTCHING. *TAKE MY WORDS VERY SERIOUSLY. EVERY WORD I AM UTTERING IS REALLY REALLY REALLY UTTERED WITH EXTREME SINCERITY. *UNCLUTCHING, COMPLETION NOT SLEEPING MORE THAN 6 HOURS, ALL THESE ARE TOO IMPORTANT FOR YOU TO KEEP YOURSELF TOGETHER AT LEAST TILL DECEMBER 14TH. *EXTREME VIOLENCE INSIDE AND OUTSIDE, MURDEROUS, SUICIDAL TENDENCY WILL BE THE NORMAL FLOW DUE TO THIS PRALAYA. *PEOPLE WHO USUALLY ACT DURING THE MOOD SWINGS, KEEP YOUR KNIFE, POISONOUS CHEMICALS, EVERYTHING AWAY FROM YOUR REACH LIKE HOW WE SAY: KEEP ALL THIS AWAY FROM CHILDREN’S REACH! I MEAN IT! *EVERY WORD I AM UTTERING IS CAREFULLY THOUGHT THROUGH AND UTTERED WITH RESPONSIBILITY. EVEN HOW I SIT AND HOW I PRESENT MYSELF IS VERY CONSCIOUSLY DONE. *JATA, BHASMA, RUDRAKSHA - ALL THESE REPRESENT MY INTEGRITY TO CHARYA PADA - LIFESTYLE. *THE ATMALINGA I AM ALWAYS WEARING WHICH I DO NITHYA PUJA TO EVERYDAY REPRESENTS MY INTEGRITY TO KRIYA PADA OF PARAMASHIVA’S WORDS. *I USED TO TELL EVERYONE: EVEN IF YOU MISS FOOD, DON'T MISS PUJA. EVEN DURING MY PARIVRAJAKA YATRA, SOMETIMES IF I WAS NOT ABLE TO CARRY MY DEITY WITH ME, LIKE SOMETIMES I WILL THINK I WILL GO TO THE NEARBY VILLAGE AND COME BACK IN THE EVENING BUT I WILL BE STUCK AND NOT ABLE TO COME BACK DUE TO SOME NATURAL CALAMITY, EVEN DURING THOSE DAYS, I WILL KEEP A DROP OF WATER CALLED JALA LINGA OR KEEP RUDRAKSHA AND OFFER PUJA. *PADMASANA AND SITTING STRAIGHT SHOWS MY INTEGRITY TO YOGA PADA TO PARAMASHIVA. *THE GREAT TRUTHS I AM DOWNLOADING AND SHARING WITH YOU ALL IS DEMONSTRATION OF MY INTEGRITY TO PARAMASHIVA’S JNANA PADA. SO EVERYTHING I UTTER OR DO IS ABSOLUTELY IN INTEGRITY WITH PARAMASHIVA AND HIS TEACHINGS. *NOW WITH THAT INTEGRITY, I AM SHARING THIS TRUTH WITH YOU. DUE TO THIS PRALAYA, DELUGE, YOUR PAST VIOLENCE, KARMAS, EVERYTHING WILL BE TRIGGERED FROM THE SOURCE. IT IS ALSO GOOD NEWS THAT YOU CAN USE THIS OPPORTUNITY TO COMPLETE ALL UNKNOWN INCOMPLETIONS WHICH WILL NOW BE SMOKED OUT DUE TO THIS DELUGE. *WHEN THERE IS A COLLECTIVE DELUGE, PRALAYA, EVEN THE DEEPEST LAYERS OF YOUR PATTERNS, INCOMPLETIONS WILL ALL OOZE OUT. SO IF YOU PRACTISE ABSOLUTE COMPLETION, NONVIOLENCE AND NO REACTION OR RESPONSE INTERNALLY AND EXTERNALLY FOR ALL THE INCOMPLETION, PATTERNS COMING OUT, ERUPTING, GUSHING AND OOZING OUT, IF YOU GO FOR UNCLUTCHING, THIS PRALAYA, PANDEMIC TIME, WILL GIVE YOU SUPERCONSCIOUS BREAKTHROUGH, ENLIGHTENMENT POWERS AND NOT ONLY YOU WILL SAIL THROUGH THIS, YOU WILL GIVE A SUPERCONSCIOUS BREAKTHROUGH TO OTHERS BY SETTING A TREND, MODEL. *TOO MANY THINGS WHICH YOU LOVED, WHICH YOU THOUGHT AS PART OF YOUR EVERYDAY LIFE, TOO MANY PEOPLE WHOM YOU LOVED, WHO WERE PART OF YOUR EVERYDAY LIFE, WILL NOT BE THERE ANYMORE AS THEY USED TO BE. THERE WILL BE SOME DEATHS, SOME PEOPLE WILL BE LOSING THEIR QUALITIES OF WHAT YOU CALL AS THEM. *IF THERE ARE TWO PEOPLE WHO HATE NITHYANANDA, THERE ARE 2 MILLION PEOPLE WHO HATE WHAT THEY FALSELY THINK AS NITHYANANDA DUE TO FALSE PROPAGANDA. THAT IS WHAT I CALLED DELUSION BASED HATRED. ALL THAT WILL MELT DOWN. *THE CELEBRITIES WHO ARE PROMOTED BY THE BRAND BUILDING EXERCISES ARE LOVED FOR THAT WHICH IS REALLY NOT THEIR QUALITY. DELUSION BASED LOVE AND DELUSION BASED HATRED, BOTH WILL MELT DOWN. *THE FALSE IDEA-PROPELLED LOVE AND FALSE IDEA-PROPELLED HATRED WILL MELT DOWN IN THIS DELUGE. FOR MANY PEOPLE, FOR WHOM I WAS NOT PART OF THEIR LIFE, WILL SUDDENLY DISCOVER ME AS AN IMPORTANT COMPONENT IN THEIR LIFE TO KEEP THEMSELVES TOGETHER. *MANY CELEBRITIES WHOM YOU THOUGHT AS PART OF YOUR LIFE WILL SUDDENLY LOSE THEIR INFLUENCE OVER YOUR LIFE. *THIS PRALAYA, PANDEMIC, PROVIDES OPPORTUNITY FOR YOU TO GO THROUGH THE ALCHEMY OF ENLIGHTENMENT. MANY THINGS YOU NEED TO UNCLUTCH FROM WILL BE FORCIBLY UNCLUTCHED FROM YOU. YOU SHOULD NOT BE VIOLENT, ANGRY, DEPRESSED ABOUT IT. *EVERYDAY, JUST LIKE YOU BREATHE WHAT IS AVAILABLE IN THE FORM OF AIR, EAT WHAT IS AVAILABLE IN THE FORM OF FOOD, CONSUME THE ECOSYSTEM WHAT IS AVAILABLE IN THE FORM OF THOUGHTS, YOU CANNOT STOP ITS INFLUENCE OVER YOU. HOW MUCH EVER YOU THINK YOU ARE INTELLIGENT, YOU CAN'T STOP THE INFLUENCE OF NEGATIVE NEWS OVER YOU. ONLY THING YOU CAN DO IS, YOUR INNER SPACE CAN BE PURIFIED WITH UNCLUTCHING. *YOU NEED TO KNOW WHAT IS HAPPENING AROUND YOU THROUGH THE NEWS. YOU NEED TO KNOW THE RULES AND REGULATIONS...WHAT IS HAPPENING...WHAT YOU NEED TO DO TO PROTECT YOURSELF FROM THIS PANDEMIC, ALL THESE NEEDS TO REACH YOU FROM THE OUTER WORLD. SO YOU CAN'T COMPLETELY DISCONNECT YOURSELF. SO NATURALLY WHEN YOU ALLOW THE NEWS TO REACH YOU, ALL THE OTHER THINGS ASSOCIATED WITH IT, REACHES YOU BUT YOUR REACTION IS IN YOUR CONTROL. IT IS NOT IN SOMEONE ELSE'S CONTROL. NO ONE ELSE IS SITTING INSIDE AND THINKING FOR YOU. *EXAMPLE STATEMENTS: THE BODY WHICH DOES NOT HAVE CRAVINGS, ADDICTIONS, IS BILLION DOLLARS’ WORTH. THE BODY WHICH SALIVATES TO TASTE AND REJOICE FASTING, IS TRILLION DOLLAR WORTH; I SHOULD SAY MULTI-BILLION DOLLAR WORTH! THE BODY WHICH CAN SIT IN PADMASANA AND UNCLUTCH AND HAVE HIGH POWERFUL COGNITIONS INSIDE YOU, IS TRILLIONS TRILLIONS TRILLIONS WORTH! *IF GOD GIVES ME THE OPTION: THE BODY THAT SITS IN PADMASANA, UNCLUTCHES, HAVING HIGH CONSCIOUSNESS, AND THE OTHER SIDE, TRILLION DOLLARS, I WILL ABSOLUTELY 120% FULLY, CONSCIOUSLY, CHOOSE THE BODY THAT CAN SIT IN PADMASANA AND UNCLUTCH AND HAVE POWERFUL COGNITION, BECAUSE THAT CAN MANIFEST MUCH MUCH MUCH HIGHER THINGS THAN ANY TRILLION DOLLARS! *SAME WAY, THE MIND WHICH HAS LESS REACTIONS IS LIKE MILLIONAIRE’S MIND AND WHICH IS UNCLUTCHED IS BILLION DOLLAR MIND. MIND WHICH IS UNCLUTCHED BUT INTENSELY ACTIVE IN THAT STATE IN PARAMASHANTA SWARUPA AND FORM THAT ABSOLUTE PEACEFUL STATE, INTENSELY ACTIVE IS BEYOND TRILLIONAIRE’S MIND. IT IS BEYOND VIOLENCE, NONVIOLENCE. IT KNOWS TO BE ABSOLUTELY EST IN VN AND DO WHAT IS RIGHT LIKE KRISHNA TELLING ARJUNA: NONVIOLENCE IS THE ULTIMATE. “AHIMSA PARAMO DHARMAHA”. NOW KILL ALL THESE PEOPLE WHO NEED TO BE ELIMINATED TO KEEP SRISHTI ON PLANET EARTH ALIVE. APPARENTLY VIOLENT BUT ABS NV! THAT IS BEYOND ORDINARILY WHAT YOU UNDERSTAND AS VIOLENCE. THAT IS THE COSMIC LEVEL NON VIOLENCE. KRISHNA LEADING THE MAHABHARAT WAR IS THE ABSOLUTE COSMIC LEVEL NON VIOLENCE. AHIMSA IN THE SCALE OF UNIVERSE! BECAUSE TOO MUCH WEAPON WERE PILED UP AND TOO MANY HAD KNOWLEDGE OF TOO MUCH WEAPON. TOO MANY KNEW THE SCIENCE OF BRAHMASTRA, KNEW THE SCIENCE OF TOO MANY ASTRAS, SO ANY ONE WEAPON LEFT IN THE HANDS OF THE GUY WHO CAN DO VIOLENT REACTION DUE TO HIS ASSUMPTIONS, WHO CAN GO CRAZY AND GET INTO PANDEMIC FATIGUE THAT EMBOLDENS PEOPLE: “COME WHAT MAY ANYWAY I AM GOING TO DOWN THE DRAIN THEN LET ME PULL EVERYONE ALONG WITH ME” *THESE THOUGHT CURRENTS COME WHEN YOU FEEL YOU HAVE ONLY ONE LIFE. WHEN YOU KNOW YOU ARE GOING TO COME BACK YOU WILL LEAVE THIS PLANET EARTH HAPPY AND RICH MORE THAN WHAT IT WAS WHEN YOU ENTERED BECAUSE YOU ARE GOING TO COME BACK! LOSING THIS BALANCE AND DESTROYING WHOLE PLANET EARTH, IT IS LIKE NOBODY KNOWS WHEN SRISHTI WILL BE DESTROYED ...DRONACHARYA, ASHWATHAMA...TOO MANY PEOPLE KNOW THE SCIENCE OF BRAHMASTRA. ASHWATTHAMA CAN ONLY RELEASE BUT CAN'T RECALL THE BRAHMASTRA…! *NARROW MINDED PEOPLE START BELIEVING IN ONE LIFE. LARGE BROAD VISIONARIES REALISE TRUTH OF MULTIPLE. BELIEVING IN ONE LIFE IS SUPERSTITIOUS. MANY POEPLE WHO KNOW THE TRUTH OF MULTIPLE LIVES DUE TO DELUSION STARTED FOLLOWIN ONE LIFE SUPERSTITUOS MENTAL SETUP IF YOU HAVE THE VISION OF A LARGR LIFE, YOU WILL NEVER DO SILLY, STUPID SUICIDAL, PANDEMIC ARROGANT CHEMISTRY BASED DECISIONS. *KRISHNA HAS NO OTHER WAY BUT TO DESTROY ALL WEAPONS IN CONTROLLED CONDITIONS SO HE COLLECTED ALL WEAPONS IN KURUKSHETRA AND ALL THE PEOPLE WHO HAD THE KNOWLEDGE OF DESTROYING THE WHOLE SRISHTI. HE FINISHED OFF IN CONTROLLED CONDITION. THAT IS WHY I SAY, KRISHNA LEADING THE MAHABHARAT WAR PERSONALLY SITTING THERE FOR 18 DAYS...ACTUALLY KRISHNA WAS IN QUARANTINE AT THAT TIME. HE WAS JUST THERE BURNING HEALING RELEASING CLEANING EVERYTHING WITHOUT TOUCHING ANY WEAPON. HE WAS ONLY AS A CATALYST FOR THIS WHOLE CLEANSING TO HAPPEN. *THAT IS THE GREATEST AHIMSA, NONVIOLENCE KRISHNA IS DEMONSTRATING HIS RESPONSIBILITY TO PROTECT THE SRISHTI, RESP AS PARANDAMA VISHNU OF MAINTAINING EHWORLD BY CONDUCTING THE MHB PERSONALLY AND ELIMINATING ALL THE DESTRUCTIVE ENERGY AND TAKING ALL THE BLAME ON HIMSELF FOR THE WAR STUPID ARE THOS EWHO LAME K FOR H BWAR. EVEN IF IT WAS ONE DAY FOR THE MHB WAR TO HAPPEN, THE SRISHTI WOULD HAVE BEEN LOST, SOMEONE FOOL WOULD HAVE DESTROYED THE WHOLE WORLD. LIKE IN HINDI SERIALS DEVON KI DEV: SRISTI NASHT JO JAYEGA! ONLY THEN PRM WILL WAKE UP. USUALLY NARADA ONLY WILL GO THERE AND SAY SRISHTI NASHT HOJAYE...THENMAHADEVA WILL OPEN HIS EYES AND … THAT IS COSMIC LEVEL NONVIOLENCE RESPONSIBLE NONVIOLENCE. FOOLS ARE THOSE WHO BLAME KRISHAN FOR MAHABHARATA WAR. FOOLS ARE THOSE WHO EVEN THINK MAHABHARAT WAR WAS VIOLENCE AND WHO DO NOT KNOW THE LARGER PICTURE OF MAHABHARAT WAR. FOOLS ARE THOSE WHO ACCUSE KRISHAN FOR RASA LEELA. NEITHER THEY KNOW LUST NOR VIOLENCE. WAR THROUGH RASLEELA HE ABSOLUTELY DEMONSTRATED ABSOLUTE BRAHMACHARYA SATYA HAVING THE BEST THINGS OF THE WORLD AROUND HIM OF THE WORLD KRISHNA DEMONSTRATED ABS APARAIGRAHA. TAKING AWAY NOT ONLY THINGS EVEN GIRLS...FROM EVERYONE HE DEMONSTRATED ABSOLUTE ASTEYA. HE IS PEAK OF ABSOLUTE PURITY WHICH CAN NEVER BE GRASPED BY MIDDLE CLASS MENTALITY. HE IS AN INCARNATION OF PURITY. HE STOLE THE BUTTER FROM SO MANY HOUSES, NOBODY COMPLAINED. HE WENT TO NANDAS HOUSE BUT NOBODY COMPLAINED HE CAME TO HIS HOUSE TO GET ONE MORE GLIMPSE OF KRISHNA ...WHEN K WENT AGAIN TO HIS HOUSE TO TEAK BUTET THEY CATCH HIM NOT TO PUNISH HIM BUT OLD HIM ONE MORE TIME IN THEIR HOME BY RUNNING AWAY WITH JARASANDHA AND RANCHOR DEMONSTRATED BRILLIANCE. IF HE DID NOT RUN AWAY AND CONTINUED TO FIGHT WITH JARASANDHA, IT WOULD BE HAVE BEEN PANDEMIC FATIGUE EMBOLDENED SUICIDAL ARROGANCE. HE KNOWS WHO CAN KILL JARASANDHA, WHO HAS TO KILL JARASANDHA AND WITH VIVEKA HE STRATEGIZED. *PEOPLE WHO ACCUSE KRISHNA BECAUSE HE RAN AWAY FROM WAR WITH JARASANDHA ARE FOOLS. THE SAME FOOLISHNESS IS MANIFESTING AS MODERN DAY TROLLS WHO THINK I RAN AWAY. *PEOPLE ACCUSING KRISHAN FOR HIS RAS LEELA ARE FOOLS. I HAVE ALWAYS SEEN: PPEOPLE WHO ACCUE KRISHAN OF WIAMNISISND DUE TO HIS RASALEELA SOON ALL THEIR STORIES OF ALL THEIR PERVERSIONS COME OUT! KRISHNA IS ABSOLUTE BRAHMACHARI. ALL THOSE WHO ACCUSE, THEIR STORIES WILL COME OUT SOON AND COMING OUT SOON! PEOPLE WHO BLAME KRISHNA OR MAHABHARATA ARE FOOLS! *PEOPLE WHO ACCUSE K FOR KILLING SISHUPALA FOR VERBALLY INSULTING K….SISHU WAS DESTROYING KRISHNA BHAKTI WHO WOULD HAVE BEEN ENLIGHTENED...EACH DISCIPLE IS LITERALLY JNANA GARBHA I AM HOLDING. SO DESTRYOIGN THEI BHAKTI IS LIEK AN ABORTION. SISHUOALA IS DOING TOO MANY SPIRITUAL ABORTIONS. THAT IS WHEN K HAS NO OTHER WAY. SO THE COSMIC NON VIOLENCE NEEDS TO DO ITS JOB. THIS PRALAYA,PANDEMIC IS A GREAT COSMIC AHIMSA MANIFESTATION. *BLESSED ARE THOSE WHO STAND WITH KRISHNA. SWALPA - EVEN PRACTISING LITTLE BIT OF NONVIOLENCE DURING THIS PRALAY WILL DO A LOT OF GOOD. PRACTICE NONVIOLENCE, UNCLUTCHING, FEELING CONNECTION, AJAPA JAPA OF MAHAVAKYA, ONENESS...START PRACTISING ALL THESE SIX, WHENEVER YOU LIKE. AFTER SOME TIME THE MIND SUDDENLY DOESN'T SETTLE DOWN THEN YOU CAN DO UNCLUTCHING AFTER SOME TIME IF IT DOESN'T SEEM TO SETTLE, PRACTICE ONENESS AND WATCH ONENESS CAPSULE...SOMETIME DO AJAPA JAPA ….DO WHAT WORKS. ALL THIS S ONE AND THE SAME- YOU WILL FALL IN NIRVIKALPA SAMADHI. SOMETIME YOU ENJOY COFFEE, SOMETIME HOT CHOCOLATE, SOMETIME TEACH...LIKE THIS YOU CAN ENJOY ANYTHING! ALL THESE SIX LEAD TO THE SAME SPACE! ENJOY! *BY PERSONALLY GUIDING AND MANAGING THE MHB WAR K DEMONSTRATED ABSOLUTE EXTREME COMMITMENT TO THE SRISHTI, CREATION AND DEMONSTRATED HIS COSMIC NONVIOLENCE! A DOCTOR REMOVING THE YOUR WITH THE KNIFE IS NOT VIOLENCE THAT IS THE ABSOLUTE NONVIOLENCE FOR YOUR LIFE. HE DID THE BEST TO YOUR LIFE. SAME WAY KRISHAN CONDUCTING THE MAHABHARATA WAR PERSONALLY IS THE GREATEST DEMONSTRATION OF NV AND LOVE COSMICALLY. K MANIFESTED 100 TIMES MORE LOVE DURING THE MB WAR THAN WHEN HE DIDI RASA LEELA. HIS INTENSE LOVE RENERGY AND COMPASSION AND AURA WAS RESPONSIBILITY FOR DESTROYING ALL WEAPONS AND NEG KNOWLEDGE IN CONTROLLED CONDITIONS PROTECTING THE WHOLE SRISHTI. JUST IN HIS BREATHING SPACE IN KURUKSHETRA. HE CREATED A CHAMBER IN WHICH ALL THIS BRAMASTRAS AND KNOWLEDGE OF VARIOUS DESTRUCTIVE WEAPONS CAN BE BURNT AWAY MHB WAR NONVIOLENCE BRAHMACHARYA IF YOU READ MAHABHARATA, HE MADE DHARMA RAJA UTTER SO CALLED LIE WHICH IS NOT LIE. EEN FACTUALLY IT IS NOT LIE. AND THIS WHOLE TRICK HE DEMONSTRATED COSMIC SATYA, HIS COMMITMENT TO THE SATYA OF THE COSMOS. BY RUNNING AWAY FROM JARASANHDA WAR HE DEMONSTRATED ABS LIFE POSITIVE COURAGE COMMITTING SUIICDE IS COURAGE? IT IS CALLED PANDEMIC. LIFE ITSELF IS A PANDEMIC . WHEN YOU FEEL FATIGUE WITH THIS LIFE PANDEMIC YOU GET EMBOLDENED AND IT IS CALLED SUICIDAL ARROGANCE .IT IS LIKE KIDS ATTENDING COVID PARTIES TO SEE WHO IS GETTING AFFECTED. IT IS SUICIDAL ARROGANCE,NOT COURAGE. TALKING TO THE GURU ABUSING GANG AND ATTENDING COVID 19 PARTIES ARE ONE AND THE SAME. BOTH ARE SUICIDAL ARROGANCE, NOT COURAGE. *THAT IS WHY I INSIST ON DON'T TALK TO GURU DROHIS AND ABUSERS BECAUSE IT IS LIKE A VIRUS THEY CAN PUT INSIDE YOU WITHOUT YOUR KNOWLEDGE WITHOUT YOUR ABILITY TO SAFEGUARD YOU. *KRISHAN DEMONSTRATED VISIONARY COURAGE BY WITHDRAWING FROM BATTLE WITH JARASANDHA. THAT IS WHY RANCHOD SHUD NOT BE USED AS DEFAMING WAY TO KRISHAN IT SHOULD BE USED AS GLORY OF HIS VISIONARY COURAGE DEMONSTRATION. FOOLS WHO TROLL ME AS RANCHOD WILL UNDERSTAND LATER ON. I TOOK THIS DECISION OF WITHDRAWAL BCOS I KNOW WHAT I SCOMING PEOPLE STANDING ON ROAD CAN SE 10 VEHICLES COMING BOTH SIDE - 100 FEET BOTH SIDE. BUT PERSON STANDING IN 25 FLOOR CAN SEE 25 KM ON BOTH SIDES AND 1100 VEHICLES. I CAN SEE LARGER LIFE THAN YOU BECAUSE I AM UCNUTCHED BAND BASED ON THAT I MAKE DECISIONS! *WHEN YOU DON'T HAVE A LARGER VISION YOU ACCUSE ME OF RUNNING AWAY. NOW UNDERSTAND IT IS NOT RUNNING AWAY IT IS SPIRITUAL SELF QUARANTINE! *LET THIS PRALAY MANIFEST AND SETTLE DOWN, THEN YOU WILL UNDERSTAND EVERY WORD I UTTERED EVERY ACTION I DID WAS TO PREPARE MY SELF AND ALL OF YOU TO SUCCESSFULLY SAIL THROUGH THIS PRALAYA AND GIVE SUPERCONSCIOUS BREAKTHROUGH TO THE POST PRALAYA WORLD. *BY STEALING BUTTER FORM GOPIKAS EVEN AS KID SO MANY STORIES ABOUT KRISHNA STEALING IS THERE INCLUDING WOMEN WITH ALL THIS HE DEMONSTRATED COMSI ASTEYA. PEOPLE WHO ACCUSE KRISHNA AS A THIEF ARE FOOLS! YOU CAN NEVER UNDERSTAND THE COSMIC SCALE ACTIONS AND REACTIONS MANIFESTATIONS OF KRISHNA *LISTEN TO KRISHAN. ENJOY KRISHAN, CELEBRATE KRISHNA WORSHIP KRISHNA. DONT TRY TO MEASURE HIM WITH YOUR STUPID PERVERTED INCOMLETIONS. PEOPLE ACCUSE K FROM STEALING 16,000 WOMEN FORM . BUT THOSE WOMEN WORSHIPPED HIM FOR RESCUING THEM FROM NARAKASURA AND FOR GIVING THEM STATUS OF HIS OWN WIFE. THEY DID NOT HAVE SEXUAL REL WITH K. HE WANTS TO GIVE THEM THE STATUS OF HIS OWN PATNIS - ARDANGINIS. TI IS THE GREATEST TYAGA KRISHAN HAS DONE. *BECAUSE HE RESCUED THEM FROM N ,NO MAN WANTS TO MARRY THEM BECAUSE THEY THINK THESE WOMEN ARE KEEPERS OF N AND WHY SHOULD THEY MARRY THEM. THOSE WOMEN DID NOT HAVE LIFE HOPE FUTURE. HE DECLARED ALL OF THEM AS HIS OWN WISEVES AND GAVE THEM THAT STATUS. WHAT MORE DO YOU NEED THAN TO BE CALLED AS KRISHNA PATNI. *WHAT A SACRIFICE KNOWING THAT WHOLE WORLD WILL ACCUSE AND ABUSE HIM HE DOESN'T CARE. HE CARES ONLY ABOUT THE PEOPLE WHO SURRENDERED TO HIM. THOSE WOMEN PRAYED TO KRISHNA TO REDUCE THEM. HE RESCUED THEM AND GAVE THEM THE STATUS. WHAT A PERSONALITY! APATH PANDAVA ANAADA RAKSHAKA - ONLY K FITS THAT WORD. WHAT A TYAGA. HE KNOWS FOREVER IN STORY HE IS GOING TO CARRY BAD NAME AS WOMANISER BUT HE DOESN'T BOTHER. PROTECTING THEM AND GIVING THEM STATUS IS MORE IMPORTANT FOR ME THAN STATUS. SACRIFICING YOUR FOOD WITH CLOTHES AND WEALTH IS TOO SMALL TYAGA THAN THIS TYAGE. PERSONALITY LIKE KRISHNA HOW HE IS GOING TO GO DOWN IN HISTORY IS VERY IMP THING BUT HE IS READY TO SACRIFICE EVEN THAT. PRANAMAMI MUHURMUHU. KRISHNAM VANDE JAGAD GURU. *I BOW DOWN AGAIN AND GAIN TO KRISHNA’S TYAGA. I CAN BE ABSOLUTELY SURE THAT NOT ONE OF THOSE 16000 WOMEN WAS USED FOR THE PURPOSE OF SEX OR PLEASURE FOR KRISHNA. I AM 120% SURE. HE REUSED THE SEX SLAVES OF NARAKASURA AND GAVE THEM THE STATUS OF KRISHNA PATNIS. *WHY HE NEEDS PLEASURE? SUCH EXTRAORDINARY SACRIFICE INCLUDING THE SACRIFICE OF WHO HE IS GOING TO GO DOWN IN HISTORY. *YOU NEED DIVYA DAKSHU TO SEE KRISHNA. K SAYS GIVE YOU DS TO SEE THE LARGER ME. ONLY IF YOU SEE LARGER ME YOU CAN UNDERSTAND WHY I WITHDREW FROM HUMANITY. WHY I SELF QUARANTINE MYSELF. *PRALAYA IS NOT YET OVER IT ONLY STARTED IT WILL BE FULLY TRIGGERED BY DEC 14TH AND AFTER THAT CASCADING CRISIS. *CHEMISTRY OF THS PRALAYA, OF THIS DELUGE, WILL INSTIGATE EXTREME NEGATIVITY AND SUICIDAL ARROGANCE. THE ONLY WAY TO SAVE YOURSELF FROM THIS IS: DON'T SLEEP MORE THAN 6 HOURS. KEEP YOURSELF IN HIGHER AND HIGHER CONSCIOUSNESS BY WHOLE DAY EITHER PRACTISING UNCLUTCHING, COMPLETION, WORKING WITH KAILASA DIGITAL NATION. WHEN YOU WORK WITH AILASA DN, YOU CONSTANTLY INHALE ME. YOU ARE IN MY BREATHING SPACE. *ACTION IS THE ULTIMATE ALCHEMY. *CONSCIOUSLY DECIDING TO BE IN ONENESS WITH PARAMASHIVA BEYOND KNOWN AND UNKNOWN COMPLETION AND INCOMPLETION. TELL PARAMASHIVA: BEYOND MY KNOW AND UNKNOWN C AND IN I SURRENDER TO YOU O PRM KEEP ME IN ONENESS WITH YOU. LET ME BE IN ONENESS WITH YOU. WHETHER I KNOW IT OR NOT, WHETHER I AM COMPLETE ABOUT IT OR NOT LET ME BE IN ONENESS WITH YOU BECAUSE I KNOW YOU EXIST. I MAY NOW HAVE SEEN YOU BUT MY GURU HAS SEEN YOU. YOU ARE INTRODUCED TO ME BY SOMEONE I TRUST MY GUUR. MY GRU HAS TOLD YOU EXIST S YOU EXIST EVEN I HAVE NOT PERSONALLY EXPERIENCED SO I KNOW YOU EXIST AND YOU ARE SOURCE OF MY EXISTENCE SO PLEASE KEEP ME JIN INESS WITH YOU . AS YOU GAVET TO MY GURU GIVE IT TO ME. *DECIDE TO BE IN BEYOND UR DEL THAT IS INTEGRITY, ONENESS UNCLUTCHING COMPLETION. *SOMETHING WHICH DOESN'T CHALLENGE OR CHANGE YOU..SAME WAY, INTEGRATE TO SOMETHING BEYOND YOUR PERSONAL EXPERIENCE, RAISES YOU TO THAT REALITY I CALL THAT AS COSMIC INTEGRITY. *ESSENCE OF TODAY'S SATSANG: THROUGH THE ALCHEMY OF UNCLUTCHING PLAY THE CHEMISTRY OF PRALAYA DELUGE ECHO PANDEMIC. *I WILL EXPLAIN THE BIOLOGY OF THIS PRALAYA IN FURTHER SATSANG. WE HAVE MAHESHWARA PUJA NEXT. ALL THE PARAMASHIVA GANA PARTICIPANTS WILL HAVE A MEETING AFTER THAT. I WILL REVEAL MY VISION AND STRATEGIES FOR KAILASA. Read the full post here: https://www.facebook.com/138595819561610/posts/4124847857603033/

[keepcalmandreadondk]

The Nostalgia Epidemic

A friend and I went to dinner the other night and she mentioned something that greatly interested me. She read somewhere that millennials are the most nostalgic generation. Being a millennial myself, I regarded this statement as true but also not true. It is true in the sense that we long for our childhoods again and the media we consumed, and we are the only generation to have grown up in the big technological boom of smartphones and the internet. Therefore, it is easy for us to be nostalgic for a more "simple time." But I also think that this isn't so true. Millennials are very interested in new media as well as the ones they are nostalgic over. If anything, I'd say a more fitting generation for the "Most Nostalgic" title would be the baby boomers who voted our current president into office under the delusions of their nostalgia.

Speaking of delusion though, I think nostalgia can do that to us: make us delusional. The human memory isn't an accurate representation of our past. It remembers certain things and then breaks those things down into something which the mind can comprehend. These memories shape our being. A millennial may recall the days when Saturday morning cartoons were a must see. Their parents would make them breakfast and they would have no responsibilities. Now, as an adult, this is no longer a thing and the millennial may long to have those "simple" days back. But those days weren't simple. We were kids and didn't have to deal with complicated reality.

So we millennials have used the internet to celebrate '90s culture. We gush about our love for Rugrats, about how we learned to love reading through Harry Potter, and are quick to recite all of the lyrics to the opening of Fresh Prince of Bel Air. But if we take an honest look at the entertainment and culture that surrounded our childhood's, chances are we won't like what we see. Boy Meets World is a cheesy sitcom, Friends is uncomfortably white, and Hocus Pocus is just not a good movie. We can appreciate the things we loved as kids, of course. Most of the things I have mentioned thus far are things I love. But it is also important to recognize that they may not be as good as our memories make them out to be.

Now, in 2017, October is nearing its end and the highly anticipated Netflix original show, Stranger Things, is about to premiere its second season to the public. Speaking of nostalgia, OH BOY, is this show playing on the public's nostalgia. Don't get me wrong, Stranger Things is a great show. It isn't as great as people make it out to be but then again, nostalgia seems to hold the remote control.

Stranger Things is largely praised for its callbacks to various trends of the '80s and '90s. The show borrows from several properties in terms of music, plot, cinematography, art design, and dialogue. When the show first premiered, it was described to me as E.T. meets Stand by Me. This was not a turn off at all because I love both of those movies and of course would love to see something replicate them in some capacity. However, Stranger Things does more than replicate a style of storytelling. It literally takes chunks of '80s and '90s culture and places it into the show. The result is that although Stranger Things is a fun adventure that calls back to the properties we grew up on and loved, it fails to repair the mistakes those properties made and makes the audience compliant with okay and rehashed entertainment. Now, don't misunderstand me. I love this show and am eagerly anticipating the next season. However, for all the good the show accomplishes, it seems to have blinded us to the problems that exist within the frames. Our nostalgia is blinding us.

This problem is not unique to an original show like Stranger Things. There are much more obvious culprits of this crime that exist in modern day media. In order to analyze Stranger Things, we can't ignore this problem of nostalgia as a whole that exists into today's culture. Stranger Things may be using familiar themes and tropes that we miss, but it can be argued that at least they are using these things in an interesting and somewhat original context. Compare that to most other properties today that play only on our nostalgia and you'll find that the crimes Stranger Things commits are mere child's play.

Nostalgia has taken form due to many different factors, but all of them can be boiled down to three individual issues: people being comfortable with what they know, sanitized realities, and formula.

When I went through a list of many nostalgic / revamped properties of late, all of them came into existence out of the studious understanding that people are comfortable with the familiar. Hollywood understands that releasing an entirely new movie is a risk and the reward is completely reliant on positive critique or getting people properly hyped with good marketing. However, releasing a movie that takes a classic character, such as Mary Poppins, and adds an "original" story plays on the public's love of a beloved classic movie, character, and even possibly the actor that played said character. An audience is much more comfortable seeing something they already know they like and understand, versus something new and unfamiliar.

This isn't just a trend in entertainment. It is human nature. If a person attends a party but sees no one they know, they may feel uncomfortable or like an outsider and therefore not have much fun. If they see someone or a group of people they know, they will automatically feel included and more at ease to have a fun time. The same can be understood when it comes to entertainment. Hollywood is blatantly aware of this. As already mentioned, the internet has given way to people celebrating their nostalgia. It would be stupid of Hollywood not to take advantage of this longing. They know what people crave and are making millions by handing out sugary treats to their nostalgia-ridden customers.

Since literally all of the properties I am going to mention through this essay fit into this first category, I am only going to mention a few in particular during this first part. It can be assumed that all properties mentioned past this point fit into the category of "comfortable with the familiar."

The Disney live-action remakes and the new Super Nintendo Entertainment System (SNES) Classic video game system are huge cash cows and examples of Hollywood (or in this case, the video game industry) taking advantage of people's nostalgia dollars. Let's first look at the SNES Classic. At first glance, this product seems really awesome. It harks back to classic games and it is cool seeing the old yet familiar system on shelves once again. But, this is a blatant example of Nintendo blinding its customers with shiny nostalgic merchandise for some extra dollars.

For over 10 years, Nintendo has revived most of its old games in the form of digital downloads. The Wii shop channel, soon to be obliterated from existence, sold virtual games that could be downloaded to the Wii and Wii U systems such as Donkey Kong Country, Super Mario Bros, Zelda, and more. XBox has done something similar since then. All the major systems are also re-realeasing games, whether they be HD re-masters, recreations, or just the classic game itself, and while not every game is available, many are easily accessible to the general public. So why buy this incredibly expensive call back system that only comes with a handful of preloaded games when most games are available for the new systems we already own? Well, it is nostalgia. That is literally it. And sure there is the rare occasion that nostalgia is not a factor (I know someone who said their grandmother loves video games and the SNES Classic system would be perfect for her as it is small, has simpler games, and doesn't take up much space) but, again, that is a rare exception. Nintendo could easily work on their digital store on the new Nintendo Switch, but they won't. They want your money.

Then there are the Disney live-action remakes. If there is anything we don't need, it is the Disney live-action remakes. Just think of how many children we could feed with the money that goes into making these films and the money people put into seeing them in the theater and buying them when they are released on DVD, Blu-ray, and Digital (don't forget streaming services!). I seriously believe that I just solved world hunger right there (or at least decreased it substantially). Tell me I am wrong!

I don't think there is much to say beyond that paragraph. The Disney live-action remakes always create literal carbon copies of their animated predecessors, change enough to excuse the fact that this movie didn't need to be made (i.e. transferring a sentence of dialogue to a different character so that the movie is different [we will be exploring this in the future when it comes to the Beauty and the Beast live-action remake]), and give us lots of pretty CGI and cinematography to make us forget how grotesque and disappointing the movie actually is.

Stranger Things definitely takes advantage of this nostalgia that exists in the modern day audience, young and old, and milks it dry. The whole concept of the show just reeks of nostalgia, even to the artwork of the show. One piece in particular that used to be up on Netflix's website is a hand drawn style image of all of the characters in the show. There is very subtle language being used to remind an audience of films they are nostalgic for. A google image search can easily show us that many classic films that are celebrated today contain movie art and posters that are given the hand drawn look (i.e. The Goonies, Jaws, Star Wars, Indiana Jones, and even the first Harry Potter film). Continuing on, the show contains a nerdy group of kids who love adventure and ride bikes and talk on walkie-talkies. Tell me that sentence does not give off the scent of the '80s. The show is almost guaranteed a following.

The next point I want to touch on is the idea of sanitized reality. In his book, Brat Pack America: A Love Letter to '80s Teen Movies, Kevin Smokler discusses '80s films that harken back to the '50s and skip over the politically charged and distraught '60s and '70s as if they never existed. These movies embrace, as Rider Strong (ironically, a star of the nostalgic '90s, in Boy Meets World) says on the podcast "Literary Disco," " [a] make America great nostalgia...that's a little disturbing." Julia Pistell, another host on the podcast, notes that these movies are "teen movies [about] emotion and they're about rebellion...in the confines of [the] white, suburban, rich world." '80s movies are not the only culprits of almost retelling history as sentimental and devoid of political issues. Rider Strong goes on to say, in the same podcast episode, in regard to his time on Boy Meets World that the writers were practically writing a '50s version of the '90s. The episode also touches on Stranger Things and I highly recommend listening to it (click here).

Many properties from the past (be it the '80s or even the '60s and '70s) present a very specific portrait of American life that many have mistaken for the reality of the past. These shows are extremely sanitized, showing TV watching folks "normal" people. Even with shows that have some absurd characters or different family structures, it all falls back on these people being a unique nuclear family. These people dress nice and in style, don't swear, and represent wholesome family values. Who cares about real life? This version of reality is much nicer and takes our mind off of real world problems (and the same people who say this also insult the "nerds" who cling to fantastical stories such as Harry Potter and Lord of the Rings, properties that at least offer some form of substance along with their form of escapism fiction).

Nothing represents this better than Full House, now Fuller House. The original show is often criticized for its overt moral moments and the obligatory sad music. It is one of those shows that if made into a cake would have many layers on heavy icing that makes one sick to their stomach. The show paints, as noted above by the "Literary Disco" team, a unique picture of the normal American family in the '80s as having problems "in the confines of [the] white, suburban, rich world." Not only that, but the show blatantly relies on making you sad and addressing problems that aren't actually problems. But because of nostalgia, no matter how enlightened we now are about Full House, there is still a successful spin-off with the all too original title, Fuller House. The show finds our young characters all grown up and running into some more shenanigans as adults that they caused as children. How fun! And as usual, these problems are not actual problems and are usually caused by the stupidity of the characters themselves. Laugh track, laugh track, laugh track. This is quality TV. Well...actually it isn't. But, somehow, it is three seasons strong. Nostalgia.

Another show that represents a distorted reality is Gilmore Girls. Now, full disclosure, I have never watched or liked this show. I've seen bits and pieces of it but never understood the hype. However, I know several people who loved this show while it was on TV and watched the new Netflix mini-series, A Year in the Life. Since I have never watched the show regularly or seen a full episode all the way through of the original or new series, there is really no way for me to give any opinion on said properties. However, from what I know of the original show and new mini-series based on critiques I've seen throughout the internet, the general consensus seems to be that like Fuller House, A Year in the Life relies on the same fast talking, pop culture referencing, and problems that aren't really problems tropes from the original TV show. Here is a good video to watch on all of that jazz.

Stranger Things does this as well. It is what I like to call borrowing from something but not learning from that something's mistakes. Instead of moving forward as a species, we'd rather sit back in our comfy chairs and forget about real issues. So Stranger Things gives us the token black character, parents who are oblivious, and awkward sibling hugs. All characters fall into some sort of cliche, and although the show tries to spin these cliches, it doesn't make it a priority and so these spins often fall flat really quickly. The characters perform to fit the archetype they represent: the hero, the worried mother, or the scientist 100% non-wavering evil villain.

Take Nancy for example. Nancy is the stereotypical straight and white high school girl. The first episode sees her worrying about if a guy named Steve (Steve Harrington, she says his first and last name over and over again as if it is cute) likes her. As the show progresses, we see Nancy go from being this cliche character to becoming a bit of a badass with another character named Jonathan out of pure necessity. Their lives and family are at stake. Steve is the typical guy who doesn't care about Nancy but just wants to have sex with her. But, Steve has a redemption arc! So, the final episode shows us that Nancy, despite all of the episodes of her bonding with Jonathan through an extremely traumatic situation, chooses Steve. And people will say that the trope is that Nancy would of course end up with the other, better guy (that being Jonathan) (though I will say I am very happy to see a show give a seemingly bad character a redemption arc and actually follow through with it realistically) but...well, she would do that because the show's plot and character development led to that conclusion. Why do the build up if you are going to have your characters go the opposite way? This also takes away from Nancy's story, as it now becomes about Steve's redemption over Nancy's independence and growth as a character.  

One show I really like is called Good Behavior on TNT. While not a perfect show, it constantly has our characters making bad decisions. Despite that, they are trying to be good people. The show acknowledges the human desire to return to what is easy instead of growing which is difficult, and captures the awkwardness of admitting one's problems and setting things right. In other words, it shows flawed characters who can admit to their flaws and at least be self aware enough to try and be better, even if they keep failing.

Stranger Things, however, falls into the trope that everything can be tied into a nice bow. In other words, it buys into a semi-sanitized reality. Now, I am aware of the scene with Will coughing up that nasty creature in the bathroom, but that scene is specifically building up to the next season. It exists purely to build up the hype. One could argue that Eleven's story isn't neatly tied up but actually is. We know she is alive and returning next season as evidence by the waffles Hopper takes to the woods. Will is an uncertainty. But I'm sure everything will turn out fine in the end, as is the nature of these types of shows. Again, this isn't an outright bad thing. Our current climate, however, doesn't leave tropes like this to be desired.

But continuing, the show firmly believes that all of our characters have come to a good place and that is such an '80s trope. I refuse to believe that the kids in the Breakfast Club suddenly became better people after one Saturday detention. I believe that something of that caliber could spark continued change. But '80s movies don't work like that. Stranger Things had a chance to improve upon this trope but it did not. Why? Because that is what '80s movies do and there is no room for the medium to grow because NOSTALGIA. These characters don't act as if they have been through a life altering event. The only person who does, as mentioned above, is Will. And while I do think that was partially deliberate, I don't think the writers consciously decided to challenge tropes. In fact, their decision was to continue the tropes to appease a certain demogorgon. I mean, demographic.

Finally, since we sort of got there already, let's talk about formulas. Many properties today that rely on audience nostalgia also rely on a certain formula to tell a story. In other words, they use tropes. Creators do this because if they change the formula and pull viewers out of their comfort zone, said viewers may not return and that means less money. Instead, they chose a safe and easy form of storytelling that will keep viewers but also dumb them down. Why? Because, nostalgia. And capitalism.

Several properties do this. They simply take the old story, give it a bit of touch ups, and rehash it before our very eyes without the intent to truly tell a good story.  

Take Star Wars, Episode VII: The Force Awakens. Now, I am not a Star Wars fan, nor have I seen any of the new movies and most of the old ones (though I have read the Shakespearian adaptations which you should totally read because they are AMAZING). I will say that I do plan to see the new movies soon (probably going to watch Episode VII tonight) and will see the newest one is theater's with my home girl Rachel (who has an awesome podcast with my other friend Zeek and you should totally check it out). But, even though I haven't seen the newest Star Wars numbered title, it is hard to avoid discussion on the topic. Most, if not all, reviews discussed the issue of this new film rehashing Episode IV. Episode VII merely replaces our main hero with a girl, gives us a new robot, and a villain from the same vain as Darth Vader. The new movie is literally the old movie in disguise. Now, to be fair, I have heard that the film was extremely well done. It is also important to note that Episode IV follows the classic trope of the hero's journey which is replicated by many fantasy and sci-fi stories. In other words, this could be argued to be a trope issue instead of a nostalgia issue. I'd say in this case, they go hand in hand. It can also be said that when Episodes I, II, and III came out, everyone loved them. Time is what changed that opinion and people grew to despise those movies. Who says the same won't happen to this current era of the franchise?

On to another title though. Jurassic World came out the same year as Star Wars, Episode VII. But unlike Star Wars, Jurassic World was all fluff and no substance. I saw the movie and had fun. That is it. Jurassic Park stories always rely on the same thing - people stupidly go to a place with dinosaurs and think they are safe, dinosaurs turn on them, someone who we don't care about dies, more bad stuff happens, there is a final showdown, everyone gets away, the end. The new film did nothing different from its original and followed every beat exactly. Jurassic fans ate it up and now another installment is being made. Nostalgia. It is a never ending circle.

With all of these reboots, it is no wonder we are seeing a second generation of Harry Potter material cropping up (Fantastic Beasts films and the Cursed Child play) that is written and released in such quick succession that many of the original details and lore from the 7 book series is now being contradicted or ignored completely. Buy hey, that is what happens when nostalgia blinds us. We eat it up but don't properly address our poor entertainment diet. We are sick and don't even realize it.

Then there is Girl Meets World and Raven's Home. These are both Disney channel spins off of classic ABC / Disney '90s sitcoms; Boy Meets World and That's So Raven. I give Raven's Home a plus for at least picking a semi-original title compared to Girl Meets World which doesn't try to hide the fact that it just did a gender swap. Seriously, where is the originality? Are we so bent on reliving our past that we undervalue original content and ideas? The answer is yes; nostalgia is a powerful drug.

Let's look at Girl Meets World first. The premise of the show is one similar to that of Fuller House. Our characters have grown up and now are playing the role of parent while their kids make mistakes. Isn't it great? (And in case you weren't aware, that question was me being sarcastic). NO, it is NOT great! Boy Meets World is a show I didn't watch growing up and so unlike most of my peers, I don't particularly like it that much. Sure the show has made me laugh and she I enjoy some of the characters, but for the most part I find the show to be family friendly mush. Girl Meets World takes this formula and multiplies it by 10! The amount of cringe I had to experience while watching this show is quite frankly unfair. Seriously, it was an awful mess. It wasn't as successful as the showrunners had hoped, only lasting for a few seasons. In some regard the show failed because it fails to be a legit modern day Disney channel show (which have their own problems outside of this argument!). On the other hand, it can also be said that nostalgia got the best of the show. It was so concerned with being like the original that it failed to be its own thing. Now, we know from experience that this does not always break a show. But this time it did, and I am glad. Seriously, we don't need another Boy Meets World. We had it once, we don't need it again. Girl Meets World is the equivalent of older people insisting young kids shouldn't learn with calculators. No. Calculators aren't bad. They are necessary for the complex math that is taught in high level education. Nostalgia is blinding. It is blaming the calculator for the poor math programs offered in schools. The problem isn't the calculator and the problem isn't new media. The problem is new media trying to replicate old media to a point. It is unoriginal and lazy.

Raven's Home does a bit better, but not by much. After watching the Pilot episode, I found the show to retain its familiar style of humor while also embracing new and diverse characters. That being said, the show catches its audience completely by keeping nostalgia alive. So even though Raven is an adult woman, she still acts like a teenager. She still makes the same mistakes that happened all the time in the original show. Can't someone tell this woman, "RAVEN! Your visions always come true based on your meddling. SO STOP MEDDLING!" But no, that won't happen because then we would have a different show from That's So Raven and different is bad.

Stranger Things, as already discussed in this essay, relies heavily on the coming of age, '80s formula. It is E.T. meets Stand by Me. Literally. So the kids ride bikes to escape the authorities. Check. Group of boys share an experience that changes them forever and assists their growing up. Check. Siblings have a shared experience that brings them closer together. Check. Secret government / corrupt adult stuff going on under the public's nose. Check. High school rebellion and drinking and sex. Check. Protagonist, funny kid, black kid. Check. I could go on but since this is long already, let's keep going.

Stranger Things is indeed an original property, but it borrows (or really takes from) other properties with zero regard for making anything truly original. If you don't believe me after this long essay, perhaps another original example will change your mind.

La La Land is a movie musical that came out last year to the general consensus that it was an incredible motion picture. Critics and audiences alike raved about the callbacks to old Hollywood musicals in how the film was shot, the musical numbers, and the choreography. However, when I saw the movie I left the theater disappointed. I found the movie to be boring and unoriginal, unsure of why it was considered a musical when most of the second half contained no singing and the movie only had two big chorus numbers. The movie certainly had callbacks but they felt empty, like they were just thrown in for the sake of, you guessed it, nostalgia. It is as if the movie wants to hark back to a better time in filmmaking yet the movie itself can't make a good film. After seeing the movie, I read and listened to several different reviews and found that many people actually didn't like the movie. It became a heavily debated subject. In fact, the movie's polarizing effect on people created a meme when the Oscars accidently awarded best picture to La La Land when in actuality it was Moonlight that won (and rightfully so).

All this points to a problem in our entertainment. Now, more than ever before, we are relying on nostalgia to entertain us. Although I will argue that nostalgia is ingrained in other instances that have existed for decades and long since works such as the Bible were introduced, it seems that today we have entered a Nostalgia Renaissance. So many properties in today's media are stemming off of something that was once popular. And sure I could make the argument that Hollywood and creators are running out of ideas but that argument is overdone. I mean, it comes from an honest place, don't get me wrong. But I think the problem is much deeper than lack of ideas.

Creators always have and always will borrow from other forms of entertainment and other stories. One can argue that there is no such thing as an original idea. However, you won't find me making that argument as I disagree that original ideas are nonexistent. I do believe people are constantly borrowing from other works, but I don't believe people can't make something new and interesting with that material. Nostalgia can be a good influence on entertainment. Take the new video game Cuphead for example.

Cuphead's entire game is designed based on the 1930's cartoons. From its art design to the music, the game is drenched in cartoon nostalgia. In fact, it was these factors that drew me to buy the game. But unlike most of the titles mentioned in this piece, Cuphead does something new and original with its nostalgia. While nostalgia is definitely a reaction one can have to this game, it is not the reason for the game's existence. Rather, it is a way of challenging the current video game market. Most games today have incredibly realistic graphics, focusing on violent gameplay and the incredible detail that goes into each strand of grass on the screen. Cuphead stands out from the crowd because of it's approach to game design. Instead of life-like graphics, we are given a cartoony character with a slightly dark premise of dealing with the devil. In essence, the game deals with dark topics as old cartoons dealt with dark topics - with humor and jazzy music. This style is not put in just for the sake of it. It is clear that the creators of this game made it to be fun and to be a good game. They did not make it to fit in with a current trend. They didn't put in characters from old cartoons to make people feel more content. They created new ideas from the old and gave us a game that celebrates the ‘30s. This distinguishes the game from the other titles discussed in this essay that use nostalgia, instead, as a crutch.

The original idea is not dead. Yes, original ideas may borrow from other ideas but they can remake them in new and interesting ways without being a retread. Netflix can also be an example of this. The platform has consistently been shelling out new and interesting content. It isn't always good, but it is at least trying to do something interesting. In fact, Stranger Things is still an original show that is sparking trends right this very minute. Now everyone wants to make content that harks back to the '80s.

I don't believe Stranger Things is a bad show. I love the show, and can't wait for the second season to premiere on Netflix. But it is important to address the issues that exist within the show to see the bigger problem that exists within the entertainment industry today. Sure Stranger Things is good, but what about the bad things we continue to look past and the entertainment that feature these negative tropes in a more heightened reality? It is important to hold entertainment accountable. As creators, we should learn from the mistakes made in shows and movies we love so that we can create something better. Just because something harks back to the familiar and something we miss, doesn't automatically make it good.

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The 'Crazy Blogger' Chiara Ferragni

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The 'Crazy Blogger' Chiara Ferragni

The call Chiara Ferragni might not be familiar to most over-35s however the 29-year-vintage’s modify ego, The Blonde Salad is – to borrow Ron Burgundy’s phrase – sort of a big deal. Ferragni, an ex-law student from a small city near Milan, started The Blonde Salad weblog in 2009, documenting her camera-prepared non-public fashion, full of prints, blow-dried hair and eccentric pass-eyed faces. Seven years later, she has 7.3 million followers on Instagram, 1.2m likes on Facebook and extra than 14m web page perspectives per month on her website. The latter now handily also capabilities as a store selling the whole lot from suitcases to stilettos designed by using Ferragni. There’s also Chiara Ferragni Collection, a shoe logo with flats and boots included with her signature eye logo. Chiara is an established blogger and a social media icon.

Ferragni may set off eye rolls from older generations who trust fulfilment must glide from discernible skills. But, increasingly, it’s humans such as Ferragni – who mostly made her profession on taking photographs of herself in fetching clothing – who are #winning. Ferragni has been at the Forbes 30 underneath 30 lists two times, the situation of a Harvard Commercial Enterprise College observe and on fifty-five mag covers. She is an alpha example of an influencer – the new term for social media gamers who move beyond blogging to all platforms, flogging both their own and anointing other manufacturers with their approval. Speaking to Ferragni herself is, then, a thrilling exercise. Right here is the female who calls herself “public determine” in her Instagram bio, However, at the same time, says: “I am exactly the identical on and old social media. Human beings are continually amazed that I am satisfactory and funny when they meet me in real existence, they anticipate me to be a bitch.”

Ferragni’s followers genuinely realise loads approximately her life, or the edited version of it anyway. She posts about six times a day on her non-public account – nearly all selfies of an existence lived in celebration clothes or pyjamas accessorised with suitcases or beanies. Each one, on average, is appreciated about eighty,000 times. What’s her tip for an amazing selfie? “It desires herbal light proper in the front of a window without a shadow in your face. I take advantage of the Valencia filter out on Instagram and the light impact, that is so historical, I don’t think every person else uses that any extra.”

Ferragni is 29 – smack bang in the middle of the millennial generation span. She shows all of the developments millennials are meant to have. She is, and I don’t mean this in a derogatory experience, completely self-targeted, and completely at home online. This interview is organised, to begin with, to speak approximately Ferragni’s shoe line, However, when I try to ask a question especially about the shoes, Ferragni turns the communication again spherical to, correctly, Ferragni. “I began as a blogger However it’s no longer so much that anymore, I achieve this plenty greater,” she says. “I create an inspirational platform. We do so an awful lot at the e-trade side, the projects, the control. But most of the sales nonetheless comes from tasks associated with me.”

Blogger

The daughter of a dentist and a creator, Ferragni says she is aware of precisely why she’s so popular. “people like my tale as a self-made woman,” she says. “That’s very uncommon in Italy – quite a few humans of my era don’t have a task. I don’t virtually recognise how I did it.” Timing was, in reality, a thing. In 2009, she worked with her then-boyfriend, now CEO Riccardo Pozzoli, to show a “non-public space” into an Enterprise, first thru banner commercials and Ferragni modelling manufacturers’ clothes inside the pix, with costs of approximately €1,000-2,000 for a submit. Now, she doesn’t divulge what the prices are, But it’s safe to expect they’re significantly higher. And, like the complete discernible talent factor, Ferragni’s fanatics don’t appear to be involved with the aid of these company hookups. “It has to experience herbal and visible,” she says. “For me, the selection is the whole thing; it must be something that my fans will be satisfied to know about. I can’t lose my credibility – you couldn’t place a price on that.”

Bloggers’ and influencers’ credibility – or supposed lack thereof – hit the headlines in advance this yr while Sally Singer, American Trend’s innovative director, wrote on the magazine’s website: “Note to bloggers who trade head-to-toe paid-to-put on clothing every hour: please prevent. Locate another Business. You’re heralding the demise of style.” Ferragni thinks that is an old argument. “I started while it changed into like that; when I was the best one now not coming from fashion and that I had such a lot of haters – people who were two times or 3 instances as antique as me being so competitive,” she says. “I don’t understand that because I suppose there’s space for all people. The audience decides now; you don’t ought to select and pick. Now we’re Commercial enterprise human beings, no longer just crazy bloggers.”

That is the perspective that Ferragni is eager to run with, together with her lifestyles as her store window. Ferragni affords a delusion for people scrolling via an Instagram feed on the bus home from paintings – she is going to tropical holiday destinations and fancy hotel spas and adjustments up to five times an afternoon in style week, so you don’t have to. But you would possibly just purchase her shoes for a sprinkle of that jet set lifestyles. “My biggest delight is that people think about me and smile,” says Ferragni. “humans love to dream through me.”

An Australian teenager with greater than half of a million fans on Instagram has given up the platform, describing it as “contrived perfection made to get attention”, and referred to as for others to quit social media – perhaps with help from her new website.

Essen O’Neill, 18, stated she changed into able to make profits from advertising and marketing merchandise to her 612,000 followers on Instagram – “$2000AUD a publish Easy”. But her dramatic rejection of social media celebrity has gained her praise.

On 27 October she deleted greater than 2,000 pix “that served no real motive aside from self-promotion”, and dramatically edited the captions to the remaining 96 posts in a bid to show the manipulation, mundanity, and even insecurity in the back of them. O’Neill did now not reply to requests for an interview.

A photo of her wearing a bikini, once captioned “Things have become quite wild at my residence. Maths B and English in the solar,” has been edited: “see how relatable my captions were – belly sucked in, strategic pose, pushed up boobs. I just need more adolescent girls to recognise this isn’t honest life, or fresh or inspirational. It’s contrived perfection made to get attention.”

“Why would you tell your fans which you’re paid lots to sell what you sell? Why might you know your fans that you just do shoots every day to take pictures for Instagram?” she stated in a 22-minute vlog posted to YouTube, titled “HOW people MAKE 1000’s ON SOCIAL MEDIA”. “Like, it’s no longer cool. No one thinks that’s radical, or modern.

“Yet I, myself, changed into ate up by it. This turned into the reason why I end social media: for me, individually, it consumed me. I wasn’t dwelling in a three-D global.”

social media

“I remember I obsessively checked the like matter for a complete week when you consider that uploading it,” she wrote of her first-ever submit, a selfie that now has close to 2,500 likes. “It got five likes. This was while I was so hungry for social media validation … Now marks the day I stop all social media and attention on actual life tasks.”

This includes letsbegamechangers.Com, O’Neill’s new website online “aimed to inspire constant Wondering”, where there’s “no likes or perspectives or followers … merely my content material as uncooked as I need”. In her first, submit, dated 31 October, she challenged her fans to head a week without social media, and encouraged Eckhart Tolle’s ebook The Electricity of Now.

The web page will cover “veganism, innovative imagery with reason, poems, writing, interviews with human beings that inspire me, and of the direction the finical fact in the back of deluding people off Instagram” [sic]. She will be able to maintain to submit videos about vegan consuming to YouTube. However, Vimeo (“made to assist no longer to get perspectives or $$$”) will “host all the new excellent content material”.

However, O’Neill’s “disaster of the judgment of right and wrong”, as it becomes described by way of US mag, appears to be extending to extra than simply the manipulation of social media. O’Neill, whose veganism has lengthy been a cornerstone of her on-line presence, edited the caption of an image of scrambled eggs and William Maxwell Aitken pre-relationship her exchange in a weight loss plan to read “Bird periods scrambled up with pig flesh ���”.

A picture of her fishing now refers to “how fun … to put a hook through a harmless beings mouth”; certainly one of a pile of chocolate bars is defined as “Poison and Violence”. “I desire I’d had been greater conscious to see how white privileged I used to be,” she writes of her time spent volunteering in Laos.

The one photograph to survive with O’Neill’s ringing endorsement is of a smiling quokka.

O’Neill’s debunking of online celebrity changed into extensively mentioned on social media.

A fellow vegan, Australian Instagram star Bonny Rebecca – a friend of O’Neill’s – stated before everything she “may be stressed” by the rebrand, due to the fact her very own experiences of social media had been “very advantageous”.

Rebecca commented to a follower on Tumblr: “Obviously it’s been notable tough for me because Essence has placed out all these records about what Some Instagrams are like, then left social media and of course I have been running off with anybody comparing us and thinking that she is implying those standards are applicable to my account. And man that is not honest because of that In no way what I’ve been approximate.”

social media

However, she changed into supportive of O’Neill’s decision.

“so many humans strive to be ‘popular’ online to validate themselves, manipulating photographs and captions to present the concept they’re satisfied just to get ‘followers’ … And be ‘idolised’… while NONE of that virtually matters and that’s what may be incorrect with social media! Essence is exposing that(!!!), and that could be a huge game changer 😉,” she captioned a picture of the 2 of them together that had attracted 13,800 likes.

O’Neill would “nonetheless be creating awesome content material”, concluded Rebecca – and within the period in-between, she had uploaded her very own blog about the drama, “wherein I try to shed Some mild at the scenario and my mind”.