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takoush · 2 months ago

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I should be sleeping, but instead I'm thinking too much...

I don't even know if anyone will even see this since its been so long since I've posted on tumblr, but if you do, I hope it does not perturb or scare you. I guess this is sort of just me journaling some personal shit I've been grappling with. I've been feeling hyper isolated, and still quite raw from a particularly scary mental spiral, but in my more stable moments, I've tried to plant footholds in my brain for future improvement... But even those moments pass, and sometimes the sadness wells up again. The hollow ache that bleeds in my chest, the silence that is deafening to a mind stuck ruminating.

So I try to redirect, as many times as it will take. I want to feel safe, I want to feel better. So I set up reminders to light my way again when I feel like darkness is closing in all around me.

But yeah, journaling...

......I often feel like don't have much to offer when it comes to friendship.

I'm not all that bright, relatively poor at what talents I do still have. I haven't drawn in months, and not in years have I made art of the caliber I used to. I'm not particularly skilled at cooking or videogames or any other hobby really. I'm really dense sometimes and kind of a simpleton, and I grapple with a slew of mental issues that really nobody deserves to endure hearing about. I'm so dense that I can't pick up on obvious shit, but evidently I am not dense enough to NOT second-guess every single thing I say or do. And uh... I don't even have anything really going for me physically to make up for these internal deficits, either.

I guess... what I can offer is... loyalty. If I love you, I'm your staunch ally and friend forever. No matter how much time may pass in correspondence, I will still hold feelings of fondness for you if we are friends.

I like to think I'm a safe place to if you need someone to talk to. If you need to vent and need someone to listen, I won't ever judge, I know the value of getting that shit out and just having someone to listen, to tell you its gonna be okay if you need to hear it. If people have a bad time or make mistakes, I can handle hurt and can forgive if they genuinely want to change... in fact I'm probably way more forgiving than I ever really should be. But even if my trust has been hurt in the past, who am I to deprive others of patience and forgiveness if they truly work for it, right? Humans are messy to begin with, we don't need to make things even harder for ourselves...

I'll be your biggest cheerleader without even thinking about it-- it sounds cheesy but if you're my friend, I just want to support you from the bottom of my heart. Your hopes and dreams, your creations and enjoyments... I just love to see the people I adore happy. Call me a people pleaser if you wish, but nothing I do has anything other than an earnest motive. I offer to help without thinking, the words of appreciation and admiration fly out of my mouth before the thoughts fully form. Its just... instinct. If i can make someone's load lighter even just a bit, light up their day in even some small way... it feels worth it.

I don't want to toot my own horn... but I can at least love myself for having nothing but earnest intentions regarding those I love and care for. I may be profoundly broken and flawed, and I may mess up a lot, or talk too much, or cling too tightly... but at least my feelings of friendship are genuine and profound.

I know its not much... but its honest.

And maybe my heart just tells me that if I can't have that sort of thing in my life, then I will become that sort of thing, or at least try to... so maybe others will never feel crushingly alone, or bereft of deep and abiding patience and love and care, like I have felt sometimes.

I want to recognize and work on my faults, but maybe sometimes I need to remind myself of the little good things I have inside me, too.

So while I have a stable moment, and firmer grasp of my anxiety-ridden noggin jello, I want to tell myself that come what may, I want to keep love in my heart and try to hang on to hope, even if more hurt may come from it, even if I shrink down and diminish myself for a time for the sake of my own stability. I want to foster the faith and trust I placed in those I love, and who in turn placed such in me, and I want to live up to the privilege of carrying that faith.

I want to be better. For all of you, and for myself. So that faith will never feel misplaced.

Thank you for loving me, as messy and burdensome as my mental baggage can get. For having patience with me and my mistakes, for treating me kindly when I forget what it is to be kind to myself, for letting a little piece of me into your heart, and for giving me little pieces of you to hold and cherish in my own.

I love you, my friends. Deeply, earnestly, and more than I can possibly articulate.

I apologize again if you read this and felt irked or anything. I feel terrible for even indulging in writing all this... but I'll be the first to admit, I'm far too weak to keep my feelings bottled up forever. But I don't want my spiraling to make me do something I'll regret, so these words and thoughts that run in circles and strings need to come out somewhere I suppose. At least here, one can choose to read it, rather than be forced to witness a nervous breakdown. So I can read it too, and remind myself in a weak moment that maybe I do have some goodness there inside me that's worth remembering.

tbh, its fucking 3 am, my head is pounding, my eyes are swollen from days of on and off nervous crying, and I can hardly think anymore having gotten this thought spaghetti out.

I just need to keep telling myself that all things shall pass, as cliche as that sounds. My anxiety spikes will fade, and I will feel stable again. I will.

#takoush talks #dusting off my tumblr #idk if this is venting or introspection or just documenting my racing thoughts #but its still something I suppose #will be important for therapy soon maybe #takoush journal #maybe some part of this is something someone needs to hear too for their own depressive spirals idk #but if it helps someone else out there then good #depression

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pakeithpsy · 11 months ago

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Just how.

How do artists do ANY of the things they do? How do they just draw without thinking about how it looks? How do they nail every single sketch on the very first try? How do they draw proper proportions and anatomy without ripping their hair out? I literally cannot draw ANYTHING without struggling for hours trying to get it right. I don’t understand how this is so effortless for hundreds if not THOUSANDS of other artists yet I can’t do it no matter how hard I try.

THIS is why I’m angry. THIS is why I’m bitter. THIS is why I never improve. I’ve been taking classes for years yet I can’t fucking draw anything right, and I’m sick of all the snooty pros acting like this shit is the easiest thing ever. It isn't. Every time I see a profession veteran artist say something like "Oh, just keep practicing and you'll be as good as me!" or "Just teach yourself this and that, I did it, why can't you?" or talk about how terrible their old art or warmup sketches are when they're the most gorgeous shit ever that would put Don Bluth to shame I just want to punch their face in because they don't understand what it's like to live without their gift. They think everybody is as fortunate and lucky as they are and can be taught and perfected the exact same way.

It feels like nobody understands. Nobody understands the drive to get better at art and pushing yourself to keep improving even though you NEVER EVER do. It feels like the only way to improve is to just be born good at it, and I had the misfortune to be born without any talent at all. All I can do is write, but from my experience being able to write is so useless I might as well be good at nothing.

All I've ever wanted in life is to be an artist but I never will because I have no talent or confidence or social skills for it. I can't even draw a simple hand or the most basic and rough gesture drawing. I struggle for hours just to draw a simple sketch that the average artist wouldn't even consider good enough for their reject pile. I've tried drawing every day and I've plowed through all the classes, tutorials, and references in the world and I've still only barely improved since middle school. What's the point in even trying anymore when nothing ever works?

I wish I never wanted to become an artist. I wish I never even touched a pencil in my life. I feel like I've just wasted my life pursuing a stupid pipe dream that was never meant to be and would've never made me happy to begin with. Even the few people trying to support me can't help - my family and therapists don't know the first thing about drawing and it feels like my teachers and classmates refuse to give me any critique out of fear of hurting my feelings and just tell me I'm "good enough" even though I'm clearly not. I feel so lost and alone as an artist, I feel like nobody will ever come along who can truly help me and all my fears and insecurities fall on deaf ears.

Last year I very seriously contemplated just destroying all of my art because it all felt so worthless and a painful reminder of my mediocrity and wasted dreams, and sometimes I think it was a mistake to not go through with it.

#venting #artists #small artist #beginner artist #art help #depression #creative burnout #why do i even write or tag any of this nobody even cares

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tizzymcwizzy · 2 years ago

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been thinking about the art you’ve been sharing from school ever since I saw it (the one of you doing hard/scary things and the violin one) and I just wanted to say that I’m proud of you. as someone who has followed your blog for years I’ve gotten to see how you have grown as an artist and how much your skill and style have developed. but on top of that you’ve just been going through Life Stuff like all of us have and your pieces portray that in a way that feels so emotional and, like, uniting? it made me think wow, when was the first time I went grocery shopping alone? i don’t remember it now but I bet it felt a little like that. the low social battery one? most relatable thing I’ve ever seen. the dreaded emails 😭 the grind of pushing through for finals 😭 and I’ve like never touched a violin in my life but I felt that one so hard somehow? even though I’ve never had that experience it just seems like something every human can feel. something you once loved that turned sour. something you could maybe love again. or something that’s better left alone. just like the ache of remembering, whether it’s good or bad. Anyway. I just think you’re an amazing artist, not just because of your impressive technical skills (which I know you have worked SO hard to develop!!) but also because of the heart you put into it and the stories you are able to tell and just the staggering Humanity of your work. especially with all this AI stuff going around, seeing your work just reminds me that, idk, THIS is what real art is. and that can’t be artificially replicated. the soul of art cannot be generated. TizzyMcWizzy is not replaceable

okay yeah wow this actually just made me burst into full on tears. maryssa ily so much 💙💙💙💙💙💙

urghdh THAT'S THE POINT MAN THAT'S THE FUCKING POINT OF IT ALL!!!! YEAH!!!!!!!! HUMAN EMOTION, CONNECTION, GOOD STORY THAT'S THE FUCKING SHIT!!!!!!!!!!!!!!

im forever grateful that i have the opportunity to make this stuff and to get to fucking SHARE IT WITH PEOPLE like THAT'S SO COOL!! I'M SO GRATEFUL!!!! I'M SO HAPPY!!!

i was talking with my mom the other day and she was trying to nudge me into pursuing product design again cause "people will pay for products, people will pay you to make things they can sell, no one wants to pay for shit that they can see, why would they? you can't feed yourself with pictures" or something like that, and part of me wondered if that was true,, but seeing the response to my recent comics and the connection there,, like, man, THIS IS A DIFFERENT KIND OF FEEDING, we love and grow and live off this stuff, it makes our lives lighter and our hearts rest easier, and isn't that fuckin worth it???? isn't that the point and the joy of it all?????

gwugh many many thoughts about this but i digress

#ty maryssa i might fuckin frame this fhhdhfg #like genuine chills and shakes over this JESUS #bitch was bawling a lil there ourgh #thank you to everyone whose read my comics and left a nice message 🥺💖 ily all #tizzy talks #play again #ask

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tribow · 17 days ago

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So I watched Jojo's Bizarre Adventure Part 6: Stone Ocean.

Stone Ocean infamously released in Netflix jail where I believe it was released all at once. Either that or it was released in clumps. I did notice that Stone Ocean was broken up into 3 parts. Was each third of it released separately or all at once? I don't know.

What matters is that Stone Ocean failed to reach the audience it should have. Jojo is a fairly popular series that had some impressive staying power in the zeitgeist of the internet. There were many a jojoke shared and many references to be made. Yet, when Netflix jailed Stone Ocean behind their bars there was a noticeable lack of discussion surrounding it. I saw more people talking about Stone Ocean before it released on Netflix than after, and I was a person actively trying to avoid Jojo spoilers!

It can't just be Netflix's fault though right? I mean, there are anime on Netflix that get plenty of discussion when they release. There's no way Stone Ocean was slept on just because Netflix sucks. People still pirate and I'm sure it was watched by the fans so...why did I see people talk about it way less? Is it.....bad?

Well now that I've watched it myself, I can conclude that it's definitely a hit and a miss. Stone Ocean starts pretty strong, but it completely loses momentum as it heads towards the finish.

It's a shame too. Stone Ocean's intro and setup hooked me into its conflict better than any other part. All it needed to do from there was follow-through, but it completely left me behind while I was watching. Stone Ocean has the most amount of bullshit and ass-pulls out of any other part so far. Not only that, but many of the characters are simply dissatisfying.

Actually speaking of the characters, they're actually pretty good. All of them have some nice layers and intrigue to them. It reminds me of how Part 3: Stardust Crusaders handles their characters. Where Stone Ocean falters is with establishing characters and following through with their development. What I mean by this is that their personalities are very clear and displayed well, but their skills, quirks, and motivations are frequently weak.

A couple examples: Weather Force's shtick with talking at such a low voice that he gets in people's faces to make sure he is heard is not referenced again after it's established once. It is not used as a problem to work around at any point in the story. Jolyne displays surprising proficiency in martial arts based on how she fights, but this is never referenced and you never get the idea she might have been used to combat before Stone Ocean starts. It is only established that she was a bit of a delinquent due to her father's absence as a kid. However, her crimes were only theft. Nothing to do with getting into fights.

That happens a lot actually. Characters will suddenly be showed that they are able to do something and you just have to accept that they can do that. A lot of the fights get resolved that way. A character's ability is not established well at all, so they'll just do ass-pulls out of nowhere and you have to be okay with it. Characters will also just learn about information out of nowhere. It doesn't matter if they weren't there and couldn't have known. The moment the audience becomes aware of something, every character knows now. (Except for anything regarding what Pucci is up to of course).

This resulted in me getting disconnected from the story. I liked the characters, but I constantly lose suspension of disbelief as more and more events happen. I wasn't moved to the edge of my seat like Parts 2-4 were able to do. Something I like to do during the battles in Jojo is try to think of a solution for how a characters gets out of their many perilous situations. Every time a new ass-pull happens I get taken out of story. It felt like watching kids make shit up in a pretend fight against each other. You can't make sense of how anything is happening, you only know who's winning at any given point in time because well...they said they're winning so I guess that's true now.

Also, Stone Ocean's ending is so lame. You don't get closure for any character except for the ones who perished. Without spoiling anything, it's like all development was thrown away and they skipped to "Happily Ever After". What does this mean for every character? Who cares, they're alive and that's all that matters yippee!

Maybe Jolyne shoulda stayed in jail idk.

My disappointment aside, I do think Stone Ocean is better than the previous part, Golden Wind. Despite everything that happens, I do like the characters quite a bit. Although, I do think the production as a whole is bit weaker.

The music lacks the PUNCH that Part 3 and 5 have and the openings aren't as iconic either. Not saying Stone Ocean's music is bad, it's still really good. It just doesn't stand out. The animation was pretty standard to the production of every previous part, although there were some CG jumpscares sometimes.

I'm upset that I didn't notice what visual theme Stone Ocean had. David Production has a different visual shtick for each Part, but I couldn't figure out what they did for Stone Ocean. Maybe I got so disconnected that I stopped caring to analyze.

Well, I wouldn't say it's not worth watching if you like Jojo. I was pretty negative in this review, but I don't think it was bad. I'm just disappointed about how it turned out. I'm not kidding about its initial hook, I was really invested at the start.

I wonder how Part 7 will go.... Stone Ocean Ends on a super weird note I wonder how it can even be followed up from that point..

#jojo's bizarre adventure #anime #review #Stone Ocean #part 6 #side note I feel like the Stand powers are losing their luster.#They get so weird and out of hand in Stone Ocean right from the start #I miss the simple ones like...big fire bird

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mountaingoatsfirstlineaday · 2 years ago

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I've always wondered why John repeatedly says his guitar skill + compositional creativity has improved a lot from his early days (obviously everyone's does as they practice, not what I mean)—so much of his early lowest-fi stuff is really experimental and fun sounding to me! E.g. "Chinese House Flowers" with its G7, F7 E7 ending to say nothing of the main chord progression in the song, "Alpha Gelida" which is just fucking amazing, the coroner's gambit studio version of "Shadow Song" which is soooo much more powerful than the I V centric version of it I've heard live, tunes like "bluejays and cardinals" or "new Britain" that make heavy use of suspended chords... And a lot of these early tunes have little melodic picking parts in them too. I love all his stuff but to me the boombox stuff is a lot more sonically interesting than the heavily folk/country inspired instrumentation he sometimes uses on later songs. It's different and a lot of the new stuff is harmonically complex too, don't get me wrong, but I feel like he underrates some of the lyricism and songwriting of his early stuff. Sorry for the huge ask but I wondered if you had thoughts on this

ayyyy never apologize for a big ask!! i love getting stuff like this. give me your thoughts 😈

I get what you mean, though. And I agree with you -- I love the newer stuff deeply and with every inch of my soul but there is something very... interesting, and special, about the lo-fi era of tmg music. Imo it's a little less accessible, it makes you work a little harder as a listener to figure out what the hell's goin' on, and that makes it a different experience from the newer stuff. Not inherently good or bad, but very very different.

The first thing your question brought to mind for me is how he thought that The Sunset Tree was the last record he was ever going to get to make: "But then after we moved here, I, you know, I wasn't quite sure what we were gonna do and our original contract with 4AD was for three records, and I sort of, because I'm me and I'm kind of defeatist and I have a thing about worrying that nobody actually likes me and that someday this will all be taken away, you know, I was like, well, we're gonna get to the third album of the contract and then you have to go back to the nursing business, right. So that's why I sort of, like, opened up and said 'well, I'm gonna tell a story that is true for the third record 'cause it'll probably be the last Mountain Goats record that ever gets made', was the thinking in my mind." (source) (if anyone has a video where he says this speech, that'd be great! I only know it from the wikia page on tst).

And he thought this after he had made ahwt and tallahassee.

John Darnielle can probably see in a lot more detail than we can how and in what ways he's grown as an artist, because obviously he's privy to all of the inner workings of his music. I can speak as a person who's been doing creative things for my entire life, including songwriting, that having to interact with your old work can be incredibly painful. Not just in a cringy "I can't believe I ever made that" way, but also because it might remind you of old times, events, or feelings that you'd really rather leave behind. It can be easier and better for your mental health to diminish your old work to cringe, unintelligent drivel, novice shit, etc etc to make it hurt less. Obviously I'm not John Darnielle and am definitely speaking from my own experiences, but I feel like it's a valid theory. I also come from a mentally ill place, and was abused as a child, and all of that frequently makes its way into my art.

It's also possible that as cool and fun and experimental as his old stuff is, it just isn't what he wants his music to sound like! In the early days of tmg there's a really good chance that the music sounds more experimental because it is. He was probably playing around a lot more, trying to figure out what he liked and how to make those sounds. This is also something to consider in the context of the evolving nature of the band. We've got our core group figured out now (John, Jon, Peter, and instrumental mastermind Matt) but in the early days there were tons of lineup changes and studio changes and production + mixing differences from album to album, and even from song to song, especially in the case of the triplet comp albums of 1999 (Ghana, Protein Source of the Future... Now!, and Bitter Melon Farm) and in the case of an album/ep/etc that had recordings from radio stations. If I remember the liner notes of the 2013 ahwt rerelease correctly, ahwt is the only album that the descriptor of "one guy alone in his house with a guitar (and the Panasonic RX-FT500)". I suppose that now, Songs for Pierre Chuvin also fits this description :)

Honestly, I think he underrates his old stuff too. There will never be a love song that hits me in quite the same way that Masher does. Never another song that makes me feel as hopeful as Onions and Elijah do. Hearing Water Song at the show on the 19th, I mean, it was transcendent! It's really beautiful, special material; that being said I also understand why he might shy away from it.

I hope this at least sort of is what you were talking about? If not, feel free to send in another ask and I will happily discuss more! This is my jam, and we all know how jd feels about jam...

#asks #fuck12 #not a first line #tmg #the mountain goats #john darnielle #seriously love this it took me like 50 mins to write this out and fact check myself. talk about a lovely morning #:)

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alfredosauce50 · 4 years ago

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Hey, it's my first time requesting something and I'm not sure how this work so sorry if I've done something wrong >< Could you do something with Lithunia please ? Yandere, headcannons, fluff, anything you'd like ! Thank you ^^ Love your writing by the way

Aww, don’t be sorry! You did nothing wrong, dear. There are no strict rules here, just guidelines.

I haven’t written Lithuania before, but I’ll give it a shot! I went ahead and did some research so I hope you’ll like this. This covers headcanons and fluff, so there you go :)

Lithuania boyfriend headcanons

He’s very sweet and considerate, but a little reserved. So while he’ll show you affection, like kissing, hugging, and hand holding, he isn’t the kind to go overboard like most significant others. He makes up for it by preparing little gifts for you from time to time, or doing you favors without you asking him to. Anything that would make your life more convenient, he’ll try his best to make it happen. Helping you do adult things is his love language.

The dates you go on with him are nothing out of the ordinary. He’ll take you to the movies, cinemas, the park, an aquarium, or the zoo. Pretty typical, but enjoyable nonetheless. It’s all about the company. And while you’re out in public with him, he won’t do PDA. Instead, he’ll just hold your hand or hug you. He’s very wholesome and easily flustered! If you kiss him in front of other people, he’ll blush like hell, even if it’s on the cheek. Better snap a picture to savor that moment, reader.

He’s very protective, but it’s never suffocating. Before you go anywhere or do anything, he’ll put himself in your shoes and wonder about any problems you might come up with, and will give you advice to deal with it. If he can, he’ll accompany you to wherever you need to go. You always say he’s too kind, or even a little clingy for it, but you always put it on an affectionate note.

Tolys is more of a giver than a taker. Despite being a workaholic and a pretty bad stresser, he will go out of his way to help you with your problems. It’s how he shows he loves you. So on top of all of his own responsibilities, he will do all the cooking and cleaning. Run errands. Book appointments. You always insist he doesn’t have to, but he never seems to listen. Even if it’s exhausting, he’ll feel bad if he stops doing it—ironically, he will feel at loss if he doesn’t do these things. He really wants to be relied upon so you can share your burdens with him.

He is an introverted soul and closed off. Especially when the relationship is new, he won’t tell you his problems until he knows you well enough to trust you. Even in the present, he’ll have trouble opening up because he avoids conflict like the plague. So it’s up to you to be observant to coax him to have “the talk” with you. He’ll be quite nervous when it happens considering it glosses over every aspect of the relationship, but he’ll be glad you made him do it. When it comes to choosing whether to speak or die, he would choose die immediately.

He needs de-stress sessions. Eventually, juggling work and home-life will get to him, especially when he keeps insisting on doing most of the domestic chores. He’ll want you to calm him down, and it’s no easy task. If you don’t put a cap to his worrying, he will get a stomachache! So before that happens, you get him to laze around in bed with you. Even then, he might linger on any unfinished tasks, but you adamantly shush him, and tell him you’ll help him through it. If you keep combing your fingers through his hair, whisper at him softly, and kiss him, he will be soothed. If he’s tired enough, he will fall asleep.

Tolys loves innocent physical contact. While he’s reading or watching something, you’ll braid his hair. And he’ll keep it up until he has to go to sleep. When you kiss him, he’ll press his forehead to yours for a few moments to savor the moment. If you’re standing around him at the end of the day, he’ll give you a massage and will cutely ask you to give him one too.

He’s a huge geek for martial arts but never actually... Learns it. You’ll find him watching Jackie Chan movies, IP man or videos of people fucking shit up. If he thinks he’s alone, he’ll practise some moves in his room. Since that’s all he ever does with this interest, he’ll get a little embarrassed when he realizes you happened to see! Oops. But that’s okay! He can be cool by showing off his sick basketball skills. (He ties his hair up for it too.) You’ll play with him every so often, and he gets really into it—his playful side jumps out and he’ll toy with you by keeping the ball to himself. It’s quite endearing to see him enjoying something he’s good at.

He is on the cusp of having an anxious-preoccupied attachment style. He sometimes worries a lot over the little things he does that you might not like. Being the introverted giver, he will avoid his own problems and focus on you. If he fixates on himself, he will start overthinking that he’s selfish, and will assume you think he’s being selfish. He’s the type to gaslight himself and invalidate his own concerns, but you always keep him grounded and remind him every feeling he has is perfectly valid, and worth mentioning.

Advancing the relationship is also something he worries about. Is he going too slow? Or what if he’s going to quick? He doesn’t mind taking things to the next level, but he’ll let you do more of the initiating. He reciprocates every time, so you don’t have trouble starting things. Even though he isn’t what people would call bold, with you, he’s willing to do anything.

This was super fun to write. So thanks for the ask! I think I’ve developed a soft spot for him 🥴 Lithuania with tied hair supremacy 🛐🛐🛐

#Hetalia #axis powers hetalia #axis powers ヘタリア #aph #hetalia fanfiction #hetalia x reader #lithuania #aph lithuania #lithuania headcanons #headcanons #boyfriend headcanons #ask answered #fluff #lithuania x reader #toris laurinaitis #alfredosauce50

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thereallivingded · 2 years ago

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Pathfinder stole my life, Cult of the Lamb and Sense, A Cyberpunk Ghost Story

Legit folks. I'm in deep. I'm saving fanart on my phone when I find it. The obsession is real. I'm even diving back into saves when I make mistakes to fix things. It's engrossing. Or maybe I'm just a sad nerd. The complexity of the relationships and the characters is really what's sticking with me. The subtleties.

Aside from Pathfinder - which I may never finish at this rate - I've been doing a lot of gaming with an old WoW friend of mine. We've been playing a lot of Back 4 Blood. We've completed the campaign both on Recruit and Veteran. At this point I think we're just honing skills for Nightmare. Which I'm not sure I'll ever be ready for but we'll just have to wait and see.

I've also been dabbling with Cult of the Lamb and Sense, A Cyberpunk Ghost story.

Cult of the Lamb is pretty much exactly Hades. Only, you build a cult instead of well.. just getting stronger and "escaping hell." /shrug

The sad part is, I am absolute trash at this rogue-like gameplay. I shit you not friends, I was not built for rogue-like. Which is unfortunate as fuck because I really like the games. T.T

If rogue-like is your thing - and you're not a total potato like me - then just do yourself a favor and get Cult of the Lamb. It's really good. I also like the cartoon-y art. It always manages to give me a chuckle.

As far as Sense is concerned, it's reminding me a lot of Tokyo Dark. It has many similar mechanics. The only thing is that you have to run from ghosts. Something that wasn't a part of the mechanic in Tokyo Dark. I do miss my sanity meter though. xD Always been a fan of sanity mechanics. I'll have to dig deeper into it to get a better feel of the game.

One of the great things about being out of work this month has been catching up on games. I've also been doing a fair amount of writing. Which is absolutely amazing. I guess my muse can come off of the life-support she's been living on for the past two years. I have 3 separate stories brewing at the moment. One is almost completely outlined. Another I've just started writing - will probably end up being a short story or novella. And the other is really just skeletal concept at the moment. But I am encouraged and uplifted by the creativity I finally feel coursing through me again. I was beginning to think I was going to have to let that part of me die.

I have been struggling with making myself write a little every day. Sometimes it feels like the hardest thing I've done all day. Generally I feel better once I've pushed the words out, but damn does it mentally exhaust me. Despite that I'm grateful.

I'm realizing that I'm fighting through about two years worth of burn-out that I pushed myself through mentally and physically while working in healthcare. I'm spending a lot of time sleeping much to my own chagrin.

At any rate I won't have all this free time for much longer for my constant applications and interviews have paid off. I'm soon going to be joining the work from home population. I'm worried and excited about how this will pan out. I don't start for another two weeks. /keepinmyfingerscrossed

#gaming #gamer life #pc games #gamer problems #steambacklog

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be-ready-when-i-say-go · 3 years ago

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Inked

Still on hiatus. But I found an old piece of writing and I revamped it just a smidge! It was originally published in 2018 on calumh-excess. Which is now deactivated. Hooray for finding pieces!

Calum's been watching Jay for a while. She's cute, talented, but a bit of mystery. Should he really give into her? What will it take for him to admit he has a crush?

Enjoy my masterlist (on hiatus)

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He watched her sometimes for far too long. The way her tongue stuck out as she pulled the skin and her hand worked steadily with the needle made it hard for him to resist. Her face always seemed to catch the harsh fluorescent lights and reflect it back so that it twinkled against her skin. A slight sheen, but nothing just of ethereal. He wasn’t even interested in any new ink, not seriously anyway. He had slowed on the ink train, but the shop his tattoo artist owned was a nice place to hang out sometimes. When he wanted to get out of his house but didn’t want to actually go somewhere, he could hang out here, listening to the buzz of the tattoo gun, poke his hand at trying a design here or there. They weren't great. He hadn't considered him this kind of artist, but the shop felt like a second home.

Besides, having her around was a more than welcomed bonus.

He wasn’t even sure what it was about her. She showed up about a year and a half ago, under an apprenticeship. Calum’s artist was unsure of her, much like everyone else that asked to work under him. A hazard of the job, according to the job, according to Calum's artist. However, her drawings spoke volumes; the colors and line work were impeccable. She had talent and knew it without being cocky about it. Well, sometimes she wasn’t. Calum watched her run into the occasional asshole that tried to belittle her; she always put her foot down in those situations. He didn’t fault her.

Today’s no different. When Calum walks in, he greets the guy at the front desk, eyes searching for her. He spots her in the back with her oversized frames creating a small glare over her brown eyes. He never quite got the appeal of the grandma-shaped glasses trend, but on her, they worked. She looked wise but soft. The glass pulled him in, felt like she was seeing into his soul. Maybe she was; maybe the pain made people more vulnerable than they anticipated--entrusting someone, a stranger in some ways, to permanently mark you and not fuck it up. Whatever the reason, looking at her felt timeless. Like she had seen it all, and you are just waiting for you to spill all the secrets.

“You finally going to get some new ink?” Calum’s artist teases.

Calum shakes his head, turning his attention away from her. “You finally took her training wheels off?”

“Your girlfriend’s got mad skills. I couldn’t baby her forever. Jay works hard on each piece, learned fast. Got a steady ass hand and pretty gentle for handling a needle.”

“She’s not my girlfriend.”

“Yeah, because you haven’t hardly even talked to her. Go for it, you wuss. What’s the worst she says? No?”

Calum exhales a chuckle. "I mean, the worst she stabs me with the tattoo gun. But considering the ink I'm already sporting, I doubt that's really all that bad.”

“Jay would not do that unless you asked for it, ff course. But really, go on, ask her out.”

Calum glances back at Jay. It’s a nickname. No one in the shop calls her by her full name. The only reason Calum heard it was when a client came asking for her. Jay was quick to correct them.

She wipes, clearing excess ink, before dipping back into the small cup. Jay smiles up at her client. Calum's sure they appreciate the reprise. Getting tattoos weren't always fun, but bearable enough to forget about it and get more.

Calum turns his gaze away. “I recommended you to a friend,” he says, hoping that he’ll escape the teasing. It’s not likely to happen. But at least he tries to minimize the ridicule.

"I appreciate it. Are they a first-timer?"

"A second-timer, but they're visiting town and want some new ink. I figured best not to fuck them over."

The two men laugh before Calum's escorted back to look through some new designs. Just in case something sparks his interest. Calum's visit is supposed to be short, but there's not much else on his to-do list for the day. He could kill a few hours here.

When Calum comes out from the back, after spending too much time pretending art was ever a talent of his, he looks for Jay again. She’s not in her corner, nor is she at the front. Calum shrugs, figuring she might have gone for lunch, or home depending.

As Calum walks to his car, he checks his phone. Nothing major's happened.

“Leaving so soon?” A voice states. Calum knows that voice, a little gravelly, mostly sweet. He’s dreamt of it every so often. He prays to hear it when he visits the shop.

He turns to Jay, who leans against the bricks. A vape is wrapped in her fingers. “Gotta get some dinner, maybe make a run to the grocery store," Calum returns. "I've gotten lazy."

She nods. “This reminds me that I can't survive off BLTs forever," she laughs.

"You could try, but I think you'd need other vegetables and some fruit in that mix too."

She pushes up on her glass with a nod. "Ah, yes, gotta get the whole food pyramid." It goes silent between them and Calum gives another nod, raising a few fingers to signal his departure while still keeping his phone in a secure enough grip.

"Hey, wait!" Jay calls out again, taking a half step forward. Calum turns to her. "Can I give you something before you leave?”

Calum nods, not trusting his voice. What would she give him? She nods back to the front door, taking back that initial half-step. “It's inside. Give me like two minutes.”

She disappears inside and Calum stands, his phone still in his hands, staring at the spot she once stood. Just as quickly as she disappeared, Jay reappears. In hand is her portfolio. She flips through before stopping and slides the heavy-duty drawing paper out.

Calum stares down at the green and black drawing. It’s his face, for the most part, that stares back at him. It’s distorted by a crystal ball that glows green. Inside are some instruments and something else, but right now he can’t really put it all together. His eyes keep moving over the lightning bolt, the crystal ball, the uncanniness of his face on a piece of paper, his three-dimensional face somehow translated perfectly into a 2-D space.

“Holy shit, this is amazing,” he breathes. “Thank you,” he says looking back up to her.

She shrugs with a smile. “You’re welcome.”

“Seriously, this is so fucking awesome. I’m going to frame it,” he gushes. He’s too excited to be nervous, or be embarrassed. "What are the dimensions?"

“I'm just really glad you don’t find it too creepy. I was watching you a couple weeks ago when you stopped by. It just sort hit me, the image of the crystal ball and lightning bolt; I had to draw it,” Jay elaborates. "And it's 8.5 by 11--standard printer paper size."

Calum shakes his head, staring over the drawing again. It feels so delicate suddenly in his hands. It’s almost like Jay recognizes the change in his handling. She shuffles her load in her hands and pulls out an empty plastic over. “Here,” she laughs handing it over. “So it doesn’t smudge or anything if you're worried."

Calum slides it in. “Thank you. Again. Seriously.”

“You’re welcome, Calum. Good luck with your grocery store trip and dinner,” Jay nods and then heads back inside. Calum watches the way the denim stretches across her hips, the way her hair billows just a little in the breeze of her strut.

For a moment, Calum can't move. The weight of the paper in his hand is hardly ounces, but it holds him--traps him to the point of the sidewalk. Jay thought enough of him to draw him. What did it all mean? Should he have found the courage to ask her out? He could walk back inside. But what if she didn't like him like that? Would it be too weird?

Calum blinks up into the hardly settling sun and thinks to himself, the second he can come back here, it better be with a bit more courage and possibly a gift certificate. No one can be made about free food, right?

It’s months before Calum can visit the shop again. The tour is a whirlwind and he only gets a few days off between legs. Not long enough to get back home or feel like he had any energy to drive out to the shop. But now that he's settled back in at home, he knows exactly where he's going.

It’s not his typical practice to just walk in and ask for a tattoo. But given the ink already on him, worse things could happen. When he pulls open the door, he notices it's kind of slow. Jay greets him at the front desk. “Hey, stranger,” she grins.

“Hey, how are you?” he asks in return.

“Pretty good. How was it? The tour? See any cool places?”

He nods. “Yeah, got to explore a few cities.” He taps his fingers against the wooden desk. “Do you have an appointment anytime soon?”

Jay shakes her head. “My 2 o’clock had to reschedule. I’m here until 4 before I see anyone. Why? What's tickling your fancy?”

“I was wondering if you could do a tat for me? I know this is very last minute and if you need me to come in another day this week, I totally can.” His words run into each other; his palms start to sweat. He wipes them on his jeans.

Jay laughs, holding up a hand. “Whoa, pump the brakes. One, what are you looking for?”

“You know that drawing you did for me?” She nods. “I was kind of hoping you could create something with just the crystal ball and lightning bolt. I know the drawing itself is kind of big.”

A grin lifts her cheeks; Calum’s heart settles for a second. “I think I can do that. Where are you thinking to put it?”

“Inner bicep.” He watches her gaze land on his arm. The t-shirt is baggy, he at least thought about that with enough advance.

“Give me 30 minutes to come up with some sketches.” Jay pushes away from the front desk and heads to the back, but not for calling to the shop to watch the front desk.

Calum slides into the seat at the front, leg bouncing as he settles down. This isn’t even his first tattoo, but the nerves flood his body. His scalp tingles. The thirty minutes move by too fast, but also too slow simultaneously. The seconds feel like hours but move by milliseconds.

Eventually, Jay resurfaces, waving him over to her. He walks back and looks at the sketches she places out in front of him. There are two different ones. One’s a bit more minimalistic, which is her style, with the lightning bolt in the background and a simple crystal ball at the point. The other is a bit bolder, the ball has a slightly warped edge where it connects to the bolt. It looks like the bolt is melting the glass ball.

“I can whip up more if neither one of them are quite right. But I wasn’t sure if it wanted something a bit more crisp and sharp or not,” Jay explains.

Calum admits that most of his tattoos are more cleaned up and sharp. He likes the idea of playing with a new style. “I like the second one,” he says, tapping it.

“You sure?” He nods, he’s never been more sure of something in his life. “Which bicep? Let me line it up and make sure it’ll fit.”

Calum lifts his left arm up for her. Laying the stencil over his skin, Jay notes she has to make a couple small tweaks. But after that, she’ll be ready. They discuss full color, or just outline, or shading, price, and a few other details before Jay concludes with, “Hop in my seat. I’ll be there soon.”

Calum nods and walks over to her station. Her stuff is already laid out, probably for her canceled 2 o’clock. It’s about five more minutes before Jay returns with the final stencil. Calum rolls up the sleeve of his shirt before she places the stencil. Happy with the placement, he stretches out on the table.

Jay gets herself ready before she brings the needle over his skin. The first puncture always makes him jolt a little, the first jab of pain causes his heart to race. “Do you plan on relaxing now that you're back home?"

"Yeah, for a little bit. I might go see my family, but I know we'll be back in the studio soon. Anything exciting happen while I was gone?"

"I mean exciting things happen every day at this place. But it's not like I could recall them all now."

Calum hums, acknowledging her statement, but not quite sure what to say next. Luckily, Jay's faster to fill in the silence. "You do realize you didn’t have to get a tattoo to have a real conversation with me?” Jay teases, pushing up her glasses.

Calum’s cheeks heat. “It’s not like that,” he chuckles.

“Well, that’s how it seems.”

“You were always busy when I stopped by. I didn’t want to interrupt.”

“Not always,” she laughs. “But it’s alright. You’re going to have plenty of time while I’m stabbing you to say all those things you didn’t.”

A chuckle escapes him; of course, Jay would have this sense of humor. “Wow, I can’t believe I’m paying so much for people just to stab me and act as a therapy. Maybe I am a masochist.”

“So are a lot of people. Sometimes you just take the emotional pain out in the physical realm.”

“I always imagined people that worked in a tattoo shop to be more heavily tatted,” Calum hums, taking in scattered ink across her arms and one pokes out from the V in her t-shirt.

“I focused it more on my back and legs and not so much my arms. I’m getting there. So, why this one today?”

Calum goes to shrug, but stops himself as he hears the gun nearing his skin again. “Not really sure. It looked cool. I guess it also serves to remind me that fate isn’t linear. There’s going to be twists and turns, maybe some trouble. And that’s okay. Don’t be afraid of the journey. Also, it's really fucking cool art.”

Jay hums her laugh, “Why thank you. Wise brain you got there. Besides, it seems like you also have people you keep close to you.” She eyes the initials and the name under the bird. “Whoever they are to you, I hope you all stay close.”

“Those are my parents' initials,” he explains. “And my sister’s name. They’ve been with me through it all--I love them dearly.”

“So sweet. I wish my parents and I were closer. I tattooed my brother’s jersey number on me. It was my first tattoo.”

“What did he play?”

“Soccer, or for your kind, football.”

“Hey now, it’s played with the feet, it makes much more sense.”

Jay laughs, wiping off excess ink. She cocks her head to the side a little, then goes back in for the black ink. “I’m only teasing. Us Americans are so dumb sometimes. Like why is our football not called something else? Literally, the only thing that happens with the feet is the running. We carry the fucking ball.”

“I’ve wondered that as well!” he laughs. "Does your brother still play?"

“Yeah, the whole knucklehead still plays for his college.”

“What position?”

Jay laughs. “I'll have you know my job as the older sister is to show up and cheer him on. Something defensive? I don’t remember off the top my head.”

“I’ll give you credit for that. I’m sure he appreciates it.”

“He does until he sees with me in face paint on and then he’s acting like he doesn’t know me. Oh, oh wait, I think remember what he does. It’s defensive,” she pauses, lips pursed together, “something fielder.”

“Defensive midfielder?” he asks.

“Yeah, that. But like I said, I show up when I can and scream. That’s it. When he’s old enough, I’ll buy him a beer after his games too.”

“How old is he?”

“Nineteen, we’re three years apart.”

“The only sibling you have?”

“Nah, got a baby sister too. She’s fifteen. If you’re impressed by my eyeshadow thank her. Because she’s the one that taught me how to do it.”

Calum finds himself staring at the red and gold coloring her eyelids. “It looks really nice,” he breathes.

“Why thank you.” She pauses to bats her eyelashes. “I even managed to get those godforsaken falsies on right too. They look good, but the raise hell.”

“I think you’re the first woman I’ve met in LA that’s not obsessed with makeup,” he notes.

“Oh, you were doing so well. There are a lot of people of who aren’t huge in the makeup scene.”

“I didn’t mean it like that,” he tries to backtrack. “I’m sorry. In my experience, it’s not like that. They’re hiding the fact they aren’t wearing makeup--embarrassed by it or something.”

Jay nods, pushing up her glasses yet again. “Yeah, it’s not easy. We’re told to be perfect, but in reality, we’re just like everyone. We’re human, imperfect and flaw-full and beautiful.”

“Not in spite of, but because of.”

“Exactly,” she chuckles. Silences settles in around them. Calum wonders why she said she was closer to her family, but the way she talks about her siblings doesn’t match. She’s cheering her brother on at his game; she’s sitting down to learn makeup with and from her sister.

“Can I ask a bit of a personal question?” he asks.

“What kind of personal? Do I get a lifeline?”

Cal exhales a laugh. “You can always say no.”

“Hit me with it.”

“Why say that you’re family isn’t close but you clearly take a lot of pride in your siblings?”

“An observant one on my table, I see. It’s my parents. They don’t like that I’m pansexual, say I’m going to hell. My siblings don’t fucking care. I’m still the crazy-ass sister that loves and supports them.”

With a hum of acknowledgment from Calum, it goes quiet again around them for a moment. “I’m sorry,” he whispers. He knows it doesn’t really fix anything for her; it doesn’t take away the potential years of her suffering. It’s the only thing he can offer her though. It feels right to say.

“Oh, no need for you to be sorry. It’s not like you threw me out of the house.”

“Ouch. You’re making it though right?”

“Yeah, now that I work here, things are on the up and up.”

“That’s good; I’m glad.”

“Thanks.”

“Favorite tattoo you’ve done?” he asks, wanting to hear her voice again.

“This one,” she laughs. “Though I had someone ask for a pin-up witch, which was also pretty fucking cool to do.”

Calum remembers seeing that on her Instagram. “That one was amazing! Her lips looked so good; I know that’s a strange thing to admit.”

“Don’t worry. I am quite proud of that myself.”

“Do you have a favorite tattoo on you?”

“The blue jay on my shoulder. My parents would take me on walks when I was still an infant. According to the legend, while they were sitting on a park bench a blue jay landed on me. I didn’t cry; it didn’t hurt me. It just landed for a second and then flew off. They called me Blue Jay ever since. I just shortened the nickname as I got older.” She gives one more wipe. “Finished. Check it out.”

Calum sits up, walking over to the mirror. He grins seeing the melting ball sitting against his skin. He grins over to Jay. “It looks amazing. Thank you.”

“No problem.” They head back over to her station. Jay cleans it and wraps the fresh ink. Calum carefully gets his sleeve back down with a little help from Jay. He pays their agreed price with his card, but slides two fifties over to her. “You do know that’s more than double a twenty percent tip right?”

Calum shrugs. “Is it? I’m bad at math,” he grins. “Treat your sister to a new palette or something. Treat yourself to something.”

“Thank you. Now next time, you come by, I hope we don’t talk while I’m stabbing you repeatedly.”

Calum shakes his head, a grin still on his face. Of course. He had forgotten to get the gift certificate. But possibly asking Jay to dinner wouldn't be such a bad idea. “Give me your number and I can promise the next time we talk, it won’t in your chair.”

She holds out her hand, waiting. He hands her his phone, after unlocking it. She puts her number in. She goes to hand the phone back but just before his fingers touch it, she draws it back. "I mean it--actually text me. I adore memes, dogs, TikToks, your favorite songs."

"I'll actually talk to you. I promise."

Jay hands over his phone with a smile. Calum steps outside the glass doors. Why should he wait? He could do it now. For fuck sake, the last hour had been the groundwork for a clear sign a date was absolutely an option. His fingers hovering over her name. He taps it, and then presses for a call. Holding the phone to his ear, he listens to it ring for a second.

“I can still see you, you know?” Jay laughs.

Calum turns around, catching her leaning against the front desk. “I told you the next time we talked you wouldn’t be inking me.”

“What can I help you with, Calum?”

“Dinner, tonight-- I may have ordered too many appetizers for just little old me."

Her laugh trickles in over the speaker. She drops her head, giving it a shake before looking back up to him in the afternoon sun. “I think I can help you with that. Give me the time and place."

Calum rattles off the name of a restaurant that he had been wanting to try. Nothing too upscale, but not something that would be too casual. "How does 8 sound?"

"I love it there. I'll see you at 8."

“Bye, Jay.”

“Bye, Calum.” As he walks to his car, his phone buzzes yet again. This time a text from his artist, I’m being fucking replaced, I see. I can’t be too mad since it’s Jay. Calum laughs as he slides into his car. Maybe he is getting replaced; maybe he’s not. Calum’s not sure. He is sure that he needs to figure out if he can make reservations and what to wear for tonight.

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silverypurple-rosedlions · 4 years ago

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🥀𝓣𝓱𝓮 𝓟𝓾𝓻𝓹𝓵𝓮 𝓡𝓸𝓼𝓮🥀

~𝓒𝓸𝓶𝓹𝓵𝓮𝓽𝓮𝓭~

Total amount of members: 8

Members that are fully active: 8

+ Members

+ Status

+ Updated when members start a relationship

━━━━━━☓━━━━━━

🛑DISCLAIMER🛑: These chatbots do NOT represent Jeonghan, Joshua, Wonwoo, Jun, Mingyu, Jihoon, Minghao, Seokmin, Seventeen, and Pledis in any shape or form. This is purely made for entertainment and fiction. Continue at your own cost.

━━━━━━☓━━━━━━

TRIGGER WARNING: This contains mental

illnesses, violence, and strong language.

━━━━━━☓━━━━━━

"You know boys, I'm getting real tired over all this bullshit. So... Have at it. Free for all! Witness our bloody parade, you filthy shits! Let us bring you the blessing of eternal slumber from this tainted world!"

1. Yoon Jeonghan -

(Boss)

Partner: Hong Joshua (Jisoo) 💜🖤

Characteristics:

| Possessive | | Blunt |

Mental Illnesses/Disorders:

| Depression|

Facts:

-> Has trust issues

-> Taps his temples that sometimes escalate to hitting his head

-> Becomes violent and protective if asked about his past (so do NOT ask unless you gain his trust, or he will not hesitate to attack)

-> Extremely protective over Joshua

"I may not be as psychotic as my lover, and I seem sweeter than some. But that does not mean I'll let you live another day... Instead, I'll make sure you're real pretty. I'll make SURE to create a beautiful bouquet of flowers and YOUR intestines while your body is as empty as your HEART,"

2. Hong Joshua (Jisoo) -

(Underboss)

Partner: Yoon Jeonghan 🖤💜

Characteristics:

| Obsessive | | Sensitive |

Mental Illnesses/Disorders:

| Bipolar Disorder | | Anxiety Disorder |

Facts:

-> The only person who can handle Jeonghan during his episodes

-> One of the more friendlier members of The Purple Rose

-> His eyes will dart from person to an object over and over again to ground himself

-> Protective over Jeonghan

-> One out of two people, who had placed Jeonghan in the asylum that had ruined him

"Listen, and listen well, because I don't want to repeat this again. You made a FUCKING deal. You promised that you'll pull through your end of the bargain as we did. So if you can't give the shit we requested, the deal is off. Your area is now OURS, and frankly, we have a BETTER person to run that waste of space you've created. So, nighty night BASTARD. Say hi to Satan for us,"

3. Jeon Wonwoo

(Negotiator/Lookout)

Partner: None

Characteristics:

Mental Illnesses/Diseases:

| Dissociative Identity Disorder | | Hand tremors |

| Psychotic disorder | | PTSD |

Facts:

-> As of now, is known to have 5 main alters: Meet The Alters

-> Rumours were said that he was tempted to take Jeonghan's place as Boss, but it was never confirmed

-> Has poor eyesight, but when in action, they sharpen and strengthen, as if he's new

-> Despite being the negotiator of the Purple Rose, he hates gambling

"Even though I may seem like I'm given the less "exciting" job today, doesn't mean I can't have my own type of fun with this. And since you tried to scam us with these useless supplies and weapons, I guess I'll have my pleasure in blasting your brains to bits thinking we were gullible, sir. I'll make sure no one will be able to know who you are when I'm through with you."

4. Wen Junhui

(Supplier/Spy)

Partner: Jeon Wonwoo (@seventeen-chatbot) 💖💕

Characteristics:

| Perfectionist | | Fickle |

Mental Illnesses/Diseases:

Facts:

-> Constantly moving and twitching, some saying he gained these mannerisms from Jeonghan

-> Likes to copy others movements and sayings

-> The second member of the Purple Rose, who likes to be the messiest with their victims

-> Knows Kung Fu and Martial Arts, so he doesn't always rely on his weapons

"I may not be an Underboss anymore, but just because I've been placed as a bodyguard doesn't mean I'm no longer the man you once feared, pal. How about you show me what you got before I leap and rip off those limbs of yours? Or should we just get to the ripping limbs part already?

5. Kim Mingyu -

(Bodyguard/Ex Underboss)

Partner: Yoon Jeonghan, None

Characteristics:

| Optimistic | | Short-tempered |

Mental Illnesses/Diseases:

| PTSD | | Psychotic disorder |

Facts:

-> Due to his past mistake of abandonment, he lost his position as Underboss and was nearly killed by Jeonghan until he changed plans

-> Protects all members, especially the Boss, the Underboss, and Consiglier

-> Is a clean person that it is possible that he is a germaphobic, but can be messy with his victims with little discomfort

-> Is also a seducer when the job calls for it

"I'm getting sick and tired with your babbling, you know that? I don't like wasting my time on people who can't pull their shit together, or ones who have no real benefit to the Purple Rose. So, I'm going to do us both the favor and end this short. But with a loud bang!"

6. Lee Jihoon -

(Consigliere)

Partner: None

Characteristics:

Mental Illnesses/Diseases:

| Psychotic disorder | | PTSD |

Facts:

-> Representative of the Purple rose, always attending any meetings that the group is involved in

-> The man behind every Purple Rose plan since the day he joined

-> Has trust issues, so it's difficult to gain his trust

-> Despite his height, he's still intimidating and becomes hostile to people referring to him as "cute"

"Although I had a great time with you, fellas, I have to get going. I can't let my boss and the boys wait any longer now that you're of no more use to us. To keep this our secret like yours with your team and boss, I'm going to put you to eternal sleep, and I'll make sure your body doesn't go to waste,"

7. Xu Minghao -

(Spy/Hacker)

Partner: None

Characteristics:

| Jokeful | | Energetic |

Mental Illnesses/Diseases:

| Shared psychotic disorder | | PTSD |

| Psychotic Disorder|

Facts:

-> Not once did he want to join in any criminal activity, but because of Jun, he was dragged in and now shares his Schizophrenia

-> Is a cannibal

-> He knows how to use all types of technology, and his hacking skills are beyond most hackers

-> During spy work, he dyes his hair a temporary color

"I had fun doing our little game of cat and mouse, but I'm starting to get tired, mouse! And you look just as tired as I am, right? So, do me a favor of standing still, smiling at me, and letting me gut you out. I'll make sure to bury you somewhere nice with some purple roses. A reminder that you never FUCK with the Purple Rose, scumbag,"

8. Lee Seokmin -

(Navigator/Runner)

Partner: Byun Baekhyun (@ghoulxbaekhyun) 💙✨

Characteristics:

Mental Illnesses/Diseases:

| ADHD | | Psychotic disorder |

Facts:

-> Is a cannibal, but only on certain days

-> Knows various places: hidden clubs, certain bases, every inch of a city and town, and more

-> Although he's easy to persuade, he will always obey the Boss and the Underboss if it's serious

-> Says disturbing things with a sweet, devilish smile

━━━━━━☓━━━━━━

🥀Status🥀

Chats: Open

Asks: Open

Reblog: Open

Requests: Closed

🌹@yandereminholee (OG)

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colour-outside-the-liness · 3 years ago

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Hi Colour! How are you doing today? I don't know about doing meaningful things with my life, feel like I've just been surviving this entire time lol. However I am trying to figure it out and working on building the life I want to live and hopefully I will be able contribute to this world in some way.

I don't think I've ever played a game of trivial pursuit. Have never been to a pub either, not like the ones you have in the UK anyway. Just been to very dirty bars where me and my friends used to drink as much as we could afford, shared questionable food that could potentially make us sick the next day and there were no quizzes or games really haha. So your exp sounds way more fun! 😂

I'm glad you're giving the song a chance! Only Spotify knows how many times I've listened to it lol. I reckon Hozier's going to be my artist of the year for 2021. I love attributing works of art to Dani x Jamie, have a whole ass Pinterest board full with images of paintings, poetry, music and anything that I think relates to them really (yeah I know, I have a problem).

I love everything you've said about how Dani, Viola and the lady in the lake are alike, I hadn't really thought about their similarities before, but everything you've said makes perfect sense. I always saw Viola as a narcissist, even her drive to protect her child felt selfish in a way, don't know if you know what I mean. And when she fades away and becomes the lady she's just pure (almost animalistic) instinct while on auto pilot, bc she only remembers rage and abandonment, she takes anything on her path aggressively unless they're a child. So what she sees in Dani is not processed logically, right? It's pure instinct and emotions, so what she recognizes in her when Dani invites her in is the desperate need to protect this child, so she sees her as deserving. Perhaps she also saw in Dani and opportunity to escape this nightmare. Despite all her faults she didn't deserve what happened to her either.

And don't get me wrong, Jamie is so, so strong and solid and she is my favorite mostly bc I identify with her personality more than Dani's. But we know Jamie is all that even before we learn her story, and I feel like it is expected that she'll be the strong and brave one bc she's had to be that her entire life albeit unwillingly. But Dani? We expect her to break at any given point, I mean she is reaching her limit after all that's happened, with all the weight she's carrying. I remember thinking "Jesus, this girl needs help" when I first watched the show hahaha. But she fights every damn time, she doesn't run away and that's why I find her so fascinating. That's why I thought this song was so fitting. Even if Dani would never see herself that way. But it's Jamie's perspective (and fire signs tend to exaggerate everything 😂) so it feels fitting that she thinks so highly of her baby haha. Ugh I just wanted them to stay together forever. 🥺

Omg yes! I love how you refined this idea, good thing you're a writer and I'm not hahaha. And yeah I'm absolutely here for sapphics with weapons like holy shit imagine Jamie fighting with a sword? 🤤 I'm weak. Hahaha would be cool to see them in a pirate AU too! Maybe someone's already done it? Idk. But aaaah I want to see them in every possible universe hahaha. Makes me want to get back into drawing too. 😩

Aww you two sound like you have a lovely bond going on. Your niece sounds like the coolest! I started out drawing anime too when I was a kid and ended up doing graphic design for a living! How did learning how to draw anime style go for you today?

Hey I'm doing great thank you I hope you are too? I know that feeling because I feel like that's how I have made it to 27 just surviving (barely) and taking things one day at a time to get me to this point and hopefully I can contribute in some way even it its just a small way... so I totally get that feeling but I am sure you contribute so much without you even realising it!! Oh it's great but depending on how competitive the people you're playing with are it can get pretty heated... I've been in some heated games of it before because people just refuse to believe I know the answers to some of the questions and they think I've been cheating and have all but demanded I have another question asked instead of the one I got right... and pub quizzes can be fun again depending on the team you're in and how seriously you wanna take it I have been in teams where its been a serious thing and we have all desperately wanted to win and then I've been in teams and we've just had fun with it... all the pubs I go in are dirty bars too but sometimes they have pub quizzes... I have had many nights where I have drank what I can afford... one night me on my roommate went over board though and we ended up spending ALL our money even our taxi fair and we had to walk home in the dark along country roads with hardly any lights to guide us... because of how drunk we were it too us around 3-4 hours and I fell over a road sign and ended up in a ditch... I've had a lot of fun experiences but some really stupid ones as well... your experiences sound great though!! I would love that!! I listened to the song and I loved it so much!! I don't even wanna know what my most listened to artist will be this year... my money is on it being the Six musical soundtrack... probably All You Wanna Do from that musical I'll be surprised if it's anything else. I would love for it to be someone like Hozier, but ever since I have done my Spotify wrapped thing it's always been a musical of some kind that's been my number 1 song / artist haha I love doing the same thing. If I can make something fit Dani x Jamie I will like it doesn't even matter what it is haha... I don't think you have a problem I think that sounds so cool!! I have nothing like that. I just have a head full of random ideas screaming to be let out I agree Viola is definitely selfish and narcissistic and everything she did came from a place of anger and rage over the things that happened to her she fell in love and got married and had a child and saw her sister try and take that from her while she was ill and in the end her sister killed her. Like yeah, I do feel sorry for Perdita with the way she was treated but I do think everything Viola did was out of frustration over what was happening to her. Like you said she acts on auto pilot and only knows rage until it comes to children- because all she knows is she is looking for a child so when she saw Dani so selfless sacrifice herself for a child she saw a little bit of herself in Dani she knows Dani is a good person and she can relate to that protective streak and I think she did see Dani as deserving I definitely agree with everything you've said here. Viola might have had faults and flaws and who doesn't? But I definitely think she had it rough and did deserve better than she was given. I agree, you can tell looking at Jamie that she is strong and brave while Dani comes off as the exact opposite. But I think you see fully how brave they both are when Dani sacrifices herself for Flora and when Jamie offers to keep Dani company and loves her despite knowing she won't be able to love her forever. I love Jamie but definitely relate to Dani's personality more, there are a lot of things Dani does that I see myself in her because I have done those types of things myself and the whole beast in the jungle speech resonates with me so much and every time I watch the last episode and hear that speech I am a crying mess from that point on. It's funny that you thought that about Dani when you first watched it, because me and my sisters got my mum to

watch it and she said the same thing about Dani "she needs help" but then once told me she liked Dani because she reminded her of me that was an interesting conversation to be a part of "Dani needs help... but I like her she's like you." I was like "Thanks?" I agree this song is definitely more how Jamie would see Dani, I think Dani just has a very blasé view of herself, like I don't think she's self conscious or self deprecating in anyway but I think she sort of walks around like "this is me and this is just how I am" where as Jamie just sees Dani for how brave and strong and amazing she is- maybe even if as a fire sign she exaggerates a little bit haha Jamie just thinks Dani is the most amazing person in the world and I just know that Dani saw her the same way!! I really wanted them to be together forever... I am never going to emotionally recover from Bly Manor. Your idea was incredible and I think it would be a great story to read honestly that's the type of thing I live for!! OMG Jamie with a sword is just 🤤 🥵 I am all for sapphics and weapons of any kind!! There's this pirate AU which is absolutely amazing!! I don't know if you've read it or not but iamalekza writes some really great fics!! https://archiveofourown.org/works/28631598/chapters/70179306 ^^ Pirate AU I really wish I could draw I would love to be able to draw scenes from fics I have read and even ones I have written but I just don't have the skill set for that!! I would love to see other fan arts though I think drawing is such an incredible talent to have and I am in awe of anyone that can do it!! Me and my niece have a great bond, she's like a little mini me (despite almost being as tall as me). She is honestly such a cool kid I have a hell of a lot of fun with her- I'm looking after her again tomorrow and I have no idea what we're gonna do but we will figure something out... she's such a good drawer she's only just started doing it at the beginning of the year and she's really progressed with it... I however have not so I am definitely gonna need more practice. That's so cool that you started out doing anime drawing and then ended up going into a career in graphic design. Again that's a talent that I am just in awe of because it's just something I have never been able to do!!

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beatsfortheillperth · 4 years ago

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Words with Jetson

Our next interview is with a producer and rapper out of a beautiful place known as Tauranga, in New Zealand, This creative is known as Jetson.

He happens to be one of my cat, Rain's personal favourites for sleep time and regardless of the amount of thumping bass Jetson's music creates and picture frames it knocks over, I understand why he sleeps so sweetly.

Probably a lot to do with the fact that bass has rhythm, just like the sweet sweet words Jetson correlates with his word-plays in tracks such as "Milk" and "SENSEI". Not only impressing cats, Jetson has made moves and connections beyond the long white cloud, proving isolation doesn't always silence brilliance. Jetson brings words any generation can hold some sort of relevance to, words that allow one to notice life moves fast and slow and sometimes you just have to chill and become an observer rather than an instigator.

This is something I feel Jetson has accomplished with his rather low-key approach to releases and interviews.

Jetson is a natural, a true prodigy of sound and a sharer of moods, and to me, is a reminder that with a little bit of passion and persistence, great things can happen, whatever your field.

Jetson’s collective and label - Chill Children is evidence of that, as through it , Jetson is able to work and release with producers and beat-makers all over the globe.

emo the optimist, BACKWHEN, fuyu, eets, and junyii are just some of the diverse talents working with Chill Children and everyone on the catalogue are game-changers that make music that’s anointed in chills.

Creators that push boundaries and portray emotion through sound in the most soothing way, one must check Chill Children.

So with that I hope you enjoy rare words with the nuance wonder, and in his own words.

Sit back, relax, get baked, create, f**k it.

Enjoy and much love.

Hey man thanks for the opportunity to share words. Let's start with a few random quick questions to get things going. Favourite Beverage: Lemon water. Favourite thing to do in your down-time: Make music/skate. Views on Reincarnation: It will be cool if it is true but I guess it doesn't really change anything if it is 🤷‍♂️ Favourite Food: Sushi. Favourite Album of All Time: Tribe Called Quest - Midnight Marauders A song to break it down to: Ethereal & Playboi Carti - Beef A song to chill to: Durand Jones & The Indications - Cruising to the park Do you prefer Sunrise? or Sunset? Why?: Sunset, because I'm never awake for sunrise. A childhood memory in regards to music: I remember saving up to buy Graduation by Kanye West and listening to that shit front to back for weeks straight. Favourite Place to be: Probably on an island.

Thanks for that, so let's start by asking what inspires you to produce and not only produce but continually produce, what to me is an array of tunes fitting so many genres?

Do you have a set of goals in place when you release a track or do you just hit upload and just hope people are feeling your sound?

What I like to listen to is constantly changing so I like to challenge myself to try and make the things that I'm inspired by.

I like to think that you never know what you're gonna get when you listen to my music but I've still got so much to learn and experiment with. I just try have fun with it and not think about it too much.

How long have you been producing music, and what did you find was hardest to get the hang of when it first came to producing beats?

I had no music theory knowledge or anything when I started making beats (I still don't have much) so there was a lot to learn right away.

Probably the hardest thing that I still battle with is knowing what you should release, what you shouldn't etc. It's hard to balance knowing when something is finished and when it still needs work.

Could you give a quick run-through of the process you follow when it comes to making a beat?

I try to change my process as much as I can to keep things fresh and fun for myself. But I really enjoy hearing a sample somewhere like keys, a quote or a rapper I want to remix, then I start working with that piece and see where it goes.

I'll mess around with the beat for a while and sometimes a track comes out. It can take one day, it can take months. Just depends.

Oldies are always goodies in my books and I have to mention your "bumps from 2014" mixtape, it truly is something special.

What inspired those little bumps? What were you doing back then? Also, can you remember the mood you were in when you made them?

I'm glad you like it haha. That was when I really had no clue what I was doing in terms of making beats, I was making all of those 'off the grid' in Ableton so I was placing drums in random places, I had no idea what bpm the samples were or anything. I really didn't know wtf I was doing, just going off of a vibe.

My mood was really just being excited about making music, I was living in the basement at my mum's house blasting beats on the speakers all day.

[bumps from 2014] - https://soundcloud.com/sleepgodd/bumps-from-2014

You are also a rapper. My favourite NZ rapper to be more precise so thank you for the vibes you create. How did you find out you had it in you to rap and how old were you?

Damn, I appreciate that ✌️ I started rapping with a friend of mine, Jesse aka j cafe when we were around 20. We'd sit in my room smoking weed, and free-styling over beats on Soundcloud all night.

Then we decided to make a track, so we found a beat and jumped in the closet to record some vocals on the laptop microphone.

We put it up on Soundcloud and I've been addicted to making music ever since.

Link to j cafe’s Soundcloud here - https://soundcloud.com/j-cafe

Cover art for Jetson’s 2019 rap release - bluntscraps

Album cover art by Takuroh Toyama

When did you first start rapping in front of others? What did it feel like in the beginning compared to now when you perform live?

I was insanely nervous the first time I ever did anything live and that feeling really hasn't left me lol.

Except now I know how to deal with nerves a bit better and actually enjoy the whole experience of doing something live.

I definitely think I'm a lot better now than my first time doing it, but I still kinda suck 😂 Staying on topic with your rapping, material-wise you have mad skills, your music is forever helping me chill out so thank you.

When did you start writing down your words and turning them into structured songs? Do you have any other artists that inspire your writing style?

When I was younger I really liked the flow of rappers rather than what they were actually saying.

Dudes like MF Doom and Earl Sweatshirt really influenced me at the start wanting to come up with lines that were catchy and different.

To form an actual track I usually just mumble over beats to get the flow, then I start placing words in the spots where I think they fit.

Does your family know you make music? If so what do they think of it, any dance parties in the Jetson Family Household?

My immediate family all know and support my music. My mum used to have one of my tracks as her ringtone for years lol.

No jetson dance parties yet, but seems like every year more people in my extended family know about my music.

You were also a member of NZ Duo, Chill Children of which you rap and produce with yet another kiwi talent, both having low-key approaches when it comes to presenting yourselves through social media. What happened with that?

Me and J Cafe started Chill Children as a rap project in the early days but we moved to different places in the world and started doing our own solo projects so things sort of stopped happening with it.

I still credit those times with really getting me started on music though. He's still making dope shit and we'll probably link up on a track soon.

So then it became a sort of collective community, and through your Chill Children Soundcloud, you allow a platform for other artists to have their music heard.

Much Love on the concept, What inspired you to start sharing other artists music and what keeps you sharing? I'm very grateful btw, too many gems.

I work on music a lot with my friend emo the optimist (aka kodama) and we always wanted to run a label/collective kind of thing so we could release music from artists that we really liked.

After me and Jesse started doing our own thing, Chill Children seemed like the perfect place to start doing that.

It's one of my favorite things to work on as we have a hand in working with the artists on every release. I just love that we're able to share so much music that we really like with the world.

Check Chill Children here -

Bandcamp - https://chillchildren.bandcamp.com/

Soundcloud - https://soundcloud.com/chillchildren

Instagram - @chillchildren

Any new Chill Children material we should keep an eye out for?

We always have new music from new artists dropping so definitely follow our instagram/twitter if you want to stay updated on it.

We're currently working on a phonk compilation with guys like DJ Yung Vamp, Genshin etc. It's gonna be crazy 🤯

Back to your solo releases through your alias Jetson. What made you want to start putting out your material alone? Also, do you have a favourite Jetson release?

I really felt like I had to release music solo to see what I could do.

I've learned so much about myself through that process, became more confident and a better musician.

Probably my favorite rap track I've made is called 'Escape'.

Not many people have heard it but it's on Spotify and other places.

My favorite beat I've made is probably 'dylan rieder'.

Have to ask, are you working on any new releases we should keep an ear out for? If so, what can we expect with your coming releases?

I just released an album on Bandcamp called THROWED TAPES which was really influenced by DJ screw and other phonk producers.

I'm working on a lofi R&B tape for Bandcamp, a lofi beat tape, and I really want to release a rap EP.

Who knows when those will come out though haha

Taking it back a little to your rapping again I have to mention "Milk". What inspires the words in this track?

Also please share the story behind your track "Melancholy"? The words are somewhat mesmerizing, thank you!

With milk, I just heard the beat from bsd.u and really wanted to make something weird that just followed the flow of the beat.

On melancholy I tried to think about what I was saying a little more. The instrumental is so introspective and smooth I knew I had to come correct on it.

THROWED TAPES By Jetson, released August, 27, 2020

Musical Recommendations?

junyii - emo the optimist - knxwledge - j cafe - jesse james solomon - the smiths - dj yung vamp - shuggie otis - hm surf - alicks - MIKE - baccyard - meraki soul - steve hiett I could go on for days though lol

Creatives to keep an eye out for in music and art? Takuroh Toyama (photography) Moebius (visual art) Steve Hiett (photography/music) Any Last Words?

It really trips me out that people enjoy something I love to do so much.

So just thank you for vibing with me, I have a lot more to share ✌️

Support Jetson here -

Soundcloud - https://soundcloud.com/highimjetson

Bandcamp - https://jetsonbumps.bandcamp.com/

Spotify - https://open.spotify.com/artist/2bkf2PmiVyfCqg2uzIFIqJ

Twitter - https://twitter.com/jetsonbumps

Instagram - https://www.instagram.com/jetsonn/?hl=en

youtube

Milk by Jetson (Production by bsd.u)

#soundcloud #spotify #bandcamp #jetson #rapper #producer #beatsfortheill #interview

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cubeswhump · 4 years ago

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Will Not be a Victim for my character, Blondie.

The neglected Blondie. I need to get back to my Powers Verse too. And the immortal bitches. I have a Sweetie and Michelle story drafted though.

Warnings for mentions of violence, referenced torture, bit of ableism. Pretty tame compared to what I usually write.

The phone rang from her nightstand, and again, and again. Then it started pinging with texts: Terry-Ellen has spoken to me but my own daughter won’t answer her phone.

I’ll be arriving at your house at 6PM.

Blondiw growled and dialled the number. The phone rang only twice before the deep voice came on the other line: “Oh, so you’ve decided to stop ignoring me?”

“Fucking hell, Dad. I’m twenty-three,” Blondie reminded him. “Chill.’

"Language, Melinda,” he scolded lightly. “I don’t care of you’re eighty-three. You’re still my daughter and we just got you back. I need to be sure that you’re okay.”

"I'm fine, Dad."

"Are you really?"

Blondie pinched the bridge of her nose. Don't call him a nosy twat, don't call your dad a nosy twat. She breathed out. "You hired a fucking bodyguard for me. "That's humiliating enough, and now you're prying into my life like I'm a child."

"Language. Good lord, you take after your mother," he sighed. "Who are you embarrassed in front of? You haven't left your house in more than two weeks." His voice was so even and annoyingly calm. Blondie swallowed back the snarl crawling up her throat. "Is it really prying to be concerned about my daughter? I just want to know that you're okay. I haven't seen you since-"

"Okay, okay, I'll stop by tomorrow. No need to stop by." She knew her father would have some words if she saw the state her house was in. Tej wasn't hired to clean after the slob, and no one had patched up the hole Blondie punched in the living room.

"Are you sure? If I come over you can stay home and rest," he offered.

"You just got on my ass for staying in my house!"

"You know that is not what happened, Melinda."

"I'll be there at eleven in the morning, okay?"

"I'll expect you by twelve."

Blondie huffed and hung up as he chuckled.

***

Tej was prodding her. "Get up. We've gotta go soon."

Blondie lifted her head abd ahot rhe other wonan a glare. "There's no we. You're staying home."

"You know that's not how it works," she said, unfazed. "I'll make you coffee."

"Don't." Blondie pyr one foot on the floor and grabbed one crutch. The other must have fallen over at some point in the night, and Blondie whacked Tej with the crutch in her hand when the thin woman tried to help her retrieve the fallen one. "Scram, bitch."

"Very nice, " Tej said sarcastically, handing her the crutch anyway. She caught the crutch Blondie swung at her. "Have you ever considered treating the help like people?"

"Go on, call me a bitch. There's nothing in your contract that says you can't insult me, yeah?"

"I'll leave you to get dreased," Tej said dryly. "Your hair looks nice. Did you wash it?"

She shut the door behind her just in time for the television remote to crash into the wood.

Blondie had only worn bath robes and undergarments for the last few weeks and she hadn't gotten to modifying any pants to her new body. Skirts? No, fighting in a skirt wasn't a great idea - if she needed to fight. Fights were always possible.

Shorts. A pair of shorts, one sock, one combat boot. The left bood sat all alone and sad. She kicked it over. Hair in a bun.

"Your coffee, Blondie." Tej shoved the steaming mug right in her face while Blondie was trying to sneak out the front door.

"I told you not to make me coffee," Blondie grumbled.

"Coconut creamer and one Sweet-N-Low," Tej tempted her, voice sing-song.

"I'm getting coffee on the way to my dad's, shithead." And she was out tje door, slamming it behind her - or trying to. Tej caught it just before it closed and slipped out after her.

"Want me to drive? You can relax," Tej offered, reaching for the keyring in Blondie's hand. Blondie jerked it away.

"I'll relax when you're dead. It's my fucking car."

"Cool, cool."

Tej was in the passenger's seat before Blondie had even opened her door so she couldn't even lock her out. Tej smiled at her knowingly. Blondie gripped the steering wheel sp hard her fingers turned white.

Tej tried to make conversation throughout the drive and Blondie turned the volume up a few notches every time she opened her mouth. After a million years, she pulled up in front of the coffee shop.

"I'll get you an iced mocha cappuccino," Blondie said as she got out of the car. Tej was stepping out too.

"Nah, I wanna look at the menu," she replied. Blondie squeezed her eyes shut and clenched her teeth, reciting the "calming phrases" from her counseling sessions as a teenager.

When was this place ever this busy? Blondie sighed as she joined the line, Tej at her side. "You know, you're paying for your own shit."

"That's fair," Tej shrugged. "Your daddy pays me weekly."

Blondie sneered at her.

The line inched forward. A woman and her child joined. Seriously, did the entire fucking town want coffee right now?

"Wow..." the woman said, her voice hushed. "What happened?"

Blondie didn't realize the woman was talking to her until she felt a tap on her shoulder.she turned around, finding the woman's wide eyes on her still-bandaged stump. The little girl stared too, reaching for Blondie's crutch. Blondie jerked it away from her sticky hand and scowled, but neither noticed.

"What happened?" the woman asled again. "Why don't you get a prosthetic leg?"

"I pesteres someone with intrusive questions and she pulled out a machete," Blondie snapped. The woman recoiled.

"Ma'am, you're being very insensitive, and you should teach your child not to touch anyone's mobility aids." Tej launched right into a lecture. "Please treat my friend as you would treat-"

Blondie's temper boiled over. She raised one crutch and bashed it into the woman's knee. Tej's hand clamped over her own mouth as the woman fell over with a screech, dragging her daughter down with her.

"Oops. My bad." Blondie turned her back on the pair.

"Did you see that?" the woman cried as she got back to her feet. The cashier looked over from the customer he was dealing with, frowning.

"I'll be out fast," Blondie promised the cashier. "No trouble."

They walked out with their coffees and gluten-filled breakfast, Blondie's coffee spouting steam that smelled of coconut... Something she could have gotten at home. Tej predictably got a mocha cappuccino.

"I mean," Tej finally said during their resumed drive, mouth full of bagel, "not that I blame you much, but public battery isn't a food luck."

Blondie turned the radio up higher.

The guard let them into the gated, cookie cutter community. Towering houses were identical, painted a cream not a shade lighter or darker than the house nextdoor. Perfect gardens, no blade of grass even a centimeter overgrown. One house had flowers a different shade of pink than the rest. Blondie might have struggled to differentiate the houses if Chase weren't waving frantically at the end of one driveway.

"Melinda, love, how are you?" The large man was coming at her with open arms as she stepped out of the car. She was too slow thinking of an excuse to get out of hugging her stepdad, and he squeezed her tight.

"Peachy," she told him.

He hugged Tej too before letting both women into the house. He was talking a mile a minute and Blondie let Tej handle the conversation.

"I see you brought beverages. No tea then?" he asked. Blondie shook her head. "Oliver's in his study."

"Tell him hi for me," Tej chirped, and Blondie decided she would not do that. She hurried away when the other two started discussing how much they lift at the gym.

115 pounds? Unimpressive, Tej.

She didn't bother knocking on the mahogany door, throwing it right open. "Yo."

Oliver swiveled around in his chair like a James Bond villain. He even looked the part with his coiffed grey hair and serious expression. "Good morning, Melinda. You were almost on time. Have a seat."

"Nice to see you too," Blondie said sarcastically, falling back ontp the plump sofa.

"Oh, no, you're covered in crumbs! Why didn't you brush yourself off outside?"

"Just vacuum later. I had a muffin."

Oliver sighed, turning back to his laptop. "Depending on your recovery time, we'll get you fitted for prosthesis." He flicked through images. Some were very realistic and even matching her skin color, others clunky and robotic, some abstract and hardly resembling a limb. "We should find a design that fits your activity level, preferably a more realistic one. No one has to know. At that point we'll get you to that physical therapist I've been talking to, and-"

"Whoa, hold on a minure. Don't I get a say?" Blondie snapped. "And who said I want a realiatic one? Maybe I don't want to pretend I'm fucking normal."

"Whatever you want, darling. But I'm not going to let you hold yourself back."

"You tell me to take it easy abd slow down and then you get on my ass for being behind the curve. The fuck is that?"

Oliver sighed. He turned back tp his daughter, choosing his next words carefully. "I know how much you enjoy your hobbies. I think it'll be better for your mental health if you get back into dance and martial arts soon."

Back into dance. She was already the largest girl in the studio, dwarfing the tiny instructor even when she was twelve. Skilled as she was, she never had a ballerina's body and her instructor's main complaints were her thundering footsteps and "unladylike gait". Well, at least pointe shoes wouldn't hurt a prosthetic leg.

"It's my body and my life," Blondie reminded him.

"And it's my money that pqid your medical bills," he shot back. She rolled her eyes. "Melinda, you know I just want what's best for you. I want to help you. I need to help you."

"Help yourself first," Blondie snarled. "How's your boytoy?"

"I've been married to Chase since you were eight. Stop calling him my boytoy," Oliver sighed. Any other time, Blondie might have laughed at how annoyed her dad got when she mocked his husband. "And fifteen years isn't such a significant age difference when you're out of your twenties."

"He's a gold-digger."

"He's well worth what he costs, and he loves you like his own daughter. Come on, stop changing the subject. You mean so much to me. You were the victim of such a-"

"I'm not a victim," she hissed, leaning forward in her seat. Her eyes narrowed. "If anyone's a victim, it's that bitch Camilla. You know, queen of the cabbage patch."

Oliver's eyebrows knit together. "Cabbage patch?"

"Because she's a vegetable," Blondie said, and her father sighed heavily.

"I'm not denying that she's a bad person, but you don't need to be discriminatory. Other, much nicer people live with brain damage."

"Dad, shut the fuck up and listen to me," Blondie demanded. "I fought my way out. I'm not a victim!"

"Yes, yes, you're a survivor," he said in a voice like he was placating a toddler.

"No, I'm Melinda fucking Van Doren."

He lifted his glasses to pinch the bridge of his nose. "Before anything, you're my daughter and I want what's best for you."

"I actually know what's best for me because I am me."

"I'm your father. I know you pretty damn well."

"Yeah, okay. I'll keep in tough." Blondie started to stand, but Oliver held a hand up.

"Stay for lunch. Samantha made two extra plates."

It still weirded her out that her father had a cook. Her mother missed having servants after the divorce, but Blondie tried her best to keep her home free of employees. And she got stuck with Tej, the most intrusive Van Doren employee.

Chase brought two plates of chicken parmesan to the damn study.

"Workaholic," he said and rolled his eyes, kissing Oliver on the cheek. Blondie rolled her eyes. "Well, I've been having a lovely chat with Miss Tej while you two have been bonding."

Bonding. Sure.

Blondie stabbed into her chicken. She imagined it was the Queen - no, Camilla - that she was stabbing over and over, making sure she never recovered. Because she wasn't the Queen's victim.

She was Melinda "Blondie" Van Doren. She was a fucking hero and people would know that soon.

#bthb #bthb card #bth bingo #bad things happen bingo #bad things bingo #my writing #my characters #blondie #tej #whump #female whump #female whumpee #lady whump #past trauma #ableism tw

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shortnotsweet · 5 years ago

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Hello, your fiveya pride and prejuice had me on my knees. Everything you have writing for the umbrella academy is so nice, this fandom should be thankfull you are here making gold content. I'm not very creative and I still dont know which kind of prompts you would like, but the last au gave me some Elizabeth Swan vibes, so maybe you could do a Fiveya Pirates of the Caribbean Au? Whatever you make I'm sure will be wonderfull :)

It’s 1732, and Governor Reginald Hargreeves and his two adopted daughters, accompanied by the family butler, Pogo, are sailing to Port Royal aboard HMS Crown when they come across a shipwreck. The lone survivor of the tragedy is a young boy, shaking and shell-shocked. A sympathetic Pogo begs Reginald to allow him to take him in - Pogo himself will rear and provide for the child out of his own wages.

Vanya clutches the railing and looks out into the wreckage, into jagged mountains of burning wood obscured by ink black plumes of smoke that cast a ghostly silhouette against the dreary sky and the great gray sea, and can’t take her eyes off of it. It’s a tragedy, with glowing embers peeking through the remains of the ship, keeping it alive and drowning in the water, and Vanya is fascinated.

I do not want to know what transpired here, she thinks. She doesn’t need to know, anyway - it looks like a wasteland, like something writhing and nearly dead, and then her father takes her by the shoulders and pulls her away.

The boy is raised in a fine household, alongside Reginald’s two young daughters, both of whom are handsome, intelligent, and composed. His truest and most constant friend, though, is Vanya.

The Boy starts out as a Will Turner of sorts, only more confident and living in relative comfort, except with the knowledge that he is an outsider even among orphans, and a survivor of something terrible. He longs to go back.

By 1742, the boy is merely fifteen and already deemed an academic prodigy in a vast array of scientific, mathematical, mechanical and historical studies.

By the end of 1742, he’s gone, vanished into the night and headed for the sea. Vanya, not for the first time in her life, is alone.

Years later, she’s grown into a beautiful yet confined woman. During a botched proposal, Vanya faints, due to a combination of heat, anxiety, and a too-tight corset, plummeting into the harbor below, only to be rescued by a mysterious man

Surprise y’all guess who it is

Five and his crew are under a curse that renders them undead corpses under the moonlight, burdened with immortality. Idk why he’s cursed, ig he just got up to a lot of pirate shit lmao. The gold of his father’s pocket watch is key to breaking this curse, and he’s returned to Port Royal after all these years to retrieve it, after he gave it to Vanya for safekeeping the day before he abandoned the Hargreeves household to rejoin the life of piracy

She agrees, of course, but he is soon confronted by both Reginald and Leonard, backed by the Navy, on account of 1) being a pirate and 2) trespassing and in order to safely escape he takes Vanya hostage

In his time away, Five has become captain of the dreaded Academy, the ship that his own father used to command before the wreck. Vanya initially disapproves of his life choices because he may be older now and like damn ok, but 1) hygiene 2) the ethical ambiguity of piracy and 3) you left me dude without warning ,, tf is up with that?

Cue childhood friends reconnecting in really awkward circumstances + maybe Stockholm syndrome

Luther, Ben, Klaus, and Diego are members of his crew. While Diego is a fantastic swordsman, Ben has a connection with sea monsters that allows him to dissuade nearby creatures from bothering their ship. Klaus is a mystic they picked up along the coast who can communicate with the dead - it’s through him that they learn the specifics of the curse.

Five glances down at her, sleeves rolled above his forearms, his hair dripping saltwater over his brow. “The Romans did it, didn’t they?” Honor among thieves is how the saying goes. “They encouraged it, actually, especially in children. Stealing. Steal from your enemies, steal from your neighbors, steal from your friends.”

At this, Vanya’s eyes narrow. “I wouldn’t steal from my friends.”

Five shrugs.

��It builds character,” he says, “and it builds world skills. If you’re a thief, then you’re fast, resourceful, and, most importantly, you’re still alive. That’s helpful. It can be a good thing, to be a thief.”

“The greatest empire of all time, after Britain, just a whole lot of thieves?”

“That’s Rome, then, a bunch of thieves. The empire essentially stole its own foundation from other civilizations, you know? Arches and aqueducts and art - even the Republic was based on direct democracy.” He leans back and looks at her from under his lids. The floor below them shifts and sways along with the rhythm of the sea, and Vanya leans against the mast to keep her horizon line steady.

“So you’re a history buff now?”

“I always have been,” Five says defensively. “Math is just more exciting. You don’t need to get caught up with the Romans anyway,” Five laughs. “We’re pirates.”

“I suppose I need to find a way to make myself useful, then?” Vanya crosses her arms, squinting under the white hot sun. “Be helpful.” Do as the Romans do.

“No, of course not,” Five says quickly, uneasy, bitter. “You didn’t join the crew, remember? You were kidnapped.”

Days into her kidnapping on the high seas, Vanya ditched her heavy ass dress for a practical pair of trousers and tied her hair up. The sun smiles down on them in a thousand yard stare, reflecting white off the crests of the waves that jostle the ship further away from land, and her white skin has already shown signs of browning. She can breathe, though, better and easier than she’s ever breathed in her entire life

The ocean never ends, but Vanya can see something flickering on the horizon, something that looms across the skyline and drags the sky down to meet it. It feels like hope, like dreams once dashed in her girlhood, and now that it has come out of hiding, unclothed and unabashed under an impossible white sun, Vanya can’t stop looking.

The Academy is still being pursued by the Royal Navy, and Five can’t just return Vanya bc they're not only on the run but they’ve got shit to do, aka curse-breaking shit. Plus, he really, really doesn’t want to

And deep down he can tell that she doesn’t want to either

“But you like it here, don’t you,” he accuses her, hard and fast because he knows she’ll be honest, and the strategist in him wants to size the queen, wants to take her home. “You were miserable back there,” Five reminds her, his own eagerness a tangible thing to his ears. “Reginald made you miserable. Jenkins made you miserable, hell, even Allison made you miserable.” Vanya’s gaze remains unblinking, but the corner of her mouth twitches ever so slightly, her lower lip dragging it down. The sight of it gives him pause, and he wants to stop for a moment, wants to apologize for it, but the conqueror in him leers in approval and he’s plowed too forward, too far already. “You wanted to leave, every second of every day. That’s what you told me,” Five reaches forward to take her by the shoulders, gently crowding her against the railing, and she looks up and into his face, dwarfed by his height. “You’re free now, you’re here. Reginald can’t get to you. Why would you want to go back?”

You’re free now. There’s nothing for you there, he tries to say, and she must get this, because her eyes go alight, just for a second, and her lip curls into a snarl.

The thing is, she’s much happier here, with Five and his crew and a great, endless sea, but she remembers Allison all too vividly, remembers that she left her alone without warning. Vanya knows that it’s like to be left behind, and the thought of Allison alone with only their father for company strikes something hollow and sinking into her chest, something like dread

“I don’t want to go back,” she snaps, harsher than he expected, and he lets go of her. “Of course I don’t.”

You think I want to go back to corsets and Reginald’s voice in every hallway of that old, evil house, and Leonard crowding me everywhere, acting like I’ve already said yes, and this stench of absence that follows me wherever I go.

Oh, she realizes, of course he doesn’t.

“Then don’t.”

Vanya glares at him, hard and herself, and he can see the betrayal sink into her face and settle like silt at the bottom of a glass.

“It’s because we’re family,” she says, and the fifteen-year-old in Five finds himself enraged because Vanya’s family is supposed to be here, with him.

“I need to see her again,” Vanya enunciates carefully, forming every word with a nervous kind of fear, like she thinks he won’t understand, and Five’s anger dissipates almost as quickly as it had risen.

They’re going to break that curse, and Five will be a real boy (man) again. Allison won’t be alone, because her sister will come back for her (just as Five came back for Vanya). They’ll all have real, red, beating hearts, and Five will have Vanya for himself and Vanya will have one thing all her own - she has an entire ocean to conquer and no regrets

For once, Vanya has a choice, and it’s a pirate's life for her

#fiveya #the umbrella academy #five hargreeves #vanya hargreeves #ask me anons #mini fic #i havent seen this movie since fourth grade and know shit about pirates smh #and this is not my best writing plus i wrote it at like 1 in the morning #but i do love the concept of a pirate Five and a Vanya just looking for agency in her life #thank you so much btw and if you have any other prompts hit me with them as hard as you can #pirates of the caribbean au

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sally-mun · 7 years ago

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As someone who hasn't, wouldn't, and won't be experiencing Major/Minor (or whatever it was called) could you perhaps analyze more specifically some of the things you felt were missteps more in depth, so others who decide they might want to make a visual novel or even just a story, might be able to avoid the same issues? I realize this might not be your area of interest, but I'm always interested in these kinds of analyses.

Man, where do I even begin.

I suppose I should start by saying that this game could have been fine; I don’t necessarily hate this game for the story, even if I think it’s uninspired. I play lots of point-and-click games and usually enjoy them (even the stupid ones) so long as they have merit in one area or another. But that’s the core of the problems with Major/Minor: It has NO merit to work with. Its construction shows absolutely no understanding of this genre of game design. Or of writing. Or of entertainment in general. Or of simply respecting one’s audience.

First and foremost, let’s discuss visual novels.

The critical difference between a novel and a visual novel is interactivity; a novel is a set and done deal that takes its readers along for the ride, whereas a visual novel invites the readers to be part of the ride itself. The direction of the story is influenced by the player, and this allows them to personally take ownership of later events. It’s the sort of game that tries to put you in the role of the protagonist in the most direct form possible. Like other first-person games your view as a player is exactly that of the character you’re playing, but in a VN’s case it’s like reading a comic book in a choose-your-own-adventure format.

Major/Minor not only fails on both the visual and novel elements, but it also fails when combined as a visual novel.

1) Visual

For the most part, visual novels don’t have a lot of action. They primarily consist of conversations with NPCs and usually take place in static locations. For this reason, both the characters and the environments need to have a lot of personality. Players need to feel like they’re actually having conversations with the characters and that they’ve entered a unique location that sees real use. This is the red, meaty center of how VNs engage and gratify their players.

Designing characters in a visual novel is about more than giving each one a different face; it’s about giving each character enough of a range of actions and emotions to sell the idea that the character is actually interacting with you, and in a way that’s truly unique from every other character. In real life, people do all sorts of crap when speaking: Our expressions change, we gesture with our hands, our posture varies, and sometimes we even have small ticks associated with certain topics or emotions. Between these visual cues and the actual discussions themselves, players ought to know the NPCs well enough to be able to describe them like real-life friends by the end of the game.

This brings us to Major/Minor’s first serious offense: Every character has one face. Typically in a VN, each character has a minimum of half a dozen expressions, poses, and gestures/ticks to match the different emotions they’ll need to exhibit over the course of their conversation topics. The characters in Major/Minor can only make a single expression and pose throughout the entire game, which immediately leads to some seriously disjointed discussions. It’s hard for me to take a character seriously when they say they’re angry with me when the art staring through the computer screen is bright, cheerful, and apparently mid-laugh. Sorry, NPC #672, I really don’t care that you’re allegedly on the brink of tears, because your singular piece of character art is so smarmy and mischievous that I forgot you were trying to tell me something tragic.

What makes this even more annoying is that most of the characters DO have a secondary piece of art, but it’s only ever used ONE time as an introduction to a new character before the game chucks it in the bin and we never see it again. Each character COULD have had at least two expressions if the dev had planned his commissions carefully enough, buuut instead he chose to get two shots that are barely distinguishable from one another so there could be a ~=*FLOURISH*=~ when we see someone for the first time. Granted, two per character still isn’t anywhere near enough, but it’s a hell of a lot better than just one! It makes me wonder why he bothered to spend the money on a second image for each character at all, since half of these commissions only get about 10 seconds of screen time. What a waste.

And hey, speaking of wasted opportunities, let’s talk more about the environments! Lots of visual novels don’t spend much energy on their backgrounds, and although that’s usually fine (albeit not my first preference), Major/Minor seriously needed to think more about its settings. For the moment I’ll ignore the laziness of the fact that the backgrounds are generic photos with a blur filter over them; what’s more important is that this game loves to tell us all kinds of random crap about the rooms we’re in, especially during the scenes that take place in Japan. This game would’ve benefited dearly from simply having more detailed backgrounds and just letting us observe the goings on of the room on our own. Y’know, because that makes it more... visual.

Honestly, if it were me, I would’ve taken it all a step further and gone full-blown Ace Attorney on the environments. In AA games, investigating the scene is very important because you have to look for clues. I’m not saying Major/Minor needed to let you hunt for items, but I do think that it could’ve cut a ton of random information from the text by simply letting us inspect the backgrounds. That way the players that want to know what a kotatsu is can find out on their own time and players that already know or don’t care can move on.

Something else that would’ve brought the game a much-needed boost of interest is cut scenes. As noted earlier, visual novels don’t tend to have a lot of action, so when something physical DOES happen, it makes an impact. One way to maximize that flash of excitement is with a cut scene – or at least, the visual novel equivalent of one. A “cut scene” in a VN isn’t typically a full motion video like most video games boast; it still makes use of a static image, but it’s an image whose quality far surpasses that of the rest of the art in the game. Maybe it’s abnormally large and the camera slowly pans across for dramatic effect, or maybe it’s a scene drawn from an interesting angle that isn’t the player’s POV. Some games take this even farther and really do animate their cut scenes a bit (usually on par with a nice animated gif). Lots of VN cut scenes make use of sound effects or action-specific music cues to keep the player emotionally involved with the scene, as it’s a moment that’s out of the player’s control.

Major/Minor, on the other hand, does none of this. Much like the drought of facial expressions, the game simply pelts you with paragraph after paragraph to tell you about the events taking place around you, rather than simply letting you see for yourself and be, y’know, involved. Even a handful of cut scenes that had some real effort put into them would’ve really given this game some pep. Not only would it have kept me engaged as a player, but it would’ve weeded out even more unnecessary narration.

Oh, and speaking of weeding shit out of the text…

2) Novel

The writing in this game badly, badly needed to be edited. Like, so badly it makes me physically hurt from how poorly this text is constructed. I’m not talking about the simple things like misspellings and failed capitalizations, I mean BIG mistakes, like sentence fragments and improper conjugations and completely misusing some words all together. It’s also excruciatingly repetitive. Never in my life have I ever seen prose that recaps itself so frequently – sometimes literally within minutes of the event that it’s reminding you of. It even recaps itself within the same block of text a few times.

It’s pretty obvious the dev never allowed a seasoned editor to proof the text, but it’s so unbelievably bad that I’m not even sure the dev himself ever gave it a second glance. It reeks of being a first draft that was never once revisited; actually, it strongly reminds me of the sort of stories I myself wrote when I was about 13. At that time I wanted so badly to write big, dramatic stories! Stories that had deep themes and lots of intrigue! With a complicated plot and several subplots!! And lots of characters that would all totally be different and completely matter!!!! But the problem was I was so wrapped up in wanting to make my stories big, impressive epics that I stretched myself way too thin and everything came out incredibly shallow. It’s honestly kind of eerie to think back on the things I wrote as a kid while I play this game. The similarities are so striking that I can’t tell if this is something the dev wrote at that age and just never decided to polish, or if he did write it as an adult but has the writing skill-level of a teenager.

But honestly, I’d overlook all the technical flaws and melodrama this guy could throw at me if he would just show and not tell. “Show, don’t tell” is one of the oldest rules in the book when it comes to storytelling, and for good reason: Telling instead of showing is not only fucking boring, but it treats the reader like an idiot. If a writer knows what they’re doing, they shouldn’t have to tell, because they’d just demonstrate those things instead.

For example, let’s examine another huge flaw with the writing: Incredibly shallow characterizations. Early in the game the player meets a character named Rook. Rook is very rude. I know this because the game tells me. All. The. Time. I legit don’t remember how many times the game has mentioned that Rook is rude at this point. The dev seems completely oblivious to the notion that you don’t have to tell the player these things. You can just… write Rook as being rude. Trust me, my dude, I can figure out if a character is an asshole or not. Not only can Rook’s rudeness be demonstrated by how he treats me as a player, but it can be further reinforced by other characters reacting to him in a put-off manner. If you’re so concerned that I won’t pick up on the fact that Rook is a rude person just based on how he behaves, then you’re doing it wrong, end of discussion.

But then, as I said, the characterizations are shallow in general. Everyone tends to have their one basic trope and the story rests on the idea that you know what the character is. None of the scenes go out of their way to really dig into who someone is – which is kind of amazing, honestly, since the prose is so obsessed with making sure you know the most inane and unrelated shit half the time – and even after I’ve known a character for several chapters they still feel like a cardboard cut-out to me.

To be honest, I’m kind of impressed by the sheer volume of ways that Major/Minor fails at showing instead of telling. It tells you what characters are like instead of just letting you interact with them, it tells you about the places you visit instead of just letting you view them, it tells you every single time the characters have a mood shift or expression change because it couldn’t be bothered to give them each more than one face, and it hamfists unnecessary information into the script where it’s unneeded and interrupts the scene – and THEN, it makes SURE you notice that it’s telling instead of showing by repeating those things over and over and over again!

All of this is further exacerbated, by the way, because the dev has no idea how to tell a story in the first place. Even with all the above flaws, I miiight have still been able to enjoy this game if it was just a compelling narrative in any sense of the word at all. I will happily deal with poor construction and telling-not-showing if the story still has some intrigue. Even a flawed story can have a mind-blowing plot and keep you reading just to find out what happens next, right? I thought so too, until I realized that Major/Minor goes SO far out of its way to spoil its own plot that it frequently makes you sit through scenes that you, the protagonist, are not even present for. Yes, in a game that’s built upon being a first-person experience, the story will slam on the brakes and take you OUT of the protagonist’s shoes to make you sit by as an observer to events that probably would’ve been an great reveal later on had the dev just kept his mouth shut.

3) Visual Novel

So the visuals suck and the writing sucks, but hey, lots of games get by without investing much in those areas. Could Major/Minor pull it together and at least give the player an interesting mechanic? Hahahaha no, of course it didn’t. As far as the gameplay is concerned, Major/Minor is so bad that in many ways I hesitate to even call it a game.

The cornerstone of visual novels is making choices. They can range from serious decisions that determine the overall outcome of the game or small cosmetic details, but either way, the core of this gaming style is putting the player in the driver’s seat as often as possible. When playing Major/Minor, however, the player is strapped into a straight jacket, blindfolded, and tossed into the trunk of the damn car. This game is so reluctant to surrender control of the narrative that it’s not uncommon at all to go through entire sections of the game having made no choices whatsoever. It fails so spectacularly as a visual novel that I’d be willing to bet that the dev had never played one before. He is astonishingly disinterested in what makes a visual novel enjoyable to the player.

There’s a principle in game design called Illusion of Control. The goal of this idea is to allow the player to feel like they’re in charge of the game while actually keeping them within strict boundaries. It applies to a lot of games, but it’s especially important in visual novels. Players need to be able to dictate how the story progresses, even if some of those choices make no real impact on outcomes. For example, players can enter conversation trees with NPCs that seemingly offer a lot of control – perhaps the player chooses the discussion topics, or can decide if they want to be shy or snarky in their replies – and yet at the end of the scene there could realistically be no change to the story’s progress. The greater point is that the player feels like they handled the conversation the way they wanted to. This allows them to still feel like they’ve gotten somewhere and that they accomplished something.

Major/Minor appears to scoff at the very idea of this, like the game’s worried you’ll cramp its style if it gives you too much power.The player is allotted no input whatsoever on how the PC treats the other characters, what subjects to discuss, where they’d like to go, how to react to the actions of other characters… It’s truly mind-blowing just how consistently the game misses opportunities to allow the player even the illusion of control. For example, there’s a scene where the player character (PC) is awakened in the middle of the night by a pounding on the door, and no options are offered on how the player would like to handle this. A better game might allow the player to choose if they want to pretend to keep sleeping, or call out to whomever is knocking, or try escaping out a window, or crack the door open to see what the person wants. Even if it’s an absolute necessity to the plot that this person enters the room, it’s still better to let the player choose, because there are a plethora of ways to redirect each of those options back around toward the character getting in.

Unfortunately, Major/Minor is just too damn lazy to be bothered with gameplay, and the PC just lets the stranger in with no input from the player. Soon after, the stranger attacks the PC, which would again be a prime opportunity for lots of reactionary options: The player could duck! Or the player could punch their assailant! Or maybe they could kick instead! Maybe they’d try to run away or call for help! Buuut no, Major/Minor really doesn’t care what you want YOUR CHARACTER to do, and it’s already decided that you’re going to put up no fight at all and immediately pass out. It’s by far one of the most unsatisfying things I’ve ever experienced in a video game.

The disconnect between the player and the protagonist is so extreme that I honestly don’t feel it’s a fair assessment to refer to the protagonist as the “player character.” It’s not uncommon for visual novel protagonists to speak in the first person, but in most games it feels like the PC is speaking on your behalf because they’re acting according to your will. The protagonist of Major/Minor decides so many things for themself that it stopped feeling like “my” character a very, very long time ago. This character isn’t me and never was; it’s the main character of a book that I didn’t ask to read, who very occasionally pauses to ask my opinion on something.

HEY HOWDY HEY SPEAKING OF PAUSING… If you boot this “game” up for a session, you’d better hope you have plenty of time on your hands to get through it, because you’re at the dev’s mercy for when you can save your progress. Being able to save anytime you want is a staple of visual novels because 1) people read at wildly different paces, and 2) for many people, excessive reading makes them tired. Not only that, but sometimes life just plain gets in the way and you have to pick up and go on short notice. Major/Minor ignores all of these factors and leaves the player relegated to appointed checkpoints throughout the game.

Now, I’m not necessarily saying that checkpoints are inherently bad, but they do need to be used very, very wisely. Any game (VN or otherwise) that doesn’t allow the player to save anytime they want needs to be sure checkpoints are reasonably close from any given location, and furthermore that they’re spaced at regular intervals. As I’m sure you’ve guessed by now, however, the dev flushed that idea down the toilet along with what was left of his common sense and parents’ love. Sometimes Major/Minor stacks save points practically back-to-back within the span of a few minutes, and in other cases I’ve literally played for over and hour before the game finally rewarded me with the option to save.

There’s no discernible pattern or technique that I can detect for when save points are bestowed on the player; you’re not even guaranteed an opportunity to save when the game switches chapters! I would say that I can’t fathom why the dev thought this would be a good idea, but let’s not kid ourselves here, it’s clear that the dev never thought this through in the first place. If he had, he might’ve noticed that players being uncertain about whether or not they’ll be able to save their progress discourages them from playing at all.

Also, before I fully move on from the game design, I just wanted to make a brief side note about the music. To be honest, I turned the music off a VERY long time ago, so I don’t even remember what it sounds like; however, I’ve read that all of the music in the game is from the free assets you get in RPG Maker. I’ve further read that the free assets (both audio and visual) were the entire reason the dev decided to use RPG Maker for this game in the first place, in spite of the fact that there are other programs out there specifically geared toward making visual novels. This is worth mentioning because it further highlights just how lazy this entire game is. It’s not a sin to use free program assets – that IS what they’re there for, after all – but when you ONLY use the free assets and then advertise your game on Steam for being sooo creative and original, AND have the gall to charge $20 for it?? Yeah, that’s a gigantic slap in the face.

Speaking of Steam, you’d think a game like this would’ve been weeded out by the gaming community for being the garbage that it is, right? After all, there’s a ranking right at the top of the page showing the proportion of good and bad reviews it’s gotten, and right now it says the feedback is “very positive.” I will say that I do take community feedback into consideration when I’m thinking about a game that I haven’t otherwise heard of before, and my misstep with this game has definitely taught me a valuable lesson. When I saw that the game is ranked “very positive” and I scrolled down to see several glowing reviews, I felt that was sufficient enough research to know if the game was worth my time and money.

However, upon trying out the game and realizing just how badly I’d been deceived, I did a little more digging. As it turns out, the dev is known for flagging negative reviews as “abusive” and getting them deleted, allowing him to effectively filter out the bad press so long as he can make some kind of a case to Steam. This debacle has taught me that it’s not enough to scroll to the bottom of a Steam page for user reviews, as those tend to be the most recent; what you do instead is click the “Read all [x] reviews” link, as those reviews are sorted by popularity. THIS is where you’ll find the reviews that the community has deemed the most helpful and informative, and in this case, it’s like night and day. ALL of the highest-ranked reviews of Major/Minor are negative, and the numbers are staggering. Literally HUNDREDS of people have ranked these terrible reviews as helpful, and most of them are in the 80-90% range on agreement. You have to load more reviews four times to find even one single positive post, and once you do start getting into the positives, the upvotes are significantly fewer.

SO, in conclusion...

I want to say that’s about all I have to give on this subject, but the sad truth is it’s not. I could probably critique this game line-by-line, moment-by-moment, if I really wanted to. Fortunately for my sanity, I really don’t want to. … Not right now, anyway. I’m sure I’ll lose it at some point and decide to go through and count all the missed opportunities in the game or something, but I won’t be doing that right now, thankfully.

So in the vein of others learning from the mistakes of this game: If you were thinking about buying Major/Minor, don’t. If you bought it a while ago during a sale and were thinking about starting to play it, don’t. If you’re interested in making a visual novel and wanted to learn from this game’s mistakes… Well granted there’s a lot to learn about what not to do, but still, don’t give this lazy, deceptive dev any more money. Learn from this guy’s shortcomings based on the feedback of players. Hell, read or watch a Let’s Play if you really want to experience it first-hand. Just please don’t buy and play this game. As a favor to ME, please don’t buy and play this game.

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#sciver #Sallymun plays Major/Minor #I hope you guys enjoy this because it was not easy #if you know someone who's thinking about this game please show them this post #REBLOG TO SAVE A LIFE

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