#ever think about how elendira has red lipstick and nails and a pink dress (i.e. derivation of red)

[nanomooselet]

Little but Fierce VII

Update: Okay, computer had the fear of me put into it and the pictures have been added.

I confess to some confusion over complaints Legato's significance was reduced in Stampede. We're still not even halfway through the story. The '98 adaptation hinged almost entirely upon Legato, and the manga had him as Vash's greatest ideological opponent. He's the best argument Knives made for wiping out humanity: a human who'd been so cruelly abused he viewed all who failed to help him as complicit and deserving of death.

In my opinion, Legato's had his turn in the spotlight, since with Knives not confined to a lightbulb he can be a direct and present threat in a way he couldn't be before. Now it's time for someone else to play the foil.

Meryl's learned everything she needs to learn and seen all she needs to see. It's time for her final exam. First up, Zazie.

Only nominally allied with Knives, Zazie occupies the role Meryl herself seeks: observer, witness, knower of the truth, bestower of judgement. They extend the privilege of that role to Meryl - she is a representative for humanity as Zazie speaks for the Worms. Having already discussed Zazie's interest in Meryl at some length, I'll move on, and pause only to note that it testifies how far Meryl's come that Zazie doesn't completely freak her the hell out.

She passes the test: along with being ignorant of the fate of Earth, she believes that humankind can and must change. Luida showed her a means to do so. It may not be enough for Zazie to fully trust humanity, but it's a reason not to fully trust Knives. The conversation will continue.

Second, Dr. Conrad.

He's a foil more for Roberto. The extreme end of the cynical mindset that Roberto tends to espouse - that cruelty is only to be expected on a world this cruel and cannot be changed. But where Roberto advises remaining uninvolved, Dr. Conrad finds it justification for cruelty in turn.

This test, too, Meryl passes; Roberto, inspired by her determination and conviction, successfully overcomes his own cynicism and mistrust, as well as over a century of accrued rationalisations, and manages to shake Conrad's faith, his judgement cutting him to the quick. It's a relatively subdued form of defeat, but, well, neither of these men are going to be engaging in high-powered gun fights. And so we move on to the final test...

Ah, she'll do nicely.

Yes, I understand dislike for the alteration to Elendira's backstory in Stampede (albeit I do wonder whether it relates to whatever Nightow had in mind for her in Maximum, even if I can't explain what makes me think it does. Just that I do). Otherwise I wouldn't have written what I did speculating how she'll develop beyond it. However, just as with Milly's absence and Roberto's presence, I think I see the way she serves Meryl's development into the woman she becomes.

Just as Vash will have to face and defeat his shadow in his brother before he can truly claim his identity, Meryl must face her own in Elendira. Small, femme, viewed as a child (to her annoyance) but a physically developed adult, accompanied everywhere by an older teacher who assumes responsibility for her. And a lot of the other implications and symbolism surrounding El are... I believe the technical term is "yikes".

It's easy to tell that in Meryl, Vash sees Rem - dark-haired, compassionate, strong sense of responsibility. She isn't Rem, because no one can be (arguably Rem herself couldn't live up to what she became to him, which is not her fault). But in Meryl Rem's spirit survives, just as in the rest of humanity; the living reason he follows his ideals, and a reason to live.

What may be a little harder to realise is that Knives is also inspired by a feminine figure elevated near to sainthood in his eyes. But it isn't Rem he believes himself inspired by, except in the sense that he loathes her.

It's Tesla. Where Vash is determined to take on the responsibility that his mother entrusted to him, Knives wants the power both to take vengeance for and to protect his sister.

It's important that he never actually knew Tesla, nor is she capable of conveying her wishes to him, just like the dependent Plants. He only assumes she must have been helpless and weak before human brutality, just as Vash is weak, and his brethren. So it's up to Knives, the big brother, to remove that weakness - he is, after all, their representative. Their blade.

And thus he allowed the creation of Elendira. Not exactly a human, but not entirely a Plant. Childishly vindictive, impulsively violent, filled with a deep loathing of humanity, needing nothing and no one - just like Knives himself wishes to be, and thus what Knives wants to believe would be true of Tesla. She would surely approve of all he's done for her. And she's absolutely loyal to him, and rejects Vash. Knives is her lord. She is proud to serve only him.

Here we have someone who refuses Meryl's judgement of her, the assumption of superiority it carries. Who are you to pity me? She also doesn't care to be disciplined by her teacher. Dr. Conrad tells her to stop and she shouts that he be silent and continues advancing.

On top of that… there's a sense of creepy, creepy suggestiveness around El. When she bursts out of the tank, she's nude, and unconcerned with being so. She is no less a threat in this state than she would be clothed. It reminds me of Knives during Fifth Moon in the original manga. Along with the way she behaved in other scenes, like when speaking with Rollo; she, uh, licks the tip of her finger. I'm not imagining the lasciviousness in that gesture, am I?

Meryl's demonstrated that she's intimidated by this aspect of adulthood. That Elendira looks so young just makes it more disturbing. (And I deeply respect that Orange didn't go for titillating, which anime has a bad habit of doing with similar characters. Elendira isn't there to excite us. She's terrifying. It's like ep 11 being SA but stripped of anything resembling sex, leaving only the victim's terror, suffering and despair.)

This is something Meryl can't face on her own. She needs one more example of teamwork… and Roberto, ever-willing to teach, manages to anticipate and protect her long enough to see one arrive.

Big brother comes to the rescue of little sister.

Wolfwood defeats Elendira because he knows better than to hesitate. He knows that one cannot judge by appearances - he's the younger of the two! Elendira was around before Rollo; Wolfwood came after him. But physically he's older, and stronger, and willing to exert that strength to defeat her. And Elendira's got the same weakness as Knives - her confidence can't withstand even a single attempt to hit back. She falls apart like a little kid, wailing as in much surprise and outrage as in pain. Did you just shoot me?!

Meryl suffers a much more devastating blow when she realises Roberto is dying. But she survives it. And Roberto proves one final time why he was the best teacher for her. Because he doesn't blame her. He could easily have left the same scar in her that Knives left in Vash - you cannot judge, because this is all your fault.

But he doesn't. He tells her this isn't her fault. He tells her she can choose. He tells her to follow her heart. Choose your own path and walk it with confidence. And he gives her the weapon that becomes her name, along with the name itself.

Meryl Stryfe.

She's the only one she has left to rely on now. And she's ready.

Part I

Part II

Part III

Part IV

Part V

Part VI

Part VIII

Part IX