#even if ultimately i would prefer that they just. didn't do a secret child plot at all lmao

[joshuaalbert]

tbh i do think changeling jack would have been a better option like. first of all i think just actually sticking to the changeling plot, rather than the antagonists being the changelings and the borg in an alliance that i guess doesn’t not make sense but ultimately brushes aside the changeling stuff at the end probably would have been better, but i also think there’s some potentially interesting stuff in there. again with the caveat that this is kind of operating off of like...not totally changing the setup but trying to do something better with the same beginning.

like ok loose concept 20 years prior to ep 1 beverly picks up this kid while she’s on a mission in the wake of the dominion war and initially doesn’t know he’s a shapeshifter or anything, just that he’s a child who needs help. he’s on her ship for a while and she gets kind of attached to him, especially when he shows an early interest in medical stuff, but at some point she gets confronted by some subset of starfleet that’s after him, and it comes out that he’s a changeling who did something bad in an attempt to escape capture by starfleet and they’re here to take him back.

and like. she’s gotten to know him, and she feels protective of this kid and she believes he was genuinely acting out of fear and possibly reacting to mistreatment, whereas their charges seem. kind of questionable? they feel like the result of paranoia in the wake of the dominion war and she doesn’t trust the people that are going to bring him in to treat him fairly, and she’s already somewhat more disillusioned with starfleet than she used to be because she’s already lost one son to starfleet ideals and is starting to regard jack as another, so that questioning really gets kicked into overdrive here on a broader scale. she makes the choice to protect this kid that she’s gotten attached to and they escape, but they have to go on the run, and that’s why she’s been off the grid for so long. she raises him, and they do their medical thing, but eventually they run into trouble and she doesn’t know where else to turn, so she reaches out to picard and tells him not to involve starfleet (both because they’re potentially compromised but also because her trust in them is still not at an all time high)

and then also since that’s dealing with the dominion war and that story belongs to ds9 i would have loved to bring back sisko (probably like. as at least a 2-3 episode arc, one of which replaces the episode w/ro laren bc i love her and all but she deserved better and we could have made the points that were made there in other ways). like. put him face to face with picard for the first time since the ds9 pilot and have them reassess each other after this time. i don’t know exactly how i’d see that dynamic playing out but i think bringing them back together to try to negotiate a threat would be super interesting AND like. i would really love to see picard going to sisko for advice about fatherhood tbh. maybe picard has read jake’s work and is familiar with the fact that they have a very close relationship so in trying to bond with jack he realizes sisko could be a really good person to learn from, even if they’ve had personal struggles in the past (and even if they’re never like Friends now). idk feels like a way to bring sisko back in and give him some closure that would have worked thematically on multiple levels.

like idk i dont have a whole plot seeing as ive been thinking about this for. not very long. but by focusing more on the changeling plot and giving it personal relevance we can focus on questioning starfleet and the federation, and how having to question these things picard has dedicated his whole life to affects his identity, but ideally to me the conflict would be one that shows the potential for positive change.

[tlonista]

Blood and Blue Diamonds: Chapter 17 Notes

I warned you this would get less historically accurate, but on the off chance it isn’t obvious…

James McNamara was not remotely enough of a badass to escape from a life sentence in San Quentin, fake his death, move back to Los Angeles, take over a bar run by his old partner, usurp said partner’s adoptive child, and become a secret crime boss. One thing that is relatively accurate is that "we didn't mean to kill anybody" isn't a tweak to make Vander and Silco look better; the whole union bombing campaign was mainly focused on fear and property damage and the McNamaras, as far as I understand it, really fucked things up.

Silco’s role is sort of analogous to the New-York-turned-LA gangsters Bugsy Siegel or Mickey Cohen, both of whom made it their mission to organize the city’s extremely disorganized crime in the ‘30s to ‘50s. On the other hand, neither of them were remotely secretive about it. Like, imagine Silco rolling up to Piltover every weekend and dropping vials of shimmer in front of the Council, that’s about the level of subtlety you got from Mickey Cohen. The man claimed he made his money by betting on horses and running a haberdashery because he couldn’t be bothered to come up with a believable cover story. He commissioned an armored Cadillac and tested it on a police academy firing range. Before LA he went to Chicago and got kicked out because he kept running blatant stickups every few days to buy new hats. (Well, there were other reasons, but the hat thing didn’t help.)

Between Singed, Sevika, and Silco, I’m ambivalent of how strongly Arcane plays into the “disfigurement/disability == villain” convention. (Even Viktor has the spectre of League supervillainy hanging over him.) Obviously these characters have levels of complexity, but in the end they’re still pretty clearly framed as antagonists. And this becomes weirder in a historical AU because you don’t have the conceits of fantasy wounds or superpowered prosthetics either, so you’re even more clearly just writing people with physical injuries, not steampunk arms or glowing eyes.

That said, if I’m going to stick with this — and ultimately I am — the ‘30s benefited from a lot of then-recent advances in prosthetics. World War I was the first death-on-an-industrial-scale war, so there was a sudden wave of returning soldiers with missing limbs or severe facial disfigurement and a corresponding complex of people trying to help them. (It was also the birth of modern reconstructive plastic surgery.) Silco's mask in particular is based on the real painted metal masks that were made for soldiers — mostly in Europe — around the end of the war. The masks didn’t last particularly long and effectively wouldn’t have been around at this point, but I’ve had a long-standing fascination with them and couldn’t resist the chance to put them into something.

And, finally, Sevika’s poker preferences. My early versions of the scene had her playing five-card draw, which features most of the conventions I associate with fictional poker games. But California law in the ‘30s had a weird quirk: all gambling was outlawed except draw poker. (It was assumed to be a superior game of skill, while stud poker and blackjack were games of chance.) Obviously I had to have Sevika playing cool outlaw poker, so this wouldn’t do. Texas hold ’em wouldn’t become popular for several decades, and five-card stud didn’t easily allow for bluffing and obscuring your hand, which I needed thematically and for plot purposes. So, by pure process of elimination, she’s a fan of seven-card stud.

This would, it turned out, not be remotely the hardest game-related research I would end up doing for this fic… but we’ll get to that later.

[noszkass]

ashley tempest winthrope.

thirty six. defense attorney. jai courtney.

“You're supposed to grow out of your horridness, aren't you? I don't think I ever grew out of mine. Sometimes I think it's still inside me, like something nasty I swallowed, that got stuck...”

content warning: mentions toxic, co-dependent relationships; abuse; death of a peer/family member (via murder).

dominant traits. logical, charismatic, gentleman, stoic, focused, patient, selectively affectionate, charming, observant, cautious, possessive, unpredictable, self-preserving, forceful, obsessive, demanding, melancholic, aggressive, irritable, distrusting, unrelenting, loyal, easily jealous, less hair-trigger more berserk button, no-nonsense, quick thinking, dishonest.

fictional parallels. elijah mikaelson (the originals); geralt of rivia (the witcher); henry winter (the secret history); pope cody (animal kingdom); richie gecko (fdtd the series).

○ born into the winthorpe family; known for their successful generational family law practice, as councilmen from neighboring townships, and good for nothin' criminals who latched onto the teat of a community that's long-since given up on them like leaches─depending on what side of miriam's well it is you live in. ashley's particular branch is the former. estate house in rosebush hill drive, debutant turned matron belle mother who just can't seem to find her way around or out of other people's business (including, if not almost invariably, that of all three of her children), and a certain amount of respectability he was brought up to live by.

○ on the surface ashley winthorpe is a deliciously handsome man. wealthy and put together. takes pride in his appearance and family name. he's also well-mannered and polite, and thoughtful in such infinitesimal ways that you never really think much of until after the fact. and there is something so very not right about him. he has a kind smile that never quite reaches the edges of his eyes and though it doesn't necessarily look disingenuous, there's something about it that doesn't exactly leave you with a sense of ease. like an unfamiliar gesture that's been practiced over and over, so many times that it's lost meaning. like it takes the muscles in his face a moment to pull before they settle in the correct spots. he'll have a conversation with you and while at times it seems he's looking right through you, others will have his attention so intensely undivided it feels as if you've been bared naked and left in a cold room. like you've just been caught lying about something and he knows. somehow, he's known all along. because he listens intently when you speak to him and you suspect somehow he never forgets a single thing he's heard.

○ there's no mistaking his booming voice, jarring, even at a whisper sending shockwaves through your core that has you on high alert. even when it's soft and lulling (in an attempt to offer comfort or catching him melt into the woman he's declared the love of his goddamn life from the corner of your eye through the crack in his office door), there's something threatening that looms. less like hard blunt force and more like a living, breathing fog that blankets you with strong arms, settles deep into your gut, coils itself around your innards, and wrings you dry. the confusing part? you know, without a doubt, he would protect you with no hesitation and ask for nothing in return. and, most of the time, you'd be right. because ashley winthorpe is a good man. no matter how your instincts thrash, screaming at you otherwise.

plot hooks.

i apologize, some of these are all very specific to a singular plot and i could've just included them in a legit request 😬🙃

○ sandbox love never dies. a very specific and imperfect friend group cast in the roles of bastard, bleeding heart, damaged, golden, grim, ingénue, temptress, and wild card. they've been together since any of them can remember. spent their whole lives dreaming about trying to get out of miriam's well, but instead only found tragedies that bind them to each other. tragedies, usually, of their own making. you'll be able to read a little more about these characters in the sandbox love request, which i promise is coming!! there is a doc in the works with more information + a plot server, so expect to be part of those things if you take one of these babes!

○ his secretary. in the past he's helped her out with something legally and she's kind of in his debt, though he insists time and time again she owes him nothing of the sort. i figured it'd be something along the lines of strong holding an ex-boyfriend or husband who wouldn't leave her alone (making her miserable, or something like refusing to pay child support he'd been ordered to pay, dragging her name through the mud, etc. general nuisances to nip in the bud/bad behavior in need of correcting before they became worse as they usually do. you get the idea), because that's notoriously right up his alley. likely using non-legal means to get there; intimidation is sort of his thing. and while he may not be the type of boss or co-worker who meets you for drinks after you clock out, he does have an affection for every single one of his employees and seeing as how she works with him the most, she'd be near the top of that list. maybe she was intimidated by him in the beginning and now she knows he's not everything he appears to be. and they have an understanding.

○ the weight of his guilt. [cw: murder. this will come much later in the plot!] the winthorpes are a family on two very extremes of a type of people. [the bastard] is his cousin on his father's side, a wayward little sister who got knocked up by someone unbefitting of the family and then marrying someone worse by their standards when the father got himself put away over an affair or something just as unbecoming. ashley was always raised closely with [the bastard], his father's hope to sway the boy of many wasted talents to the right side of the family, to make something of himself. but he's a product of his lineage. and only ever finds situations for ash to get him out of. eventually, [the bastard] who he will murder, cold and bloody and bury at the base of an old oak tree will disappear. and ashley's guilt will cause him to reach out. as far as anyone knew, they were the best of friends. always together (even if that relationship was practically handwrought by his father, and he had little-to-no patience for his cousin's antics). it'll be only natural that he come by every now and again to check on them, show care, help fix up things around the house that [the bastard] would have if he were still around. because it'll ultimately be ash's fault he's gone. partially. [the bastard] will deserve what he gets and no one who'll know will be able to convince him anything otherwise, but his family didn't deserve the fallout that came after. maybe a parent or sibling or someone [the bastard] claimed to love while making his way through the female population of miriam's well.

○ the other two winthrope children. they're expected to be upstanding citizens to combat the trash reputation the other winthrope side creates. father is one of a long line of lawyers (with a main practice just outside of town, ashley's secondary office in mw because he prefers it here) and mother is a homemaker whose extracurriculars might as well be solid, paying jobs. they have three children together; ashley (being the oldest son), a daughter magnolia (and the only girl -- taken by sage), and the youngest son, credence (who is very likely expected to join the family business, like ashley). i don't expect anyone to make the parents even though that would be incredible? but they all still have rooms at their home in rosebush hill drive to use at their leisure. it wouldn't at all be out of the question that some of the children still live there -- especially the daughter if she's unwed. they're very old fashioned southern that way. they do these big family events where everyone is expected to participate, go on vacations and holidays together, and church on sundays regardless of your personal beliefs on the matter (that you had very well better keep to yourself if they don't align, ashley has learned). their grandfather also lives in the family house after losing grandma a few years back.