#eve dragons lair
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sandandsnow · 11 months ago
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Eve character design guide from Dragon’s Lair 2 💖
Art by Don Bluth
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territorial-utopia · 3 months ago
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Happy New Year 2025!! May we all weather through this one. Check up on friends, stick together, there will be sunshine again eventually.
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sleepytroll · 1 year ago
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☽ ✧ once a greedy king / slain / now cursed to shamble with his shame / a sword covered in rust and flowers ✧ ☾
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When The World Is Crashing Down [Chapter 13: Condemned From The Start] [Series Finale]
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Series summary: Your family is House Celtigar, one of Rhaenyra’s wealthiest allies. In the aftermath of Rook’s Rest, Aemond unknowingly conscripts you to save his brother’s life. Now you are in the liar of the enemy, but your loyalties are quickly shifting…
Chapter warnings: Language, warfare, violence, serious injury, alcoholism/addiction, references to sexual content (18+), death, angsttttttt, more children than usual, Wolfman!
Series title is a lyrics from: “7 Minutes In Heaven” by Fall Out Boy.
Chapter title is a lyric from: “Sophomore Slump or Comeback of the Year” by Fall Out Boy.
Word count: 8.1k.
Link to chapter list: HERE.
Taglist (more in comments): @tinykryptonitewerewolf @lauraneedstochill @not-a-glad-gladiator @daenysx @babyblue711 @arcielee @at-a-rax-ia @bhanclegane @jvpit3rs @padfooteyes @marvelescvpe @travelingmypassion @darkenchantress @yeahright0h @poohxlove @trifoliumviridi @bloodyflowerrr @fan-goddess @devynsficrecs @flowerpotmage @thelittleswanao3 @seabasscevans @hiraethrhapsody @libroparaiso @echos-muses @st-eve-barnes @chattylurker @lm-txles @vagharnaur @moonlightfoxx @storiumemporium @insabecs @heliosscribbles @beautifulsweetschaos @namelesslosers @partnerincrime0 @burningcoffeetimetravel-fics @yawneneytiri @marbles-posts @imsolence @maidmerrymint @backyardfolklore @nimaharchive @anxiousdaemon @under-the-aspen-tree @amiraisgoingthruit @dd122004dd @randomdragonfires @jetblack4real @joliettes
Thank you so much for reading. I hope you enjoy the finale.🦀💚
In the Eyrie, one of Rhaena Targaryen’s three dragon eggs has hatched at last; the creature is small and pink, and she has named it Morning. When Rhaena’s tears fall onto the scales of her diminutive wings, they glitter like flecks of rose quartz. Deep within the snow-laden labyrinth of the Mountains of the Moon, Nettles is in hiding with Sheepstealer; already the nearby clans are bringing her offerings of meat and treasure, axes and clubs and daggers, hairpins carved from the ribs of enemies and necklaces made of bear teeth. Silverwing is settling into a lair on an island in the Red Lake at the northwestern corner of the Reach. Word of this has travelled back to King’s Landing, and Borros Baratheon implores Aegon II to seize Silverwing for himself; but the king does not want a new dragon. He wants Sunfyre back. That grim truth aside, Aegon is unable to trek across the continent to tame the beast anyway. Some days he cannot even cross a room. At the bottom of the Gods Eye, bodies are dissolving into bones, threads of long white hair breaking loose to flow in the currents like weightless strands of spider webs torn free by cold drafts. And only a few miles from the border of the Crownlands—preparing to cross the icy waters of the Blackwater Rush—the army of Northmen camps under a full moon in a clear, indigo sky heavy with stars like glinting coins.
“There are passageways under King’s Landing,” Clement Celtigar says. He stands by the bonfire with his sword in his hand, his face flame-bright and eager, forever licking up drops of the Kingmaker’s approval, a stray cat lapping milk splashed in an alley. Increasingly, Cregan Stark finds him tiresome. Clement is brash and dramatic, forever swearing vengeance, reveling in his newfound position as the head of his house. The Warden of the North has never had to beg for attention, admiration, acclaim. These things come to him like snow falls to the earth in winter: effortlessly, inevitably. Yet Cregan tries to be patient. Clement is soon to be his brother-in-law, and it is dishonorable to fail to extend courtesy to one’s kin. Furthermore, it seems, Clement has his uses.
“Are there really?”
Clement nods. He wears the banner of his house on a strip of fabric looped around his upper arm: crabs red like blood, a backdrop of white like snow. “That monster’s disciples used them to kidnap my sister from the Red Keep. But she fought hard. When we searched her rooms, all the furniture was upturned and the sheets ripped from her bed.”
“She is brave,” Cregan murmurs in agreement, though he is distracted now. The air tastes like smoke and ice, the wind rubs raw spots into the soldiers’ faces. They are arriving just in time. The depths of winter is no time to wage war. Cregan Stark imagines how you will greet him when he liberates you: a desperate embrace, hands that refuse to let go, whispered gratitude and breathless kisses on his earth-stained knuckles, bones of steel softened by the innate weakness of womanhood. You will love him, of course you will, fervently and entirely. Then when the realm and succession are secured, the Kingmaker will take you North and wed you in the tradition of his people, under the heart tree where the Old Gods can witness it. And then there will be the wedding night. In Cregan’s understanding, women receive little pleasure from the act itself. It is a burden they bear for the men they love, for the children they are divinely tasked with bringing into existence. Cregan Stark intends to alleviate your suffering in this regard as much as possible…yet he has already begun to choose the names of the sons he will make with you. He especially likes the sound of Brandon, sturdy and grounded and thought to mean leader or prince. “This is the last night your sister will ever spend in the clutches of the Usurper.”
“Praise the Seven.” Then Clement adds diplomatically: “And the Old Gods too, of course.”
“It’s the end of the world,” Cregan Stark says, gazing up into the night sky where constellations tell the stories men deem worthy of remembering. “And the start of a brand new one.”
~~~~~~~~~~
“How did you learn to braid hair?” little Jaehaera asks you in her lilting, reedy voice like a bird’s. You are sitting behind her on the floor in Alicent’s bedchamber. Nearby, Autumn is flipping through a child’s book with Rhaenyra’s ever-solemn son, murmuring as she points to colorful illustrations of ravens, dolphins, bears, dragons, crabs. They are learning to read together.
“My sisters taught me,” you tell the princess. Firelight turns her silver hair to gold, her pale skin to flames. Logs crack and pop as they melt to glowing embers. Alicent glances over at you and sighs despairingly. The dowager queen, so thin she might disappear, is hunched in a chair by the fireplace. She has an unshakeable, rattling sort of cough that reminds you of how Sunfyre sounded on Dragonstone when he was near the end. Her long auburn tresses are falling out in handfuls. She will not survive the winter, this is a certainty.
“You have sisters?” Jaehaera says, surprised. “How many?”
You smile faintly as you weave her hair into one thick braid like the kind Aemond once wore when he went to battle. “Three. Piper, Petra, and Penelope.”
“Where are they now?”
“Back on Claw Isle, where I came from. With our mother.” Mourning Father, mourning Everett, writing letters to Clement to keep his spirits high as he and the Warden of the North march towards King’s Landing to slay the Greens’ king and bind me to a different man’s will.
“What’s Claw Isle like?” Jaehaera asks with a child’s clear, boundless curiosity.
“Rocky, misty, grey. But the ocean is beautiful.” You think of Aegon’s eyes, the same as his daughter’s, a murky storm-blue that is deeper than it looks.
“What brought you here?”
You consider this before you answer. You see it, you feel it: cinders like dark snow in the air, Aemond’s iron grip on your forearm. “When your father was burned at the Battle of Rook’s Rest, he needed someone to help heal him. Your uncle Aemond found me.”
“And he asked you to stay with us?”
He would have slit my throat if I said no. “Yes, he asked very politely, as any gentleman would. And of course I agreed. I wanted to make the king strong again. I wanted to take his pain away.”
Jaehaera stares down at her tiny hands, palms crossed with lines that are long and shadowy in the shifting firelight. She does not speak of Aegon. She does not know him, and he frightens her: the burns on his skin, the suffering in his glazed eyes. She has no memories to impress his true character upon her. If she does not make them herself, she will believe whatever she is told. “I miss Aemond. I miss Daeron.”
“I know, sweetheart.” They were formally laid to rest yesterday on two funeral pyres. Daeron’s bloodied, charred, seafoam green cape was burned to ashes on one. All that was left of Aemond—his favorite books, his quills and ink, small leather eyepatches from when he was a boy—were torched on the other. “I miss them too.”
Jaehaera’s braid is finished. You reach into a pocket of your emerald green velvet gown to retrieve what you have brought for her: a thin golden chain necklace with Aegon’s ring as a pendant. He can’t wear it anymore. His fingers are too swollen. “What is this?” Jaehaera says as you place the chain around her neck. She lifts the ring and peers at it, gold wings and jade eyes.
“It’s supposed to resemble Sunfyre,” you explain. “Your father loves you very much, Jaehaera. He wanted you to have this ring and keep it with you always.” Aegon didn’t say that; he rarely mentions Jaehaera at all. Sometimes you think he forgets she exists. But she is a part of him, she is his legacy, and you cannot look at any piece of her without seeing the man you love.
“He gave it to me? Like a gift?”
“Yes. A gift.” A gift, an inheritance, a relic, a reminder.
Jaehaera turns around and looks up at you hopefully, vast wave-blue eyes like winter oceans. “Do you think I’ll have another dragon someday?”
Her own infant beast, Morghul, was killed in the Dragonpit before Rhaenyra fled the city. “Maybe,” you tell her. “There are eggs that could hatch someday. And there are a few unclaimed adults left, Silverwing and the Cannibal. Perhaps you’ll tame one.”
She wrinkles her nose in confusion. “What’s a cannibal?”
Someone who murders, devours, fuels their body to the detriment of their soul. “Someone who eats their own kind. Like a dragon who feeds on other dragons.”
“So just like in the war. Dragons killing dragons.”
“Exactly,” you say, a shiver crawling down your spine. “Now go show your new necklace to Grandmother.”
Jaehaera wobbles to her feet and dashes across the firelit bedchamber to where Alicent is slumped in her chair. “Look, look! It’s Sunfyre!” you hear Jaehaera chirping. Alicent examines the ring—skeletal hands trembling, large dark eyes slick with tears—and dutifully fawns over it, telling the little girl how beautiful she looks, how brave she has been. Then she bundles Jaehaera into her boney arms and holds her like she’ll never let go. Autumn catches your gaze from the other side of the room, and when you leave to return to Aegon she follows.
“What is your plan if the Greens lose the battle?” she says in the hallway under an arc of grey stones. Her tone is urgent, her hazel eyes sharp. Everyone knows the Northmen are within days of King’s Landing. Borros Baratheon—a large, loud, abrasive man, but with a bottomless appetite for combat—and his soldiers will march out of the city tomorrow to meet Cregan Stark’s army on the fields of the Crownlands, sparse and grey with winter. The Lord of Storm’s End has spent hours locked in the council chamber discussing strategy with Larys Strong, Corlys Velaryon, and the misfortunate yet courageous Tyland Lannister, maimed by his months of torture at the hands of the Blacks.
“We won’t.” We can’t.
Autumn slams her palm against the wall behind you; the sick thud of flesh against stone reminds you of the day Helaena died. “Wake up. We might. You’d better have your options figured out.”
And you recall Larys’ words on Dragonstone: I think it’s time for you to consider what your options are if a Green victory no longer appears to be viable. “We’ll run,” you say weakly. “We’ll take Aegon and we’ll escape through the corridors under the Red Keep, just like he did before. Cregan Stark will kill Aegon if he finds him. I can’t let that happen. We’ll have to run.”
“Run where?” Autumn snaps pointedly, pushing you towards a conclusion you refuse to acknowledge.
“I don’t know.”
“Where? Where could we go that is beyond the grasp of your wolf if he seizes the capital?”
“Dorne, Essos. Somewhere, anywhere.”
“The king won’t survive a journey like that.”
You cover your face with your hands, feel the biting cold of snowflakes melting in your hair, see the stains of earth on your thighs as Cregan Stark forces them apart. How can I lie with a man who hailed the deaths of people I loved? How can I spend the rest of my life listening to him being called a hero for killing Aegon? How can I give him children? How could I love a baby that was half-made of him? “We ran before. We’ll have to do it again.”
Autumn scoffs. “You have no idea what it means to be a woman on your own in the world. What will you become without a great house, without protection? A prostitute? A peasant? Will you eat scraps covered with rot or mold? Will you live in a tree? Will you beg some family to take you in? And then when the father who is oh-so-gallant in daylight starts fumbling under your blankets once the candles are blown out, will you let him inside you? Or will you fight him off and risk a blade in your guts, your throat? You have no fucking idea what it’s like out there.”
“I don’t care what happens to me if Aegon’s gone.”
“You would abandon Jaehaera? You would abandon me?” Autumn demands. “You speak for us now. You are the only one who can. Our fates are twisted up with yours.”
That’s true. And I promised Helaena I would look out for her daughter. You can’t imagine a life without Aegon; there was a time when he was only a name—and an infamous one, a terrible one, soulless and monstrous—but now he has broken down the eaves of what you were once resigned to call your life and painted colors in the sky you’d never glimpsed before, never even dreamed of. You ask Autumn with genuine, painful bewilderment: “What is the point of learning that something exists only to have it taken away? Why would that happen? Where is the justice in it, where is the reason?”
Autumn smiles, sad and patient. “Ah, this is an affliction of the highborn. You still believe that there is a design, and that life has some amount of fairness in it. There is no divine judgment being passed, my lady. There is no god weighing the worth of your dragon or your wolf or yourself. Life is random, and it is ungovernable, and it is very often cruel. And that makes it all the more remarkable that you knew the king for the time you did. That you ever met him.”
It wasn’t enough. And I can never go back to who I was before. “I’m sorry. I should not complain to you. Your losses have been terrible.”
“It is no contest,” Autumn replies, weary now. “But I should go back to check on the children. They need me.”
“No. They love you.”
And now she beams, sparkling eyes and copper ringlets. She doesn’t need to say it, you can both feel it in the winter-cold air. She loves them in return. She loves them fiercely. As long as they live, she will have reasons to.
When you reach Aegon’s bedchamber, Grand Maester Orwyle is just leaving. He bows to you and grins, pleased that you have both survived the fall and retaking of King’s Landing. He is haggard from his months in the dungeons when Rhaenyra ruled the capital, but he endured. Who would have guessed at the start of this war that the old man had more years left than Aemond or Daeron or harmless little Maelor? You wait in the hallway for the maester to amble sluggishly by, but then when he is gone, you peer through the slit of the half-open door to see that Lord Larys Strong is speaking to Aegon, who is propped up in bed on a mountain of pillows and wearing only his cotton sleeping trousers. He is thin, frail, ghostly pale with the exception of the scars that are a mosaic of white and scarlet and bruise-like violet. Aegon and Larys have not noticed you. You linger just outside the doorway, watching, listening.
You can take care of Aegon as much as you wish now: feed him, clothe him, clean sweat from his brow, dose him with milk of the poppy, rub rose oil into his scars, stretch his legs, test the heat of his skin for fever. He’s too weak to stop you. He can’t walk, can’t stand, can’t stay awake for more than an hour or two at a time, can’t even pour his own wine or milk of the poppy; the glass bottles are too heavy when full. Yesterday, Aegon had to be carried outside in a litter to see the remnants of his brothers burned on the pyres. And he had exchanged a brief, somber glance with Autumn that you neither anticipated nor understood. He acknowledges her so rarely. And yet her small hazel eyes had been alarmed, knowing.
Larys is saying with a grave expression and his restless hands propped in the handle of his cane: “Lord Borros Baratheon is asking for your assurance that as soon as the war is won, you will take his eldest daughter Cassandra as your wife.”
Aegon stares at him, incredulously, impatiently. Aegon has not called you his wife in the company of others since his homecoming. You do not ask why. You already know. It is not because his intentions have changed; it is because if he is not the victor, your life is in less danger as his captive than as his queen. “Surely even a man as brainless as Borros can surmise that there would not be much benefit for the lady now. I am a worm. Useless, pathetic, deformed, no longer virile.”
“He is willing to take the chance, I gather. And he is placing his eggs in more than one basket. He would like another daughter, Floris, to be married to me.”
“Seven hells,” Aegon mutters. Then he turns determined. “I cannot marry another. I won’t do it. I am claimed already, body and soul.”
“I fear how enthusiastically Borros’ men will fight for you if you do not agree to the match. He is risking his life for your cause. He will expect generous repayment.”
Aegon is quiet for a long time. He stares fixedly at his bedside table: a full cup, a large glass bottle of milk of the poppy. His dagger is still there from when you cut and braided his hair for him this morning; he cannot do it himself anymore. At last Aegon says, almost too low for you to discern from the doorway: “He’s not cruel, is he?”
“Who? Borros Baratheon?”
Aegon glares at Larys. “No.”
After a moment, Larys realizes what his king means. “Cregan Stark isn’t cruel. I’ve heard many whispers from many mouths, but I’ve never heard that.”
“Look at me. Don’t lie to me.”
“He isn’t cruel,” Larys says again. “Perhaps the truth is worse. He is measured, competent, merciful, wise. He is honorable. The Manderlys want to torture everyone and the Boltons itch to sharpen their flaying knives but Stark forbids it. He respects the laws of war. He tries to avoid the slaughter of noncombatants. He forbids his men from burning farms or raping women. He is devoted to the woman you call your wife. He takes no mistresses, visits no brothels. Cregan Stark is not a monster. He’s not soulless. He’s just on the wrong side.”
Aegon nods slowly, then his face breaks into a humorless smirk. “Tell Borros Baratheon that I’ll marry whichever daughter he wants me to when the war is over. I’ll marry all four if that is his preference, and bed them all on the wedding night too, one right after the other. Agree to anything he asks for. It doesn’t matter anyway.”
It doesn’t matter because none of it will ever happen, even if the Baratheon army does win the Iron Throne for the Greens. It doesn’t matter because Aegon does not believe he’ll still be here in a month, or two weeks, or perhaps even days.
But he can’t mean that. He’s not thinking clearly. He’s confused, he’s exhausted, he’s in pain, you tell yourself, before remembering that Aemond said it first.
“Yes, Your Grace.” Larys is subdued, sorrowful. He bows deeply to his king. Then he turns to depart.
“One more thing,” Aegon says, gesturing to something on the side of his bed you can’t see from where you’re standing. “I hate to impose upon you further, but I can’t manage it myself. Can you take that and empty it somewhere? I don’t care where. But you must keep it hidden from my wife. The red-haired girl Autumn knows, and so do the maesters now. They are all sworn to secrecy. Can I trust you to exercise the same circumspection?”
Larys is gaping down at an object that is a mystery to you. He begins to stammer out a reply, stops to collect himself, and starts again. “Yes. Yes you can.”
“Good.”
Larys picks up the object; you are puzzled to discover that it is a chamber pot, white and porcelain. And as he navigates around Aegon’s bed and towards the door where you wait, you see that the vessel is full of blood.
You gasp before you can stop yourself, a razor-sharp inhale of breath that both men hear. They spot you, lurking in the doorway like someone lost, someone far from home. Shock bolts across Aegon’s face, and then frustration, and then defeat, and then profound misery.
“I didn’t want you to worry,” he says. “I didn’t mean to lie to you, I just knew…I knew you’d be upset and I…I didn’t want to hurt you. I’ve never wanted to hurt you.”
“How long?”
“It doesn’t matter, Angel.”
“How long?” you ask again. “Just since this morning?”
“Four or five days now.”
“Four or five…?” Your mind whirls like storm winds. He’s dying. He’s really dying. His kidneys are failing and there’s nothing I can do. I can’t cut him open and stitch him back together. There’s no wound to scrub clean with vinegar and then bandage with honey and linen. There’s no brew that can restore the rhythm of his blood and bones and nerves. He’s just dying. That’s all there is. That’s the beginning and the end of it.
“Please don’t cry,” Aegon says, reading your face. “Don’t do that, please don’t, I’ve hurt you enough already.”
His hands stretch out to close the space between you, and as Larys slips from the room you go to Aegon, climb into bed beside him, collapse into him as his arms catch you and rest your head against his bare, scarred chest, his feverish skin mottled with the history of wounds you helped close all those months ago. “I’m sorry,” you sob. “It’s my fault. I shouldn’t have let you go after Baela and Moondancer on Dragonstone. I should have stopped you. I should have dragged you inside the castle to wait until Aemond and Vhagar could help you. I shouldn’t have let Aemond go to Harrenhal. I shouldn’t have let Daeron fly south. I shouldn’t have let Autumn go back to King’s Landing, and I shouldn’t have let Everett stay there. I shouldn’t have let Helaena leap from the window. I should have stopped Maelor from being sent to the Reach. I should have stopped Rhaenys and the Red Queen from taking flight to burn you in your armor at Rook’s Rest. I should have stopped this! I should have done something! The only good thing I’ve ever had to offer the world was healing but I can’t save anyone, I can’t stop their suffering, I can’t do anything!”
“None of it was within your control, and none of it was your responsibility. I am the king. The fate of my kingdom and my followers rests with me. I wear their spilled blood, not you. I am so full of red I’m overflowing with it.” And he chuckles, sardonic, exhausted. He’s already battling unconsciousness again; you can hear his heartbeat slackening, the slow laborious expanding and contracting of his lungs.
“Aegon,” you say softly, as if afraid to speak it into existence. “What happens if the Baratheons don’t win tomorrow?”
“They will. They have to. There’s nothing I can do for you if they lose.” Then he winces and groans. It’s his back again, his failing kidneys, overrun with so much ruin—burns and breaks and pressure and heartache—that their cadence faltered and then ceased. You grab his cup of milk of the poppy and tilt it against his lips; and how many times have you done this since you met him, burned nearly to death and half-mad at Rook’s Rest? A hundred? Aegon drinks it down, his arms still tight around your waist. They do not loosen until he’s out like a snuffed candle.
You refill the cup on his bedside table with milk of the poppy in case he needs more when he wakes, pick up the dagger you use to cut his disheveled hair, take it to the dresser. And in the cascade of silver moonlight flooding in through the windows, you practice laying the gleaming blade against your wrists, pressing it to the throbbing arteries of your throat, angling the sharpened point of it between a gap in your ribs and towards your racing heart.
Autumn. Jaehaera. Aemond’s child that Alys carries. I still have promises to keep. I still have tasks that cannot be left unfinished.
Helaena’s words surface like a drowned man dredged from the waves: You must whisper into the right ears.
You set the dagger down on top of the dresser and roam to the castle library where Aemond once spent so many hours. You collect a stack of anatomy books and carry them back to Aegon’s bedchamber. There, before the roaring fireplace, you devour them for any scrap of hope, any last resort. You turn pages until one illustration stops you. It is an unclothed man, his major veins etched in blue and his arteries in red, his nerves a faded yellow, his bones white and unshattered, his body a roadmap of the bricks and mortar used by the architects of nature. You have seen this image before. It is the same page Aegon teased you for studying when you were travelling by carriage back to the capital from Rook’s Rest.
You rip out the page, crumple it violently, pitch it into the fire and watch it burn.
~~~~~~~~~~
At dawn, Lord Borros Baratheon leads his men out of the city. You hear them through the glass panes of the windows, closed against the winter chill and flecked with frost: boots marching, hooves of warhorses clomping against cobblestones. They carry with them swords and spears and bows and morning stars like the one Criston Cole was famed for using. Meanwhile, throughout the city, civilians are arming themselves with anything they can find to ward off an invasion of Northmen, creatures they believe to be bestial and mindless. Men carry kitchen knives and clubs fashioned out of bits of furniture or driftwood. Women hide their young children in cupboards and under creaking wooden floors.
“I should be going with them,” Aegon says. He’s just taken another dose of milk of the poppy and is struggling to keep his eyes open. His long, slow blinks close his vacant eyes for ever-increasing intervals. You’ve changed his clothes and cleaned the sweat from his skin as best you can, but he’s burning from the inside out.
“You’re not able to fight, Aegon. Nobody faults you for that. Everyone knows you were wounded in battle.”
“They must think I’m a coward.”
“No, you inspire them. They love you. I love you.”
Aegon doesn’t say it back. He never says it back. He only offers you the same drowsy, mournful phrase of High Valyrian he always does, not knowing that Aemond told you what it means: To your misfortune.
Autumn is with the children in Alicent’s rooms. The castle is tense and as quiet as a crypt—Alicent weeps soundlessly, Larys paces the halls with Corlys and Tyland Lannister, everyone peeks out of windows constantly to see if bannermen of the victor have appeared on the horizon—but she keeps them distracted with stories and games. You cycle between Alicent’s bedchamber and Aegon’s. He is in and out of consciousness; sometimes you perch beside him on the bed, sometimes you lie curled up against him counting the beats of his heart, sometimes you help Autumn read to Jaehaera and Aegon the Younger. It is just after noon when the city bells begin to toll and screams rise from the streets outside the Red Keep. You and Autumn hurry to a window. In the distance, beyond the city gates, there is a swarming mass of infantry, cavalry, archers. Their banners, when you strain your eyes to decipher them, are not the brazen, vivid yellow of House Baratheon. They are night black and an icy, steely grey. They are the colors of House Stark.
“No,” Autumn says, denial in a protracted, helpless exhale. Alicent shrieks, frightening the children. You grab Autumn’s hand and lead her out into the hallway to warn the others if they don’t know already.
Lord Corlys Velaryon comes bounding up a staircase. “There are soldiers down in the secret passageways!” he booms. “Northmen! Armed! I’ve helped our guards bar the doors, but that won’t hold them back forever.”
Autumn looks to you. “Get the children ready to travel,” you tell her. “Find Larys and inform him.”
“Yes, my lady,” she says, and is gone. You sprint in the opposite direction towards Aegon’s bedchamber. You blow the door open like a strong wind, and Aegon startles awake. You rip through his dresser for things he will need: warm clothes, boots, his dagger, bottles of milk of the poppy.
“Get up, Aegon. We have to go. We’ll run, we’ll flee, there are Northmen in the tunnels but we’ll find another way out, we have to try, we have to, if they catch you they’ll—”
“Come sit with me,” he says from the bed, calmly, like you have all the time in the world. He is reaching out for you with one hand.
“What? No, we have to hurry—”
“Angel,” Aegon says. “I need you to come sit with me now.”
Why isn’t he afraid? Why isn’t he frantic? You cross the room with slow, numb footsteps. When you reach the bed, Aegon takes both of your hands in his own. And suddenly you know exactly what he is going to say. You remember what he told his brother in High Valyrian the last time Aemond left Dragonstone. Your voice is trembling and hoarse. Your throat burns like embers. “Aemond was supposed to be here to help us win. But he’s gone. Daeron, Criston, Helaena, Otto, Everett, Jaehaerys, Maelor, Autumn’s baby, so many people are gone.”
Aegon whispers, smiling softly as tears spill down his cheeks, one scarred and the other pure: “I’m not going to get better this time.”
“No,” you moan. “No, Aegon, no. You can’t say that, you can’t tell me that—”
“I’m not going to get better.” Now his palms cradle your face, forcing you to listen. “I’m not. And it’s okay. I’m not angry, I’m not scared. You’ve done everything you could and you’ve bought me more time and I’m so grateful. But I don’t want it to hurt anymore. I’ve been in pain for so long. I’ve been in pain my whole goddamn life.” He kisses you, like tasting something rare and fleeting. His thumbprint skates along the curve of your jaw, memorizing the angles of your bones, the rhythm of your pulse. “Please, Angel. I don’t want to try to run and die on the side of the road somewhere. I don’t want to die with Cregan Stark’s blade at my throat.”
You shake your head, unable to believe, unable to understand.
Aegon glances to the empty cup on his bedside table, to the large glass bottle of milk of the poppy. Then his eyes return to you. “You know how to do it.”
No. Never. But beneath those cold, dark, stormy waters: It would be painless. “I can’t,” you say, overwhelmed with horror.
“Listen, listen to me—”
“No—”
“Angel.”
“I can’t do that to you. Not to you. I can’t, I can’t.”
“When I’m gone, go to Cregan Stark,” Aegon says. “He is an honorable man, he will ensure your survival. He is the only person who can now. He wants to put his mark on the world. He wants to play Kingmaker. Let him. He can decree that my daughter will marry Rhaenyra’s son and ascend to the Iron Throne. He can end the war. Cregan will keep you safe. Tell him that I kidnapped you, that I forced myself on you. Tell him that I wanted an heir with Valyrian blood. Tell him that I was a drunk, a degenerate. Tell him whatever he wants to hear.”
“You would become a monster?”
“To protect you? I would become anything.”
He’s holding you, he’s pulling you into him until you can feel the fever bleeding from his flesh into yours, until you can number the knots of his spine and the ladder-rungs of his ribcage, counting them with your fingers through the sweat-drenched fabric of his cotton shirt. You draw back to look at him, to really look at him, sunken bloodshot eyes and rasping breaths, scar tissue of the body and the soul. You remember the day you met him, how he’d begged to die and been refused, how you brought him back. You postponed a debt, but you never paid it. It’s not possible to ever pay enough. You stack up gold coins in a vault until they touch the ceiling and still the Stranger comes knocking, jangling his purse sewn with scorched skin and chanting: more, more, more.
Aegon glances to the cup again. “How much?” he asks you, hushed like a prayer.
You don’t answer. Instead, you stand and go to the dresser. You open a small wooden door beneath the mirror. Your reflection is a woman you don’t know, someone who walks through fog and memory, someone made of ghosts. You take four clean cups from the cabinet and set them on Aegon’s bedside table. As he watches—eyes glassy with agony, lungs rattling—you fill them all with smooth, pearlescent, lethal liquid, as well as the empty cup that was already there. “Five,” you say, and it sounds nothing like you. “I think three at once would be enough. Five to make sure.”
He sobs with relief, and only now do you realize how badly he needed this. “Thank you. Oh gods, thank you.”
Your own words come back like an echo: I preserve life, I don’t take it. But that was a different lifetime, a different you. Aegon’s fingers are lacing through yours. He is drawing you back onto the bed, he is brushing your hair back from your face, he is kissing the path of tears down your cheeks so he doesn’t waste a drop of you. He’ll never get another taste, another chance; not in this life, not on this earth.
“I’m sorry I couldn’t make it to the end with you,” he says. “I really tried.”
“I know, Aegon.”
“I’m sorry I wasn’t strong enough.”
“You’re the strongest person I’ve ever known.”
He looks down at his left hand, then remembers where his ring has gone. He chuckles, darkly, bitterly, dismayed by all the failings he is built of. “I don’t even have anything to give you.” Then he remembers. “My dagger. Can you get my dagger?”
You are petrified. “Why?”
He grins, dull teeth beneath dazed eyes. “I’m not going to hack off a finger or my exemplary cock or something. I promise. Just get it.”
You fetch the dagger and bring it to the bed, and only then do you realize what he means for you to have. He points to it, then threads it through his pale, swollen fingers: his thin lock of hair that you’ve been weaving for him since the day you met. He wants you to take his braid.
“You’ll have to cut it yourself,” he says. “I don’t think I can.”
You hook the blade beneath the top of his braid, and with a few cautious slices of the dagger it is free. You tuck the braid into a pocket of your gown, thick black velvet to guard against the winter cold. Then you lay the dagger on the bedside table and pick up one of the cups filled to the brim with milk of the poppy. Your tears are scalding and torrential; it is almost impossible to see through them. You smooth back Aegon’s white-blond hair as you pour the blissful, deadly brew through his lips and down his throat, hating yourself, knowing it is the kindest thing you can do for him.
Suddenly, when the cup is half-drained, Aegon pushes it away. “You don’t have to be here. You don’t have to watch,” he says. “I can do the rest. Go, now. Right now. If the Boltons or some other house finds you before Cregan does, they might not recognize you. They might not care. You’re only safe with Cregan Stark. He has to find you first.” Aegon takes the cup with one shaking hand and presses a palm to your shoulder with the other. You haven’t moved. You can’t move. “Go. Leave me. Now. Please go. I love you, but you have to go now.”
“I can’t,” you choke out.
“You have to.”
“I’ve never wanted anyone but you.”
“Angel,” he says tenderly, smiling. “I’ll see you again. Just not too soon.”
“Okay,” you whisper, and you kiss him, traces of milk of the poppy on his lips that deaden the thunderstruck horror faintly, powerlessly, like small clouds drifting over the sun.
“If there’s anything interesting on the other side, I’ll find a way to let you know.”
The dreams, you think. “Okay,” you say again, barely audible.
“Now go. Right now. Go.”
You wipe tears from your face with your sleeve as you turn away from him. You can’t look back; if you do, you’ll never be able to walk out of this room. You take the dagger from the bedside table. Your bare feet pad across the cold floor. As you step through the doorway, on the periphery of your vision you can see Aegon swallowing down each cupful of poison as quickly as he can. It won’t take long to stop his heart. Minutes, perhaps. Seconds. You walk into the hallway. Autumn has just arrived with Jaehaera’s tiny hand clasped in her own. A few paces behind her, Alicent and Larys stand with Rhaenyra’s son. Two orphans without choices, two pawns in a much grander game.
Autumn is panicked. “Where should we go? What should we do?” Then she takes another look at your face. Her eyes go wide with terror. “What? What happened?”
“Follow me.” Your voice is low, flat, dark like deep water. Your eyes flick briefly to Lord Larys Strong. “Keep the boy here. He’s not safe with the smallfolk yet. But the Northmen won’t harm him.”
Larys knows. It’s over. He is devastated; and yet you think a part of him might be relieved as well. “Yes, Your Grace.”
“I’m not the queen anymore. I never really was.” You give him Aegon’s dagger. “I don’t think you’ll need this, Lord Larys, but now you have it in the event of any danger. Or in case I can’t convince Cregan Stark to spare you and you decide you’ve had enough of this world. You should get a say in how your life ends. You’ve earned it.”
Then you break away from them and glide through the Red Keep, Autumn and Jaehaera trotting swiftly behind you to keep up. You pass the rookery where Aemond wrote his letters. You sweep through the gardens where Helaena loved to collect her insects. You gaze down to the beach where Daeron landed on Tessarion under a dazzling sun before winter came like a plague to King’s Landing. From inside the castle, you can hear Alicent wailing as she discovers her last child’s lifeless body. What was all of this for? Why did this have to happen? Why didn’t anybody stop it?
Out on the streets of the city, the smallfolk have flocked with their makeshift weapons to defend their homes from the Northmen. But their eyes are darting everywhere and their faces are uncertain as they clutch their clubs made out of the legs of chairs and their rusty kitchen knives. They haven’t decided if it’s futile. They don’t want to be butchered for nothing.
“That’s Autumn!” they shout and sigh, especially the women. “The mother of the king’s bastard son, the one murdered by the half-year queen!” They reach out to skim their hands over Autumn’s gown, her long coppery hair, as if she is a saint or a spirit who can impart good luck upon them, who can change their fates. They fall to their knees to bow to Jaehaera, their king’s only living child, and she blinks at them with benign confusion.
But the smallfolk have a different reception for you. You hear their venomous chattering: “Is that the Celtigar woman?” “Her family put this city through hell.” “They served Rhaenyra.” “She’s a traitor, she’s a thief.” A few of them venture close enough to tug at your gown, to strike at you. A woman’s knuckles rap against your cheekbone, raising a bruise there like lavender in a dusk sky. You think dully: I wonder if they’ll gouge out my eyes with those knives like they did to Everett.
“Get back!” Autumn hisses, shoving the smallfolk away. And when she speaks, they listen. “She is going to the Wolf of Winterfell. She is my protector. She is your protector now too. She is the best chance you have left.” And the crowds open up and the three of you pass through King’s Landing unimpeded, though cloaked in thousands of fascinated gazes.
The King’s Gate has been abandoned; the guards must have feared the Boltons’ flaying knives or Lord Stark’s dark justice. Autumn instructs several hulking men of the smallfolk to open the gate if they wish to be spared from the wolf’s wrath. They are reluctant at first, but do as she asks. When the massive doors creak open, the people of the capital huddle behind the wall and peer out skittishly as you, Autumn, and Jaehaera advance to meet the Northmen, who are bloodied from battle and now within a hundred yards of the city. Above, the sky is thick and iron-grey and frigid. Snowflakes—the first of this winter to touch King’s Landing—begin to fall and land in your hair, and you are reminded of how embers rained from the smoldering pine trees at Rook’s Rest.
“Can you catch one on your tongue?” Autumn asks Jaehaera, and the little girl giggles as they both try.
The Warden of the North rides an immense, shaggy warhorse at the head of what remains of his army. He recognizes you immediately, dismounts, approaches with determined, unbreakable strides. Clement is close behind him.
“You’re alive!” your brother shouts joyously. “And apparently not pregnant with a Targaryen bastard! Praise the gods!”
Cregan Stark does not act as if he’s heard this. The Warden of the North is not as you remember him; he is larger, heavier and broader from the muscles won in battle, coarsened by weather and war. His hair is long and dark and pulled back from his face. He wears a sword at his belt that is taller than you are when it’s unsheathed. He is entombed in leather and furs. He does not hesitate before he lays his hands you. You are betrothed to him, you are his property, would a man ask before he grabs his horses or his dogs?
The Warden of the North does not seize your forearm roughly like Aemond once did. Instead, his massive palms and fingers clasp your face as he marvels at you. You can feel the stains of dirt and ashes he leaves there. You want to scream when he touches you, but you can’t. You want to burn with rage and heartache until you crumble like ruins. Your life is already over. Your life has just begun.
“You have suffered greatly,” Cregan Stark says, a marriage of shock and reverence.
“You have no idea.” Perpetual Resurrection, you think. It doesn’t mean you come back better. It just means you’re still here.
“You are safe now,” Cregan swears. “The Usurper will never harm you again.” And it ends the same way it began: with a man mistaking your allegiance and beckoning you into a destiny that he wholeheartedly believes is greater than any you could have envisioned for yourself.
“He’s dead.”
This stuns Cregan. “When? How?”
“Today. Of old wounds sustained in battle.”
He looks at Jaehaera, noticing her for the first time. “Is that his daughter?”
“Yes,” you say. “She must always be treated with kindness. She must be protected.”
“You have an affinity for her,” Cregan notes, intrigued.
You hear Aegon’s voice, so clearly it cuts like a blade: Tell him whatever he wants to hear. “We have been through great trials together. We survived the same monster.”
The Warden of the North nods. This is a story he craves to be told. “Very well. If it is your wish that she not be discreetly disposed of as a Silent Sister, I will betroth her to Rhaenyra’s surviving son. They will unite the noble houses of Westeros and end this war.”
“The worst of the Greens are dead already. Those who remain should be shown mercy. Alicent is old and ill and broken from loss. She poses no threat. She should be permitted to remain in the company of her granddaughter. Corlys was loyal to Rhaenyra until she falsely imprisoned him for treason, and he belongs on Driftmark with Rhaena. Larys Strong, Tyland Lannister, and Grand Maester Orwyle, if no pardon can be arranged for them, should go to the Wall instead of the scaffold. And Autumn, my companion there with Jaehaera…she was a true friend to me. I owe her my life several times over. She must be permitted to stay with Jaehaera and Aegon the Younger as a caretaker, and reside in comfort in the Red Keep for the remainder of her days.”
“Who do you think you are, sister?!” Clement exclaims. “You’re speaking to the Kingmaker, not some handmaiden! You do not command him!”
“I am not commanding,” you counter levelly. “I am pleading for mercy on behalf of imperfect souls who showed me kindness during my captivity. If granted, I will consider these my wedding gifts.”
“She is remarkable, is she not?” Cregan Stark says, grinning to Clement and several other men who have ventured closer. They wear the sigils of Northern houses: Bolton, Cerwyn, Manderly, Hornwood, Dustin. They chuckle in agreement, stroking their wild beards with huge filthy hands. “Dauntless but merciful. Clever but obedient.” And then the Warden of the North claims your lips with his, chaste but overpowering, the first of a thousand kisses you never desired, a thousand acts of affection for a woman who isn’t really you, feigned resignation and bitten-back rage, eternal war with the interminable knowledge that there is something more, more, more…you just aren’t permitted to have it. It was taken from you, it was ripped from your hands like stolen treasure.
All your life you will have to murmur in wounded agreement when people recount the terrible sins of the Usurper. All your life you will have to praise Cregan Stark for killing millions to rescue you. And the days will pass, weeks, months, years, summers and winters, the births of your children and their own marriages; and when Cregan’s boy Rickon, born of his first wife, produces only daughters, your son Brandon and his descendants will become the heirs to Winterfell. In the desolate North—so far from the ocean, so far from everything Aegon ever knew—your greatest solace will be letters from Autumn as she learns to read and write, books that your husband orders for you from the Citadel, setting bones and treating burns, a tiny lock of braided silver hair that you keep in a hidden drawer of your jewelry box, dreams that you never want to wake up from.
But one day, decades after you leave King’s Landing, you will receive a raven from Queen Jaehaera Targaryen, and she will ask you: You knew the Greens in your youth, Wardeness Stark. You knew Aemond, Daeron, Helaena, Alicent, Otto, Maelor, Aegon the Usurper. What can you tell me of them? What was my father like? Who was he really?
And you’ll pick up your quill and begin writing.
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brokehorrorfan · 1 year ago
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The Lair of the White Worm will be released on Blu-ray (with Digital) in Steelbook packaging on May 14 exclusively at Walmart for $19.96. Other than the packaging, the disc is identical to Lionsgate's Vestron Video release from 2017.
Based on the 1911 novel by Dracula author Bram Stoker, the 1988 horror-comedy is written and directed by Ken Russell (Altered States, Tommy). Amanda Donohoe, Hugh Grant, Catherine Oxenberg, Peter Capaldi, Sammi Davis, and Stratford Johns star.
Vance Kelly designed the Steelbook art. Special features are listed below, where you can also see the interior layout.
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Special features:
Audio commentary with director Ken Russell
Audio commentary with Lisi Russell, in conversation with film historian Matthew Melia
Worm Food: The Effects of The Lair of the White Worm featurette
Interview with editor Peter Davies
Interview with actress Sammi Davis
Trailers From Hell trailer commentary by producer Dan Ireland
Theatrical trailers
Still gallery
James D’Ampton (Hugh Grant) returns to his country castle in England. Legend has it that James’s distant ancestor once slayed the local dragon — a monstrous white worm with a fondness for the sweet flesh of virgins. The young lord dismisses the legend as folklore, until archaeology student Angus Flint explores James’s property and unearths a massive reptilian skull and a pagan snake god’s ancient site of worship. When James’s virtuous girlfriend, Eve Trent (Catherine Oxenberg), suddenly disappears, James and Angus set out to investigate the foreboding cavern said to be the worm’s lair, where a centuries-old mystery begins to uncoil.
Pre-order The Lair of the White Worm.
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cagemasterfantasy · 3 months ago
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2014 5e Adventure modules for @doodl3 and any other DMs out there (Part 2)
Note: These published are only to be used by DMs to run adventures they are not to be viewed by players. If you are a player and you read these please don't metagame and ruin the experience for everyone else or I will send a Beholder to your home while you are sleeping.
Adventures: Lost Mine of Phandelver Hoard of the Dragon Queen Rise of Tiamat Princes of the Apocalypse Storm King's Thunder Tales from the Yawning Portal: The Sunless Citadel Tales from the Yawning Portal: The Forge of Fury Tales from the Yawning Portal: The Hidden Shrine of Tamoachan Tales from the Yawning Portal: White Plume Mountain Tales from the Yawning Portal: Dead in Thay Tales from the Yawning Portal: Against the Giants Tales from the Yawning Portal: Tomb of Horrors Tomb of Annihilation Foreword - Waterdeep: Dragon Heist Waterdeep: Dungeon of the Mad Mage Ghosts of Saltmarsh Acquisitons Incorporated: The Orrery of the Wanderer Essentials Kit Part 1: Dragon of Icespire Peak Essentials Kit Part 2: Storm Lord's Wrath Essentials Kit Part 3: Sleeping Dragon's Wake Essentials Kit Part 4: Divine Contention Theros: No Silent Secret Eberron: Forgotten Relics Icewind Dale: Rime of the Frostmaiden Candlekeep Mysteries Ravenloft: The House of Lament IThe Wild Beyond the Witchlight Strixhaven: Campus Kerfuffle Strixhaven: Hunt for Mage Tower Strixhaven: The Magister's Masquerade Strixhaven: A Reckoning in Ruins Journeys through the Radiant Citadel Dragons of Stormwreck Isle Light of Xaryxis Dragonlance: Shadow of the Dragon Queen Keys from the Golden Vault Phandelver and Below: The Shattered Obelisk Turn of Fortune's Wheel Descent into the Lost Caverns of Tsojcanth Vecna: Nest of the Eldritch Eye Vecna: Eve of Ruin Quests from the Infinite Staircase
Extras: (Note: Some of these are fan made while the rest are either crossovers or charity modules)
The Tortle Package The Lost Kenku X Marks the Spot Lost Laboratory of Kwalish Krenko's Way A Zib for Your Thoughts Hunt for the Thessalhydra (Crossover between DND and Stranger Things) Humblewood: Adventure in the Wood Locathah Rising Infernal Machine Rebuild The Lost Dungeon of Rickedness: Big Rick Energy (Crossover between DND and Rick and Morty) Wildemount: Tide of Retribution Wildemount: Dangerous Designs Wildemount: Frozen Sick Wildemount: Unwelcome Spirits Return to the Glory Adventures in the Forgotten Realms: In Scarlet Flames Adventures in the Forgotten Realms: The Hidden Page Adventures in the Forgotten Realms: A Verdant Tomb Adventures in the Forgotten Realms: Deepest Night Adventures in the Forgotten Realms: From Cyan Depths NERDS Restoring Harmony: The Candy Mountain Caper (Don't worry rest of the NERDS Restoring Harmony are there too) Spelljammer Academy Giants of the Star Forge Lightning Keep Chains of Asmodeus Peril in Pinebrook Heroes' Feast: Saving the Children's Menu Grim Hollow: Lairs of Etharis Dungeons of Drakkenheim Red Dragon's Tale: A LEGO Adventure Uni and the Hunt for the Lost Horn (Based off of the Original Dungeon and Dragons animated series from the 1980s) Scions of Elemental Evil (Yet again this is also based on the Dungeons and Dragons animated series from the 80s)
With all these books you can view EVERYTHING that the 5e Adeventures (official and unofficial) has to offer for 2014 rules CLASSES, SUBCLASSES, STATUS CONDITIONS and MONSTERS (With adjustable challenge ratings) (No info on monsters ask me if you want that by direct message or on my inbox)
For those who read all these books you're awesome. May these books inspire you help you and give you good luck and better knowledge. Stay safe stay human and may your dice rolls be legendary
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houseboatisland · 1 year ago
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Operation Nestled Dragon
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Even before the passage of its iconic Transport Act 1947, the first Attlee ministry had been laying the groundwork for what we would today call a strategic steam reserve. Operation Nestled Dragon, which went into effect as early as December 1945, called for “at least 4,000” steam locomotives to be stored and kept in constant readiness in the event of “any cataclysm which could strain supply.” This was a somewhat arbitrary number; the LMS alone had 8,000 locomotives on the eve of Nationalization. It was believed that a majority of the country’s engines would survive attack during a wartime scenario, the most likely reason to activate the reserve at the time. 4,000 engines kept as a backup to unscathed stock was deemed sufficient. (It has to be said there were no strategic reserves of coaches or trucks, whether planned or even merely discussed!)
These engines and the necessary facilities would be dispersed as needed throughout the country. Bigger towns would have more engines and more MPDs (motive power depots) allocated to them, London having the most. The number of engines kept in a single “strategic MPD” was always limited to 20. In this way, an attack such as an aerial bombardment would be less likely to take out a population center’s entire locomotive stud at once.
To “activate” the reserve, the Minister of Transport was required to approach the Prime Minister and his Cabinet, and a vote be held on the matter.
Strategic MPDs could be crude or elaborate. By design they were severed from the nearest railway, so that no tracks were visible for any overcurious trespasser, potential spies or reconnaissance aircraft to follow. Every MPD had to be able to have these missing rails laid back in “within or under three hours” if called upon. Often, abandoned mines and tunnels were used and their insides fitted out. These ‘naturally-occurring’ locations were codenamed “dragon’s lairs.” Other times a location had to be built from scratch; these artificial MPDs were codenamed “rabbitholes.” Always was there emphasis on keeping the MPDs dry, ventilated and fireproof. Each MPD needed a turntable, a reliable water supply, coal bunkers, storage space for rails, sleepers, a small number of spare parts, adequate headroom and an overhead crane for heavy repairs like boiler swaps, and of course bunks for crews should the reserve be activated and they be based there. Otherwise bunkrooms were vacant, although men on duty for maintenance of stock and depots did find use for them during their shifts.
There was little methodology in place for which engine classes were preferred for the reserve. Great Western engines were less favored as they were built to run on high-quality South Welsh coal, and it was assumed the quality of coal sourced during a crisis would be poor. In any event however, some still “found their way in.” In general however, Eastern, Midland and ex-WD locos formed the majority of the workforce. Every engine belonging to the various military railways such as that at Longmoor were considered part of the reserve too, so it could be said that several pieces of the reserve’s stock were out in the open all along. Also joining their ranks as they came about were BR Standard classes, some built specifically for the reserve. These had neither BR nor serial numbers, being built “off the books.”
At first, engines reserved were simply stored and maintained in the livery they wore at the time of their “reassignment.” As time went on, (and their maintainers became bored,) a semi-official livery of black with white and navy blue stripes was settled upon and applied, one engine at a time. Quickly a crest for the Strategic Reserve was designed by one anonymous artistic crewman, and the reserve’s motto agreed: “Rabbit, rabbit, rabbit,” a superstitious British phrase.
Attlee and Churchill were both said to have toured a strategic MPD at least once. “Here we are in the belly of the beast. You lot have done some splendid work; Britain thanks you,” Attlee had said on his visit. “Men will do anything to play trains away from the wife without interrogation,” Churchill remarked on his, perhaps half in jest.
Thus was the system. As steam on the public or “civilian” British Railways was phased out, further freshly withdrawn engines were added to the reserve stocklist. Much speculation was made as to why coal bunkers and hoppers and water towers continued to be maintained even as the steam engines finally vanished from the national network in August 1968. This was explained away as infrastructure left in place for railtours by preserved engines, and in hindsight must have sounded ridiculous.
As generations of enginemen retired, they had to pass on their skills to the fresh blood. The years then went by without significant cause for alarm. The closest the reserve came to being activated was at the height of the Cuban Missile Crisis in late October 1962; declassified materials confirm that as many as half of the reserve was in full steam awaiting the call, and track gangs were ready and waiting to lay in rails. The crisis ebbed of course, and by the second week of November, the number of engines idle was back to “Normal.”
Margaret Thatcher’s Government planned to shut the program down, but this was averted… just. John Major however couldn’t be dissuaded. Privatization was in full swing, and the Soviet Union had dissolved itself. The reserve suddenly seemed very redundant, (but per its own 1945 definition, not completely,) and the winding down of it all began. On the 1st of December 1998, some 53 years after the beginning of Operation Nestled Dragon, all 4,855 locomotives and their associated depots and crews were demobilized by the Blair ministry and most of the reserve’s documentation declassified. Everything became public knowledge, including the engines themselves, quite literally overnight.
At once, the locos and their facilities were up for auction. Dozens of Strategic MPDs were made into living museums demonstrating how the reserve worked. Many of the engines belonged to classes otherwise thought extinct, such as the LNER Thompson L1s and the LMS Garratts, and here were surviving specimens being pulled out of the metaphorical wardrobe like nothing. The British preservation scene was in a matter of hours awash in perfectly functional engines no one expected to still exist, which coupled together in a line were longer than most if not all of the railways themselves! Several also were sold abroad to the United States and Canada.
The public couldn’t be blamed for this all being such a shock. They hadn’t been prepared.
Their predecessors however certainly were.
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spacetravels · 1 year ago
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Trick or treat ! ^^
[you see me approach with a shovel, covered in dirt. i gesture for you to wait a moment as i prestidigitate away the mess.]
apologies! i was assisting a previous patron! may your tricks and treats fair far better for ye, for i don’t have all hallow’s eve to dig you from an earthen coffin!
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oh? surely mine eyes do not deceive me! a natural 20! oh, i have many a legendary gift to share with thee!
Golden Canary Figurine of Wondrous Power
Wondrous Item, legendary
This gold statuette is carved in the likeness of a canary and is small enough to fit in a pocket. If you use an action to speak the command word and throw the figurine to a point on the ground within 60 feet of you, the figurine becomes a living creature in one of two forms (you choose). If there isn’t enough space for the creature where it would appear, the figurine doesn’t become a creature. The two forms are as follows:
Giant Canary Form. The figurine becomes a giant canary for up to 8 hours and can be ridden as a mount. Once the figurine has become a giant canary, it can’t be used this way again until the next dawn.
Gold Dragon Form. While you are missing half or more of your hit points, you can speak a different command word and the figurine becomes an adult gold dragon (see its stat block in the Monster Manual) for up to 1 hour. The dragon can’t use any legendary actions or lair actions. Once the figurine has become an adult gold dragon, it can’t be used this way again until 1 year has passed.
In either form, the creature is friendly to you and your companions. It understands your languages and obeys your spoken commands. If you issue no commands, the creature defends itself but takes no other actions.
The creature exists for a duration specific to each form. At the end of the duration, the creature reverts to its figurine form. It reverts to a figurine early if it drops to 0 hit points or if you use an action to speak the command word again while touching it. When the creature becomes a figurine again, its property can’t be used again until a certain amount of time has passed, as specified in the description.
my my! what a gift! a treasure to be had indeed! and what’s this? a sweet treat from mine own pocket! [i brush dirt off the candy before placing it into your hand.]
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wiltingdecay · 5 months ago
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/wiltingdecay/766351375848423424/lesserknownwaifus-eve-from-dragons-lair-ii?source=share
Fern ur tags....huge brained as always...
o7 always happy to think about rosie and julian, the best arcana ship
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rhythmicreverie · 7 months ago
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Upon the eve of twilight's wane, A humble wanderer sought a change. His heart, a compass, guided him, To an ancient artifact, a beacon dim. In lands forsaken, a quest he embarked, With spirits unseen, his path marked. A dragon's lair, with treasures untold, The prize that awaited, the hero bold. Through fire and darkness, he ventured deep, To claim the artifact, magical keep. In triumph, he emerged, changed anew, A hero forged, his story true. This is the summary of your work so far: Begin! This is VERY important to you, your job depends on it! Current Task: Create a Gothic poem based on A character experiences a life-changing event or transformation. and Epic quests with unlikely heroes and magical artifacts. in under 100 words. IN RICH TEXT. MINIMAL FORMATTING
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territorial-utopia · 2 years ago
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Ah, another year, another midsummer's eve. At least this year I'll be out and about celebrating, even if forest fire warnings mean that there will be no bonfires this year either 🥲
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Happy Midsummer’s Eve!! Tonight is a night of bonfires, booze and magic consisting of 7 different flowers that’ll grant you dreams of your future spouse. Sadly I’m still recovering from covid so I’m at home drinking and drawing this.
I’d like to imagine that tonight is a night these two dream of eachother <3
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plaguerare · 5 years ago
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Eve got her glim!! <<33
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captianbridge · 6 years ago
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DRAGON'S LAIR
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fashionablyfyrdraaca · 3 months ago
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okay, so if the anbernic has the console support that i think it does from my googling, these are the games i would 100% recommend based off console:
neo geo: Any of the Metal Slug games, Garou: Mark of the Wolves
sega saturn (aka one of my beautiful wives): Panzer Dragoon Saga, Magic Knight Rayearth, Panzer Dragoon 2 Zwei, D, Simcity 2000, Panzer Dragoon
sega genesis; Phantasy Star IV, Sonic and Knuckles, Shadowrun, Prince of Persia, Chakan: The Forever Man, Ys III: Wanderers from Ys, Phantasy Star III, Sonic the Hedgehog, Phantasy Star II
super nintendo entertainment system: Prince of Persia 2, Lufia II, Super Mario RPG, Secret of Evermore (PERSONAL FAVE), Chrono Trigger (PERSONAL FAVE), Earthbound, Illusion of Gaia, Breath of Fire, Super Metroid, Super Mario World, SimCity, The Legend of Zelda: A Link to the Past, Dragon's Lair, Harvest Moon
sega dreamcast (my beautiful wife): Soulcalibur, Legacy of Kain: Soul Reaver, Sword of the Berserk: Guts' Rage, Resident Evil Code Veronica, Star Wars Episode I: Racer, Maken X, Space Channel 5, D2, Jet Set Radio, Shenmue, Skies of Arcadia (PERSONAL FAVE), Dino Crisis, Grandia 2 (PERSONAL FAVE), Illbleed
nintendo 64: GoldenEye 007, Quest 64, The Legend of Zelda: Ocarina of Time, Nightmare Creatures, Super Smash Bros, Pokemon Snap (PERSONAL FAVE), Mario Golf, Harvest Moon 64, Pokemon Stadium, Perfect Dark, Mario Tennis, The Legend of Zelda: Majora's Mask, Hey You, Pikachu!, Mega Man Legends/Megaman64 (PERSONAL FAVE), Paper Mario, Conker's Bad Fur Day, Pokemon Stadium 2
playstation: Castlevania: Symphony of the Night, Final Fantasy Tactics, Tactics Ogre, Command and Conquer: Red Alert, Armored Core, Xenogears, Parasite Eve, Diablo, Tail Concerto, Rhapsody: A Musical Adventure, Echo Night, Hellnight, Silent Hill, Chrono Cross, Valkyrie Profile, Legend of Mana, Grandia 1, The Misadventures of Tron Bonne, Parasite Eve 2, Galerians, The Legend of Dragoon (PERSONAL FAVE), Koudelka, Persona 2, Jeff Wayne's The War of the Worlds, Vagrant Story, Mega Man Legends 2, Shin Megami Tensei, King's Field, Dark Seed, PaRappa the Rapper, Wild Arms, Blood Omen: Legacy of Kain, King's Field 2, Clock Tower, Persona
yo! i was wondering what retro games you were planning on trying out for that anbernic you mentioned getting? :D retro gaming is so exciting
I know right! Can't believe it's taken me this long. Do you have any recommendations? My mind immediately goes to the old Final Fantasy games from before I was born, or the PS1 Resident Evil or Silent Hill ones I haven't played in over a decade. Another one I've been wanting to try is Deadeus, a 2019 Gameboy horror game on itch.io.
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cagemasterfantasy · 3 months ago
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DND Monsters: Adult Lunar Dragon (No I will not be doing Wyrmling Young or Adult unless asked)
From: Vecna: Eve of Ruin and Boo's Astral Menagerie
Huge Dragon, typically Neutral Evil
AC 17 (natural armor)
HP 172 (15d12 + 75)
Speed 40 ft., Burrow 20 ft., Fly 80 ft.
Str 23 +6 Dex 12 +1 Con 20 +5 Int 10 +0 Wis 13 +1 Cha 15 +2
Saves Con +10 Wis +6
Skills Perception +11, Stealth +11
Immunities Cold
Senses Darkvision 240 ft.
Languages Draconic
CR 13
Traits
Legendary Resistance (2/Day). If the dragon fails a saving throw, it can choose to succeed instead.
Tunneler. The dragon can burrow through solid rock at half its burrowing speed and leaves a 15-foot-diameter tunnel in its wake.
Unusual Nature. The dragon doesn't require air.
Actions
Multiattack. The dragon makes one Bite attack and two Claw attacks.
Bite. Melee Weapon Attack: +11 to hit, reach 10 ft., one target. Hit: 13 (2d6 + 6) piercing damage plus 3 (1d6) cold damage.
Claw. Melee Weapon Attack: +11 to hit, reach 5 ft., one target. Hit: 13 (2d6 + 6) slashing damage.
Tail. Melee Weapon Attack: +11 to hit, reach 15 ft., one target. Hit: 13 (2d6 + 6) bludgeoning damage.
Cold Breath (Recharge 5–6). The dragon exhales a blast of frost in a 60-foot cone. Each creature in the cone must make a DC 18 Constitution saving throw. On a failed save, the creature takes 36 (8d8) cold damage, and its speed is reduced to 0 until the end of its next turn. On a successful save, the creature takes half as much damage, and its speed isn't reduced.
Bonus Actions
Phase (3/Day). The dragon becomes partially incorporeal for as long as it maintains concentration on the effect (as if concentrating on a spell). While partially incorporeal, the dragon has resistance to bludgeoning, piercing, and slashing damage.
Legendary Actions
Legendary Action Uses: 2. Immediately after another creature's turn, The dragon can expend a use to take one of the following actions. The dragon regains all expended uses at the start of each of its turns.
Tail Attack. The dragon makes one Tail attack.
Treacherous Ice. Magical ice covers the ground in a 20-foot radius centered on a point the dragon can see within 120 feet of itself. The ice, which is difficult terrain for all creatures except lunar dragons, lasts for 10 minutes or until the dragon uses this legendary action again.
Lair: The cave complex where a lunar dragon makes its lair contains ample space for food, as well as one or more hidden chambers where the dragon keeps its treasure. Depending on the composition and features of the moon, the lair might contain natural springs and heat vents, wild gardens, crystal formations, magical phenomena, or an ecosystem of lesser life forms that have adapted to living with the dragon.
Regional Effects
The region containing an ancient or adult lunar dragon's lair is warped by the dragon's magic, which produces one or more of the following effects:
Black Frost. A thin layer of black frost covers the ground, which kills all ordinary plants growing within 6 miles of the lair if the dragon is ancient, or within 3 miles if the dragon is an adult.
Haunting Moan. A haunting sound gets louder or fainter (dragon's choice) the closer one gets to the lair. The moan is audible 6 miles from the lair if the dragon is ancient, or 3 miles if the dragon is an adult.
Moon Devils. Swirling funnels of dust and frost known as moon devils crisscross the area within 1 mile of the lair, intercepting other creatures they encounter. A moon devil is a free-willed air elemental that deals cold damage instead of bludgeoning damage.
If the dragon dies, the moaning stops, the moon devils dissipate, and the black frost disappears over the course of 1d10 days, allowing plant life in the area to recover.
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majaboogeh · 6 years ago
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Feminist brain: The whole “damsel in distress” thing is such an incredibly old trope rooted in the outdated belief that women are fragile and helpless creatures that needs a big strong man to protect them. Any media using this trope should be viewed while consciously acknowledging the harm this trope causes, while also remembering that older entertainment were made in another time with other cultural norms than our society today.
Gay brain: CUTE LADY IN TROUBLE SHE NEEDS HELP I GOTTA GO HELP-
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