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"Water and Wave" by E. Datta
"Water and Wave" by E. Datta
Eugene Datta’s recent poetry and fiction have appeared (or are due out) in The Dalhousie Review, Main Street Rag, Red Noise Collective, Rise Up Review, The Bombay Literary Magazine, and elsewhere. Born and raised in India, he lives in Aachen, Germany, where he works as an editor of scientific writing. Works by E. Datta have been previously featured by In Parentheses. Water and Wave Although…
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MARÍA CALLAS nei panni della Duchessa Elena ne VERDI: * I Vespri Siciliani *, Teatro alla Scala di Milano e Teatro Comunale di Firenze, 1951 .
Altri interpreti: Eugene Conley & Giorgios Kokolios Bardi (Arrigo), Enzo Mascherini (Simone di Monforte), Boris Christoff (Procida)
Eugene Conley ha cantato al Teatro alla Scala di Milano mentre Giorgios Kokolios Bardi l'ha fatto al Teatro Comunale di Firenze.
La datta alla Scala ha stata il 7 Dic mentre il Communale di Firenze ha stato il 26 Maggio, tutte queste rappresentazioni sono dal 1951.
Il Debutto da María Callas alla Scala di Milano e veramente questo, mentre il debutto alla Scala da Callas con Aida si tratta da solo una sostittuzione a Tebaldi .
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January 2023
read it on the AO3 at https://ift.tt/euwBbVE
by AsianGC
So I'll be putting the ratings for each individual chapter in the title so if it's not your jam then you can skip it ^_^
Words: 1979, Chapters: 2/6, Language: English
Series: Part 2 of Asian GC's Year of the OTP 2023
Fandoms: Weak Hero (Webcomic)
Rating: Not Rated
Warnings: Underage
Categories: M/M, Multi
Characters: Gray Yeon, Gerard Jin, Ben Park (Weak Hero), Wolf Keum, Forest Lee, Teddy Jin, Eugene Gale, Grape (Weak Hero), Hwangmo (Weak Hero), Seongmok Do, Dongha Baek, M21 (Noblesse), Cadis Etrama Di Raizel, Frankenstein (Noblesse), Tao (Noblesse), Takeo (Noblesse), Loki (Marvel), Tony Stark, Steve Rogers, Stephen Strange, Souei (Tensei Shitara Slime Datta Ken), Shinmon Benimaru, Monkey D. Luffy, Roronoa Zoro, Trafalgar D. Water Law
Relationships: Gray Yeon/Gerard Jin/Ben Park/Wolf Keum, M-21/Cadis Etrama Di Raizel, Loki/Tony Stark, Souei/Rimuru Tempest, Sagamiya Konro/Shinmon Benimaru, Monkey D. Luffy/Roronoa Zoro/Trafalgar D. Water Law
Additional Tags: Non-Traditional Alpha/Beta/Omega Dynamics, Mating Cycles/In Heat, AU collection, Random AUs, Random & Short, So Many different things, I need assistance with my existence
read it on the AO3 at https://ift.tt/euwBbVE
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Can transliteration posts count for EAW? lol
I said I’d do “Everything I Ever Thought I Knew” breakdown, but “Next Stop Anywhere” adorable in jp and tempting. I’ll do “Next Stop Anywhere” after EIETIK.
Everything I Ever Thought I Knew -> 偽りの人生 itsuwari no jinsei
偽り itsuwari means fake, a lie, a falsehood and another reading that uses the character is 偽物 nisemono. That Nisemono in particular goes towards nonliving beings as there is 物* mono.
*There is also 者 mono and モノ mono, but the second one isn’t needed here.
If you see this 者 mono that one goes towards living people/animals. This can be seen a lot in Japanese, words having similar living and nonliving meanings, as well other things as in colors based on shades but is still the same word.
And 人生 jinsei is life, lifestyle. Made up of two on readings.
人 hito/ jin is person.
- Hito is pretty straight forward, also a person.
- The reading from jin is seen in words like 日本人 nihonjin, a japanese person.
生 nama / iki / sei is to be alive.
- Nama is more on the scale of realtime as we see it in 生放送 namahousou, meaning live broadcast and 生クリーム nama curiimu, if you’re wondering why it has 生 nama it’s because it’s a reactive supplement to make whipped cream (or that’s my guess, jp namings are another day).
- Iki* is for living, ex. 生きたい ikitai, I want to go live.
- Sei is seen in words like 先生 sensei, teacher.
*appears in song lyrics
Depending on tl, roughly the title can go as the following:
- The false life I’ve led
- The life that was fake
- The lie that was my life
Now onto the full song under the cut below!!
This is another good example where they had to combine/shorten parts orz jp in a nutshell.
Lots to unpack here let’s take things slowly!
I thought I was an outcast -> たった1人で tatta hitori de
I thought I stood alone -> 生きてきたよ ikite kita yo
A rogue, a thief, a joker -> 居場所など ないさ ibashoo nado nai sa*
No place to call my own ->どこにも ない doko ni mo nai
I thought no one could love me -> 誰にも愛して dare ni mo aishte
And how could I have known? -> もらえないと moraenaito
I was wrong, oh so wrong -> 思っていたけど omotte ita kedo
We start with tatta hitori de which fits with I thought I was an outcast, and so does the following line I thought I stood alone -> ikite kita yo. Next line we see they omitted A rogue, a thief, a joker, in favour of ibashoo nado nai sa. Then we see the lyrics change back to a closer tl.
- Merely living on my own, with nowhere to call home. Yet*, gaining the affection from someone (was what he wanted) would be the answer, or so I thought.
- Out in the world, surviving on my own. Nowhere to live and with nowhere to belong, I didn’t think I was able to love (and be loved). Until I was proved wrong (Rapunzel).
*sa in this context is like, yet, well, supposedly, you see.
Then I thought I'd found it -> あの/る時夢を ano (aru) toki yume wo
A dream that I could share -> 見つけたんだ mitsuketanda
I thought I was so lucky -> 怖くなるほど kowaku naru hodo
It almost wasn't fair -> 幸せだった shiawase datta
I thought I knew my purpose -> ついに明日を tsuni ashita* wo
I thought that I knew where I belonged -> 手に入れたと teni ireta to
But I was wrong -> 思っていたけど omotteita kedo**
This next part is fairly close but there are differences once again in artistic liberties taken lol.
* like with igad and Big Nose’s line, it stands for a definitive future
- The dream I had once dreamed of, it was finally realized. At first quite scary, it turned out quite divine. Finally a future** in sight, something I could attain, or so I thought.
- That dream I once dreamed of, laid before my eyes. Securely in my hands, not without its ups and downs, rested a future safe and warm (context; as it shows LBEA and in the jp he doesn’t say the contempt and secure line, he just says we can live comfortably lol), but now I know**.
** Roughly is or so I thought, but kedo can also work as a soft ‘but...’, making “now I know” an unspoken phrase.
Everything I ever thought I knew -> 全てが崩れ去る subete ga kuzure saru
Where I've been, where I'm going -> 過去も 未来も kakko mo mirai mo
Everything I counted on turned out to be untrue -> 信じていたもの 望むもの shinjiteita mono nozomu mono
Could've guessed, should've known, now I do -> 全部 儚く 消え去る zenbu hakanaku kieru saru
The first significant difference in the chorus is Everything I ever thought I knew becoming subete ga kuzure saru. Where I've been (past -> kakko) where I'm going ( future -> mirai) is pretty self explanatory. And then we see a mirror with the last chorus line cycling back to the first.
- Everything is falling apart. Everything I wished for and everything I believed in. The past and future, all fleeting away, gradually until they fade away.
- Past and Future, everything is breaking apart, everything I trusted and everything that I had wished for, every ounce fading away like a dream (context?).
Everything I've yearned for -> これまで 作り kore made tsukuri
everything I planned -> 続けたもの tsuzuketa mono
All my sweetest memories were castles made of sand -> サラサラ吹き飛ぶ砂の城 sara sara fuki tobu suna no shiro
Now that it's all crumbling ->ちぎれた思いを chigireta omoi* wo
help me understand -> 集めても atsumete mo
If none of it was really me -> 分からなくなるだけ wakaranaku naru dake
then who am I supposed to be? -> 俺は誰なんだ? ore ha dare nanda
The first two lines are similar but build more onto the castle, wall idea that Eugene had built over time.
*omoi is an interesting word that can be liberally tl’d into feelings, memories, something, from the heart
- Everything I’ve made, everything I’ve built, that (sand)castle now being blow away by the wind. Even if I were to rebuild those memories, I’ve come to no longer know, who am I meant to be?
- Everything I’ve continuously built, like a sandcastle being blown away, torn from my heart, no matter how many times I rebuild, no longer seeing (context), just who the real me is meant to be?
Everything I ever thought I knew -> 全てが薄れてく subete ga usureteku
Every hope, every feeling -> 愛も 希望も* ai mo kibou mo
Love and trust and happiness , they're done, they're gone, they're through -> 涙も笑いも幸せも namida mo warai mo shiawase mo
And what's left, me alone -> 手から こぼれて te kara koborete
once again -> 俺は ore ha ->
Should've known -> 今また ima mata
now I do -> ひとり hitori
Finally a mention of the title. Yeah, sometimes they don’t even add in the title lol (points at “Buddy song”「オレたち親友」oretachi shinnyu)
They're done, they're gone, they're through is another omitted line. And in place we get the following line te kara koborete. They’re really emphasizing how much feelings matter to Eugene Q_Q
- Everything turned out to be a lie, the love and hope, our tears, laughter, and happiness, slipping from my fingers. Now to realize*, I’m once again, am all alone.
- Everything turned out to be untrue, *the warmth and protection (bc of Rapunzel and Corona), emotions overflowing, my hands unable to contain (context). And at last I see*, that I truly am, all alone.
*this is also taken from context as he battle with his complex emotions.
I guess my life meant nothing -> 偽りの人生 itsuwari no jinsei
I guess it was a sham -> 生きてきたのか ikite kita no ka
I guess I'm someone else now ->もう分からないよ mou wakaranai yo
I wonder who I am -> 俺は誰だ ore ha dare da
Nothing’s majorly changed here.
- Having led a false life, no longer knowing what’s right, I’ve lost sight of myself, so just who am I?
- Living out a falsehood, what do I believe in (context), when I don’t even know who I (really) am.
Thanks for reading.
And remember to give Eugene lots of hugs q-q.
#crack taken seriously#Everything I ever thought I knew#eugene fitzherbert#gives eugene a hug#this is why i don't do full song analysis's on here lol#rta#tts#en -> jp#jp -> en#international dubs#rapunzel's tangled adventure#Transliteration post#Translation post#analysis
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Oracle Instant Client For Mac
Database Instant Client Installation Guide
Oracle 11g Mac
Oracle Mac Os
19cfor Apple Mac OS X (Intel)
The following section contains information about the issue related to Oracle Database Instant Client 12 c: Pro.C Does Not Support C99 Headers The Pro.C parser fails to recognize C99 headers on Apple Mac OS X El Captain, Apple Mac OS X Yosemite, and Apple Mac OS X Mavericks.
F21305-02
September 2019
Oracle Instant Client enables applications to connect to a local or remote Oracle Database for development and production deployment. The Instant Client libraries provide the necessary network connectivity, as well as basic and high end data features, to make full use of Oracle Database.
Oracle Instant Client Downloads. Instant Client for Microsoft Windows. Instant Client for Microsoft Windows (x64) Instant Client for Microsoft Windows (32-bit). Instant Client for macOS. Instant Client for macOS (Intel x86) Instant Client for Mac OS X (PPC) Instant Client for Linux. Instant Client for Linux x86-64; Instant Client for Linux.
Oracle Instant Client 12.2 for macOS can now be downloaded for free from OTN. This release is for 64 bit only. It supports: MAC OS X 10.13, High Sierra; MAC OS X 10.12, Sierra; MAC OS X 10.11, El-Capitan; Install instructions are at the end of the download page. Instant Client contains libraries and tools allowing applications to connect to a.
Oracle Instant Client on Mac OS X. A while back I broke down to the peer pressure in the APEX community (you know who you are;-). Client-server version interoperability is.
Oracle Database Database Instant Client Installation Guide, 19c for Apple Mac OS X (Intel)
F21305-02
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Ero stato sposato, una volta, e ora ero felicemente divorziato.
Eugene Datta
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La deriva dei continenti agiva sotto i nostri piedi.
Eugene Datta
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Il sesso è l'atto della procreazione reso desiderabile.
Eugene Datta
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L'arte è il nostro tentativo di creare una reale alternativa alla nostra vita.
Eugene Datta
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La politica è quello che facciamo manipolando gli individui e i gruppi per raggiungere i nostri obiettivi.
Eugene Datta
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