#eugene carchesio

[scottelkartwork]

EXHIBITION

DRAWING / PAINTING / CERAMICS / PRINTMAKING

Museum of Contemporary Art

Sydney, Australia.

Things I connect with…

A visit to the MCA today. Various exhibitions. I connected most to the works featured in the photos above, including the work by Nicholas Smith, Decorators Touch, 2023. The disparate parts, the play of interior / exterior, dirty / clean, heavy / light, hard / soft, big / small. It had real moments to latch on to, like the little postcard sized collage works masking taped to the artwork in various places, breaking up large areas of colour, that were hand painted or sewn. The work must be about domesticity, and possibly the intimacy, and comfort experienced in this setting. The two organic ceramic works could represent figures, possibly people put on self-made pedestals, like a D.I.Y. Bunnings weekend project, and the other even an interior scene of a moment of intimacy on a mattress, this feeling heightened by the makeshift lovingly quilted walls hanging from the ceiling. To me, the work could be a metaphor for falling in love too quick, rushing into a domestic relationship without first setting up a solid foundation to build upon, rushing to build something quickly with someone without getting to know them properly, but based entirely on how great you think they are. The artist should be commended for making an inviting space filled with curious objects that only get more interesting upon closer inspection. For me, it was one of the only works across the many works viewed today, that didn’t fall apart the closer I physically got. I couldn’t get close enough. I wanted to touch it.

FROM THE MCA WEBSITE:

MCA Collection: Eight Artists.

Responding to notions of seriality, repetition and return. Featuring singular pieces by Sally Gabori, Raelene Kerinauia Lampuwatu, Emily Kame Kngwarreye, Naminapu Maymuru-White, Esme Timbery Judith Wright and Gulumbu Yunupiŋu, and Sandra Selig. They include dynamic depictions of significant cultural stories and practices, deeply personal kinship relations, matrilineal lineages as well as compelling relationships to the body.

MCA Curator, Manya Sellers

+

The National 4: Australian Art Now

Featuring new commissions and recent works by an intergenerational and culturally diverse group of artists and collectives, The National 4: Australian Art Now reflects how artists are responding to some of the most urgent and critical ideas of our times, imagining new ways of seeing and being in the world at a time of unprecedented change. Reflecting the latest evolutions in contemporary art, the exhibition includes works in diverse media including painting, photography, film, video, sculpture, installation, drawing, sound and performance, encompassing a range of experimental, process-based and socially engaged practices.

Hoda Afshar (VIC) Daniel Boyd (NSW) Eugene Carchesio (QLD) Allison Chhorn (SA) Léuli Eshrāghi (NT/QLD/Canada) Ivi (QLD/Aotearoa/Tonga) Diena Georgetti (VIC) Simryn Gill (NSW/Malaysia) Jilamara Arts and Crafts Association (NT) Mia Salsjö (VIC) Kieren Seymour (VIC) Nicholas Smith (VIC/USA) Isabelle Sully (The Netherlands/VIC) Amanda Williams (NSW) Rudi Williams (VIC)

MCA Curator Jane Devery.

[musicmakesyousmart]

Lawrence English - The Peregrine

Experimedia

2011

[buttererer]

Tracklist

SOMETHING ELSE __ ARAB STRAP __ THE SINGLEMAN AFFAIR __ WOODEN WAND __ TALL DWARFS __ LOW __ BARDO POND __ VIDNA OBMANA __ CARLOS ZINGARO __ THOMAS DIMUZIO __ ROBERT POSS __ FRANCOIS DONATO __ EUGENE CARCHESIO and LEIGHTON CRAIG __ GEORGE BURT - RAYMOND MACDONALD SEXTET __ THOMAS HEBERER / ACHIM KAUFMANN / KEN FILIANO __ JOHN HINDS __ P16.D4 __ AKOS ROZMANN __ RAJESH MEHTA __ MARIO VERANDI __ DR LAXMI GANESH TEWARI __ AKIYAMA / SUGIMOTO / WIGET __ SVEN AKE JOHANSSON / AXEL DORNER / ANDREA NEUMANN __ ILYA E MONOSOV __ ERIC LA CASA __ AIRTO MOREIRA

[kimsonvalon]

Écouter / acheter: MONOlive de Eugene Carchesio

[supersupersounds]

No Place I by Eugene Carchesio

Eugene Carchesio - No Place I

Cool, weird shit alert! From Eugene: 

“No place. Perhaps Ant sci-fi. Sounds bypassing humans and strictly for insects to understand. A microbe world intrusion.”

Yep, an album of insect music, for insects, not humans. It’s a bunch of short, experimental analog synth textures and loops, and as a human, I reckon it’s still pretty sweet. Oh, and there’s a second volume as well if you are super keen. Room40 bringing the weirdness, keep it up! -Kris

[sujini123]

🔲🔳◻️▪️❔ Could they be understood instinctively?.? . "Eugene Carchesio, Diena Georgetti: Conscious Institution" @ Margaret Lawrence Gallery "Andrew Liversidge: Proof of work" @gertrudecontemporary (at Melbourne, Victoria, Australia) https://www.instagram.com/p/B3WSpl9lyAX/?igshid=11mr73arrmbw7

[worldfoodbooks]

NEW IN THE BOOKSHOP: KERB YOUR DOG Number 11 (1991) and Number 12 (1992) Number 12: Kerb Your Dog was an artist-edited anthology of pages by contemporary Australian and International artists, published in Sydney, Australia. Edited by John Nixon and John Young and published in an edition of 500 copies, this volume from 1992 – “TEXTBOOK” – features pages by John Barbour, Eugene Carchesio, Tony Clark, Peter Cripps, Aleks Danko, John Dunkley-Smith, Clinton Garofano, Ross Harley, Tim Johnson, Lyndal Jones, Maria Kozic, Rosemary Laing, Shelley Lasica, Lindy Lee, Geoff Lowe, Robert Macpherson, John Nixon, Rose Nolan, Susan Norrie, David O’Halloran, Robert Owen, Mike Parr, Jacky Redgate, Carole Roberts, Vivienne Shark Lewitt, Peter Tyndall, Ken Unsworth, Geoffrey Weary, Wood / Marsh Architecture Pty. Ltd., John Young, and an essay by Janet Shanks. An invaluable collection of artist’s texts from Australia in this very scarce document. One copy of each in the bookshop and via our website. #worldfoodbooks #kerbyourdog #1991 #1992 #johnnixon #johnyoung #rosenolan (at WORLD FOOD BOOKS)

[theabebe]

eugene carchesio 'time' • 2013

[chrismbr]

#SuttonGallery Eugene Carchesio: The No-Between. (at Sutton Gallery)

[anythingthatsart-blog]

Eugene Carchesio ‘Dead Leaves of Tokyo’ 1999 

I love the simplicity of this piece. The slow decaying leaves representing the small state of mind of seeing everyday landscapes in Japan. The repetition and variety of the leaves is simple and beautiful. The fine crisp detail and shadows that follow each leaf illustrate much more than just the object itself; but entirely displays mystery and fine technique. 

[creativeconfluence]

Eugene Carchesio

https://www.artgallery.nsw.gov.au/collection/works/182.1995.a-l/

[buttererer]

Tracklist

1 Free Mathematics by Aerospace Soundwise

2 We Put The 'We' Back In Banking by Dean Roberts / Michael Hartman / Boris Hauf

3 Quebec 24 Sept 2003 (remix) by Phillepe Hausmann

4 Probable Friend by Geso / Onnyk

5 Jim And The Holy Communists by Kixx

6 The Retrospective Signs Of Order And Chaos II by Derek Bailey / Keiji Haino

7 Sink Into, Return by Clare Cooper

8 Mawjat (For PK) by Mazen Kerbaj / Sharif Sehnaoui / Raed Yassine Trio

9 Aton 02 by Andrea Neumann / Toshimaru Nakamura

10 Untitled Guitar Duo by Fred Lonberg-Holm / Kevin Drumm

11 KI-NO (1963-67) by Dieter Schnebel

12 The Joy Pianist by Charles Joseph Smith

13 Prelude No10 by Ilhan Mimaroglu

14 Travelers Who'd Seen It by Fixed Rope

15 What Would The Community Think by Drekka

16 Clash Flag AKA by Hanatarash

17 Crucible by The Hafler Trio

18 A Bag For Bags by Pencilneck

19 Untitled 9 by Axel Dorner

20 Untitled Hidden Track by Autechre

21 Qlipha by Fibrillation

22 Variations Of Pulse Beats - Subway Soundscape Edit by Akira Yamamichi

23 Out Of Town by Evidence

24 Midnight by Birgit Uhler / Ernst Thoma

25 Thieves And Ghosts by Fatal Ennui

26 The Blurry Stupor by Kevin Drumm

27 Load Segment by The Dead C

28 Defecography by Spastic Colon

29 Nightfall Ends The Ceasefire by Crispy Ambulance

30 Untitled 9 by Eugene Carchesio and Leighton Craig

31 Icefall by Clarinette

[kimsonvalon]

Écouter / acheter: I Should Have Known de Eugene Carchesio

[australieworkingholiday]

Eugene Carchesio

AUSTRALIE {culture}

[worldfoodbooks]

NEW IN THE BOOKSHOP: KERB YOUR DOG Number 11 (1991) and Number 12 (1992) Number 12: Kerb Your Dog was an artist-edited anthology of pages by contemporary Australian and International artists, published in Sydney, Australia. Edited by John Nixon and John Young and published in an edition of 500 copies, this volume from 1992 – “TEXTBOOK” – features pages by John Barbour, Eugene Carchesio, Tony Clark, Peter Cripps, Aleks Danko, John Dunkley-Smith, Clinton Garofano, Ross Harley, Tim Johnson, Lyndal Jones, Maria Kozic, Rosemary Laing, Shelley Lasica, Lindy Lee, Geoff Lowe, Robert Macpherson, John Nixon, Rose Nolan, Susan Norrie, David O’Halloran, Robert Owen, Mike Parr, Jacky Redgate, Carole Roberts, Vivienne Shark Lewitt, Peter Tyndall, Ken Unsworth, Geoffrey Weary, Wood / Marsh Architecture Pty. Ltd., John Young, and an essay by Janet Shanks. An invaluable collection of artist’s texts from Australia in this very scarce document. One copy of each in the bookshop and via our website. #worldfoodbooks #kerbyourdog #1991 #1992 #johnnixon #johnyoung (at WORLD FOOD BOOKS)