#especially with the re-recordings because everyone is being nostalgic and talking about where they were when the album first came out

[kingofmyborrowedheart]

The energy on here right before an album release is always immaculate.

[samnyangie]

Personal reviews on RSL filmography

Rsl, iI thought it’d be a good idea to record my thought on each films rsl was in, it was something I always wanted to do...

Rsl in total, was starred in (excluding tv series etc) 27-ish films, to be honest, considering his years as an actor(approximately more than 30 years) he wasn’t starred in that many. We all know why lol

Just saying I’m not a film expert, therefore the list is very subjective.

The reviews with trigger warning (r*pe, g*re etc): Tape, Killer: Journal of Murder, A glimpse of hell. Tho in the writing I’ve censored them with * since I don’t feel comfortable saying them here

There isn’t particular spoilers except for dps, tape, and ground control

The favourites (literally my life time films)

Dead Poets Society

I assume many would agree, and as many would have, it was my first ever rsl film, like I was on the plane and it was one of the films they offered, and I was like, oh I think i heard of this, so I watched and instantly loved it. The message is very relevant to this day, the cinematography is very beautiful and somehow nostalgic. I was horrified with Neil’s death. Tbh now I’ve seen too many memes and all kind of things from the fandom (which I’m grateful for!) I thought the heartfelt I once had would deluded a bit, however when I watched it again last April with my family at the cinema and it still moved me very deeply.

The age of Innocence

Okay, unpopular opinion here, I love this so much. It’s my all time favourite rsl film. It even outruns dps tiny winy bit haha. Aside from how he had tiny winy screen time, appearing at the end but the fact that he played quite an important role and him being gorgeous in it just<33 I couldn’t help but smiling! It just the whole film was so much of my cup of tea? The melodrama and the hypocrisy hidden by elegance among the upper social classes in 19th century is just what I needed. The more I watch it, the more I understand the characters and their emotions, it’s one of those films you should keep visit to discover the things you weren’t aware of before. I watched it again this morning and i couldn’t stop thinking about it. However, I know some people find it boring and I understand why, my sister is one of them lol(except for a bit where rsl was in) but i think it’s more complex than what it appears to be at a first glance haha. In conclusion, it became one of my comfort film to watch time to time. 

The ones I like<33

Swing kids

At first viewing, I didn’t expected much because it had underwhelming reviews but when I actually saw it, I thought it was quite decent and more and more I watched it, I felt like it was underrated. Yes, I think some directing choices were bit old fashioned and cheesy especially the ending, I’m not saying it was a perfect masterpiece but it deserves more recognition than it has now. Also in spite that there’re some parts being too simplified, it touched on something other films about ww2 normally don’t. It was interesting to see the German perspective on it than Jewish or the allies perspective like many of them does, but of course the latter perspectives matter, it could be argued that they more valid than the former, which partly was where sk criticised for, however, the portrayal of the varied reactions of the German people (in this one particular the teenagers) has its value in their on way. Anyway along side with it, the music and the dance scenes were great, without exaggeration, though Swing kids isn’t my fav, peter’s solo dance scene is my favourite scene in any movies I’ve ever watched. I mean that scene had both visuals and meaning as it demonstrated Peter’s determination as well as resentment with a hitch of unsureness. Rsl acting in that scene was just phenomenal, it’s not about showing off the dancing skills but he portrayed every mixed emotions peter has from his expression and the moves, I just can’t talk about this enough especially this scene was the reason I started fallen for him. lol

Much ado about nothing

Much ado is something I never seen anything like so it was a refreshing exprience. I barely watched Shakespeare on screen kind of thing. Though I felt there were some bits too cheesy for me but they are also the charms in the same time, and the cinematography was pretty also Claudio aka rsl, it was like an official announcement of declaring my worship on this man. Especially it was after SWING KIDSSSS so I couldn’t help it now everyone knows how I fallen for him but no one can blame meeeeee Anyway, it’s a really good film to watch when you want be relaxed with cup of tea maybe hehe

In the gloaming

I heard about it before I watched it, that it’s a heart wrenching, tearful piece, though I didn’t managed to cry, it’s just.... painful and in a way heartfelt. I liked that story telling was calm and collected rather than forcing you to join the sob party, just showing the characters to carry on. And thanks to the great acting from the cast, the characters could be emphasised and understood, personally the older sister was the most relatable character for me, well, eldest complex lol. In short I liked it but it’s not something I would watch it often.

Last days of Disco

As a person who looks at aesthetic in films, I simply enjoyed this for that tbh. I don’t know, I just liked the feeling. But I don’t think it’d be everyone’s cup of tea. I love the day time clothes the girls wore in the film. Tbh I love the music too, I think I love all the films of rsl with music in it. Speaking about rsl, oh rsl, he’s.... His character might be bit unlikable but he was just.... This is why I can’t unlove his characters even the debatable ones<33

They were decent! (I would recommend it)

Married to it

This is the first and last ever attempt of rsl of romcomssss The film itself is cliche to be frank it’s like love actually but it’s about marriage life + it’s not christmas but I like heartfelt cliche stories like this, if anyone also loves this type of story, it’s really worth watching, it’s one of my comfort films, also, rsl is so pretty I mean he always is but to see him being a office man with a baby face made me go awww my baby grew up heheh I wish he did another romcom like this or more preferably, melodramatic romance, I’d have made a shrine of it and worship it every morning lol

The boys next door

I kind of smiled while watching it throughout, if you want something that is heartfelt and touch on some serious topic about social workers and the people with mental disorder, Rsl plays a character who has (I think it was) Schizophrenia and troubled relationship with his father(Deja vu I know) but general atmosphere tend to be quite humourous. I don’t get me wrong, though it’s light hearted, it doesn’t mean they treat the topic in the same way. There’s a scene where the protagonist imagining the one of the characters with the disorder talking eloquently and honourably at the court on the rights and the dignity of the people with mental disorders deserve to/should have and they’re just the same people as the people without mental disorders. It was a powerful scene.

My two loves

Rsl’s first ever screen debut film! Hehe it’s about a woman who is discovering her sexual identity and the conflicts within I personally thought it was fairly sensible depiction but I can’t say for sure whether it was accurate or else, since I don’t think it’s my place to say it:) But if you’re interested, it’s on YouTube, you can just search for it or go to this post I made. Fun fact: since it was his debut film, it credits him as he’s real name, Robert L. Leonard, I just find it amusing haha

Tape

It’s another type of film I don’t encounter that often, I enjoyed it, especially with Neil and Todd’s reunion lol. Rsl mentioned how he enjoyed it because it felt like doing a play, my first impression was that the structure is like a play, though the camera work made me quite dizzy haha. But the dialogues, the acting, I think it was quite spot on. Especially the human contradictions and hypocrisy side of it. The most people assume the baddie in the film is Jon the character rsl played and has a distaste for him. I mean how can anyone love a character who is accused of r*pe but to be honest, Vincent for me seemed just as problematic, both of them are hypocrites for sure in their own different ways but in the end we can’t be sure what’s really the truth or not. It’s about the vagueness, and phychology and the uncertainty from the audience on who to believe(well, myself included, most would trust on Amy’s claims since she’s the victim in the accusation, but by her denying the claims, making everything way unclear,) so I don’t know. I don’t really have an opinion haha tho I don’t believe nothing happened because Amy denied so, even Umma Thurman who played her, said that her interpretation was that Amy lied. I felt it’s endless rabbit hole this film. Sorry I couldn’t worded it better.

My best friend is a Vampire

It’s cringey and weird but there’re odd charm to it. Vampire rsl’s so cute as well.... and I think it’s the only film, he acted kind of flirty ? So for that itself I’d like to appreciate itttt And it’s so 80s/90s, like it has general odd nostalgia like all films from that age has. I saw a Korean blog about rsl films and this was mentioned, that- they said- it’s a bible of rsl’s adorableness and I think that sum up the film perfectly.

Mr&Mrs Bridge

Before this was in ‘I mean it was fine” category, but I watched it again and now I want to retract my statement lol Still isn’t my fav but I noticed how delicately depicted each characters are, Mr and Mrs Bridge in particular. This film is alternatively about the changes in the young generation regarding liberty, feminism, free expression especially on sex. It’s in the perspective of the bridges, the mother and father who is old fashioned and conservative (as it was normal in their previous generation) and the children who are the young generation, and the misunderstanding and conflicts between them. After all it all happened not only because of the difference but also the lack of communication, which rsl emphasised in his interviews. I found it interesting that they made it seems like the Bridges truly existed with the video footage and (with the ending) describing what happened to each family member in text with photos. When I watched it at first I was really confused if it was based on a real life. I think what they wanted to suggest was that the Bridges every typical American family at the time. It was something everyone was going through. I said previously I didn’t get why Rsl’s character (the youngest in the Bridges) treated his mother so coldly. Honestly I do get why, but I guess I felt so bad so the mother haha

I mean it was fine

The safe passage

It was okay but to be honest it didn’t stood out to me. It was okay. The story, the characters weren’t that interesting. I wish they extended it longer to go depth with their family relationship or something.

A painted house

I find it likeable, it has a chill, old folk story vibe, but same as previous one. it didn’t really stand out except for shirtless rsl, do close ups you cowards

Bluffing it

I was really fond of the premise of this film and I think it has great intention. It was specifically made to promote the awareness of illiteracy and how to get support. However, I don’t get the reason of Jack the protagonist’s illiteracy. Unless, it was common occurrence in America at the time, I feel like it’d have been more convincing if he was in poor family hood, so there was no time to learn at school due to working at young age...? I mean, just finding it hard to believe he passed the high school just like that, I mean the teachers or anyone should have noticed it, maybe I’m missing something here but it seemed unlikely to me.

Ground control

Again, I liked the message, as it depicted how frightening and difficult job the ground controller is, by one mistake could take away the lives of hundreds, especially as someone who goes on planes a lot... But it was quite cliche throughout, I just couldn’t get engaged to it. But I do admit at the end when the protagonist runs off to the landing zone see the pilot who he had just saved, they acknowledged each other and have eye contacts was truly wholesome. Rsl as cocky, bad boy was such a icing on the cake, I loved it so much. Chewing gum in every scene lol I hope he plays these sort of characters more often. I saw someone criticising him saying he has narrow spectrum of just playing nice boy roles like Neil but I really wanted to debunk the narrative and this could be one of the examples! 

Chelsea walls

I knew that this has split reviews but nonetheless I think worth to watch it, 1. Ethan and rsl re union, 2. Ethan is the directer of the film and rsl sing in it. But I have to say, it’s one of those hard to follow art indie film so I couldn’t finish it on one go. I feel like I have to devour it over and over again. Maybe later on I grow fond of it more lol But his character, I loved him so much. He’s just has everyone don’t touch me, I’m a cocky artist vibe, there’s a scene where his annoying friend annoying him and he looks up and says: ‘Fck off’. Absolute golddddd not to mention he sings and plays guitar so beautifully<333

Well... it’s not my cup of tea

The Manhattan project

I don’t think the film it self was that bad, it’s about high school boy who find out the existence of some nuclear energy research lab and stole the energy to make his own nuclear bomb. I just don’t get the thinking process of the protagonist. It really frustrated me. He seemed apathetic and unlikable I disliked him throughout and that’s why I didn’t really enjoyed it. I mean it has humour and ridiculous storyline might be humorous to some. But more importantly there was such little screen time for rsl!! LIKE WHY? WHY PEOPLE?? HE LOOKS LIKE A FRESH HUMAN MOCHI!!! It makes me soooo mad to think about it

Killer: Journal of Murder

Well, first of all, it had a lot of graphic things than I imagined, brutally murd*red bodies, execution, and r*pe scene, gosh I was strucken by it when I saw that, I had to skipped that scene. It’s based on a real event and a real criminal called Carl Panzram, so if you’re aware of it, it might be more intriguiging to see. But personally for me... meh, I don’t think directing was good as it failed to portray it enough for me to comprehend fully.

A Glimpse of Hell

This is also based on a true event of a tragic accident in the us battleship in Iowa in 1989. They shows tragedy lin a blunt, brutal way by showing horribly damaged bodies of the soldiers torn into pieces, all the horrid things directly so be warned about that. I was quite alarmed because i didn’t expect to see it haha there’s no much to say. The film quality was so so for me. I feel their approach wasn’t appropriate, they were clearly trying to make it dramatic which is fine but in a melodramatic emotional way. It didn’t work because first, there aren’t enough portrayal of the characters for me to get attached, secondly it added the unnecessary exaggeration it prevented me from being emotionally involved or even to think about it. In my opinion, I think it’d have been better if they made it more restrained, dry, focus on the accuracy. For example like 1987 or Zodiac, I mean both of them has dramatic elements since they’re not a documentary but they were not overdone, in a contrary added emphasis to their message/conclusion. I know it’s easier said than done but it was something I consistently felt during it.

Sir.... I’m sorry but-

Standoff

Haha... it’s very peculiar... the directing is off and it just weird. I knew it was bad already but I watched it because rsl as a cop with gunssssssss just... so rare and just.... something else. There’s no way of me missing that seriously. Tbh him doing an action stunt isn’t what I imagine when it comes to him and there’s really any actions scenes anyway but it really was something. Like the character he played here really became my soft spot Hehehehe he was pretty and plus, tbh it’s kind of film I’d make fun of while watching so everything was (alomst) forgivable. There is a recent thing I think about, since this is about a cult, I kind of hope he’d at some day play a role like Eli Sunday from There will be blood: a manipulative, deceitful and maddened priest with twisted faith. Though Paul Dano did a grand job, the idea was in my head the whole time. Well, it’s a shame he wasn’t any of those here lol

Driven

From what I seen, the majority of people seem to unanimously hate this film, and after watching it I became one of those ppl. At least Standoff could be make fun of and rsl held gunssss but this...... I want to say so many things... I feel like they should have chose either fancy, fast paced, thrilling racing film or detailed depiction of emotions/relationships with the racers and people involved in it, I know both can be done, but I think that was outside of their ability, but since they tried to do that at once, it became a mess that doesn’t go either way. And the characters, any of them, including rsl’s are narrow or impossible to understand. I mean rsl did great himself, it was not about acting, the problem lies on the script and editing in my opinion. Also there were so many unnecessary characters made me question of their existence. Luckily rsl’s character isn’t one of them, however because of them, he had to squeeze in and unable to elaborate, which is a shame as he was an interesting character and someone rsl rarely plays; a arrogant and opportunist agent/brother of the protagonist, who would do anything for success... ha.... whyyyyy

This is it. If I watch other stuff I might add to it in the future. Overall, I know I’m biased but I do like His filmography, I do have appreciations in every one of them in different way to the good ones to bad. He may have disagree, but I love his acting on screen, well, I barely seen him on stage (crying)

Edit: as some of you could see, I’ve edited this over and over again haha elaborating on thing or the contrary. I can say with a glimpse of hell I practically managed to watch every rsl films out there lol except for the i inside and the short film he did called a dog race in Alaska. But with the former I’m not interested and already know the storyline, and the latter is just impossible to find, trust me I did my best;; 

So to sum up: I HAVE MASTERED THE RSL FILMOGRAPHY!

[guccifloralsuits]

hi we were talking about books yesterday and i was wondering if you have any good fiction recommendations? 😇😇😇

Yes, I have so many! I broke them down into relative categories, so there’s a little mix of everything. Please read the actual synopsis before diving in though, as some have major trigger warnings.

Books considered “classics”

Their Eyes Were Watching God by Zora Neale Hurston: a book which I come back to in hard times of my life. There’s something so…necessary about this story. Prose style was great. I would rec this book to every person I know.

Mrs. Dalloway by Virgina Woolf: I read this when my life seemed to be changing faster than I could keep up. Beautifully written. Came at a time when I needed it.

Wide Sargasso Sea by Jean Rhys: written as a prequel to Jane Eyre and a modernist masterpiece honestly. THE original meditation on the ideal of a Manic Pixie Dream Girl

The Color Purple by Alice Walker: you’ve probably heard this name from the adaptation. Let me tell you. This book deserves all of its acclaim. I think I’m gonna re-read soon.

Pride & Prejudice by Jane Austin: this is super mainstream for The Literary Circles but it’s for good reason, this book is just? Fun? An honestly enjoyable read? plus when I was taking my SATs way back when they had an essay section, I could use this book for literally any prompt they gave

Wuthering Heights by Emily Brontë: this book is wild. Everyone is a messy bitch who lives for drama & I love it. I just finished it and omg

The Bell Jar by Sylvia Plath: my emo teen- girl rebelling ass ate this shit up back in high school. Is this book overrated? I don’t care. I love it for nostalgic value anyways

The Handmaids Tale by Margaret Atwood: startling beautiful lines. I have almost half this book underlined. A popular read in recent times, with good reason.

A picture of Dorian Gray by Oscar Wilde: I fundamentally disagree with everything written in this book. That is exactly the point. About being gay & sinning. I would not recommend this as a ‘light’ read though. Easy to get swept up in Wilde’s sharp wit & not catch the intentional malice behind what he says, underneath.

One Hundred Years of Solitude by Gabriel Garcia Marquez: I just. Love this. That’s all I have to say. Yeah.gif

All The King’s Men by Robert Penn Warren: The nihilism of Oscar Wilde but set to a political backdrop in the 30’s with stylistic prose akin what you’d read from Hemingway. Probably not for everyone’s taste. But right up my alley in terms of political intrigue. If ur a stuffy English Major with who likes books about corruption, you’ll like this.

Popularized books that are worth the hype they had:

The Glass Castle by Jeanette Walls: there’s something so…engaging about the way this is written. It’s pretty much about kids who have to act like adults for their shitty parents. I couldn’t put this down though.

Dark Places by Gillian Flynn: as with all her novels, this gets dark. This gets ugly. An absolute thriller, & I can’t recommend her books enough. (You might know her from Gone Girl & Sharp Objects. This story follows similar tone). Honestly I rec anything by Flynn.

The Princess Bride by William Goldman: you’ve probably heard of or seen this movie. Well guess what? the book is even better.

YOU by Caroline Kepnes: aka the adapted Netflix series where dan from gossip girl plays plays joe, who is basically Dan but Unhinged. But like, the books are great. “Hidden Bodies” which is the sequel to this is even better, in my opinion. Just plz don’t romance Joe cus you saw penn badgley in a Netflix poster & were thirsty 4 him

Lesser Known/underrated books which could use your love:

A Thousand Acres by Jane Smiley: A reimagining of King Lear, set on an Iowa farm in the late 1970s. Powerful and disturbing

The Gold Bug Variations by Richard Powers: specifically for classical music lovers. Basically a long meditation on supernal mysteries of music, specifically Bach’s intricate Goldberg Variations (you’ll wanna have the Glenn Gould recording to hand), & those of the DNA molecule (especially as a code to be broken) It gradually dawns on you that the two couples listening to the music and studying the molecule are themselves engaged in something strangely molecular and musical. You won’t always understand this book, but it keeps taking your breath away.

Ella Minnow Pea by Mark Dunn: did I buy this book solely because of this tumblr post? Yeah. But it was easily one of the best decisions I’ve made. The way he manipulates letter-language is wild. Woah. Highly recommended.

The 100 Year Old Man Who Climbed Out of the Window & Disappeared by Jonas Johnson: a 100 year old dude escapes his nursery home a steals a suitcase full of drug money then goes on a giant crime spree. HIGHLY entertaining. We stan a King

The Sellout by Paul Beatty: probably the greatest satirical comedy written within the last 50 years. I said what I said.

Children’s/teen/YA books you should absolutely read

The Phantom Tollbooth by Norton Juster: wonderfully creative, beautifully told. Takes abstract constructs and turns them into concrete beings and landscapes in amazing, engaging ways. Please read this. One of my all-time favorite books. Takes the protagonist, Milo, on a fantastical adventure borne through boredom on what he though would be another average day. Seriously. I love this book. So much.

Coraline by Neil Gaiman: another beautifully creative foray into a parallel universe where something Not Quite Right lurks beneath a pretty surface. If you’ve seen the movie adaption - great. Still read the book. It’s absolutely worth it.

Love that Dog by Sharon Creech: technically free verse poetry from the perspective of a young boy dealing with the loss of his pet dog who has to write poetry for a class assignment from his teacher. This is…so good. Oh my god. Oh my god? Poetry for non-poetry people.

The Giver by Louis Lowery: Listen. I know you were forced 2 read this in primary English. I know you probably hated it on principle. But this shit was all that kept me going, when I was younger. It made me feel so understood, before I could define trauma or the meaning of depression. This book made me feel seen.

The Perks of Being a Wallflower by Stephen Chbosky: ya know what? Fuck 2013 tumblr for dumbing this book down into a basic ass Grunge Anthem. I have never seen a book so adequately grapple with how awful romanticizing trauma can be. This book goes into the horrible side of adolescence in a way that’s genuine, and in a way which doesn’t put trauma/mental illness on a pedestal. I needed that shit, when I read it. I still love this book today. The lines will stay with you forever, after you read some of them.

All the Bright Places, by Jennifer Niven: this was another one of those books that I read in an essential time, which lodged into me afterwards. About two teenagers who meet while standing on the bell tower of their school, both contemplating suicide. Highly recommend. Prepare to cry.

You didn’t ask for Poetry but I’m including some because I am poetry TRASH:

Rice by Nikky Finney

A Thousand Mornings by Mary Oliver

One Big Self by C.D. Wright

LOOK by Solmaz Sharif

Poetry for people who think poetry is inaccessible to them:

New American Best Friend by Olivia Gatwood

Our Numbered Days by Neil Hillborn

Depression & Other Magic Tricks by Sabrina Benaim

There are literally SO SO SO many books I could also add, but these are the ones that came to mind. Bolded ones are those I especially love. Happy reading!

[melpomenecokr]

﹟ ♡  THIS MONTH IN MUSIC  :  APRIL 2019. 

♡♡♡

This month was surprisingly rich and eventful when musical releases are considered; I had a hard time picking my top five of the month, especially when a lot of great releases trickled in near the end. However, as many character flaws as I have, being indecisive typically isn’t one of them, so without further ado, here are my top five recommendations for the month of April. 

Before we get into it, though, I just want to say I know that I missed last month -- you guys won’t let me hear the end of it, and rightfully so. I won’t make a lot of excuses beyond there was a lot going on with work and in my personal life, but I’ll do my best not to miss another month again. March wasn’t that eventful anyway, though there were a few gems. If you’d still like me to talk about them at a later time, let me know.

Anyway, let’s get started. As always, all links for streaming and purchase will be included in each section. Please support these artists and their great music. 

#005. “THANKS (고맙다)” - DOUBLE SINGLE BY GEMINI (제미나이) RELEASE DATE: 06 APRIL 2019

Now, this may be a little shocking and possibly even upsetting to some of my readers, but I’m actually not entirely all-that-familiar with the whole Gemini situation, even if my younger sister is under their same company. All that went on while I was still in college,and trust me, I had a lot of drama of my own to sort through at the time, but the gist of what I knew before this release was that they were involuntarily put through a survival show where half the group got cut. Through my sister’s experiences, I know a little bit of what it can be like to be in a group; you literally spend every second of your time together and more often than not, the members get really close. The pain that event must have caused them is so tangible with this release, even three years after everything happened as it did, as the twelve of them briefly reunited to release these two songs. 

With that bit of background out of the way, “Thanks (고맙다)” consists of two songs; one with the exact same title and another called “Don’t Wanna Cry (울고 싶지 않아).” Both songs are Future Bass-esque tracks with modulated synth patterns and heavy beat drops, which I think is a unique pairing with such sad and emotional lyrics -- but it works well. In both cases, it really makes the listener feel the strength of their emotions, and it has the potential to generate this sort of bittersweet nostalgic feeling, which I find quite genius on the part of the arrangers and composers of these two songs; and sensibly, the members of Gemini themselves worked on every aspect of these songs together. It shows. 

For specifics, we’ll start with the title track, as it’s the first of the two that appears on the tracklist. “Thanks (고맙다)” is, in my opinion, the lyrically superior of these two tracks, so I’m glad to see it as the title. The chorus is so powerful both lyrically and musically that I got that lump in my throat as I listened, and even as someone who doesn’t know the entirety of their story, I really felt for these boys and all they had been through together, and apart. The general message speaks toward the regret they feel for not better articulating how much they cared for one another while they were together, so they take this time now to thank each other "even after all the waiting, all the longing, and all of our memories.” That’s a truly beautiful message, and I believe it may be encouraging to other groups not to take each other for granted, because you never know what your company will do with you, at the end of the day. 

“Don’t Wanna Cry (울고 싶지 않아),” while not as lyrically solid as its predecessor, is definitely the sadder of the two songs as you may have gathered from the title. The synths are used in a way that support the simple chorus so that the listener can feel more than hear how the events of the survival show have affected them. According to the album description, this song was actually written three years ago, right after the events of the show came to an end -- but they re-recorded and released it now that they have the chance. It definitely shows how their skills as lyricists and artists have progressed; this isn’t a bad song at all, don’t get me wrong, but I almost feel as though “Don’t Wanna Cry (울고 싶지 않아),” should have been first on the tracklist because the way it conveys a simpler, though sadder message. On this track, the members of Gemini are basically telling each other how sad they are to be separated, and how much they wish things could have been different -- but how, in the end, they’ll be strong for one another, and always there for each other, waiting to do anything they can, and for the chance to be together again. It almost seems like a love song, honestly, and I appreciate the emphasis on the vulnerability and the value these boys place on their relationship. It’s definitely something you don’t see a lot of boy groups doing. 

Listen to “Thanks (고맙다)” here and stream the music video here. 

#004. “RUSSIAN DOLL” - STUDIO ALBUM BY COLA RELEASE DATE: 25 APRIL 2019

I feel as though everyone has those artists that they know about and appreciate but don’t heavily “stan” so, ashamedly, some things fly under the radar. That’s Cola for me. I love to see more experimental and bold artists out there, especially male ones, because male artists in the industry tend to repeat and copy the same trends and styles and ideas and it gets stale really quick. But Cola always brings something fresh and new, and that’s what I can really appreciate about his music. I didn’t let “Russian Doll” slip through the cracks for me; as soon as I heard it had come out, I dropped everything and went to listen. And let me tell you, I was far from disappointed. 

As Cola’s fourth full-length album, “Russian Doll” consists of 12 tracks, with one title. As this isn’t an in-depth review of the album, I can’t talk about every song, but I’ll tell you now that all of them are worth your listen. The two I’d like to highlight are “Golden Age” and “Motherfucker,” and of course I have to talk about the title track, “Juice.” 

“Golden Age” is the first song on the tracklist, and I think this was done with incredible purpose. The slow progression of both the lyrics and the music together really sets the mood for the rest of the album, which takes you on this sort of rollercoaster of emotions and sensations. The lyrics are delivered with so much emotion that it can be easy to forget about the accompanying music, but the way the vocals are pushed to the forefront is actually really appropriate for a song like this, in my opinion, and the way the progression is paced sort of primes you for this huge bang that doesn’t actually come within this track itself, but that’s okay. An explosive bridge or a sudden change in tone would have felt weird with a song like this, and I like it as a standalone, but I think it’s supposed to lead you into the album, like the prologue of a story. On top of that, the deeply personal lyrics convey a theme of self-discovery and self-giving love, which is really sweet. As painfully single and alone as I am, this song really made me feel loved for four minutes. 

Remember that “bang” I just mentioned? That’s “Juice.” I was not expecting this energetic pop song right after “Golden Age” just plunged me deep in my feelings, but I think that’s what makes this song an even better experience than just listening to it on its own. As a pop connoisseur, I love everything about this song -- the high and light vocals, the disco-synth beat, the overt sexual innuendos -- it’s great. I can already see future-Melody in her skintight rainbow dress dancing to this in the gay bar after having too many sangrias, and I’m happy for her. I hope she gets juiced, too. 

The last song from this album I’d like to talk about is track seven, “Motherfucker.” And no, I don’t just like this song because I have a potty mouth, though that’s definitely a factor; the fact of the matter is that lyrically, this song is really something special. The lyrics are written and delivered in this short-of-breath kind of way that makes the song feel so simple and yet so passionate, and the way its so in-control of itself as a song is excellent. This song knows exactly what it is and Cola knows exactly what he wants to say, and how to say it. I feel like most will agree with me here, but the lyrics “do you really want me to write a feminist anthem? / I’m happy cooking dinner in the kitchen for my husband” sent me. There’s something so intrinsically feminist about that lyric, because its his choice. It’s not something he, or any person listening, should feel required to do because they hold a ‘submissive’ role in a relationship. But when it’s something you’re happy to do, regardless of what society says? That’s powerful. 

Listen to “Russian Doll” here.

#003. “OLD TOWN ROAD (REMIX)” - SINGLE BY LIL NAS X AND BILLY RAY CYRUS RELEASE DATE: 05 APRIL 2019

I know. Okay? I know. I am risking my credibility as a music journalist by putting this song in what is meant to be a serious review -- but hear me out. I’m more than willing to argue about why this song is unironically good all day long. As Lil Nas X says on the track himself, “Can’t nobody tell me nothin’.” 

The original “Old Town Road” came as 2018 was fading away (good riddance), and though it was pretty popular within the meme community as this fun and entertaining country-trap hybrid, it never really saw real status as a musical release. Lil Nas X was only 19 when he released it to SoundCloud, and as I’ve stated before, SoundCloud is not exactly the place to go if you want to find music of legit quality. Not always, at least. 

But when this remix hit the charts, everything changed. At first I didn’t even bother with it because I had listened to the original and while it served its purpose as a comical and light-hearted guilty-pleasure track, it wasn’t anything I was too invested in. Yet, as I’m sure any of you who have a twitter account are aware, this song was literally everywhere and was climbing the charts faster than anything I had ever seen before, so I gave in and listened. And, by god, this is among very few country songs I can actually enjoy -- and that’s saying a lot, as a country girl by birth. 

So, let’s get into why this song is so, so good. First of all, the arrangement is simple yet so effective, and the beat drop on the aforementioned “Can’t nobody tell me nothin’” chorus is borderline artistic. The way the vocals are synthesized and enhanced gives the song a completely different feel from its original, like something you can actually enjoy without feeling as though your best friend will side-eye you from the corner of the room (that is based on personal experience), and even if he did, you wouldn’t care. Admittedly, this song leaves a lot to be desired lyrically, but the simplistic rhyme scheme and Billy Ray Cyrus’ assertive and very iconic rap bring a joy to my heart that is nearly indescribable. 

My only complaint about this song is that it’s so short. At least one more refrain, or another verse would have been greatly appreciated since it feels like it stops so short, but that’s easily remedied by hitting the replay button. Not all songs have to be deep and thought-provoking to be good, and Lil Nas X deserved his big break with this infectious and spirit-lifting song he and Billy Ray Cyrus have brought us. 

Listen to “Old Town Road (Remix)” here. 

#002. “I LUV U” - SINGLE BY 5OGUE (보그) RELEASE DATE: 19 APRIL 2019

I felt somewhat depressed about missing my chance to review 5ogue’s sixth mini-album, “Mixed 6nals” last month, but as if they read my mind, they released an auxiliary single near the end of their promoting period to give me a second chance. (Side note: if you, my dear readers, are still interested in full a Mixed 6nals review, just let me know. I have a lot to say about that album.) They’ve actually done this before with their fifth mini-album, “Re:Covery” where they released “HXTE U” as a single as a gift to fans. I can only imagine how much work and planning goes into something like that, but 5ogue have shown themselves to be fiercely dedicated to their fans many times before, so I can’t say I’m surprised. 

Anyway, to be honest, I was kind of shocked when I first listened to this song because I thought I wasn’t too fond of it. I’ve stated many times before that I’m extremely picky with songs that have overly-repetitive lyrics because I feel like if they don’t serve a certain purpose, it’s just ear poison, but after my first listen I quickly released just how obsessed with this song I was, even if the word ‘like’ is said over 100 times. 

I don’t think I’m very susceptible to brainwashing, but the chorus went from being a little annoying to being infectious; I genuinely couldn’t stop listening to it because I couldn’t get enough, and the more I listened, the more the song grew on me. The chorus does most of the work for this track, and I think that’s where that ‘purpose’ i mentioned earlier comes in, because the verses are simple but are delivered in a way that center around the chorus and pull the song together perfectly. The message of being so extremely infatuated that it makes them physically and emotionally sick is conveyed in not only the lyrics, but the style and arrangement of the song itself, and that makes it so clever. They don’t glamourize that, either -- they show how unhealthy it is to think of someone that way, even if it can be sickeningly sweet. I love that. I luv that. 

5ogue have pretty much established themselves as the masters of Retro Pop, so the old-school-with-a-new-school twist aspects of this track come as no surprise, but rather as a nice brand that lets you know this is something they’ve created. And even if you’ve never been obsessed with another person to the degree this song expresses, the power vocals and smooth raps draw you in enough to invite you to their world, and to give you a taste of what its like. That’s brilliant to me, and 5ogue really stepped outside of the box with this song.

Listen to “I Luv U” here and stream the music video here.  

#001. “SUPREME” - EXTENDED PLAY BY WICKED! (위키드!) RELEASE DATE: 25 APRIL 2019

This may look like bias because, as many of you probably know, my sister is in this group. But, as many of you probably also know, I don’t really tend to let how much I like or dislike an artist influence my objective reaction to their music, so believe me when I say this album is number one because it’s amazing rather than my familial ties to it. 

Good? Good. 

That out of the way, let’s talk about “Supreme.” This is, by far, Wicked!’s best release to date and I’m not sure if they’ll be able to top it anytime soon. Every song on this mini-album was good, so much so that I struggled to pick which ones to discuss here at first, but after a long period of introspection I have settled on “No” and “Like It,” and of course we should at least briefly cover the other title track, “Kill This Love.” 

This album starts off with a bang, literally, as the heavy drum and trumpets of “Kill This Love” will actively scare the shit out of you if you aren’t expecting them. But, given this song’s disposition and very bold lyrics, I think that was more than intentional, as the girls discuss getting rid of a toxic and superficial love before it becomes something they can’t walk away from. Kimmy’s rap in this song is some of the best I’ve heard from her; the tumble-like flow and high-energy really adds to the overall message of this song -- that they’re strong enough to let go of something for their own good, even if they don’t necessarily want to do it on the surface level. The vocalists really came through on this song as well, and all the members really did their part to make this power anthem the great song that it is. 

Next up is “No,” one of my favourite songs to come out this year so far. This song actually distantly reminds me of “I’m Too Sexy” by Right Said Fred, with the low synths and dance-pop vibe it gives off, as well as the confident lyrics. Don’t get me wrong, though; these girls outsold those crusty white guys without any question concerning it. The chorus and Future Bass-like arrangement of it are so unique, and fuse with the idea of loving yourself and being confident in the things you like in an unexpected and yet perfect way. The bridge of this song is actually my favourite part, as it makes you just want to strut like a supermodel no matter what you’re doing or wearing. This song makes me feel sexy, independent, and free to do whatever I want, and I think that’s a common sentiment. It’s excellent work. 

Finally, I feel a begrudging need to talk about “Like It” -- and I have to say begrudging because, as fantastic of a song as this is, it’s really weird to hear my little sister sing about sexual sensations. But, we’re both grown women and I can look past that enough to tell you that “Like It” is one of the best songs on this incredible album, second to only “No,” in my opinion. The Dance-pop and R&B combination of this track is beautiful in terms of both its arrangement and how it fits with the sensual lyrics. Speaking of those lyrics, they’re pretty simple aside from the raps, but I think that’s perfect for a song like this because when you get to feeling so strongly about wanting to be with someone, you often can’t think straight. Maybe I’m giving the writers too much credit, but if that was intentional, it’s brilliant. 

Listen to “Supreme” here and stream its music videos here, here and here. 

Well, that’s all for this segment of This Month in Music. Be sure to tell me about your favourite songs of the month in the comments, and start a discussion about any of the points I’ve brought up today. I hope you enjoyed, and I helped you to discover at least one new song you love. ♡