#eryk kulm

[moviemosaics]

Irena's Vow

directed by Louise Archambault, 2023

[artfaceswarsaw]

K MAG x ERYK KULM JR

Photography Max Gronowski | ART FACES

Styling Ewelona | ART FACES

Grooming Aga Brudny | ART FACES

[itsguiltyland]

[movienized-com]

Kiedy ślub?

Kiedy ślub? (Serie 2024) #MariaDębska #ErykKulm #MaszaWągrocka #MaciejMusiał #MagdalenaPopławska #KamilSzeptycki Mehr auf:

Serie / When is the wedding?Jahr: 2024- (Februar) Genre: Comedy / Drama Hauptrollen: Maria Dębska, Eryk Kulm, Masza Wągrocka, Maciej Musiał, Magdalena Popławska, Kamil Szeptycki, Kamila Urzędowska … Serienbeschreibung: Die Geschichte über Abschied, Erholung vom “Weltuntergang”, das Zurechtkommen in modernen Beziehungen, Sex und die Realität ständiger Veränderungen . “Kiedy ślub?” (Wann ist…

[vintagewarhol]

[jenniedrawsandroleplays]

Newest photos from the set of "Chopin Chopin!"

Eryk Kulm ❤️

[rubych0c0]

Since 2024 is ending, I thought I would post a 2024 summary of art I have made today here, so here it is!

Here's also a list of predictions I have for 2025:

1. My artstyle will improve once again. Maybe I'll also figure out to make more unique types of shading and better lightning too.

2. The remedy classes I've been going to this year will improve me as a person, considering I have autism.

3. I will get Hello Kitty Island Adventure and another Tokidoki Sandy figure for my Birthday. (I did get one, and I mean the rainbow for Mikołajki so here it is:)

4. I will reach 2K subscribers on YohTube in mid-late 2025.

5. Switch 2 presentation/direct in Early 2025, potential release date for Splatoon 4 gets revealed for late 2025 - mid 2026. Launch date MIGHT be possible too, but... Unlikely imo (I'm gonna show what I want for Splatoon 4 below those predictions, btw!)

6. Calling at the Telesisters episode 1 releases in early 2025. (For those who don't know: It's a Rinktuna related series I am currently working on with my friends right now)

7. I might potentially make new series for Ruby Choco Cookie! Films (Fanmade company made by me) during that year as well, but I still don't know

8. I will make a Wiki for Ruby Choco Gamez (Another fanmade company made by me?.

9. I will get a Side Order DLC card, as well as new manga and potentially new figures as well for Christmas 2025.

10. I haven't got one in 2024, so maybe 2025 will FINALLY be a chance for me to get the white belt for taekwondo.

11. Classicaloid season 3 becomes a thing (VERY unlikely but still lmao)

12. New Polish composer movie (I call him that jokingly but you definitely get who I'm talking about lol) featuring Eryk Kulm Jr releases in March 2025 (Only predicting this because March is his Birthday month)

13. I will finally watch Mighty B, Classicaloid (I only watched clips) and possibly the Tamagotchi anime (That's on my "watchlist" as well lol) too for myself.

14. I will get UTAU and make a voicebank called "RubyLoid".

15. A Codename Sailor V anime happens (Also unlikely but still. I would be excited if that occurs)

Anyways, what I want for Splatoon 4:

For Splatoon 4, I'd personally like to see the main hub (Considering Team Past's win) being something like a mix of retro, traditional Japanese and steampunk, and the idols being themed that way too. Would love to see Nintendo experience with this

I really have no ideas on what the story mode should be yet, but it HAS to be some kind of "post-Octoling-racism" sort of hero mode. The DLC can also be centered around the Great Turf War, sorta like an RPG where you play as Craig Cuttlefish. Oh and I would also love to see a replayal of hero mode missions (Sorta like the replay mode feature for online battles in 3 where you get to watch them again) but I'm not sure on how those would work

I wouldn't mind the former idols or former hubs returning

I am in a need of Splatfests returning again. These events were so much fun and even are lore-tied as well so I'd probably be mad If Nintendo doesn't add them in by the time 4 releases (I'd also like a take of adding ranked battles for Splatfests, and for tricolor to be playable as a regular mode)

I wouldn't mind new kits and apartments being in the next game, but it would still be cool

More customization features such as unique-looking pants, possibly even more colors than just black, fingertips etc.

And an obvious RETURN OF MINI-GAMES. Tableturf was kinda boring imo, we need games like Squid-Beatz or Squid-Jump to return with New ones as well. Oh well and AMIIBO HERO MODE MISSIONS!!! AND NEW "HERO" THEMED WEAPONS AS WELL!!! (And also Octarian themed weapons! Like those weapons Octolings had in the previous games aside from the Octoshot)

Reblogging incase I get any of these predictions right!

[franzliszt-official]

https://www.filmweb.pl/news/Eryk+Kulm+Jr.+jako+Fryderyk+Chopin.+Zobacz+pierwsze+zdj%C4%99cie-155914

There will be a new movie about Chopinski

It will never do justice enough to our dearest @chopinski-official!

[overlookedwwiimedia]

Filip (2023)

Basic Story: A Polish Jew escapes the ghetto and hides in plain sight pretending to be a Frenchman working as a waiter in a Frankfurt hotel.

Fan Thoughts: Filip is unique as World War II film, both in focus and characterization. The plot focuses almost exclusively on Filip, a Polish Jew masquerading as a Frenchman and working as forced labor in a hotel in Frankfort, where he is nearly completely removed from the realities of the war until abruptly confronted with them in often violent ways. This focus on a single character that rarely involves warfare is a viewpoint not often seen, and the moments when the war comes home are sudden and have deadly fallout. Additionally, Filip in the first half of the film is not a particularly likable character, his ‘revenge’ of sleeping with German women then breaking their hearts seems both ineffective and self-serving.  As the film continues the audience sees he is a man deeply affected by his experiences in Poland before coming to Frankfurt and is drifting through his life desperate for some kind of purpose. Once he meets Lisa, he has a shift in personality and begins to live with purpose and make decisions that don’t put his life on the line. While the treatment of women in the film can be off-putting, Filip’s story is well crafted and supported by an excellent performance by Eryk Kulm, the soundtrack, and the cinematography. The film slowly builds to an exciting conclusion as Filip journeys from self-destruction to purpose in a world where every decision he makes could have disastrous consequences.

Warnings: on-screen executions, on-screen beatings, nudity/sex scenes

Available On: Netflix

[chopinski-official]

https://www.filmweb.pl/news/Eryk+Kulm+Jr.+jako+Fryderyk+Chopin.+Zobacz+pierwsze+zdj%C4%99cie-155914

There will be a new movie about you.

Were I to have a heart, I’d have a heart attack.

[the-celluloid-correspondent]

BEST OF SIFF: ROUND 3

YEAR OF THE FOX: DIRECTED BY MEGAN GRIFFITHS

A 17-year-old, Ivy, who was adopted as an infant into a wealthy and notable Aspen family, is navigating the fallout of her parent's bitter divorce.

Nearly all coming-of-age stories are identical, with the teen learning to cope with their life and self in a self-discovering fashion. So I was surprised to see Year of the Fox take a much darker approach to the classic story. Though the story implementing Eyes Wide Shut Aspen addition may not have worked due to its predictability and unbelievability, I still respect it for taking a different approach. Sarah Jeffery shines in her performance of perfectly capturing a teen coming of age, with all the hormones and emotions that come with it. Overall, I enjoyed this movie for what it was, and I respect it for taking a different approach to its story.

My Rating: B

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STELLA: DIRECTED BY TYLER DOEHRING

Chef Ciro Oliva wants nothing more than his Neapolitan pizzeria Concettina ai Tre Santi to be the first of its kind to earn the converted Michelin Star, but that's easier said than done with the notoriously secretive organization.

If you are not craving pizza by the end of this documentary, then you have no soul. Stella is a mouthwatering documentary of the quest for a pizzeria to attain a Michelin Star. It masterfully showcases the art of pizza making like no one has before. It truly honors the chefs behind the pizza making, where you wonder how haven't they earned a Michelin Star. Overall, if you have some pizza cravings, their movie is perfect for you.

My Rating: A-

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FILIP: DIRECTED BY MICHAL KWIECINSKI

941, the Warsaw ghetto. Filip, a young Polish Jew, with his beloved Sarah, are getting ready to perform in a cabaret to earn a living. During the premiere, a shootout takes place, during which Sara, as well as Philip’s relatives sitting in the audience, are killed. Two years later, the man works as a waiter in the restaurant of an upscale hotel in Frankfurt.

As for Holocaust and WW2 movies, the era has been pushed to all the boundaries you think they could. However, 80 years after the war, the era can still reveal some unique stories. Filip gives up a glimpse of a Jew hiding in plain sight in Frankfurt, Germany, as he struggles with his race and his sexual desires in a country that wants to see him hang. It's a fascinating character study into the psychological trauma and strength needed to survive Nazi Germany. Eryk Kulm is the heart of this film with his powerful and heartbreaking performance. If you have a chance to see this, definitely go watch it.

My Rating: A-

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IRATI: DIRECTED BY PAUL URKIJO ALIJO

Western Pyrenees, year 778. When his land is threatened by the ruthless armies of the Frankish emperor, a Basque warlord asks for help from his ancestral gods.

When the official program was released for SIFF, the moment I saw the picture for Irati, I knew I was done with it, and it did not disappoint. Irati is a fun fantasy adventure that highlights an underrated mythology. The story is fascinating as it's filled with great characters and stunning character design. The story masterfully weaves Spain's pagan mythology that highlights its unique nature. Furthermore, the battle sequences are spectacular, given its limited budget. Overall, Irati is a lot of fun and definitely worth a theater experience.

My rating: B

[smimon]

Tfw your friend is truly amazing and you just wanna make sure everyone around already noticed

Belle Epoque s1e8

[culturalhigh]

SZTUCZNA SZTUKA

Takie filmy trzeba lubić. Kto się czubi, ten się lubi. Nie lubię? Czy ten film ma w czubie? Imitująca dialogi bohaterów rymowanka dźwięczy mi w głowie już w trakcie projekcji „Mowy ptaków” Xawerego Żuławskiego. Rozmowy postaci, w języku polskim stworzonym gdzieś na skrzyżowaniu Gombrowicza, Koterskiego i Masłowskiej, polegające na rozciąganiu słów w stronę przeróżnych skojarzeń, brzmią deklamatorsko. Nienaturalne i niezrozumiałe zachowania bohaterów potęgują efekt obcości. Halucynacyjny styl narracji zmusza do nieustannego rejestrowania własnych reakcji. Zniekształcona, jak gdyby oglądana przez szklaną kulę, filmowa rzeczywistość nie pozwala ani na chwilę zapomnieć, że oto: patrzę na ekran; jestem w kinie.  (“Mowa ptaków” dostępna jest już na Netflixie.)

Doświadczenie to można porównać do wizyty w osobliwym parku rozrywki. „Mowa ptaków” to rodzinny gabinet luster Żuławskich, ojca i syna, których twarze nakładają się na siebie w pierwszych kadrach. Andrzej Żuławski napisał scenariusz do filmu. Był to ostatni, jaki ukończył przed śmiercią. Zostawił go w rękach syna, Xawerego, który na jego podstawie stworzył film, w którym fakty i fikcja to wymijają się, to uderzają w siebie nawzajem.

W rolę syna, Mariana, wcielił się Sebastian Fabijański - intuicyjny, zwierzęcy w bezwarunkowych odruchach, jakby sam do siebie stroił miny. Marian to artysta, pisarz i reżyser, świadomy spuścizny twórczej ojca, może nawet przez nią zdominowany, jeśli właściwie interpretuję symbolikę materializującej się przy nim znienacka i nagrywającej telefonem, aby stworzyć własny film, uczennicy. Ach tak, zapomniałam dodać, Marian jest również nauczycielem.

Byłym nauczycielem. Zostaje zwolniony ze szkoły za wymachiwanie nożem w klasie. Robi to w obronie kolegi, historyka, zaatakowanego przez uczniów. Podejrzewam, że nóż również ma znaczenie symboliczne - był przekazywany z rąk do rąk, czy też Marian go od kogoś dostał, nie pamiętam, bo też trudno wszystko spamiętać w tej plątaninie wątków, odniesień, wyobrażeń. Każdy bohater tworzy swoje odnogi fabularne. Wyrastają na nowo jak głowy Hydry, nawet gdy któryś z epizodów się ucina. I tak, współlokator Mariana, chory na trąd pianista wirtuoz z ambicjami na wielki przebój popowy Józef (Eryk Kulm jr), raz odwiedza matkę w szpitalu psychiatrycznym, innym razem odbywa konsultacje medyczną z robotycznymi w zachowaniu lekarzami bliźniakami (w tej roli bracia Mroczek – naprawdę, trudno nie myśleć o „M jak miłość”). Dziewczyna Józefa, Ania (Jaśmina Polak), pracuje jako pomoc domowa w nowobogackiej willi. Usługuje teatralnie rozkapryszonej ciężarnej pani domu (Marta Żmuda-Trzebiatowska) w jednej sekwencji i donosi hamburgery z McDonalda jej mężowi bankierowi (Borys Szyc), amatorowi miniaturowych samolotów wojennych, w innej. Karuzela scenek, oddzielonych od siebie osobnymi śródtytułami, kręci się przez 2 godziny 19 minut. Scenerie wirują, obraz przed oczami się rozmywa. Przez fantasmagoryczny chaos przewijają się i nastoletni narodowcy, i kwiaciarka śpiewająca powstańcze pieśni, biedni i bogaci, razem tworząc nużącą kakofonię polskości.  Po ostatnich premierach kinowych: „Polityka”, „Legiony”, „Piłsudski”, od nadmiaru OJCZYZNY można dostać globusa.

W wykreowanym przez Żuławskich świecie, w którym strumień świadomości artystycznego ego zdaje się być dominującym elementem, nic nie jest oczywiste. „Mowa ptaków” jest wyrafinowaną meta-konstrukcją, gdzie tarcia między fikcją a rzeczywistością wybuchają znaczeniami jak fajerwerki. Nieustannie świadoma rozgrywającego się przed moimi oczami spektaklu, oddalam się od oglądanej historii i dryfuję w stronę jej pozaekranowych odniesień. Myślę o Sebastianie Fabijańskim na kanapie u Kuby Wojewódzkiego lub przypominam sobie anegdotę Wojewódzkiego o X. Żuławskim. Podobno reżyser poprosił w spożywczaku o rukolę, a sprzedawczyni odpowiedziała, że mają tylko coca-colę. Mam wrażenie, że ten aspekt rzeczywistości mógłby równie dobrze znaleźć się w samym filmie i wcale by mnie to nie zdziwiło. Zdaję sobie sprawę z mnogości poziomów, na jakich funkcjonuje „Mowa ptaków”, ale mimo to nie potrafię w niej dojrzeć żadnej prawdy. Pozostaje tylko sztuczność, a ta bywa męcząca.

[itsguiltyland]

[movienized-com]

Teściowie 2 (2023)

Teściowie 2 (2023) #KalinaAlabrudzinska #ErykKulm #MajaOstaszewska #IzabelaKuna #AdamWoronowicz #EwaDalkowska Mehr auf:

Jahr: 2023 (September) Genre: Comedy Regie: Kalina Alabrudzinska Hauptrollen: Eryk Kulm, Maja Ostaszewska, Izabela Kuna, Adam Woronowicz, Ewa Dalkowska, Ignacy Martusewicz … Filmbeschreibung: 2. Versuch: Nachdem ihre erste geplante Hochzeitsfeier im Chaos versank, wollen es Weronika und Lukasz noch einmal wagen – diesmal wird sogar am Meer gefeiert. Doch die Familien der jungen Liebenden sind…

[malteseboy]

sooo... regarding polish celebrities i'm rather into Eryk Kulm, your thoughts? also this made me think that maybe you'd like to watch a polish tv series "Bodo" in which he played, especially that there aren't many good polish shows and it's available online (no subs tho :/ )

no he’s not really my type, but I’ll look into the series! Thank you ☺️