#erick sanger

[rainingmusic]

SCORPION CHILD - Acid Roulette 

[awardseason]

2020 Film Independent Spirit Awards - Winners

BEST FEATURE “A Hidden Life” “Clemency” “The Farewell” — WINNER “Marriage Story” “Uncut Gems”

BEST DIRECTOR Robert Eggers, “The Lighthouse” Alma Har’el, “Honey Boy” Julius Onah, “Luce” Benny Safdie, Josh Safdie, “Uncut Gems” — WINNERS Lorene Scafaria, “Hustlers”

BEST FEMALE LEAD Karen Allen, “Colewell” Hong Chau, “Driveways” Elisabeth Moss, “Her Smell” Mary Kay Place, “Diane” Renée Zellweger, “Judy” — WINNER

BEST MALE LEAD Chris Galust, “Give Me Liberty” Kelvin Harrison Jr., “Luce” Robert Pattinson, “The Lighthouse” Adam Sandler, “Uncut Gems” — WINNER Matthias Schoenaerts, “The Mustang”

BEST SUPPORTING FEMALE Jennifer Lopez, “Hustlers” Taylor Russell, “Waves” Zhao Shuzhen, “The Farewell” — WINNER Lauren 'Lolo' Spencer, “Five Me Liberty” Octavia Spencer, “Luce”

BEST SUPPORTING MALE Willem Dafoe, “The Lighthouse” — WINNER Noah Jupe, “Honey Boy” Shia LaBeouf, “Honey Boy” Jonathan Majors, “The Last Black Man in San Francisco” Wendell Pierce, “Burning Cane”

BEST FIRST FEATURE “Booksmart” — WINNER “The Climb” “Diane” “The Last Black Man in San Francisco” “The Mustang” “See You Yesterday”

BEST INTERNATIONAL FILM “Invisible Life” (Brazil) “Les Misérables” (France) “Parasite” (South Korea) — WINNER “Portrait of a Lady on Fire” (France) “Retablo” (Peru) “The Souvenir” (United Kingdom)

BEST SCREENPLAY Noah Baumbach, “Marriage Story” — WINNER Jason Begue, Shawn Snyder, “To Dust” Ronald Bronstein, Benny Safdie, Josh Safdie, “Uncut Gems” Chinoye Chukwu, “Clemency” Tarell Alvin McCraney, “High Flying Bird”

BEST FIRST SCREENPLAY Fredrica Bailey, Stefon Bristol, “See You Yesterday” — WINNER Hannah Bros, Paul Thureen, “Driveways” Bridget Savage Cole, Danielle Krudy, “Blow the Man Down” Jocelyn Deboer, Dawn Luebbe, “Greener Grass” James Montague, Craig W. Sanger, “The Vast of Night”

BEST CINEMATOGRAPHY Todd Banhazl, “Hustlers” Jarin Blaschke, “The Lighthouse” — WINNER Natasha Braier, “Honey Boy” Chananun Chotrungroj, “The Third Wife” Pawel Pogorzelski, “Midsommar”

BEST EDITING Julie Béziau, “The Third Wife” Ronald Bronstein, Benny Safdie, “Uncut Gems” — WINNER Tyler L. Cook, “Sword of Trust” Louise Ford, “The Lighthouse” Kirill Mikhanovsky, “Give Me Liberty”

BEST DOCUMENTARY “American Factory” — WINNER “Apollo 11” “For Sama” “Honeyland” “Island of the Hungry Ghosts”

JOHN CASSAVETES AWARD “Burning Cane” “Colewell” “Give Me Liberty” — WINNER “Premature” “Wild Nights With Emily”

ROBERT ALTMAN AWARD “MARRIAGE STORY” Director: Noah Baumbach Casting Directors: Douglas Aibel, Francine Maisler Ensemble Cast: Alan Alda, Laura Dern, Adam Driver, Julie Hagerty, Scarlett Johansson, Ray Liotta, Azhy Robertson, Merritt Wever

BONNIE AWARD SPONSORED BY AMERICAN AIRLINES Marielle Heller Kelly Reichardt — WINNER Lulu Wang

SOMEONE TO WATCH AWARD Rashaad Ernesto Green, “Premature” — WINNER Joe Talbot, “The Last Black Man in San Francisco” Ash Mayfair, “The Third Wife”

TRUER THAN FICTION AWARD Davy Rothbart, “17 Blocks” Erick Stoll, Chase Whiteside, “América” Khalik Allah, “Black Mother” Nadia Shihab, “Jaddoland” — WINNER

[chicagoindiecritics]

New from Every Movie Has a Lesson by Don Shanahan: MOVIE REVIEW: The Vast of Night

(Image courtesy of Amazon Studios)

THE VAST OF NIGHT— 5 STARS

There exists a wide range of adjectives between the pleasurable place of “thrill” and unpleasant extreme of “terrify” that one could apply to stimulating movie experiences. Just like the films themselves from indies to blockbusters, joys or jitters come in all shapes and sizes. For the festival darling The Vast of Night being streamed on Amazon Prime, the proverbial needle of its excitement amplification lands on a very nifty word: TINGLES.

LESSON #1: THE DEFINITION OF “TINGLES”— Merriam-Webster defines both the verb and noun form of “tingle” as a “slight ringing, stinging, prickling, or thrilling sensation.” The keyword there is “slight.” Tingles sneak up on you. They don’t punch, stab, or explode. They merely poke and linger. Tingles occupy a tenuous yet inviting middle ground because they could apply to fascination or fear equally.

The high-minded and engrossing science fiction yarn of The Vast of Night is all about accomplishing perfectly pitched tingles. With its auditory menace, patient suspense, and mounting wonderment, its level of quickened heartbeat and tightened nerves are just right for its inventions and intentions. The laurels, nominations, and awards from the Independent Spirit Awards and Slamdance, Overlook, and Toronto International Film Festivals wave off any need for big names and wayward assumptions. 

Framed as a Twilight Zone-like episode of “Paradox Theater” by rookie writers James Montague and Crag W. Sanger, the opening monologue narrates our slow zoom from a swanky, sunny living room into the vintage 1950s television screen where the nighttime setting expands in dimension and fleshed-out color. In the fictional town of Cayuga, New Mexico, seemingly the whole town descends on the local fieldhouse for a high school basketball showdown. After a little tour of small-town personalities and pleasantries, a chipper duo peels away from the big game for their necessary place of employment.

One is Everett (Jake Horowtiz), the evening DJ for the local WOTW radio station (there’s a sly salute in those call letters). He’s a smooth-talking slinger of idioms and alliteration with a disarming line and a clever nickname for everyone he meets. Tagging along is the other, the young lady named Kay Crocker (Sierra McCormick) who is the late shift switchboard operator for the phone lines. She’s a spirited straight arrow high schooler with an ambitious interest in science. Their professions make them (for their era) two tech-savvy cats.

LESSON #2: BEING AN OBSERVANT PRESENCE— Each of these emerging protagonists command a listening ear for a living. Despite his gift of gab and her darling dither, both notice things with patience and stable nerves. Those traits lead to solid inquiry skills far ahead of others who would resort to panic or frenzy instead. If you’re used to movies where the confused make dumb choices just to advance a dangerous plot towards the danger, you will enjoy the gumption of The Vast of Night.

When Kay hears a strong and odd sound over the switchboard that interrupts Everett’s radio broadcast, it throws the two for a loop. When Everett publicizes the captured noise fishing for any listeners with more insight, he receives an on-air callback from a man named Billy (Bruce Davis) with an ominous personal account from his time working at a nearby military complex. His description of what he saw and heard give Everett and Fay cryptic pause. The reverberations of who could know more and what could happen next constrict the mystery more.

LESSON #3: MAKING A JUMP— Escalation turns the observational capacities of Lesson #1 into sterner words and more perilous actions. With the initial challenge of “if you’re going to do it, do it,” the crackerjack hometown heroes of Kay and Everett reach points where they can no longer care about getting in trouble. Risks have to be taken and both Horowtiz and McCormick sell the smarts and surprises.

LESSON #4: WHEN THOUGHTS TURN TO BELIEF— Throughout what transpires in The Vast of Night, ask yourself what it would take the pragmatic to go from thought to belief. Right alongside the risks, the logical Everett and sensible Kay are pushed beyond listening to heavier thinking. The secrets and absurdities they hear and witness which become more powerful and apparent morph both into true belief.

Every woven celluloid inch of this canny and calculating mindboggler is varnished with staggering production value coming from a beguiling level of economical filmmaking. Each artist on this film outdid themselves to demonstrate how to do seemingly infinite with little. Filmed in a handful of small towns in East Texas and Oklahoma, the stylish and impeccable recreations of the period aesthetics, right down to the smallest props, from The Standoff at Sparrow Creek team of production designer Adam Dietrich, art director Jonathan Rudak, and property master Elliott Gilbert are functional and phenomenal. Any edges to hidden modernity underneath are seamless. When needed, the special effects of Chris A. Wilks and the captured sound work of designer Johnny Marshall and mixer Erik Duemig escalate the locations.

The surface is only the beginning to how remarkable The Vast of Night moves. Several long takes steered by debuting director Andrew Patterson and editor Junius Tully freeze our focus. Little breaks and transitions back to that wavy black-and-white TV resolution drop in to remind the frame of where this story is transpiring. Those holds relent only to have cinematographer M.I. Littin-Menz (Resistance) hurl us through Cayuga with smooth approaches and trailing tracking shots of varying rapidity through lamplit streets, yards, windows, and more. The last pusher of pace is a bold and entrancing score from first-timers Erick Alexander and Jared Bulmer. Let its noise lift the hairs and goosebumps just right.

Between the look, feel, and stunning execution of this narrative enigma, it all adds up, again, to tingles from a magnificent genuflection to so many genre inspirations. Those who think tingles are too faint and feeble compared to full-on shock and awe haven’t felt legitimately good and unforced tingles in a while. There’s something special to be said when less becomes so much more and telling the unknown outweighs showing it until the right moments.

LOGO DESIGNED BY MEENTS ILLUSTRATED (#882)

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[hadarlaskey]

The Vast of the Night

Set over the course of a single night in late 1950s New Mexico, Andrew Patterson’s debut feature follows radio presenter Everett (Jake Horowitz) and switchboard operator Fay (Sierra McCormick), who begin to suspect that strange things are afoot when mysterious sounds disrupt lines and broadcasts. With the aid of callers describing sightings of UFOs, they embark on a scavenger hunt of sorts to get to the bottom of the town’s apparent alien activity.

The film’s evocation of Americana feels fully realised and lived-in. James Montague and Craig W Sanger’s screenplay is filled with period appropriate jargon that never sounds unnatural coming from the mouths of the magnetic leads, while crucially it avoids the sort of easy target-hitting writing of every Back to the Future wannabe: no utterance of ‘gee-whiz’ here.

The closest The Vast of Night comes to a pop culture joke is Everett’s radio station running a competition to win a carpet sample with a supposed connection to Elvis Presley, and that’s really more a detail regarding how a town with a population of 492, where a teenage late-night DJ can be a local celebrity, engages with the wider world.

Another point of comparison is Brad Bird’s The Iron Giant, which operates on a similar register of heightened nostalgia for a small-town yarn backdropped by Cold War-era politics. Both feature characters who are endlessly fascinated with the possibilities of what the future holds, while slowly coming to terms with the problems of the era in which they live.

The film has no on-screen POC characters but a pivotal bit of social commentary comes from an unseen veteran caller to Everett’s radio show, who gives the amateur sleuths a key piece of intel regarding a military connection to the alien occurrences. When asked why he’s never spoken about this before, he admits he didn’t think anyone would believe him because he’s black, and that he suspects the same would be the case for the Mexican vets who witnessed the same extra-terrestrial sights he did.

The Vast of Night is a film that trains you how to watch it and then subsequently resets its own rhythms multiple times. Its framing device, which sets up a Twilight Zone-esque show, is immediately disrupted by an extended sequence of walking-and-talking that’s like David Mamet writing a screwball comedy.

It’s best not to spoil how formally inventive the film is, which extends to the fascinating score by Erick Alexander and Jared Bulmer, but it’s fitting for a riveting and ultimately heartbreaking story about seemingly insignificant people who are irrevocably changed by contact with big things beyond their comprehension.

The post The Vast of the Night appeared first on Little White Lies.

source https://lwlies.com/reviews/the-vast-of-the-night/

[frenews24h]

Independent Sand Awards récompense Adam Sandler et “The Farewell”

Fre News 24h Independent Sand Awards récompense Adam Sandler et “The Farewell”

Alors que vous lisez ceci, les 35th Independent Spirit Awards ont lieu. Oscar aura son mot à dire demain soir, mais aujourd’hui, ce sont les films indépendants qui ont leur tour! Est-ce que cette récompense honorera des gens comme The Farewell, The Lighthouse, Marriage Story ou Uncut Gems? Peut-être une combinaison de tous? Nous le saurons dans quelques heures, c’est sûr. Que signifie cet espace pour le Spirit Award une fois le spectacle terminé. Un certain nombre de films et de performances méritants sont sur le point d’avoir un dernier moment au soleil, avant que les Oscars n’aspirent le dernier morceau d’oxygène de la saison des récompenses. À tout le moins, c’est un moment amusant et plus décontracté, avant la pompe et les circonstances des Oscars…

Uncut Gems, qui a remporté le prix du meilleur acteur pour Adam Sandler, du meilleur réalisateur pour Josh Safdiean et Benny Safdie, du meilleur montage pour Ronald Bronstein et Benny Safdie. Cependant, ils ont perdu le meilleur long métrage contre The Farewell. Plus tard, mais regardez les résultats…

Voici tous les lauréats des Spirit Awards:

Meilleure caractéristique UNE VIE CACHÉE CLÉMENCE L’ADIEU (GAGNANT) HISTOIRE DE MARIAGE GEMMES NON COUPÉES

Meilleur réalisateur Robert Eggers – LE PHARE Alma Har’el – HONEY BOY Julius Onah – LUCE Benny Safdie, Josh Safdie – UNCUT GEMS (GAGNANT) Lorene Scafaria – HUSTLERS

Meilleur premier long métrage BOOKSMART (GAGNANT) LA MONTÉE DIANE LE DERNIER HOMME NOIR À SAN FRANCISCO LE MUSTANG VOUS VOIR HIER

Meilleur rôle féminin Karen Allen – COLEWELL Hong Chau – VOIES DE VOYAGE Elisabeth Moss – SON ODEUR Place Mary Kay – DIANE Alfre Woodard – CLEMENCY Renée Zellweger – JUDY (GAGNANTE)

Meilleur rôle masculin Chris Galust – DONNEZ-MOI LA LIBERTÉ Kelvin Harrison Jr. – LUCE Robert Pattinson – LE PHARE Adam Sandler – UNCUT GEMS (GAGNANT) Matthias Schoenaerts – LE MUSTANG

Meilleure femelle de soutien Jennifer Lopez – HUSTLERS Taylor Russell – VAGUES Zhao Shuzhen – L’ADIEU (GAGNANT) Lauren «Lolo» Spencer – DONNEZ-MOI LA LIBERTÉ Octavia Spencer – LUCE

Meilleur mâle de soutien Willem Dafoe – LE PHARE (GAGNANT) Noah Jupe – HONEY BOY Shia LaBeouf – HONEY BOY Jonathan Majors – LE DERNIER HOMME NOIR À SAN FRANCISCO Wendell Pierce – CANNE BRÛLANTE

Meilleur scénario Noah Baumbach – HISTOIRE DE MARIAGE (GAGNANTE) Jason Begue, Shawn Snyder – À LA POUSSIÈRE Ronald Bronstein, Benny Safdie, Josh Safdie – UNCUT GEMS Chinonye Chukwu – CLEMENCY Tarell Alvin Mccraney – OISEAU HAUT VOL

Meilleur premier scénario Fredrica Bailey, Stefon Bristol – VOIR HIER (GAGNANT) Hannah Bos, Paul Thureen – VOIES DE VOYAGE Bridget Savage Cole, Danielle Krudy – SOUFFLEZ L’HOMME Jocelyn Deboer, Dawn Luebbe – GREENER GRASS James Montague, Craig W. Sanger – LA VASTE NUIT

Meilleure photographie Todd Banhazl – HUSTLERS Jarin Blaschke – LE PHARE (GAGNANT) Natasha Braier – GARÇON AU MIEL Chananun Chotrungroj – LA TROISIÈME FEMME Pawel Pogorzelski – MIDSOMMAR

Meilleur montage Julie Béziau – LA TROISIÈME FEMME Ronald Bronstein, Benny Safdie – UNCUT GEMS (GAGNANT) Tyler L. Cook – ÉPÉE DE CONFIANCE Louise Ford – LE PHARE Kirill Mikhanovsky – DONNEZ-MOI DE LA LIBERTÉ

Prix ​​John Cassavetes CANNE BRÛLANTE COLEWELL DONNEZ-MOI LA LIBERTÉ (GAGNANTE) PRÉMATURÉ NUITS SAUVAGES AVEC EMILY

Prix ​​Robert Altman «Histoire de mariage»

Meilleur documentaire USINE AMÉRICAINE (GAGNANTE) APOLLO 11 POUR SAMA HONEYLAND ÎLE DES FANTÔMES FAIM

Meilleur film international INVISIBLE LIFE, Brésil LES MISERABLES, France PARASITE, Corée du Sud (GAGNANT) PORTRAIT D’UNE DAME EN FEU, France RETABLO, Pérou THE SOUVENIR, Royaume-Uni

Prix ​​Piaget des producteurs Mollye Asher (GAGNANTE) Krista Parris Ryan Zacarias

Prix ​​de quelqu’un à surveiller Rashaad Ernesto Green – PREMATURE (GAGNANT) Ash Mayfair – LA TROISIÈME FEMME Joe Talbot – LE DERNIER HOMME NOIR À SAN FRANCISCO

Prix ​​Plus vrai que fiction Khalik Allah – MÈRE NOIRE Davy Rothbart – 17 BLOCS Nadia Shihab – JADDOLAND (GAGNANTE) Erick Stoll & Chase Whiteside – AMÉRICA

Prix ​​Bonnie annuel Marielle Heller Lulu Wang Kelly Reichardt (GAGNANTE)

Félicitations à tous les gagnants!

Fre News 24h Independent Sand Awards récompense Adam Sandler et “The Farewell”

http://frenews24h.com/independent-sand-awards-recompense-adam-sandler-et-the-farewell/ Source: http://frenews24h.com/

[italianaradio]

2020 Spirit Awards: tutti i vincitori dei premi al cinema indie americano

Nuovo post su italianaradio https://www.italianaradio.it/index.php/2020-spirit-awards-tutti-i-vincitori-dei-premi-al-cinema-indie-americano/

2020 Spirit Awards: tutti i vincitori dei premi al cinema indie americano

2020 Spirit Awards: tutti i vincitori dei premi al cinema indie americano

2020 Spirit Awards: tutti i vincitori dei premi al cinema indie americano

Come da tradizione, 24 ore prima della cerimonia degli Oscar, che celebra il meglio di Hollywood e dell’industria cinematografica americana, vengono assegnati gli Spirit Awards, i premi al cinema indipendente americano.

Ma come quest’anno, con pochissime eccezioni, i titoli nominati e quelli che saranno i vincitori differiscono in maniera quasi diametrale, dal momento che il vincitore della categoria Miglior Film è stato Una Bugia Buona – The Farewell, neanche nominato agli Oscar, mentre Diamanti grezzi, ugualmente ignorato dall’Academy, ha vinto tre premi molto importanti, regia, montaggio e Adam Sandler miglior protagonista.

Ecco di seguito tutti i vincitori dei 2020 Spirit Awards

Best Feature A HIDDEN LIFE CLEMENCY THE FAREWELL (Winner) MARRIAGE STORY UNCUT GEMS

Best Director Robert Eggers – THE LIGHTHOUSE Alma Har’el – HONEY BOY Julius Onah – LUCE Benny Safdie, Josh Safdie – UNCUT GEMS (Winner) Lorene Scafaria – HUSTLERS

Best First Feature BOOKSMART (Winner) THE CLIMB DIANE THE LAST BLACK MAN IN SAN FRANCISCO THE MUSTANG SEE YOU YESTERDAY

Best Female Lead Karen Allen – COLEWELL Hong Chau – DRIVEWAYS Elisabeth Moss – HER SMELL Mary Kay Place – DIANE Alfre Woodard – CLEMENCY Renée Zellweger – JUDY (Winner)

Best Male Lead Chris Galust – GIVE ME LIBERTY Kelvin Harrison Jr. – LUCE Robert Pattinson – THE LIGHTHOUSE Adam Sandler – UNCUT GEMS (Winner) Matthias Schoenaerts – THE MUSTANG

Best Supporting Female Jennifer Lopez – HUSTLERS Taylor Russell – WAVES Zhao Shuzhen – THE FAREWELL (Winner) Lauren “Lolo” Spencer – GIVE ME LIBERTY Octavia Spencer – LUCE

Best Supporting Male Willem Dafoe – THE LIGHTHOUSE (Winner) Noah Jupe – HONEY BOY Shia Labeouf – HONEY BOY Jonathan Majors – THE LAST BLACK MAN IN SAN FRANCISCO Wendell Pierce – BURNING CANE

Best Screenplay Noah Baumbach – MARRIAGE STORY (Winner) Jason Begue, Shawn Snyder – TO DUST Ronald Bronstein, Benny Safdie, Josh Safdie – UNCUT GEMS Chinonye Chukwu – CLEMENCY Tarell Alvin Mccraney – HIGH FLYING BIRD

Best First Screenplay Fredrica Bailey, Stefon Bristol – SEE YOU YESTERDAY (Winner) Hannah Bos, Paul Thureen – DRIVEWAYS Bridget Savage Cole, Danielle Krudy – BLOW THE MAN DOWN Jocelyn Deboer, Dawn Luebbe – GREENER GRASS James Montague, Craig W. Sanger – THE VAST OF NIGHT

Best Cinematography Todd Banhazl – HUSTLERS Jarin Blaschke – THE LIGHTHOUSE (Winner) Natasha Braier – HONEY BOY Chananun Chotrungroj – THE THIRD WIFE Pawel Pogorzelski – MIDSOMMAR

Best Editing Julie Béziau – THE THIRD WIFE Ronald Bronstein, Benny Safdie – UNCUT GEMS (Winner) Tyler L. Cook – SWORD OF TRUST Louise Ford – THE LIGHTHOUSE Kirill Mikhanovsky – GIVE ME LIBERTY

John Cassavetes Award BURNING CANE COLEWELL GIVE ME LIBERTY (Winner) PREMATURE WILD NIGHTS WITH EMILY

Robert Altman Award Storia di un Matrimonio

Best Documentary AMERICAN FACTORY (Winner) APOLLO 11 FOR SAMA HONEYLAND ISLAND OF THE HUNGRY GHOSTS

Best International Film INVISIBLE LIFE, Brazil LES MISERABLES, France PARASITE, South Korea (Winner) PORTRAIT OF A LADY ON FIRE, France RETABLO, Peru THE SOUVENIR, United Kingdom

Piaget Producers Award Mollye Asher Krista Parris Ryan Zacarias

Someone to Watch Award Rashaad Ernesto Green – PREMATURE Ash Mayfair – THE THIRD WIFE Joe Talbot – THE LAST BLACK MAN IN SAN FRANCISCO

Truer Than Fiction Award Khalik Allah – BLACK MOTHER Davy Rothbart – 17 BLOCKS Nadia Shihab – JADDOLAND (Winner) Erick Stoll & Chase Whiteside – AMÉRICA

Annual Bonnie Award Marielle Heller Lulu Wang Kelly Reichardt (Winner)

Cinefilos.it – Da chi il cinema lo ama.

2020 Spirit Awards: tutti i vincitori dei premi al cinema indie americano

Come da tradizione, 24 ore prima della cerimonia degli Oscar, che celebra il meglio di Hollywood e dell’industria cinematografica americana, vengono assegnati gli Spirit Awards, i premi al cinema indipendente americano. Ma come quest’anno, con pochissime eccezioni, i titoli nominati e quelli che saranno i vincitori differiscono in maniera quasi diametrale, dal momento che il […]

Cinefilos.it – Da chi il cinema lo ama.

Chiara Guida

[newsfundastuff]

The 2020 Film Independent Spirit Awards were handed out Saturday in recognition of the best in indie films from 2019.Willem Dafoe won the first award, Best Supporting Male,” for his role in “The Lighthouse.” “Uncut Gems” won Best Editing, while the Best Documentary award went to “American Factory.” Best Cinematography went to Jarin Blaschke for “The Lighthouse.”Kelly Reichardt was awarded The Bonnie Award, which recognizes a mid-career female director with a $50,000 unrestricted grant. The John Cassavetes Award, given to the best feature made for under $500,000, was given to “Give Me Liberty.”Also Read: Independent Spirit Awards 2020: Aubrey Plaza's Best Jokes (So Far)“Parasite” won Best International Film. Zhao Shuzhen won Best Supporting Female for her role in “The Farewell.” “Marriage Story” won Best Screenplay. Adam Sandler won Best Male Lead for his performance in “Uncut Gems.” Renee Zellweger received the Best Female Lead for her role in “Judy.”And lastly, Lulu Wang’s “The Farewell” won the top honor of the night, Best Feature.Also Read: Could Spirit Awards Finally Step Up as a Bold Alternative to the Oscars?Aubrey Plaza hosted the awards ceremony that aired on IFC. See the full list of winners below:BEST FEATURE (Award given to the producer. Executive Producers are not awarded.) A Hidden Life Producers: Elisabeth Bentley, Dario Bergesio, Grant Hill, Josh JeterClemency Producers: Timur Bekbosunov, Julian Cautherley, Bronwyn Cornelius, Peter WongThe Farewell**WINNER Producers: Anita Gou, Daniele Melia, Andrew Miano, Peter Saraf, Marc Turtletaub, Lulu Wang, Chris Weitz, Jane ZhengMarriage Story Producers: Noah Baumbach, David HeymanUncut Gems Producers: Eli Bush, Sebastian Bear-McClard, Scott RudinBEST FIRST FEATURE (Award given to the director and producer)Booksmart**WINNERDirector: Olivia Wilde Producers: Chelsea Barnard, David Distenfeld, Jessica Elbaum, Megan Ellison, Katie SilbermanThe Climb Director/Producer: Michael Angelo Covino Producers: Noah Lang, Kyle MarvinDiane Director: Kent Jones Producers: Luca Borghese, Ben Howe, Caroline Kaplan, Oren MovermanThe Last Black Man in San Francisco Director/Producer: Joe Talbot Producers: Dede Gardner, Jeremy Kleiner, Khaliah Neal, Christina OhThe Mustang Director: Laure de Clermont-Tonnerre Producer: Ilan GoldmanSee You Yesterday Director: Stefon Bristol Producer: Spike LeeJOHN CASSAVETES AWARD – Given to the best feature made for under $500,000 (Award given to the writer, director and producer. Executive Producers are not awarded.)Burning Cane Writer/Director/Producer: Phillip Youmans Producers: Ojo Akinlana, Jakob Johnson, Karen Kaia Livers, Mose Mayer, Wendell Pierce, Isaac Webb, Cassandra YoumansColewell Writer/Director: Tom Quinn Producers: Joshua Blum, Alexandra Byer, Craig Shilowich, Matthew ThurmGive Me Liberty**WINNER Writer/Director/Producer: Kirill Mikhanovsky Writer/Producer: Alice Austen Producers: Val Abel, Wally Hall, Michael Manasseri, George Rush, Sergey ShternPremature Writer/Director/Producer: Rashaad Ernesto Green Writer: Zora Howard Producer: Darren Dean, Joy GanesWild Nights With Emily Writer/Director/Producer: Madeleine Olnek Producers: Anna Margarita Albelo, Casper Andreas, Max Rifkind-BarronBEST DIRECTORAlma Har’el, Honey Boy Lorene Scafaria, Hustlers Julius Onah, Luce Robert Eggers, The Lighthouse Benny Safdie & Josh Safdie, Uncut Gems**WINNERBEST SCREENPLAYNoah Baumbach, Marriage Story**WINNER Jason Begue, Shawn Snyder, To Dust Ronald Bronstein & Benny Safdie & Josh Safdie, Uncut Gems Chinonye Chukwu, Clemency Tarell Alvin McCraney, High Flying BirdBEST FIRST SCREENPLAYFredrica Bailey & Stefon Bristol, See You Yesterday**WINNER Hannah Bos & Paul Thureen, Driveways Bridget Savage Cole & Danielle Krudy, Blow the Man Down Jocelyn DeBoer & Dawn Luebbe, Greener Grass James Montague & Craig W. Sanger, The Vast of NightBEST CINEMATOGRAPHYTodd Banhazl, Hustlers Jarin Blaschke, The Lighthouse**WINNER Natasha Braier, Honey Boy Chananun Chotrungroj, The Third Wife Pawel Pogorzelski, MidsommarBEST EDITINGJulie Béziau, The Third Wife Ronald Bronstein & Benny Safdie, Uncut Gems**WINNER Tyler L. Cook, Sword of Trust Louise Ford, The Lighthouse Kirill Mikhanovsky, Give Me LibertyBEST FEMALE LEADKaren Allen, Colewell Hong Chau, Driveways Elisabeth Moss, Her Smell Mary Kay Place, Diane Alfre Woodard, Clemency Renée Zellweger, Judy **WINNERBEST MALE LEADChris Galust, Give Me Liberty Kelvin Harrison Jr., Luce Robert Pattinson, The Lighthouse Matthias Schoenaerts, The Mustang Adam Sandler, Uncut Gems**WINNERBEST SUPPORTING FEMALEJennifer Lopez, Hustlers Taylor Russell, Waves Lauren “LoLo” Spencer, Give Me Liberty Octavia Spencer, Luce Zhao Shuzhen, The Farewell**WINNERBEST SUPPORTING MALEWillem Dafoe, The Lighthouse**WINNER Noah Jupe, Honey Boy Shia LaBeouf, Honey Boy Jonathan Majors, The Last Black Man in San Francisco Wendell Pierce, Burning Cane ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble castMarriage Story Director: Noah Baumbach Casting Directors: Douglas Aibel, Francine Maisler Ensemble Cast: Alan Alda, Laura Dern, Adam Driver, Julie Hagerty, Scarlett Johansson, Ray Liotta, Azhy Robertson, Merritt WeverBEST DOCUMENTARY (Award given to the director and producer)American Factory**WINNER Director/Producer: Steven Bognar & Julia Reichert Producers: Julie Parker Benello, Jeff ReichertApollo 11 Director/Producer: Todd Douglas Miller Producers: Evan Krauss, Thomas Baxley PetersenFor Sama Director: Edward Watts Director/Producer: Waad al-Kateab Honeyland Director: Tamara Kotevska Director/Producer: Ljubo Stefanov Producer: Atanas GeorgievIsland of the Hungry Ghosts Director/Producer: Gabrielle Brady Producers: Gizem Acarla, Samm Haillay, Alex Kelly, Alexander WadouhBEST INTERNATIONAL FILM (Award given to the director)Invisible Life, Brazil Director: Karim Aïnouz Les Misérables, France Director: Ladj LyParasite, South Korea**WINNER Director: Bong Joon-HoPortrait of a Lady on Fire, France Director: Céline SciammaRetablo, Peru Director: Álvaro Delgado-Aparicio L.The Souvenir , United Kingdom Director: Joanna HoggBONNIE AWARD – Bonnie Tiburzi Caputo joined American Airlines in 1973 at age 24, becoming the first female pilot to fly for a major U.S. airline. In her honor, the third Bonnie Award will recognize a mid-career female director with a $50,000 unrestricted grant, sponsored by American Airlines.Marielle Heller Kelly Reichardt**WINNER Lulu WangPRODUCERS AWARD – The 23rd annual Producers Award honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant.Mollye Asher Krista Parris Ryan ZacariasSOMEONE TO WATCH AWARD – The 26th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant.Rashaad Ernesto Green, Director of Premature Ash Mayfair, Director of The Third Wife Joe Talbot, Director of The Last Black Man in San FranciscoTRUER THAN FICTION AWARD – The 25th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant.Khalik Allah, Director of Black Mother Davy Rothbart, Director of 17 Blocks Nadia Shihab , Director of Jaddoland Erick Stoll & Chase Whiteside, Director of AméricaRead original story Independent Spirit Awards 2020: The Complete List of Winners At TheWrap

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[celebritylive]

As Hollywood gears up for the Oscars, another major awards show is handing out hardware to honor achievements in films made for around $20 million. The 35th annual Film Independent Spirit Awards are being handed out Saturday (a.k.a. the day before the Academy Awards), on the beach in Santa Monica, California, voted on by members of Film Independent, a nonprofit organization dedicated to advancing the profile of independent cinema and diversity in the industry.

So who’ll walk away winners from this year’s round of Indie Spirits? The list will be updating live as honorees are announced at the Aubrey Plaza-hosted ceremony, so keep refreshing for updates.

BEST FEATURE A Hidden LifeClemencyWINNER: The FarewellMarriage StoryUncut Gems

BEST FIRST FEATURE WINNER: Booksmart The Climb  Diane The Last Black Man in San Francisco  The Mustang  See You Yesterday 

JOHN CASSAVETES AWARD Burning CaneColewellWINNER: Give Me LibertyPrematureWild Nights With Emily

BEST DIRECTOR Alma Har’el, Honey BoyLorene Scafaria, HustlersJulius Onah, LuceRobert Eggers, The LighthouseWINNER: Benny Safdie & Josh Safdie, Uncut Gems

BEST SCREENPLAY WINNER: Noah Baumbach, Marriage StoryJason Begue, Shawn Snyder, To DustRonald Bronstein & Benny Safdie & Josh Safdie, Uncut GemsChinonye Chukwu, ClemencyTarell Alvin McCraney, High Flying Bird

BEST FIRST SCREENPLAY WINNER: Fredrica Bailey & Stefon Bristol, See You YesterdayHannah Bos & Paul Thureen, DrivewaysBridget Savage Cole & Danielle Krudy, Blow the Man DownJocelyn DeBoer & Dawn Luebbe, Greener GrassJames Montague & Craig W. Sanger, The Vast of Night

BEST CINEMATOGRAPHY Todd Banhazl, HustlersWINNER: Jarin Blaschke, The LighthouseNatasha Braier, Honey BoyChananun Chotrungroj, The Third WifePawel Pogorzelski, Midsommar

BEST EDITING Julie Béziau, The Third WifeWINNER: Ronald Bronstein & Benny Safdie, Uncut GemsTyler L. Cook, Sword of TrustLouise Ford, The LighthouseKirill Mikhanovsky, Give Me Liberty

BEST FEMALE LEAD Karen Allen, ColewellHong Chau, DrivewaysElisabeth Moss, Her SmellMary Kay Place, DianeAlfre Woodard, ClemencyWINNER: Renée Zellweger, Judy 

BEST MALE LEAD Chris Galust, Give Me LibertyKelvin Harrison Jr., LuceRobert Pattinson, The LighthouseMatthias Schoenaerts, The MustangWINNER: Adam Sandler, Uncut Gems

BEST SUPPORTING FEMALE Jennifer Lopez, HustlersTaylor Russell, WavesLauren “LoLo” Spencer, Give Me LibertyOctavia Spencer, LuceWINNER: Zhao Shuzhen, The Farewell

BEST SUPPORTING MALE WINNER: Willem Dafoe, The LighthouseNoah Jupe, Honey BoyShia LaBeouf, Honey BoyJonathan Majors, The Last Black Man in San FranciscoWendell Pierce, Burning Cane 

ROBERT ALTMAN AWARD Marriage Story

BEST DOCUMENTARY WINNER: American FactoryApollo 11 For Sama  Honeyland Island of the Hungry Ghosts 

BEST INTERNATIONAL FILM Invisible Life (Brazil) Les Misérables (France) WINNER: Parasite (South Korea) Portrait of a Lady on Fire (France) Retablo (Peru) The Souvenir (United Kingdom)  

BONNIE AWARD Marielle Heller WINNER: Kelly Reichardt Lulu Wang

PRODUCERS AWARD Mollye Asher Krista Parris Ryan Zacarias

SOMEONE TO WATCH AWARD Rashaad Ernesto Green, PrematureAsh Mayfair, The Third WifeJoe Talbot, The Last Black Man in San Francisco

TRUER THAN FICTION AWARD Khalik Allah, Black MotherDavy Rothbart, 17 BlocksWINNER: Nadia Shihab, JaddolandErick Stoll & Chase Whiteside, América

This article originally appeared on Ew.com

from PEOPLE.com https://ift.tt/2HjrqND

[andynoise]

#Repost @andynoise ・・・ 2007 Central Section aka Valley #trackandfield meet @noisecruenation @coachnoise #throwback valley 07 - Boys 3200 Meter Run ===================================================== Name Year School Seed Finals Points ===================================================== 1 Garcia, Erick Parlier 10:00.00 9:09.69 10 2 Schwartz, Chris Foothill 9:56.45 9:13.34 8 3 Thomas, Mikel Clovis 9:39.07 9:15.53 6 4 Petersen, Jonathan Clovis 9:40.11 9:25.24 4 5 Dekker, Dion Reedley 9:46.96 9:27.75 2 6 Ross, John Clovis East 9:54.81 9:39.44 1 7 Orea, Isai Madera 9:35.65 9:40.09 8 Vartanian, Danny Buchanan 9:44.65 9:41.62 9 Sanchez, David Farmersville 10:00.00 9:41.63 10 Marciel, Eder Madera 9:45.86 9:42.41 11 Reedy, Heath Buchanan 9:42.71 9:42.94 12 Cragg, Cody North 10:06.14 9:53.69 13 Lavoie, Justin Sanger 10:01.04 9:56.93 14 Battles, Eric Clovis West 9:36.84 9:59.67 15 Lavinder, Josh Mt. Whitney 10:05.80 10:02.83 16 Campanna, Luis Avenal 10:00.00 10:06.42 17 Fuentes, Oscar East 10:27.98 10:16.54 18 Murillo, Leon Monache 9:57.84 10:27.89 (at Noise Crue Nation)

[awardseason]

2020 Film Independent Spirit Awards Nominees

BEST FEATURE “A Hidden Life” “Clemency” “The Farewell” “Marriage Story” “Uncut Gems”

BEST DIRECTOR Robert Eggers, “The Lighthouse” Alma Har’el, “Honey Boy” Julius Onah, “Luce” Benny Safdie, “Uncut Gems” Josh Safdie, “Uncut Gems” Lorene Scafaria, “Hustlers”

BEST FEMALE LEAD Karen Allen, “Colewell” Hong Chau, “Driveways” Elisabeth Moss, “Her Smell” Mary Kay Place, “Diane” Renée Zellweger, “Judy”

BEST MALE LEAD Chris Galust, “Give Me Liberty” Kelvin Harrison Jr., “Luce” Robert Pattinson, “The Lighthouse” Adam Sandler, “Uncut Gems” Matthias Schoenaerts, “The Mustang”

BEST SUPPORTING FEMALE Jennifer Lopez, “Hustlers” Taylor Russell, “Waves” Zhao Shuzhen, “The Farewell” Lauren 'Lolo' Spencer, “Five Me Liberty” Octavia Spencer, “Luce”

BEST SUPPORTING MALE Willem Dafoe, “The Lighthouse” Noah Jupe, “Honey Boy” Shia LaBeouf, “Honey Boy” Jonathan Majors, “The Last Black Man in San Francisco” Wendell Pierce, “Burning Cane”

BEST FIRST FEATURE “Booksmart” “The Climb” “Diane” “The Last Black Man in San Francisco” “The Mustang” “See You Yesterday”

BEST INTERNATIONAL FILM “Invisible Life” (Brazil) “Les Misérables” (France) “Parasite” (South Korea) “Portrait of a Lady on Fire” (France) “Retablo” (Peru) “The Souvenir” (United Kingdom)

BEST SCREENPLAY Noah Baumbach, “Marriage Story” Jason Begue, Shawn Snyder, “To Dust” Ronald Bronstein, Benny Safdie, Josh Safdie, “Uncut Gems” Chinoye Chukwu, “Clemency” Tarell Alvin McCraney, “High Flying Bird”

BEST FIRST SCREENPLAY Fredrica Bailey, Stefon Bristol, “See You Yesterday” Hannah Bros, Paul Thureen, “Driveways” Bridget Savage Cole, Danielle Krudy, “Blow the Man Down” Jocelyn Deboer, Dawn Luebbe, “Greener Grass” James Montague, Craig W. Sanger, “The Vast of Night”

BEST CINEMATOGRAPHY Todd Banhazl, “Hustlers” Jarin Blaschke, “The Lighthouse” Natasha Braier, “Honey Boy” Chananun Chotrungroj, “The Third Wife” Pawel Pogorzelski, “Midsommar”

BEST EDITING Julie Béziau, “The Third Wife” Ronald Bronstein, Benny Safdie, “Uncut Gems” Tyler L. Cook, “Sword of Trust” Louise Ford, “The Lighthouse” Kirill Mikhanovsky, “Give Me Liberty”

BEST DOCUMENTARY “American Factory” “Apollo 11” “For Sama” “Honeyland” “Island of the Hungry Ghosts”

JOHN CASSAVETES AWARD “Burning Cane” “Colewell” “Give Me Liberty” “Premature” “Wild Nights With Emily”

ROBERT ALTMAN AWARD “MARRIAGE STORY” Director: Noah Baumbach Casting Directors: Douglas Aibel, Francine Maisler Ensemble Cast: Alan Alda, Laura Dern, Adam Driver, Julie Hagerty, Scarlett Johansson, Ray Liotta, Azhy Robertson, Merritt Wever

BONNIE AWARD SPONSORED BY AMERICAN AIRLINES Marielle Heller Kelly Reichardt Lulu Wang

SOMEONE TO WATCH AWARD Rashaad Ernesto Green, “Premature” Joe Talbot, “The Last Black Man in San Francisco” Ash Mayfair, “The Third Wife”

TRUER THAN FICTION AWARD Davy Rothbart, “17 Blocks” Erick Stoll, Chase Whiteside, “América” Khalik Allah, “Black Mother” Nadia Shihab, “Jaddoland”

The 2020 Film Independent Sprit Awards will be held Saturday, February 8, 2020 on the beach in Santa Monica, California broadcast live EXCLUSIVELY on IFC at 2:00 pm PT/5:00 pm ET.