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Mathew McConaughey photographed by Eric Ogden.
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Eric Ogden
Cover for Tombs and Cocoons by 1 Mile North
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:. Amy Adams, Photography © Eric Ogden vía: @Jopolkadot .:
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Time Out New York, 2000 Photo session Photographer: Eric Ogden
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Pocahontas (1995)
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo parlato nuovamente di un classico Disney, uno tra i film più importanti creati da quella casa d’animazione e un vero caposaldo di tale tecnica artistica, Il re leone. La storia parla di Simba, un giovane leone che un giorno diventerà sovrano e per questo motivo suo padre cerca di educarlo perché sia un re giusto e rispettoso…
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#Alan Menken#Billy Connolly#Carl Binder#Chris Buck#Christian Bale#Danny Mann#David Ogden Stiers#Devi White Dove#Disney#drammatico#Eric Goldberg#film#Gordon Tootoosis#Irene Bedard#Jeffrey Katzenberg#Joe Baker#Joe Grant#John Kassir#John Smith#Linda Hunt#Meeko#Mel Gibson#Mike Gabriel#movies#musical#Perlin#Philip LaZebnik#Pocahontas#Pocahontas 1995#Powhatan
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Fiona Apple photo by Eric Ogden for Vogue, 2005
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Absolutely stunning. The best Lois Lane
Amy Adams, photographed by Eric Ogden [2014]
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🔊 Sound on.
Matthew Goode photoshoots with moody/badass/bad boy vibes.
Coz he does that so well.
🎶 Atmosphere by Joy Division (IG music library)
📷 Photographs by (top left clockwise): Philip Sinden / Benjamin Reed / Jay Brooks / Simon Emmett / Eric Ogden / Dylan Don / John Hooper / Tomas Falmer / Claudia Pasanisi (from her website) - via matthew-goode.net unless specified otherwise.
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Backstage Magazine Sept 22-28, 2011
Chris Evans Takes On a New Fight in 'Puncture'
By Jessica Gardner all photos by Jamie Painter Young
Five minutes with Chris Evans and you feel like you've known him your whole life. Considering his charming smile, lingering Boston accent (complete with the occasional curse word), and high-fives—and even a call to Mom to check a fact—it's easy to forget you're chatting with Captain America and not just an old friend from high school. Asked if he ever read Back Stage, he responds, "I got my first acting gig through Back Stage in New York. It was a short film called 'The Paper Boy.' My first real audition outside of, like, community theater, and I ended up getting it. I was walking to work one morning when I got the phone call from the writer-director, whose name was Eric Ogden. I remember walking down the street with my hand in the air [pumps his fist]. We filmed in upstate New York for two weeks. I still have a copy of it. My first job on a film ever." Community theater was a big part of life in the Evans household while he was growing up. Evans, his two sisters, and his brother, Scott (whom you might remember as Officer Oliver Fish from "One Life to Live"), grew up acting at a community children's theater called the Concord Youth Theatre. "Each of us must have done at least 15 to 20 shows there," Evans says. Their family was so connected to the theater that when Chris was around 18, his mother, Lisa, took over as artistic director, and she's been working there ever since.
Seeing his elder sister, Carly, onstage inspired Evans to be an actor. "Her play would end, and she'd get flowers and candy, and it just seemed like such a good time. She was having a ball and hanging out with her acting friends—it just looked awesome," he remembers. "I was like, 'I'll give this a shot.' " He started doing plays at the theater and going to acting camp in the summer. "I fell in love with that, too. I started doing plays year-round. I was always onstage." In his junior year of high school, Evans started thinking he might want to pursue acting professionally. He convinced his parents to let him move to New York City for the summer and take classes at the Lee Strasberg Theatre and Film Institute. He also wrote casting offices and secured a summer internship with Bonnie Finnegan, who was casting "Spin City" at the time. "We got to go to the tapings every Friday for the show with Michael J. Fox, and I thought that was the coolest thing in the world," he says. At the end of the summer, his plan was to ask the two or three agents he was the most friendly with if he could read for them. "I was like, 'I know you know me as Chris from Bonnie's office, but I'm an actor—can you give me five minutes?' " One of the agencies was willing to let him read, so he did. The agency was interested in signing him, but it was the end of summer, and he had to go home to start senior year. "They said to me, 'You've got to get back [to New York] as soon as possible. Pilot season's in January.' So I went back and doubled up my classes and graduated early, in January. Went back to New York, got my agent, got the same internship with Bonnie, and I even got the same apartment."
Down the hall from Finnegan's office was casting director Marcia DeBonis, who one day asked Evans to come in and read for a pilot she was working on called "Get Real." Evans went in and nailed the audition, so the network sent him out to Los Angeles to test for it. "The first person I met in Los Angeles was Anne Hathaway," he remembers. "She was testing for it, too. We were both kids—she wasn't 'Anne Hathaway' then. I was 17, and she was pretty young, too." Because Evans was the only person there reading for his role, he was convinced he would get it. "I was like, 'I got this in the bag,' " he says. "But I didn't get the show. [Hathaway] did, but I didn't. It was so crushing to be that close that soon. My dad was out there with me, and I was so excited and then just so devastated. But then Warner Bros. said, 'Stick around—there's a couple of other shows you might be right for. We'll put you up for the week.' So I stuck around and auditioned, and I ended up getting a different pilot called 'Opposite Sex.' " The Fox show (which also starred Milo Ventimiglia) lasted only one season, but it was Evans' first break, and he stayed in Los Angeles. By age 20, he landed his first leading film role in the comedy spoof "Not Another Teen Movie" and hasn't stopped since. Gone Audition Gone "I'm pretty shitty at auditioning," Evans admits. "Auditioning is such a strange thing. It's like the opposite of acting. It's a strange environment. To act well, you need to be extremely comfortable. You need to be extremely in your skin. Even if you have to play someone nervous, you have to be neutral and let it come to you and listen. I get so nervous in auditions. My heart just pounds."
Evans thinks plenty of amazing actors aren't working because they can't audition well. "It's like those races in the Olympics," he says. "You could race 100 times, and the same guy's not going to win every time—it's just who's going to win that day. Everyone here is fast. Everyone here can run well. But who's going to run well today? I used to sit at these auditions and look around, and I know all these actors. I've seen them. Everyone here can act. No one here is a bad actor. But it's just a matter of who's going to act well in the next five minutes. If you're not going to, someone else is. I'm sure I've gotten parts where I wasn't the best man for the job; I just happened to have a really good audition that day. And the guy who was the right man for the job had a bad one. It's that type of uncertainty that makes acting such a crapshoot." The audition-gone-wrong story he recalls as being worst was meeting with Ben Affleck for "Gone Baby Gone." "I don't get starstruck," says Evans. "I'm fine. Especially Ben—he's a Boston guy, I should be fine. I walked in and I'm walking down the halls looking for this room, and as I passed a room I heard 'There he is.' In my head I was like, 'That's Ben.' I turned around and it was, and for some reason I instantly was nervous. I went in and shook his hand, and the first thing I said was 'Hey, how ya doing—am I gonna be okay where I parked?' And he said, 'Where'd you park?' And I said, 'At one of the meters.' And he said, 'Did you put money in it?' And I said, 'Yeah.' And he said, 'I think you'll be all right.' From that moment, I just wanted to get the f*** out of the room. I just wanted to be anywhere but there. I sat down with my heart beating out of my chest; I was so mortified that I started this meeting off that way. I started giving him one-word answers. They put me in a rocking chair, so I'm just rocking and twisting, just nervous. 'So, what was your last movie like?' 'Good.' 'What was it like to work with Danny Boyle?' 'Good.' I just wanted to get out of there. It was horrible, a complete disaster. So obviously, I did not get that job."
Character Choices In Evans' upcoming film "Puncture," a law drama based on a true story, he portrays Mike Weiss, lawyer and drug addict. This was Evans' first experience playing a role based on a real person. He spoke to the deceased Weiss' brother, father, college friends, and colleagues and even read the transcript of what was said at Weiss' funeral. "The problem is, I could tell you 100 stories about someone, but is that going to make you able to embody their speech pattern and posture and nuances?" he says. "It's not like I'm playing JFK, where you can watch videos and get cadence and inflection." Evans decided his best option was to tell Weiss' family and friends he would have to have some artistic license. He told everyone he would do his best, "but don't expect to see the Mike you know." Evans worked hard not to second-guess his character choices or worry about what Weiss' family and friends might think. "If you start second-guessing yourself, you're f***ed," he says. "The family and the friends couldn't have been more accommodating, but it was still pretty nerve-racking." He admits to being similarly nerve-racked when bringing beloved comic book characters Steve Rogers/Captain America and Johnny Storm/Human Torch to the screen. "Most times you make a film and you say, 'I hope it does well.' [With 'Captain America: The First Avenger' and 'Fantastic Four'] I knew people were going to go see them. There would be a response, positive or negative. There's this phenomenal built-in audience. There's going to be a huge opening weekend; there's going to be a shit ton of merchandise. That's intimidating." Evans realized the best way to approach playing a superhero was to try to get in the same headspace as all the fans. "To me, the fans are the most important—if they're not happy, you didn't do your job. So let's try and essentially become a fan. Try and understand what they understand. To see what they're expecting." For "Captain America: The First Avenger," Evans says he and director Joe Johnston read many comic books before coming together to create the film version of the Steve Rogers character.
"Steve Rogers is a tricky character to play because he doesn't have too much conflict," says Evans. "He's such a selfless person. There's very little that can rattle him. If [your character] doesn't have conflict, it's easy to become boring. It's nice [that in the upcoming film 'The Avengers'] he struggles a little bit. He struggles with being a fish out of water. He's from the '40s; he's from a different mentality. Today the world is text messaging and impersonal and selfishness, and in the '40s there was much more of a human connection and camaraderie among the country. It's an old-fashioned way of thinking. So I think he's struggling with trying to find his place in modern day." The Evans Method Although he studied for a summer at the Lee Strasberg Institute, Evans says he isn't sure that Strasberg is his "cup of tea." He believes that acting is an ever-evolving thing, and if you get stuck in one method or approach, you might get stagnant. He says Keanu Reeves, his co-star in "Street Kings," helped him put his method into words. He asked Reeves what his approach to acting was, and Reeves answered, "It's constantly changing." "I was like, 'That's a good answer,' " Evans says. "It's like art. You want to constantly change your style and find new things to spark your creativity and keep you excited about it." Evans is a fan of asking his fellow actors for their thoughts on acting. His friend Jonathan Tucker gave him his favorite advice: "Don't forget that the audience doesn't know what's coming next. It's very easy to forget when you're acting and you do the scene over and over again. Don't forget this is brand-new for the audience. You can push them in any direction because they don't know what's coming."
A favorite acting exercise of Evans', that he recommends all actors do, is to buy scripts of good films, work on a character's scene or monologue until you feel you've nailed the role, and then watch the movie to see how the actor did it. "It's like training with Michael Jordan in basketball," he says. "Go train with De Niro. Make your choices, and then watch Bob show you how to do it right. It's a real eye opener. The thing you'll learn is to not follow the words so closely. The words are not always the indication of the character. A lot of time, actors look at the words as clues as to who the character is and how the line should be said. But it's not always a direct link. If [casting directors] are going to audition 100 people for a role, the majority of the actors are going to use the words as indicators. Be different. Go another route. Take the dance somewhere unique. If nothing else, you'll stick in their mind." Outtakes - Raised in Sudbury, Mass. - Other films include "Cellular," "Scott Pilgrim vs. the World," and "The Losers" - In the final stages of auditions for "Not Another Teen Movie," the director brought Evans and co-star Chyler Leigh to Jennifer Coolidge's house to workshop their scenes: "[Coolidge] was so clever, funny, smart, and awesome. I felt so lucky." - On returning to the theater: "The stage, in my opinion, has the best actors. I'd love to get back to the stage, but it's a big commitment. You've got to find something you really want to do everyday for months and months. It's tricky." - Also starring opposite Anna Faris in the comedy "What's Your Number?," opening Sept. 30.
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Post 0515
Eric Millerberg, Utah inmate 124835, born 1976, incarceration intake in 2015 at age 39, sentenced to 6 years to life, parole consideration date not available
Homicide, Obstructing Justice, Unlawful Sexual Contact, Corpse Abuse
A judge ordered Eric Millerberg to spend five years to life in prison for child abuse homicide, a first-degree felony; one to 15 years for obstructing justice, a second-degree felony; and two terms of zero to five years for both unlawful sexual conduct with a 16- or 17-year-old and abuse or desecration of a human body, third-degree felonies.
The judge ordered the sentences to run consecutive to each other.
"Alexis, the victim, was simply an immature victim that you took advantage of after you injected her with drugs," the judge told Millerberg. "Frankly, the conduct that bothers me the most was the conduct after, that things could have been done to make it less horrendous than it was, but they weren't."
Millerberg was convicted by a jury that took less than 90 minutes to declare his guilt.
Eric Millerberg said he was sorry for the loss to Alexis' family and that he couldn't imagine what this has done to them. Still, he stopped short of taking complete responsibility for her death.
"I'm willing to shoulder the responsibility for the role I played and the things that I have done," he said. "There's no way it's all mine."
(He is appealed the conviction, but the appeals were denied.)
The key testimony in the trial came from Millerberg's wife, Dea, who said it was Eric Millerberg who injected methamphetamine and heroin into the teenager's body. Alexis baby-sat for the couple, but her friend also testified that she and Alexis would go to them for drugs and alcohol.
The Millerbergs prepared drugs for the three of them, and they injected methamphetamine and heroin, smoked marijuana, drank alcohol and engaged in sexual activity the night Alexis died.
After Alexis took a bath at the Millerberg home, Dea Millerberg said the girl reported being really cold and shaking. Millerberg, a former nurse, didn't think much of the girl's symptoms at the time. But when Alexis became unresponsive later in the night, she tried to resuscitate her, but to no avail.
It was then that the Millerbergs "panicked" and decided to hide Alexis' body. The North Ogden girl was last seen the night of Sept. 10, 2011, when she was reportedly baby-sitting the couple's two young daughters. Eric Millerberg told both the girl's mother and a close friend that he didn't know where she was or what happened to her. Her body wasn't found until Oct. 18 in Morgan County.
Millerberg's attorney, Randall Marshall, argued that while the case is tragic, Alexis' death was not an intentional, premeditated murder. He said there was nothing to warrant the request for consecutive sentences.
"We have something that clearly was an accident," he told the judge. "No one intended for there to be a death — no one."
He said Millerberg struggled with drug and alcohol use and also questioned why his client was taking the bulk of the blame, when Dea Millerberg was also present the night the girl died and the decision was made to dispose of her body.
"The circumstances of this case are a bit suspect to begin with," Marshall said. "All the blame now rests on Mr. Millerberg for this death. … He essentially is being saddled with all the burden, all the responsibility for Lexi's death as if he was the only one involved."
Prosecutor Christopher Shaw took issue with the contention that the death was an accident and only involved one victim. He pointed to Alexis' family and said he wasn't about to tell them there was only one victim in the case.
"Intentionally injecting heroin and methamphetamine into a young girl is not an accident," he argued. "This is no accident. This is child abuse homicide. That's clear in the record, it's clear in the facts. That's what happened here."
He said Millerberg has failed to take responsibility for his actions in the teen's death and pointed to his long criminal history, which includes several felonies and failed probation opportunities.
"It's clear he doesn't respect rules and never has," Shaw said. "This defendant has had every opportunity to clean up and he chose not to. He chose to provide those illicit drugs to a 16-year-old. … It isn't by chance that Mr. Millerberg winds up here, it is by choice."
Weber County Attorney Dee Smith said he hopes the sentence sends the message to the Utah Board of Pardons and Parole that Millerberg is a dangerous person who should never be released from prison.
Alexis' mother, Dawn Miera, said the sentencing "went as best as it could go."
3j
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Chris: Horror in the High Desert is a suspense / horror found footage film about an explorer of the countryside who disappears after finding a spooky remote shack, kept my attention, higher quality film than many horror films, and looking forward to seeing the sequel this week, Watch: On Subscription Service.
Richie: It’s a good found footage movie, and the final act is great but leaves many unanswered questions, hopefully the sequel will answer some of them, Watch: On Subscription Service.
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axiom for plots and miracles
Axioms enjoyable to me prove to be harder to identify as negative ones. Subjective too. It appears shortsighted to invert "bad" axioms, as some escape binary concepts.
R. F. Kuang made an impression, in a recent release¹, postulating that plots rooted almost in absurdism depend on the confidence of the writer. Examplified by John Wick, the entirety of the story will fall appart if the main character analyzes the comparativeness of motivations. Hence, the premisse is treated similar to Zimmermans² idea of the magic circle (which is derived from Huizinga and Caillois), in which every notion of tdoubt is exluded from the world. To formulate a rule out of this appears insufficient, as the short story The Cold Calculations³ qualifies but leaves an unsatisfied aftertaste as it uses an unexplainable miracle to arrange the plot twist. Maybe I wasn't reading careful enough, but it appears that adding food for thought or surreal elements that could be called plot holes, seem to be outside of this realm as long as they do not pull the plot into a direction without apparent causality, hence not annoying me as a reader. Overall, I am very happy over stumbling upon this story though as the aspect of superimposition of the writing between dialogues is something I'm looking forward to adapt into my arsenal.
I'm also under the impression that this might be the reason I personally do not vibe with Neil Gaimans "The Ocean at the End of the Lane". The question remains for me if this is a large divider in reading preferences similar to genres. Summarizing, the best appraoch appears to be still to write something that I'd like to read myself. ¹ Kuang, R. F.., Adams, John Joseph. The Best American Science Fiction and Fantasy 2023. USA: HarperCollins, 2023. ² Zimmerman, Eric, Jerked Around by the Magic Circle - Clearing the Air Ten Years Later, 2012 Gamasutra. ³ Aimee Ogden, The Cold Calculations, Clarkesworld, 2021. https://clarkesworldmagazine.com/ogden_12_21/
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The Discharged videogames is on display at Ogden Fine Arts as part of Eric J. Garcia's Aim High exhibition.
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Time Out New York, 2000 Photographer: Eric Ogden
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Fiona Apple // photo: Eric Ogden
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PRINCESAS DISNEY
Las Princesas Disney, o también llamada Línea de Princesas, es una franquicia de La Compañía de Walt Disney formada por heroínas de diversas películas, comúnmente princesas o que llegan a convertirse en princesas en el desarrollo de sus respectivas películas.
Cantidad de Princesas Disney
Disney tiene 15 princesas, quienes son: Cenicienta, Blancanieves, Aurora, Bella, Rapunzel, Jasmine, Ariel, Tiana, Pocahontas, Mulán, Mérida, Anna, Elsa, Moana y Raya.
Nacionalidad de las Princesas Disney
Cenicienta, Francia – Alemania (El origen de Cenicienta está un poco peleado, pues hay quienes dicen que es de Francia y otros que es de Alemania).
Blancanieves, Lohr am Main, Alemania
Aurora, Francia
Bella, Francia
Rapunzel, Alemania
Ariel, Dinamarca
Jasmine, Oriente Medio (vive en Agrabah, una ciudad ficticia; sin embargo debido a varios elementos que aparecen en el filme, sabemos que este lugar se encontraría en Oriente Medio).
Tiana, Nuevo Orleans, Estados Unidos
Pocahontas, Virginia, Estados Unidos
Mulán, China
Mérida, Escocia
Anna y Elsa, Noruega
Moana, Pacífico Sur (vive en una isla del Pacífico Sur)
Raya, Sudeste Asiático (Está ambientada en el país ficticio de Kumandra, que se basa en culturas reales del Sudeste Asiático, como la Tailandesa, la Malaya y la Vietnamita)
Años de estrenos de las Películas de las Princesas Disney (en orden cronológico) y Datos Curiosos
Blancanieves y los 7 enanos (1937)
Datos curiosos:
Blancanieves tiene tan sólo catorce años, por lo que es la princesa más joven.
Se escribieron 25 canciones para la película, pero sólo utilizaron ocho.
El príncipe debía tener mayor presencia en la película, pero la dificultad al animarlo hizo que redujeran su participación.
Cenicienta (1950)
Datos curiosos:
El nombre completo de Gus (el ratón) es Octavio, presuntamente por el nombre privado del emperador romano Augusto. Gus puede ser diminutivo de Gustavo o Augusto.
La transformación del vestido desgarrado de Cenicienta fue considerada la pieza de animación favorita de Walt Disney.
Es la primer película de Disney donde trabajaron los nueve legendarios «Nine Old Men» del departamento de animación.
La Bella Durmiente (1959)
Datos curiosos:
La discusión entre Flora y Primavera por el color del vestido simula el conflicto que tuvo el cineasta al decidir de qué color quería que fuera el vestido de Aurora.
Aurora, la protagonista, sólo tuvo 18 líneas en toda la película.
El libro que sale al principio era real y estaba hecho a mano por Eyvind Earle, el encargado de la apariencia de la película.
La sirenita (1989)
Datos curiosos:
Jodi Benson cantó «Part of your world» a oscuras para simular estar bajo el agua.
Jim Carrey audicionó para el papel del Príncipe Eric.
Existe un debate en el cual se discute si Ursula es un calamar o un pulpo debido al número de tentáculos que tiene. En la película sólo salen seis tentáculos porque era muy caro dibujarlos. Aún así se dice que sus brazos podrían contar como los faltantes.
La Bella y la Bestia (1991)
Datos curiosos:
Es la primer película animada (después llegó UP) en ser nominada para el premio de la Academia a Mejor Película.
El vestido azul y el peinado de Bella están inspirados en Dorothy de El mago de Oz.
La frase de Din Don «Flores, chocolates, promesas que no intentas cumplir» fue improvisada por David Ogden Stiers.
Aladdín (1992)
Datos curiosos:
Debido a que Robin Williams improvisó la mayoría de sus diálogos, el guión fue rechazado para la nominación a Mejor Guión Adaptado.
Inicialmente, Aladdín sabía que Jasmine era una princesa cuando la conoció, sin embargo el equipo de producción lo cambió porque podía implicar que Aladdín sólo se interesó en ella por su dinero y poder, y no porque realmente la quisiera.
Abu (el mono) obtuvo ese nombre en honor a la ciudad egipcia de Abu. Esto se traduce a «elefante», porque la ciudad era conocida por su comercio de marfil. Por lo tanto, no es sorprendente que, cuando lo transforman, Abu cambie de forma a un elefante.
Pocahontas (1995)
Datos curiosos:
La película se estrenó el 23 de junio de 1995, justo cuando se cumplían 400 años del aniversario del cumpleaños de Pocahontas.
Pocahontas es una de las dos únicas princesas de Disney que nacieron en Estados Unidos, la otra es Tiana de La princesa y el sapo (2009).
Originalmente, Pocahontas iba a tener 3 compañeros animales: un mapache llamado Meeko, un colibrí llamado Flit y un pavo llamado Redfeather. En producción se decidió quitar a Meeko y dejar a los otros dos, pero debido a la muerte de John Candy (quien prestaría la voz a Redfeather) Meeko volvió.
Mulán (1998)
Datos curiosos:
En una versión de la leyenda, Mulán tenía un hermano más joven que estaba alistado en el ejército. En la película ella tiene un perro llamado «Hermanito» como un guiño a eso.
Esta fue la última película animada de Disney en tener elementos musicales después de una década de musicales animados de Disney hasta La princesa y el sapo (2009).
Mulán es la única princesa de Disney que no es de la realeza.
La Princesa y El Sapo (2009)
Datos curiosos:
El cocodrilo obtuvo el nombre de Louis en honor al gran Louis Armstrong.
La estrella a la que Ray nombre «Evangeline» es, de hecho, el planeta Venus, llamado así por la diosa romana del amor.
Beyoncé fue considerada para el papel de Tiana, pero lo perdió porque se negó a hacer audición.
Enredados (2010)
Datos curiosos:
El diseño de Flynn salió del proceso llamado «hot man meeting» de Nathan Greno y Byron Howard. En este, hicieron una junta con todas las empleadas del estudio en un cuarto y les preguntaron su opinión respecto a qué hacía atractivo a un hombre. Un video mostraba, en las paredes del cuarto, el arte conceptual y las fotos de varias celebridades masculinas, incluyendo a Johnny Depp, Hugh Jackman, Brad Pitt, David Beckham y Gene Kelly.
Para la escena en donde Rapunzel entra al pueblo, los animadores se inspiraron en las entradas de Walt Disney World y Disney Land. La emoción de Rapunzel se basa en la reacción de los niños en los parques.
Originalmente, el nombre del héroe iba a ser Bastian.
Valiente (2012)
Datos curiosos:
Esta es la primer película de Pixar que tiene a una mujer protagonista y es el primer personaje de Pixar que se incluye en la línea oficial de Princesas Disney.
El título original de la película iba a ser «The Bear and the Bow» (El oso y el arco).
El nombre del oso malvado, de la leyenda que cuenta la Reina, es Mor’du. En gaélico se escribiría Mor Dubh que significa el grande negro.
Frozen (2013)
Datos curiosos:
En diseños anteriores, el monstruo gigante de nieve que Elsa crea era una versión gigante de Olaf, a quien llamada «pequeño hermano». Esto no se utilizó, ya que a pesar de parecer lindo y divertido, también era algo tonto.
Aparte de ser la primer mujer que dirigía un largometraje animado de Disney, Jennifer Lee también se convirtió en la primer mujer en escribir un guión entero para una película de Disney desde Linda Woolverton para La bella y la bestia (1991).
El soundtrack de Frozen estuvo 13 semanas no consecutivas en el primero lugar de Billboard 200.
Moana (2013)
Datos curiosos:
Lin-Manuel Miranda ha dicho que el personaje de Tamatoa, el cangrejo gigante, es un tributo a David Bowie.
Esta es la primera película de Disney con un elenco mayoritariamente polinesio: Dwayne Johnson, Auli’i Cravalho, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, Oscar Kightley y Troy Polamalu.
Los directores, John Musker y Ron Clements, investigaron durante meses, y se sumergieron en la cultura polinesia para que la película respetara su cultura y la mitología.
Raya (2021)
Datos curiosos:
Raya y el Último Dragón se desarrolló casi enteramente de forma remota.
La comida ocupa un lugar central en la película.
Se crearon más de 72 mil elementos animados para crear Kumandra.
Estadísticas
La Princesa más popular de Disney es Elsa de FROZEN, aunque en realidad Elsa es una reina; la Princesa que vende más es Moana; la Princesa más rentable es con Bella de La Bella y La Bestia, película que recaudó más de 420 millones de dólares en todo el mundo; la Princesa más querida es Cenicienta; la Princesa menos querida es Aurora de La Bella Durmiente, etc.
Princesas que tienen Live Action
Cenicienta (Cenicienta), Bella (La Bella y La Bestia), Jasmine (Aladdín), Mulán (Mulán), Ariel (La Sirenita) y Aurora (Maléfica).
Y como mención especial:
Anastasia, Rusia
Anastasia no es una princesa Disney, sin embargo como la franquicia de Disney adquirió los derechos de Fox, quien creó la película de Anastasia, este filme ya forma parte del mundo de Disney.
Referencias bibliográficas:
Princesas Disney. (2019, 21 mayo). Wikipedia.org. Recuperado 22 de agosto de 2023, de https://es.wikipedia.org/wiki/Princesas_Disney#cite_note-1
¿De dónde son las princesas Disney? (2020, 3 abril). alanxelmundo.com. Recuperado 22 de agosto de 2023, de https://alanxelmundo.com/de-donde-son-las-princesas-disney/#:~:text=Disney%20tiene%2014%20princesas%2C%20quienes,%2C%20Anna%2C%20Elsa%20y%20Moana.
Guía para padres sobre Raya y el último dragón. (2022, 15 diciembre). common sense media.org. Recuperado 22 de agosto de 2023, de https://www.commonsensemedia.org/es/resenas-pelicula/raya-y-el-ultimo-dragon#:~:text=Las%20familias%20necesitan%20saber%20que,tailandesa%2C%20la%20malaya%20y%20la%E2%80%A6
Princesas de Disney, lista completa y datos curiosos. (2021, 19 julio). cinepremiere.com.mx. Recuperado 24 de agosto de 2023, de https://cinepremiere.com.mx/princesas-de-disney.html
Las 4 curiosidades sobre la película Raya y el Último Dragón. (2023, 23 enero). disneylatino.com. Recuperado 24 de agosto de 2023, de https://www.disneylatino.com/novedades/las-4-curiosidades-sobre-la-pelicula-raya-y-el-ultimo-dragon
Ni Ariel ni Cenicienta: un estudio reveló a la princesa más popular de Disney. (2021, 19 septiembre). univision.com. Recuperado 24 de agosto de 2023, de https://www.univision.com/entretenimiento/cultura-pop/ni-ariel-ni-cenicienta-un-estudio-revelo-a-la-princesa-mas-popular-de-disney
¿Cuál es la princesa Disney preferida por la compañía? (2022, 12 febrero). hobbyconsolas.com. Recuperado 24 de agosto de 2023, de https://www.hobbyconsolas.com/reportajes/princesas-disney-mas-rentables-1003413
¿Quién es la princesa de Disney que menos le gusta? (2023, 1 enero). celebrity.fm. Recuperado 24 de agosto de 2023, de https://celebrity.fm/es/who-is-the-most-disliked-disney-princess/
Todos los remakes en acción real de Disney, ordenados de menor a mayor calco. (2023, 27 mayo). 20minutos.es. Recuperado 24 de agosto de 2023, de https://www.20minutos.es/cinemania/noticias/todos-los-remakes-en-accion-real-de-disney-ordenados-de-menor-a-mayor-calco-132995/
Cecilia Estefanía Martín del Campo Hernández Ciencias de la Comunicación Profesor Eddy Ríos Martínez
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