#elvis the tiger man

[cherrycolaride]

this was fucking hot

I've watched 'double trouble' recently and this fighting scene... pheeeww... the way he took off his jacket made me feel something

[atleastpleasetelephone]

Girls, I'm going to my first karate class tonight! I mean, I might hate it, but they have an offer on for 4 free sessions so I'm going to give it a go.

Sadly this absolute hottie will not be there...

[hooked-on-elvis]

"Big Boss Man" (Live, 1974)

This is a very nice live performance. Coming from the concert known as "Desert Storm", the closing night at the Hilton International Hotel in Las Vegas, NV, on September 2, 1974 .

September 2, 1974. Closing concert (12.00am). Elvis performs to a 2200 crowd at the Hilton International Hotel in Las Vegas, NV. He is wearing the Mad Tiger suit with the Original belt.

[vintage-tigre]

[jhoneybees]

Every single time I see him kicking and karate chopping on stage, I always think how fricken cool he looks doing it😩

And omg... show off those moves in front of me, daddy🤧

This video…I’m dying. I can’t think straight, my body can no longer function. I need this man. Is it just me or is he wearing the leather suit/gi combo in the first part of this? Either way, I need him. Badly. 😍🥵

@lookingforrainbows @whositmcwhatsit @thatbanditqueen @be-my-ally @ellie-24 @from-memphis-with-love I’m sorry but you all need to see this. ❤️

[cherrycolaride]

Don't ever take tour eyes off me

Not even for a minute

'Cause like a panther I might pounce

And that will be the limit

I just discovered this song and i went insane about it🫠🫠

it's so hot and seductive and sassy and diva i can't-

[pearlprincess02]

1st house synastry playlist

mirrored vibes - 1st house synastry (playlist) / outer planets / asteroids

for when their sun is in your first house:

"can't smile without you" - carpenters / "lean on me" - bill withers / "i wanna dance with somebody (who loves me)" - whitney houston / "halo" - beyonce / "let it be" - the beatles /

for when your sun is in their first house:

"count on me" - bruno mars / "a sky full of stars" - coldplay / "signed, sealed, delivered (i'm yours)" - stevie wonder / "better together" - jack johnson / "i'm your man" - leonard cohen /

for when their moon is in your first house:

"hallelujah" - leonard cohen / "fix you" - coldplay / "what a wonderful world" - louis armstrong / "can't help falling in love" - elvis presley / "i see your true colors" - cyndi lauper /

for when your moon is in their first house:

"how you remind me" - nickelback / "vulnerable" - selena gomez / "my heart will go on" - celine dion / "you've got a friend in me" - randy newman / "i'm gonna be (500 miles)" - the proclaimers /

for when their mercury is in your first house:

"thinking out loud" - ed sheeran / "mr. blue sky" - electric light orchestra / "let's go crazy" - prince / "thinking of you" - katy perry / "hey jude" - the beatles /

for when your mercury is in their first house:

"teach your children" - crosby, stills, nash, & young / "keep talking" - pink floyd / "rhapsody in blue" - george gershwin / "i write sins not tragedies" - panic! at the disco / "hey ya!" - outkast /

for when their venus is in your first house:

"crazy in love" - beyonce (feat. jay-z) / "a thousand years" - christina perri / "make you feel my love" - adele / "perfect" - ed sheeran / "you're so beautiful" - joe cocker /

for when your venus is in their first house:

"you're the one that i want" - grease / "this must be the place (naive melody)" - talking heads / "you've got the love" - florence + the machine / "mirrors" - justin timberlake / "because you loved me" - celine dion /

for when their mars is in your first house:

"livin' on a prayer" - bon jovi / "we will rock you" - queen / "eye of the tiger" - survivor / "titanium" - david guetta (feat. sia) / "fighter" - christina aguilera /

for when your mars is in their first house:

"war" - edwin starr / "bad to the bone" - george thorogood & the destroyers / "danger zone" - kenny loggins / "you shook me all night long" - ac/dc / "lose yourself" - eminem /

@pearlprincess02

main masterlist

[hooked-on-elvis]

Which song Elvis sang you consider represents him perfectly? (Well, many, but) one always comes to my mind is "Tiger Man"⚡

"Tiger Man" on the TV special "Singer Presents Elvis" (A.K.A. '68 Comeback Special).

Opening scene of "Elvis: That's The Way It Is", a 1970's documentary recorded in August 1970, during Elvis' third season/engagement at the International Hotel in Las Vegas, Nevada. EP does a mash-up of his songs "Mystery Train and Tiger Man".

[cherrycolaride]

imagine him being your instructorrr

"ummm i'm sorry mr presley i didn't quite get it, could you show me that one move again, maybe in slow-mo" 💅🏽✨

😋

[vintage-tigre]

[therealslimshakespeare]

IM SORRY DID U SAY YOURE WORKING ON A FIC ABOUT “COP BIG DADDY ELVIS”?!?- please tell us more because this sounds like the greatest thing ever 😭

I did, Mon ami, I did indeed…welcome to the demented 2009, sweaty and non famous cop AU that @eliseinmemphis and myself cooked up in our feral yearnings one night.

Edit: it’s here

Allow me to lay a bit of the setting for us all, and maybe even throw in a few lines from the draft below.

Life is insular when you’ve been born and raised in a trailer park. A little El Paso suburb was never a thriving metropolis, what with its gas stations and dollar stores on the way to nothingness in the desert, but the recession didn’t help none. Your dreams of buying a car that might actually make it above 120 mph and not guzzle your wages in gas is a far off dream when you learn from officer Presley that your entrepreneuring father has been incarnated for racketeering across in Juarez. It’s a shame, a damn shame but it hardly throws a wrench in your life, you were already used to making it however you could. When workin’ at the trucker’s club turns into something a lil more illegal and Elvis has his morning waffle ruined by Joe Esposito yacking about the powers of your pink tongue…he feels a little responsible for leaving you without a father figure. He’s got top notch swamp coolers in his trailer, plenty of food and tiger figurines out front -and he’s got an interest in fast things, just like you.

You could do worse than shack up with such a fella; not that he’s offerin’ but you can tell by the flicker in his eye and the smirk of his lips that he’s as susceptible as the next guy watching you on the pole. Except this sweet, world weary cynic just might screw your gooey insides up worse than any threat or ogle from another man.

Snippet:

“Well, well officer Presley, finally got persnickety about laws, have ya?” you observed to yourself with a grin as you watched the handsome man swagger towards you along the white line in your side mirror, tugging at his pants as he neared, trying to shimmy the article of clothing a little higher but is impeded by his belt, stopped by his sizable belly, his holster and buckle sitting under the bulge of it.

Your mouth watered. It had been a year or two since you saw him last. He was always built, intimidating to all the stupid rascals he keeps in line along the border, but now he had become outright fat and his khaki shirt pulled apart between each button. Yet when he came up to your window, that little boy grin was still gracing one of the most exquisite faces known to man, and his voice was tender and playful when he greeted you, just as you once recalled. You could see his sweaty hair, matted on his chest and belly between the gaps, his underarms had massive pit stains, doubly apparent thanks to the light color of his police uniform.

Your smile had something of the she-wolf in it as you greeted him, sniffing the air in hopes of catching a whiff as he leaned on your window frame, nearly crowding you from outside. “Hey Miss Sweet Cheeks,” he greets, “you know why ya been pulled over?”

“Haven't got a clue, officer.” You stated the truth and enjoyed the way his title rolled off your tongue in a bantering way. It was easy.

Officer, officer. Somebody important and authoritative. No sir, yes sir, Officer.

His left eyebrow quirked and you wondered what he looked like at twenty five, how devastating that expression would have been before his wound and his meds and the water retention. Whatever power it may have once held, it holds nothing to this slightly bemused, slightly cynical world weariness that shows in his every expression now, that had a twitch of an eyebrow making you feel a fool. “You’re goin’ seventy in a forty five, Miss.” his tone was patient even as his face suggested he’d like to tan your hide for being so reckless. “Reckless endangerment of others, and yourself,” he quoted sternly, “it ain’t no small matter and I don’t countenance it on my highway.”

Gosh, you just loved it when he laid claim to government property like highways and interstates. It helped you smile meekly at him and nod.

“Sorry officer, I got lax.” You purred, batting your eyes and you could see the heavy flap of their coal coated weight in your periphery. “I’ve seen you lettin’ me flyby on the interstate. I guess I thought…”

[cherrycolaride]

i really have a weak spot for karate e 🫦

Elvis’ Karate gi. 

[cherrycolaride]

I'm your national anthem

God, you're so handsome

Take me to the Hamptons, Bugatti Veyron

He loves to romance 'em, reckless abandon

Holding me for ransom, upper echelon

He says to be cool but I don't know how yet

Wind in my hair, hand on the back of my neck

I said, "Can we party later on?"

He said, "Yes, yes, yes"

Red, white, blue is in the sky

Summer's in the air and baby, heaven's in your eyes

hehe elvis & lana again i'm sorry but this just fits too goood

also 70s e is the epitome of coolness and masculine sex appeal and i stand by that 🤝🏼

[matttgirlies]

Matt & Me🎀

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24

a story heavily based on Priscilla Presley’s Book “Elvis & Me” based in the 1950’s - 1970’s.

fem! reader x singer! matt

disclaimer!! - in no way am i saying matt would ever support or do these kind of things, for the sake of the book certain unethical things do happen at times.

warnings - mentions of guns,, drug use,, threats,, mentions of affairs

y/nn = your nickname for any confusion🩷

Chapter 21

Putting together the best musicians, sound and lighting technicians, costumers, and choreographers, he was taking no chances this time. He scoured the music scene for the top sidemen in the business. Auditions were held and he handpicked each player—names such as James Burton, John Wilkinson, Ronny Tutt, Glen D. Hardin, Jerry Scheff. He loved the sound of the Sweet Inspirations, backup group for Aretha Franklin, and he hired them on the spot as a warmup act and to sing backup vocals. He also hired his favorite gospel group, the Imperial Quartet.

Before leaving Los Angeles, Matt rehearsed at RCA Sound Studios for ten days and then polished the act for a full week prior to the opening. It was the event of the summer in Vegas. Colonel Parker brought the preopening publicity to fever pitch. Billboards were up all over town. On the third floor of the International, administrative offices bustled with activity. No other entertainer coming into Vegas had ever stimulated this kind of excitement. The hotel lobby was dominated by Matt paraphernalia—pictures, posters, T-shirts, stuffed animals, balloons, records, souvenir programs. You’d think Barnum and Bailey were coming to town.

Back home there was also excitement as we girls discussed what we’d wear to the opening. “I want you to look extra special, Baby,” Matt said. “This is a big night for all of us.” I hit every boutique in West L.A. before finding just the right outfit.

Though it had been nine years since Matt had given a live performance, you never would have known it from his opening. The audience cheered the moment he stepped onstage and never stopped the entire two hours as Matt sang, “All Shook Up,” “Blue Suede Shoes,” “In the Ghetto,” “Tiger Man,” and “Can’t Help Falling in Love.” He mixed the old with the new, the fast and hot with the lyrical and romantic. It was the first time I’d ever seen Matt perform live. Wanting to surprise me, he had kept me from rehearsals. I was astounded. At the end he left them still cheering and begging for more.

Cary Grant was among the stars who came backstage to congratulate him after the show. But the most touching moment was when Colonel William arrived with tears in his eyes, wanting to know where his boy was. Matt came out of the dressing room and the two men embraced. I believe everyone felt their emotion in that moment of triumph.

I don’t think we slept that night. Nate Doe brought in all the newspapers and we read the rave reviews declaring, “Matt was great” and “He never looked or sang better.” He shared credit for his new success with all of us.

“Well, we did it. It’s going to be a long thirty days, but it’s going to be worth it if we get the reception we got last night. I may have been a real tyrant, but it was well worth it.”

“Yeah, you’re right,” we all agreed, laughing. “You were a tyrant.”

The International Hotel was delirious over Matt’s performance and the box-office receipts. The following day they signed a fiveyear contract with the Colonel for Matt to appear twice a year, usually around the same time, January and August, at the then unheardof salary of one million dollars a year.

Matt literally took over Las Vegas for the entire month he was there, playing to a packed house every show as thousands more were turned away. No matter where we looked, all we could see was the name Matt—on television, newspapers, banners, and billboards. The King had returned.

Initially, Matt’s triumph in Las Vegas brought a new vitality to our marriage. He seemed a different person. Once again, he felt confident about himself as a performer and he continued to watch his weight and work out every day at karate.

It was also the first time that I felt we were functioning as a team. I made several trips to New York, trying to find unique accessories for him to wear onstage. I bought scarves, jewelry, and a black leather belt with chain links all around it that Bill Belew would later copy for the famous Matt jumpsuit belts.

I loved seeing him healthy and happy again, and I especially enjoyed our early days in Vegas. The International provided an elegant three-bedroom suite that we turned into our home away from home. During his show I always sat at the same table down front, never tiring of watching him perform. He was spontaneous and one never knew what to expect from him.

On occasion, after his midnight show, we’d catch lounge acts of other performers playing Vegas or we’d gamble until dawn. Other times we’d relax backstage, visiting with entertainers captivated by his performance. This was the first time I’d been with Matt at a high point in his career.

With the renewed fame came renewed dangers. Offstage he could be guarded by Sonny and Red. Onstage he was a walking target. One night that summer Nate and Sonny were tipped off that a woman in the audience was carrying a gun and had threatened to shoot Matt. A true professional, Matt insisted on going on. Additional precautions were taken and everyone was on the alert. Matt was instructed to stay downstage, making himself a smaller target, and Sonny and Jerry were poised to jump in front of him at the slightest sign of suspicious movement in the audience. Red was positioned in the audience with the FBI agents.

The show seemed to take an eternity. I glanced at Patsy apprehensively and she in turn grasped my hand as we comforted each other, longing for the night to end without incident. James remained backstage, never letting Matt out of his sight and praying, “Dear God, don’t let anything happen to my son.”

Because of this and other threats, extra security was arranged wherever Matt appeared. Entrances through backstages, kitchens, back elevators, and side exits became routine.

Matt had his own theory about assassinations, based on the murders of the Reverend Martin Luther King, Jr., and Robert F. Kennedy. He felt that the assassins gloated over their “accomplishments,” and told his bodyguards that if any attempt were made on his life, they should get the killer—even before the police. He didn’t want anyone bragging to the media that they’d killed Matt Sturniolo.

Sonny and Red lived in so much tension these days that they were constantly frenzied. Suspicious in crowds of overzealous fans, they were quick to respond to any sign of danger. Compared to Sonny’s diplomacy, Red’s reputation was to act first and ask questions later. Eventually, numerous assault-and-battery charges started piling up against Matt. When James warned him about Sonny and Red’s aggressiveness, Matt said, “Goddamn, Red. I hired you to keep the sons of bitches away from me, not get me in any legal binds. Somehow you’re going to have to control that redheaded temper of yours.”

Although Matt would joke about the death threats—and there would be several more throughout the Vegas commitments—the fear and constant need for security heightened the pressure of nightly performing.

In the beginning when Matt began doing regular Vegas engagements, we girls visited frequently. We’d fly in over the weekend, sometimes bringing our children, spend three or four days, and then return home.

On the days we were apart I’d take hundreds of Polaroids and home movies of Charlotte. She was growing so rapidly I didn’t want him to miss out on her development. Daily he’d receive his “care packages,” as I’d refer to them, including tape recordings of me teaching Charlotte new words and Charlotte mimicking me. Each week, upon my arrival, I’d paste photos on the mirrors in his bedroom to remind him that he had a wife and child.

During his first couple of engagements he still seemed humbled by lingering doubts of whether the public was fully accepting him. At this point he had no interest in outside affairs or flirtations, his concentration on daily rehearsals and performances every evening excluding everything else.

Later he would become more cocky. The crowds’ admiration took him back to his triumphs in the early fifties and he found it hard to come down to earth after a month of nightly cheers. His name on the International’s huge marquee would be replaced by the next superstar. The offices on the third floor would be cleared out and incoming calls for reservations would stop.

Thriving on all the excitement, glamour, and hysteria, he found it difficult to go home and resume his role as father and husband. And for me the impossibility of replacing the crowd’s adoration became a real-life nightmare.

At home in Los Angeles, there was just the usual group around—strictly a family atmosphere. This abrupt change was too much for him and soon he developed the habit of lingering in Vegas for days, sometimes weeks, after a show. The boys were finding it increasingly difficult to resolve the conflict between working for Matt and maintaining a home life.

Crazed with inactivity and boredom, Matt became edgy and temperamental, a condition exacerbated by the Dexedrine he was again taking to control his weight.

Sometimes, to ease the transition home, Matt would insist we all pile into cars and head for Palm Springs. Since our marriage we had spent-many weekends there sunning and watching football games and late-night television, but after Charlotte was born, my needs changed. The Palm Springs heat was too much for her, the long drive boring, the idleness of resort life wearying. One weekend I suggested, “Matt, why don’t just you and the guys go down?”

From that time on, the guys developed their own lifestyle in our secluded desert home. Occasionally we wives would be invited to spend the weekend, but by and large, Matt now considered Palm Springs his private refuge.

He made it clear that this time away was good for him, giving him a chance to think, to hang out with the guys. In reality Matt was lost. He did not know what to do with himself after Vegas. He escaped in more powerful, unnecessary prescribed drugs to raise his spirits and ward off boredom.

After he had conquered Vegas, it was agreed that Matt should go back on the road. Colonel immediately began booking concert tours around the nation, starting with an impressive run of six sold-out shows in the Houston Astrodome, which earned over one million dollars in three nights.

The night I arrived in Texas to watch the performance, Amber, Judy, and I flew in on a private jet. I looked down on the Astrodome and found it hard to believe my eyes. The length of a football field—and already sold out. It made me nervous. I could imagine how Matt felt.

Matt too found the Astrodome overwhelming. “Goddamn,” he said when he first walked in. “They expect me to sell this son of a bitch out? It’s a goddamn ocean.”

However dwarfed he was by the giant facility, he electrified his audience. Houston was our first run-in with mass hysteria. The limousine was strategically parked by the stage door for Matt’s immediate getaway. Even so, screaming fans surrounded the car, frantically yelling out his name, presenting flowers, and trying to touch him.

If anything, Houston was an even greater victory than Vegas. The King of Rock and Roll was back on top. The strain of sustaining such a hype was just beginning and, for the moment, I could believe that everything would still be all right. I did not realize the extent to which Matt’s touring was going to separate us, that this in fact was the beginning of the end. After Houston Matt began crossing the country, making one-night stands, flying by day, trying to catch some sleep to maintain the high energy level demanded by his performances. From 1971 on, he toured more than any other artist—three weeks at a time with no days off and two shows on Saturdays and Sundays.

I missed him. We talked constantly of being together more, but he knew that if he let me join him, he couldn’t refuse the requests from regulars whose marriages were also feeling the strain of long separations. For a while a group of us would fly in from time to time, but this didn’t last long. Matt noticed that his employees were lax in discharging their duties to him when spouses were present, and he established a new policy: No wives on the road.

I didn’t really miss the one-night stands, a tedious routine at best: Jump off the plane, rush to the hotel, unpack as little as possible, since you had to check out the next day, go to the performance, then back to the hotel for a little rest before heading back to the airport. Everything was the same except for the name of the town.

It was the day Matt suggested I come to Vegas less often that I became really upset and suspicious. He’d decided that we wives would attend opening and closing nights only.

I knew then I’d have to fight for our relationship or accept the fact that we were now gradually going to grow apart as so many couples in show business do. As a couple, we’d never sat down to plan out a future. Matt, individually, was stretching as an artist, but as man and wife we needed a common reality.

The chances of our marriage surviving were slim indeed as long as he continued to live apart from Charlotte and me, and in bachelor quarters at that. It came down to how much longer I could stand the separation. Matt wanted to have his cake and eat it too. And now, as the tours and long engagements took him even further from his family, I realized that we might never reach my dreams of togetherness.

I had trouble believing that Matt was always faithful, and the more he kept us apart, the more my suspicions grew.

Now when we went to Vegas, I felt more comfortable at the openings. He was always preoccupied with the show and I felt he needed me then. On closing nights I always felt uneasy. Too many days had gone by, enough time for suspicions to poison my thoughts. The Vegas maître d’s invariably planted a bevy of beauties in the front rows for the entertainer to play to. Curious, I would scan their faces while watching Matt closely to see if he seemed to direct his songs to any girl in particular. Suspicious of everyone, my heart ached—but we were never able to talk about it. It was to be accepted as part of the job.

Backstage one night James was jokingly negotiating for a key that had been tossed to Matt. She was an attractive middle-aged blonde—James’s type. Matt said, “Dad, you’ve got enough problems at home with one blonde. You certainly don’t need two.”

“Well, okay,” James said. “You’re going to have problems of your own if your wife goes out in the street looking like that.” I had begun wearing skimpy knit dresses and see-through fabrics that were daringly revealing. Steven and Charlie whistled and gave wolfcalls, while Matt proudly showed me off.

The jokes I played on him were also efforts to get his attention. One night, after he’d left early for a show, I put on a black dress with a black hood and an exceptionally low-cut back. When it came time for Matt to give away kisses to the girls in the audience—a regular part of his show—I went up to the stage. Instead of kissing me, he kept on singing his song, leaving me to stand there. With my hair hiding the dress strap around my neck, I appeared from the back to be nude from the waist up. I could hear the “oooh”s and “ahhhh”s of the audience. They were under the impression that a topless girl had cornered Matt and that he couldn’t figure out what to do.

I kept whispering to him, “Kiss me, kiss me, so I can sit down,” but he decided to turn the joke on me, and made me wait in the spotlight for the duration of the song. Planting a big kiss on my lips, he surprisingly introduced me to the audience. I felt a bit embarrassed and made my way back to my seat.

Later in the show he’d strut back and forth onstage, tease his audience, talk to them, tell them stories, even confide in them. “You know,” he’d say, “some people in this town get a little greedy. I know you folks save a long time to come and hear me sing. I just want you to know, as far as I’m concerned, there won’t be any exorbitant raise in price when you come back. I’m here to entertain you and that’s all I care about.”

Matt was having an ongoing love affair with his audience and the next time I was home alone I knew I had no choice but to start more of a life of my own.

It was with that thought in mind that Amber, my sister Michelle, and I planned a short trip to Palm Springs. In the course of the weekend I opened the mailbox to check the mail and found a number of letters from girls who had obviously been to the house, one in particular signed “Lizard Tongue.” My immediate response was disbelief, followed by outrage. I dialed Vegas and demanded that Nate find Matt and bring him to the telephone. When Nate said Matt was sleeping, I told him about the letters and insisted I speak to Matt. Nate promised that he would have Matt call as soon as he woke up. He did, but it was clear that Nate had filled him in on the situation and Matt had his explanation ready. He was totally innocent, the girls were just fans, they were out of their minds if they said they’d ever come to the house, and besides, it was their word against his. As usual, in the end I apologized for putting him on the spot, but things at this point were becoming too obvious.

He said, “Get out and do things while I’m gone, because if you don’t, you’re going to start getting depressed.”

Although my choices were limited—he still objected to my taking a job or enrolling in classes at college—I continued my dancing and started taking private art instruction.

Matt was a born entertainer and although he tried to avoid crowds, disliked restaurants, and complained he “couldn’t get out like a normal person,” this life-style suited him. He handpicked the people he wanted to be around him—to work with and travel withand they adjusted to his routine and his hours and his temperament. It was a pretty close clan throughout the years. A few arguments erupted and a few couples left over some misunderstandings, but they usually returned in a week or two.

My view of life had been fashioned by Matt. I had entered his world as a young girl and he had provided absolute security. He distrusted any outside influences, which he saw as a threat to the relationship, fearing they would destroy his creation, his ideal. He could never have foreseen what was happening as the consequence of his prolonged absences from home. A major period in my growth was beginning. I still feared our separations but felt that our love had no boundaries, that I was his and if he wanted me to change, I would. For years nothing had existed in my world but him, and now that he was gone for long stretches of time, the inevitable happened. I was creating a life of my own, starting to achieve a sense of security in myself, and discovering there was a whole world outside our marriage.

Over the years of playing Vegas, other pressures began to mount. There were more death threats and lawsuits, including alleged paternity suits and assault-and-battery charges. Jealous husbands claimed they’d seen Matt flirting with their wives, and others continued to charge that Sonny and Red were manhandling them. Matt began to get bored with these nuisances as well as with the sameness of the show. Inevitably, he tried to change the format, but then he felt it just didn’t have the same pacing as the original. He’d add a few songs here and there but then revert to the original. Pointed suggestions that he make changes before the next Vegas date added to the pressure.

Bored and restless, he increased his dependence on chemicals. He thought speed helped him escape from destructive thinking, when in reality it gave him false confidence and unnatural aggressiveness. He started losing perspective on himself and others. To me he became increasingly unreachable.

Excerpt from: "Elvis and Me" by Priscilla Beaulieu Presley. Scribd. This material may be protected by copyright.

a/n - welll..🎀

[hooked-on-elvis]

"People had been calling Elvis 'The Hillbilly Cat.' What I saw up on stage was a hungry tiger."

— Elvis Presley's life-long friend, confidante and business associate, Jerry Schilling.

ON FEBRUARY 6, 1955 ELVIS, SCOTTY AND BILL PERFORMED TWO CONCERTS AT ELLIS AUDITORIUM FOR THE FIRST TIME, IN THE NORTH HALL, AS PART OF BOB NEAL'S FIVE STAR JAMBOREE. That was the first time Jerry Schilling saw Elvis performing live, on his 13th birthday. Jerry said he bought tickets for both Elvis concerts there in that day, as a birthday treat.

"He treated his mike stand like it was the object of a passionate seduction — sometimes holding it close with tenderness, sometimes just dragging it across the stage like a worked-up wild man dragging his mate off to the nearest cave." "At the Ellis Auditorium, I’d gotten the sense that something really big and exciting was happening around Elvis."

Excerpts from "Me and a Guy Named Elvis: My Lifelong Friendship with Elvis Presley" by Jerry Schilling (2006).

Elvis (and Dewey Phillips) onstage at the Ellis Auditorium. February 6, 1955.

Elvis and Jerry on June 24, 1974. They are leaving the hotel and heading to the Eppley Airport in Philadelphia. Red West, Joe Esposito and Dick Grob are behind Elvis.

[melvis-tcb]

Elvis Presley in Las Vegas 1956 ~ Vegas wasn't ready for Elvis then, HOWEVER, Elvis returned to Vegas in 1969 & literally saved Vegas!! ~ The Rat Pak days were long gone & young people were wearing jeans & going to rock concerts, certainly not dressing up & flying to Vegas to spend money they didn't have. Vegas could have blown away in the sand but Elvis was offered to come back in 1969 & THIS was certainly his comeback to a live audience! The world flew to Vegas to see the one & only KING & no one was disappointed, certainly not Las Vegas! Elvis revitalized Vegas forever!! TCB⚡TLC⚡

He really did just let flap around didn’t he. It wasn’t a Urban Legend after all. I wish he would have incorporated this routine into his 70’s shows.