#elizabeth marie chevalier

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Perfect Elizabeth Marie Chevalier pt2

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Elizabeth Chevalier's Poetic Tribute "Versatile Grace" Makes Debut on Poetry.com

Elizabeth Chevalier's Journey" Now at Poetry.com - An Entertaining Poem Depicting the Life and Successes of an Iconic Figure

Los Angeles, CA - Fashion and entertainment worlds will be taken by storm thanks to Elizabeth Chevalier, one of fashion's acclaimed supermodels and actresses. In her poem entitled "Versatile Grace: Elizabeth Chevalier's Journey", Elizabeth poetically chronicles her life journey - from academic successes through modeling/acting successes as she showcases all aspects of her multidimensional talents.

Verse 1: From San Diego's welcoming embrace emerged a brilliant star: Elizabeth Chevalier was her name - bright with beauty, grace, intellect and light!

Elizabeth Chevalier began her story in sunny San Diego where her early brilliance and beauty shone bright. At Loyola Marymount University she studied biology before receiving an academic scholarship which laid a strong foundation for an array of careers she would later undertake.

Verse 2: "Loyola Halls were abuzz with study and determination; biology being her field and chosen future path. However, fate guided Loyola toward modeling instead and made the world of fashion appear intriguing and captivating to her."

Elizabeth found herself drawn into fashion modeling due to its allure. With its charisma and allure, it quickly established Elizabeth as a rising star within modeling.

Verse 3: "Maxim, FHM and Playboy magazines showcased her stunning face on thirteen covers -- an impressive testament of her stunning form."

Chevalier's modeling career flourished rapidly as she graced renowned magazines such as Maxim, FHM and Playboy with over thirteen covers to her name; setting new standards of beauty and modeling around the globe.

Verse 4: "She made an effortless transition between covers and screens, shining bright in both Entourage and New Girl as her acting talent shone through in each role she was cast for; each role displayed how fully realized her acting talents had become."

Elizabeth smoothly transitioned from modeling to acting by appearing in television shows like "Entourage" and "New Girl", where her performances captured audiences and established her as an accomplished actress.

Verse 5: She connects and shares through platforms such as Instagram and OnlyFans; their posts engage a global audience who are fascinated with every post! Her life fascinates all.

Elizabeth engages a global audience through platforms such as Instagram and OnlyFans, sharing life-altering moments while inspiring followers with her journey.

Verse 6: "She speaks three languages fluently - English, Spanish and French are her daily bread." Verse 7:

Elizabeth is an international citizen renowned for her expertise in English, Spanish and French languages. With these language skills at her command she connects easily with diverse audiences worldwide and thrives across several international arenas.

Verse 7: Elizabeth Chevalier stands as an extraordinary example of brains and beauty combined. A journey full of grace, talent and smiles that Elizabeth will continue to light up for many years."

Elizabeth Chevalier stands as an extraordinary embodiment of intelligence and beauty, embodying both grace, talent, and unyielding determination to create her lasting legacy. This poem pays a wonderful ode to Elizabeth Chevalier's inspiring life story.

Attributes of This Poem: "Versatile Grace: Elizabeth Chevalier's Journey" is an elegant poetic tribute to Elizabeth Chevalier. It celebrates her academic successes, modelling career successes and notable acting roles - each feat underlining Elizabeth's dedication and elegance.

Elizabeth Chevalier, known for her beauty, intelligence, and versatility is renowned supermodel and actress who holds a degree from Loyola Marymount University's Biology department and has graced magazine covers such as Maxim, FHM, Playboy as well as having memorable roles on "Entourage".

[perioddramapolls]

Period dramas dresses tournament: Pink dresses Round 2- Group C: Marie Antoinette, Chevalier (another pic) vs Elizabeth Dido Belle, Belle (gifset)

Propaganda for Chevalier!Marie's dress (written by a submitter):

The costume designer for the film was Oliver Garcia and he's talked a lot about how he wanted to recreate 18th century fashion through the lens of contemporary fashion, and how that led to a lot of the costumes being monochromatic. Also about taking inspiration from Prince.

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Favorite books with autumn vibes

Contemporary

All Souls Trilogy by Deborah Harkness

At the Edge of the Orchard by Tracy Chevalier

For the Wolf by Hannah Witten

The Ghost Bride by Yangsze Choo

The Graveyard Book by Neil Gaiman

The Historian by Elizabeth Kostova

The Invisible Life of Addie Larue by V.E. Schwab

The Night Circus by Erin Morgenstern

Ninth House by Leigh Bardugo

The Ocean at the End of the Lane by Neil Gaiman

The Once and Future Witches by Alix Harrow

The Only Good Indians by Stephen Graham Jones

Piranesi by Susanna Clarke

Red at the Bone by Jaqueline Woodson

The Scholomance Trilogy by Naomi Novik

The Secret History by Donna Tartt

The Shadow of the Wind by Carlos Luis Zafron

Under the Whispering Door by TJ Klune

Uprooted by Naomi Novik

Wolf Hall by Hilary Mantel

Classics

And Then There Were None by Agatha Christie

Anne of Green Gables by L.M. Montgomery

The Bloody Chamber by Angela Carter

Daddy Long Legs by Jean Webster

Dracula by Bram Stoker

Frankenstein by Mary Shelley

The Hound of the Baskervilles by Arthur Conan Doyle

Jane Eyre by Charlotte Bronte

Northanger Abbey by Jane Austen

Rebecca by Daphne du Maurier

The Turn of the Screw by Henry James

We Have Always Lived in the Castle by Shirley Jackson

The Woman in Black by Susan Hill

Graphic Novels

My Favorite Thing is Monsters by Emil Ferris

The Sandman Vol. I: Preludes and Nocturnes by Neil Gaiman

Through the Woods by Emily Carroll

Always looking for more! Tell me yours!

[amphibious-thing]

Geneviève d’Eon & Marie-Jeanne Bertin: Clothing and Gender in 18th Century France

"After being fully dressed by famous designer Rose Bertin for the first time, they ran to their room and cried for hours." ~ Kaz Rowe, The Chevalier d'Eon: the Trans 18th Century Spy

Kaz Rowe throws this story out there in their video on d'Eon as a part of their justification in using they/them pronouns for d'Eon who used she/her pronouns. Rowe never really explains the context for this story. It sounds dramatic on the surface, d'Eon spent hours crying over being forced into women's clothes. But did this really happen?

This story comes from d'Eon's own autobiographical writings that she never finished. Segments of her drafts were translated and published by Roland A. Champagne, Nina Ekstein, and Gary Kates in The Maiden of Tonnerre. The title comes from d'Eon who styled herself la pucelle de Tonnerre after Joan of Arc who was known as la pucelle d'Orléans.

Some things to consider before we start:

D'Eon's autobiographical writings operate under the pretence that she was afab and raised as a boy for inherence reasons. We have to remember that these writings are heavily fictionalised, a necessity in upholding the lie that allowed d'Eon to live as a woman. However that doesn't mean that there is no historical value in these writings. Instead of simply taking these stories as fact we must consider: Why is d'Eon presenting this story in this way? How does this story serve the narrative d'Eon is constructing for herself?

D'Eon in this story claims she had never worn women's clothing before. This is contradicted by d'Eon's own claim of infiltrating the court of Empress Elizabeth of Russia as a woman. While its hard to pinpoint the exact moment d'Eon first wore women's clothes I personally suspect it was much earlier than this.

D'Eon also includes a scene where she is bathed by Bertin's assistants. This scene is almost certainly fictional as if it happened in reality this would reveal that d'Eon had a penis, a fact she wanted to keep secret. This scene is almost certainly included to add to the 'evidence' that d'Eon was afab.

Considering these points we must consider that this story did not take place literally as d'Eon depicts it. Instead of taking this story as an accurate recollection of events I consider it a fictionalised story (based on true events). The goal in my analysis is to ask what is d'Eon trying to communicate though this story.

Some background information to add context:

D'Eon had prior to this incident signed a transaction with Louis XVI in which she was legally acknowledged as a woman and ordered by Louis XVI to wear woman's clothes. D'Eon agreed to "declaring publicly my sex, to my condition being established beyond a doubt, to resume and wear female attire until death," but then adds "unless, taking into consideration my being so long accustomed to appear in uniform, his Majesty will consent, on sufferance only, to my resuming male attire should it become impossible for me to endure the embarrassment of adopting the other". (see D'Eon de Beaumont, his life and times by Alfred Rieu, p174-182 for an English translation of the transaction)

We also must consider that d'Eon did not dispute the fact that she was a woman when signing the transaction, nor does she dispute this in her autobiographical writings. D'Eon was very much arguing that she, as a woman, should be allowed to continue to wear men's clothing (specifically her dragoon uniform) as that is what she was used to wearing and comfortable wearing.

Also mentioned in the following excerpt is the English trial over d'Eon's sex in which it was found that d'Eon was a woman. I'm not going to get too into the topic here as it's a whole other can of worms. However I think it's important to understand that while d'Eon had issues with aspects of the trial she would use the ruling to support her claim that she was afab.

The Maiden of Tonnerre: Chapter VII

Selections from the great interview between Mademoiselle Bertin and Mademoiselle d'Eon in Paris on October 21, 1777 Mademoiselle Bertin. I have come vary early in the morning to spare you trouble and embarrassment. But what else can I do? You must either go through this or through the gates of a convent. Mademoiselle d'Eon. It is easy to do otherwise. Just leave me as I am. I have lived for forty-eight years this way. I cannot live all that much longer. I am impatiently awaiting the great change that will transform us all making all of us eternally equal. Mademoiselle Bertin. The Court in its patience will never have the endurance to wait that long. Remember that it was a deliberate error on the part of your father, your mother, and yourself that resulted in Mademoiselle d'Eon's wearing men's clothing and a military uniform. But since that time things have changed considerably, and today by order of King and the law, the bad boy must become a good girl.

It's interesting that here d'Eon has Bertin distinguish between "men's clothing" and "military uniform". As women were not allowed in the French military at this time all French military uniforms were as such men's clothing. But d'Eon did not simply want to wear men's clothing she wanted to wear her military uniform.

Mademoiselle d'Eon. If I was a boy by mistake, one could inadvertently allow me to continue to be one. While you are correct about the substance of the matter, I am not wrong about the form. Mademoiselle Bertin. That is not possible now. Your trial created too much of a stir. Mademoiselle d'Eon. I am a reliable bugler in my squadron. I am not frightened by noise. The Court's behaviour, by its very decency, has wound up being indecent. I would have thought that the King would have been willing to allow me to wear the uniform of a former dragoon captain, Knight of Saint Louis, and plenipotentiary minister, since he was kind enough to allow me to wear the cross of the royal and military order of Saint Louis on my dress. Do you see how everything at court is so arbitrary? There one could say every day: Contraria contrariis opponuntur [A contrary opposes other contraries].

Again we see the focus is that d'Eon wanted to wear her dragoon uniform. She likens this directly to her cross of Saint Louis which Louis XVI did permit her to wear on her women's clothes. As the cross of Saint Louis was only awarded to men it is arguably also menswear. D'Eon is pointing out the arbitrary nature of this distinction. Why is she permitted to wear an idem of menswear, the cross of Saint Louis, but not another, her dragoon uniform. To d'Eon these both represent her achievements rather than manhood, she is arguing that she, a woman, should be allowed to wear them.

Mademoiselle Bertin. I concede that every day we see in the streets of Paris a tall young woman in the uniform of a dragoon publicly giving lessons on the use if arms. But remember that this girl was a mere dragoon and that she had no other way to earn a living. To do so, she had written permission to dress as a dragoon form the lieutenant general of the Paris police. But the Court would never grant such permission for a young woman from a good family who had been in France and in foreign courts as Mademoiselle d'Eon has been. Mademoiselle d'Eon. In a well-regulated country, the law must not allow preferential treatment to anyone. Mademoiselle Bertin. You can go to Versailles to argue with the Chancellor of France, your former schoolmate. But with Mademoiselle Bertin, it can serve no purpose to argue. Do not take this matter so far as to have a falling out with the King's ministers or the royal Treasury. Remember, Mademoiselle, that in France a maiden who obeys the law and the King must wear her dress and petticoat, whether to remain in this world or to spend her time in the convent. Mademoiselle d'Eon. Your advice is wise and prudent. I would rather follow you into the royal Treasury than into a convent. Mademoiselle Bertin. My honorable captain, don't think that you are dishonored by having been found to be a woman. The discomfiture is temporary, and the glory will be with you forever. But let us not wast uselessly the precious time needed to begin and end your outfitting before the return of Major Varville. Mademoiselle d'Eon. I see that Mademoiselle Bertin is correct about all that she says and does and that a lady-in-waiting to the Queen is thus wiser in her comportment and in her begetting than all the children of the Enlightenment and all the captains of the army. Without delaying further and having followed the instructions of Mademoiselle Bertin, the Dragoon was, in a short period of time, divested of his serpent's skin and transformed into an angel of light. Her head became as lustrous as the sun. Her whole outlook on things changed as much as did her face. No trace of the dragoon remained in her. Mademoiselle Bertin thought she was consoling me by saying: "The Queen doesn't despise bravery in a well-born maiden. But out of duty she prefers to find in her decency, honor, and virtue. If Louis XV armed you as a Knight of French soldiers, Louis XVI arms you as a chevalière of French women. And the Queen crowns your wisdom by commanding me to bring to you this new armor, which must accompany your coiffure and your demeanor so that you may become the leading general of all the honorable women of France. The time has come for us to be edified and not scandalized by Mademoiselle d'Eon's conduct. Why don't you offer up your uniform as a sacrifice at Notre Dame de Paris or in your holy anger throw it out the window in order to stand witness before the people of Israel, the Parisians, the Scribes, and the Pharisees that you are now following the letter of the law that Moses gave us in his commandments." While Mademoiselle Bertin had me get into the bath to be washed, soaped and scrubbed down by her companions, I told her: "Proceed as quickly as possible; do not waste time with the preparations so that I too may keep part of my own dignity as it is joined with yours and that of your seamstresses. Virtuous Bertin, honest messenger form the chamber of the Queen, I fully realize that the hour is at hand for me to follow the directive of the law and the King. As a victim, I am offered up in sacrifice since you do me harm in order to do me good. All women are going to point at me, and all the maidens are going to thumb their noses at me when they see me dressed in style and done up like a doll or at the very least like a Vestal Virgin who is led to the marriage altar."

We see in this excerpt Bertin acts as an authority ushering d'Eon into womanhood, the transformation is painful but ultimately positive for d'Eon; "you do me harm in order to do me good". But there is this real fear of being mocked by other women. At least part of d'Eon's trepidation to don women's clothes comes form the fear of humiliation. We see this fear also reflected in the transaction when she begs King Louis to "consent, on sufferance only, to my resuming male attire should it become impossible for me to endure the embarrassment of adopting the other".

Mademoiselle Bertin. Put aside your concerns about what other will say. Must what the mad say prevent us from being wise? Mademoiselle d'Eon. Alas, at court everything is beautiful. To please the court, does a former captain have to become a pretty boy [demoiseau]? Mademoiselle Bertin. Yes, absolutely, when the so-called "boy" is discovered to be in fact a girl by the systems of justice both in England and in France. Mademoiselle d'Eon. Speaking of justice, is Mademoiselle Bertin, the Queen's servant, also the enforcer of justice? Mademoiselle Bertin was stung. "Don't be angry," I told her, "I simply wanted you to acknowledge, for you are just in all matters, that I cannot fit into the dress you brought me." Mademoiselle Bertin remained disconcerted for a moment. But she soon regained her composure and said to me: "If you are a patient girl, the dress that I made for you in the name of Justice will soon be taken out to fit you. And I predict for you that the certainty of happiness will come form the alleged abyss of your unhappiness." Then, looking pleased with herself, she said to me: "I am glad about having stripped you of your armor and your dragoon skin in order to arm you from head to toe with your dress and finery. In you I have found the power to possess the benefit of simple tonsure without a papal dispensation. Give thanks to God. You can assuredly double your chances of attaining eternal life, for which all of us search amidst this life's sorrows, troubles and suffering. Tomorrow you will suffer less, and the following day you will not suffer at all. In a little while, you will enjoy the relaxation and the joy that are the natural prerogatives of a Catholic girl who loyally follows the breviary of Rome and Paris, which was annotated, revised, and made available to the Daughters of Holy Mary and the Queen's women. You are not yet canonized, but soon you will be beatified when your upcoming marriage is canonically approved. Better this for you than a cannon shot."

D'Eon at this time was considering joining a convent. Bertin is referring to d'Eon's marriage to Christ.

Mademoiselle d'Eon. You can even say that regarding a hail of cannon shots. ... But when I reflect on my past and present states, I will never have the courage to go out in public dressed as you have me. You have illuminated and brightened me up so much that I dare not look at myself in the mirror that you brought me. Mademoiselle Bertin. A room is not lit up in order to hide it or to keep it in the dark, but rather it is placed beneath a chandelier so that those who enter can see the light and be edified by your conversion. Mademoiselle d'Eon. I know that there is nothing hidden that should not be revealed or anything secret that cannot be known. Therefore, I will not seek my own willpower but that of the King who sent you here to Mademoiselle d'Eon to change what is bad into something good. Since he obliges me to choose the best way, it will not be taken away from me. What is worth choosing is worth maintaining. When you came to me, I thought you were bringing me death. Now I go to you in order to be alive, because I am no longer chasing after the false vainglory of the dragoons, but after the solid glory of maidens of pease. I am no longer looking for my own glory. There is another who is seeking it for me and is judging it. This order is the most Christian King following the opinion of his Council and his apostolic Sanhedrin, who grants me glory so that I myself might experience that God's will is perfect, that will of the law is just, the King's will is good, and that of the Queen pleasant, decent, and proper, because the Son of Man came to save what was lost. After this conversation, I quickly left the room and hurried to my bedroom, where I wept bitterly. Mademoiselle Bertin closely followed me and uselessly proposed both a drink and smelling salts in order to console me. I stopped crying only when my tears naturally dried up. Mademoiselle Bertin, as a crafty member of the Court, took advantage of my weekness by saying: "You are certainly not unaware of the joy experienced by the public in Paris when they heard sung the verses about the Heroine from Tonnerre, which were recently printed and are being sung throughout France." That was the only thing that calmed me in my distress, for when a heart is not entirely dedicated to God it is partly attached to this world. Only vanity can console such an individual because this world prefers human glory to the divine.

And so that it. Thats the moment that d'Eon "cried for hours" after being dressed by Mademoiselle Bertin. So what is d'Eon trying to communicate to the reader in this excerpt?

"When you came to me, I thought you were bringing me death. Now I go to you in order to be alive" is a key part of d'Eon's speech to Bertin, it mirrors an earlier moment in chapter VI where d'Eon says to Bertin "You have killed my brother the dragoon. That leaves me with a heavy heart." In order for d'Eon to become a woman the man or more precisely the dragoon must be killed. D'Eon tries to hang onto both womanhood and her identity as a dragoon but she isn't allowed to.

She cries in morning for the loss of the dragoon she once was and is only cheered by Bertin reminding her that she is now a Heroine. However the d'Eon who is narrating this story criticises her past self for vanity. We see this thought continued in the next chapter:

There is no doubt that it would have been preferable, for my happiness in this world and my salvation in the one to come, had my investiture taken place forty years earlier, because the dragoon disease is so deeply rooted in me that I greatly fear that our saintly Madame Louise will unite with our holy Archbishop, the good Marquis de l'Hôpital, and his pious spouse to have me put away in a hospital for the incurable.

D'Eon presents her transformation into womanhood at the hands of Mademoiselle Bertin as a painful experience but ultimately a necessary and good one that brought her happiness in the long term. I'll leave off with d'Eon's words:

That was all I could respond to Mademoiselle Bertin's questions, whether they were hers alone or form on high. I answered them in a satisfactory manner according to my system of moderation, so appropriate to my position and to the disposition that heaven has inspired in me, and not that of the dragoon, which I drove out of my clothes and away from the wardrobe that the honorable messenger of the Queen had brought me. Thus I can say without flattery that Mademoiselle Bertin is the best of the women who can be found at the Court, in the city, in Picardy, in France, and in the world. My dear Mademoiselle Bertin, it will soon be midnight return to rejoin your forty Virtues as if it were midday.

[101flavoursofweird]

Jean-François vs Graf

I made a RT poll for the ‘most sensible RT parent’… and one reblogger made a very good point about Jean-François: There’s no indication that he was ever cruel to Marie before the mask slipped. And, as another reblogger said, Marie grew up in a loving environment at the convent and out of the three kids— arguably, of all the main human characters— Marie is the most well-adjusted. (It’s not much of a contest compared to the young phantom thief looking for his father and the self-proclaimed private eye who constantly argues with their father..)

I don’t think it would be unreasonable to say that some of Marie’s qualities of character were instilled in her as a direct result of Jean-François. They are related, with J.F. being Eliabeth’s cousin… not that you need to be related to someone to be inspired by them. But isn’t it interesting how Marie, arguably, was more shaped by J.F. than her own mother? How bitterly ironic!

I can’t remember if it’s stated how much J.F. had a hand in raising Marie… but when Raphael first meets J.F, Marie says J.F. always donates his money and time to the convent. Whether J.F. actively helped raise Marie or not, he contributed to that loving environment that raised her, and thanks to him, Marie was able to take violin lessons. Even if this was to further J.F.’s plan, playing the violin is something Marie loves doing. Her goal and passion is to become a famous violinist. She keeps playing despite the whole ordeal with the chevaliers— Marie even goes on to join the Conservatoire.

Additionally, Marie is polite and kind to nearly everyone she meets. She’s particularly good with children— as seen when she comforts the child who lost their balloon and when she tries to comfort a crying baby. She’s passionate and hardworking when it comes to performing with her violin. At the Palace of Versailles, Raphael considers stealing someone’s invitation to get in and Marie straight up tells him “no”. While not the strongest fighter, Marie has strength of heart, courage and true determination. She is also very forgiving; even after Eliabeth shunned her, Marie plays the song to save Elizabeth’s life when the Chevaliers threaten her. (“I don’t care whose mother you are! I don’t want you to die!”)

Jean-François had a big enough impact in Marie’s life that she was ‘heartbroken’ by his betrayal. (“You broke Marie’s heart!” Raphael shouted at J.F. during their battle.) Even if Jean-François was putting on an act for years— even if it was all just to win Marie’s trust— she still felt that care from him, and it still hurt when he stopped caring for her. You could even argue that J.F’s worry for Marie is genuine when she runs off after the failed reunion with Elisabeth. He needs Marie for his plan! And wouldn’t it be easier to manipulate Marie if she was blissfully happy and unaware? Despite Jean-François‘s betrayal, I think Marie would even forgive him… eventually.

Although, J.F.’s discovery of Marie’s heritage was what drove Elisabeth to give Marie away… an argument could be made that Elisabeth would have feared for Marie’s life regardless. With or without J.F.’s intervention, Marie is still the last blood descendant of the Babylonian royal house. With or without J.F., Marie was still the key to unlocking the Hanging Gardens. With or without J.F., the fate of Marie and the world still could have been at stake, had anyone else (fake-Napoleon, the Chevaliers, Isaac etc.) decided to target Marie.

And ultimately, Jean-François was the one to reunite Marie and Elisabeth. He is both the cause of their separation and the catalyst for mending their relationship. I find Jean-François so fascinating and if there ever is a sequel, I honestly hope he returns.

[book--brackets]

[allbimbos]

Perfect Elizabeth Marie Chevalier

[panelrank]

Elizabeth Chevalier's Inspiring Biographie Now Live on Biographies.net

Explore Elizabeth Chevalier's Journey from Biology Graduate to International Model and Actress

Biographies.net is delighted to introduce an in-depth biography of Elizabeth Chevalier, an award-winning model and actress whose journey from academia to global fame continues to inspire millions around the globe. Now available on Biographies.net is this comprehensive account detailing Elizabeth's life story as she has emerged into one of fashion and entertainment's global icons.

Who is Elizabeth Chevalier?

Early Life and Background Elizabeth Chevalier was born April 9th 1994, in San Diego California. Raised among multiple cultures, she became fluent in English, Spanish and French - creating global appeal from an early age. Elizabeth demonstrated an aptitude for arts while modeling at age 12 which would set the course for future success in modeling careers.

Education Elizabeth completed her higher education at Loyola Marymount University (LMU) where she earned a Bachelor of Science degree in Biology in 2017. Although biology was her academic focus, Elizabeth's passion for modeling inspired her to explore opportunities within the entertainment industry as well.

Modeling Career Soon after graduating LMU, Elizabeth Chevalier embarked upon her modeling career with great vigor. Her striking appearance, professionalism, and versatility quickly attracted major fashion publications; over 13 international publications featured Elizabeth.

Maxim: She graced both Maxim Australia covers in July 2018 and 2019 by appearing on them, along with FHM magazine which published various editions featuring her, FHM as well as Playboy which showcased her wide appeal across multiple international editions. Elizabeth stands out in modeling by adapting easily to different styles and themes - which has earned her favor with top photographers and brands alike.

Acting Career Elizabeth has expanded beyond modeling by also exploring acting. Her television and movie credits include;

Entourage (Movie): She appeared in this 2015 film to build upon her acting credentials, adding it to Franklin & Bash and New Girl as guest stars respectively. For Love Is Relative she showcased her range as an actress.

Outlaw: Elizabeth made an impactful acting debut in this legal drama series, further expanding her acting portfolio and profile within the entertainment industry. These roles showcase Elizabeth's ability to seamlessly move between modeling and acting work while raising her profile within it.

Elizabeth Chevalier maintains an effective online presence by engaging her audience across numerous social media platforms and using these forums for professional sharing and fan interaction.

Instagram: Elizabeth shares beautiful photoshoots, lifestyle posts and personal updates with her followers on Instagram. Facebook provides another avenue for fans to interact with Elizabeth's content while staying informed on her career development. Twitter enables Elizabeth to interact with followers while exchanging opinions. OnlyFans: Elizabeth uses this platform to offer more intimate content for her subscribers, building more of an interpersonal bond and closer bonds between themselves and Elizabeth.

Notable Achievements of Elizabeth Chevalier's Career: Elizabeth Chevalier has amassed many notable accomplishments during her illustrious career, which are evidence of both hard work and dedication on her part

International Magazine Covers Over 13 international magazine covers are featured here, featuring popular titles like Maxim, FHM and Playboy magazines.

Social Media Influence A significant presence across various social media platforms with millions of followers engaged. Acting Roles: Numerous roles in well-known TV series and movies that established her credibility as an actress.

Personal Life and Interests: Elizabeth knows how to balance her hectic career life with personal time and interests that bring her true fulfillment - such as travel, fitness and exploring different cultures - that make her relatable across various audiences on social media - further increasing her popularity.

Elizabeth Chevalier's Journey Elizabeth's transformation from biology graduate to internationally acclaimed model and actress is testament to her versatility and hard work. Her success across both modeling and acting, in tandem with an active online presence, showcase her ability to thrive across different domains and remain on trend across various media. Elizabeth continues to enthrall audiences worldwide while cementing a place among them through inspiring performances like those showcased during Fashion Week New York 2016.

[rubin-therubix-loverofblorbos]

THE GANG'S ALL HERE {WARNING: PICREW 😦}

Julius Demain Pidieu but what his voice sounds like to me. Sadly, he looks five months old because the picrew I am obsessed with had no wrinkles🥺. He no longer looks like a sweet sphinx cat😭

APRICOT UN'AUTRE PIDIEU IN THE HOUSE. SHE HAS NO CONTENT DESPITE BEING JULES'S CANONICAL DAUGHT- oh. Jules has no content. Like father like daughter 😞.

THIS AUSTRALIAN IS HAVING GAY SEX WITH JULES. {Argent Étolie Chevalier is an OC} {He has like fifteen piercings but I forgor 🤡}

Mommy? sorry. Mommy? sorry. Mommy? sorry. Mo- {Dolores Toujours Pideu, Apricot's cool lesbian albino trans aunt that is going to kill me with her beauty}

Callahan Cyra Jumanah is Dolores's sweetheart, and I AM ALSO GOING CRAZY OVER HER. POWER COUPLE ULTIMATE EDITION. { Some people think she's faking her condition -chronic pain in her left leg and fatigue- because she can walk [with a cane]} {She has to hold Dolly back}

LET'S GIVE IT UP FOR MASC GENDERFLUID PEOPLE WOOOOOOOOHOOOOOOOO {Coquille Bleue Pidieu is the eldest sibling of the three and can sense colors, shapes, and shadows despite being legally blind.}

WE ARE OUTGUNNED, OUTMANNED. OUTNUMBERED, OUTPLANNED- {Captain Héraklès Alcides Puissant-Redevance of the RCM is an old family friend}

WHERE THE HOOD WHERE THE HOOD WHERE THE HOOD AT-{Amoureux Perdue Du'Passe, Jules's former work partner and spouse. Sadly, he was killed on the force a few weeks after Apricot died of brain cancer. It was not a good year for Mr Pidieu.}

W. what if. Jeannie-Marie but when she was young. She was able to work around the giant black ink stain on her yellow dress by finding a thick but comfy sweater. She's one of those people who cannot fucking feel heat so she's alright. {PRETTY WONMAN😳🤤 WITH COCK?????? AMAZING 💯💫⭐🔥🌟✨⚡🎉🎊❤️🧡💛💚💙💜🤎🖤🤍♥️💘💝💖💗💓💞💕💌💟❣️❤️‍🩹❤️‍🔥💋🫂🫀👁️👅👁️👀👍👏👌🤌🤙🤝🤜🤛🙏}

Look, Young Renė was a little cinnamon roll. He could make the most "Fuck dem kids" person into preschool teacher worthy in less than an hour. But y'know, kindness sometimes drowns in hate and PTSD. Although, current Renė MIGHT not make you want to throw a fucking grenade at him if you're at the "Okay, you can put your hand on my wrist BUT THAT'S IT." stage. Zero people are currently at that stage because J-M isn't part of the lore anymore. Also, yeah Renė's trans. trans people can be inconsiderate assholes, we're not sparkles and rainbows. I mean, Look at me. I might not be inconsiderate but I CAN be an ass-of-the-hole.

Lieutenant Leo hey uh what's that say? K. WHAT. KITSURAGI??? OH MY FUCKING GOD. W H A T? {<-My brain in the process of making this guy up.} {LOOK IT'S KIM'S HALF [?] SEOLITE DAD!} {Btw despite the resting bitch face he's a nerdy sweetheart that loves cars. y'know like his son. I'm going to cry.}

Cecelia Davenport/Kitsuragi, Kim's fuckin' MILF of a mom. She and Leo LOVED to match. I'm welling up again. Btw she wasn't fully finished because it was three fucking AM when I made her so. 😔.

I feel like Gaston was a little fuckboy in his teens. I mean, he was still polite though and that lead to conversations like: "So uh [Lip bite} What're you doin' later? OH, FUCK you're grandma's recovering from cancer???? That's amazing! I hope she gets better soon! I can buy some flowers for her if it would cheer her up a bit! Have a good day!" Then Renė comes up and is like "Dude. You fucking sweetheart. Stop acting like a charity and get some goddamn pussy."

DORA THE DIVORCE EMPLOYER- {Not to be omni but oh my god. oh fuck. golly gee. I wolf whistle while my eyes pop comically out of their sockets and I spontaneously combust then pour a giant bucket of water over myself and steam rises from my ears like a train} {She's not actually in this AU but I love her and felt like making her}

Elizabeth is the type of girl to try and look professional but still go all out. She finally got out of the gardener's clothes and is slaying hard. Now, speaking of har-

Made Marie without her hijab because I'm a feral fucking animal and I legit couldn't imagine her hair correctly without reference and ALSO

REMADE YOUNG RENÉ BECAUSE I HATE THE FIRST ONE. Also I hate that you can't color the facial hair because it looks like his hair is dyed when he's just like that.

LOOK, IT'S LILLIANOVICH! What the FUCK would this bitch wear when he was a kid? Just made some shit up bro. Also, I like to think he uses reading glasses even though he has pretty good eyes overall.

THERE WE GO

LINK: X

[indiejones]

WORLD CINEMA’S TOP 236 ACTRESSES OF ALL TIME! (@INDIES)

http://www.imdb.com/list/ls569475215/

Position.  Name.

1 Barbara Stanwyck 2 Olivia de Havilland 3 Meena Kumari 4 Geraldine Page 5 Audrey Hepburn 6 Suchitra Sen 7 Vivien Leigh 8 Ginger Rogers 9 Elizabeth Taylor 10 Katharine Hepburn 11 Kate Winslet 12 Julia Roberts 13 Norma Shearer 14 Nathalie Lissenko 15 Hasmik Agopyan 16 Catherine Deneuve 17 Chulpan Khamatova 18 Nataliya Vdovina 19 Elena Solovey 20 Brigitte Bardot 21 Aleksandra Khokhlova 22 Jeanne Moreau 23 Anna Karina 24 Isabelle Adjani 25 Romy Schneider 26 Léa Seydoux 27 Mélanie Laurent 28 Audrey Tautou 29 Ekaterina Chtchelkanova 30 Vanessa Paradis 31 Simone Signoret 32 Emmanuelle Béart 33 Isabelle Huppert 34 Sandrine Bonnaire 35 Carole Bouquet 36 Anne Parillaud 37 Fanny Ardant 38 Sophie Marceau 39 Nathalie Baye 40 Anouk Aimée 41 Alexa Davalos 42 Josiane Balasko 43 Clémence Poésy 44 Natalija Janichkina 45 Laetitia Casta 46 Eva Green 47 Elodie Yung 48 Kristin Scott Thomas 49 Anna Mouglalis 50 Astrid Bergès-Frisbey 51 Charlotte Gainsbourg 52 Capucine 53 Roxane Mesquida 54 Jane Birkin 55 Bérénice Bejo 56 Olga Kurylenko 57 Leslie Caron 58 Josephine Baker 59 Pom Klementieff 60 Noémie Merlant 61 Adèle Haenel 62 Adèle Exarchopoulos 63 Emma Mackey 64 Yael Grobglas 65 Emmanuelle Seigner 66 Juliette Binoche 67 Ellen Burstyn 68 Madhavi Mukherjee 69 Isabelle Weingarten 70 Sarah Adler 71 Christa Théret 72 Karin Viard 73 Déborah François 74 Marie Gillain 75 Juliet Berto 76 Mélanie Doutey 77 Monique Mélinand 78 Stéphane Audran 79 Léa Drucker 80 Dominique Labourier 81 Angélique Litzenburger 82 Françoise Lebrun 83 Valérie Donzelli 84 Bernadette Lafont 85 Sylvie Testud 86 Cécile de France 87 Katia Leclerc O'Wallis 88 Zouzou 89 Françoise Fabian 90 Maria Schneider 91 Agnès Jaoui 92 Valeria Bruni Tedeschi 93 Aurora Cornu 94 Stacy Martin 95 Lola Créton 96 Laurence de Monaghan 97 Dominique Blanc 98 Béatrice Romand 99 Mélanie Thierry 100 Caroline Cellier 101 Michèle Moretti 102 Geneviève Page 103 Elina Labourdette 104 Anne Wiazemsky 105 Marie Dubois 106 Claudine Auger 107 Annie Girardot 108 Juliette Mayniel 109 Brigitte Fossey 110 Martine Carol 111 Dolly Scal 112 Patricia Gozzi 113 Marilou Berry 114 Maria Mauban 115 Janine Darcey 116 Suzanne Flon 117 Colette Marchand 118 Françoise Arnoul 119 Ludivine Sagnier 120 Béatrice Dalle 121 Claude Nollier 122 Josette Day 123 Nicole Stéphane 124 Catherine Salée 125 Dominique Sanda 126 Marina Hands 127 Cécile Aubry 128 Nicole Ladmiral 129 Bulle Ogier 130 Véra Clouzot 131 Simone Renant 132 Sylvia Bataille 133 Suzy Delair 134 Jane Marken 135 Nane Germon 136 Lucienne Bogaert 137 Renée Carl 138 Catherine Frot 139 María Casares 140 Arletty 141 Odette Joyeux 142 Marguerite Moreno 143 Madeleine Robinson 144 Héléna Manson 145 Paulette Dubost 146 Micheline Francey 147 Ginette Leclerc 148 Mady Berry 149 Edwige Feuillère 150 Jacqueline Laurent 151 Mila Parély 152 Florelle 153 Claudette Colbert 154 Danielle Darrieux 155 Rolla France 156 Annabella 157 Anne Chevalier 158 Lya Lys 159 Simone Mareuil 160 Maria Falconetti 161 Yvette Andréyor 162 Musidora 163 Nora Arnezeder 164 Virginie Ledoyen 165 Michèle Morgan 166 Marine Vacth 167 Louise Bourgoin 168 Caridad de Laberdesque 169 Pauline Carton 170 Sévérine Lerczinska 171 Odette Talazac 172 Léora Barbara 173 Simone Simon 174 Marion Cotillard 175 Mireille Darc 176 Edith Scob 177 Chantal Goya 178 Emmanuelle Riva 179 Chiara Mastroianni 180 Claire Maurier 181 Marika Green 182 Delphine Seyrig 183 Mylène Demongeot 184 Marie-France Pisier 185 Françoise Dorléac 186 Marina Vlady 187 Stella Dassas 188 Marpessa Dawn 189 Elsa Zylberstein 190 Bleuette Bernon 191 Sara Forestier 192 Pascale Ogier 193 Amanda Langlet 194 Julie Delpy 195 Linh-Dan Pham 196 Nelly Borgeaud 197 Nicole Garcia 198 Irène Jacob 199 Myriem Roussel 200 Arielle Dombasle 201 Marie Rivière 202 Solveig Dommartin 203 Émilie Dequenne 204 Ariane Labed 205 Zabou Breitman 206 Romane Bohringer 207 Sabine Azéma 208 Hafsia Herzi 209 Andréa Ferréol 210 Jeanne Balibar 211 Isabelle Renauld 212 Mireille Perrier 213 Juliana Samarine 214 Catherine Mouchet 215 Aurora Marion 216 Anaïs Demoustier 217 Judith Chemla 218 Marie Laforêt 219 Michele Valley 220 Hélène Alexandridis 221 Anne Consigny 222 Macha Méril 223 Anne Brochet 224 Miou-Miou 225 Anne Teyssèdre 226 Joséphine Sanz 227 Gabrielle Sanz 228 Fantine Harduin 229 Charlotte Véry 230 Élodie Bouchez 231 Natacha Régnier 232 Pili Groyne 233 Yolande Moreau 234 Emmanuelle Devos 235 Nina Meurisse 236 Florence Darel

[redridcr]

DRAGON AGE TIMELINE

9:01 -

Charles Howard Sr. established the carriage business in the Bannorn area. He is 20+ years old. Makes enough money to become a Freeholder, which is essential for the horses.

John and Mary Pollard get married and settle into the Bannorn area.

The Brindleback family has been settled in the Hinterlands for centuries.

9:09 -

Charlie Howard is born.

9:11 -

Charles Howard Sr. establishes the courier / Rider business. He is 30+ years old.

9:12 -

Jonathon Pollard is born.

9:21 -

Robrecht Brindleback kills the Brindleback families supporting Bann in Ferelden. Robrecht was part of the knighthood and protector of the Bann’s daughter, whom the Bann was going to marry off at age 12 after her first bleed had begun. Robrecht Brindleback heavily disgreed with this idea.

Robrecht Brindleback is set to hang but is recruited into the Grey Wardens. He is 35 years old.

Charles Howard Sr. is 40+ years old. He has established his carriage business for 20 years and the courier / Rider business for 10 years.

Gustav of Orlais is 19 and already a warmage General / Knight Enchanter. He loses his arm when defending men in a grand attack and is retired from the field due to his injury.

9:22 -

Abbram Brindleback, age 22, refuses to give his entire leathersmith business to the Brindleback elders. His shop is burned and Abbram is kicked out of the family. He is a Son of Sin and becomes ‘Bram’.

9:29 -

Charlie Howard, age 20, goes on a ‘Tour’ of Thedas with James Pollard, age 25, the second son of John and Mary Pollard.

Bram, age 29, has been the main leathersmith for the Howard family for 7 years and makes all their saddle & tack.

9:31 - Dragon Age Origins

Hero of Ferelden, City Elf Belveder, is recruited by the Grey Wardens.

Warden Brindleback ( no longer carrying the first name ‘Robrecht’) is 45 years old.

Elizabeth Charlotte / ‘Liselotte’ of Ferelden is 24 and married to Chevalier Philippe in Orlais.

9:37 - Dragon Age 2

Warden Brindleback is 51 years old.

9:41 - Dragon Age: Inquisition

Warden Brindleback is 55 years old.

Charlie Howard is 32 years old. His older brother, Franklin, dies at age 37. Charlie Howard establishes the ‘Red Riders’ as a small political scouting campaign for the Inquisition.

Charles Howard Sr and John Pollard go to Orlais to refute the claims against the Howard family and build a case for their innocence and ignorance of what Franklin Howard was doing.

Bram, age 41, meets Charlie Howard at Skyhold and continues investigating the mysterious deaths & ‘purifying purges’ of the Brindleback family.

Elizabeth Charlotte / ‘Liselotte’ is 34 and meets her cousin, Charlie Howard, at the Winter Palace.

Gustav of Orlais is 39.

9:49

Warden Brindleback passes. He leaves any inheritance and land to Bram. Bram refuses to claim it and passes it on to the Howards.

[lastencoregraphics]

GIFTOBER 2022: DAY 21 - HAIRSTYLES

[101flavoursofweird]

And the most popular vote is… Duchess Elisabeth (my vote), with Vergier (my fave RT parent) following in close second!

To whomever voted for Isaac… I’d be curious to hear your thoughts. Genuinely curious! There had to be some deeper reason for why Isaac abandoned Raphael and I will forever be disappointed we didn’t get to her Isaac’s side of things in the never-released sequel.

I do regret not putting Jean-Francois as a serious option (also, for not making the poll last a WEEK)… because, as one reblogger made in a very good point, there’s no indication that he was ever cruel to Marie before the mask slipped. And, as another reblogger said, Marie grew up in a loving environment at the convent and out of the three kids— arguably, of all the main human characters— Marie is the most well-adjusted. (It’s not much of a contest compared to the young phantom thief looking for his father and the self-proclaimed eye who constantly argues with their father..)

I don’t think it would be unreasonable to say that some of Marie’s qualities of character were instilled in her as a direct result of Jean-François. The are related, with J.F. being Eliabeth’s cousin… not that you need to be related to someone to be inspired by them. But isn’t it interesting how Marie, arguably, was more shaped by J.F. than her own mother? How bitterly ironic!

I can’t remember if it’s stated how much J.F. had a hand in raising Marie… but when Raphael first meets J.F, Marie says J.F. always donates his money and time to the convent. Whether J.F. actively helped raise Marie or not, he contributed to that loving environment that raised her, and thanks to him, Marie was able to take violin lessons. Even if this was to further J.F.’s plan, playing the violin is something Marie loves doing. Her goal and passion is to become a famous violinist. She keeps playing despite the whole ordeal with the chevaliers— Marie even goes on to join the Conservatoire.

Additionally, Marie is polite and kind to nearly everyone she meets. She’s particularly good with children— as seen when she comforts the child who lost their balloon and when she tries to comfort a crying baby. She’s passionate and hardworking when it comes to performing with her violin. At the Palace of Versailles, Raphael considers stealing someone’s invitation to get in and Marie straight up tells him “no”. While not the strongest fighter, Marie has strength of heart, courage and true determination. She is also very forgiving; even after Eliabeth shunned her, Marie plays the song to save Elizabeth’s life. (“I don’t care whose mother you are! I don’t want you to die!”)

Jean-François had a big enough impact in Marie’s life that she was ‘heartbroken’ by his betrayal. (“You broke Marie’s heart!” Raphael shouted at J.F. during their battle.) Even if Jean-François was putting on an act for years— even if it was all just to win Marie’s trust— she still felt that care from him, and it still hurt when he stopped caring for her. You could even argue that J.F’s worry for Marie is genuine when she runs off after the failed reunion with Elisabeth. He needs Marie for his plan! And wouldn’t it be easier to manipulate Marie if she was blissfully happy and unaware? Despite Jean-François‘s betrayal, I think Marie would even forgive him… eventually.

Although, J.F.’s discovery of Marie’s heritage was what drove Elisabeth to give Marie away… an argument could be made that Elisabeth would have feared for Marie’s life regardless. With or without J.F.’s intervention, Marie is still the last blood descendant of the Babylonian royal house. With or with J.F., Marie was still the key to unlocking the Hanging Gardens. With or without J.F., the fate of Marie and the world still could have been at stake, had anyone else (fake-Napoleon, the Chevaliers, Isaac etc.) decided to go after Marie.

And ultimately, Jean-François was the one to reunite Marie and Elisabeth. He is both the cause of their separation and the catalyst for mending their relationship. I find Jean-François so fascinating and if there ever is a sequel, I honestly hope he returns.

This is, of course, excluding Raphael as a dog parent. Because he’d win by a mile.

Also, I know Alfred cares for Marie but I associate him with Elisabeth.

For anyone not familiar with Rhythm Thief but would like to vote, there’s some spoilers and propaganda under the cut taken from a previous post of mine:

Duchess Elisabeth In her diary, Elizabeth writes that the best day of her life was the day Marie was born. Unfortunately, Jean-François (Elisabeth’s evil cousin) discovered Marie’s true heritage of being the last blood descendant of the Babylonian royal house don’t ask

Fearing for Marie’s safety and the resurrection of the Dragon Crown (an ancient flying weapon), Elizabeth gave Marie away to a convent when Marie was yet an infant, with her only possession being a violin… which miiight have helped Jean-François to identify Marie. (Unconfirmed in game!) Whoops. Elizabeth must have been feeling sentimental and wanted to give Marie something to remember her by. Marie can’t even remember what her mother looked like.

Elizabeth doesn’t acknowledge Marie when JF reunites the two of them later on, but we can see how affected Elisabeth is when Marie plays her violin

However, Elisabeth turns her back on Marie and walks away. Elizabeth has to pretend she has no interest in Marie so JF will leave them both alone. Elizabeth demands to know what JJF would want, theoretically speaking, if he had found her daughter. “Money? Honor?” JF, at some point, tracked Marie down, inserted himself into Marie’s life and paid for Marie to take violin lessons so she could unlock the ancient weapon. Elisabeth knows this and she must be terrified.

Later, when the bad guys threaten Elizabeth’s life in front of Marie, they reveal that Elizabeth has been lying in order to protect Marie. (Even the villain recognises this!) Elizabeth tries to keep the act up, insisting that she is nothing but a stranger to Marie. Marie decides to save her and plays the song anyway after hearing Elizabeth call her name in distress. 

Then, when the giant flying weapon has been unleashed, Elizabeth takes a literal bullet for Marie. Elizabeth reveals the truth to Marie and she calls Marie ‘Ma chère, Marie’ before passing out. Marie weeps for her mother

Fortunately, a pendant Elizabeth wore with young Marie’s picture saved her from the bullet. Raphael remarks that Elizabeth was Marie’s guardian angel. 

After the bad guys have been defeated, in the final scene of the game, Elizabeth can be seen peacefully listening to Marie’s music at the opera house. In Marie’s bonus episode, she watches Marie at her examination to enter the conservatoire. She’s glad to hear Marie’s laughter and she encourages her to enjoy herself. She tells Marie to “play like you were playing for him”- Elizabeth approves of her future son in law, Raphael

-

Inspector Vergier

In Vergier’s first scene, we see him sending in an army of roller-skating police officers to arrest Phantom R. Vergier takes his work very seriously.

At Paris Constabulary HQ, Raphael overhears Vergier talking to another officer about how he hasn’t been home in days. Apparently, Vergier has been on a certain case since his wife died. The other officer basically tells him, “GO HOME TO YOUR KID”.  (Charlie) Vergier clearly hasn’t recovered from his wife’s death but he’s been neglecting the one family member he has left so…

In a later chapter, Raphael again overhears Vergier talking to his colleague. Vergier asks if Charlie has turned up yet. He knows about Charlie’s mission to hunt down Phantom R, but he considers Charlie’s efforts an impediment to their investigation. Raphael picks up a family photo that Vergier dropped and decides to hang on to it. During his second fight with Charlie, Raph comments that Charlie is just like their father. Charlie snaps at him to “LEAVE MY FATHER OUT OF THIS!” (It’s not like Charlie’s trying to prove their worth or anything- what gave you that idea?)

Raphael goes looking for Charlie after Marie gets captured. He talks to Vergier’s friend from university and learns that Charlie and Vergier just had some sort of argument. Also, the friend comments that Charlie is about Raphael’s age. So... Charlie’s 16-18, maybe. It’s not unheard of for a parent to leave a 16-18 home alone, but Charlie was left at home for DAYS??? Raphael finds Charlie at a cafe and asks them to return the photo to Vergier. Charlier huffs that they don’t want to see their father again, but then they reads the message CharlieMs mother left on the photo. 

During the battle below the ancient flying weapon, Charlie saves Vergier from a bunch of henchmen. Vergier acknowledges that he protects Paris in memory of Charlie’s dead mother. Charlie reminds him that there’s no time like the present, and announces that they’ll help him save the city. Vergier doesn’t refuse this offer. 

In the final scene, Vergier and Charlie can be seen pursuing Phantom R together.

There’s also Charlie’s bonus episode, where they fight off the last remnants (?) of the evil organisation. Vergier announces that the case he was working on is officially closed. He’s realised that no matter how much he warns Charlie to stay away, Charlie wouldn’t listen. He just asks Charlie to stay where he can keep an eye on them.

-

Isaac, Raphael’s father 

The first chapter of the game opens with dialogue of Raphael crying as Isaac leaves him. He left three years ago... when Raphael was fifteen. Raphael’s mother previously died in an accident, so Raphael was orphaned.

Raphael became Phantom R and chased after the mark his father left for him on the coin. 

Raphael reveals to Marie that his father was an artist but he never got a big break. Isaac became a forgery artists, swapping his fake art pieces with their authentic counterparts. Raphael tries to fix his father’s crimes and hunt for the mark by returning the real art pieces.  

Raphael thinks that he sees Isaac beneath Les Invalides and at the Palace of Versailles. He’s distressed and frustrated when he loses Isaac in the crowd. Isaac was in a hurry to escape...

During his final battle with Jean-François, Raphael learns that Isaac has been working with J.F. and the Chevaliers. Isaac made forgeries for J.F.’s organisation when Raphael was young and sickly. Raphael insists that he made those forgeries to pay the doctors. So, it does seem that Isaac initially joined the organisation for Raphael’s sake, but his intentions became warped over the years. 

Raphael couldn’t believe that his father would fall in with the Chevaliers and Elizabeth was close friends with Isaac... once. Isaac couldn’t have shown any obvious signs of going to the dark side years ago. 

In his final scene, Isaac discusses with the seemingly real emperor Napoleon that he wants to begin the next phase of their plan. He quietly warns Raphael to be ready for whatever that is.

Note: Isaac’s motivations and reasons for leaving are never made clear during the game or from his point of view. As we don’t have a sequel, these can’t be confirmed.