#electronic turnstiles

[tripodturnstile]

three rollers turnstile barrier from RS Security Co., Ltd(www.szrssecurity.com) Suitable for all types of public places that require orderly passage of pedestrians, such as scenic areas, exhibition halls, cinemas, docks, train stations, bus stations and other places that need ticket confirmation; places that require authorized entry such as factory participation, canteen intake, golf courses, monthly card leisure centers, etc; anti-static control locations of electronic factories, units that require strict security measures such as face recognition and finger print recognition. RS Security Co., Ltd generally produces, develops and sells access control products, such as three arms turnstiles gate, train flap turnstile door, servo motor swing turnstile barrier, translation turnstiles barrier, one arm turnstile door, full height gates barrier, half height turnstiles barrier, fastlane turnstile barrier and other channel gates barrier items, and parking barrier, recognition video camera, rising bollards, road blockers three arms gates barrier Integrated electronic tickets, gain access to control and presence, club consumption/catering, anti-static, finger print, palm print, face acknowledgment, iris recognition Integrated application of other series of products; full stainless steel frame structure, Taibang motor, independently developed and produced motion; one-way/two-way turnstiles barrier/ swipe to launch the lever button and the upper lever is optional, with Counting function can recognize RS485 direct interaction with the computer system; waist height turnstile door prompts and instructions and alarm prompts; automated fall of the pole when power is off and manual fall The pole is optional, and it receives the switch signal to open turnstiles door; it can be geared up with a card reading control part, and numerous units can be connected to the network; it can be geared up with magnetic card and proximity card combination approaches; it can be ordered according to various functional requirements. Do. A totally rainproof box made of alloy aluminum or stainless steel, compared to the city flap turnstile barrier servo motor swing turnstiles gate and other pedestrian passage devices, three arms gates barrier are more cost-efficient. It has a customized setup user interface (such as card reader, indicator light setup, etc) to guarantee that the system integrator's control turnstile door equipment is basic and convenient to set up. The movement of the three-stick turnstiles gate machine has an automatically changed hydraulic shock absorber. When using the three-stick gates barrier operation, the sound is really small and silent. Impact, turnstile gate bar instantly decelerates back to center. The surface of the motion is plated with yellow dichromate. Can be set with gates door machine control, a couple of instructions control (set by user). The base is repaired with expansion bolts.

[szrssecurityswingturnstile]

dc brushless glass turnstiles door also called gain access to wing turnstiles door, which comes from the access control system, is one of the crucial components of modern-day entrance and exit control. The door wings are driven by the control system and open and close immediately. The operating mode can be chosen through shows settings: As soon as it is confirmed that the individual going into is licensed, the door wings open automatically. It closes after a delay, and the hold-up time is adjustable. Typical dc brushless speedlane turnstiles doors are divided into scissor doors (train flap barrier gate) and swing doors. (1) Scissor doors are often utilized in rail transit, and common scissor doors are mostly utilized in subways and other locations. The door wings extend from the within package, which can efficiently seal the passage and play the function of access control. In addition, an infrared picking up gadget is installed inside the door body, which can realize the function of "a single person, one card" for people to pass through. (2) The swing door appeared later than the scissor door and comes from the 2nd generation dc brushless speed turnstiles gates. Such servo motor slim The quality of gates door is that the door wings run in the front and back direction. The operation procedure is within the human body's line of vision, which is more secure. In addition, given that the door wings do not require to be pulled back into package, The designs of swing doors are more different. Due to the above qualities, swing doors are usually used in banks, corporate structures, high-end office complex, etc. Anti-trailing function: There is an overall infrared light band detection area in the channel. The switch state can be adjusted by software application according to the client's accuracy requirements. The application of the light band to adjust to different needs avoids the drawbacks of point-type infrared detectors that are quickly contaminated and affects the reliability of judgment, and can successfully evaluate the future. Tag reader who reads the card. When the system figures out that tailgating has occurred, the system will respond based upon the location of the legitimate cardholder returned by the infrared detector. After the door opening signal is sent, there are still some abnormal uses that will activate an alarm.

[szrssecurity]

Swing Barrier Turnstile is typically called a slap door in the rail transit industry. Its barrier body (gate pendulum) remains in the kind of an airplane with a certain area, perpendicular to the ground, and swings through rotation Implement obstructing and release. The products of the obstructing body are frequently stainless-steel, natural glass, and tempered glass. Some likewise use metal plates wrapped with unique flexible materials (to lower the damage caused by striking pedestrians). Bridge Smart Swing Gate The more popular name has actually been acquired from the initial bridge-shaped structure. It consists of a main chassis and two movable swing bars. The swing bars can swing 180 ° or 90 ° to attain the purpose of preventing or releasing. Column Swing Gate Turnstile The look of the primary equipment is in the type of a column, which can carry out the same functions as the bridge type Swing Door Turnstile. It is characterized by lower expense and less area. RS Security Co., Ltd Main Products: door, flap gate, complete height turnstile, swing gate, hydraulic bollard, road blocker, gain access to control, face recognition, barrier gate and so on. Application of Swing Door Turnstile It is generally used for passage entrance and exit management. Typically, only individuals are permitted to pass through, or people dragging luggage, and handicapped individuals. Thinking about that Swing Door Gate can accomplish larger channel qualities than wing gates. The majority of Swing Gate passages can be combined with pedestrians, bicycles, mopeds, handicapped vehicles and other non-motorized vehicles. component Swing Barrier Turnstile structural composition: Swing Barrier Gate includes chassis, movement, swing arm, control system, infrared sensor, It consists of control equipment and other parts. High-end brake Swing Door Turnstile consists of: chassis, brake movement, control system, infrared sensor, control equipment and other parts (high-end brake Swing Gate is that it can stop quickly and efficiently, there is no shaking, no mechanical stuck structure, and the swing arm automatically opens after power failure. It completely abides by fire security requirements).

[x-heesy]

Real thing I'm feeling 🪩

No eyes can see it

Part dream part memory

Got to make myself believe

But can I keep it all together

Waiting for the real thing?

Can I keep it all together

Waiting for the real

The real thing

Real thing I'm feeling

No eyes can see it

Part dream part memory

Got to make myself believe

Can I keep it all together

Waiting for the real thing?

Can I keep it all together

Waiting for the real

The real thing

The real thing

The real thing

The real thing

The real thing

The real thing

𝑻𝒉𝒆 𝑹𝒆𝒂𝒍 𝑻𝒉𝒊𝒏𝒈 𝒃𝒚 𝑻𝒖𝒓𝒏𝒔𝒕𝒊𝒍𝒆, 𝑴𝒂𝒍𝒍 𝑮𝒓𝒂𝒃 @bigbonzo

[fionayao2008]

Tripod Turnstile Overview Tripod Turnstile, Swing Turnstile, and also Flap Turnstile( RS Security Co., Ltd: www.szrssecurity.com) are modern-day control devices for pedestrian flows. They are utilized in places where the entrance as well as leave of people require to be controlled, such as clever communities, canteens, resorts, galleries, gyms, clubs, subways, terminals, docks, and so on area. Using Tripod Turnstile, Swing Turnstile, and also Flap Turnstile can make the flow of individuals orderly. Tripod Turnstile, Swing Turnstile, Flap Turnstile are made use of in combination with smart cards, finger prints, barcodes as well as other identification system tools to develop an intelligent accessibility control network control system; they are used in combination with computers, access control, attendance, charging administration, ticket systems and other software program to create a The intelligent Turnstile Gate thorough management system can realize functions such as access control, presence, consumption, ticketing, and also current restricting. This Turnstile Gate management system belongs to the "all-in-one card" as well as is set up at flows such as areas, manufacturing facilities, clever buildings, canteens, etc. It can complete numerous management functions such as worker card travel control, presence at get off job and also meals, as well as dining. Tripod Turnstile system functions Convenient and rapid: check out the card in and out with one swipe. Utilize the licensed IC card and wave it before the smart Tripod Turnstile visitor to finish the Tripod Turnstile gate opening as well as charge recording job. The card reading is non-directional as well as the reading and also composing time is 0.1 secs, which is rapid and also practical. Safety and discretion: Use background or regional verification, accredited issuance, and unique identity, that is, the card can only be utilized in this system, and also it is personal as well as secure. Reliability: Card superhigh frequency induction, steady and also trustworthy, with the capacity to court as well as assume. Versatility: The system can flexibly establish entrance and exit control workers approvals, time period control, cardholder validity and also blacklist loss coverage, adding cards as well as various other functions. Versatility: Through authorization, the user card can be utilized for "one-card" monitoring such as car parking, presence, gain access to control, patrol, usage, and so on, making it easy to recognize multiple uses one card. Simplicity: Easy to mount, easy to connect, the software has a Chinese interface and is easy to run. Tripod Turnstile, Swing Turnstile, and also Flap Turnstile( RS Security Co., Ltd: www.szrssecurity.com) are modern control tools for pedestrian flows. The use of Tripod Turnstile, Swing Turnstile, and Flap Turnstile can make the flow of individuals orderly. Utilize the licensed IC card as well as wave it in front of the smart Tripod Turnstile viewers to finish the Tripod Turnstile gate opening and also cost recording job.

[rssecurityspeedlaneturnstile]

1: servo motor speed turnstiles barriers

dc motor speedgate turnstiles barriers is a common door type, which mainly includes door frames, door leaves, door deals with and locks. Door frames are typically made from steel plates or wooden boards, and door leaves are made from cardboard, plastic plates or glass plates. The door manage is a device that pulls or pushes the door leaf open, and the lock is a gadget that avoids the door leaf from falling out of the door frame. There are typically two methods to open a door, one is to pull the door and the other is to push the door. The sliding door is opened by the door manage pulling the door leaf far from the door frame, while the moving door is opened by the door handle pushing the door leaf away from the door frame.

2: dc motor swing turntsile gate

dc motor swing barriers gate and dc brushless speedgate turnstiles barrier In contrast, train flap turnstile gate is created to obstruct water circulation through its horizontal position. In contrast, servo motor swing turnstiles gate merely controls the circulation of water by altering the vertical position of the gate. train flap barrier Eviction of doors is composed of 2 gates that can be moved horizontally to control the circulation of water. dc brushless wing turnstiles Eviction of door is made up of a gate that can manage the circulation of water by moving vertically.

3: subway flap barriers door

city flap barriers door, also referred to as movable gate, is a flood discharge center that prevents the water level from being expensive or too low. When the water level rises to the set worth, subway flap barriers door will automatically open. When the water level drops to the set value, subway flap gates door The door will close immediately. metro flap turnstiles gate utilizes a water level sensor to keep track of water level changes and controls the opening or closing of the gate to attain the purpose of automatically controlling the water level.

4: What's the difference?

dc brushless swing turnstiles doors generally refers to closing the gate, while dc motor speed turnstiles barriers refers to opening eviction. city flap barrier gate and dc brushless wing barrier gates is different from dc motor speedlane turnstiles barrier. It is a gate set up on the water. And dc motor wing turnstiles gate and dc motor speedgate turnstiles barrier are gates mounted on the wall.

[peterparkouryo]

fell from the sky into my lap | ⍣ ೋ

⍣ ೋ

prompt; You encounter a very charming boy on the train.

warning: fluff, fluff, and did i mention fluff?

word count: 1.5k

a/n: meet cute!! i missed writing <3 (also ignore the fact that i used this gif once b4, feel free to send me tom gifs for future fics 😭)

ˏˋ°•*⁀➷ taglist

You step out of Midtown High, the warm afternoon sun casting long shadows across the pavement. You had decided to stay after school, opting to have a small study session with a few of your friends for an upcoming test for the gruesome mathematics class, also known as calculus. The weight of your backpack pulls slightly at your shoulders as you make your way down the stairs of the school building, balmy wind blusters against your skin. Descending down the stairs finally, you keep your head down and walk across the football field, creating a safe distance between you and the ongoing practice taking place. 

What seemed forever, but in reality was maybe a good two to three minute walk off the school grounds, you head toward the train station. The familiar hum of chatter and the rhythmic clack of shoes on the sidewalk fill the air, blending into a comforting soundtrack of the end of the school day.

As you approach the station, the distant sound of a train horn echoes, signalling its arrival. Just in time, you thought to yourself. You quicken your pace, the excitement of heading home, mixed with the anticipation of the journey itself, propelling you forward. The station is a bustling hub of activity, with students, commuters, and travelers weaving in and out of the crowd.

You swipe your transit card at the turnstile, the beep granting you passage onto the platform. The cool, metallic scent of the train station mingles with the faint aroma of fresh coffee from the nearby café. You glance up at the electronic display board, noting the arrival time of your train. It's right on schedule.

The train glides into the station with a soft hiss of brakes and a rush of wind. The doors slide open, inviting you inside. You step onto the train, the cool air conditioning a welcome relief from the warmth outside. You find a seat by the window and settle in, reaching into your backpack and digging through to find your wired headphones, despite begging your parents for regular ones.

You open your phone, clicking the green app for music, scrolling through many playlists you've obsessively created for various different scenarios. Picking a playlist you don't remember creating, you let out a tired yawn and sit back, wandering your eyes to the left, and daydreaming  about your bed. 

The train ride was relatively quiet, aside from a crying baby (not that you could hear it, but breaking your daydream to observe your surroundings, you could see a crying baby), and the loud music blasting in your ears. 

For the next six minutes, the music from your headphones consumed your ears, guaranteed to worsen your hearing in the next twenty years or so. You were at an unusual ease you normally don't feel when you're alone on a train by yourself. It could do with the fact that there was maybe five or six people onboard, you weren't too sure.

You lay your head back against the seat and stare out the window, the passing buildings rapidly leaving your vision. A bored sigh leaves your lips, the spotify ad only adding onto the exhaustion you felt. 

The train stops, indicating people were either leaving or stepping on the train, and you tear your gaze away from the window out of curiosity, watching a couple people swipe their transit cards. You notice the last person, a boy with hair as brown as a bear, swipe his card more than once, and you can only assume something was wrong.

The more you watch the boy struggle, the more you feel bad because not only was the operator getting impatient, the passengers moan and groan as well. Slowly you dig into your pocket for your card, standing up and swiftly walking to the front of the train. Showing the boy a friendly smile, you glance at the operator, who's eyebrows were furrowed and a permanent frown carved onto his face.

"Um, he can use my card." You say unsurely, not entirely positive thats even how transit cards work.

The man narrows his eyes and stares between you and the boy for a good while before he exhales a huff.

"Go ahead, you're holding up my line." He mumbles and you furrow your eyebrows and glance behind you, seeing that it was only the boy and no one else, but you decide not to say anything about it.

You swipe the transit card, watching the red dot change to green, and the boy sighs in relief.

"Thank you." He says, watching your every move as you put your card back into your pocket.

You nod and your eyes drift to his face, studying him carefully, because boy, he was gorgeous. The boy had eyes just as brown as his hair, maybe even a little lighter with the golden specks straggling within them. If anyone was lucky (such as yourself) to stand so close to him, one might be able to see the small barely visible, but undeniably delightful freckles scattered across his nose.

Your eyes trail down to his lips, but not in a weird way, the small smile etched on his face captivated you and deep in your stomach, you swore you felt butterflies erupt. The smile was warm and inviting, and one of his most endearing features, capable of lighting up his entire face. It gave him a friendly, yet approachable demeanour. 

He was the kind of person who had the-boy-next-door kind of vibe, and you can't help but gaze longer than intended, making him uncomfortable in a way you had no intentions of doing.

So, you clear your throat, and quickly look at your shoes. 

"Its no problem." You mutter.

There's a standstill silence between the two of you, the murmur of passengers, the rustling of bags and the occasional ring of a phone not helping the awkwardness you felt whatsoever.

Eventually, the boy shows you yet another charming smile, walking past you to sit in a nearby seat. You return to yours and try your hardest not to stare at the boy diagonally across from you.

There's a standstill silence between the two of you, the murmur of passengers, the rustling of bags and the occasional ring of a phone not helping the awkwardness you felt whatsoever.

Eventually, the boy shows you yet another charming smile, walking past you to sit in a nearby seat. You return to yours and try your hardest not to stare at the boy diagonally across from you.

That challenge, however quickly crashes when you glance at him only to see him gazing back, in a way that wasn't entirely creepy, but cumbersome for the both of you. You do your best to show him a smile, cringing slightly when you realize its more of a nervous grimace than what you intended.

Though, he shows no signs of being weirded out by your so called "smile", he waves as you wave back. A rush of warmth and pleasantry overtakes you when he looks away. You'd think this is the first time any boy has ever showed you this much attention, no matter how little it might have been.

Minutes pass in a blur as the train carries you forward, each moment seamlessly blending into the next. Ultimately, you reach your stop and you gather your things, albeit a bit reluctantly. As you leave, you bite your lower lip and share a scrutiny when you walk past him, making your exit off the train.

While you step off the train, and make it your mission to ascend up the stairs, a hand purchases on your shoulder causing you to flinch fearfully, many thoughts running through your head as you make the stupid decision to turn around to face the culprit.

 All fears subside once you meet the familiar chestnut brown eyes of the boy from the train.

He realizes your initial fear and holds up your tangled headphones. "You left these on the train." He blinks.

"Thank you." You obligate, retrieving the headphones from his hand.

The boy nods and buries his hands in his pocket, unwieldy looking around.

You tilt your head as a thought comes about.

"Is this your stop?" You wonder.

He breaks his train of thought and stares right at you before laughing awkwardly. "Um, no my stop was actually three more blocks away." He informs and guilt fills you at that information.

"Oh, I'm sorry," You apologize, frowning.

He shakes his head quickly. 

"No, its fine I was just going to stop at Delmar's anyway." He reassures and smiles, holding out his hand.

"Also, I'm Peter by the way, Peter Parker." 

You return the smile and shake Peter's hand at his dorky introduction, speaking your name in greeting.

"I know, we share a gym class." Peter says.

You blink at the revelation, having no idea he even went to Midtown. Small world, you think.

"Anyway, is it okay if I walk you up the stairs, in a non weird way that seems creepy." Peter offers shyly, interrupting the barely there silence. There was something about his adorably dunce proposal that made you appreciate him despite only knowing the boy for ten minutes at most.

"Sure." You agree all too eagerly.

With new found courage, you and Peter make your way up the stairs of the train station and you're greeted with the bustling New York city, of what you can only describe as chaotic, honking cars and fellow civilians either on their arguing or arguing on their phones.

You felt excited to be walking next to Peter, no matter how small your interactions have been or how little you two new each other, you were grateful for his presence.

Grateful that you decided to take the train. Had you would've walked, only god knows what could've happened, the foreign feeling of butterflies in your stomach would not had been, that's for certain.

taglist: @victoriousskylar @imawhoreforu @myfangirlinessononeblog

shoutout to the divider account: @saradika-graphics

[oscarpiastriwdc]

albums i would play for each driver on the 2024 F1 grid to expand their music taste

Max Verstappen: Graceland by Paul Simon - As a fan of classic and folk rock, I'd imagine Max has been exposed to Simon and Garfunkel and I think he'd enjoy the sprawling, detailed, careful expanse of Simon's solo masterpiece. Angels in the architecture spinning in infinity, etc etc

Checo Perez: Ramomex by Rebel'd Punk - One of the Mexican bands who pioneered punk music in the country, but Checo probably missed this release because he was too busy karting and moving to europe as a teen. It's never too late to have a proper angry punk phase, though.

Charles Leclerc: Ten Love Songs by Susanne Sundfør - Groundbreaking, life-altering pop music that pushes every boundary. This hits the sad songs craving and I think would interest him as a musician and burgeoning songwriter.

Carlos Sainz: Ultraviolence by Lana Del Rey - daddy issues. I just know he'd vibe out to Brooklyn Baby.

Lando Norris: Destiny by DJ Sabrina the Teenage DJ - I dream of sitting him down and exposing him to actually good, interesting, fun contemporary dj music.

Oscar Piastri: Speaking in Tongues by Talking Heads - He has that certain David Byrne swag and demeanor of someone who'd love the Talking Heads if only given the chance.

Fernando Alonso: 10,000 gecs by 100 gecs - At first the old man would be extremely confused but once he was on board he would be blasting The Most Wanted Person In The United States all day every day.

Lance Stroll: Talon of the Hawk by The Front Bottoms - that post that's like the problem is men are making podcasts instead of forming midwest emo bands. but it's men are becoming f1 drivers instead of forming midwest emo bands. I think some TFB exposure could be the spark of inspiration for a great career pivot.

Lewis Hamilton: Maps by billy woods and Kenny Segal - I fear Lewis might have been too worried about Merc's performance last year to have checked out this fantastic collaboration that was one of 2023's best albums.

George Russell: Contra by Vampire Weekend - I just saw Vampire Weekend live following the release of the new album and at the show there was a guy a few feet ahead of me in the merch line who had the exact same energy as GR. The mix of prep vibes and world music would work into his taste while expanding his listening beyond coldplay.

Yuki Tsunoda: GLOW ON by Turnstile - 100% a selfish pick, I want to mosh with Yuki in the pit of a Turnstile pit.

Daniel Ricciardo: The Panhandlers by The Panhandlers - A country supergroup I return to time and again, wistful and nostalgic, making you yearn for West Texas no matter where in the world you are.

Alex Albon: Pelican West by Haircut 100 - Funky British jazz pop, perfect for dancing and vibing.

Logan Sargeant: Crying, Laughing, Waving, Smiling by Slaughter Beach, Dog - I fear Logie might be too young or too norm core to have had a proper Modern Baseball phase (it's never too late logie! listen to Intersection!) but Ewald's 2023 offering seems like something he missed last year that's perfectly up his alley.

Valtteri Bottas: Merriweather Post Pavillion by Animal Collective - Weird and complex, I think he should throw it on while on a long bike ride and let his mullet fly in the breeze.

Zhou Guanyu: God Save the Animals by Alex G - no you don't understand i need him to listen to Alex G he would love it

Kevin Magnussen: Heaven or Las Vegas by Cocteau Twins - Ethereal music he can feel and let wash over him in a wave to relax and transcend the horrors of driving for Haas.

Nico Hulkenberg: Supernatural by Santana - dad music but make it funky and good

Pierre Gasly: Sex Dreams and Denim Jeans by Uffie - A perfect twist on early 2000s French electronic music, I think it'd remind him of the club while sounding entirely new and make him want to pick up a side dj gig of his own.

Esteban Ocon: Lescop by Lescop - French indie pop-rock! His most recent album is fantastic, but Este should check out Lescop's 2013 debut first.

following a conversation with @liamlawsonlesbian and her definitive book rec list i'm doing something similar for music (she bullied me into posting this sorry). large range in popularity/mainstream-ness of artists depending on the driver and what i think they're already listening to.

[redladydeath]

OC anecdote:

When they first landed in Hell, Thomas and Sarah spent the first couple days wandering the streets aimlessly, as most sinners do. They had no idea what they were supposed to do now. Sarah was going through withdrawal and despairing that they’d been condemned to Hell, while Thomas took charge, trying to act as though he had a plan when, in reality, he had no clue where they were going or how they were going to survive. Eventually, on the second or third day, they stopped to rest in front of an electronics store. Sarah sat down on the ground, wanting to rest her feet after days of walking, while Thomas leaned up against the display window, trying to think of what their next steps should be. The two of them might have argued for a bit about their lack of direction, but either way, they both ended up sitting in silence in front of the display, stewing in the hopelessness of the situation. And then Thomas heard it, faint, yet unmistakable: their father’s voice.

He yelped, alarming Sarah as he wheeled around, searching for the source of the sound. It was coming from the television displayed in the store window. A demon with a TV for a head — the same demon they’d seen on advertisements littered throughout the city— was shown on the screen, doing an ad read for some product or another. Sarah asked what was going on, and Tom pointed at the TV, saying only, “That’s Dad.” Upon listening closer to the ad, Sarah realized what Tom was saying was true: that was their dad’s voice. The two of them shouted when the commercial ended— they needed to know more. They finally had a goal in mind.

With a level of purpose he’d seldom seen in her, Thomas watched as Sarah strode into the store and asked who the demon on the television was and where they could find him. The clerk, nonplussed but not particularly interested, explained who Vox was and directed them to the entertainment district. Unfortunately, the two of them were on the complete opposite side of the Pentagram— it could take days for them to walk there. Their best option was to take the subway. This seemed like a good plan until they actually went there and realized that anyone who tried to jump the turnstiles was immediately set on fire. They needed money.

Thomas tried to come up with a plan for them to get enough to cover the train fare, but once again, Sarah took charge. Without missing a beat, she laid out a simple yet effective plan: she’d pretend to be a hooker, lure some guy into an alley, and then Thomas would jump him using the knife he’d picked off a dead body a few days ago. Tom was shocked by the ruthlessness of the plan and how intense Sarah was suddenly acting, but he went along with it, and, well, it worked. He stabbed the shmo Sarah snagged until he collapsed and then went for his wallet. Taking the contents of it, Tom was ready to split… until Sarah started whining at him that he didn’t need to take all of his money. They bickered for a moment— Thomas had just stabbed a guy, and Sarah was complaining about how it was mean to take all his cash??— but they soon fled, with Sarah shouting out a brief ��Sorry!” to the guy as they left him to bleed out. They had a train to catch.

[soundsandnoises]

GREEN DAY with MAID OF ACE and NOTHING BUT THIEVES. Wembley Stadium, London. 29/06/24

4:10 AM I take a photo in front of the mighty Wembley Stadium, sky above is becoming more blue with each second, blue hour is losing its grip before sunrise... In my mind gloomy scenarios tell me there will be so many people waiting in a queue... Within five minutes I reach the Yellow Zone, assigned entrance. One look at the people there and it's actually not so bad. Can't be more than twenty - thirty people ahead of me, can't tell for sure: most is wrapped in all sorts of cocoons and/or burritos (blankets, duvets, sleeping bags) with a small tent marking the beginning of the queue. Some are awake, polite greetings are exchanged and before I know it there's a full on, easy-going conversation happening, rather cheerful mood at the quite ungodly hour. It's established that we're sort of left in a limbo: the person responsible for numbering the fans is fast asleep, so the waiting is a bit on edge. The usual: toilet, food, coffee questions appear. Too early to tell, too early to be opened, too soon to go – especially without the number that would ease up the mind, that things can go according to plan in such a massive event. People show up, relieved that the ones already waiting are not a mass amount,VIPs and front pitch standing co-exist cordially, blended until separated by the security. Time passes surprisingly quickly. People wake up, chat, wander. My coffee craving is satisfied. I'm half-awake, half-terrified of the vastness of the stadium. I can do it. Information float, some true, some false – everyone just needs to know the amount of VIPs, so they can assess if there's even a slight chance to get to the front, if it actually pay of to be there as early as afternoon the day before (or maybe earlier). Time goes. Sun lurks from behind the stadium, while we count our blessings that it's dry and relatively warm. We won't know what hit us. Soon enough the sun is out in its full glory, concrete elevating the temperature, crowd – mostly clad in black begins to roast. Sunscreens are involved, the anticipation and tension go head to head. Pressure is high as the temperature of the air. It's so lovely the toilets are available, it's so lovely you can roam freely to shops so you can quench the thirst coming at you like Sahara's sandstorm. I can do this. Somehow. Things will go according to plan. Maybe. The entry points are turnstiles, there is a reader for the ticket next to each of them. What can possible go wrong? So what's the amount of the VIPs again? It's multiplying. They go, we stay behind, deflated a bit, defeated. It goes the way it goes, inside the stadium, but not there yet, people are mad, screwed, squeezed and frustrated, security leads the way – wanted to get to the right side? Tough. They led to the left. Decisions, decisions, decisions: far left at the barrier or second/ third row in the middle. I have become comfortable: I choose survival. The view could be better, the massive speaker scares the crap out of me, will the earplugs save me this time? But, but... I'm here. I made it.

MADE OF ACE rip through the sticky summer air with their gritty punk rock sound like seesaw through the block of wood. The wall of sound coming at me from the speaker takes some getting used to. My first thought is: if that's so loud I am royally screwed when Green Day starts. But, I'm going to worry about it later. I nod along to the rhythm, watching four sisters warming up Wembley Stadium for main act. The crowd seems to be favourable. Good. It's rough, it's unapologetic and raw and girls are not taking any prisoners. It's a great start.

I am more than excited for NOTHING BUT THIEVES, yet worried a bit – it's such a different vibe from the opening act. But fans are strong with this one. Conor's voice soars through the air, the band is perfectly synced and they are so ready for it, to conquer it. Their rock music with electronic and pop twists bursts in intriguing key changes and rhythms to dance to [like nobody's watching]. They're unique, aiming high and delivering such a great and entertaining show I wish it could last a little bit longer.

I might be far from others making sure the band gets warm welcome, but I surely am having fun. Until the waterworks start, that is. 'Sorry' makes my eyes fill with tears, even though seconds before I was just joyfully screaming my lungs out to 'Welcome to DCC' and 'Trip Switch' (I was really looking forward to hear the latter, since it didn't make the setlist in Cardiff Castle and it's such a great song to turn lukewarm crowd into red hot – not that it was lukewarm in Wembley, cause it seemed rather great and responsive). As if it wasn't enough 'Overcome' completely breaks me. All the feelings. Funny sensation in my throat, eyes sting, tears roll through my cheeks and it's so exhilarating. I really want to believe the words: 'we shall overcome, as we've done before'.

A little game of hide and seek: Tré's drums are wrapped in black fabric. At first I don't think much of it, but when someone checks the drums [again] and I see amused face of crew member standing at the back it clicks. The cheers coming from the crowd closer to the centre adds to my curiosity. Suspicions are confirmed as soon as I catch the glimpse of blue hair behind the black wrap. Tré plays for a bit, checks a thing or two and leaves sneakily as fans cheer from joy. Pumped up much? Here comes the Bunny. Man, that furry has seen some better days. The only thing that seems to be clean, the person under the Bunny suit is wearing, are white gloves. But who cares. Rock ain't a clean game, it's gritty, dirty and so much fun. The demented mascot cranks it up with some antics onstage getting the crowd to cheer, howl from laughter and making sure fans are so ready for it before he's 'forcibly' pulled from stage. It might be a same, old act, but it's so good to see it. Here we go!

First tunes of 'The American Dream is Killing Me' make the crowd erupt with joy, even though relatively new compared to songs from 'Dookie' and 'American Idiot' it receives the welcome it deserves and it is so on!

Like bullets sprayed from the machine gun songs from 'Dookie' are spitting out from the stage. Hit and scream. Louder, faster. I am having a blast [pun so inteded!]. Few songs in, the girl behind me laughs 'my watch thinks I'm working out!'Oh, sister, yes we are: let's jump together, clap those hands and scream the lyrics like there's no tomorrow, like it hasn't been 30 years from 'Dookie''s release. 'Welcome to Paradise' is pure gold and the crowd is red hot, emotions are bubling on the surface, happiness is so tangible it's just glorious. Everyone's a basket case when 'Basket Case' starts and madness prevails to the very last note of it. But hey, all the best people are mad, aren't they? Normal is boring and there's nothing normal about Green Day ruling the crowd with sing alongs, “ooohs” and waving and jumping. There comes 'She' and there's no settling, Billie Joe's son Jacob takes over playing guitar and he's father's so amused, and so proud, too. Crowd is overjoyed to say the least. As the song finishes Billie Joe announces: 'My son, Jacob, you guy's made him shit his pants!' When you think about it – it's insane to share the stage with his dad, with Green Day and play in front of nearly 80 000 people, so... Kinda cool. Pace is murderous, but fun is spreading like a catastrophic contagion, there's no escape. It's intense, so intense that people go down and because Green Day is punk, but it's there for their fans the show stops until people are safe and taken care of which results in devoted applause from the crowd and then another one when Billie reminds everyone that at Green Day shows when someone goes down, we pick 'em up, we take care of each other. All is love and rock and roll. The show starts and goes like a sports car engine, from zero to whatever high speed, within seconds. Here we go again [Mamma Mia! No wait, wrong show, still fun is fun].

Also there's no Green Day show without some comedy stand-up of sorts, or shall I say: Tré being well, Tré. 'All By Myself' is as bonkers as it has always been as GD's drummer struts his stuff in leopard printed dressing gown, teasing and tempting. Perfect finish of 'Dookie' celebration.

The middle part of the show, it would be unfair to call it an intermission, really, is filled with shenanigans. Obviously. 'Know You Enemy' is known to be the bit when a fan is invited onstage. For a second there, I thought the plan has changed, but no. I am beyond excited to see Venetia, who I've met at another concert and who was the first person in our queue, to get the chance to belt out the lines of the song and then take a dive onto the crowd (and getting a shout out from Billie for such an impressive crowd surf, he laughed that she had to the front from all the way back).

What else? Well, imagine the whole stadium chanting the intro to Black Sabbath's 'Iron Man' – epic!

And then Jesus of Suburbia takes the residence and makes himself rather comfortable at the Wembley Stadium. The dusk is upon the crowd, but it seemed that it is an incentive to shine brighter, to scream louder. 'Boulevard of Broken Dreams' takes me by surprise. Not the fact that I don't know it, or that I don't know it is coming, since tracklist isn't a surprise.

'(…) My shadow's only one that walks beside, my shallow heart's the only thing that's beating...'

In that moment an empty shell that used to be my heart becomes somewhat alive. A phantom is beating out of time. My eyes start to sting again, throat squeezed from the funny feeling as I choke on words I scream: 'Sometimes I wish someone out there will find me, 'Til then I walk alone.' Tears roll through my face as sadness takes over, as I let it all out and let it go. The sensation lingers [understandably] over 'Are We the Waiting', I'm sure not only for me. There is something special going on during that show, that moment. Thousands of lights lighting up the stadium, flickering, poignant and vulnerable (but on the other hand – another incident occurred and 'Boulevard' has to be stopped and restarted due to injury in the crowd/someone fainting and Billie making sure they are helped).

'Wake Me Up When September Ends' always has been a powerful song to me, special to so many no doubt. I'm sure many have personal connection to the lyrics, to the way this song makes them feel. The day of Green Day's concert it would have been my mom's birthday. But cancer takes and shatters lives. So many years have passed and yet 'as my memory rests, but never forgets what I lost, wake me up when September ends.' In the fragility of the moment I fall apart there and then, trying very hard to console myself enough to carry on and soak the good energy coming from the stage.

Because I am truly having the time of my life there. Reconnecting with my younger self, full of hope and feeling happy, if only for a while.

I'm sure this feeling is something that dawned over so many during this show, whilst it blew minds of the ones seeing Green Day for the first time, because it was really magnificent with fireworks, floating airplane, colourful confetti, the pyro so strong I was wondering if my hair would burn. The strength of a singalong from the throats of 75 000 people. The pure joy or rock and roll, words gaining meaning and meaning so much to so many.

'So take the photographs and still frames in your mind, hang it on a shelf in good health and good time […] For what's it worth it was worth all the while. […] I hope you had a time of your life'

I surely did. Green Day's milestones were universal and personal at the same time. It was a celebration. And I have a drumstick to prove! And yes, I am aware there were many of them thrown towards the crowd (Tré threw a bucket of them and bunch of confetti, and then a bunch of confetti on Billie, who stood there stunned, taking it all in, moved by the response and devotions of Green Day fans), but I fought for mine and I got it despite my butter fingers, so there. Green Day are absolute legends and they know how to entertain, please, tease and command the crowd and Wembley Stadium was a fitting place for them to finish UK tour. You had to be there.

The photo I take after the gig: nose is red from all the crying, eyes are tired, I'm clutching the drumstick like my life depends on it. I am happy, I promise. Or I was. But it's over now.

But I can't help to think that Green Day's music shaped me, comforted me: Twenty years ago I went to their show and it blew my mind, it being the first show I paid for with hard earned money or hard saved it was definitely special. Naïve, as I was back then, I remember strolling towards the venue around early afternoon and being shocked by the winding queue. And then fighting for survival inside while trying to sing what I could remember, taking crappy photos with my crappy phone camera/compact camera (some things don't change, but that's a different story. My friend back then peeled off the poster announcing the show, one of my most cherished mementos, still somewhere boxed in my old stuff. Green Day are heroes. Forever etched in my broken heart.

Setlist:

Intro:

Bohemian Rhapsody/ Blitzkrieg Bop/ Intro theme ("We Will Rock You", "I Love Rock ‘n’ Roll", “The Imperial March")

The American Dream Is Killing Me

DOOKIE:

Burnout

Having a Blast

Chump

Longview

Welcome to Paradise

Pulling Teeth

Basket Case

She (with Jacob Danger Armstrong)

Sassafras Roots

When I Come Around

Coming Clean

Emenius Sleepus

In The End

F.O.D.

All By Myself

Know Your Enemy

Look Ma, No Brains!

One Eyes Bastard

Dilemma

Minority

Brain Stew

AMERICAN IDIOT:

American Idiot

Jesus of Suburbia

Holiday

Boulevard of Broken Dreams

Are We the Waiting

St. Jimmy

Give Me Novacaine

She's a Rebel

Extraordinary Girl

Letterbomb

Wake Me Up When September Ends

Homecoming

Whatsername

Bobby Sox

Good Riddance (Time of Your Life)

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Jahresrückblick 2023

10 mal Dancefloor. 26 Alben. 16 mal "songs". 1 mal alles andere (05.01.2024)

BEST TRACKS (DANCEFLOOR)

1. dj koze – wespennest 2. actress – push power 3. roisin murphy – you knew 4. roisin murphy – can't replicate 5. peletronic – riddim & bassline (dmx krew remix)

6. jayda g – blue lights 7. aliyah's interlude – it girl 8. grim104 &dissy – risse 9. ren – down on the beat (feat. viktus) 10. kelela – closure (flexulant x bambi remix feat. rahrah gabor + brazy

BEST ALBUMS

1. the chemical brothers – for that beautiful feeling 2. protomartyr – formal growth gn the desert 3. actress – lxxxviii 4. die türen – kapitalismus blues band 5. jesus piece - ...so unknown

6. sqürl – silver haze 7. deichkind – neues vom dauerzustand 8. róisín murphy – hit parade 9. helmet – left 10. sleaford mods – uk grim

11. helena hauff – fabric presents helena hauff 12. alison goldfrapp – the love invention 13. jayda g – guy 14. panda bear & sonic boom – reset in dub 15. bipolar feminin – ein fragiles system

16. squid – o monolith 17. overmono – good lies 18. king krule – space heavy 19. elektro guzzi – lost tracks 20. metallica - 72 Seasons

21. shame – food for worms 22. czarface – czartificial ontelligence 23. dj shadow – action adventure 24. credit 00 – midnightlife crisis 25. ayesha – rhythm is memory 26. comforter2 – tell me something happy (before i fall asleep)

BEST SONGS (inspired by fm4) (zufällige reihenfolge)

roisin murphy – fader deichkind – kids in meinem alter (part 2) die türen – grunewald is burning neps – melody coach party – what's the point in life

laurell – best night ever pixey & tayo sound – daisy chain cordae – make up your mind turnstile & babadnotgood – underwater boi k.flay – raw raw

texta – still funky mae stephens – if we ever broke up coi leray – players gretel hänlyn – king of nothing soft play – punk's dead sharktank – h-a-p-p-y

AND ALSO …   DJ/ELECTRONIC SET – dj joe joe, fm4 unlimited im wiener prater CONCERT – preoccupations, chelsea, wienb FESTIVAL – CLUB – TV – star trek lower decks, beavis and butthead, RADIO – deutschlandfunk kultur tonart MOVIE – the marvels MUSIC-VIDEO – Aphex Twin – Blackbox Life Recorder 21f MAGAZINE – trasher MUSIC-MAGAZINE – musik express BOOK – kein aktuelles NOT BAD – die unterschiedlichen meinungen von freiwillige filmkontrolle (rolling stone) und fm4 filmpodcast NOT GOOD – war² 2024 – eine ep