#elane zhong

[dailychinesedrama]

© 最遥远的距离官微

[lunasea]

GirlyVogue on weibo

[dilireba]

zhong chuxi (钟楚曦) in wild grass (荞麦疯长). 

[chris-jumbo]

Zhong Chuxi for her upcoming film - ‘Wild Grass’

[movie-titlecards]

The Knight of Shadows: Between Yin and Yang (2019)

My rating: 6/10

For a Jackie Chan vanity project, this is pretty good - once it gets the usual clownish shenanigans out of its system. Very myffic, what with the star-crossed lovers and the self sacrifice and all. Visually quite pretty, too, apart from the occasional dodgy CGI - although there's a lot less of that than one might expect, I think, the blooper reel at the end shows some of the raw footage, with the wire works and make-up effects and all that.

[black-is-no-colour]

Elaine Zhong, photographed by Trunk for GRAZIA China Issue 20 November 2019

[kdram-chjh]

Cmovie: The Knight of Shadows: Between Yin and Yang (2019) | dir. by Vash (Jia Yan)

[montgomery-obsessions]

Elane Zhong - Harper's Bazaar [Vietnam] (January 2022)

[filmforthought]

Youth

Starring Huang Xuan, Yang Caiyu, Miao Miao and Elane Zhong Rating: ★★★★ When you see a fifty-year-old bald man driving around in the suburbs with the hood down of a convertible mustang, it’s clear he misses his youth. Youth is a time in our lives that some of us cherish, while others see it as a difficult time that hopefully panned out for the better. In our youth we gained experiences good or bad, learned from them, and these moments developed us to be the people we are today. For the members of the Military Cultural Troupe during the Sino-Vietnamese War, their youth culminated amid a difficult time in Chinese history.

Set during the late 1970s, a Military Cultural Troupe travels throughout China to perform songs and dances for the troops. One of the members is Feng Liu, played by Huang Xuan, who is one of the most well respected young leaders of the troupe. On the other hand there’s Xiaoping He, played by Miao Miao, who gets bullied the most. The stories of Feng and Xiaoping standout beside the other members who have their own stories as well.

Youth is an epic whose scale reminds me of classic films like Doctor Zhivago. The film touches upon bullying, unrequited love, the suffering of war, the importance of friendship, and class structure. Its score can give you goosebumps and the cinematography is gorgeous.

Feng Xiaogang’s direction is reminiscent of the legendary David Lean. Lean was known for his direction on great epics such as Doctor Zhivago, Lawrence of Arabia and The Bridge on the River Kwai. These three features contain a pivotal backdrop in history, and a colossal cast and crew to lead. Xiaogang successfully tells the stories of youth in a unique setting, by facilitating a massive production. Very rarely in Hollywood do we experience such films with a production like this. Xiaogang’s budget was around $18.5 million, but it looks much better than blockbusters such as the latest Pirates of the Caribbean, who had a budget between $230 to $320 million. Instead of going the easy route by using CGI to make it seem like there’s a ton of people on set or to polish the brutality of war, Xiaogang’s Youth has a grand scale with hundreds of actors on set and a stellar production design by Haiying Shi. Although I’m an admirer of David Lean’s work, I haven’t seen any of his features on the big screen. However, Feng Xiaogang’s Youth is the closest feeling to it.

Another factor that helps Youth feel like an epic is its gorgeous visuals. Not only does the film transport us to a unique time in Chinese history, but it shows us the beauty of the country. Imagine driving along with the arts troupe up a long windy road in the thick of winter as a towering mountain serves as the backdrop. Once you reach the destination, you’re in high altitude where the rest of the world is under your feet. The cinematography by Pan Luo also stands out in times of battle. There’s a battle scene that is reminiscent of Hacksaw Ridge, but without any cuts. Hidden soldiers are spitting bullets from the tall grass, tanks rover in the open fields, airplanes drop bombs, and flamethrowers scorch the enemy. All before this horror, a butterfly floats among a marching line of troops who are blindsided by an attack. Both the beauty of China and the terror of war are captured for a film that was meant to be for the big screen.

What pairs well with the stunning cinematography is the beautiful score by Lin Zhao. As we look out to the great plains or vast mountains, the score rushes over us. When the score played, I felt goosebumps on the back of my neck. It captivates each scene extremely well and is fantastic to listen to on its own. If someone were to take a shower with this music playing in the background, they would feel majestic.

Just as an epic contains stunning visuals and a massive production, there are multiple story lines that circle around coming of age. Xiaoping He’s tale goes through the hardships of being a victim of bullying and the social implications of class structure, while Feng Liu deals with unrequited love. Unfortunately, all the characters deal with the implications of war. During one’s youth, it’s difficult to grapple with the thought of someone the same age never coming back. Young people have a long road ahead of them, but the interests of the country may cut their journey short. The main characters look back on their youth and they are grateful to still be standing. This feeling of gratitude is especially felt when walking through a memorial sight for those lost in war. So many young lives were lost and the country still battles with the past.

The Chinese government put a temporary ban on Feng Xiaogang’s piece for its initial National Day release. The Sino-Vietnamese War is still a touchy subject even almost forty-years later. It’s courageous for Xiaogang to direct a feature that gives an honest look at the War and recognizes the many young lives lost in a country where the subject is swept under the rug. This puts into perspective how lucky the United States is for having little filter on the films that receive a wide release. There are countless films that criticize government actions and wars. Youth is not blunt like the recent Thank You For Your Service that bashes Veteran Affairs, but more like American Sniper. It pays homage to those who served, but also shows the ramifications of war through a humanistic lense.

Whether you’re a fifty-year-old bald man having a midlife crisis or someone who is currently living through their youth, Feng Xiaogang’s film is a masterpiece all should experience. Every feature about the Chinese film is flawless and will leave audiences breathless. While the credits rolled, I sat around a little longer in awe. Youth is the reason why we go to the movies. It transports us to a unique period in history, grips our emotions, and leaves us complete.

The Best Film of 2017

[dailychinesedrama]

© 最遥远的距离官微

[zhansww]

Elane Zhong: Thank you, Yiye @X玖少年团肖战DAYTOY Xiao Zhan: It’s been a while since I took this, I’m a bit rusty Elane Zhong: Looking forward to your selfie

[accio-victuuri]

Elane Zhong shared the photo captured by Xiao Zhan during filming. I posted the bts of photographer!GG over here. 📸

GG commented, MTL translation 👇🏼

I can’t wait to see more of the photos he took during filming. 🤍

[dilireba]

zhong chuxi (钟楚曦) in wild grass (荞麦疯长).

[chris-jumbo]

Zhong Chuxi for Armani Beauty Qixi Festival campaign

[wild-grass-tw-version-1080p]

“中国电影” ~荞麦疯长~ [2020]-HD- 半岛 完整版本 (Wild Grass) ~完整~版‘4K’ ~完整版本~高清电影~在线观看

荞麦疯长 (2020)

▷  荞麦疯长 (2020)

▷  荞麦疯长 (2020)

VISIT LINK: http://watch.123filme.xyz/zh/movie/652799

荞麦疯长 (2020) 导演: 徐展雄 编剧: 徐展雄 主演: 马思纯 / 钟楚曦 / 黄景瑜 / 王砚辉 / 王阳明 / 更多… 类型: 剧情 / 爱情 制片国家/地区: 中国大陆 语言: 汉语普通话 上映日期: 2020–08–25(中国大陆) / 2020–07–27(上海电影节) 片长: 112分钟 又名: Wild Grass

发布日期: 2020–08–25 运行时间: 0 分钟 类型: 剧情, 爱情 明星: Ma Sichun, Johnny Huang, Elane Zhong, Xin-Yi Peng, Gao Ye 导演: Xu Zhanxiong, Xu Zhanxiong, Yanhong Sheng IMDb链接: tt8850222

导演延尚昊已确认，[半岛]不是[釜山行]的续集，新片不是之前故事的延续，但它发生在同一个宇宙。[半岛]讲述灾难发生的4年后，朝鲜半岛满目疮痍，逃到海外的前士兵Jung-seok奉命回国，意外地遇到了幸存者。该片目前在后期制作，今夏韩国上映。 #屍殺半島 線上, #屍殺半島 看, #屍殺半島 2020, #屍殺半島 HD, #屍殺半島 HD1080p, #屍殺半島 小鴨 Wild Grass线上看 Wild Grass几时上映 Wild Grass演员 Wild Grass中文 Wild Grass上映时间 荞麦疯长线上看 荞麦疯长 线 上 看 Wild Grass线上看 釜山行线上看 釜山行在线 Wild Grass中文线上看 釜山行完整版线上看 Wild Grass中文字幕 Wild Grass完整版 Wild Grass电影 Wild Grass中文 荞麦疯长什么时候上映 荞麦疯长在线 荞麦疯长线上看 荞麦疯长预告 荞麦疯长下载 荞麦疯长英文 荞麦疯长百度云 荞麦疯长演员 荞麦疯长剧情 荞麦疯长半岛线上看 荞麦疯长 电�� 荞麦疯长 下载 荞麦疯长 線上看 荞麦疯长 线上看 荞麦疯长 2020 [荞麦疯长] 高清 荞麦疯长 PTT 荞麦疯长 下载mp4 荞麦疯长 BD 荞麦疯长 AMC 荞麦疯长 在线 荞麦疯长 豆瓣 荞麦疯长 線上看小鸭 荞麦疯长 粤语版 荞麦疯长 yahoo 电影 荞麦疯长 上映新年 荞麦疯长 2020 票房 [荞麦疯长] 电影2020下载 荞麦疯长 电影2020 马来西亚 荞麦疯长 电影2020新加坡 荞麦疯长 下载看 荞麦疯长 电影2020美国 荞麦疯长 电影2020喜剧 [荞麦疯长] 电影2020 威秀 荞麦疯长 电影2020春节 Wild Grass: Wild Grass online 荞麦疯长 online 荞麦疯长 Free 荞麦疯长 电影2020华语 ✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧✧ 荞麦疯长 电影 荞麦疯长 在线 荞麦疯长 下载 荞麦疯长 传说 荞麦疯长 豆瓣 荞麦疯长 预告 荞麦疯长 电影下载 荞麦疯长 线上看 荞麦疯长 剧情 荞麦疯长 故事 荞麦疯长 电影在线 荞麦疯长 电影上映 荞麦疯长 1080p 荞麦疯长 完整版本 荞麦疯长 完整版本2020 荞麦疯长 完整版本HD 荞麦疯长 完整版本自由 荞麦疯长 完整版本線上 荞麦疯长 完整版本下載 荞麦疯长 完整版本IMDB 荞麦疯长 完整版本MOVIE-DOUBAN 荞麦疯长 完整版本流 荞麦疯长 完整版本看 荞麦疯长 完整版本720p 荞麦疯长 完整版本1080p 荞麦疯长 完整版本HINDI 荞麦疯长 完整版本CHINESE 荞麦疯长 完整版本US 荞麦疯长 完整版本看電影 荞麦疯长 完整版本在線觀看 荞麦疯长 完整版本�� HD 荞麦疯长 完整版本免費下載 荞麦疯长 完整版本所有電影 荞麦疯长 裸監督線上看小鴨影音 荞麦疯长 裸監督線上看 荞麦疯长 裸監督(新加坡版)線上看 (2020) 荞麦疯长 裸監督1080P 下載 荞麦疯长 裸監督免費線上看電影 Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ??? TV FILM ??? The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ??? formats and genres ??? See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ??? Thanks for everything and have fun watching??? Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[fancastsbyz]

Elane Zhong — Leiko Wu|Marvel