#eladioaguilera

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ELADIO AGUILERA @eladio_prkmen Exhibition: Cómo Aprender a Dejar de Pintar With works by @hadaly.villasclaras @elezetate @paulagarciamasedo @jan.monclus @fabiaclaramunt Curated by @eladio_prkmen Espai Subsòl - CC Bellvitge-Gornal, Barcelona, Spain. CÓMO APRENDER A DEJAR DE PINTAR belongs to a bigger project call The Painting Body. This project has been assembled for one reason: to show the turmoil that exist around emerging painting keeping an eye on what happens outside the focus of the centrality of Madrid. Choosing a large group of painters, it is proposed to collect as widely as possible the concerns that exist within contemporary painting in cities such as Seville, Malaga, Valencia or Barcelona. Physically connecting and confronting the work of artists who are working or have been formed in these cities in two exhibitions that will serve to shape a thought that has been growing for a long time: there is a new way of understanding painting and it is not in the center. The following exhibition of this project was also postposed because of COVID-19 to September at FASE.xyz, also in Barcelona. #eladioaguilera #painting (en CC Bellvitge Gornal) https://www.instagram.com/p/CB-lpJAF9wF/?igshid=1g64tialezhe5

[journeytothecenterofmyminduk]

ELADIO AGUILERA @eladio_prkmen Exhibition: Canny Family @vunugallery CANNY FAMILY Eladio Aguilera Christian Bär Andrea Martinucci Alex Selmeci Curated by Nikolas Bernath On the first of April, we were about to open the second exhibition at VUNU Gallery this year and hence continue our international program of 2020. We invited four artists from Italy, Spain, Germany and Slovakia to join us. In the meantime, however, we have all been affected by a new planetary situation on Earth, but only a few of us wanted to admit it. We were looking forward to meeting our guests, to install the exhibition and to celebrate the next opening on our terrace. The situation has changed rapidly, borders have been closed and flights have been cancelled, though art has already been travelling all around Europe for days, heading towards us. On the planned opening day, the last package arrived. We unpacked everything and now the gallery is full of art. It seems to us that the best thing we can do is to install the exhibition and open the gallery - online. "The gallery is no longer the primary exhibition space; the Internet is", writes Loney Abrams in her essay titled Flatland. In many ways, in the context of contemporary art galleries and the distribution of contemporary art, we agree. However, those who know our project also know that it is strongly based on physical contact with the viewer. Many of you come to us regularly for every opening or other events. We highly appreciate it and therefore we are very much concerned about the current situation. Of course, there are currently important challenges ahead, especially in relation to health protection. Yet, we believe that there is still much room for culture and art. That is why we will continue with the VUNU project in a digital space if the situation allows us to so. #eladioaguilera #painting #cannyfamily #vunugallery (en VUNU) https://www.instagram.com/p/CB-fHcOFZ5y/?igshid=q66b5qhtbf1b