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eerna · 9 months ago

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I really like your response to the anon asking about what are the strengths of TFOTA. I think you nailed it regarding how Holly Black hit it out of the park, and I’m curious if you can expand on what you think some of the series missteps were. (TFOTA is an all-time fave for me, but nothing is perfect!)

For me, I think the way she structures her books into different parts does make them drag a little (especially some parts of the middle of The Wicked King). Like sometimes it feels like characters are spinning their wheels a bit while she’s setting everything up for the plot, but I ultimately don’t mind this because her plots are so well executed.

As always, love your breakdowns and critiques so just curious to hear more!

Ayyy thanks, glad you agree! :D

OO yes I heard that as an often critique of her stuff! I do think you're right and the slowness is present, but to me it's not an issue since the characters are fun enough for me never to be bored. I'm the kind of reader who can enjoy the slowest thing imaginable as long as the characters interest me.

Structured like the strengths post, my main issues. 1) The YA writing style of overexplanation. These books are sometimes great at leaving things unsaid, but other times they beat you over the head with the same thing over and over again or go into explanations for stuff you'd think is understood. Example: Jude constantly repeating it is messed up she lives with the guy who killed her parents in book 1. Like. Okay. We know. Trust us we didn't forget it's wrong to kill people and steal their kids. Of course, her constantly thinking about her trauma is part of her character, but it can be expressed in different ways - examples of how this was done well were "I love Madoc, I could love anyone" or "I get scared and I remember the smell of my mother's insides". 2) The repeating stuff from my list of pros... where it doesn't belong. Sometimes characters do or say stuff because HB wants them to do or say them bc she likes to write about it, but it makes NO sense. This was my main issue with TSH - for example, there is absolutely no reason for Oak and Suren's relationship to draw parallels with Jude and Cardan's to the point of repeating phrases, because they are so different that it jerks me right out of the story being told. 3) The editor is asleep on the job. There are quite a few basic editing errors - the amount of times characters smile or grin per page, and the continuity errors. This is the most frustrating aspect because it is so easy to solve!!!!! Just read it once more and click delete!!!! 4) Sometimes HB's "let's go back and elaborate on something from the past to give it a new dimension" works great, and sometimes it makes no sense. Examples: the Ghost betraying Jude because he was forced to, Locke being an Undersea collaborator and a gancanagh. 5) Taryn. She gets her own point because I love her and it's so unsatisfying how she ended up. She spends 2 books girlbossing and being such a sympathetic traitor, then gets pregnant and decides to stop being the worst offscreen and never does another plot relevant thing again. I don't know if HB got tired of her or if she realized everyone hated her and decided to sideline her so people would stop yelling, but MAN is it such a standout bad conclusion among a sea of good ones. 6) JUSTICE FOR OAK GREENBRIAR MY SHORT KING he was always described as tiny and underdeveloped for his age RIGHT up until he became a love interest, when he SUDDENLY started towering over everyone while still overflowing with short king energy. This is a joke to end the list on a happy note but also I would pay for a version of TSH where my monster girl has to lean down to kiss her bf

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