#eernask talk tdp

[eerna]

Any hopes I can hear why you hate runnan? Legitimately curious about it tbh

Sure!!! I think the Runaan-Ethari-Rayla family unit is horribly written and it's because the writers can't commit to a consistent theme with them. In the first few episodes we learn Runaan is Rayla's dad, but also her commander, and he has raised her with the Moonshadow assassin ideals engraved in her blood. She is nothing, she is no one, she is a vessel of justice and vengeance, she is going to kill an innocent child before the night is through and that is totally chill. However, she fails to kill her first target and he kicks her out of the team because she isn't displaying the mental fortitude expected of their tribe. Okay, we learn that he is not messing around, he isn't gonna indulge in soft parenting or an emotional connection, and we see a bit of his soft side in how he speaks to Rayla so we can assume he does care about her underneath all the sternness. He is her commander and she will listen, but he loves her. Of course, she is a teenage girl so she disobeys, and the next time they meet she is telling him that their mission is wrong and they should retreat because the humans are gonna help them fix the situation. His response is to try to kill her for betraying the mission. He doesn't give her a chance to explain herself, he doesn't stop and think, he just goes straight for killing her. So what we are supposed to read him as is a harsh, distant father figure who loves Rayla, but has his doubts with her fitting in with their society, and the moment she does something out of line with his expectations, he is willing to sacrifice her to keep the ideals of that society alive. It is a textbook toxic parental tragedy!! Wonderful!!! Except no. Not really. Somehow we get from this to Rayla being 100% chill with him as a parent and consoling him when they meet again. He feels really bad about the time he tried to kill her and that is enough for them to solve all their issues. Nothing about how Rayla sees herself as a failure because of the way he'd raised her, nothing about how she had to unlearn his toxic ideas about feelings and weakness. It is all magically solved.

This extends to Ethari as well. He cut Rayla off entirely because she survived a mission that killed his husband. Rayla is so thoroughly cut off from her family and her society that they are physically unable to percieve her - there are literal books written about the horror of such a punishment. Excuse me, but if your gut reaction to your child surviving an accident that killed your spouse is "Oh that little asshole betrayed him!!!" and you decide to put her through hell over it, then you have some serious issues. Which is FINE!! If we are telling a story about a family messed up by societal expectations, that is totally fine!!! But again we are not. Ethari is supposed to be sympathetic, he and Rayla part on a positive note and she accepts her punishment. This is mentioned once after but only in the context of making Rayla fall for Callum, and then it is never discussed properly. Rayla spends 2 years doing god knows what and when she returns she no longer has bad feelings about any of this.

What I am saying is: Runaan and Ethari are absolutely horrible people and the worst of fathers, but the story treats them as regular dads who just have some small issues their daughter can get over instantly. They are supposed to be complicated, but also inoffensively adorable, so they get the worst of both worlds. I am a big fan of problematic, toxic families where everyone still loves each other, but you gotta have a coherent arc and a complete theme in mind while writing them. Rayla should have brought her bio parents back bc they are the only people in the world who could understand how she feels, having been cursed the same way themselves.

[eerna]

wait a dragon prince season came out? since when LOL what even happened?

Yesterday! And oh man So Much Happened and all of it was so so so dumb. They made a candy decoy of Aaravos' prison to trick any bad guy trying to steal it, but the only person tricked was Callum so he took the wrong one to be safely hidden and the real one literally rolled into Claudia's path without her even trying to find it. Viren ended his Most Confusing Bad Dad Redemption Arc Ever Written by leaving his clearly mentally unstable daughter to go start his healing journey but ended up killing himself with dark magic to protect the people of Katolis, the exact same thing he offered in episode 2 of this stupid arcless show. Rayla realizes she has to choose between her 3 parents bc she can only save 2, and she chooses to let her bio parents die and save the guy I hate sosososososo much and was actually happy to see suffer, Runaan, who joins her and Callum in their adventures. Turns out Aaravos too was a dad and the Startouch elves are gods who decided to kill his little daughter for a crime we didn't even see her commit (everyone was like "just trust me bro") so he becomes evil to avenge her and somehow these gods don't feel like killing him over it. Karim makes a deal with Sol Regem to destroy Janai's army, but Sol Regem is blind so the guy riding him whose name I forgot but who is possessed by Aaravos tricks him into burning down Katolis instead, which leads me to believe Sol Regem is insanely stupid if his supreme senses can't tell the difference between Katolis, a country on the other side of the world, and his friggin desert homeland. All of this is accompanied by everyone being super bloodied up and screaming in uncomfortable ways so we can pretend like this is a mature show and not a show for babies before we slide into the next overlong pun bit. See you next year for part 7

[eerna]

You stated that you used to ship rayllum and didnt like the way there arc went ahead in season 3 so how did you envision there arc going ahead and do you think that they should of been built up a whole lot more before getting together in season 3 ?

Just to be clear: when s3 first dropped, I was absolutely ecstatic about them getting together!! My take was "I know it is rushed but I DON'T CARE because they are ADORABLE!!" It wasn't until s4 dropped that I lost the rose tinted glasses and could no longer enjoy them.

As for how I would fix it... man, I can't really fix it without rewriting the entire show. You can't have good romance if the characters aren't good. You can't have good characters if the world they're in doesn't make any sense. Technically there is nothing wrong with a couple getting together 27 episodes into the show, but THIS couple would require significant rewrites to make it emotionally rewarding. So I guess the broad strokes without changing too much are: keep Rayla emotionally distant and morally flexible regarding all the Moonshadow Elves culture things (murder, social exclusion, rejection of individualist worth, emotional connections), let Callum be the emotionally mature one and morally inflexible until dark magic is brought into the game, make the elven culture VS dark magic their point of friction and make them both wrong and right at the same time (this is imperative), let them grow closer and for Rayla to discover the wonders of being loved as a person and not in a transactional way/as a part of the collective, keep her crush unrequited in s3 so that Callum feels awkward rejecting her considering he's her emotional anchor, the arc where she leaves has to happen in the show itself and should be about Rayla making a decision completely powered by her character development ("I can't lose the one person who truly and honestly loves me for me, so I'm gonna leave him behind" when in the beginning of the show she would scoff at such a weakness). The annoying thing with TDP heroes is that they don't have any wrong ideas or beliefs that could be changed. Which is why I am making Callum NOT instinctively underatand dark magic is bad (he has never done it because he doesn't know how, but sees nothing wrong with using it because he knows it saved humanity many times before) and Rayla NOT instinctively understand murder is bad (she has never committed it, but she is willing to, which also makes her seem like a more dangerous person). So basically arc 1 would revolve around them learning lessons from each other and seeing the world in a different light, and then separating on a weird note. I tried writing ideas past this point, but it became less "broad strokes" and more "rewriting the entirety of arc 2"

[eerna]

I came across one of your posts about tdp (they're great btw I really like reading them) and one of the tags talked about how the show writers treat Callum like a vile character whose done evil things when he hasn't. Can you elaborate on that? And do you think there's a huge difference between on how the show and fandom treat Callum and rayla?

Aww thanks~ Sure, I don't mind elaborating!

So Callum. This show has a problem where the characters have no logical progress, they just do whatever the plot needs them to do, and Callum is a great example of this. Callum is meant to be an awkward average guy who feels like he doesn't belong anywhere. He's the adopted son of the royal family, which means he's not a peasant who is born into a career, but neither is he a real prince, since he is passed over in the inheritance line. He's not good at being a warrior, or a leader, or any other things that might guarantee him a place in court. Things change when he discovers he has a talent for magic, but since he is human and can't connect to an arcanum, he is forced to choose between letting this one useful thing he's good at go, or doing the "evil" dark magic. An interesting character setup: will he go against what he believes is right to realize his full potential? I wonder where this arc will go! The answer is nowhere, he becomes the first human in history to be able to connect to true arcanum magic the way magical creatures do. Okay, so here is his second character setup: the one and only creature in the world who can connect to EVERY arcanum at once! He will spend each season learning how to connect to different arcanums, and through him, we as the audience will understand the world better. That is exciting, as it's something the magical creatures can't do! Except THAT'S also abandoned right away, and his THIRD setup pretends it never happened and we return to a continuation of the first setup: will he join the dark side and become a vessel for the evil guys to use, will he fall into the same trap of "I would do anything for those I love" as the villains? This could be interesting, but it is now over halfway through the story, so the writers have to resort to cheap writing tricks to make the stakes higher and the tension more real. You see, Callum's "downward spiral" relies on him making bad choices for the right reason, but those bad choices aren't truly bad because the writers are scared of writing a hero who messes up for real. Those bad choices are using dark magic twice, but both times he used it out of selflessness, as a personal sacrifice to save Rayla. He used an already dead ingredient to turn some chains into snakes to save his friend... twice. Both times Rayla reacts as if he'd just slaughtered a whole herd of adorable magical baby deer in front of her. The Starscraper elves say his soul is dark and he has been consumed by evil. The only logical reprimand is given by Sol Regem, who just says "I can smell you've done dark magic before" and gets upset bc Sol Regem is a racist asshole character so it makes sense a single whiff of human magic would anger him. But these other characters are meant to be 100% correct in their assessment of Callum's morality. There is no discussion of whether the end justifies the means, there is no nuance or suggestion that maybe a dead bug is worth saving a life, Callum has done something objectively wrong and should never repeat it again. Here it all dissolves into the age old "is dark magic as presented in TDP morally ok" discourse, which I won't rehash here bc it is well discussed and the TL;DR is: no, TDP didn't do a good job setting dark magic up as an inflexible evil, but the story still acts as if it is one. And it is dumb, because Callum doesn't need to do dark magic to make mistakes! Several times throughout the season I thought they were gonna put him at odds with the rest of the cast, and maybe mess up and "fall into darkness" that way. For example, I thought that when everyone disagreed with him on the topic of destroying Aaravos' prison, he was going to defy everyone out of paranoia (since he is the most sensitive one about this subject) and accidently cause Aaravos' escape that way. But no, they don't even argue over it before finding a solution that makes everyone happy and it turns out that Aaravos was freed by a series of contrivances that tell us nothing new or interesting about any character involved in it, which is CLEARLY a much better story.

This third storyline gets even more muddled by Callum choosing to do the Starscraper Morality Challenge or whatever it's called to try and fix the damage dark magic did to his soul. Okay, so we've established that Callum's love for Rayla makes him act in morally questionable ways, which led to his soul deteriorating, and now this ritual will help him find his way back from it. And so the ritual reveals that he can redeem himself if he focuses on... wait. Am I reading this right? The answer to his issues is RAYLA????? So this means that somehow, loving Rayla is both the reason for his evil deeds, and a way for him not to do evil deeds??? I suppose the story could be saying that loving Rayla doesn't mean doing whatever it takes to save her, but listening to her advice and trusting her when she says she doesn't want to be saved by dark magic, but that is just such a dumb character arc that isn't about Callum or his character arc in the least. His way to deal with his issues has nothing to do with his realizing his potential, it has nothing to do with his journey of connecting to the arcanums. It is a "man needs a woman to act normal" story, and that is just plain dumb and boring and no proper character arc.

And here we transition into your second question. I am not sure what exactly you meant, so feel free to clarify, but I will do my best to answer as is. I think that Rayla and Callum are treated by the fandom EXACTLY the same way as by the show, but sadly this means they suck (it is no secret I was super duper into shipping them once upon a time, so no one is allowed to call me a hater over this opinion). The first two seasons were fine, but from s3 onwards their relationship also faces a lack of a proper arc. In the beginning it seemed like the emotional, gentle Callum was going to de-radicalize the cold, emotionally constipated Rayla and teach her the joys of having people who care for her as a person and not just a weapon. However, this was quickly abandoned for reasons listed in my Runaan family post - Rayla needed a quick escape from her emotional issues to remove any bad parenting responsibility from Runaan and Ethari's backs. From then on their writing problems are a mix of the previously mentioned "characters doing what the plot needs them to do" issue and playing into fan shipping expectations. And thus when they start dating in s3 it is in the blandest, most boring way possible. They are super happy together, they have no friction, Rayla is suddenly more than happy to be emotionally open. Then the plot needs them separated, so she remembers she is supposed to have emotional issues and leaves. Then the plot needs them back together so they start dating. None of this is supported by a logical arc. S3 and onwards reads like a fanfic in the most negative way possible. The "frozen ship" monologue from s6 made me feel like my brain was actively trying to escape my skull, so I KNOW the crew working on the show is aware of the fan perception and are actively playing into them on purpose. Fan tropes are perfect in the context of fanworks, but they also make canon material worse.

Whew. This was long. But Yeah that's basically what I have to say about that.

[eerna]

Oh that ask you answered about how you would rewrite Callum and rayla's relationship in the show without changing major major details was really interesting and you liked of hooked me with the idea of trying to keep your rewrite within canon realm.

So I wanna ask what would your rewrite be for tdp in general outside of canon realm and do you ever plan on making a fic on it?

Ayy I'm glad, thanks~ I am totally up for some outside-of-canon idea throwing, sounds fun! However, keep in mind I am not saying my vision is what the show should have been like. I am not a professional writer. I can only give some ideas for how to fix the stuff I didn’t like and what would make the story engaging for me personally. And no, I would never write a fanfic based on this. I already have an unpublished 40k+ word TDP fanfic I can't complete because I lost my passion for the series, so going on an epic fantasy writing bender is definitely not in the cards for me. If any of my ideas sparkle anyone's fix-it wires, I give them my blessing to go forth and write it instead of me :) 

You asked for outside canon, but we gotta establish some rules first, because if I turned TDP into a story I PERSONALLY wanna tell, it wouldn’t resemble it at all, so we gotta keep it at least a little canon-consistent. In addition to that, this series’ refusal to disclose important worldbuilding info within the main storyline means my knowledge of its lore has enormous gaps shaped like tabletop guides and video game dialogue screens. I will rely on the wiki for this to the best of my abilities and if most of the lore is totally dropped, don’t blame me. In this rewrite I will establish THEMES, WORLDBUILDING, and CHARACTERS, and then even a bit of the PLOT. I will do my best to adhere to the existing themes and the worldbuilding. I’ll only use the characters already created for the show (while giving them a few new characteristics) and the plot will be only hinted at because dear lord I can’t map out 7 seasons of a TV show in a tumblr post. I am also gonna stay in the Y7 rating range because eff you people who think kids can’t handle interesting stories. There’s gonna be lots of ATLA comparisons because this show insists on trying to be ATLA and I can’t ignore that. Continuing under read more because this got LONG (I had to stop myself almost 8k words in. Someone save me). 

THEMES

TDP is trying to do way too much when it comes to themes - it wants to be complex and nuanced, but it doesn’t walk the walk. ATLA did it best, they kept it simple, but added a hint of complexity. We will do the opposite: we are concentrating on ONE big, nuanced concept that we will be writing around, and peppering in the other stuff as character garnish. The one big theme we will be concentrating on is THERE IS NO TRULY GOOD GUYS IN A WAR. We will be sacrificing the “How do we forgive and forget after the war?” theme because it would require starting the show after the war is officially done, as it is far too large of a concept to be used as a second-act theme (also, I was born first generation after a war, and my answer to that question is not the correct tone for an epic fantasy quest). Instead, we will make it a smaller scale character garnish of “how does this character put aside their hurt and work with the people who have hurt them?”. 

Secondary themes will be: You have to keep your mind open and learn from everyone you meet. Our planet deserves to be treated with respect. Everyone has a place in this world. Love can make people do vile things. Nature VS nurture. Divine right VS meritocracy. Plus other Truths that will be discussed in the following sections.

WORLDBUILDING

Again, ATLA made a very simple system of four (or three) different countries and then went ham with it. We can’t do that because I am not redoing the entire universe, but let’s try making it less overcomplicated while keeping the map sort of the same. The two nations at war are Xadia (as seen in the show) and the Neolandian Empire (includes all the human kingdoms). The areas are generally the same as they are in the currently available lore of the series, unless stated otherwise.

Magic

First, we gotta establish the magic system. The whole arcanum setup can stay the same. The world is made up of six primal sources: the Sun, the Moon, the Stars, the Earth, the Sky, and the Ocean. A deep connection to one of the primal sources is called the arcanum, and an arcanum means you understand what this primal source brings to the world, and the Ultimate Truth behind it. Once you understand this Truth, you can use the spells (in draconic language) connected to it to manipulate the world around you acting in accordance to this Truth, and this makes you a mage of primal magic. So it isn’t just controlling the elements, the Truths are applicable to a wide range of situations (for example, if you break a plate, you can put it back together by connecting to the Earth arcanum which understands that all things that are now broken used to be of one body and spell it back together). Creatures born to one of the primal sources understand this truth perfectly from the get-go, but they still have to learn the draconic incantations to effectively use spells, which is why not every primal source creature is also a mage. The more difficult the spell, the deeper your understanding must be - the most powerful mages live solely according to their arcanum’s Truth. But since the Truths can be contradictory or uncomfortable to tie to each other, the deeper you are connected to your Truth, the less chances you have of understanding other Truths. Creatures born to one of the primal sources don’t have the ability to fully commit to any other primal source - they can get it in theory, but can’t tap into its magic naturally. They all live in harmony with one another, balancing the world and its inhabitants. But there is one creature in the world born without a connection to any one primal source, but with the cognitive abilities to learn to understand them. That’s right, ALL humans have the potential to understand multiple arcanums, and are only limited by their philosophical abilities. This means our magic system is based on philosophical thought. Magical creatures are naturally predisposed to it, but it limits them, and are the equivalent to people who limit their worldview only to their personal lived experiences. Humans have the potential to gain limitless knowledge, but the difficulty of that path and the disadvantage with which they start out often discourages them from even trying. Magical creatures tend to view humans as inferior because they perceive them as incapable of living the same blessed balance as they do. They see their potential to learn multiple types of magic as a transgression against the ways of the world, and have outlawed any magic done by humans. This means humans were completely dependent on magical creatures for things such as shelter, physical defense, food, et cetera. And if you repeat to someone enough times that they are a parasite on the world and have no right to live in harmony with it, they are going to try and live as separate as possible in their own way.

And here we reach the dark magic. Dark magic can perform the same spells as primal magic - and yes, every single dark magic spell has its primal equivalent. They are simply different means of getting to the same end. However, dark magic skips the “needs a connection to the arcanum” part, and instead consumes the amount of primal magic energy proportional to whatever you need to do. To fix a broken plate with dark magic you need to say the spell, and provide the appropriate amount of primal Earth magic, through a plant or a creature connected to the Earth arcanum. Primal magic is lots of spellbooks, conversations and philosophy. Dark magic is necromancy, recipes, potions, way more scienc-y, as it requires a lot of experimentation and trial and error to determine how much magic needs to get used in spells to achieve the desired effect. Primal magic is borrowing, manipulating, and returning the magic around you to reach the desired effect. Dark magic is taking the magic and consuming it to reach the desired effect. Once you spend all the magic in one area, it takes centuries for it to get replenished again. The only effect it has on the user’s physical appearance is the black eyes for the duration of the spell, but none of that “gray white corpse” look (it looks cool but is way too on the nose). Dark magic use is strictly regulated and its secret closely guarded to ensure it is used only “in service of the Empire”. The humans use magical items in their everyday lives, which the show should showcase - we need to understand how much these people rely on the magic. I am trying to format it as the equivalent of plastic in our world, if you can’t tell - something helpful that’s not bad in small doses, but once you base your system on it, it totally ruins everything. 

History and geography

Xadia was once one land where humans and magical creatures lived together. The archdragons were never rulers - they were revered as gods by Xadians, seen as the embodiment of the primal sources on earth, but they stayed in their heavenly abodes, perfectly in-tune with their arcanums, above all squabbles of mortals. There were no countries, the nations organized in settlements according to their arcanum, but that doesn’t mean there were no conflicts. The primal tribes understood they had to live in harmony to keep the world balanced, but their opposing beliefs kept them at each other’s throats if they got too close to each other, so they all preferred to stay separated into societies that functioned according to the Truth of their primal source. Humans had no tool to deal with the dangers of survival in the dangerous magical wilds, so they too lived in these societies, protected by the primal magicians, but also seen as lesser beings in a magic-oriented world. Deviation from the laws and beliefs of society, including humans doing magic, was seen as a danger to the balance of the world, and some humans preferred to leave and start their own settlements. The settlements were small and fell quickly, but the largest of these was Eboreus, all the way to the inhospitable desert in the northwest of the continent, where dark magic was discovered. Empowered by this new power source, it grew into a kingdom named Neolandia, a safe haven where the humans despised by the magical creatures could find refuge. The dark magic ensured humans held resources for their own survival for the first time, and as their numbers grew, they needed more and more access to magical resources once they spent the ones already in their possession. At first expansion was easy, since the area was all wilderness, and Neolandia grew in strength. By the time they spread to the first Xadian settlement, they were powerful enough to take it on in battle once negotiations fell through, and thus the big war started. The territory ruled by humans split into kingdoms to make it easier to govern. The expansion was stalled over the past 500 years because their numbers stopped increasing, and also because the forces reached the Breach, the mountain range separating the continent in half, which is almost completely devoid of magical properties (aside from the Xadians guarding it). Conquering it would take a long time and a lot of resources that couldn’t be replenished until it is completely passed, so the Empire has to change its war tactics. Katolis, the youngest of the kingdoms, partially resides in the Breach and marks the frontier of the war. Katolians are soldiers, their culture devoted to defending and expanding the Empire. A year ago the king of Katolis and his High Mage did the unthinkable - they snuck into Xadia and slayed Avizandum, the sky archdragon who resided in the Breach. This sent the continent into an uproar, Neolandians empowered as god killers, Xadians angered at the defilement of their most sacred beliefs. Both await what magnificent magic will be unleashed upon the world now that Katolis has such a powerful resource in its hands.

MAIN CHARACTERS

Callum. The fourteen-year-old adopted son of Harrow, the king of Katolis, he doesn’t fit his country’s warrior ideals and feels rejected by both the society and his family. His mother, a Katolian general who famously perished in service of the Empire, married the king when Callum was very young. He is no good at fighting and is scared of war, so he prefers to spend his days hidden alone in some nook, reading poetry and drawing. He has an interest in magic from a lore standpoint, he doesn’t want to try it himself because it’s not something you just dabble in: if you decide to become a dark mage, you stay a dark mage until death. He is kind-hearted and emotionally mature, his mind open to any and all ideas, but this also makes him anxious and insecure - if anything is possible, the world feels unstable. Callum is going to be our protagonist, who we accompany as he learns lessons about the world and himself.

Ezran. We are rewriting the heck outta this little dude. He was supposed to begin his education as the crown prince of Katolis this spring, as he has just turned 10, but for some reason his father delayed it. Ez is very glad for this, as he quite enjoys being a carefree little kid with no responsibilities. He is everything Callum isn’t - social, silly, optimistic, and energetic. He loves the entire world and tells stories of the most basic things with the wonder of a fairy tale. This means that when he tells people he can talk to animals, they smile at him indulgently and marvel at the prince’s creativity. Ezran as a character is supposed to embody a child’s lack of awareness when it comes to differences between people - he sees everyone as his friend, and believes everyone is the same. The Earth arcanum follows the same principle, and here is where his ability to speak to animals stems from, even if he is totally unaware that he is doing magic. He is the kid in the zombie apocalypse - you don’t want him to be corrupted because he symbolizes the potential of future generations. However, at no point are we making him a monologuing mouthpiece or the best king who ever lived, since his story is in his potential to grow, and not his perfection as he is. I am writing Bait out because I honestly hate his role as an useless damsel in distress, and the role of the animal companion is already filled by the title character, and it’s not like I can write HIM out.

Harrow. The king of Katolis is meant to be Ezran 30 years into the future, an optimist who forgot how to believe in a better world because he was pressured to grow into the role expected of him. His wife, general Sarai, and his High Mage, Viren, supported (read: pressured lovingly) him and made him into the brave, fierce king he is today. A year ago he led a bold invasion into Xadia which was meant to turn the tides of the war - the plan was to kill Avizandum and harvest his body for magic for years to come, even subduing the Breach along the way. However, once the archdragon was slain, his body dissolved before it could be transported back to Katolis. Viren predicted the reason - archdragons were manifestation of primal sources on earth, so when all that magical energy was released from its physical form, it must have reformed somewhere. The answer awaited them in Avizandum’s nest, the Stormspire (now located within the Breach) - an egg of a newly reincarnated sky archdragon. Harrow and Viren took the egg and hid it from the world, buying time until Viren figures out what to do next. However, this close encounter with a god left Harrow’s faith in his life’s path shaken. Who is he to meddle in affairs he can’t even comprehend, such as the laws of the universe? Could it be that the survival of his people doesn’t have to be achieved by destroying the existing world? Did he choose wrong all those years ago? Looking at his small son, he can’t force himself to force the same choice upon him, not yet, so now Harrow is stuck in a limbo of his own feelings and re-examining his entire life with no one to confide in. 

Viren. I am totally stealing from The Kyoshi duology for his villain type, and I am not sorry. Viren is the High Mage of Katolis, the king’s closest advisor. He and Harrow have been the closest of friends since their youth, despite their wildly different origins. He was the son of an Evenere farmer family, and he got sent to a Katolian military academy, where he met young Harrow who had just begun his own education. The boys became fast friends, but soon Viren was recognized for his intelligence, work ethic, and high potential for dark magic. Dark magic is usually taught generationally within selected families which makes the study very elitist, but his drive and ambition led him to excel, so that by the time they finished education, Harrow took him back to his castle where he could become the High Mage’s apprentice. From the very beginning the drive behind Viren’s ambition was the knowledge that he is all that’s standing between those he loves and utter ruin - first it was the financial difficulties his family faced that were mitigated by his high paying position, and now it is the responsibilities of one of the most important men in the country. As mentioned before, Harrow faced many difficulties adjusting to the role expected from him as a king, and Viren saw himself as his compass, the one making the hard decisions that save the world until the king becomes strong enough to make them himself. And for a while, it seemed it worked and Harrow became the ruler that could defend humanity from Xadia, but ever since their return home Harrow has been growing more and more distant from Viren. For the past year Viren has been trying to figure out how best to harvest the archdragon egg. He knows he only has one chance to use its energy, because if he kills it, it will just respawn back at the Stormspire, and since Xadian forces have now been alerted and concentrated in that area, he won’t be able to get it back again. Dark magic relies on experiments, and he doesn’t have the right to experimentation. The dragon was supposed to power the Empire with magic for years, but now it turns out they get one single spell out of him. He knows that if word gets out, all of Xadia will descend upon Katolis, so he doesn’t even dare share his discovery with other High Mages. He’s been slowly breaking under the pressure, and the only other person who knows about the situation, Harrow, is of no help. Lately, he has even started saying their way of life is wrong, and they should have never stolen the egg. His strength is faltering. Viren is used to doing whatever is needed to save those he loves, but what happens when those loved ones are the ones preventing him from saving them? Harrow is a possible Ezran future, and Viren is a possible Callum future, a man who had to carve a place in the world for himself, who felt powerless until he discovered something that made him more powerful than anyone else, whose sense of right and wrong is so strong it might even overpower his love for his brother. 

Claudia and Soren. Soren is the himbo disappointment son, he inherited none of Viren’s intelligence, or magical talent. He is ambitious and a fantastic swordsman, a true Katolian, so he recently managed to score the position of the captain of the king’s guard at only 18 years old (his dad’s only comment was “Excellent, now you can report all of the king’s everyday life to me”). Claudia, on the other hand, is a magical prodigy - at only 16 years old she has almost reached the same level of skill as her father, which is something Viren is immensely proud of. However, Claudia is very chaotic and doesn’t take this entire “We’re the only thing standing between the Empire and total ruin” thing seriously, and likes to spend her days doing normal teen girl things such as inventing new potions and befriending the princes. Soren desperately wants his dad’s approval and is doing his best to get it at any price, making him a parallel to Harrow. Claudia doesn’t worry about what her dad or anyone else thinks, but she fully believes in “no price is too high to save someone you love”, making her a parallel to Viren. The siblings grew up with the princes, but Soren stays away from them (out of envy) while Claudia is friends with them. She taught little Ez the spell for speaking to animals when they were both kids, but she doesn’t know he still uses it on a daily basis in a totally non-dark way. She is the reason Callum knows as much as he does about magic, since she sees him as a cute little friend she can infodump to (as long as she doesn’t lay out the details of the ingredients needed for the spells, it doesn’t count as revealing big secrets of the dark arts. After all, what could a human boy do with draconic words??). He is of course massively crushing on her and remembering every word she’d ever uttered. 

Rayla. Our sole elven main character. The murder of Avizandum prompted Xadians to band together in a more organized manner than has ever been seen in history and retaliate against Neolandia with united forces. After a year of preparation, the first wave of attack is ready. The Moonshadow Assassins will send a pair of lethal killers to each of the five kingdoms, one to kill the ruler, the other to kill the heir, causing civil unrest and sowing fear. Rayla, the youngest of the band at 15, was sent to Katolis with the leader of the group and her adopted father, Runaan. She is everything that is expected of a Moonshadow Elf: a ruthless, fearless fighter bound by honor to serve her tribe. There is nothing more sacred to her than fulfilling the mission given to her by her elders. Any doubt or weakness is to be stamped out quickly and without a single thought. This mission marks the end of her initiation into her tribe - once she kills crown prince Ezran she will be considered a fully fledged member of the Moonshadow Assassins. Her character role is to serve as an opposite weight to every other child character, where she has already chosen her path and created a much more mature space for herself as a kid should have. She needs to learn that vulnerability is needed to live a fulfilling life, and showcase the effects of the golden child syndrome. In this, she is the foil to Callum.

Aaravos

He is gonna be the ultimate Big Bad, the god our characters deal with in the final decisive battle after all the smaller villains are done. The star arcanum doesn’t have much in canon lore as it’s meant to be a mystery, so I am about to invent a whole lot of crap. In this story it deals with the Truth of eternity, the existence of the universe as something so vast and limitless no mortal mind could ever comprehend it, and thus a “startouched mage” is an oxymoron. It also differs from other arcanums in that it’s not one single whole, but many separated ones that make up one bigger whole. Each star is a world upon itself. As mentioned, it is incomprehensible to everyone in Xadia - it is a rare thing to see a creature who comprehends even the basics of the star arcanum (which would be “I know I am less worthy than a speck of dust when compared to the infinity of the universe” - I don’t think many useful spells exist in that vein), and no elves exist of this race that are born to the knowledge. In that vein, instead of having only one archdragon, the star arcanum has as many as there are stars in the universe, and Aaravos is one of them. As opposed to the other archdragons, his interpretation of his arcanum makes him interested in mortal affairs. Sadly, this twisted interpretation also means he has interest in world domination, as he sees himself as the only creature capable of comprehending the ways of the universe, and thus that makes him the most logical choice for the emperor of the planet. As a character his role is to represent overstepping boundaries, the sin of pride, what happens when one has no limits - so the same flaw present in a lot of rulers, explorers, and desperate people, and it just so happens our main cast is filled with those. He is limited by not having a physical manifestation that can walk the earth, though, so he has to build one for himself. He infects mortal minds through star arcanum. There are no mages who are dedicated solely to star magic - the world is already filled with more secrets than one could fit in a lifetime, so why waste time searching the stars to an even more futile effect? Still, those who manage to figure out at least a little bit of the arcanum leave their minds open and vulnerable to Aaravos’ influence. He is NOT some puppetmaster who is to blame for every single bad thing that ever happened in history, though. In most cases his hosts are driven insane because they can’t comprehend the spells he is trying to teach them, so he has been searching for a suitable host for a long, long time. As there are no elves tied to this arcanum, this leaves humans as the only ones who can interact with it, be it through primal magic… or dark magic. Let me remind you, in this rewrite every primal spell has a dark equivalent, but where primal spells are fueled by mind’s ability to comprehend philosophical concepts, dark magic needs only a source of magic connected to the primal source tied to the spell. This is Aaravos’ connection to dark magic - he sees it as a possibility he’d never had before, a medium through which his hosts will no longer be driven insane before managing to build him a body. 

THE PLOT

I think the seven season, three-act structure first presented by the writers (before it went off the rails) was good, so I will stick to it! Each season will be dedicated to one of the types of magic (so 6 primal sources + dark) that teach the characters relevant lessons, be it positive or negative. However, I am switching it from a fully overarching single story to the ATLA-like episodic that builds up to a big story, simply because that is a much better format for TV in my opinion. I am gonna lay out only the basics here. You know the drill, they travel around the world and do side quests and help lots of nice people who help them in return. The fact that they are carrying around a god makes Xadians more willing to trust them, and the fact that they are missing Katolian princes makes humans feel the same. Also I am not calling the seasons “books” because this isn’t ATLA.

ARC 1 - lasts ~3 months

Season 1: Dark

Starting off with dark magic because this would be the kind most of our characters have lived their life knowing. The thesis of dark magic is “by any means necessary”. 

GENERAL OVERVIEW: The king of Katolis is assassinated by the Moonshadow Assassins in retaliation for the killing of Avizandum, the sky archdragon. The two Katolian princes and one of the assassins discover that the archdragon had been reborn as an egg, which the High Mage aims to kill once and for all. Knowing that the assassination is only the opening act of a horrifying war that could end both their countries, they steal the egg and escape the kingdom, planning on returning it to Xadians as proof that the damage Katolis has done isn’t irreversible. They reach the Stormspire, but the guardians there are unwilling to credit humans for the return of the egg, so the trio decides to keep going and find someone who shares their views.

CALLUM: He starts the season out unsure of his position within his family and his country, feeling like a reject from both. His father tells him “I used to think I would do anything to protect my kingdom, but I am not so sure that would be the right thing anymore”, which prompts Callum to think about his own position on the subject. He discovers he possesses the ability to perform dark magic. By the end of the season he concludes his little brother is what is most precious to him, and realizes that his country and empire were wrong in their approach to the Xadian issue. He swears not to do dark magic again.

RAYLA: She starts out as cold, focused and effective as possible, but the discovery of the egg and Ezran turning out to be a smart, optimistic little boy who feels no hatred towards her and could grow into a decent king makes her change her mind on the topic of bringing absolute war to the world. This enrages Runaan, who attempts to kill her for betraying her tribe. She manages to escape badly shaken by the experience, but she rationalizes it as “I am doing this for them, they will understand one day and be thankful for what I’ve done”. Her left hand is bound by a magic ribbon as a symbol of her oath, and every day that Ezran lives, the ribbon gets tighter until her hand will be severed. This too is, to her, proof of the sacrifice she is making for her people.

EZRAN: He is the only one capable of communicating with the infant dragon inside the egg, thanks to his ability to speak with any and all creatures in the world. This makes him feel responsible for something for the first time, as Callum and Rayla would have no other way to figure out if the dragon is doing ok. Other than that, his role is to be cute and optimistic while the teens are being emo.

VIREN: Viren could have saved Harrow’s life when Runaan got to him, but chose not to as the past year made him fear Harrow could no longer be a good ruler. He is well respected throughout the Neolandian Empire and has many resources, but he can’t trust them because the egg might be discovered and he might be declared a traitor. And so he sends Soren and Claudia after the princes, but gives them different jobs: he confides about the egg’s existence to Claudia, knowing he can trust her curiosity regarding magic and informs her to bring it back at any cost, while he tells Soren to kill the princes, banking on Soren’s obedience and the ability to do what is needed. In the meantime, he himself starts organizing defense against Xadia and buying time for the siblings to return. That’s his plot for the entirety of arc 1, he travels around the human kingdoms hanging out with people who respect him and grows more and more paranoid.

Season 2: Moon

The theme of the season is “Reality isn’t the only truth; you can only truly know the appearance itself, and you can never touch the so-called reality that lies beyond the reach of your own perception”.

GENERAL OVERVIEW: The first stop for the trio is the only crossing into Xadia, currently occupied by General Amaya, the boys’ aunt. The boys try to recruit her to help them, but she is unwilling to let her nephews risk their lives so they have to escape her too. The finale happens in Rayla’s home village, the assassin’s hideout Silvergrove, where she discovers she has been excommunicated and won’t get any help. They tell her it doesn’t matter that the dragon has been reincarnated, this battle has been a long time coming and there’s nothing that can stop it now.

CALLUM: After the disappointment of giving up on dark magic and being unable to trust even his own family, the discovery of his connection to the arcanum gives him a new sense of purpose. I feel like this arcanum is the best intro into mastering the rest because it involves keeping your mind open to possibilities and the knowledge that you do not yet know all there is to know, so that is his arc to learn this season. Rayla helps him understand it through her own arc, and he manages his first Moon arcanum spell in the season finale. 

RAYLA: She bonds with Callum because he is open and keeps trying to get her to open up. She still has her binding on when she meets Ethari, and he sees it as a mark of shame instead of what she has been convincing herself it is. She learns that Silverglove will never accept her back or understand why she has betrayed her mission, but that she has to stay true to her convictions. 

EZRAN: Having seen his aunt turn against him and the way Xadians fear Katolis, little boy needs to deal with the knowledge that his dad was a good dad, but a bad king. Just because he knew him as a gentle, happy man, it doesn’t mean that was the full truth of it. He resolves to be a good king one day in his stead.

CLAUDIA AND SOREN: Let them meet Terry here. Terry is an Earthbood elf who has done the unthinkable - he severed himself from his own arcanum, and has left his tribe behind. He offers to help the siblings after they save his life. 

Season 3: Sun

Theme of the season: “A thing can be warm and nurturing, but given the right situations, also destructive and cruel”.

GENERAL OVERVIEW: Next major stop for the trio is a community in the Sun territory where humans and elves secretly live together, and the humans practice primal magic. This is the season Soren and Claudia catch up to the trio, and this is where they find them. The season finale is Soren and Claudia’s troops VS the trio and the human/elf community. The trio wins and the siblings retreat. The egg is damaged in the process and has to be hatched. Welcome to the world baby Zym!

CALLUM: The only thing better than discovering he can do primal Moon magic is discovering he could also potentially do other types of magic as well. In his thriving era, slightly interrupted when Rayla confesses to him that she likes him and makes things awkward for an episode or so. They deal with it with care and love. Then Claudia and Soren show up and he has to defeat his friend to protect his mission, and this is what leads him to understand the Sun arcanum. All the good things he’d admired about Claudia are also destructive because she doesn’t know when to stop.

RAYLA: She has to learn how to deal with being untethered and unlimited by the rigid expectations of her society for the first time in her life. The rules of her upbringing, which once made her feel accomplished and safe, also left her scared to make her own decisions in fear of making the wrong choice. She needs to forgive her destructive, cruel side and find the warm, nurturing one, and no longer base her self worth on her family’s expectations.

CLAUDIA AND SOREN: Claudia refuses to learn the theme of the season and instead goes the other direction: “nothing done out of love can be wrong”. From her POV, the human mages of Xadia are delusional and sitting ducks, and would be better off joining Neolandia. She is heartbroken when Callum chooses them over her and his home, and declares him a traitor. She leads a small-scale attack against the village hiding the trio in one last attempt to get the princes and the egg.  I love the canon s2 plotline with her and Soren, so I wanna fit it in her, Soren gets very hurt in this battle, Claudia has to retreat to heal him, and the siblings switch places. Now Soren is the one no longer willing to follow orders, while Claudia finally develops the drive needed of a High Mage. 

VIREN: The guilt and fear of discovery (over letting Harrow die, but also the egg scheme they kept from the rest of Neolandia) drive his actions to become more and more erratic. The confident guy we’ve known since s1 is now running on fumes. At some point he IS discovered, but manages to defeat the person who knows it before word gets out. In his prideful desperation, he manages to establish connection with Aaravos for the first time.

ARC 2 - lasts ~3 months

Season 4: Sky

The theme of the season is “You are one with the world, air is all around you, but also inside you”. 

Timeskip so Claudia and Soren can make their way back to Katolis, the community ravaged in s3 can get rebuilt, and the trio can recuperate. Maybe 2-ish months? It’s been almost half a year since phase 1 of the Xadian counter-offensive has been released, and it’s time for phase 2.  

GENERAL OVERVIEW: The trio decide their best bet to prevent phase 2 of the Xadian counter-offensive, the full-scale attack on Duren (where the Empire gets most of its food reserves) would be to go tour the north showing off baby Zym and his connection to Ez, the next king of Katolis. The queen of Duren, Aanya, is a young girl only a couple of years older than Ez with a reputation for sympathizing with Xadians, and might be more willing to listen to them than the Katolians. Now that little baby god Zym is out of the egg and they can prove he likes and trusts them, Xadians should be more willing to listen, too. The point of the season is developing the trio’s will to fix the world. Meanwhile, Claudia and Soren (plus Terry) rejoin their dad and have their arc of “Soren wants out, Claudia is digging her feet deeper and deeper into the ground”. Terry knows about the second wave of attack for some reason and they all decide to go to Duren. 

Season 5: Earth

The theme of the season is free real estate because the wiki says there is no arcanum data for Earth yet. I am giving them the “already dead” thing. See, the mountains and the earth are stalwart and unchanging, the same as they ever were. Why worry about paths well established, your life is the same as another’s, it begins and ends the same way. This can also be interpreted as stubbornness, but mainly it is the arcanum used for mending and healing, as it deals with returning to true form. “To know yourself is to be unshakeable, we are all made of one.” 

GENERAL OVERVIEW: The “hits the fan” season. Rayllum gets together. Aaravos is invested in helping the Empire succeed because he needs his dark magic worker bees. Soren betrays his family’s secrets and helps the heroes before he dies, sending Viren and Claudia into hiding. At some point Callum used dark magic again out of desperation, and it was a star adjacent spell. However, Duren still falls, and it’s both side’s fault. Turns out that the kids really can’t do anything unless they have some kind of a power, and they are now willing to take it. With Aanya’s support Rayla and Callum decide to return to Katolis, which has taken the opportunity to sever itself from the Empire now that there are no easy ways to access it by land, and try to bring some order to the country and prepare it for Ez’ rule. Ez and Zym escape into hiding in Xadia with Terry’s help (he realizes that maybe seeing the world burn would NOT help him feel better), as it is obviously far too dangerous to keep them in the public eye right now, since that was the reason Duren fell in the end. Aaravos’ existence is now known to everyone. Sad sad sad. 

ARC 3

Season 6: Ocean

2 year timeskip. The theme of the season is “One is not in control, there are parts of yourself that you cannot understand, there are things that cannot be controlled, you cannot control everything, no matter how hard you try.” 

GENERAL OVERVIEW: The war has stalled for the moment, as the spectacular failure at Duren rearranged the map and introduced Aaravos’ existence into the world, so the game has changed now that both sides share an opponent and it is a god. Ez and Zym feat. Terry are on a quest to figure out wtf is an Aaravos from the Xadian side of the border, as they are probably the only incorruptible team in the game. Callum, now the High Mage of Katolis, is still guilt-ridden over how Duren slipped from him, and how easy it was to return back to dark magic. Rayla is dealing with trying to help a country that obviously doesn’t look too kindly to her existence. Viren finally reaches Harrow’s s1 arc and realizes this whole thing has gone too far, but Claudia keeps marching on, and he is determined not to lose his second child as well, so he stays by her side. The season is dedicated to Callum and Claudia both dealing with similar vulnerability to Aaravos and the story could really go either way, but ultimately, Callum learns to deal with it by letting go of control, while Viren kicks the bucket and sends Claudia straight into Aaravos’ waiting arms. He has a physical body and is ready to party.

Season 7: Stars

The theme of the season is once again free real estate, this time because the characters don’t have the ability to comprehend the arcanum of the season and have to make up their own, and it’s “You are insignificant in the grand scheme of things, and that is okay. Better to focus on doing your best regarding your own life and be happy than to perish in delusions of grandeur”.

GENERAL OVERVIEW: The Final Season. It’s Neolandia and Xadia being forced to unite against the same foe. No one side will ever get to claim to have won the war that was going on for thousands of years, and that’s great. The ban against human mages has to be lifted, the ban on dark magic has to be established. Those who couldn’t put their pride aside perished in Big Pride’s AKA Aaaravos’ party zone. I am intentionally avoiding writing character arc endings because I am trying not to reach 8k words on this thing, but you know enough by now to be able to tell what happens next. The divine right of kings is bullshit, we are all just regular people, and the divine is too smart to worry about our little lives.

And they all lived happily ever after~

[eerna]

for how often netflix cancels shows, its bonkers that tdp has even made it this far. I cant imagine the viewership numbers are good for how often seasons drop with no warning. Maybe they fund it just to bring pain to the people that still watch lol

Hsjesjsb it is all an elaborate SAW puzzle except the bear trap is replaced by all those "HOW IS THIS FOR KIDS" and "OMG PEAK REPRESENTATION" praises... My theory is that Netflix really really wanted its own ATLA, a family cartoon tackling complicated issues, and TDP is a copycat of it through and through in the same vein that The Witcher was targetting GoT audiences and Emily in Paris was targetting Sex and the City audiences. From what I can tell it is doing pretty well viewership-wise for a kids' show. There is also that one accusation from a few years back that the show was greenlit for all 7 seasons from the get-go and was never in any danger of cancellation, contrary to what the creators would have you believe based on all those "tell Netflix you want a renewal" actions on twitter. Who knows!! We will never know for certain!!!

[eerna]

I am glad I forgot to keep watching TDP because wow does it sound like they made the worst choices for a lot of characters TT-TT

Your sacrifice is appreciated

I wouldn't even say ''the worst'', since I can see what they WANTED to accomplish, it's just that they forgot that the journey from point A to point B is way more important than the points themselves. The characters are just ragdolls thrown down the stairwell that is the plot points and character moments the writers want to accomplish. But yes, I was ready to check out of this hotel like 3 seasons ago, so thank you for appreciating my sacrifice 🫡

[eerna]

So I haven't seen tdp in a long time (gave up after season 3 I think?) but it sounds like the show is going off the rails and does want to be like animated game of thrones. Or at least wants to be seen as an adult show despite it originally being for kids? They even have an EP called "the red wedding".

You are correct, I can't find the interview but they have been branding themselves as "GoT for kids" since s1, and also said this. When I saw that episode title I was like "If this wedding ends with every single attendee dead, I will take back everything mean I've said about the show" and then not a single person was even hurt, and that is this show in a nutshell

[eerna]

what happened to claudia in the main series? is she written better than the other characters or did her writing get even worse somehow

Her writing got even worse T.T They wanted their own "Azula screaming and crying because she went crazy" moment which was so awkward... Idk when you stopped following the story, but her s6 plot is that Rayla chopped off one of her legs, and then after Claudia resurrected Viren, he ditched her to go on an inner healing journey, which made her a bit mentally unstable (hence the screaming crying). She decided to go after him to beg him for one last conversation because she's not sure if she should free Aaravos from his prison or even keep doing dark magic at all. Then she finds Viren's corpse (he died while doing dark magic) and that somehow convinces her to free Aaravos and keep doing dark magic. So the last we've seen of her is hanging out with the final boss of the story, indicating she will be a miniboss.

[eerna]

rayllum and starco are the same to me because i used to be so into both but then as the seasons progressed the more i disliked it because all 4 characters ended up not being written well at all

*Shoots back a glass* now there's a name I haven't heard in years. To me, both shows are something I loved until my rose tinted glasses fell off and I felt embarrassed. However, TDP is not as bad in my book! I've had wonderful times in the fandom and I still accept commissions for it. No bad feelings there at all, it is just the story I fell away from.

[eerna]

do you have that one reblog where that tumblr user was criticizing the dragon prince and how it fails its worldbuilding and compares it to avatar the last airbender that handled it better? even right down to the clothes?

Here!

You can find all the TDP criticism in my tdp dunking tag~

[eerna]

i remember trying to give tdp the benefit of the doubt and waiting in anticipation for s5 but the day that s5 came out it was like all excitement vanished and i never watched it LOL i didnt even know s6 was out but from what ive read - this feels like a repeat of voltron where it started off interesting but over time it somehow got worse

Rhbddnsnns omg I too dropped the show before s5, I lost all my interest, but then people were telling me I just HAD to watch it bc it was for ME and it was SO GOOD so I caved in. So I decided to finish the show bc why give up with only 2 seasons left. But I was ALMOST out. I was ALMOST safe from Aaron Ehasz' antics. I WAS SO CLOSE

[eerna]

i havent caught up with tdp since s2 ended and i didnt like how it turned out but hearing about its slow descent into... whatever that is makes me kind of sad. i think the first season was really interesting... 😔

Yeah :((( The saddest part is that it DOES have the potential to be a great kids' show. But it is so obsessed with pandering to the teen-and-college-kids audience that they forgot to write character and plot arcs that make sense. At this point there are more marketable plushie characters in the main cast than actual people

[eerna]

The Dragon Prince’s rating has actually changed to tv-14.

Yep!!!! I am laughing but in a hurt way

[eerna]

Hi! I was the one complaining about Bird Harrow. It's been bugging me enough I rewatched the first couple of episodes. From a writing perspective, they introduce the Soulfang Serpent! It's only purpose is to do a body-swap! This scene serves other purposes, so it could just be a prop, but the snake comes back later. It serves to show Viren is kinda cutthroat about his goals (theoretically condemning another person do die in place in Harrow) and Harrow is a Paladin (Boy Scout) about stuff.

It's pretty good characterization! It shows Viren really likes his plans, especially because they're His Plans (which kind of makes it weird later when he's just super down for Avaros' plans. I know it's spelled wrong but I'm not looking it up. Moving on). He's an egomaniac, and Harrow carries guilt over the events that happened, and sees his impending doom as an atonement, though is still planning to put up a fight because it's his duty. Great, good. Next Episode!

Viren's still got the snake! Argument ensues! it's the one they had last episode, to remind everyone of their dynamic.

Bird alights on shoulder! This was a deliberate choice! for a reason! You don't just set this up because it's Dramatic!

Viren appears, sans snake. So at this point, we have two options. Either the animators made a... not necessarily a continuity blunder, but a real interesting choice, OR it's missing for a reason. (I'm being heavy-handed with this but I'm annoyed at the wiki) Yadda yadda, the "Invincible" Moonshadow elves apparently narrowly succeed in their assassination attempt. Suggesting that if Harrow had actually been allowed to fight they probably would've been fine, actually.

But he doesn't Fight. He doesn't emerge from his quarters at all! Really weird for a dude unwilling to sacrifice people merely to save his own life! Gosh, something must have happened in there! But What could it be????

anyway, next episode.

awesome armor aunt is introduced.

AND THEN THIS SHOT.

Viren doesn't care about this bird. There's no reason to cage the bird. The bird does not appear to have a cage, prior to this. It's an incredibly distinctive element they spent a lot of work on that, as far as I can tell, does not appear again. And most importantly. They never show Harrow's Body. Which is kind of an odd choice, if he wasn't a bird. Since if he wasn't a bird, it would be a dramatic shot! Nevermind the Dramatic Fight he could have had with the assassin! If he was a bird, well, you'd probably not want to show the king fighting like a bird in a man's body just for the dignity of it, and also showing his corpse would muddle the VERY OBVIOUS IMAGERY YOU'VE SET UP TO THIS POINT THAT THE MAN IS GONNA GET BIRD'D! Deep Breath. At SDCC 2019 creator Justin Richmond said that Harrow was killed by the elven assassins. This enters the realm of speculation, but unless he's just outright lying (which is... boring) it would indicate to me that this idea was cut at some point after most of these shots were finished, and it would be too expensive to remake them. So... most of the connective tissue was left, kicked under the rug as best as they could, afforded little other choice. Because the alternative is that they're incredibly, fundamentally unskilled at visual storytelling, which frankly, seems wild. The show is very, deeply flawed, but they do consistently demonstrate proficiency in the shots chosen for other threads in this opening plot. So many choices are done carefully and deliberately, that to fumble this one Major thing? Seems nutty. And it's really disappointing because Ezran coming home and chatting with Dad Bird and unravelling Viren's plot is Way more compelling than anything else they actually did do in the show. Come to think of it, maybe it's when they decided to have Aravos as the/a big bad. idk. Viren's dealing with Asarov to seem mildly-to-fairly inconsistent with his characterization in these early scenes. and not in a way that demonstrates any kind of meaningful arc.

Rant over. Thanks for listening. I doubt we'll ever get a good answer to this.

This was a highly entertaining read, np! I felt the same way when I rewatched the beginning of the show dsnjkavkas. Those first few episodes are directed much better than the rest of the show, and you're right, it's so weird if they are really meaningless. There is also a shot at the end of the season showing the bird escaping the cage, and then we NEVER SEE IT AGAIN. It shows up again only in Viren's imagination in s5. SO WHAT WAS ALL THIS FOR HUH. But honestly the show LOVES to introduce concepts and then drop them, so I wouldn't even be surprised if they just did it for the vibes and making it seem like a Cool Mature Fantasy Thing where the villain keeps the dead hero's animal companion in a cage instead of any proper writing reason.

[eerna]

it’s like they want the dragon prince to become the game of thrones of shows for people on the younger side

One fart joke at a time