#edmontonpublicart

[yegarts]

Public Art Monthly - June 2018

The June 2018 edition of EAC’s Public Art Monthly is out!

Read about: Mary Anne Barkhouse & her installation Reign at ᐄᓃᐤ (ÎNÎW) River Lot 11∞; attend the Paul Kane Park Grand Opening and see April Dean’s Sometimes, Always, Even; check out Public Art in the News, and more!

Click here to read the newsletter.

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New for 2017 in #yegpublicart

As the last traces of winter trickle into Edmonton’s storm drains, the city shakes itself, and turns to thoughts of spring. It’s a time of renewal and exploration when outdoor events and markets beckon, inviting fresh eyes to view the cityscape with renewed interest.

Hot for 2017 is a baker’s dozen of intriguing silhouettes, dynamic shapes, rainbow hues, and enchanting visions. We refer, of course, to the new public art installations coming soon to a fire station, transit centre, pool, or park near you. This year’s breakdown of public artists is exciting – the 13 anticipated projects are all by Canadian artists; six based in Edmonton; one in Alberta, one Canadian Indigenous artist, and five from other parts of the country. Nine women artists are involved as lead artists or as part of artist teams.

Each artwork is inspired by its location: an abstract runner in motion evoking the spirit of Alexander Decoteau; lissome benches inspired by water currents in the North Saskatchewan River; a water jet, captured in stainless steel; contemplative and interactive sculptures utilizing boulders from the Edmonton region; a mosaic reminder to pay attention to the health of our ponds and waterways.

Read on for some highlights, and click on the links for more information.

Turbulent

Canadian Artist Jill Anholt’s Turbulent is inspired by the swirling forms and twisting, turning shapes that appear along the edges of water currents. This integrated artwork adds a sculptural layer to the new funicular (the Motorized Vehicular Access) connecting downtown with the hiking trails and amenities in the river valley. The collection of flowing benches – ribbons of blue steel – offers a playful place to rest and read, gather with friends, or simply enjoy sweeping views of the North Saskatchewan River and the Muttart Conservatory.

Esprit

When Alex Decoteau joined the Edmonton Police force in 1909, he became Canada’s first Indigenous police officer. An accomplished runner, Decoteau also won every important race in Western Canada between 1909 and 1916 and competed at the 1912 Olympics. He fell at Passchendaele in 1917 and is buried there. In keeping with his Cree ancestry, his relatives held a ceremony in 1985 to bring his spirit home to Edmonton. Canadian artist Pierre Poussin spoke with Decoteau’s great niece as he worked on Esprit. The abstract sculpture is composed of metal ribbons that intersect in fluidity, forming the silhouette of a man mid-sprint. It will stand in the new Alexander Decoteau Park downtown.

WELCA Mural

Edmonton’s Black Artifex celebrates Western craft and the longstanding presence of the Whitemud Equine Learning Centre Association in the river valley. The Centre stands on the historic site of the Keillor Farm, and continues to introduce Edmontonians of all ages to the joys of equestrian sport. Taking its inspiration from Alberta’s cattle ranching industry, the imagery of animals and nature within the mural recall motifs often found on saddles and leatherwork and is burned into the cedar exterior of the new facility.

The Big Splash

Paul Slipper and Maryanne Liu’s exuberant sculpture, The Big Splash, created for the new Pilot Sound Fire Station, explores time and movement in a bold explosion of form. Its sparkling chrome finish reflects natural and ambient lighting – pulsing red when the fire trucks flash by – as well as the viewer. The sculpture also celebrates the lifesaving power of water.

Resonant Progression

Resonant Progression is three sculptures placed along the Terwillegar Park path. They are intended to connect the viewer with the sounds around them, and provide an invitation to slow down and simply listen to the pace of nature. Royden Mills, an internationally acclaimed Edmonton sculptor, is interested in exploring the myriad meanings of place and sense. Entitled Potential, Resonant Point, and Beyond Listening, the sculptures incorporate boulders sourced from around Edmonton. The artist has imbued the sculptures with poetic/metaphoric resonance in addition to building resonant properties into each. The construction is low-tech, timeless, and low maintenance to ensure the longevity and relevance of the artwork – a place where families may joyfully play for many generations.

Ripples on a Pond

Edmonton’s newest outdoor pool will also be the country’s first “natural swim experience”; water plants and layers of gravel and sand will clean and maintain the water in much the same way as a natural slough or pond. Métis artist William Frymire is creating circular mosaics that resemble small ponds and feature three native Albertan aquatic species; the Western Painted Turtle, the Leopard Frog and the Dragonfly. They are interdependent species susceptible to human modification of the environment. Frymire’s style is postmodernist, embracing the ancient art of mosaic but offering a contemporary voice.

Veil

For the South Haven Cemetery, Calgary artists Brendan McGillicuddy & Jeffrey Riedl have proposed Veil, a large fabric-like lattice of airy line work appearing to billow from the South Haven Cemetery Service Building’s rectilinear geometry. The imagery evokes medieval Vanitas, or memento mori paintings, which reflect on mortality, the vanity of life, and transient nature of existence. Cloth, or empty clothing, is used to represent absence and loss; Veil continues this tradition.

Calder Mosaic

Community members joined artist Rebecca Bayer for a series of workshops to create patterns and colour palettes for this bright mosaic. The artwork celebrates the cultural diversity of the Calder neighbourhood and speaks to library visitors in the “universal language of pattern and colour.”

Details the remaining projects are yet to be revealed. Stay tuned for more public art news in the coming months!

Other goodies include new artworks for the Borden Park Transitory Sculpture Exhibition, as well as events, new initiatives, and calls to artists. In keeping with the spirit of spring, brush off your sandals, take the dog for a walk and capture some selfies with your favourite public artwork. We’ll share and celebrate all things tagged #yegpublicart!

[yegarts]

Notes from a summit - a recap of the 2018 Alberta Public Art Network Summit

(Delegate Bags awaiting their owners - Shirley Tse, Girl Named Shirl Photography)

Community is at the heart of great public art – that was the central message of the 2018 APAN Summit held in downtown Edmonton this fall.

APAN, or the Alberta Public Art Network, is a loose affiliation of public art administrators, managers and artists from around the province. Its purpose is to create an awareness of Alberta public art projects and opportunities; assess and access capacity in administering public art projects; improve public art collections management and administrative practices; mentor and support Alberta-based public artists and administrators, and last but not least – help the public learn about and understand artwork in the public domain in Alberta. Each year the membership gathers in a different city or town to discuss the challenges, share triumphs, and hear from experts from across Canada. The summit affords an opportunity to explore a new community while networking with colleagues.

This year was Edmonton’s turn to host. The event ran from September 11-13 beginning with an informal reception and keynote presentation at Yellowhead Brewery then continuing at the Matrix Hotel.

(Justin Langlois at Yellowhead Brewery - Girl Named Shirl Photography)

Kicking off the summit, Justin Langlois presented a keynote that detailed his diverse experience embedded with various communities in Ontario, Saskatchewan and BC. His social practice is heavily invested in community collaborations that work to improve, enhance and explore the ways in which public art can revitalize place. His observations left attendees in a perfect mindset to begin exploring ways of addressing the challenges around the often-sensitive subject of public art.

The next morning, following a hearty breakfast, Edmonton Arts Council Executive Director Sanjay Shahani welcomed the delegates and introduced Councillor Sarah Hamilton who brought greetings from Edmonton’s City Council. She remarked that “investment in public art is worthwhile” for its ability to “help build cities.” Even contentious artworks have value because their ability to evoke strong reactions means they fill a necessary place in the community.

(Girl Named Shirl Photography)

Her remarks led into a deeper discussion with David Turnbull (Public Art & Conservation Director, EAC) and Jennifer Thompson (Public Art Lead, Calgary Arts Development) about the state of public art in both cities.

EAC Public Art Conservator Andrea Bowes and Conservation Assistant Jenika Sobolewska walked the delegates through several in-depth projects recently undertaken by the EAC to conserve and extend the life of important public artworks within the city. A panel moderated by Public Art Officer Grace Law navigated the challenges of gentrification in the context of Edmonton’s Chinatown. Panelists Yong Fei Guan (artist), Paul Giang (planner, City of Edmonton), and film maker / artist Shawn Tse discussed how socially engaged artists can offset the negative effects of gentrification as revitalization becomes more of a reality for Chinatown.

(mamohkamatowin - Helping Each Other by Jerry Whitehead in ᐄᓃᐤ (ÎNÎW) River Lot 11∞ - image by Conor McNally)

Engagement formed the heart of a wide-ranging conversation about working with Indigenous artists. Jerry Whitehead, Tanya Harnett, and Lauren Crazybull each offered their perspective on negotiation and dialogue. They talked about how there isn’t one formula for engaging Indigenous artists as histories are not interchangeable and inform different people’s work in different ways. Transparency and ongoing relationships are key building trust and supportive partnerships.

Following a damp tour of ᐄᓃᐤ (ÎNÎW) River Lot 11∞ led by Public Art Officer Chelsea Boida, the delegates regrouped for dinner at Normand’s on Jasper Avenue where cast members of CBC’s The Irrelevant Show entertained with improv comedy sketches about the day to day life of public art administrators.

(l-r Justin Langlois, Helen Reed, and Hannah Jickling - Girl Named Shirl Photography)

Thursday dawned dark and snowy but there was plenty of hot breakfast and coffee to accompany a keynote presentation by Hannah Jickling and Helen Reed AKA Big Rock Candy Mountain. This collective creates child and youth-focused workshops that are public and participatory. They consider what children can offer to their practice, and are interested in what happens when children are introduced to the creation and consumption of art. They use candy as a negotiating tool to get children to think about things differently, to investigate taste, and to think about how taste is constructed culturally. In addition to working with the students to create a language they could use to describe flavor and experience of eating candy, the artists also allowed them to create their own space within the institutional space of the school. This correlates with how artists are expected to challenge power structures, to question authority.

The inclusion of public art curators is a relatively new trend in public art practice and Ciara McKeown, who is the Public Art Curator for Edmonton’s Jasper Avenue Streetscape project, spoke about the project and the questions that must be addressed when taking on multi-year, large-scale public art projects. The role of a curator is one of big picture thinking, to look at projects holistically in the long term, and think about how the art will look over time as well as how it will contribute to city’s overall public art collection.

(Girl Named Shirl Photography)

Two 45-minute workshops broke down the public art process and communications. Visual artist Erin Pankratz and Public Art Officer Robert Harpin engaged the delegates with a presentation that shared tips for administrators and visual artists working together on lengthy projects. (Hint – it’s all about clear channels of communication and meeting deadlines!). Communications Officer Eva Marie Clarke then shared several case studies with delegates that illustrate the value of proactive information sharing and engagement.

Filmmaker Jason Gondziola and Brooke Leifso, a multi-disciplinary artist and administrator presented the summit’s Cornerstone Workshop on Engagement and Ethics in Community Arts, bringing the discussion that began on Tuesday evening full circle.

The workshop took on the challenges of working with communities and asked, “How can creating art create social cohesion?” Done well, community art can be a true reflection of the people and neighbourhood that inspired it, but the artist must ensure there is informed consent and that community members know what they are participating in. Artists have to build trust before proposing a project and know that depictions can be subjective. Transparency is vital and artists must keep in mind that community art is process driven, it’s about building consistency, it’s not just about the final product. Jason Gondziola summed it up, “This work is not easy and there is no right way to do it. You learn best practices as you go.”

The core content was rounded out by a series of 5X5 presentations from Michelle Schultz of dc3 Art Projects, Barb Chapman of Strathcona County, artist Amy Loewan, Bob Rasko, Churchill Square Programmer for Edmonton Arts Council, Karen Begg, Studio West Bronze Art Foundry, Cochrane, photographer Wes Bell, and Erin McDonald, Alberta Foundation for the Arts (AFA).

Thank you to the 62 delegates who spent their time with us in Edmonton. We hope you enjoyed your introduction to the City, and we’re looking forward to meeting again next year in Medicine Hat.

Click here to see the full list of presenters and topics.