#early 2000s watermelon lip products

[y2kbeautyandother2000sstuff]

Bonne Bell Watermelon Lipsmackers Set

early 2000s

Found on Ebay, user shimmeringpinkcupcakes

[dwindledglow]

001. MEET ISLA

FULL NAME: isla renee monroe. PREFERRED NAME: isla. NICKNAME/S: is. DATE OF BIRTH: may 15th, 1993. GENDER & PRONOUNS: cis female & she/her. ORIENTATION: hetero. RELIGION: agnostic. RELATIONSHIP STATUS: engaged to kendrick parker. OCCUPATION: sports agent, ceo of monroe corporation and actress. RESIDENCE: montauk, east hampton.

002. CHECK ISLA’S BACKGROUND

HOMETOWN: quebec, canada. NATIONALITY: canadian and american. ETHNIC BACKGROUND: hungarian and canadian. LINGUISTICS: french and english which are her native languages, spanish, german, portuguese and italian in a fluent level and she can lead a conversation in japanese. EDUCATION: she attended university of birmingham where she got her BSc in physiotherapy and, later, she attended queen mary university of london where she got her MSc in sports and exercise medicine. CRIMINAL RECORD: despite some mishaps along the way and almost being charged for public lewdness and, later, having allegedly assaulted a paparazzo — which was settled in a deal, isla has a clean record. BIRTH ORDER: first. FATHER: lawrence jude monroe, born on may 19th, 1966 in toronto, canada, passed away on august 11th, 2006 in los angeles, california. lawrence was a high-profile hockey player and the founder of monroe corporation. MOTHER: audrey gabrielle kelly, née jones, born on october 29th, 1968 in montecito, california, residing in los angeles, california and working as a communication and media teacher at the university of southern california though she used to be a successful sports reporter. SISTER/S: elizabeth sophia kelly, born on june 8th, 2002 in malibu, california, residing in los angeles, california where she also studies. she’s one of two children audrey had in a second marriage, making her isla’s half-sister. BROTHER/S: anthony dean kelly, born on april 7th, 2000 in malibu, california, residing in los angeles, california where he also studies. he’s the first born of audrey’s second marriage and, thus, isla’s half-brother. SIGNIFICANT OTHER: kendrick parker. CHILDREN: bella nicole parker, born on june 9th, 2018 in montauk, new york. zoe eliza parker, born on june 9th, 2018 in montauk, new york. kyd lawrence parker, born on january 14th, 2020 in montauk, new york. OTHER RELEVANT FAMILY: none. EX/ES: joseph taylor. PETS: gliss and qana, two french bulldogs and brooklyn, an english bulldog.

003. GET UP CLOSE & PERSONAL

HEIGHT: 5′5″ or 168 cm. WEIGHT: between 117 lbs or 53 kg and 125 lbs or 57 kg. BODY BUILD: isla has a naturally willowy and curvy frame, something in between a hourglass shape and the classic supermodel-rectangle one — leaning more towards the first. she's not overly slim but she has the average weight for her height, and she has curves in the right places. her body isn't the most defined but she has a toned frame and she has more lean muscle than fat. isla has a big bust — 32C —, a flat stomach and long legs. EYE COLOR: she has cerulean blue eyes but, on occasion and depending on the light, they might look a grey-ish blue. EYESIGHT: whereas isla doesn't have any kind of issue like miopia or astigmatism, she has severe eye fatigue. she can get away without wearing anything but for activities that demand a lot of focus, such as reading, and when it comes to spending time in front of a laptop, as well as reading or watching television at night or in places where the light isn't the best, she needs glasses to stop her vision from going blurry. HAIR COLOR & STYLE: naturally, her hair is more of a caramel brown shade but, currently, it’s more of a chocolate brown shade. appearance and the way she portrays herself is very important for isla due to her career both as a sports agent / ceo of a world renown company and as an actress. naturally, her hair is straight and when the girl is in a rush, she opts for keeping it that way, using few products and a straightener to sleek it back. when she has the time, she prefers to spend some time making loose, beach waves or a few loose ringlets so there's some volume to her hair. if she's home or off-duty, she'll not waste much time on it and will often try to get her hair out of the way by throwing it on a ponytail or some kind of messy bun. if she has events, she likes to mix it up and often leaves the more elaborate hair styles to a trusty stylist. DOMINANT HAND: right. NOTABLE PHYSICAL TRAITS: her electric blue eyes paired with her angular facial features and plump lips are, perhaps, the most notable characteristic when it regards isla. there's almost a vintage quality to her features, something outstanding and that distinguishes her from other girls — and most people, in general — out there. likewise, her willowy figure is one of her most obvious, notable appearance features. SCARS AND MARKS: she has a few scars here and there, courtesy of her clumsy moments, but it’s nothing major or particularly noticeable. other than that, she has a few notable moles spread out on her tummy. TATTOOS: she has a small knife with a rose lying atop of it on her left hip — reference —, she has nineteen tattooed in cursive on the side of her left hand, her dad's favorite number, and she has I of III on her right ankle — a matching tattoo she's got with her two siblings. she has a b behind her right ear and a z behind her left ear, respectively representing her and kendrick’s daughter’s bella and zoe.  PIERCINGS: she has her regular lobes pierced. VOICECLAIM: barbara palvin. ACCENT & INTENSITY: to this day, and in spite of having lived a good portion of her life between los angeles, new york and england, isla still has her quebec accent intact and it's still as distinctive and as intense as it has always been. ALLERGIES: lactose intolerant, white chocolate, vanilla. PHOBIAS & FEARS: solitude and oblivion. MENTAL & PHYSICAL ILLNESSES: she has rhinitis. ALCOHOL USE: in social situations, she does drink. SMOKING: she stopped smoking ever since she started trying to get pregnant. NARCOTICS USE: not anymore. when she was younger ( read from fourteen to sixteen ) she did heavier drugs such as heroin, ecstasy, shrooms and cocaine and she used to smoke weed and, occasionally, do adderall to focus during college. INDULGENT FOOD: occasionally, when she’s down in the slumps or having major cravings. SPLURGE SPENDING: it doesn’t happen often, it’s rare for isla to lose her mind and splurge. GAMBLING: no, never.

004. DIG DEEPER

CAN THEY DRIVE? yes, she can drive. CAN THEY COOK & BAKE? yes and ish. CAN THEY CHANGE A FLAT TIRE? yes. CAN THEY TIE A TIE? yes. CAN THEY SWIM? yes. CAN THEY RIDE A BICYCLE? yes. CAN THEY JUMP START A CAR? yes. CAN THEY BRAID HAIR? yes. CAN THEY PICK A LOCK? yes. EXTROVERTED OR INTROVERTED? extroverted. DISORGANIZED OR ORGANIZED? organized. CLOSE OR OPEN MINDED? open minded. CALM OR ANXIOUS? calm. PATIENT OR IMPATIENT? in-between. OUTSPOKEN OR RESERVED? outspoken. LEADER OR FOLLOWER? leader. OPTIMISTIC OR PESSIMISTIC? a balance of both. TRADITIONAL OR MODERN? modern. HARD-WORKING OR LAZY? hard-working. CULTURED OR UNCULTURED? cultured. LOYAL OR DISLOYAL? loyal. FAITHFUL OR UNFAITHFUL? faithful. NIGHT OWL OR EARLY BIRD? a balance of both, leaning more towards night owl. HEAVY OR LIGHT SLEEPER? not heavy, nor light. an in-between. COFFEE OR TEA? coffee. DAY OR NIGHT? night. TAKING BATHS OR SHOWERS? showers. COCA COLA OR PEPSI? neither. CATS OR DOGS? dogs. NETFLIX OR CINEMA? cinema. SHOWS OR MOVIES? movies. LAPTOP OR GAMING CONSOLE? laptop. HEALTHY OR JUNK FOOD? healthy food. ICE CREAM OR FROZEN YOGURT? frozen yogurt. PIZZA OR HAMBURGER? hamburger. LOLLIPOPS OR GUMMY WORMS? neither. BEACH OR POOL? beach. SNOWBALLS FIGHTING OR ICESKATING? both. LITERATURE OR SCIENCE? science. HISTORY OR ART? art. CHOCOLATE BARS OR COTTON CANDY? chocolate bars. XBOX OR PLAYSTATION? playstation. FACE-TO-FACE OR PHONE INTERACTIONS? face-to-face interactions. DRAMA OR SCI-FI? drama. HORROR OR COMEDY? horror.

005. ISLA’S FAVORITES

FAVORITE ACTIVITY: working out. FAVORITE ANIMAL: caracal. FAVORITE BOOK: requiem for a dream by hubert shelby jr. FAVORITE COLOR/S: black and red. FAVORITE CUISINE: mexican and spanish cuisines. FAVORITE DISH/ES: poutine, nachos, tacos, huevos rancheros, chili, paella, gazpacho and fideuà. FAVORITE DRINK/S: watermelon lemonade, caipirinha and margarita. FAVORITE FLOWER/S: lotus, yellow hibiscus and plumerias. FAVORITE GEM: ruby. FAVORITE MOVIE: it’s only the end of the world, although she loves anything by xavier dolan. FAVORITE SONG: sleep on it by gallant. FAVORITE SCENT/S: peaches, the scent of the earth after it rained, lavender and leather. FAVORITE SHOW/S: how to get away with murder and scandal. FAVORITE SPORT/S & TEAM THEY SUPPORT: basketball, american football, hockey, baseball, soccer and volleyball. FAVORITE SEASON OF THE YEAR: summer. VACATION DESTINATION: vaadhoo, maldives.

[mrmichaelchadler]

Ricky Jay: 1946-2018

The problem with writing an obituary about Ricky Jay, who passed away yesterday at the age of 72, is that he’s perhaps the only person truly qualified to sum up his life. Even someone trying to make up the wildest and most improbable resume imaginable would be hard-pressed to top Jay’s achievements: He was a sleight-of-hand magician whose illusions startled and amazed audiences throughout the world; a student of the history of magic who used his extensive knowledge to pen several books, and put together a number of museum exhibitions and lectured extensively on the subject; an actor whose cagey screen presence made him a favorite with such filmmakers as David Mamet and Paul Thomas Anderson; a crucial man behind the scenes who helped create a number of the screen’s most celebrated illusions. Jay was a raconteur of the highest order, and a perennial talk show favorite. Oh yeah, he was so deft in his handling of an ordinary deck of cards that he could take one, fling it through the air and sink it into the rind of a watermelon at a distance of ten paces.

He was born Richard Jay Potash on June 26, 1946 and grew up in Elizabeth, New Jersey. As Jay was as tight-lipped about his early years as he was the magic tricks he become famous for, little is known about that period in his life. He clearly demonstrated a flair for magic tricks at an early age as he performed a full magic act on the television show “Time For Pets” in 1953 at the age of four. He eventually began doing it professionally and achieved a number of accomplishments in the field—he is said to have been the first magician to play comedy clubs and was also to first to open a rock concert when he appeared on a bill with Ike & Tina Turner and Timothy Leary. At a time when more flamboyant performers like Doug Henning and David Copperfield were attracting big audiences, Jay’s act, in which he pulled off any number of seemingly impossible illusions while offering up banter as entertaining as the tricks themselves, soon developed a cult following. Jay even developed a trio of one-man shows, “Ricky Jay and His 52 Assistants,” “Ricky Jay: On the Stern,” and "Ricky Jay: A Rogue’s Gallery," which were directed by none other than David Mamet.

Mamet would also be the catalyst for Jay’s move to the big screen, though not as an illusionist. Magic tricks of the sort performed by Jay do not translate very well to film because even if they are done before the camera in a single take with no cutaways or edits to speak of, most viewers just assume that there is still some kind of fakery going on behind the scenes. However, Mamet recognized that Jay’s gregarious personality and the sly manner in which he delivered the stories his tricks were based on could be deployed successfully in a non-magical context, and began casting him in a number of his movies, including “House of Games” (1987), “Things Change” (1988), “Homicide” (1991), “The Spanish Prisoner” (1997), “State and Maine” (2000), “Heist” (2001, pictured above) and “Redbelt” (2008). Jay never had a leading role in any of these films but when he did come on the screen, he would almost always command attention, sometimes stealing the scene right from under the noses of his costars with the same kind of ease of his illusions. He soon found himself popping up in other films such as the James Bond epic “Tomorrow Never Dies” (1997), the con woman comedy “Heartbreakers” (2001) and the magic-related productions “The Prestige” (2006) and “The Great Buck Howard” (2008). Other than Mamet, Jay’s most fruitful screen collaborations were with filmmaker Paul Thomas Anderson, who cast him as one of the loyal members of Burt Reynolds’ pornographic filmmaking family in “Boogie Nights” (1997) and had him serve as the narrator for his epic “Magnolia” (1999), where his opening monologue about chance and coincidence proved to be the first of that film’s countless pleasures. On television, besides his numerous talk show appearances, he also turned up as card player Eddie Sawyer during the first season of the acclaimed Western series “Deadwood.”

With his incredible skill set, Jay carved out a second Hollywood career working behind the scenes as a consultant, devising some of the magic tricks on display in “The Escape Artist” (1982) and teaching Robert Redford how to perform a coin trick for “The Natural” (1984). In the 1990s, he and partner Michael Weber created Deceptive Practices, a company dedicated to helping create workable solutions to seemingly impossible visual tricks for the stage and the screen. One of his best-knows illusions was found in “Forest Gump,” where he helped create the specially designed wheelchair employed to hide Gary Sinise’s legs from view. Other projects that he worked on in this capacity included “Sneakers,” “Wolf,” “The Illusionist,” “The Prestige,” “Ocean’s Thirteen” and the Broadway production of “Angels in America.”

Jay orchestrated any number of spectacular illusions but, unlike a number of current magicians, he never succumbed to the urge to show audiences how he pulled them off. However, as a student of the history of magic, con games, gambling and frauds of all sizes, he would prove to be both a collector and historian of this particular area of study and conveyed that knowledge into a series of books that took care to protect the secrets of how they did it but offered up such a wealth of information that one didn’t mind. His 1986 book on oddball entertainments, Learned Pigs & Fireproof Women, is such a delightful read that even those without any working interest in the subject will find it fascinating. In 2012, he lifted the curtain on himself slightly by serving as the subject of the compelling documentary “Deceptive Practice: The Mysteries and Mentors of Ricky Jay,” in which he talks at length about his mentors in the field and how they would help shape his own efforts.

The best way to commemorate Jay’s life and mark his passing, of course, is to revisit his work and observe his singular genius in action. The aforementioned Learned Pigs & Fireproof Women deserves a place of prominence on the bookshelf of every home. On the big screen, the choice films include “House of Games,” “The Spanish Prisoner” (still my favorite Mamet film), “Magnolia” and the “Deceptive Practice” documentary. Of course, YouTube is chock full of his numerous television appearances over the years that allow you to watch him do everything from impossible-looking feats of prestidigitation to slicing pencils in half with a thrown playing card. To say that there will never be another performer like him is a massive understatement—the fact that someone like him existed in our timeline in the first place is a bit of magic to rival any of his own tricks.  

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