#dubhead

[mrphonetell]

Historia Real 🖤

Hola a todos, mi nombre es Josué Rosales.

Soy DJ, productor de Dubstep.

Soy de Guatemala Centro América.

Desde adolescente me gustaba la Alquimia y los Bajos.

Y ahora hago obras de Arte inspiradas en los Jardines Del Arte, de los Antiguos Filósofos. 

¡Sígueme para más música, Real Steppas! 🖤

Inglés

Hello everyone, my name is Josué Rosales.

I am a DJ, Dubstep producer.

I am from Guatemala Central America.

Since I was a teenager I liked Alchemy and Basses.

And now I make works of art inspired by the Gardens of Art, of the Ancient Philosophers.

Follow me for more music, Real Steppas! 🖤

[p-dubs]

On Saturday we return to a favorite local venue Spring Lake Tap House @sltaphouse at 8pm 🤙🏽 Do not miss!⁣ ⁣ •⁣ •⁣ •⁣ •⁣ •⁣ •⁣ •⁣ •⁣ •⁣ •⁣ ⁣ #dubreggae #Reggaenj #reggae #pdubs #ska #Dancehallreggae #livedubreggae #predatordubassassins #livedub #dirtyjerseyreggae #reggaemusic #bobmayrleyandthewailers #dubheads #newjerseyreggae #surfreggae #livedubbing #pdubassassins #bobmarley #rinconpr #rinconpuertorico #rastafari #musicproducer #reggaeproducer #surfmusic #reggaenewjersey #reggaenight #NJreggae #reggaedub⁣ ⁣ (at Spring Lake Tap House) https://www.instagram.com/p/Cn1YQUgOQYM/?igshid=NGJjMDIxMWI=

[parasitoidism]

im like becoming a dubhead i almost only ever watch dubs of anime anymore

[cortexreaver]

well that was fun! see you next time dubheads :)

[djchorlocontrolection]

Lee Coombs & Christian J - Dubhead (Original Mix) 2004

[am-reggae]

Iration Steppas - Hard Time Pressure In A Babylon Dubquake Records // DBQK1211 / 2023 // ================ A1: Hard Time Pressure In A Babylon (Vocal Mix) A2: Hard Time Pressure In A Babylon (Kick Down Babylon Mix) B1: Hard Time Pressure In A Babylon (Suffocation Mix) ==================== Mixed, produced and arranged by Mark Iration + Dennis Rootical // Track A1 originally released in 2002 by Dubhead Records /// ======== ESTADO: ========== 12" Nuevo / No está precintado // ======== 14€ ==================

[auntrx]

This drop is insane! And so I decided to do ine more mix in the studio before it's officially moved. Should it be a live set? Or recording? I'll let you guys decide!! And should butters Come out on the last set as well?! 😎 #riddum,#edm,#dubstep,#raver,#ravelife,#grime,#filthydub,#headbangers,#festivallife,#riddim,#edmlifestyle,#dubhead, #bassdrop,#facemelt,#grimefest,#electronicmusic,#djbooth,#plurvibes,#plur,#edmfestival,#plurlife,#dubmaddness,#neckbreaker,#edm,#dubstepislife,#bass,#dubstepmusic,#drop https://www.instagram.com/p/BpgKkArAh3O/?utm_source=ig_tumblr_share&igshid=1h0abzpujwpfm

[sirenrecords]

#dubheadsoundclash series session one #dubheadrecords 1999 #reggae #dub #electronicmusic #dubhead (at Siren Records) https://www.instagram.com/p/BuXXa1oA2Q6/?utm_source=ig_tumblr_share&igshid=iyy8pvzjj6w2

[alteregoreviews-blog]

Various Artists - Never Say Die One Hundred

Founded by British dubstep producer and DJ, SKisM, in 2009, Never Say Die Records is an independent record label, based in London, England, which releases electronic music, most recently being their complication, Never Say Die One Hundred. The album features many dubstep favorites from the label, such as Zomboy, MUST DIE! and Eptic, and is everything a bass head could ask for: earth shattering dubstep by the scene’s finest. The most impressive track on this record is the 100th mix released by Never Say Die Records, mixed by SKisM himself. The hour long journey gives the listeners a sampling from an expansive range of tracks from all over the Never Say Die catalog, along with plenty of SKisM’s personal favorites. While there’s nothing sonically new or edgy about this release, it’s one that dubheads will surely enjoy.

5/10

[likenothings]

https://youtu.be/zoU09x_MK28

[randomvarious]

Tassilli Players - “Sensi” Lead With the Bass II Song released in 1995. Compilation released in 1996. Dub / Downtempo

From AllMusic:

Tassilli Players worked on an open-house philosophy, with a floating pool of musicians centred around Dave Hake (ex-Cosmics; Harare Dread). Hake came from Coventry, England, where his contemporaries included the 2-Tone ska bands the Specials and Selecter. He later relocated to Manchester where he discovered Coxsone Dodd’s Studio One label, which became a major influence on the performer’s aspirations. He embarked on a period of self-discovery, including a spell in a Kibbutz, a sojourn with a Bedouin in the Sinai Desert, a hasty retreat from war-torn Israel and a tranquil period of rejuvenation in Ireland. It was the latter visit that inspired the concept of the Tassilli Players. In London he became involved with Zion Train, who produced his series of experimental dub albums. The players also featured on a series of dub compilations, including Dubhead and Lead With The Bass. In addition to his own Tassilli Players projects, Hake forged a strong relationship with Zion Train and joined Chris ‘Forkebeard’ Hetter as part of the band’s distinctive brass section. The duo were recognized for their contribution to the archetypal Homegrown Fantasy, which demonstrated their talents on ‘Dance Of Life’ and a version of the Gladiators’ ‘Get Ready’. By 1996 the duo continued to pursue Tassilli projects alongside a continuous touring schedule. The Players were also recruited to provide the captivating horn riff on Morcheeba’s reggae-styled ‘Friction’, featured on the acclaimed Big Calm.

A key fact that that bio fails to mention is that the Tassilli Players essentially were Zion Train. Well, to be more specific, all of the Tassillis were also in Zion Train, making up like half of the latter’s roster at one point. So, consider the Tassillis as an offshoot of Zion Train.

But also don’t, because while everyone who was a Tassilli Player was also in Zion Train, Zion Train was a fucking insane group. I mean, they made dub, which is a downtempo, spiritual, spaced-out, marijuana-infused genre of music, but they also made absolutely ridiculous, high-BPM, dub-laced, ravey dance music, too, and they put the slow dub songs next to the dance tracks without a single hint of irony.

Just click on random timestamps within Zion Train’s 1995 album, Homegrown Fantasy. It defies logic that it even exists. When I found this album, I had to look at Discogs to make sure that the dance tracks weren’t randomly sprinkled in remixes by dance artists who weren’t in the group. And they’re not. This whole album, all one hour and fifty two minutes of it, is somehow made entirely by Zion Train. 

What the fuck.

So in that same year that Zion Train released Homegrown Fantasy, the Tassilli Players released their own debut album, The Wonderful World of Weed In Dub, which was pure, relaxational, good vibes dub, with a spacious, minimalist touch. Each track’s title was named after different marijuana types and strains, and leading off the album was a song called “Sensi,” which is short for sensimilla. The following year, the label that released the album, Universal Egg, included “Sensi” on a label sampler called Lead With the Bass II.

And true to that compilation’s title, “Sensi” is a song that does indeed lead with the bass, but does so from behind. As a trial in unpredictable, dicking-around-styled dub, the bass melody is this song’s only near-perpetual constant piece. Everything else seems to ebb and flow, and outside of a subtle and low, wobbly, motoring rumble in the distance, every sound manages to play on top of that bass melody. 

But the song’s also quite a tease, too, with a rich, flooding, soul-stirring organ melody that only appears once towards the beginning and never returns. You wait with anticipation for it to come back and it just doesn’t. It’s like some sort of sick joke. Instead, with your ears all perked up and wanting for that sweet release to surely grace the track at least one more time, the band’s leader, Dave Hake, decides to unveil his abnormal love for sharp, high-treble, 80s drum machine presets as he cobbles together a series of slow and varied, dubbed-out, echoing snare rhythms to play in tandem with a jingling hi-hat. You can just picture the sheepish grin on Hake’s face as this track plays. “Oh, you wanted more of that climactic part that’s awesome that I wrote in there at the beginning? Uhh, uhh, I forgot how to do it again...I can’t remember. Sorry!” This is like the equivalent of going to a restaurant and being served the dessert first. It’s just not right and I don’t appreciate it one bit, Dave. 

Some unpredictable mid-90s UK dub, courtesy of an offshoot group of Zion Train, a band who, at the time, made sensational dub tunes and also cringeworthy dance tracks that had dub elements. nickyoung.jpeg.

[dysenterry]

[p-dubs]

I don’t know if we’re going somewhere or what to do when we get there / but it’s true that I don’t care / I’m down for whatever 🌞 ____________ Stay in touch via my email list! Link in BiO • • • • • • • • • • • #dubreggae #Reggaenj #reggae #pdubs #ska #Dancehallreggae #livedubreggae #predatordubassassins #livedub #dirtyjerseyreggae #reggaemusic #bobmayrleyandthewailers #dubheads #newjerseyreggae #surfreggae #livedubbing #pdubassassins #bobmarley #rinconpr #rinconpuertorico #rastafari #musicproducer #reggaeproducer #surfmusic #reggaenewjersey #reggaenight #NJreggae #reggaedubk (at The Dub Shack Recording Studio) https://www.instagram.com/p/CWxiOu8rj8N/?utm_medium=tumblr

[parasitoidism]

i could watch this show with just regular midroll ads instead of having to fight through a dense jungle of porn ads when im using my phone but im too much of a dubhead now to do that

[reggae-vibes-com]

Roots Unity - Earth Dub

REVIEW Roots Unity - Earth Dub Label: Earth Works Outernational | Format: DR | Street date: March 25, 2019 A young Dutch record label that releases mature sounding roots dub works... that's the first thing that comes to mind when you listen to Roots Unity's full length debut album release called "Earth Dub", which actually took quite a while to get released. Pretty sure the avid dubhead will be very pleased with this well varied 12-track compilation featuring heavily mixed dubs of brand new original 'old-skool' one drop, steppers and 'flying cymbal' riddims. All these riddims are played 'live' by real musicians, who are members of various Dutch reggae bands involved in this appealing project. These include The Signal One Band, The High Notes, RAW Rhythm Section, Rootz Lions and Roots Unity Band. All tracks were recorded at Earth Works Studio in Amsterdam, the Netherlands, between 2017-19 and mixed with analog effects in the same studio by Roots Unity. Read the full article

[am-reggae]

Iration Steppas feat. Tena Stelin - Locks Dubquake Records // DBQK1212 / 2023 // ================ A1: Locks feat. Tena Stelin A2: Locks (Follow Fashion Mix) B1: Locks (4-4 Remix) B2: Locks (Dutty Spring Verb Mix) ==================== Mixed, produced and arranged by Mark Iration + Dennis Rootical // Track A1 originally released in 2003 by Dubhead Records /// ======== ESTADO: ========== 12" Nuevo / No está precintado // ======== 14€ ==================