#drywrite

[denimbex1986]

'...After graduating from RADA, Waller-Bridge watched her fellow alumni rise up the theater and film ranks while she scrambled to get work. She made her proper stage debut in the 2009 play Roaring Trade, where she sparred with Fleabag’s future Hot Priest, Andrew Scott. “I remember her being immediately charismatic and extremely comedically gifted—just a really courageous sort of person,” Scott says, his voice full of affection. “I remember her talking about these ideas of the way theater should be, and it was really obvious to me that she wasn’t just going to be satisfied with just being an actor, you know?”

The solution was DryWrite, a fringe theater company she had founded in 2007 with her friend Vicky Jones, who would go on to direct the stage version of Fleabag. “Vicky really lit that flame again,” Waller-Bridge says. “I just felt like I could make her laugh—she really reveled in the naughtier, more mischievous, less put-together perfect presentation of a person. We used to really, really love mucking around with that in our theater company.” Scott describes “incredibly fun, raucous evenings” at DryWrite where Waller-Bridge and company experimented with outrage, humor, and vulnerability.

A few of the characters that she developed onstage ended up being corralled for her first television series, Crashing, about six young friends living in a London squat. The flirtatious, foul-mouthed, and grief-soaked character that became Fleabag also emerged in those years. Transformed into a one-woman play, it won awards at the 2013 Edinburgh Festival Fringe, which triggered a cascade of opportunities: a supporting role in the series Broadchurch alongside Olivia Colman and the chance to create Crashing, Fleabag, and Killing Eve.

All three of those shows prickle with sexual electricity—particularly Fleabag, which opens with Waller-Bridge’s character having anal sex. (Her partner is thrilled that she can accommodate his plentitude, which causes her to confess to the camera, “You spend the rest of the day wondering: Do I have a massive asshole?”) Asked about the undercurrent of grief and loss threading through all these series, Waller-Bridge says she doesn’t quite know how to account for it, except that grief is the thing that most scares her. “I already feel it for the people I love in my life who are still alive,” she says. “I think I write about what I’m frightened of, maybe in a therapeutic way.” She also loves tackling emotions that unnerve the rest of us. Of pitching ideas to Vicky Jones and another close collaborator, Jenny Robins: “They say, ‘That’s heartbreaking. She can’t do that!’ Then I’m like, ‘Excellent! If it’s upset you guys that much, that’s the one.’ ”...

Speaking about Waller-Bridge’s gifts as a storyteller, Scott compares her to the host of a dinner party who leads guests gently through the evening: “Her hands are on the smalls of their back and it feels like, ‘Okay, this is my party, and I want to make sure you have fun, so let me introduce you, first of all, to the bar. And here’s a handsome stranger….’ Audiences love to gasp and they like truth as well. And I think Phoebe’s able to juggle all those things because of her enormous brain, but also because of her enormous heart.” He pauses. “I’ve just found her to be incredibly thoughtful and fun—and just good at life. She’s good at life!”...'

[tv-moments]

Run

Season 1, “Fuck“

Director: Kate Dennis

DoP: Matthew Clark

[frontmezzjunkies]

#FleabagforCharity #frontmezzjunkies on #Streaming #Fleabag #StageShow @fleabagforcharity w/p: by #PhoebeWallerBridge @phoebewallerbridgefans d: by #VickyJones #DryWrite @sohotheatre @annapurnapics f: by @nationaltheatrelive @nationaltheatre #FleabagStageShow #NatEmergTrust @nhscharitiestogether http://frontmezzjunkies.com/2020/04/14/streaming-fleabag-the-stage-show/ https://www.instagram.com/p/B--czHVB5Rc/?igshid=1qirkb0afho4m

[fleabagthenardier]

Thank you DryWrite for this picture of our favourite pair of Fleabags 💖

[thedoctorwhocompanion]

Phoebe Waller-Bridge Denies She'll Be Replacing Peter Capaldi

Phoebe Waller-Bridge Denies She’ll Be Replacing Peter Capaldi

Despite Newsnight insisting that it was so, it looks like Phoebe Waller-Bridge won’t be Peter Capaldi’s replacement in Doctor Who after all. Although the star and writer of Fleabag is currently busy with the Han Solo Star Wars film and new stateside series Killing Eve, on Tuesday Newsnight ended its programme with a piece on Waller-Bridge accidentally outing herself as the new Doctor in a recent…

[son-of-alderaan]

In his first major TV series commitment, Domhnall Gleeson, known for his roles in the Star Wars and Harry Potter movie franchises and Ex Machina, has been tapped to star in Run, a romantic comedic thriller pilot from Killing Eve creator Phoebe Waller-Bridge and her frequent collaborator Vicky Jones. Waller-Bridge has a recurring role in the project, which hails from Entertainment One, Jones and Waller-Bridge’s DryWrite and Wigwam Films.

Written by Jones, Run centers on Ruby, a woman living a humdrum existence who one day gets a text inviting her to fulfill a youthful pact, promising true love and self-reinvention, by stepping out of her life to take a journey with her oldest flame.

Gleeson will play Billy Johnson, a successful life guru from a wealthy Irish family. Born with the gift of gab, he deftly combines a boatload of charisma with a boundless need for approval.

[criticsofcolour]

The One, Soho Theatre [Nkechinyere Nwobani-Akanwo @NNwobani]

The One, Vicky Jones debut play, has been brought back to the Soho Theatre for a second life (with the team behind Fleabag and Touch). The couple is ‘different’ in that they have suspect in jokes, relentless “banter”, and their own rules--turns out it’s a lot darker and not half as much fun as it seems. 

Jo and Harry (her former University tutor) are up waiting for the arrival of Jo’s sisters baby. Throughout the night Kerry, their “friend” and Harry’s ex keeps stopping by, first to unload on a difficult situation with her boyfriend, he ‘something like rape’d her, which gives way to questioning definition and questions of consent, rape humour (if that’s a thing) and desires (definitely shouldn’t be a thing).

My first questions once I’d digested the whole show, journeys and twists and all, were about responsibility. In conversations and on social media, the kind of statements and jokes made about rape would be completely unacceptable and their would be uproar.B ut because it’s Theatre,��it’s allowed? The story could have been just as dark and twisted and toxic had it been about the romanticism of violence and not the constant and contradictory glorification of rape and something exciting or desirable. Since this conversation of blurring lines of consent doesn’t explore the effects or stigma I don’t think it has the right to feature such a subject so heavily but frivolously.

In its writing it was beautiful balanced so the main relationship was full of tension from the outset. Will one of them take it too far, is this a joke, will their threat of breaking up be followed through, will the poison finally overpower the desire to be understand? The simple living room set made it feel familiar like we were getting an insight into friends or colleagues. The actors sustained energy well throughout the rollercoaster of emotions and physical demand required of them. The reveals along the way weren’t particularly surprising but still kept me engaged and intrigued to see how these characters would navigate this fresh blow/challenge, and I admired the ever-shifting power dynamics between Harry and Jo. Each comment and action saw someone different given the upper hand. The playing field was never equal, so similarly, there weren’t any victims either.

Nkechinyere Nwobani-Akanwo // @NNwobani

Writer: Vicky Jones

Director: Steve Marmion

Set & Costume Designer: Anthony Lamble

Producer: DryWrite

Jo: Tuppence Middleton

Harry: John Hopkins

Kerry: Julia Sandiford

[fleabaged]

can you link the source of the pics you're reposting in the post itself? would be awesome to give some credit

they are both beyond viral on twitter so OG source was never clear but one (high def one) is @ JoshCole8 on twitter (originally posted on his private instagram not sure how it circulated out/ cant link!), still looking for other one. follow phoebe on twitter @ DryWrite as she just put out the creds for josh and might do the next one, too!

[begeek-fr-yahoopartner]

Doctor Who : Phoebe Waller-Bridge ne va pas remplacer Peter Capaldi

La comédienne Phoebe Waller-Bridge n'est pas prévue pour être la remplaçante de Peter Capaldi dans le Christmas Special de la série télévisée Doctor Who.

Coup de théâtre dans les informations concernant Doctor Who. Si certaines rumeurs laissaient entendre depuis plusieurs semaines que Phoebe Waller-Bridge devrait prendre la suite de Peter Capaldi, sachant la dernière émission Newsnight de la BBC avait confirmé sans trop s’avancer non plus, la compagnie de théâtre DryWrite a souhaité clarifier les choses de manière officielle.

Lire la suite de l‘article sur Begeek.fr

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Bons plans : le résumé des offres avant le weekend Le HTC One M9 Prime Camera passe à 269€ sur eBay Les belles performances de la Xbox One X serviront-elles réellement ? Playerunknown’s Battlegrounds : la version finale va avoir du retard RED by SFR propose un forfait illimité sans engagement 5 Go à 10 euros par mois

[awannabedirectorsvirtualnotebook]

intelligent, talented women in theatre asking for what they deserve. it's what we love to see!

[made-from-galaxies]

Mulheres por trás das câmeras fazem o sucesso de muitas produções da HBO – Blog do Armindo

Com assinatura de Vicky Jones e Phoebe Waller-Bridge, o novo thriller romântico RUN chegou à HBO e à HBO GO no dia 12 de abril. A estreia gerou grande expectativa sobre como se desenvolverá a série dessa importante dupla de criação. Jones e Waller-Bridge fundaram a DryWrite Theatre Company e fizeram juntas vários títulos de … Continuar a ler "Mulheres por trás das câmeras fazem o sucesso de muitas produções da HBO – Blog do Armindo" Source: https://opengeekhouse.com.br/2020/05/06/mulheres-por-tras-das-cameras-fazem-o-sucesso-de-muitas-producoes-da-hbo-blog-do-armindo/

[tv-moments]

Run

Season 1, “Trick“

Director: Kevin Bray

DoP: Matthew Clark

[frontmezzjunkies]

#FleabagforCharity #frontmezzjunkies on #Streaming #fleabag @fleabagforcharity #StageShow w/p: by #PhoebeWallerBridge d: by #VickyJones #DryWrite @sohotheatre @annapurnapics f: by @nationaltheatre @nationaltheatrelive #FleabagStageShow @NatEmergTrust @NHSCharities @ActingforOthers http://frontmezzjunkies.com/2020/04/14/streaming-fleabag-the-stage-show/ (at Soho Theatre) https://www.instagram.com/p/B--VHeFh5Tq/?igshid=12lcxs715vp39

[newyorktheater]

The nominations for 34th Annual Lucille Lortel Awards are:

Outstanding Play

Mlima’s Tale Produced by The Public Theater Written by Lynn Nottage

Pass Over Produced by Lincoln Center Theater/LCT3 Written by Antoinette Nwandu

Slave Play Produced by New York Theatre Workshop Written by Jeremy O. Harris

Sugar In Our Wounds Produced by Manhattan Theatre Club Written by Donja R. Love

What The Constitution Means To Me Produced by New York Theatre Workshop Written by Heidi Schreck

Outstanding Musical

Be More Chill Produced by Gerald Goehring, Michael F. Mitri, Jennifer Ashley Tepper, Marc David Levine, Marlene and Gary Cohen, 42nd.club, The Baruch Frankel Viertel Group, Alisa and Charlie Thorne, Jenny Niederhoffer, Chris Blasting/Simpson & Longthorne, Brad Blume/Gemini Theatrical, Jonathan Demar/Kim Vasquez, Ben Holtzman and Sammy Lopez, Koenigsberg/Federman/Adler, Ashlee Latimer and Jenna Ushkowitz, Jenn Maley and Cori Stolbun, Robert and Joan Rechnitz, Fred and Randi Sternfeld, YesBroadway Productions, in association with Two River Theater Music and Lyrics by Joe Iconis, Book by Joe Tracz

Girl from the North Country Produced by The Public Theater Book by Conor McPherson, Music and Lyrics by Bob Dylan

Midnight at The Never Get Produced by The York Theatre Company by arrangement with Visceral Entertainment and Mark Cortale Productions, Nathaniel Granor, Jeff G. Peters, Daryl Roth, Megan Savage Book, Music, and Lyrics by Mark Sonnenblick, Co-Conceived by Sam Bolen

Miss You Like Hell Produced by The Public Theater Book and Lyrics by Quiara Alegría Hudes, Music and Lyrics by Erin McKeown

Rags Parkland Sings The Songs Of The Future Produced by Ars Nova Written by Andrew R. Butler

  Outstanding Revival

Carmen Jones Produced by Classic Stage Company, Alan D. and Barbara Marks, Eric Falkenstein, and Covent Garden Productions Book and Lyrics by Oscar Hammerstein II, with Music by Georges Bizet

Fabulation, or The Re-Education of Undine Produced by Signature Theatre Written by Lynn Nottage

Fiddler on the Roof in Yiddish Produced by National Yiddish Theatre Folksbiene, Paul & Rodica Burg, UJA-Federation of New York, Stanley & Marion Bergman Family Charitable Fund, The David Berg Foundation, Paul & Peggy Bernstein, Mark & Audrey Mlotek, Mark E. Seitelman Law Offices, in association with Esti & Barry Brahver and Sheila Nevins Book by Joseph Stein, Music by Jerry Bock, Lyrics by Sheldon Harnick, Translation by Shraga Friedman

Happy Birthday, Wanda June Produced by Wheelhouse Theater Company Written by Kurt Vonnegut

The Shadow of a Gunman Produced by Irish Repertory Theatre Written by Sean O’Casey

Outstanding Solo Show

Feeding the Dragon Produced by Primary Stages in association with Jamie deRoy and Hartford Stage Written and Performed by Sharon Washington

Fleabag Produced by Annapurna Theatre, Megan Ellison, Sue Naegle, Skye Optican, Kevin Emrick, David Luff & Patrick Myles, Barbara Broccoli, Patrick Catullo, Diana DiMenna, Daryl Roth, Eric Schnall, Jayne Baron Sherman, DryWrite, Soho Theatre Written and Performed by Phoebe Waller-Bridge

Girls & Boys Produced by Audible and The Royal Court Theatre Written by Dennis Kelly Performed by Carey Mulligan

Mike Birbiglia’s The New One Produced by Joseph Birbiglia, Mike Lavoie, and Rebecca Crigler Written and Performed by Mike Birbiglia, Additional Writing by Jennifer Hope Stein

My Life On a Diet Produced by Julian Schlossberg, Morris S. Levy, Rodger Hess, Harold Newman, Jim Fantaci, Andrew Tobias, and Ronald Glazer/Sabrina Hutt Written by Renée Taylor and Joseph Bologna Performed by Renée Taylor

Outstanding Director

Lileana Blain-Cruz, Marys Seacole Jo Bonney, Mlima’s Tale John Doyle, Carmen Jones Lee Sunday Evans, Dance Nation Joel Grey, Fiddler on the Roof in Yiddish

Outstanding Choreographer

Lee Sunday Evans, Dance Nation Raja Feather Kelly, If Pretty Hurts Ugly Must Be a Muhfucka Rick and Jeff Kuperman, Alice By Heart Lorin Latarro, Merrily We Roll Along Susan Stroman, The Beast in the Jungle

Outstanding Lead Actor in a Play

Juan Castano, Transfers Russell Harvard, I Was Most Alive with You Jon Michael Hill, Pass Over Sahr Ngaujah, Mlima’s Tale Tom Sturridge, Sea Wall/A Life

Outstanding Lead Actress in a Play

Ako, God Said This Quincy Tyler Bernstine, Marys Seacole Marin Ireland, Blue Ridge Zainab Jah, Boesman and Lena Charlayne Woodard, “Daddy”

Outstanding Featured Actor in a Play

Ato Blankson-Wood, Slave Play Marchánt Davis, Ain’t No Mo’ Gabriel Ebert, Pass Over John Procaccino, Downstairs Matt Walker, The Play That Goes Wrong

Outstanding Featured Actress in a Play

Quincy Tyler Bernstine, Our Lady of 121st Street Stephanie Berry, Sugar In Our Wounds Blair Brown, Mary Page Marlowe Crystal Lucas-Perry, Ain’t No Mo’ Danielle Skraastad, Hurricane Diane

Outstanding Lead Actor in a Musical

Sam Bolen, Midnight at The Never Get Andrew R. Butler, Rags Parkland Sings The Songs Of The Future Jeremy Cohen, Midnight at The Never Get Clifton Duncan, Carmen Jones Steven Skybell, Fiddler on the Roof in Yiddish

Outstanding Lead Actress in a Musical

Kate Baldwin, Superhero Gizel Jiménez, Miss You Like Hell Anika Noni Rose, Carmen Jones Stacey Sargeant, Rags Parkland Sings The Songs Of The Future Mare Winningham, Girl from the North Country

Outstanding Featured Actor in a Musical

John Edwards, Smokey Joe’s Cafe: The Songs of Leiber & Stoller Sydney James Harcourt, Girl from the North Country Bryce Pinkham, Superhero George Salazar, Be More Chill Heath Saunders, Alice By Heart

Outstanding Featured Actress in a Musical

Jackie Hoffman, Fiddler on the Roof in Yiddish Stephanie Hsu, Be More Chill Luba Mason, Girl from the North Country Soara-Joye Ross, Carmen Jones Alysha Umphress, Smokey Joe’s Cafe: The Songs of Leiber & Stoller

Outstanding Scenic Design

Wilson Chin, Pass Over Charlie Corcoran, The Shadow of a Gunman Nigel Hook, The Play That Goes Wrong Laura Jellinek, Rags Parkland Sings The Songs Of The Future Arnulfo Maldonado, Sugar In Our Wounds

Outstanding Costume Design

Dede Ayite, By the Way, Meet Vera Stark Montana Levi Blanco, The House That Will Not Stand Jennifer Moeller, Mlima’s Tale Kaye Voyce, Marys Seacole Paloma Young, Alice By Heart

Outstanding Lighting Design

Amith Chandrashaker, Boesman and Lena Lap Chi Chu, Mlima’s Tale Bradley King, Apologia Barbara Samuels, Rags Parkland Sings The Songs Of The Future Yi Zhao, The House That Will Not Stand

Outstanding Sound Design

Matt Hubbs, Boesman and Lena Dan Moses Schreier, Carmen Jones Jane Shaw, I Was Most Alive with You Mikaal Sulaiman, Rags Parkland Sings The Songs Of The Future Isobel Waller-Bridge, Fleabag

Outstanding Projection Design

Katherine Freer, By the Way, Meet Vera Stark Luke Halls, Girls & Boys Alex Basco Koch, Be More Chill Alex Basco Koch, Fireflies Tal Yarden, Superhero

SPECIAL AWARD Outstanding Alternative Theatrical Experience On Beckett Produced by Irish Repertory Theatre Exploring the Works of Samuel Beckett, Conceived by Bill Irwin

HONORARY AWARDS Outstanding Body of Work Telsey + Company

Playwrights’ Sidewalk Inductee María Irene Fornés

Edith Oliver Service to Off-Broadway Award Terry Byrne

  The awards will be held May 5th at NYU Skirball Center for Performing Arts

Shows That Received More Than One Nomination

Carmen Jones 6 Rags Parkland Sings The Songs Of The Future 6 Mlima’s Tale 5 Be More Chill 4 FIDDLER ON THE ROOF IN YIDDISH 4 Girl from the North Country 4 Pass Over 4 Alice By Heart 3 Boesman and Lena 3 Marys Seacole 3 Midnight at The Never Get 3 Sugar In Our Wounds 3 Superhero 3 Ain’t No Mo’ 2 By the Way, Meet Vera Stark 2 Dance Nation 2 FLEABAG 2 G irls & Boys 2 I Was Most Alive with You 2 M iss You Like Hell 2 Shadow of a Gunman 2 Slave Play 2 Smokey Joe’s Cafe: The Songs of Leiber & Stoller 2 The House That Will Not Stand 2 THE PLAY THAT GOES WRONG 2

Lucille Lortel Award Nominations 2019 Off-Broadway: Carmen Jones, Rags Parkland, Mlima’s Tale Lead The nominations for 34th Annual Lucille Lortel Awards are: Outstanding Play Mlima's Tale Produced by The Public Theater…

[reviewsphere]

Fleabag (BBC 2016 - ...) Series Two Episode One

FILM REVIEW: Fleabag (BBC 2016 - ...) Series Two Episode One ⭐️⭐️⭐️⭐️⭐️ @PrimeVideo @amazon @bbcthree @fleabag @AmazonVideo @DryWrite @SiansUniverse @OliviaColmanTV @andrwscttonline #fleabag

When Fleabag series one first aired back in 2016 no one could have imagined the heights it would reach. From it release on BBC Three it quickly generated a cultural buzz and soon received wide critical acclaim, with its success propelling writer and star Phoebe Waller-Bridge to global stardom. Centred around the trials and tribulations of a modern-day woman, Fleabag tells the story of…

[sea-nerd-studies]

Phoebe Waller-Bridge Sets Rom-Com Thriller Series ‘Run’ With eOne

The ‘Fleabag’ star will executive produce the project alongside her producing partner Vicky Jones under their DryWrite banner. Phoebe Waller-Bridge has lined up another TV project. The Fleabag star, along with her producing partner Vicky Jones under their DryWrite banner, is developing a new series Run with Entertainment One (eOne). The show will be written by Jones (Killing Eve) […]

The post Phoebe Waller-Bridge Sets Rom-Com Thriller Series ‘Run’ With eOne appeared first on Information Overload News.

from Information Overload News http://www.informationoverload.news/phoebe-waller-bridge-sets-rom-com-thriller-series-run-with-eone/