#draw prediction website

[vimbry]

"likes don't do anything" they do

"there's no algorithm" there is

"well nobody uses the for you tab" I do

"reblog all art and fics you see" there's no thought put into that. if this does work on people, then it's just pity engagement borne out of guilt rather than genuine interest, which is arguably worse than having none, because it's totally hollow.

[blizzardstarx]

new pfp!!

happy (almost) three years to my child Aura <3

i finally brought back their markings under his eyes

i had removed them for years until now

also three years of bandanna Aura lmfao

^ feb 13 2023 (?)

[mycryptosuite]

Play This Free 3 Odds For Today 23/06/2023

Play This Free 3 Odds For Today 23/06/2023 Play This Free 3 Odds – We provide daily simulated reality league predictions ranging from; full-time Correct Score tip – Our sure 3 odds daily tips are so accurate you’ll wonder if the matches are fixed. Track Odds Bet Tips for today and you can aswell have a look at our free expert Football betting tips from professional tipsters around the world &…

[yvesdot]

How To Get Roughly 50 Notes On An Original Writing Post And Possibly Net A Single Reader

I had someone ask today how I get people to click through and read my writing, and I'm realizing that I've never actually made a post all in one place of everything I do to get a new piece of short fiction off the ground... so here you go! How to get (some) eyes on your work, even if it is not published anywhere of interest and you don't have a marketing team behind you.

The #1 thing is presentation. You want to get people's attention, and once you have it, convince them to keep paying attention. Fortunately, people tend to be both reasonable and predictable, which means all you have to do is follow The Formula.

(original post link)

Here's the formula from the above post broken down:

[giant horizontal title card, preferably animated to catch the eye] OR [a few tasteful parallels, if you're good at parallel posts]

TITLE (linked to where you can read the piece) / wordcount

a quote that is representative of the tone, themes, prose style, and/or the "promise of the premise"

A longer pitch, featuring the overall subject of the piece (transsexual reality TV drama), any comp titles (Detransition, Baby), the main draw (in this case, watching trans people be awful to clueless cis people), major themes (performance), and any other promises you'd like to make (food romance and tigers). You can see that the quote I chose delivers on the promise of trans people intellectually outperforming cis people-- if I were a reader, I would be more likely to trust that the rest of the pitch was accurate based on that assurance.

If you have any positive reviews on your piece, say so. If it has won any awards or contests, say so. If your work has made people cry, Doja Cat - Say So. Always. Generally speaking, more personal and more detailed is better, but keep it to one or two people-- e.g. "when I gave this to my S/O to read he shot milk out of his nose so far I had to go clean under the couch" or "my favorite review of this piece is the reader who said they read it chapter-by-chapter under their covers because they wanted it all to themself." This should be one sentence.

Depending on where the story is published, what you usually promote, etc., it may be worthwhile saying the story is free. Use your judgment on whether the reader can tell.

I also like putting my links at the bottom so someone seeing this on a friend's dash can easily track me around the 'Net. They make me look more professional (I now include a link to my website) and they visually balance the post, in my opinion. This post also happened to have some additional links for bonus content.

This is not as high stakes as it seems. I'm not 100% happy with the pitch here, and I'm not 100% happy with the graphics I've used in other cases. These are some bones that help to sell the piece even when the details aren't as sharp.

REBLOGGING

When is the last time you read something the first time you saw it on your dash? I schedule reblogs of all important posts at least twice over the next 2-3 days, often three times so I can get the morning/afternoon/evening reblog. If your followers tend to be more active at certain times, go ahead and use those. In the past I've intentionally scheduled posts for times I knew more popular mutuals were active, and it has paid off!

I also schedule a reblog for a week and a month and sometimes even a full calendar year out, because I know there is going to be that person who tags the piece '#to read' and instantly forgets about it, only to get excited when they see it weeks later. I am very often that reader. The goal is to catch people when they're ready to read immediately, and this is a game of chance.

Every so often, I go through my entire #writing or #important writing updates or even just #popular tag(s) and queue two dozen posts before shuffling my queue to redistribute matters. This keeps my older work circulating, ensuring new readers get a chance to see older pieces and giving those older pieces another shot at dashboard space. (More on #popular later.) This sounds like a lot, which is why you have to space everything pretty far apart. Fortunately, this is the world's best site for cool things to reblog. I guarantee you that you can find something new you love to post in the meanwhile.

COPING WITH FAME

The post above is what I, a published author, consider "doing well" for a post about my writing on Tumblr. As of October 10th, 2024, over two years after its initial posting and over five years into my posting doggedly about my original fiction, it has 77 notes. More than half (43) are likes. Around half of the reblogs are me promoting my own work or the same very sweet person dutifully reblogging me every time I do so. Glancing through the reblogs now, I know of four people whom I can confirm have read it. Presumably, there are more who are completely silent and have never interacted with the post whatsoever. Genuinely: wahoo!! I am so grateful and happy for the attention and reception of my work.

This is the number one thing I suggest: focus on what you have, and not what you lack. Imagine your post from the perspective of an outsider: even one reblog means you convinced that one person to spread your art! How cool is that! This is also good advice because moping is simply not helpful; it will not get you more reads. (And no, neither will guilting others. Kill that vent post in your head!)

GETTING FOLLOWERS

I don't have that many followers. Of the followers I do have, people are very unpredictably active. When I hear about other people's follower counts I am consistently surprised, because people with half of mine will have fans and haters the likes of which I could not possibly dream of. I follow 500-follower folk who post "I ate a strawberry today" and get 6 asks ranging from "Wow I respect you so much for eating that strawberry" to "I'm going to come to your address at [REDACTED REDACTED REDACTED] and shove bananas down your throat for hating on my favorite fruit."

I point this out to establish three important things. 1) Be grateful for what you have (in my case, 0 anonymous hate asks about fruitpinions), 2) followers have far less impact on interaction than one might think, and 3) followers don't engage with the things you might like them to.

Think about yourself. Are you more likely to reblog a photo of a cat in a pumpkin (alright, here) or something advertising fifteen minutes' worth of writing, which could be, for all you know, bad? Or, for that matter, by a person you should not like to support? Reblogs on generically interesting things are 'safer' (unfortunately) than reblogs on art, and it makes perfect sense that people are skittish around the latter. People don't often reblog things they haven't read, and nobody can reblog every artpost on their dash. Having someone else put it there, however, is incredibly powerful—someone's vetted this post as Worth a Reblog, after all. Having more followers allows for much more of this.

(Followers don't guarantee any one sort of interaction, but having more of them is rarely bad. Rarely.)

Across my most popular posts, one theme becomes very obvious: people like things that apply to them or their blog. I try to post writing advice/opinions/memes every so often, because I know I have a loyal base of writerfolk who like to see that from me, and it's "easier" to reblog than my writing. This is simply the nature of the universe. I used to pretty frequently go into the #writeblr tag and check out what was recently popular so I could figure out how to serve the same base, and from time to time it worked.

You're welcome to examine the list of #writing posts that made it to 100 notes, because each tends to have a notable reason behind its success: a reblog with an exceptionally good review, a contest win, a wordcount that lends itself to pasting the whole thing in one go.

(Posts about my book's release are a notable exception, in part due to Blaze and in part due to my absolutely relentless flogging of their reblog buttons during the ~year of promotion. Also in large part to a dedicated circle of friends who passed the post around nonstop! Thank you so much!!)

A lot of people will tell you to attempt covert reciprocal promotion. You know—reblog a lot of stuff, in the hopes that people will reblog yours. If I could change one thing on Tumblr, it would be this: the culture that quietly encourages disingenously interacting with other people with a secret True Goal in mind. (On the autism website.)

Please, for the love of all that is good and holy, do not do this. If you comment on other people's work, do it because you're happy to do so. When I released Paper Tigress, I went through everybody else who responded to the same prompt and read their work, because I had the day off and I was curious. This has led to Paper Tigress having more comments on Reedsy than one of my contest winners, and even outranking the shortlisted story in the same prompt category. However, this would have been a waste of my time if I did not genuinely enjoy reading the other stories. I read 80+ stories, taking several hours, and gained 30 comments from the venture (half my comments are my responses).

Crucially, I do not promote other writers' work on Tumblr in the hopes of them reading or boosting mine. This is the #1 tip I see thrown around that I viscerally disagree with. While, again, I am grateful for engagement with my work regardless of the context, I do not want people suffering through my work in the hopes that I will promote them. I work a full-time job, and my reading calendar is perpetually overbooked, including with work by my absolute best of friends. Even if it wasn't, I think it would be quite insulting if I were posting works in the hopes that someone would choke it down like medicine. I post what I think is good so that people can read and enjoy it. If you are not enjoying it, I do not want you to feel as though you have to read it. My aim is to give to others what my favorite authors have given me, which is most certainly not A Bad Time Spent Being Dishonest In The Hopes Of Getting Something Back. You have better things to do with your time. Please be honest.

CONCLUSION

Realistically, the readers I have, I gained through being a published author for five years promoting my behind off on Tumblr, the least forgiving social media for promotion. People like it when you have a book they can buy, especially if it has Goodreads reviews that make it look like you have been vetted for them. Many people who follow me have read only Something's Not Right and nothing else. (Many people who follow me have read everything but Something's Not Right.) I have posted dozens of pieces on Tumblr and Wattpad (and AO3). I gained a small number of readers writing and posting fanfiction for the Locked Tomb Tri(?)logy, even though I marketed it absolutely terribly.

Just keep writing. Keep writing, keep posting, and keep making sure everyone who follows you knows you write. And keep writing because you want to. There's no better advice than that.

[apuff]

my predictions for wwwyf:

the whole band does the family guy death pose on the ground for the entire time slot instead of playing music. the crowd immediately gets lost trying to sing along without them and at some point it devolves into people shouting random parts of songs they like (this is especially funny for the songs that are definitively not in the black parade)

the previous thing but an event coordinator peeks on stage, pokes a few people with their shoe, and starts frantically making phone calls in a hushed but distinctly panicky voice

the concert starts like normal, but quickly devolves into a slapstick comedy performance of looney-tunes-esque injuries to reference the many injuries mcr sustained while doing the original black parade tours and music videos

mcr isn't on stage at all and the only thing you can see is vocaloid-style hologram skeletons doing the skeleton dance

i am in a completely different city at goodwill shopping for pieces of my halloween costume right at the time they start playing the breakdown in mama. as this is my favorite part of the whole black parade, i abruptly keel over from a heart attack in the middle of the store because of the transcendent power of band autism. in the decades that follow, no one will ever be able to understand the cause of my death, but let it be known that if you strain your ears to listen in the graveyard at night, the black parade can be heard quietly, almost inaudibly so, echoing from my headstone.

there isn't any comment about mcr5 the entire time. because we are conspiracy theorists, we take this as a tacit confirmation that mcr5 will infact be happening imminently

at certain points throughout the tracklist, random, or rather seemingly random, lyrics are changed by a letter or a word. this is enough to draw people's attention, and as it turns out, if you type all the changes made into a search engine, the singular result aside from people theorizing about it on reddit is an unknown, sketchy website that looks like it would instantly give you 500 malware and die. the website displays only a single picture of realistic human skull. when you inspect it, hidden amongst the code is a very different type of code, a cryptic string of letters and numbers. as it turns out, this text is actually instructions that have been put through WWII-era war encryptions. when translated, this text gives driving directions. if you follow its commands starting from the wwwyf grounds, you'll be taken on a downright frightening drive through some of the most backend streets & drug dealer houses & decrepit graveyards in the entire southwest. once you're thoroughly lost, then and only then will you be able to find the warehouse. this warehouse is a laburinthine mess of ancient relics, long-lost props from music videos, several very authentic looking vampire corpses, a few questionably stained revolvers, killjoy masks, rubble from the world trade centers, vintage marching band uniforms, a shocking variety of weapons, and finally a single edison tin foil cylinder. survivors from the warehouse later state they felt an overwhelming presence and could have sworn they saw a shadow in the corner of their eyes. after several months in the intensive care unit and several more months in both physical and mental therapy, these brave souls will place the cylinder, with shaking, scarred, and weak hands, into the phonograph, from which, after a torturous second of silence, will echo the first sweet notes of mcr5.

they accidentally point the pyrotechnics at the audience. oops!

some gay shit happens idk

[covid-safer-hotties]

Also preserved on our archive

Frustrating how a Disneyland fanatic website is doing better covid reporting than the CDC

by Alessia Dunn

If you are heading to Walt Disney World, while there are many things to think about, and making sure you have some vitamin C packed is seemingly now one of them.

Since the pandemic shut down the theme parks, the thought of getting sick at Disney World has tremendously increased. For months, guests were required to wear a face mask, at times, even while walking outside without others around to protect themselves and others from COVID-19.

While park operations have gone back to normal, there are still guests who travel to the most magical place on earth with a face covering — and they may be onto something.

As the world has largely returned to a state of normalcy after the peak of the COVID-19 pandemic, the virus continues to linger and has begun to resurge.

The United States is currently experiencing a concerning rise in COVID-19 cases, with a steady increase reported over the past few weeks, according to Fox News. This uptick has coincided with the arrival of summer, suggesting a potential return of the virus’s seasonal pattern.

However, experts are warning the public not to become complacent as new variants continue to emerge, making the pandemic’s course difficult to predict.

Since the end of the national emergency declaration over a year ago, the public health landscape has shifted, with a reduction in comprehensive case tracking. Instead, authorities now rely on representative sampling to assess disease severity. Despite this change in tracking methods, available data indicates that COVID-19 cases are likely increasing in at least 38 states.

Wastewater surveillance, which analyzes sewage samples for traces of the virus, further supports this trend. While the current levels remain lower than previous peaks, the data shows increasing viral activity, particularly in the West and South. These regions may be seeing higher COVID-19 levels due to warm, humid conditions that support viral persistence.

The recurrence of a summer surge in COVID-19 cases has raised questions about the virus’s potential seasonality. Public health experts, however, caution against drawing definitive conclusions, noting that while immunity may blunt the peaks of new waves, the virus’s future behavior remains uncertain.

With new variants spreading, large public spaces like Disney World are likely to see increased transmission. Despite being known as one of the cleanest theme parks, Disney World is still a place where germs can spread easily.

High-touch areas, such as lap bars on attractions like Pirates of the Caribbean and Haunted Mansion, are touched by thousands of visitors each day, making it difficult to avoid germ transmission at the “most magical place on earth.

Over the past few years, many have complained about visiting the theme parks and getting sick.

While this is certainly something that was likely happening before the pandemic, as Disney World guests can possibly interact with over 100,000 others in a single day, making the passing of bacteria very simple, now, it is becoming a more realized thought.

These realizations have brought guests to the internet to see if others are finding it much more common to get sick when visiting Disney World. The discussion began on the now-popular Reddit post:

“I used to visit fairly often and was usually fine. Of course still some sick days but it was rare and avoidable as long as you just wash your hands and all that. Then I stopped going for a few years and just recently started again. Been here 4 times in the past couple of years now. And every single time… basically immediately… I get the worst illness you can imagine. This recent trip, it was the second day of the trip, and I already felt it coming on. Then the third day came and I was done. Completely sick with whatever it even is. And that was it for the whole rest of the week. Pretty much wasted all but 1 ticket. I got a solid 1.5 days worth of being able to go to the parks. Like I said, this has happened every visit in the past couple of years. It probably seems insane that I even keep trying but, I don’t know, I just keep hoping It’ll be different because I really want to go. At least the other 3 times I was here for 2 weeks so I was able to recover and go back again, but this time I was only here for a week so it was just entirely ruined. And it’s really no surprise that this happens. Everywhere you turn there’s somebody coughing in your face. Standing in lines there a family coughing in your face in front of you, and a family coughing in your face behind you. Not an exaggeration, it’s comical how much that is really true. But anyway I just wanted to see what other people’s experience is. It truly seems that 95% of people in the parks are sick at any given moment lately. I’m not trying to complain about it but I’m really trying to figure out how I can come back in the future and be able to enjoy a healthy vacation. Edited to say that I also drive there. So no flights to blame.”

One Disney guest, as well as a local to the theme park stated that this has always been an issue, as we previously hinted, “Florida Resident here, been to Disney uncountable times since the mid 80s, and always come home with SOMETHING no matter how careful I am. There are people there from all over the country and all over the world. International buffet of germs!”

Others also brought up the difficulty that comes with having to cancel or reschedule a vacation, which can feel nearly impossible for some who have paid in full, taken time off of work, and are not able to get refunded. In that case, many guests with the common cold or worse likely opt to head to Disney and overcome the sickness next to Mickey Mouse instead of their own bed.

Others brought up the importance of using sanitizer, Clorox wipes, and washing their hands when they get the chance to in order to limit the germs that they touch, especially when gearing up to eat a Mickey pretzel.

Regardless of how well you prepare, however, there is always the chance that you can get sick after your Disney vacation. As a local to Orlando, I can definitely say I have caught the cold from Disney World in the past, but for the most part, I do not get sick when I visit.

There have also been many illnesses reported at the Disney parks by guests, which you can read more on here.

[kazoosandfannypacks]

Draw penumbra from ducktales 2017 where she’s shrunk down

Hi! Since you sent me this ask, I take it you didn't read my response to the first out of the four times you've asked for a similar request, so I'll link that right here so that you can read it if you missed it!

If you have already read my response, though, perhaps you may have missed something. Here is a link to a website that provides free third grade reading comprehension worksheets! I hope they help you out! It has information on compare and contrast, so you can see where my description of how you've treated myself (and, from what I've heard, other artists in the fandom,) differs from how decent people like the ones I gave a shoutout to at the end of my post treat artists. It's got some cause and effect worksheets too, to help you realize that the way you're treating other people in these online circles is affecting your connections with them and is why people stop responding to your spam messages. Also included are prediction worksheets that you can use to predict what comes next in the saga of you being so demanding of and uncivil towards the creators you interact with. 😊 hope this helps!

Again, if didn't read my response to your request before you sent this, that's cool! Go ahead and take a look at it before requesting anything from anyone else, though. However, if you did read my original response and still had the audacity to try to request something more of me, I'd like you to go through the attached reading comprehension worksheets so I can know you understand the words on your screen before reading my response to this request:

No. I will not create any more art for you until you start treating content creators better. If you have any follow-up questions, I'd be happy to answer them, but if you send me any further requests for me to draw/write/edit/ect. anything at all for you, you will be blocked.

[robbyrobinson]

{Creepypasta} Remember Euclydia

Growing up, Gravity Falls was truly something special. Released back in 2012 and concluding after two seasons on February 15, 2016, the Disney Channel series revolved around Dipper and Mabel Pines, a set of fraternal twins, who were sent to spend their summer vacation in the fictional town of Gravity Falls, Oregon, with their great uncle, or rather “Grunkle” Stanley Pines. Together, they work at Grunkle Stan’s tourist trap “The Mystery Shack” alongside Soos and Wendy Corduroy. It is there that Dipper would discover a journal cataloging all the mysterious anomalies that plague the town.

Of course, the show was best remembered because of its use of cryptograms such as the Caesar cipher among other varieties of encrypted puzzles. In fact, shortly after the series finale was aired, a real-life Cipher hunt was orchestrated by series creator Alex Hirsch himself which spanned countries beginning in Saint Petersburg, Russia, and, appropriately ending in Reedsport, Oregon. And it is there, somewhere in the woods that the victors who decoded the mystery were met with a statue of an... old friend.

Fans of the show are more than familiar with the sinister Dream Demon Bill Cipher, but for those who slept on the show, Bill Cipher was the main antagonist of the series, a triangular fiend from the Second Dimension who was originally meant to be a one-off character before he was promoted. To keep the spoilers to a minimum, Bill wanted to merge his decaying dimension, the Nightmare Realm, with the Earth succeeding at his goal in “Dipper and Mabel vs. The Future” when he deceived a despondent Mabel. He rained weirdness on the entirety of Gravity Falls in an apocalyptic event dubbed Weirdmageddon driving people to the brink of insanity with his Bubbles of Pure Madness and transforming others into stone statues and creating a Throne of Frozen Human Agony from them.

However, despite his near victory, Bill is predictably defeated, leaving his physical form behind to get an equation which prevented him from spreading his weirdness to the rest of the world. While the show ended on a great note with the day saved, it left a plethora of questions, the most damning one being on the demonic triangle himself. Was Bill truly dead, or could there be a chance he could return to wreak havoc on the Pines family?

This question lingered for years and was only further muddled with the subsequent releases of books to expand the universe of Gravity Falls. The most alarming one was written from the perspective of the Dream Demon himself, which begged the question: if Bill was dead, how could he be writing the book? Was he in some weird afterlife, preferably Hell for all the atrocities he committed throughout the trillions of years he was alive? Or was he hiding in the deepest regions of Grunkle Stan’s mind? The Book of Bill promised to reveal Bill’s origins and ultimately clear up where he had been for all those years since the show finished production.

Naturally, the book is classic Bill with its morbid, dark humor, and, to its credit, it did reveal Bill’s backstory... or at least bits of it that put together. Even in the original cartoon it was common knowledge that Bill was a native of the Second Dimension where, as he put it, was a realm containing nothing but flat dreams, flat minds, and a flat world. It was then that Bill “liberated” his dimension, and he did such an exceedingly excellent job at it that... the dimension no longer exists. Everyone was dead, even his parents.

While the book could be summed up as being just nonsense that Bill wrote to ensnare a hapless victim to possess and start Weirdmageddon anew, what made this an even more interesting turning point is the creation of a tie-in website “thisisnotawebsitedotcom.com.” The site could be best described as being additional pages of The Book of Bill that were left on the drawing board detailing more lore to the series and giving some funny responses. Just try typing in “Ted Cruz” and you would be introduced to a popup that informs you that you violated standards and practices and therefore you must have your mouth washed out. Or if you typed in “Skibidi” you are met with the lovely message that your life privileges are revoked. Then there were the... not-so-funny responses like what happens if you type in “Stanley” one-too-many times.

After hearing about the website, I decided to visit the website. I was met with several interesting visuals like a human skull with a gold tooth; an eye in a jar; a copy of The Book of Bill with a dagger stabbed into it. Best of all, the low beat of the show’s theme song complimented the mysterious aura that took me back to when I first watched the cartoon. I soaked in the atmosphere for a few more seconds before I remembered the reason I logged onto the website.

I started off with the codes I already was familiar with ranging from the names of the main characters and was met with amusing results. I then thought of ones off the top of my head to see if they also worked. If you were to type Season 1 into the computer, you’d get “Anti-Gravity Falls” for one, or Season 1 if you plugged in Season 2. As I further experimented with the outcomes, my mind directed me towards Cipher again. However, I had already used “Bill,” “triangle,” and “Bill Cipher” so I needed to think of something else... maybe on some of his classifications. Given the terminology that he was a Dream Demon, the most sense was to type “dream.”

So... I did. I wrote out “dream” and pressed enter. Red flashed from the computer denoting that the word was not one of the codes. I was disappointed, but I remembered how there were tricks to some of the words, so I pressed the enter key again. But like before, no slice. However, I was not one to just give up after the first two goes. I pressed enter again and again in rapid succession only for the same blaring to ring out.

It was the very definition of insanity I admit, but if it provided me with answers to Bill’s nature, I would have felt obligated. Eventually, the pyramid placeholder on the computer glitched as a new message popped up:

PA'Z UVA TF MHBSA PA'Z UVA TF MHBSA PA'Z UVA TF MHBSA TF LFL... P JHU ZAPSS ZLL AOL IBYUPUN IVKPLZ... PA OBYAZ PA OBYAZ... WSLHZL ZVTLVUL AHRL HDHF AOL WHPU!!!

I could practically hear Bill railing against me the further I typed the word into the password interface. The screen glitched and flashed in vibrant colors undoubtedly representing a color code. Clearly whatever was going on indicated that whatever was happening was working to my favor. It must have taken me thirty times, but the website appeared to relent. Another message fizzled up asking me if I really wanted to know the deep dark secret this time offering me a yes or no option. I chose the former, and after it stalled for a few seconds, it sent me a link to a video with the simple title of “Remember Euclydia.”

From my research on the wiki for Gravity Falls, I came to the realization that Euclydia was the name of Bill’s realm and that I would be sitting front and center and witness the destruction of the world. True to what he had alluded to, Eucyldia existed on a flat plane, as if it were just a piece of paper. In this dimension, there were no stars or cosmic bodies to speak of, with all the inhabitants of that realm bumping into each other at random and talk of any other dimensions was strictly forbidden. Everyone had two-dimensional forms befitting their environment, but I could also tell that the realm did have a sense of leadership.

Two triangles, one red, the other blue, directed the citizens with authoritative stride. Among the gathered assemblies were rhombuses and ellipses. Squares and diamonds. All the shapes you were taught in preschool were in attendance as they waited for some grand experience. What I found the most peculiar about the two triangles, however, were their two sets of eyes. If they were supposed to be Bill’s parents, then that only further indicated that Bill was born with a mutation. Just as I came to that conclusion, more cryptograms, this time representing the Caesar cipher, filled the screen.

Decoding it, the symbols formed a sentence: “In aspiration of making his people see all, the killer’s mental state took a great fall.”

My eyes were directed to a yellow triangle with a single peeper rise above the others. It floated over to the farthest end of its reality when I heard the rumblings of a song. I carefully pressed the plushy cushions of my headphones to better hear what tune it was playing. It possessed a soft, motherly tone making me speculate it was Bill’s mother Scalene. I would be lying if I did not say that the lullaby lulled me into a false sense of security.

“Rock-A-Bye Billy

Please don’t you cry

It’s not your fault you have that strange eye

Stay safe with Mommy you’ll never fall

And we’ll always love you sharp angles and all.”

The song’s instrumentals continued to play in the background as more Cipher cryptograms glimmered. I was admittedly not too adept at decoding the cryptograms from the show, so I wrote them down and opened another tab to a website that could decode what the hidden message said. I jotted down the letters that accompanied each symbol and returned to the video. From what I could gather, it went like this.

FOR TRILLIONS OF YEARS, I WAS AFFLICTED. THEY CALLED ME CRAZY FOR SAYING THAT I SAW BILLIONS OF TRILLIONS OF UNIVERSES ALL EONS AHEAD FROM THIS FLAT HELL OF AN EXISTENCE. EVEN MY OWN MISERABLE PARENTS TRIED STUNTING MY TALENTS WITH THAT HICK OF AN EYE DOCTOR. MY EYE THROBS EVERY TIME I LOOK INTO OTHER WORLDS. I CAN’T SUPPRESS MY GIFT ANY LONGER.

I watched the yellow triangle representing Bill further push through the shapes as they went sideways and down, but never up. It pushed against the limitations of its world and stretched its hands until the palms clanged on a hollow surface. A ripple of waves wobbled on the invisible forcefield like gelatin. However, the triangle was far from done.

The vocals of the audio returned a second time, but I sensed there was something amiss about. The shape intensified its blow at the same time the song grew more pronounced. Again and again, the barrier jiggled as it became stable. The video zoomed in on the triangle’s singular eye with the slit of its pupil expanding. Galaxies sparkled being so close, yet still so far.

I WILL SHOW EVERYONE THE STARS.

A deafening smash rang through my headphones the moment Bill broke through his reality. The fabrics of reality shattered like shards of glass exposing the once concealed dimension to third dimensional space. Scalene's lullaby reached its crescendo before falling silent.

LOOK, EVERYONE! I WAS RIGHT ALL ALONG! MOM, DAD, I -

The text stopped midsentence when the video began to buffer despite playing normally. I decided to refresh the video, and it functioned properly until, yet again, it buffered on the scene. Curious, I did the same trick a few more times getting the same result, but after the sixth time, the video resumed playing a corrupted version of Scalene's lullaby. “Rock-A-Bye Billy

Please don’t you cry...

It’s not your fault you have that strange eye

Stay safe with Mommy, you’ll never fall

And we’ll always love you, sharp angles and AAALLLLLLLLLLLLL-”

The scene slammed to show Bill’s pupil shrink as... something... descended through the crack in his reality but since the camera focused in on his face, all I heard was the sound of roaring and gnashing mandibles of a large creature. My only theory was that it was some anomaly that breached the Nightmare Realm and was now wreaking chaos on Euclydia. The once peaceful lullaby that Bill’s mother sang to him was replaced with a melody of horrified screams and the natives getting gorily ripped to shreds by the monster.

NO... NO... NO THIS WAS NOT SUPPOSED TO HAPPEN! OH GODS... HOW COULD THIS GO SO WRONG!!!?

Blood was everywhere as the monster ruthlessly attacked each inhabitant with no one being spared from its rage. Because of the primitive design flaw of Euclydia, it made it all the easier for their slaughter to happen en masse. Blue flames rained down from the monstrosity’s maw and engulfed buildings incinerating them to their last atom. Any that fought against the intruder did so, saving the other two-dimensional beings a few seconds at best, but their weapons were of no use. Rather, it made the monster more infuriated at their insolence.

Bill hovered over the ruined husk of his world his confidence being replaced with an expression of dread. His eye throbbed again this time out of bewilderment as he floated there petrified. Crimson blood splattered across his face knocking him slightly out of his catatonic state. His stomach churned with his eye burning hot with the urge to vomit (the show had confirmed that his eye doubled as his mouth). He clutched his chest with his fist as his voice staggered in disbelief. He struggled to speak, but the scent of seared flesh filled his nostrils. He could only wheeze a dry “It... it wasn’t me.”

He continued to speak into the void when the video transitioned slain Euclideans dragged their broken bodies along and linked their limbs together in huge swarms. They directed their collective gaze towards Bill... I could practically feel the venom in their words.

Why did you do it? Why did you do it?

Bill gripped the sides of his head in desperation of drowning the accusations out and continued doing so even when his fingernails clawed into him. The video began playing at a fast pace with Bill shaking fervently. The harsh critique drilled tiny holes in his body with his blood and tears coming together in a mixture. Cipher slowly lowered his hands.

Tears streaked down his eye as Bill laughed hysterically, his mental state snapping and burning away alongside the rest of his world and continued growing more erratic and pained the more Bill allowed himself to slip away. The blue flames licked his body symbolizing the punishment that he would receive for all his crimes. His mother’s lullaby reached its final note before the video abruptly ended.

The next day, I booted up my computer and decided to visit thisisnotawebsitedotcom.com to see if I could get that outcome again. I typed in “dream” as I did yesterday only to be met by the blare of the monitor as the code was rejected. No matter how many times I tried that password, I was never able to activate the link for the video. The rest of the website worked as normal.

[keikotwins]

Mokumokuren

Birds of different feathers flock together

Noticed online by head-hunting publishers, Mokumokuren hasn’t waited very long before polarising the attention of Japanese readers. With strange The Summer Hikaru Died, horrific bromance dealing with body dispossession, the mangaka signs a series of sophisticated oddity, that sets itself apart from the predictability of current fantasy productions.

Interview by Fausto Fasulo. Original translation: Aurélien Estager. English translation: “Keikotwins”. Bibliography: Marius Chapuis. Thanks: Camille Hospital & Clarisse Langlet (Pika), Yuta Nabatame, Mayuko Yamamoto & Mana Kukimoto (Kadokawa), Chiho Muramatsu (Tohan)

(T/N: Interview given to ATOM in winter 2023; 2 volumes were out in French.)

-

In an interview given to the CREA website in November 2022, you confided inventing stories since very young. Did your first fictions resemble the ones you draw nowadays?

It’s true that there are quite a lot of common points between the stories I imagined when I was a child and the ones I tell nowadays in my mangas. Especially a specific motif, that has been haunting me since the time when I wasn’t really aware of the world surrounding me: the presence amongst us of “non-human” beings, that nonetheless have a perfectly normal, ordinary appearance…

And how was this “obsession” born?

Precisely identifying the origins is complicated, my memories are too blurry, I think… What I can tell you is that I’ve always been fascinated by “creatures”. For example, I remember being very impressed by Peter Jackson’s bestiary in the Lord of the Rings trilogy. By the way, still in a fantasy register, I am also a big fan of Harry Potter adaptations… (She thinks.) And I’ve always liked yōkai stories, you know. I think that what I like in all these mythologies is the idea of species classification: each has its own characteristics – physical, biological – its own way to apprehend its environment.

In Japan, yōkai are integral part of regional folklore. Did the place you grew up in have some specific beliefs?

I was born and grew up in Tokyo, and, as you must know, yōkai are mostly associated with rural areas. I was thus never really bathed in this type of regional fantasy folklore. There are all kinds of yōkai and we can perhaps see in some more contemporary urban legends the echo of certain past beliefs? (She thinks.) I am a bit frustrated, because I believe that I could remember a legend that would have impacted me, but nothing comes to mind immediately, sorry!

You have already said so in an interview and it’s quite obvious when reading your work: you are a big amateur of horrific fiction. What has been your first contact with the genre, all medium included?

It was television that introduced me to horror: special shows, television films, series, I was watching these programs with a mix of fear and enthusiasm, a confused sensation that particularly delighted me! (She thinks.) And amongst all the aired shows, I will remember two titles: Hontō ni atta kowai hanashi and Kaidan shin mimibukuro*.

* Inspired by the homonymous manga magazine published by Asahi Shimbun, Hontō ni atta kowai hanashi (lit. “Scary stories that really happened”) is a series produced by Fuji Television that has been airing more or less weekly since 2004. Derived from literary material (a series of compilations of hundreds of short stories by Hirokatsu Kihara and Ichirō Nakayama, published from 1990 to 2005) Kaidan shin mimibukuro is a series made of several short movies depicting ghost stories based on real testimony.

Did you read horror mangas when you were young?

Let’s say that I was more interested in live-action productions. Nowadays, I obviously appreciate some horror manga authors, without pretending to be any expert in the subject. For example, I like Junji Itō’s work, but I am far from knowing it for a long time… (She thinks.) I could also talk about Shigeru Mizuki, who I also appreciate a lot.

The mechanics of fear aren’t the same in occidental and oriental fictions. You like American horrific productions – like Ari Aster movies – as much as ones from Japanese origin – you notably quote Ichi Sawamura novels and Kōji Shiraishi feature films. Can we say that you are tying these two perspectives with The Summer Hikaru Died?

My relationship with horror is more imbued with oriental sensitivity. But what I find remarkable in occidental horrific productions is work on image. In The Shining like in Ari Aster movies, for example, there is real research made on frame composition and choice of colours. I also try to follow this aesthetic reflection in my work as a mangaka.

In Ari Aster’s work, beyond the very precise staging, there is this permanent desire of ambiguity. Do you try to dig this same equivocal trench?

Absolutely. I try to tell complex feelings as well in The Summer Hikaru Died, like fear dyed with nostalgia or attachment, repulsion mixed with fascination, with attraction…

How do you “sort out” the shots that inspire you in cinema?

I don’t draw while freeze-framing during specific scenes. I would always rather watch a movie as a “focussed” spectator. However, I pay a lot of attention to the way the director composes their frame. I sometimes take some notes, but I most often simply keep it in a corner of my mind.

Could you tell us when and how the story and characters of The Summer Hikaru Died appeared to you? Have they matured a long time within you?

I’ve started thinking about this story when I was preparing university entrance exams. I was aspiring to join an art uni, and I was drawing every day. I can’t really say I made my characters “mature”: back then, I wasn’t thinking that the drawings I was making would one day end up being published, way less being serialised! I innocently created characters close to me, without guessing that one day they’d become manga protagonists.

One of your foundational reads was Sui Ishida’s Tokyo Ghoul manga. Can you tell us how you discovered it and what effect it had on you?

I don’t really remember how I discovered this series, but what I know is that I became crazy about it at first read. What I liked – and what I still like – is this idea of telling a story that confronts humans to these “different” beings while following the point of view of a character that represents alterity. Beyond this strictly dramatic aspect, Sui Ishida’s storyboarding and character design have had a strong impact on my work. However, I want to add that Tokyo Ghoul isn’t the only title I took inspiration from, I obviously have other references…

Do you do a lot of researches to define the design of your characters? You seem to draw them easily, in a very natural gesture…

I haven’t spent a long time defining my protagonists. First, there are few in the manga, then, they evolve in a rather realistic universe. My goal was rather simple: they had to look believable in the reader’s eyes. I wanted people to be able to imagine crossing them in the street, you see?

It’s after seeing illustrations posted on social media that depicted the future characters of The Summer Hikaru Died that the publishing department of the Young Ace Up magazine noticed you. How have you reacted when approached?

I was very surprised, because I absolutely wasn’t trying to become a mangaka. I would have never projected in such a future, you see. And, very honestly, if they hadn’t suggested working on this series, I don’t think I would ever had pushed the doors of a publishing house… I am then very thankful towards the persons who have allowed me to enter.

And what would you have done if you hadn’t been solicited?

Back when I’ve been contacted, I was considering – still vaguely – working in the video games field. But I wasn’t really proactive, I wasn’t contacting anyone, wasn’t sending resumes…

Did you want to do chara-design?

Why not, yes. What I like in video games is the range of possibilities they offer. You can then create an entire universe and this is rather exhilarating.

So you’re a gamer…

I have dropped my controller since I’ve started drawing manga. But yes, when I had more time, I played rather regularly, especially Nintendo productions…

Even if you play rather little nowadays, do video games influence your work?

I can’t say whether it really is an influence, but the Undertale game has left a big mark on me. I felt its creator’s strong will to surprise players, to make them feel unprecedented sensations…

Horror manga only relies on art and storyboard to provoke fear, whereas cinema and video games can also rely on sound. Is it from this observation that you have decided to particularly work on your sound effects?

Absolutely. I have thought a lot about the way to introduce and stage sound in The Summer Hikaru Died. The sound effects that you can find in the manga are indeed the result of this approach.

In an interview given to the Realsound website, you mention the use of the シャワシャワ (“shawa shawa”) sound effect. Knowing that occidental readers are way less sensitive to these graphicoustic details, can you explain its meaning?

“Shawa shawa” expresses the song cicadas make in western Japan. It’s a very special noise because in the different regions live different species that make specific sounds. So when I choose this specific sound effect, I convey a geographic and temporal piece of information to the reader, who can then guess the location and season the action takes place in. (She thinks.) When using this sound – that we especially find in the beginning of the manga – my goal was to play with silence, particularly when the song stops. I thus had the idea of representing this sound effect with an easily readable font, so the reader would make no effort to decipher it, as if the sound was asserting itself naturally, you see? I hoped to suggest a saturation they couldn’t avoid and that, when it’d stop, would immerse them in absolute silence.

The Summer Hikaru Died transcribes very well this particular atmosphere of Japanese summers…

Yes, I really wanted to signify this languor in my manga. And the cicadas’ song we discussed earlier contributes to creating this atmosphere: it’s an overwhelming sound, sometimes irritating, you cannot escape from in summer – Japanese readers obviously know what I’m talking about. (She thinks.) I also gave special attention to shadows: summer light being very bright, shadows are very sharp, very deep.

Do digital tools allow you to get this result more efficiently than traditional?

I work on Clip Studio Paint, and it’s true that it sometimes allow me to save time. Consider the work on shadows: I never apply solid black because I like saturating space with hatches and, with digital tools, I can obtain the desired result faster because I can duplicate each of my lines.

Your use of hatches is sometimes reminiscent of Shūzō Oshimi’s…

I don’t know his mangas very well, but it’s funny that you mention him because I recently read his latest series, Okaeri Alice. In any case, I really like his style and I perfectly understand how you can bring his universe and mine together.

The Summer Hikaru Died relies on the concept of body dispossession, that obviously takes back to the Body Snatcher novel by Jack Finney and its movie adaptations. Did you think about it?

I don’t know this book very well, but I know its theme has been approached often, especially in movies. As I was saying at the beginning of this interview, my idea was to adopt the point of view of a non-human and tell his indecision, his moral questions…

We also find this idea in Hitoshi Iwaaki’s Parasite…

I haven’t read the manga fully, but I’ve watched the anime adaptation that was released a few years ago (R/N: in 2014). I remember rather liking it, even if I think I offer something different with The Summer Hikaru Died. What interests me is sounding the inwardness of my non-human character out and expose all his dilemmas. What is his place amongst men? Is he legitimate in our world? Here is the type of questions that pushed me.

One of the impacting scenes of volume 1 of The Summer Hikaru Died is the one when Yoshiki penetrated Hikaru’s body by shoving his arm into his torso. It’s a sequence that is both very sensuaI – to not say sexuaI – and also very horrific. How did you get this idea?

I wanted to put the readers in an uncomfortable position. A stressful situation that could take several forms because, according to your sensitivity, you can feel very different emotions in front of this scene: sexuaI arousaI, fear or disgust. For me, it was supposed to put the reader in some kind of catatonia, you see?

Do you chat a lot with your tantō, especially around these slightly “complicated” scenes?

I have free rein, you know, I can draw everything I want. My editorial supervisor has never asked me to temper some sexuaIIy connotated parts. My discussions with him don’t revolve around this kind of things, but rather around the structure of the scenario itself: where to place this scene in the narration? Is it better to put this sequence before this other one? Nowadays, I am more at ease with all the scripting layout but, at the beginning, I needed support.

What allows you to get, from a dramatic point of view, the mix between bromance and horror?

I wanted to show the differences in sensitivities and values between a human being and an “other than human”, and tell the misunderstandings this can cause when both meet. When Yoshiki “scratches” under the appearance of the one who is supposed to be his best friend, it creates a first point of conflict in the story. I then hoped to make his relationship with Hikaru – or rather with the “entity” that pretends to embody him – a kind of undefinable bond, that wouldn’t be friendship, nor love.

Do you know today where this strange relationship between your two heroes will lead you?

I know more or less how all of this will evolve, yes. I have decided on my story’s general plot since the beginning. I can only tell you that The Summer Hikaru Died won’t be a long series.

How do you explain the almost instant public plebiscite of your series in Japan? You perhaps cannot have perspective on it but, in a saturated publishing landscape, you have managed to stand out…

Hm… Indeed, I don’t really have precise explanations to give you about this success. Maybe the covers’ design has been in favour of the manga? I asked the person in charge of graphics to make sure that the visuals would be noticeable in bookstores. That’s why the books have this monochrome aspect, with the title discreetly placed. I didn’t want obvious advertisement banners, but something simple, like this blue background for the first volume, on which the character stands out. I also wished to create contrast between the jacket’s and the inner cover’s drawings. I thus had requirements that didn’t quite go alongside what we can nowadays see on the shelves of Japanese bookstores.

[thesaddhatter]

Upsides of shadow slave,

The story will draw you in with the first chapter and will not let go

You can’t just skip chapters thinking you can predict the plot, it will send you curve ball after curve ball,

It is the first story in years that I can actually have fun making predictions about and still be satisfied if I’m wrong

The chapters are rather short, but so full of double meanings and information that sometimes it takes months to digest it all

The filler isn’t useless and actually fills out the character’s personalities and goals,

Every minute is spent wisely

If guiltythree (the author) had a gun collection, their favorite would be Chekhov's 

The canon ship for the MC is based

Downsides

This story is slowburn, and by slowburn I mean that the MC doesn’t even think to admit that he might be in love with the love interest until the 1500th chapter

If it weren’t for his comic relief tendencies (AE being the chew toy of fate) he would be an annoying Gary Stu protagonist who never loses a battle*,

(*please note, this is only true because of the fact that any and all battles he is in are life and death, for entirety of the series, so it doesn’t actually feel like he wins every fight he has, and he certainly struggles when not in the right mindset, or facing an opponent who is way stronger than him, and does actually lose on occasion, it’s just most of his fights are effortless)

If you try to skip ahead even one chapter, be prepared to be more lost than a boat in a desert,

Sunny (the MC) has had at least some romantic implications with every member of his cohort, the issue isn’t that it’s harem, it’s that none of them ever go anywhere, sunny has chemistry with all of them, I could see him with any of them, but nope, we are only teased, mocked, backstabbed, and bafoonorized….

This shit is longer than one piece so, be patient

To understand even half of the messages detailed in this story, you need to actually read it, and I know that can be a definite downside of the ‘no reading comprehension’ website

(Just one of the many reasons the fandom is so small smh)

Do not. Under any circumstances. Read. The. Wiki.

Ok that’s my list for all of my personal ups and downsides for Shadow Slave, I give this work of wonder a 10/10

[jillflame]

LACKADAISY ENDGAME PREDICTION

So before we start, BE WARNED OF SPOILERS!!! I'll be drawing from a lot of different panels and bonus material, so if you would like to avoid spoilers for the comic and bonus stuff, go read everything on the Lackadaisy official website (seriously go read it its amazing) and then come right back here!

To begin, I've been in the mood for some Lackadaisy theories.

Mostly concerning the fun scavenger-hunt bonus feature on their website, jocosely titled "Funeral Home".

Everybody who's played around with the feature has figured out that if you put various characters' names into it, you get fed back quotes from the pilot. All except Atlas, who spits back this:

I've seen a lot of theories circulating that Atlas was drowned or that his death was somehow tied to water, but we know that isn't true because we get a glimpse into his death in 'Introduction 2':

Atlas was clearly shot (or stabbed, i guess, but far more likely he was shot given the importance of guns to the Lackadaisy.) But I'm not here to spectate on whether Mordecai and Mitzi killed him... yet

I'm here to talk about how whatever that 'sounds of rushing water' foreshadows is something that could potentially be a large clue into the secrets he kept in conjunction with the Lackadaisy before his death. Whether this secret is tied to how he died, whatever lead to it, or something he left behind for the Lackadaisy, it's likely going to play a large role in the series. I personally think that whatever secret lies guarded by that rushing water (probably alcohol... and lots of it) is going to end up being the key to saving the Lackadaisy when it's at its lowest...and I'm starting to fear that Rocky might end up paying the price for it.

As important as fire and dramatic dynamite explosions are to Rocky's character, he's often associated literarily more with water. The comic really doesn't shy away from highlighting the importance of the Mississippi either. ^This line in Rocky's now pilot-famous poem particularly sticks out to me too. 'Umber Whiskey Waters". It's a line meant to convey the color of the river, but it could also very much be foreshadowing at its finest. "Whiskey Waters."

The importance of Rocky's involvement isn't a mistake either, because another clue that alcohol is being guarded by the famous river could also be drawn from Rocky's own character bio pic.

We can clearly see that he's standing on a barrel with three prominent X's carved into the side. These three Xs, as I've come to find out, confirm that the barrel IS carrying alcohol, and even clue us into the type of alcohol we might be looking at.

I managed to find a useful paragraph from THIS website that states,

"An ‘X’ is also used to record the number of distillations of some alcoholic drinks. With each distillation the alcohol content rises, so the more distillations (or Xs) the stronger the brew, though the Xs on a bottle of whisky or rum do not necessarily indicate the alcohol content."

So each X represents a distillation cycle. Three X's basically mean it's the GOOD STUFF. Today, this can still be seen primarily associated with moonshine-

For those of you who don't know (like I didn't until I fell into this rabbit hole), moonshine is defined as a homemade, un-aged whiskey. It has a clear color, a corn base, a high alcohol content, and it's traditionally bottled in mason jars. (I ripped all of this right from google)

During the prohibition, the demand for moonshine would have risen drastically, but a more important key-phrase to take away from all that is the 'clear color'. Not very 'umber whiskey waters' of it, UNTIL you read about how umber whiskey gets its color.

It absorbs its color by maturing in wooden casks. And this process can take a while. One might even catch his death waiting around that long. HahHAhaAHAHAhahahah

*ahem* Sorry. But, there might be some truth there. Whiskey needs to be matured for a minimum of 3 years, many being matured for far longer than that, and only one year has passed between Atlas's death and the current timeline.

All of this for me just confirms that there's some umber alcohol in those waters, or more probably, tucked away under it. We don't know how long its been there for, or who, besides Atlas himself, might know of its existence, but let's not forget Atlas's VAST stretch of underground tunnels that the Lackadaisy provides access to. It wouldn't be much of a stretch to think that he might have had a tunnel or two filled with maturing whiskey, hidden deep underground, maybe close to the Mississippi... maybe dangerously close. Maybe they're a reckless act away from flooding entirely, spilling their valuable contents into the river... causing lots of destruction....

This might be a bad time to re-remind everybody of Rocky's drowning motif.

eh... im sure he'll be fine...

Furthermore... the article I linked above leaves us on THIS cheery note...

"Other applications for a series of Xs occur within the writing fraternity, whereby a writer completing a manuscript concludes the text with a single line of ‘XXX’ to signify to printers and editors that this is ‘The End.’"

[amugoffandoms]

BURTS DOOR OPEN

HOLY SHIT HOLY DUCKING SHIT

im doing a drawing for kazui right now and I was like haha what if I threw in an ace of spades

and then got flashbacks to the one scene where he's talking to hinako with various magic tricks above him and GUESS WHAT FUCKING CARD WAD ABOVE HIM

THE GODDAMN ACE OF SPADES

so something I learned about while playing EXIT/Corners a long time ago is that the Ace of Spades is commonly regarded as the Card of Death

Now, what if this was a prediction of what was to come?

Kazui was explaining what he could do in this scene, with all the cards and magic wands and whatnot. He did not realize that lying would end in her death.

Kazui seems more content in talking/explaining instead of how you do the trick (A common phrase is, "A magician never tells their secrets."), which is why he never noticed the Card of Death from the get-go.

He never wanted to harm her, only impress her in some ways, which is why he's showing off his tricks/lies. But, when he finally tells the truth, he never noticed that Card of Death – he never realized she would die.

And, I feel as though this is probably a deliberate choice of MILGRAM's part because there's loads of detail into the A and the Spade itself.

Now, we can move past the Card of Death thing for just a moment and look more into the Ace of Spades.

While looking into this, I found a website that says the Ace of Spades means change.

Now, I don't know how well it fits, but the words "inherent power each of us possesses to mold and shape our reality, irrespective of the external conditions we face" somehow remind me of Kazui. How he lied to protect his wife.

To make sure his wife felt loved, even when he wasn't sure of himself/of the marriage.

Unknowingly, he lied to protect Hinako even when he wasn't sure of anything, but, in the end, Hinako's death would always come to be.

It’s for the sake of true love, who wouldn’t lie for that?

[mycryptosuite]

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[prettyholic7]

'You and Idol Precure' predictions

Since the new Precure logo just got revealed, I'd like to throw out some of my speculations! :3

Colours - since the background on the promotional website has three beams of light in those particular colours, I think we'll start with a pink, purple and blue trio! And for the midseason Cure, maybe yellow, simply cuz I feel those four colours would look nice together.

Names - I have a hunch that they'll avoid specifically musical terms for names as a way to not be too similar to Suite, so here are some of my ideas:

Cure Unity

Cure Cheer

Cure Bling

Cure Ribbon

Cure Shimmer

Cure Chant

Cure Believe

Yeah that's kinda everything I have for predictions for now! I might draw some fan designs if I get the time! :3

[pianokantzart]

As it turns out, the storyboard drawing as made by Melody Wang on her website. It was found on a video apparently titled “MARIO 2 Opening”.

So if the image takes place at the beginning of the film and not around halfway like some of us believed, I’m predicting that Peach sent them to that market to purchase an “important item” for her, and after they do so and bring it to her, it turns out to be a secret ingredient for a new cake recipe she wants to try out. Cue camera panning upward and title card.

That or it’s gonna be a “Yep, that’s me. You’re probably wondering how I got into this situation” opening.

Oooh, interesting! That does change things doesn't it. Perhaps, instead, they've been sent out to find someone? Or maybe The Mushroom Kingdom is political allies with The Desert Kingdom so Mario and Luigi are being sent to help solve a problem? If that's the case, I predict either..

1. They fail miserably, giving them an emotional stumbling block to overcome when facing Bowser (or whatever new threat faces them)

2. They succeed, but with Mario fully embracing and fitting into the role of "hero" while Luigi is left in the dust, completely uncertain of himself.

Either way, I like the juxtaposition to the intro of the first movie: Bowser invading the snow kingdom vs Mario & Luigi exploring a desert kingdom.

[pinkmoondoll9shihtzu]

hi, im a mutual of yours who is too shy/on&off tumblr to interact, but i do look up to you; and your blog and way of seeing things helped me in the past when i was struggling quite a bit.

Lately I feel as if im lost in life, lost my passions and floating aimlessly without a real goal, detached from the future etc. Do you have any advice? I appreciate ur view on things, hope this isnt overstepping 🌦🌈

hi its ok no pressure too interact w me ona personal level just cus were mutuals i enjoy the ambient bonds that can form on this website its why i stay ^^ and no it's not overstepping at a;ll sorry it took me a lil while to respond i was trying to think of good advice since i often feel lost too---

well firs t n foremost to give credit where credit is due, this bjork reddit AMA response really gets to the bottom of it , ever since i first read this here on tumbr a few years ago it really rly stuck w me:

the way this answer helped me is like, it helped me realize i dont need to be so regimented i dont need to put all this pressure on myself to create..All that does is feed into self inflicted guilt when i cant live up to my own expectations u.u you see for my whole life i've never been able to plan anything. yes i can think about the next steps i want to take, i can assemble a plan, i can see the logical way forward, but my moods. or like, idek. how to explain..

i cant force anything. if im not feeling it, i cant force it. ive STRUGGLED w this like i dont wanna be this way. because my feelings i cant predict. like for example i worked on music all winter because thats what i was feeling. then suddenly in march i just like, wasnt feeling it all of a sudden. As soon as it hit me i was like Fy767*T&UG*** because i didnt know when it was gonna come back. i still dont know!! im just trying to be patient waiting it out..in the mean time i have suddenly become enthused with drawing again after not ~feeling~ drawing for most of 2023. sometimes i go for weeks where i dont take a single photo and then suddenly it starts flowing again.. my website was also left untouched for most of 2023 until recently.

thats just one example of this repeating pattern in my life that i didnt understand for so long. theres years of my 20s where i couldnt feel passion for anything at all, looking back now i believe those times i was meant to be focusing on stuff in my psyche that needed healing to clear out some headspace for art. and this bjork quote put a lot into perspective it showed me how to reformulate my thinking to be more accomodating to my disposition. when i'm patient & kind w myself, take each day as it comes, let go of the imaginary pressure, let go of "the future", stuff starts to come thru easier.

and maube its gonna show up in ways you dont expect but its true that the mundane world offers so many ways to practice being creative & giving u stuff to weave into the art u want to create.. every water fall starts w a single drop its trueits true :] thats my advice i spose i really didnt meant to write this much but im boooored.. actually my nighttime boredom writing is one of those habits i never considered to b creative until very recently. there's so many small & automatic things we do that can lead to a meaningful life & purpose.

thanks for the question anon i hope this helps in some way , this is whats helped me but everyone's process is different. and i still have moments where im like WTFFF is happening but its easier to ride it out now. i wish the same for you just give it time <3 thanks again xPmd9