#dragon age appreciation week

[crabs-with-sticks]

A quiet moment and a stolen kiss

The Falon'Din ladies, Ghilara Lavellan (mine) x Ariden Lavellan ( @pennabeast ) for oc kiss week <3

[haedia]

Edited to add: @captastra is planning one for the end of February, so keep an eye out for that!

I'm too tired all the time to put one together but there should be an Illario Appreciation Week or something soon. (maybe overlapping with Valentine's Day?)

I could try to have my next piece done by then. Maybe I'd even write a thing for it.

Things I was toying with as possible themes/prompts:

Fussy/Vain

On the Prowl/On the Job

Life of the Party

Dark Thoughts/Dark Days

Late Night/Night on the Town

Freedom

Childhood Lost/Childhood Remembered

Brother's Keeper

Memories

First Talon

Silver Tongued/Sweet Talker

Lingerie

Praise

Undisclosed Desires

Rebel

Consequences

I'll probably end up using some of these in pieces going forward, eventually, but hey, if anyone wants to use them either for an Illario Week or for just general creative inspiration, feel free.

I would like to be tagged, though, so I can see what people make. c:

[cansofbees]

Pay-what-you-want commissions at a discount of my normal prices! Shoot me a DM, an email (at cansofbeesart@gmail.com), or on Ko-fi

[ruushes]

17 and 25 for the worldstate meme with your mahariel? :D

17. what were they like as a child?

oh you know he was a weird little kid lmao. between being orphaned, perpetually sick, and of a shy/nervous demeanor he was kind of considered the ‘baby’ of his age cohort despite being one of the older kids (and in fact was the last of them to reach adulthood due to several failed attempts at getting his vallaslin). not *disliked* by any means but sort of a wet blanket, the kind of kid an adult would be like ‘you should take ailill with you to go play!’ and you as another kid would kind of groan bc he is definitely going to cry and want to go home. bc of all this sort of sheltered in a way that was wholly well-intentioned but also just kind of gave everyone low expectations of him, compounded w/ the assumption he would be a mage only for that never to manifest, leaving him despite everyone’s best efforts feeling like a bit of a disappointment

25. what did they plan for their life to look like before the events of the game happened?

he avoided thinking about it, he doesn't like change and in the back of his mind wanted to believe everything would stay the same forever, tho this was starting to be threatened by an upcoming arlathven and others his age getting excited abt potentially meeting someone/starting families/transferring clans none of which interested him at all

i think if origins hadn't happened he would've moped around that arlathven and resented his friends a bit for moving on w their lives but maybe at the next one he'd meet someone or otherwise start branching out in his 30s after taking a while to get more comfortable w himself

[frenchy-and-the-sea]

If you had complete control over the decor in Mori's room at the lighthouse, what would it look like? What kind of items and decorations would you find in her room? Would she get a real bed, or just keep sleeping on that sad little couch we get in-game?

Bonus question: If she could choose her "spot" literally anywhere in or around the lighthouse, would she hunker down somewhere else?

This took a million years to scrape the brainpower up for this question, I apologize!!

The unfortunate thing about Mori is that she spent so long living in a space that was overall very spartan that she doesn't really....put a lot of thought into decor? If I'm being really honest, she probably does exactly what you can do in the game - just puts things on the flat surfaces around her, and occasionally switches them around. A vast majority of her "decor" is just stacks of books in various stages of being read, a few sharpening stones, and one gaudy-looking nug statue that she found in Treviso and thought was too funny not to get.

I think the only other thing she'd add are a few more plants at Harding's suggestion, because despite her absolutely wretched green thumb, Mori likes to be surrounded by plants. The public gardens of Nevarra were some of her favorite places to be back home, so she would be very pleased to sort of emulate that. She DOES have to bring Lace in every so often to check on her plants because she...isn't great about it...but that's really just a bonus. :>

She WOULD definitely do is get rid of that horrible couch, though. I think she hates the thing on sight. I think the minute she figures out that she can shunt it into storage, she does so, and then shuffles the whole middle space of the room around so that she and Taash can muscle in a big, sprawling square of a bed with about a million pillows per inch. It is her only indulgence, but now that she's got the chance to nest? Boy, she TAKES it.

[quillfulwriter]

Carver Hawke inspo?

I kinda wanna do something this year for the Carver Hawke week that was in May-Jul somewhere during 2015-2017.

Looks like it was barely acknowledged, but I'm trying to brainstorm an idea for the lil gremlin.

Comments welcome but who knows what I'll pick oops

[ooachilliaoo]

The Joining

He hadn’t been to a Joining since his own. He’d forgotten the solemnity of the situation. Maybe he’d been too nervous to properly pay attention last time, or maybe it was different because this time he knew what the price could be…

Oddly, Duncan seemed more at ease today than he’d been at Alistair’s ceremony. Maybe he knew that they’d all pull through. Maybe you got a sense for that kind of thing as you got older. He certainly hoped so.

He’d tried not to get too attached to any of the recruits; really, he had. But he’d been camping in the wilds with them for the past three days, and since there was little else to do around a campfire but talk, he’d inadvertently ended up getting to know them all quite well.

Once he knew them, it was really hard not to like them.

Jory was a bit of a stick in the mud – and, honestly, a bit of a coward sometimes – but time with the wardens would soon cure him of that. Plus, he was thoughtful, careful. Not to mention honourable. He’d probably be a good person to have at your back, once he’d loosened up a bit.

Daveth, of course, was almost the complete opposite. He was fun, carefree, and either very brave or very stupid. He hadn’t quite figured out which. If it was the latter, he was almost certainly going to be cured of it quickly once they were regularly facing darkspawn across the battlefield. If it was the former, well, almost foolish bravery was basically a requirement when you were regularly facing darkspawn across the battlefield.

Then, of course, there was her.

Read the rest on AO3!

[haedia]

I'm getting so unreasonably excited for this. I'm gonna be starting my Praise Kink piece later today >:3c

It's gonna be real good.

Building off of @haedia post for an Illario Appreciation Week, I've decided to make an unofficial one starting Feb 23 through March 1! A week were anyone can create fics, art, gifs, moodboards, whatever for our favorite "lesser" Dellamorte! Both SFW and NSFW are welcome (18+ only)! Feel free to tag #illarioappreciation or #illarioappreciationweek!

Please know this is just for fun and prompts below can be used at anytime but if anyone is interested I'm super excited to see what you all create!

SFW Prompts:

Day 1: Cousin's Keeper Day 2: On a Contract Day 3: Night on the Town Day 4: Childhood Memories Day 5: Consequences of Actions Day 6: Veilguard Companion Day 7: First Talon

NSFW Prompts:

Day 1: Praise Kink Day 2: Lingerie Day 3: Sweet Talker Day 4: Semi-Public Sex Day 5: Skinny Dipping Day 6: Sharing Clothes Day 7: Fussy/Vain

Alts (SFW/NSFW):

Reunion

Spa/Bath House

Training/Fighting/Sparring

Piercings

[spiffybits357]

Here's a big project I've been working on for a few weeks: a phylogenetic tree of everything in Minecraft! It would take ages to explain everything here, so if you want an explaination of any inclusions, exclusions, categorisations or Latin names PLEASE PLEASE PUHLEASE ask me I would love to answer any questions :3

Here's the slides I used to make it since i'm aware the text on the image there is pretty much unreadable.

Reblogs appreciated!

Edit: there are some problems with the image on here aside from the quality, so please check the slides for a slightly more accurate version! Also, if you have a question check the notes first! Odds are someone else has asked already.

Edit 2: PLEASE check the reblogs before you ask a question, most of the questions I'm getting now are ones that have already been answered. But I of course really appreciate how much people care :3

Full image description:

At the bottom is the Origin of Life, which branches out into five kingdoms - amoebozoa, animalia, fungi, algae and plantae.

Amoebozoa is in pink. It branches into Sculk (latin name sculk sculk) and then into slimes (scindo uliginosus) and magma cubes (scindo igneum)

Animalia starts off in orange. It branches off into the five types of coral (Fire - millepora, horn - rugosa, tube - tubipora musica, bubble - Plerogyra sinuosa, brain - diploria). The second branch of animalia branches off to the sponge (in the phylum demospongiae) and then to molluscs and arthropods.

Moluscs first branches off to the shulker (duopartes purpur) then to the nautilus (latin name nautilus), the ghast (Exspiravita inferno) the heart of the sea (unknown latin name), the squid (Immiforma caeruleum) and the glow squid (Immiforma crepuscula). The heart of the sea and nautilus are both marked with a dagger symbol, indicating they are extinct.

Arthropods branches off to the enderman (gracillis sapiens) and the ender dragon (draconiforma finis). It also branches off into insects, featuring bees (bombus enormus) and silverfish (Lepisma saccharinum), as well as to arachnids, featuring the endermite (terminus limina), the spider (rufoculos nocturnis) and the cave spider (rufoculos caverna).

Carrying on from the branch of animalia is the sea pickle (Pyrosoma) and then the vertebrates, which are coloured in reddish orange. The first branch contains the Queen angelfish (Holacanthus ciliaris), the emperor red snapper (Lutjanus sebae) and the moorish idol (Zanclus cornutus). the second branch contains salmon (Oncorhynchus nerka). The third branch contains the yellowtail parrotfish (Sparisoma rubripinne), the clownfish (Amphiprion percula) and the dottyback (Diadem pseudochromis). The next branch contains cod (Gadus). the final fish branch contains the triggerfish (Abalistes stellatus), the pufferfish (Arothron meleagris) and the yellow tang (Zebrasoma flavescens).

Next the branch transitions into tetrapods. coming off this are amphibians, which includes the frog (Lithobates thermochroma) and the axolotl (Ambystoma mexicanum)

image desc currently unfinished, would appreciate help

[onelastkiss4you]

Dragon Age: The Veilguard Just Went From A Good RPG To One Of BioWare’s Most Important Games

In light of BioWare scattering some of its most foundational veteran talent to the winds, Dragon Age: The Veilguard sure reads like something made by people who saw the writing on the wall. The RPG leaves off on a small cliffhanger that could launch players into a fifth game, but I’m skeptical that we’ll ever get it. The quickness with which publisher Electronic Arts gutted BioWare and masked it with talk of being more “agile” and “focused” shortly after it was revealed The Veilguard underperformed in the eyes of the power that be makes me wonder if BioWare was also unsure it would get to return to Thedas a fifth time. Looking back, I’m pretty convinced the team was working as if Rook’s adventure through the northern regions of this beloved fantasy world might be the last time anyone, BioWare or fan, stepped foot in it. But that may have only made me appreciate the game even more.

Yeah, I might be doomsaying, but there’s a lot of reasons to do so right now. The loss of talented people like lead writer Trick Weekes, who has been a staple in modern BioWare since the beginning of Mass Effect, or Mary Kirby who wrote characters like Varric, the biggest throughline through the Dragon Age series, doesn’t inspire confidence that EA understands the lifeblood of the studio it acquired in 2007. The Veilguard has been a divisive game for entirely legitimate reasons and the most bad-faith ones you can imagine on the internet in 2025, but my hope is that history will be kinder to it as time goes on. 

A Kotaku reader reached out to me after the news broke to ask if they should still play The Veilguard after everything that happened. My answer was that now we are probably in a better position to appreciate it for what it was: a (potentially) final word.

The Veilguard is just as much a send-off for a long-running story as it does a stepping stone for what (might) come. Its secret ending implies a new threat is lurking somewhere off in the distance but by and large, The Veilguard is about the end of an era. BioWare created an entire questline essentially writing Thedas’ history in stone, removing any ambiguity that gave life to over a decade of theory-crafting. As a long-time player, I’m glad The Veilguard solidifies the connective tissue between what sometimes felt like world of isolated cultures that lacked throughlines that made the world feel whole. But sitting your cast of weirdos down for a series of group therapy sessions unpacking the ramifications of some of the biggest lore dumps the studio has ever put to a Bluray disc isn’t the kind of narrative choice you make if you’re confident there’s still a future for the franchise. 

Unanswered questions are the foundation of sequels, and The Veilguard has an almost anxious need to stamp those out. Perhaps BioWare learned a hard lesson by leaving Dragon Age: Inquisition on a cliffhanger and didn’t want to repeat the same restriction. But The Veilguard doesn’t just wrap up its own story, it concludes several major threads dating back to Origins and feels calculated and deliberate. If BioWare’s goal with The Veilguard was to bring almost everything to a definitive end, the thematic note it leaves this world on acts as a closing graf summing up a thesis the series hopes to convey.

Pushing away the bigotry that has followed The Veilguard like a starving rat digging through trash, one of the most common criticisms I heard directed against the game was that it lacked a certain thorny disposition that was prevalent in the first three games. Everyone in the titular party generally seems to like each other, there aren’t real ethical and philosophical conflicts between the group, and the spats that do arise are more akin to the arguments you probably get into with your best friends. It’s a new dynamic for the series. The Veilguard doesn’t feel like coworkers as The Inquisition did or the disparate group who barely tolerated each other we followed in Dragon Age II. They are a friend group who, despite coming from different backgrounds, factions, and places, are pretty much on the same page about what the world should be. They’re united by a common goal, sure, but at the core of each of their lived experiences is a desire for the world to be better.

This rose-colored view of leftism doesn’t work for everyone. At its worst, The Veilguard can be saccharine to the point of giving you a cavity, which is far from what people have come to expect from a series in which Fenris and Anders didn’t care if the other lived or died. It also bleeds into a perceived softening of the universe. Factions like the Antivan Crows have essentially become the Bat Family with no mention of the whole child slavery thing that was our first introduction to them back in Origins. The Lords of Fortune, a new pirate faction, goes to great lengths to make sure you know that they’re not like the other pirates who steal from other cultures, among other things. I joked to a friend once that The Veilguard is a game terrified of getting canceled, and as such a lot of the grit and grime has been washed off for something shiny and polished. 

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Essentially retconning the Antivan Crows to a family of superheroes is taking a hammer to the problem, whereas characters like Neve Gallus, a mage private eye with a duty-bound love for her city and its people, are the scalpel with which BioWare shifts its vision of how the world of Thedas can change. Taash explores their identity through the lens of Dragon Age’s longstanding Qunari culture, known for its rigidness in the face of an ever-changing world, and comes out the other end a new person, defined entirely by their own views and defying others. Harding finds out the truth behind how the dwarves were severed from magic and still remembers that she believes in the good in people. The heroes of The Veilguard have seen the corruption win out, and yet never stop believing that something greater is possible. It's not even an option in The Veilguard's eyes. The downtrodden will be protected, the oppressed will live proudly, and those who have been wronged will find new life.

That belief is what makes The Veilguard a frustrating RPG, to some. It’s so unyielding in its belief that Thedas and everyone who inhabits it can be better that it doesn’t really entertain you complicating the narrative. Rook can come from plenty of different backgrounds, make decisions that will affect thousands of people, but they can never really be an evil bastard. If they did, it would fundamentally undermine one of the game’s most pivotal moments. In the eleventh hour, Dragon Age mainstay Varric Tethras is revealed to have died in the opening hour, and essentially leaves all his hopes and dreams on the shoulders of Rook. After our hero is banished to the Fade and forced to confront their regrets in a mission gone south, Varric’s spirit sends Rook on their way to save the day one last time. He does so with a hearty chuckle, saying he doesn’t need to wish you good luck because “you already have everything you need.” He is, of course, referring to the friends you have calling to you from beyond the Fade. 

Varric, the narrator of Dragon Age, uses his final word to declare a belief that things will be okay. This isn’t because Rook is the chosen one destined to save the world, but because they have found people who are unified by one thing: a need to fight for a better world. But that’s what makes it compelling as a possibly final Dragon Age game. Reaching the end of a universe’s arc and being wholly uninterested in leaving it desecrated by hubris or prejudice is a bold claim on BioWare’s part. It takes some authorship away from the player, but in return, it leaves the world of Thedas in a better place than we found it.

The Veilguard is an idealistic game, but it’s one that BioWare has earned the right to make. Dragon Age’s legacy has been one of constantly shifting identity, at least two counts of development hell, and a desire to gives players a sandbox to roleplay in. Perhaps, as Dragon Age likely comes to a close, it’s better to leave Dragon Age with a game as optimistic as the people who made it. I can’t think of a more appropriate finale than one that represents the world its creators hope to see, even as the world we live in now gives us every reason to fall to despair.

In my review for The Veilguard I signed off expressing hope for BioWare’s future that feels a bit naive in retrospect. Would a divisive but undeniably polished RPG that felt true to the studio’s history be enough when, after 10 years of development, rich suits were probably looking for a decisive cultural moment? That optimism was just about a video game. Having lived through the past 32 years, most of the optimism I’ve ever held feels naive to look back on. I think I’m losing hope that the world will get any better. But even if we haven’t reached The Veilguard’s idealized vision, I’ll take some comfort in knowing someone previously at BioWare still believes it’s possible. - ken shepard, shepardcdr.bsky.social

[dragonagekissweek]

they'll pry dragon age out of our cold, dead hands

i will be organizing dragon age kiss week this year, and hopefully in the years to come, as a celebration of fandom and to show our appreciation and love for the characters and stories that brought us together over the years, and that will keep bringing us together

it will take some time to get it going, but feel free to follow if you want to stay informed. i appreciate suggestions and asks :3

[haedia]

I finished the Illario piece and I wanna post it here but I also wanna wait for the Illario Appreciation Week. DX

I am conflicted!

[oepionie]

— "HIS COMPLETE DEVOTION" malleus draconia

SYNOPSIS: "Don't touch me! I have a lover!" - After accidentally getting hit in the head with a powerful spell, Malleus is left delirious and confused. You try to help him but he doesn't seem to recognize you.

Character/s: Malleus Draconia x GN! Reader

Tags: Fluff, Established relationship, Malleus is a loyal dragon, Reader is part of the gargoyle appreciation club, Mentions of nausea, He keeps a locket of you aww

A/N: This prompt/idea was requested by a friend!

WordCount: 800+ | 💌Masterlist | PART II HERE

Green lightning began to strike and forsake the grey sky. Every student on campus could hear the wind howling through the thick dripping rain, a sinking feeling of dread permanating through the atmosphere.

The aged concrete walls shook from a shrill scream, the anguished cry echoing out through the hundred chambers in the castle.

"YOUNG MASTER!" Sebek drove his fingers into his scalp, screaming as thick tears dribbled down his flushed face. From his reaction, you'd think he was the one who got hurt instead.

Lilia tutted and carefully inspected Malleus' head. The young prince was laying on the ground writhing in pain. Lillia pressed his thumb against the dragon's temple, examining the Fae's reaction.

Sebek and Silver surrounded the two, ensuring that no one could get past them. Malleus was in a vulnerable state right now, he had to be protected at all costs.

"The spell was quite powerful however it's not serious. Other than some temporary mental confusion, he should be fine." Lilia muttered, helping Malleus stand up. The young prince stumbled around for a bit, almost as if he was intoxicated.

"Malleus!" You threw the doors to the dorm open, running over to the group. It's only when you got closer did you notice your lover's spinning eyes, glazed over as he blinks at the blank concrete floors. Worried out of your mind, you rushed over to him.

"Tsunotarou! I heard what happened…are you okay?" The fae appeared a little puzzled. You stood before him and he fixed his gaze on you, confused and...disgusted?

With a hint of hesitance, you reached your hands up to cup his cheeks. Only to gasp when Malleus glowered and grasped onto your wrists, ripping your hands off of his face.

Silence fell over the room as he dropped his grip on your arms, allowing them to hang limply by your sides. Everyone gawked at Malleus as if he had just grown two heads.

Malleus? Malleus rejected your affection? The Malleus who waits outside your dorm an hour before classes just to walk you to school? The Malleus who once caused a week-long storm just because he couldn't sit next to you in class? Your Malleus?

You felt your heart sink. They say drunk words were sober thoughts. Did Malleus secretly despise you?

"Listen here-" Malleus snarled, his unfocused eyes flashing a luminous emerald green. The radiance and illumination hypnotizes you for a while. A kaleidoscope of green and blue swirling around the gems that were his eyes.

"No matter how alluring you look-you can't tempt me. I-" Malleus lurched forward, nearly falling over. You ran to catch him but he pushed you away, stepping back blindly. He raised a finger at you. "I-I already have a lover!"

"Yes-That's…me?" You blinked, confused out of your mind.

Malleus only scoffs at you, shakily taking a few steps towards the entrance. It was clear that his head still shook and ached from the spell's blow. Sebek was quick to stop him, holding Malleus steady. "Young Master! Where are you going?!"

"To my-my treasure. My darling prefect." Malleus slurred, leaning against Sebek for support. He continued his rambling. "It's Thursday- We have a club meeting."

"Tsuno-I mean-Malleus, today is Tuesday." You piped up, pressing a hand against his back. With shaky legs, he pushed Sebek off and turned to glare at you.

"Silence. It is not."

Lilia laughs hysterically, doubling over and grabbing onto his knees. Oh, this was comedy gold for him. Shaking his head at his father, Silver strode up to Malleus and placed his hand on the young prince's shoulder.

"Malleus, you're still delirious. Why don't you sit down."

Both Silver and Sebek started to guide the woozy fae onto the couch. You followed suit, taking a pillow and placing it under his head. He turned to face you, his head spinning, a loopy snarl and glare on his face.

"I...I already told you- I have a lover." He groans into his hands, nausea washing over him like waves.

The fae begins frantically rummaging through his pocket. He yanks out a little locket in the form of a heart, holding it up for you to look at. He hands it to you with an arrogant smirk on his face.

"See?"

"O-Oh?"Gently taking it into your hands, you flipped the metal cover over to see a picture of you inside.

It was a photo from your very first anniversary. You were wearing a flower crown made with roses Malleus grew himself, it was one of the many gifts he gave you that day.

Though only your head and neck could be seen in the picture since his coat had almost completely engulfed you. It was a chilly day and Malleus graciously lent you his coat after you had forgotten to wear one.

You stared at the photo fondly, shutting it close before handing the necklace back to the fae.

"Your partner must be lovely." You whisper softly and Malleus sighs, lolling his head back to stare at the ceiling lovingly.

"Oh. They are much more than that."

PART II | Likes and Reblogs are greatly appreciated and really motivating on my end!

[ryoskuna]

Be the Light: Dragon Age: The Veilguard's Davrin - A Character Study/Analysis & Appreciation Post

Hi, my name is Leia, and I’m a Master’s degree candidate in Children’s Literature and Library & Information Science. I’m also a Black woman who loves consuming media, which is not limited to playing video games, reading books, and watching TV shows/movies. 

To my friends who have put up with me rambling about this game for the last three(?)-ish weeks, thank you for entertaining me, putting up with all my thoughts, and pushing me to make this post.

I completed my first playthrough of Dragon Age: The Veilguard on January 6th (and cried twice), and while there is so much that can be said for the storytelling (it’s not perfect; there’s no such thing as perfection since that’s an objective notion), but in my opinion, I believe DATV makes for an excellent and conclusive end to the Dragon Age franchise in regards to lore and the world of Thedas on the best attempts of the developers and writing team. Especially considering it was a game that lingered in development purgatory for 8+ years, and there was such an intense fight to make sure it got released, I will contently take what I received (with some admitted bias as a Solavellen, and someone who does like Solas as a character though there is much to say about him as well but not here!).  When I completed the game, my immediate response was very similar to the way I reacted when I finished my first playthrough of Final Fantasy 15 (another game that I found emotionally compelling- I sobbed for approximately 30-45 minutes straight while on a voice call with a friend during the final cutscene sequences, as well as the credits playing Stand by Me by Florence + the Machine) — I wanted to make a video essay talking about the storytelling and my experience with all of the characters, content, and everything that made me absolutely enamored with the game. (Side note: DATV has the best combat gameplay in any of the DA games, and I will stand by that. Like if they remastered Inquisition and the other two games with the Character Creation from Veilguard and upgraded the combat mechanics/gameplay/UI, I would be first in line to buy the remastered versions.)

(It’s also ironic this is getting posted when it’s been announced that the entire Bioware team for DA has been let go, left, or released to industry, which is a loss of some wonderful storytellers and creatives.)

But I lack the video equipment to make video essays/vlogs talking about my interests like this, and I also don’t know if anyone would watch it. I also generally do not see a lot of Black women engaging in content that would fall into this category or dialogues with media and games, although I wish I did see more of it!

However, this is not intended to be a critique of the game; this is solely meant to be a character study and appreciation post for one of the companions, Davrin, who was the standout companion for me during my initial playthrough and continues to be in my consecutive playthroughs. Davrin is arguably a fantastic character, not only because of his companion quests (which have some of the strongest and most emotional storytelling, in my opinion, whether you romance him or not), but also because of his personality and how he is a love letter to the history and future of Thedas. 

(Additional side note: all of the companions are fantastic, especially the seven that are newly introduced within DATV. Harding is a great connection to DAI, the references to the Inquisition at large, and some additional history of the world of Thedas.)

This is also why I mention my race in my introductory statement, as my analysis of him is based on my experience and understanding as a Black woman. While I am not a Black man, I do have a brother, and my father is a Black man who comes from a military background, and this absolutely does affect my perspective and understanding of Davrin as a character.

This way of analysis in literature is called reader-response, in which the reader has a transaction with the text, i.e., the reader reads the material, and out comes their interpretation of the text (see: here, and Mingshui Cai’s “Transactional Theory and the Study of Multicultural Literature.” Language Arts, vol. 85, no. 3, 2008, pp. 212–20, if you’re looking for more intellectual writings on reader-response.). Reader-response allows for a unique interpretation based on the reader or in this case, the player’s individual experience. 

Lastly, I’d like to preface that this post will reference the game, the podcast - Vows & Vengeance, that was released prior to Veilguard’s release - and some of the books, primarily Last Flight, for additional narrative context. I’ll flag spoilers the best I can but will state that this post is not spoiler-free. 

First, for this to make sense, I feel like we have to discuss why representation in media matters.  So, why? Why does representation matter? 

Well, there is power in seeing someone who resembles yourself or your story on a screen or largely consumed content. It challenges stereotypes (or what one can be), introduces people to cultural exchange, and engages in cultivating a sense of belonging (here’s a wonderful TED talk if you’re interested, but also see this article from PBS, APA (American Psychology Association), here, and here).

Another one of my favorite TED talks about storytelling also touches on why representation matters. It matters when we engage in dialogue when we try to understand our friends and when we seek to build community with welcoming, inclusive people. It is why people seek to build accommodating spaces, and it is one of our greatest acts of resistance to systemic oppression that allows discriminatory stereotypes to flourish. Being in community is an act of resistance. This is also why it matters when people are so excited to see a character be undoubtedly and explicitly a part of a specific affinity group or identity.  There can be a whole essay or book written on why representation matters (and there are, plenty), so I do not want to get to into the weeds with why representation is a valuable contribution in a time where DEIJ (Diversity, Equity, Inclusion, and Justice) is being challenged so heavily. 

Now that we’ve covered that, let’s get to the real reason you’re probably here. This is split into two parts, the character study/analysis, and the appreciation. Not that these two things aren’t similar in nature, but I wanted to make it separate in a way in case anyone wanted to specifically comment on anything, came for a specific portion, or please feel free to use in your fanfiction writing if you’d like.  Just know if you’re going to engage with this post, please be respectful. If I am wrong on something, please feel free to DM me and let me know!

Character Study/Analysis

We meet Davrin initially in the announcement trailer for DATV, but we don’t really see a finalized formation of his character outside of visuals until Vows and Vengence, where they’ve switched from using a British accent of his voice to an American accent. I think this is a neat transition from the whole “all elves are british-accented/welsh-accented” we saw in the 2010s, but for me, this truly emphasizes a correlation to a Black American experience — however, I’ll touch upon this later. When Davrin is introduced to us in V&V, he comes off as a character with a strong sense of responsibility and duty — and he’s already involved with the Griffons as he wants to investigate the rumors of their reemergence instead of investigating the earthquakes occurring in the Anderfels. He chooses to fall into a sinkhole to rescue the protagonist of V&V, Nadia, and two additional characters. When Nadia mentions that the only reason she’s in the predicament she’s in is due to someone called “The Dread Wolf”, Davrin immediately wants to investigate as the involvement of Fen’Harel is a bad omen, and the Grey Wardens should be investigating. There is also the mention of darkspawn, which is more compulsion for Grey Wardens to investigate. 

Additionally, he has a partner at the time named Goff(?) who he later nearly has to to amputate a limb from and argues to carry the man out as he won’t leave him against Goff’s orders; when he does leave him it is reluctantly. He cannot accompany Drayden and Nadia and continues to investigate the Blight, and by extension, what the elven ruins have to do with the Blight, committed to his duty as a Grey Warden.

Which leads us somewhat into how we find him again in Veilguard, where we are referred to a monster hunter named Davrin by Evka and Antoine (they will be another important reference and guide into how the role of the Grey Wardens is changing towards the betterment or future of Thedas). 

I have to appreciate Davrin’s complexity as a character. While the game, in my opinion, is more ambiguous on his standing or practice of the elven religion, he never leaves room to deny his roots and where he comes from. In V&V, he’s familiar with reading ancient elven, and wishes Nadia and Drayden that Andruil guides them on their adventure. Davrin’s vallasin is also dual-sided, which in a reference to the sun and moon quote in V&V (“Guide me on the path that splits the land between sun and moon”) on the mirror mosaic, you can argue that his vallasin is a reference to Ghilan’nain or you can argue that it is for Andruil.  However, I raise that his vallasin is for both goddesses, as Andruil is the reason that Ghilan’nain ascended to “godhood”, and with Davrin’s title as a monster hunter, it would be fitting considering Andruil is the goddess of the hunt.  

He also names Assan after the elven word for ‘arrow’, which is referenced in two of Andruil’s three ways - Vir Assan - or the Way of the Arrow - and Vir Bor’assan - or the Way of the Bow - which the former refers to ‘fly straight and never waver’, the latter being ‘bend but never break’. It makes sense that he names Assan this, as it is almost him speaking blessings over the young Griffon, to fly straight, never waver, to bend (or endure turmoil) but never break (or fail).  To me, it is a blessing from a father to a child, but it is also a reminder to himself everytime he calls the Griffon’s name to himself. 

[Note: all the other griffons presumably have names, he mentions a few of them if you walk to their cages during the first part of his companion quest/adding him to the Veilguard, but they’re a little silly in my opinion. Assan is the only one who is known to have an elven name, and noted to be the only one Davrin himself named.]

Having a vallasin that represents Ghilan’nain is also fitting (and ironic considering Ghilan’nain’s position through Veilguard), because not only was Ghilan’nain one of the people, but as a “goddess” she was dedicated to guidance and navigation. For someone like Davrin, who struggled fitting in with his clan and wanting to go on a different path than solely staying with his clan, he could’ve been asking for all the guidance he would be fortunate enough to get. Additionally, she is called the mother of the Halla, creatures that Davrin was gentle enough to care for, hence where we get the line where we find out that he used to sing to the Halla, and he’s attentive enough to identify when they’re ill, and the best methodologies to feed them successfully.  (Halla are extremely sacred creatures, considered noble, and the Dalish ask for the Halla to accompany them instead of forcing them.  Ghilan’nain is stated to be the first Halla. )

As we go throughout the playthrough of the game, Davrin’s role transitions from being a monster hunter, to a Grey Warden, to a bodyguard for the newly hatched baby Griffons, and then, upon joining Rook, and encountering the Gloom Howler, he becomes something else. Like Ghilan’nain, Davrin has ascended to a more important position than solely being a Grey Warden or a monster hunter. He is now the keeper of the future of the last of the Griffons, hence his urgency in rescuing them, and why the decision of their path (to stay with the Wardens or to live in Arlathan Forest) weighs so heavily upon him. 

This is why I propose that his vallasin is left to be ambiguous or a combination of the two goddesses because of the duality of his nature as a character, but the two sides (or the sun & moon) of the path he’s chosen to live by.  I also think there is an irony that the blight is what corrupted the Evanuris, and he fights it now - especially noting that Ghilan'nain also has the capacity for pulling out some wicked horrors when Solas calls her the "most sensitive of us" (referring to the Ancient Elves).

I would have loved to see something where Davrin and maybe even Bellara discuss their vallasin, and their viewpoint on it, now that they are in a predicament where their myths about their gods have now changed drastically, and is reflected in their lived experience.

However, I also acknowledge that Davrin does not particularly hold any signficant reverence towards the Gods, at least not in the same way Bellara does. He states he thought of them as “myths” and now that they’re real, he has to process that. He also states that he knows the gods being blighted and trying to take over isn’t going to do the elven people any favors in terms of “popularity” with the rest of Thedas, which leads me into my next point. 

He is always mindful of his people. Whether this is the Grey Wardens, who we see him mourn and wish to honor; or the elven people, even if they’re not apart of his clan, he cares deeply for them. (By extension, he cares about the Veilguard and the Griffons, of course.)  During the fight against Elger’nan and the Venatori to rescue the Veil Jumpers, you can hear him state, “These are my people” in a protective manner (much like Bellara can say, as well as an elven Rook). He thinks about how Thedas is going to see the elven people if they find out that the elven gods are behind the Blight, the archdemons, and the issue of the Golden/Black City & the “Tevinter Gods”. 

This mindset also tends to cultivate his self-sacrificing viewpoint (he is willing to be the Warden responsible for killing Ghilan’nain’s archdemon); it’s not only what he’s trained to do, but it is about protecting his proclaimed and declared people (not to mention the innocents he morally is willing to protect). 

I propose that he was not filled with the “spirit” of the archdemon for two reasons: 1) because what they considered to be the “spirit” was the ancient elven magic seeking an out (it’s known and stated in-lore that the ancient elves were immortal because their magic was constantly engaging and adapting to the world) and 2) because Ghilan’nain was right there instead, thus performing a ‘return to sender’ (“Maybe the Gods changed things and the old rules don’t apply”).  He states he wasn’t expecting to live because he had embraced the fact that Grey Wardens have an expiration date, and that pushed him. Now that he survived (and processing survivor’s guilt, as well as the stages of grief), he now has to find a purpose outside of being a Grey Warden and a monster hunter. 

His seeking a purpose is a reminder, to me as a Black person, how we are taught that just being ourselves and contributing to what others contribute is not good enough. Giving 100 percent is not good enough - you must be outstanding. (There’s a quote from Scandal that’s applicable here - watch here; “You have to be twice as good as them to get half of what they have”). In that, being just a Grey Warden isn’t enough, nor is being just a monster hunter. 

What makes him relevant? Outstanding? 

I propose that’s his transition from bodyguard to parent and keeper of the Griffons. It’s this reasoning that also answers his question on why he gets to live. He’s got to be the one to tell the story of the Griffons, of Isseya, of the past of the Wardens he knew, and the future of the Wardens as they move forward and away from slaying darkspawn and hunting the Blights. The fall of Weisshaupt is the metaphorical fall of the old order of the Wardens, with all their secrets, lies, and damage. Davrin’s emphasized bond with the Griffons speaks to how the new order of the Grey Wardens is healing. 

Now, we absolutely should discuss Assan as he relates to Davrin, and I propose that Assan is an extension of Davrin — meaning the way Davrin cares for Assan is how Davrin learns to care for himself. It’s how he learns to hope, to recognize he is capable of being more than just the blade the Grey Wardens made him; that while he’s questioning his future and his path, that he has the freedom to choose.  Davrin states he feels like “a blade sharpened all these years to confront the worst darkness in the world” and when his blade “[strikes] true”, he asks “what now?”

Davrin’s commentary on calling himself a blade is a parellel in how he describes how Assan, as a Griffon, by nature are inclined to fight Darkspawn like a wolf hunting a deer. Davrin’s nature has been to fight, to hunt; just as Assan’s nature is to hunt Darkspawn. But like Assan, during another companion quest, their nature is also to care. To be gentle — Assan, who brings food to the sick Halla — and Davrin, whose nature of care is extended to Rook and the team, and the thoughtfulness that he uses to care for the future of the Griffons, the future of Thedas, and all the areas encountered by the Gods, the Blight, and the Archdemons. 

Davrin adapts.  He’s very rough and tumble (the guy fought a hurlock, broke four ribs and cracked his jaw, got up and then drove a blade through the thing’s skull), but he also comes from places of care, hence why he makes his whittled figures of monsters and is working on an accurate bestiary as a warrior and hunter, not a mage. 

It is also important to note another title Davrin not only earns but self-proclaims, is that of a parent. He states that “parent” is a scary word. (“I’m supposed to be his bodyguard”), but I’m inclined to go with Varric’s advice - if the decision isn’t easy, it means you’re taking it seriously.  He then later proclaims himself, with confidence, that “I’m his (Assan)’s father.”  Davrin’s proclamation as a parent, and a good one at that, strays away from the absent Black father stereotype that is prominent in media, which is rooted in system practices during enslavement where the father was removed to divide up and destroy the Black family.  

Davrin is confident in hunting the darker things in the world, but he doubts how well he can care for a Griffon. It’s the questions asked by a first-time parent, with no manual, and the only thing that a child, or in this case, a Griffon, asks for is to be loved and embraced. 

This is something that we learn that Davrin experienced through Eldrin, who taught him to appreciate nature, embraced Davrin’s desire to leave the clan to find his place in the world, and who reminded him to embrace the light as much as Davrin fights the darkness (to find balance).  In turn, Davrin is reminded by Rook and states himself that he’ll “raise Assan to create a world where the light outshines the dark”. Eldrin told this to a younger Davrin (Eldrin being his uncle figure), and now Davrin tells this to his son, Assan. 

Additionally, Davrin reminds me of my father, a Black man who has a military background, especially when Davrin states, “I can’t be soft on Assan, because the world won’t.” I cannot express how many times I have heard this from my father to my brother, even though my father, like Davrin learned over time that it is alright for them to be soft. 

(Be protective of your child, but also be a safe haven for your child — firm when required, gentle when needed.)

Davrin breaks a form of behavior (the tough father - generational curse seen in Black and POC communities) by allowing Assan to grow and learn in an environment of love and care. Davrin would die for Assan, and he makes that very clear, both in action and dialogue.  In turn, it’s clear Assan loves and is loyal to Davrin (he lays at his feet, always cuddles up to Davrin, and even attacks the Gloom Howler/Isseya to protect Davrin). Davrin even tells Rook to hug Assan for him. This, to me, is the embodiment of the notion of “turlum” - a form of unity. There is respect and love shared by Davrin and Assan, which forms their loyalty to one another and their ability to work as one. 

Davrin fights and becomes more than just the objectification/weaponzation (of the metaphorical blade - of trying to martyr himself to be useful or worth something) and evolves to embrace his personhood, to embracing the unknown, and that his path and development is solely, 100 percent, his own. He goes away from that philosophy mentioned in that one tumblr post from wonderland-mp3: “if U cannot be wanted, I will be needed and if I cannot be needed, let me be used until there’s nothing left of me”.

Appreciation

There’s a lot of reasons to enjoy Davrin, whether it is his handsomeness, his chest, or his nose (his nose is so unapologetically Black; it’s a standout and prominent feature of his, and it is absolutely beautiful) - he was certainly given plenty. However, one of my reasons that I enjoy him is because of the duality of his nature. He is both fierce warrior and gentle spirit. He whittles. That’s a skill that requires an exceptional amount of dedication, patience, and caution, as if you cut too deep, you can splinter the wood, especially for the figures that he makes of the fallen Grey Wardens and of the attention to detail he puts in the ones of the monsters he has fought because he cares about capturing their accuracy for others.  He chops wood when he’s stressed or to clear his head. But every piece of wood he uses, he creates something with. He isn’t wasteful, he makes the wood useful. He puts out his frustration and feelings into the things he creates.

He also is open and unabashed about his feelings. His ability to communicate his feelings is powerful, and deters from the emotionally constipated black man stereotype.  Even when you flirt with him once or twice, he immediately gets the heart and Thrill of the Chase. In my opinion, you earn this status with him faster than the other companions. He makes it very clear that he can be romantically invested in Rook. Even if you don’t choose to pursue him romantically, he is still a devoted and caring friend towards Rook. The walks he takes Rook on are moments in which he pulls them away from the Lighthouse or from some intense moment to reconnect to nature. He may use Assan as an “excuse” but he and Rook need those walks just as much.  

He trusts and befriends his team. He comforts Bellara and her grief (on top of the fact that Davrin and Bellara (and an elven Rook) are trying to process this whole revamped narrative of their “gods”, their myths, and place in the world when the entire society has historically mistreated elves) - and their relationship to me, becomes akin to siblings, or close friends.  He bonds with Taash and takes their advice on making sure Assan is getting the nutrients he needs.  Emmrich and Davrin exchange parenting advice. Lucanis and Davrin become drinking buddies. 

Davrin makes people feel seen. 

Now, when you romance him, he is even more transparent about his feelings. He affirms that there’s more than passing glances between him and Rook, that they spend time together at an increasing rate, and he admits that he’s been thinking of a future with them.  He expresses fear and worry - even a bit of anger of all the difficult decisions that Rook has had to do (his anger is not with them, I believe, but with the fact they have the burden) - over Rook. 

He’s good with children - he offers Mila payment in the form of Griffon Kisses post-Weisshaupt.  He’s also funny and silly (this man tells that the Gingerwort Truffle tea made Rook pee for the rest of the day).

He’s also mindful, tactical and intentional. While hunting the Gloom Howler, during the second part of the quest, aka The Cauldron, Rook may suggest they go after the Gloom Howler/or that she got away. However, you see Davrin state that it is okay, they’re not in a position to hunt her as they don’t truly know what she is, and it is dangerous to hunt something whose nature is not known.  He then solicits help in finding out what or who the Gloom Howler is after allowing Emmrich to discern the nature of the cloth that Assan managed to tear from the Gloom Howler. 

[Spoilers will continue in the next paragraph.] 

(Spoilers: they find out that it is an elf, a former Grey Warden.) 

In his pursuit of knowledge,  Davrin discovers that the Gloom Howler is actually a former elven Grey Warden named Isseya who, during the 4th Blight, was ordered to blight the griffons so that they could not be useful to anyone else after going rabid on the Wardens who were using them to fight in the 4th Blight. (If you want to know more about Isseya, please read Dragon Age: Last Flight).  

Even when he’s mad at the Gloom Howler for kidnapping the Griffons, he takes time to find out who or what she is— and then reminds her of her own humanity as an appeal to try and get her to stop before he puts her out of her misery because she’s basically been blighted and immortal for 500 years and living with that horror of her orders which has driven her mad. 

[SPOILERS OVER.]

He is socially and emotionally intelligent. If you take him on Harding’s companion quest to Kal-Sharok, he is able to greet Stalgard in dwarven, after Stalgard greets him as well. I also consider his ability to place his personal feelings aside in how he reviews Solas’s memories during the quest Regrets of the Dread Wolf, and to empathize where Solas was coming from in some of his decision making as a sign of emotional intelligence.  He states that if he had an opportunity to forever end the blight like Solas did, or even though he did - he would take it, just as Solas had. (This is a paraphrasing, please don’t eat me alive.) Then, reviewing Solas’s regrets, 

Davrin also can acknowledge when he’s wrong. He grows. He has strong opinions on Lucanis, granted, these are emphasized by the incident at Weisshaupt when he is in mourning, processing, and going through the stages of grief of arguably one of the only places he’s considered home since he’s left his clan. However, if you check on him after the argument - he states that Rook should check on Lucanis, and that the shot Lucanis took at Ghilan’nain was “incredible”. He then later tells Lucanis that no one can do what Lucanis can do in regards to taking down Ghilan’nain. 

He’s a man of action. If you romance him, during the romance scene, he reassures Rook through physical touch - they’ve been stuck in a place alone for 2-3 weeks - and then follows up his physical reassurances with verbal affirmations.   He says “I love you” first to Rook, and while this is probably intentional by the programming - for him to continue being transparent enough to admit I love you in a high tension situation speaks volumes. 

Davrin, in the way that he is written is such a dynamic character and his character growth and arc is arguably one of the more long-lasting ones that I think about from DATV. While I’m not sure the ethnicity of his writer(s), they did a fantastic job embodying this man as an unapologetically and explicitly Black man, with all the nuance and roundness that avoided stereotypical behavior and tropes associated with Black men. 

Final Notes

Davrin was my first romance in DATV, and arguably, if I could romance him every time, I absolutely would (however, I’m curious about the other romances, but I am planning another playthrough with my original Rook, Zen, and she will be romancing that man again).  The way he loves is so big. He is the embodiment of to be loved is to be seen (and romancing him and then choosing him for that ending (which in my opinion, shouldn’t have been an option) is absolutely emotionally devastating. But, it confirms what I say: “You saw me, and I saw you”). His devotion (because that man is locked in) is phrased in “wherever you are, there I am”. 

The AMA erasing him and saying that it is Assan that makes the ending so devastating on a level that equates to Harding is a very bad take. Not because it erases his personhood (which is the purpose of his entire companion quest), but also because Assan is a part of him, but he is what you are offered first, Assan is the added bonus.  Additionally, reducing his character to “just the jock” is also in poor taste because a) the jock character is obviously Taash (they literally have weight-lifting equipment in their room) and b) he is so much more than just that, and he is a very gentle character. 

[ MORE SPOILERS BTW ]

(Also, arguably, his scene as a result of leading the second team is so much more worse than Harding’s, in my opinion, because he didn’t even get a fighting chance, and Harding’s status is different than his (MIA vs. Fallen Hero with the disclosure they couldn’t find his remains)

[ SPOILERS OVER ] 

I loved my experience romancing him and playing as a Veil Jumper Rook because he gives banter like “Not bad for a Veil Jumper” even without romancing him. It’s funny, it’s comradery, it is warmth. He jokes with Neve about her assessment on Rook.  

He doesn’t forget his roots and where he comes from, and this is why I propose that Davrin, the Grey Warden, but also the man that he is, is the proclimaiton of the future and change of Thedas at large. He knows he’s an elf (but he states, I’m not a spirit (like the ancient elves), he grows to represent the change of the Grey Wardens. We see this in the flowers found by Rook, Evka, and Antoine under all the Blight that begin to grow in the Wetlands. We see this in how Flynn, the healer from Lavendel, uses the Blight to sense it in their patients; we see it in the changes of the Calling and how for some Wardens in the midst of their hearing the call - it stopped. We see it in the narrative end of the Blight (“the Blight to End all Blights” because no more archdemons = no more gods = no more elven god related blight); we hear it from Antoine who says the song of the Blight is changing and healing. 

This man is built up to be a narrative parallel of the light and hope that comes with the changes in the Grey Wardens, the Elves, and the world of Thedas at large (without the Blight), and I stand by that. Not only do the Griffons represent change, and the Grey Wardens changing their purpose, but Davrin is the light that leads the way for a greater and more positive future for Thedas, in all of his parts that make him whole, connecting Thedas’s past and flaws, to the prospects of a better future.  And for that, DATV told an incredibly powerful story through him (and his beautiful brown eyes).

If you managed to read all of this, I appreciate you. <3 If you liked this, I yap a lot on twitter, bluesky, and elsewhere, and draw doodles and things of my ocs (including my rook zen, davrin, and my solavellen) plus gladio from FFXV (and my oc, persephone). Please feel free to drop into my DMs or inbox!!

[fenharel-babe]

I JUST found out Weekes was let go from a message in my discord and it SUUUUCKS. They were SO good and definitely do deserve better. Bioware is most likely gonna suffer for this, and maybe even die out :(. Not just because of Weekes, but it definitely will have a big part in it.

So many people deserved better from Bioware. Fans and workers included.

@bioware had a quote come to mind that include some lines either written by, or at least involved with, one of the people you’ve discarded today. Feels appropriate.

“Tell me, how does it feel… Being you. Are you blissfully unaware? Or deep inside, is some part of you banging on the wall, screaming?”

They deserved better.

[uhzuku]

╰─▸ ❝ 𝐦𝐢𝐧𝐞 𝐭𝐨 𝐛𝐫𝐞𝐞𝐝. ❞ ──── 𝐟𝐭. 𝐳𝐡𝐨𝐧𝐠𝐥𝐢.

𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: “Yes, this tight cunt’s mine to fuck — mine to breed, isn’t it?”

𝐟𝐚𝐧𝐝𝐨𝐦: genshin impact | 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: zhongli/reader | 𝐫𝐚𝐭𝐢𝐧𝐠: nsfw ; minors dni | 𝐰/𝐜: 1.03k.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: age gap, breeding kink, jealousy, zhongli’s given name pre-morax is lapis, voyeurism, previously established relationship, mentions of kidnapping, star goddess reader, first descender zhongli, yandere zhongli, darling reader, hinted neuvillette/reader.

𝐚 𝐧𝐨𝐭𝐞 𝐟𝐫𝐨𝐦 𝐜𝐚𝐬: y’all chose yan zhongli so eat up bitches HDBXHRBHC

— 𝐬𝐮𝐩𝐩𝐨𝐫𝐭 𝐦𝐞 !!

“I — I — O-Oh, Lapis!” The shrill cry echoes through the hills below as the mighty dragon claims his prize. 

Ever since the nonhuman male had first descended from the stars with the goddess gripped tightly in one arm, the world of Teyvat ( though messy and unmolded by anything ) had changed forever. Ruled by dragons of all kinds, Lapis fit well amongst the beastly kings and queens that reigned unchecked, his wicked nature festering like an infected wound amongst the cruelty of this new world. 

You, the woman he’d dragged along with him ( his woman as he preferred to refer to you in the company of peers ) weren’t so fond of the current world order. The Dragon Lords were cruel and unjust aside from the Water Lord of the Great Lake north of the desert, and Lapis rarely allowed you to visit him in frequent fits of jealousy; he knew how much affection the Water Lord harbored for you, and he knew you returned these feelings. He’d have killed the other male long ago if that were any sort of option, but he had no means of controlling the many storms the Water Lord reigned over, nor would any of the minor drakes within the Water Lord’s territory appreciate the new order he’d instate — so for now, the Water Lord would live. 

“Let’s see him smile at you so blatantly next season’s meeting when you’re fat with my clutch, yes?” the Stone Lord growls into your ear possessively, pounding into your sopping hole from behind as you wail and clutch at the stone beneath your fingers. The meeting earlier this week had run long and had been torturous, and Lapis had forced back endless growls and snarls at the sight of you and the Water lord being so keen on each other as if he couldn’t see you. 

Once the meeting was over, he’d not even bothered allowing you to make it to the bed before wrenching off your clothes and pressing himself inside of you, his run-thin patience snapping like too thin ice on a lake on the first day of winter. That was how you’d found yourself here, with copious loads of cum that he’d already pumped your abused cunt full of leaking down your legs and forming a puddle on the floor between them. The part of you that could still think wondered if he’d make you lap it up later; it wouldn’t be the first time. 

 “L-Lapis, please-“ you moan weakly, letting out cries as he thrusts even harder into your hungry hole as your voice reaches his ears. 

“Yes, beloved?” he purrs, pressing his front against your back as his hips piston against you. His heavy balls slap against your sensitive skin, and you whimper from the feeling as the overstimulation of it slowly begins to overwhelm you. “You’re wanting more? Don’t worry, dear one, you’ll get it.”

“No-o, can’t,” you whine, fingers clawing slowly at the floor as he fucks you harder into it. A sharp cry of pain falls from your lips as he bites hard onto your shoulder and locks on, his fanged teeth burying themselves in your flesh and marking you up as he likes. “L-Lapis!”

Releasing you, he growls, “You are mine!” as his claws dig into you, and your eyes roll back in your head slightly as the sharp tools of death dig thick lines through your soft skin. Blood runs down in slow streams as he picks up the pace, each thrust getting messier than before as he approaches his climax, and you let out a long, low wail. You don’t notice, but the Water Lord rushes up in worry to check on you, having heard you screaming; Lapis, however, senses him instantly, and is more than pleased to show off his claim. 

“You’re my pretty little whore of a goddess, aren’t you?” he asks mockingly, his voice soft yet cruel. You only respond with a dumbed out ‘Uh-huh’, drooling slightly and pushing back on his thick length. Large even when disguised as a human, you were lucky tonight that he’d not decided to fuck you with the twin lengths he possessed due to his lineage of being a dragon. “Yes, this tight cunt’s mine to fuck — mine to breed, isn’t it?”

“Y-Yes!” you moan, eyes slightly rolled back. “Yes, yes — Breed me, Lapis, I’want it!” A choked noise from the shadowy thicket not far away reaches Lapis’ ears, and he grins into the soft skin of your throat; maybe the bastard would finally get the message that your pretty face was something to be admired from a distance. “Fill me up, fuck me full — wanna have your babies, Lapis, please!”

“I will, sweet girl, you don’t have to beg!” Lapis promises you gently, his hips still snapping into yours. Gods above, fighting off the urge to fill you so far’s been hell. “It’s all for you, and only you: my beautiful embodiment of the night sky, my goddess of the stars.”

A shrill wail leaves your mouth as you clench tightly around him. A roar falls from his lips as the feeling of you cumming around him send him over the edge as well, and his claws dig into you all over again as he fills you up once again another countless time. Lapis allows himself to relax into the feeling, content with the presence of the Water Lord having disappeared; maybe the bastard had finally learned his place. 

The two of you lay like that, his cum filling you up and a cloudy feeling in your head as you bask in the feelings your captor had bestowed upon you. There was no doubt in his mind ( just as there’d be no doubt in yours once you fully came to ) that his seed would take tonight, not with how much he’d bred your hole over the last few hours. You’d soon be forced to grow round and fat with his damned spawn, carry his children and raise them with love, and there was nothing you could do about it. 

And after tonight, when he’d witnessed the way you’d begged for your kidnappers cum, you didn’t even have Neuvillette to lean on for support anymore. 

𝐜𝐨𝐩𝐲𝐫𝐢𝐠𝐡𝐭 © { 𝟐𝟎𝟐𝟑 } 𝐛𝐲 𝟒𝐈𝐙𝐀𝐖𝐀𝐒. 𝐝𝐨 𝐧𝐨𝐭 𝐦𝐨𝐝𝐢𝐟𝐲, 𝐬𝐡𝐚𝐫𝐞, 𝐨𝐫 𝐫𝐞𝐩𝐨𝐬𝐭.