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missingn000 · 8 months ago

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a note about tpg's hiatus

hi everyone!! i've missed y'all <33 i want to share a quick note on tpg's hiatus, and how long it will last.

first and foremost, the tl;dr: i will not abandon tpg. the story remains incredibly important to me, and this hiatus is only that: a hiatus. i will return eventually, and while i am not exactly sure when "eventually" is, i hope to begin updating again soon.

now the long explanation. tpg's hiatus has lasted much, much longer than i expected. it wasn't until i took a break that i realized how mentally and emotionally drained i was after writing 600k+ in 2 years, along with being an engineering master's student then starting a job in aerospace. especially after writing sukuna's backstory (75k+ words in one month), my brain was utterly fried. all in all, it's been a lot.

as some of you may know, i started watching one piece in september. and i love it! it's an incredibly fun, well-written feel-good series. it's been a refreshing mental break to engage with a new series, especially since jjk canon has been so disappointing in both content and writing quality.

if you check my ao3, you'll notice i took a break from jjk with other series in the past: namely dr. stone, sxf, and natsume yuujinchou. this is necessary for me to remain creative and explore narrative themes that i bring back to tpg when i return to it. but by the time my recent hiatus started, it had been well over a year since i engaged with any other series than jjk, and it was starting to take its toll on me. i'm almost caught up on one piece now, which means i'll be able to focus on tpg again soon.

when i return from tpg's hiatus, updates may be slower. releasing 15k+ word chapters every 2-4 weeks was incredibly mentally taxing and required much of my time and focus to constantly be on the story. it wasn't healthy, and other areas of my life were impacted negatively. it can be easy to forget that i'm a real person with real-life responsibilities writing this story in my spare time for free -- even i sometimes forgot this.

another note on why taking a break has been so necessary is my mental health. when season 2 released and toji + satosugu was animated, the fandom exploded and tpg's readership drastically increased. while this meant an influx of amazing love and support, i also started to receive rude and hateful comments and messages.

don't get me wrong: not everyone has to like tpg. that's totally fine! but as a very sensitive person, receiving hate took a huge toll on my mental health and motivation, and i have needed time to recover from it. i've been doing better mentally lately, and have taken some measures to reduce unkind interactions. i'm working on becoming less sensitive in the meantime so i can handle it better if/when it happens again.

since i've been feeling guilty about not posting jjk content, i haven't been on tumblr quite as much, but i'm still around online on both discord and instagram. mutuals can request my priv @chiidoriii on IG, and my discord is @MissingN000 -- just shoot me a message with who you are when you request! i'll still post fic updates on both new stories as well as tpg content and previews on tumblr, so please stick around :)

thank you so much for your patience with me! i love you all so much, and truly appreciate your support. love, chi <333

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littlecornerofremnant · 3 months ago

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Someone in the RT discord said that the rwby crossover should've been with marvel and it sparked a fun headcanon discussion.

Things discussed:

- Yang and Nora are both worthy of Mjolnir

- Mjolnir's process of deciding who's worthy is literally just a vibe check

- Both Tony Stark and Weiss are extremely smart, rich, and snarky. They'd probably get along.

- Since Nora is worthy, she and Thor swap weapons.

- I thought it'd be funny if Thor got surprised by the weight of Magnhild.

- Ruby zipping around Tony's lab and fangirling over...well everything.

- She asks Tony ALOT of questions regarding weaponry and electronics and he does answer but some of his terminology is a bit too technical for Ruby and Weiss just ends up join the conversation by translating the more difficult terms.

- Tony would modify Yang's arm, maybe add Jarvis to it lol. I feel like Yang would enjoy the mods, not so much the AI constantly talking to her.

- "Hey Jarvis, how do you pick up cat girls?"

- Ruby and Spider Man would get along very well.

- Jarvis reminds Ruby of Penny.

- Dr. Strange would get along with Ozpin.

- Something came up about the infinity stones against salem but I dont remember exactly.

- Bucky vs Yang, I had faith in Yang but most said Bucky would win.

#rwby #yang xiao long #weiss schnee #ruby rose #nora valkyrie #rwby crossover #rwby au #rt discord shenanigans #niro posts #i forgot this was in my drafts #i meant to post this months ago #rwby marvel #rwby marvel crossover #marvel #ozpin #penny polendina #blake belladonna

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billowingangel · 2 months ago

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Welcome to my Account!( ˶ˆ꒳ˆ˵ )

The name's Angel and my pronouns are she/her and I'm 20 years old

Currently brainrotting over MobRei

I'm currently into: ── .✦ Hetalia ── .✦ Dr Stone ── .✦ Mob Psycho 100 ── .✦ Demon Slayer ── .✦ X-Men ── .✦ Supernatural ── .✦ Harry Potter ── .✦ Nekotan

My Other Accounts ➻❥: Archive of Our Own - Discord →billowingangel - FF.Net - Trakt - MyAnimeList - Self-Ship Blog - Spotify - Twitter (only to look at art)

Hetalian and Bored?.𖥔 ݁ ˖My Fictional Others.𖥔 ݁ ˖Gangsta Canada.𖥔 ݁ ˖Original Intro.𖥔 ݁ ˖Last Pinned.𖥔 ݁ ˖ Disclaimer.𖥔 ݁ ˖ HP Disclaimer 2

Don't hesitate to interact, message me, tag me, interact with me any and everyway possible! ♡

Mute #precarious delinquency for any posts that may contain ships or content that some may be uncomfortable with such as (incest, age gaps). I will have start tagging posts with that starting Oct 18th 2024

I believe in Ship and let Ship 🛳

All my tags should be searchable - for triggering content I do #cw thing and #thing - I also tag ship names so you can block those as well - I occasionally retweet political posts - #debbie downer hours is when I talk a bit negatively about myself - most rants I include #rant or #rants

I also suck at including my tags, I've made a lot of specific tags to try and keep this blog organized but then I'm too lazy and forget to use those tags

My Fandom Tags: Hetalia - Harry Potter - X-Men - Dr Stone - Nokotan - Supernatural

I do not support JK Rowling at all! The only way I interact with Harry Potter is through the fandom. Trans rights are basic human rights.

I am very liberal with the block button, if your curious why send me an ask ¯\_(ツ)_/ I don't have a dni :]

My OTPs: A comical number of ships! I don't really have otps but here are some of my favorite pairings!

Hetalia: Maple Tea, FrUk, CanUkr, CanLiet RoChu NedCan SwissLiech SuFin NorIce CanAme SeaLat LietPol Spamano Mob Psycho: MobRei Dr Stone: SenGen Demon Slayer: SaneGen, RenTan, GenZen, UziZen Rengokucest Harry Potter: Fremione, Nevmione, Rarry, Wolfstar, Hinny X-Men: Cherik Haikyuu: KuroYaku LevYaku, Miyacest Supernatural: Wincest, Sabriel, Destiel

I don't really have any notps or squips and if I do I just block the tags ¯\_(ツ)_/¯

#ᯓ✧ yapping hours! 💬ˎˊ˗#Intro Post #3rd intro post smh #‧₊˚ 🪄⋅HP #Nokotan 🦌#‧₊˚ hetalia ♡🌎 ༘⋆.˚ ⋆#𖥔 me core ꒱ ꒱* ➳♡#blinkies and stamps #divider by cafekitsune #source: cafekitsune #[̲̅X]⌇─➭「x-men」#navigation #need to use tags more

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earthnashes · 1 year ago

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MORE GARGYOLES AU BAYBEEEEEEEEEEEEEEEEEEEEEEE

I'm holding watch parties on my community discord for the Gargoyles; we're still on Season 1 but even then it's really helping give me some contextual clues I need for building the AU into something more sustainable. I'm super excited to get into Season 2; we'll be finishing off this season next Thursday before we continue on! :)

But ye! For this drawing; an experiment that went a little outta hand, but I'm glad it did. I really like the look of it; giving it some level of polish without resorting to coloring. I've always liked this sort of effect but rarely do I ever do it myself, but I think I'll have to do it more because it was far less time consuming to do! :>

So ye! More lore and brick work is being laid out for the AU, and once again I've written a short story to go along with the art!

For those of you who'd rather skip though, I placed it under the "Keep Reading" line, and for context for everyone here are some AU notes along with a TL;DR summary of what's happening here:

-AU explores the concept of "what if Demona was set onto the path of Redemption?"

-TL;DR for this image: Takes place a few nights after this. Demona confronts Elisa after her talk with Angela. To everyone's surprise it doesn't go south.

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By all accounts Elisa thinks she should've expected this.

Especially with the life she's chosen for herself: top-rate detective with the highest arrest rate and cases solved on the force. In direct contact with Gargoyles-- literal living legends-- on a daily basis and what that typically entails, from revenge plots to sudden trips through the very fabrics of time. Enemies from all and every side, from supernatural to plain old human to the not-so-human and zealous occult.

And traveling Central Park alone in the dead of night? By all accounts, she should’ve expected this. Yet she still wasn’t prepared for the ambush.

One second she's halfway through the tunnel under the bridge. The next? Shoved face-first into grimy, soggy stone.

The taste of iron is sharp on her tongue as her teeth cut painfully into her lip on impact. It distracts her just enough before she finally zeroes in on the claws closed tight around the nape of her neck, another set digging hard into the leather of her jacket at her pinned wrists, easily piercing the material and biting into skin. She barely has time to gather her bearings before a familiar voice is hissing hot against her ear.

"You are not as clever as you think, detective."

Elisa's heart nearly beats out of her ribcage. "Demona," she breathes, alarmed but by no means surprised. It's been months since the last attempt the she-demon's made against her. Once again, Elisa curses allowing her guard to fall; she should've known it was only a matter of time before Demona struck. No matter how long this sudden bout of tremulous peace has gone.

"What do you want."

"That's exactly what I want to know," Demona drawls, pushing Elisa further into the rough stone. There's a seething sneer in her voice. " What are your intentions with Angela?"

Elisa pauses, her unease giving way to her confusion.

"What?"

Demona responds by gripping tighter, the tell-tale rumble of a growl behind her words. "You know damned well what I mean. It's no coincidence Angela has come to me so freely. Not if it meant lowering my guard; you're up to something." The gargoyle shoves Elisa none-too-gently against the stone again, her threat stark and clear. "And I don't take kindly to the thought anyone using my daughter like she's some sort of plaything--"

"--I'd never--" Elisa starts, offended, but she barely gets a word in before she's cut off with her own agonized grunt. Demona's bodily grinding her into the wall, the rough scrape of stone chafing at the skin of her cheek. She can barely breath with how hard the gargoyle pins her, straining for breath as Demona snarls at her, long teeth clacking dangerously close to her eye.

"Liar!" She barks, and Elisa hears how her tail cuts through the air as it lashes. "It's all you humans are ever good for! Weave empty words into pretty things, only to strike when your back is turned. Angela told me herself what you said, and your words ring hollow. You and I both know you don't believe any of it. What's your game?"

"So Goliath is right, then?" Elisa huffs in lieu of an answer, stilling herself and going mostly limp in Demona's grasp. Her common sense screams at her to struggle, to find an opening and break free... but her gut tells her stay put. Her father always told her to listen to her gut when it spoke, and it's never steered her wrong before. So she breathes in as much as she dares and forces each of her muscles to relax, to appear as little a threat as possible in her position.

Not too hard to do considering the circumstances, but it takes several breaths for her heart to stop trying to burst from her chest. Nor does it really erase the glower overtaking her face.

"Is that it? Angela shouldn't be anywhere near you. Shouldn't be allowed to choose for herself and that it was a mistake to even try to talk to you?"

"By the moon we glide under, I despise you, detective!" Demona hisses, and Elisa doesn't need to see her to know her eyes have begun glowing hot red. "I'm no fool; you view me a monster. You have absolutely nothing to gain from encouraging her to see me. Nothing. So why? What do you want with her?"

"Is it really so hard to believe I care for Angela?"

"Yes." Yet there is some degree of hesitance in Demona's voice when she says it, something Elisa nearly doesn't catch. As if the she-demon almost believes her own answer, but not entirely. There's enough evidence with Elisa aiding her old Clan-- never truly for her own gain -- that brings question to her conviction. "Humans don't do anything unless they gain something in return. You are either after her, my life, or something else." Demona allows Elisa's arm free to rake her claws against the stone of the bridge. It gives way easily as if nothing but dirt, leaving deep divots in a clear display of a threat. "Do not make me ask again."

"Then you're right," Elisa replies easily-- or as easily as her position allows-- and of all the responses she could've gotten Demona doesn't expect that. It's clear in how much she loosens her hold on Elisa in apparent surprise, no longer choking her so much as simply holding her in place now. Elisa's instincts flair then; demand she elbows the she-demon in the belly and get distance, yet even still her gut urges her: stay put.

"I do have something to gain. Angela's happiness."

Elisa doesn’t expect her words to have any real effect. Readies herself for Demona to snap at her again. Force her against the unforgiving stone, have her taste her own blood again, maybe even work up the nerve to inflict the bodily harm she always threatens. This is probably the closest she's gotten in a long while.

But Demona does… nothing. Simply a presence behind her. One simmering with barely held anger and confusion and the weight of her own paranoia. But still as stone—listening-- all the same.

Stay put.

Elisa takes in a shaky breath.

"She's miserable, you know. When the clan speaks ill of you," She breathes quietly, surprising herself with the gentleness in her own voice. "Goliath explicitly forbids her from ever trying to talk to you. He thinks you're a lost cause." It’s not hard to think of Goliath’s demeanor in those moments; regret, sadness, guilt, traces of betrayal and anger whenever he speaks of his ex. He's long since given up on reaching out to Demona.

"And maybe I did too, once. But now, I--"

The look on Demona's face when realizing who Angela was flashes through her memory. The shock, quickly replaced with unbridled joy and hope. Something Elisa was unsure Demona could feel up until that very moment.

"--you could've left us to die by Thailog's hand. You could've ended all of humanity with just a press of a button. But you didn't."

Elisa doesn't mention the sudden lack of schemes against all of mankind. She doesn't mention the abrupt disinterest in attacking the Clan. She doesn't say anything about how--even after all this time, even now-- she is still alive, when Demona has had ample chances to rid herself of her. Elisa is no slouch: she's proud enough to admit she's held her own against Demona a fair number of times. But there were times where only her keen eye and years of training caught the very slight hesitance from Demona when she was all but helpless.

"I don't think you're a lost cause," Elisa says unwaveringly. Nothing in her voice gives way to any underlying uncertainty she has. To the questions she burns to ask—why? What changed? -- but won’t. Not yet. "I have my reservations. But I don't think it's anyone's place to make that decision for Angela. Nor do I think it's fair to rob you of the chance to prove to her you're more than your past."

Elisa hesitates for just a second before she says clearly into the silence of the night, compelled by Demona's uncharacteristic show of restraint: "...I-I don’t think you’re a monster."

I never thought you to be.

The thought comes unbidden, and it catches her off guard at how honest it is. She doesn’t put it to words, only remaining in place and holding steady. Waiting.

Demona still doesn't say anything. Doesn't really do anything at first, but there's a very clear shift in the air, subtle as it may be. Elisa's instincts are no longer in overdrive, no longer in high alert of danger. Somehow --even in Demona's sharp grasp-- there is no more danger to be aware of.

It's in the way the gargoyle's silence turns contemplative and not a raging storm cloud. In how she suddenly doesn't dig so hard in Elisa's jacket, tucking the tips of her claws safely against the leather and not into delicate skin. The intent is no longer there.

Demona mutters something to herself, low enough for Elisa not to hear what she says, but even with her keen senses it still manages to surprise the detective when the gargoyle simply... moves away.

It's by no means gentle. She abruptly drops the human without any sort of care, allowing her to crumple under her own weight when she finally touches ground after several minutes being held aloft. But the principle still stands.

Demona let her go.

"…I don't believe you," She grunts in a voice filled with scorn, but the usual bite is missing. Elisa allows herself a moment to rub at the scratches and welts those wicked claws left behind. She clears her throat before she chances a glance at the gargoyle and finds her back turned to her.

"I'm not asking you to," Elisa says softly. She eyes the gargoyle warily. "And I still don't trust you. But I do trust Angela. She saw something worth her time in you; the least I can do is support her... and be there if it blows up in her face."

When Elisa finds the energy to stand, she musters up a warning glare at Demona, stance cautious but no less filled with promise. "Don't make me regret it."

The threat behind it is barely veiled, and it must be the right thing to say, because Demona only barely casts a glance her way. Her eyes are hard to read. And despite it, Elisa can see the smallest hint of something in them when forest green sweeps over her, foot to face, the faintest upturn to the corner of her mouth.

"Then we are on the same page."

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For some extra context:

-Demona is referring to how Elisa told Angela that she does actually believe Demona isn't pure evil, or a threat to her. Elisa doesn't trust Demona at all, but she recognizes that something has shifted in the gargoyle, and she knows she would never hurt Angela, so she sets aside her own doubts and encourages Angela to seek her mother out. I have plans to draw and write this interaction in the future so we have more context in this regard!

-Elisa strikes me as the type to be able to see things in varying shades of gray: Goliath isn't wrong in his reluctance to allow Angela near Demona, but she honestly doesn't think her heartless or a completely lost cause. Especially after she learns some of Demona's past

-Demona would never admit this, but she does actually respect Elisa. Much to her chagrin. Unlike most humans whom she barely bats an eye toward, she sees Elisa as her equal in prowess and intelligence, and she hates that she does, but she'd be a fool if she ignored it.

The further I get into the show I'll expand on this idea, but that's it for now. :)

#gargoyles #demona #elisa maza #my art #my stuff #au #headcanon #disney

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peterswonderland · 7 months ago

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Introduction

By now, we all have our opinions of The Tortured Poets Department: The Anthology. It has received mixed reviews from critics to fans alike.

In the Gaylor community, many have dubbed it her “straightest album,” which I am inclined to agree with. BUT.

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I’ve seen and read theories for years. In this post I will be referencing the Swiftgron Masterpost. I’m also an avid listener of the What I Will Say podcast. (No one affiliated with the podcast is involved with this post, and for all I know might disagree with it entirely. However, I will be referencing the masterpost at points, and it is only fair to give credit where credit is due.)

This is celebrity gossip, and everything is alleged. I do not know Taylor or Dianna. This is alleged (don't sue me, tysm!)

Peter is…Dianna?

Halfway through my first listen of “Peter,” I was fully convinced this song was about Dianna. That Peter was Dianna.

First, I will go through the lyrics that most pointedly seem Dianna-coded to me.

Forgive me, Peter My lost fearless leader In closets like cedar Preserved from when we were just kids Is it somethin' I did?

Taylor references closets in “seven” on folklore:

And I've been meaning to tell you I think your house is haunted Your dad is always mad and that must be why And I think you should come live with Me and we can be pirates Then you won't have to cry Or hide in the closet

Cedar closets are used as a "safe haven" to put valuable items in. The closet has preserved everything from when Taylor and the muse were "just kids" (likely meaning their early twenties.) Shoutout to Kristin in the WIWS Discord for mentioning this!

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Another interpretation I found on Genius mentioned that the closet line in “Peter” could also be a reference to another fantasy story, The Chronicles of Narnia, wherein stepping into a closet revealed a new fantasy world. This fantasy narrative ties in with “Peter”/Peter Pan and “Wonderland”/Alice in Wonderland, which we’ll get to in a second.

The line “And I think you should come live with/Me and we can be pirates” can also be connected to Peter Pan. Peter Pan and the Lost Boys often have to fight off Captain Hook and his pirates. There are also theories that pirates/Captain Hook are old Lost Boys. TL/DR: Old lost boys are either killed by Peter Pan or can choose to become Lost Boys…at least by these fans’ interpretations. A weak link I know, but still an interesting one.

“We can be pirates” because you’ve been forced to grow up too quickly…? Hm.

Further connecting “seven” to “Peter” is the idea of being just kids, although in “seven” it seems to be more literal, while in “Peter” she might be referring to when she and Dianna actually met: Taylor was ~20 years old, and Dianna was ~24.

From “Peter”:

Are you still a mind reader? A natural scene stealer? I've heard great things, Peter But life was always easier on you Than it was on me

Dianna is stunning, and has often been referred to as a scene stealer.

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“When we cast Dianna as Quinn, she ruined the part for me,” Murphy says. “She was supposed to be the Cybill Shepherd, Last Picture Show cunt, so to speak, but she humanized it. She can cry at the drop of a hat. So now her character has a conscience, a soul and great vulnerability.” Ryan Murphy, Rolling Stone. Credit

Credit (Shoutout to ellie from the WIWS Discord server for bringing the TCA nominations for "Female Scene Stealer" to my attention!)

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More from “Peter”:

And I won't confess that I waited, but I let the lamp burn As the men masqueraded, I hoped you'd return

I viewed this through a queer lens upon first listen; the definition of masqueraded (verb) is “to go about disguised/to assume the appearance of something one is not.”

When Taylor sings “as the men masqueraded, I hope you’d return,” the you is implied to not be a man.

We’ll circle back to lamps burning/lights in Part 2.

And you said you'd come and get me, but you were twenty-five And the shelf life of those fantasies has expired Lost to the "Lost Boys" chapter of your life

Dianna was twenty-five when she and Taylor allegedly began dating.

Dianna, through multiple interviews and her old tumblr blog (that often mentioned children’s fantasies and stories), seems to cherish her inner child and not be in any rush to “grow up.”

From an interview for Galore Magazine in 2014:

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There are also Dianna’s frequent posts on Tumblr about fairytales and children’s stories - this could lend itself to the idea she was living a “Lost Boy’s life.” More on that later.

But the woman who sits by the window Has turned out the light

Again, there is a reference to light, which is a theme (amongst many) we will visit in Part 2 of this analysis.

These lyrics draw natural parallels to Disney’s animated Peter Pan film, wherein Peter Pan visits the Darling children through their window. Wendy is seen sitting by the window, yearning for something more.

In another TTPD track about windows, “I Look in People’s Windows,” there are obvious parallels to “Peter.” These parallels are so strong that I believe these songs are almost certainly about the same person.

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In “cardigan” from folklore, Taylor seems to categorize herself as Wendy and an unknown muse as Peter.

I knew you Tried to change the ending Peter losing Wendy

More “cardigan” parallels will be drawn in Part 2. Part 1 is focusing on “Peter” itself as well as its tie ins to another TTPD song, “I Look in People’s Windows.”

I Peter Looks in People’s Windows

Connecting “Peter” and “I Look in People’s Windows” is almost too easy, yet I didn’t catch it on my first few listens. Let’s break it down.

The images referenced above show that windows are a central plot point to Peter Pan. Waiting by the window symbolizes yearning for something more, something magical. Wendy is waiting for something more: for Peter’s return. We can draw parallels between Wendy’s window and the rabbit hole in Alice in Wonderland: a portal to something whimsical and dangerous.

If you’re new here, “Wonderland” from 1989 is known to many as one of Taylor’s most blatant songs about a woman: Dianna Agron. I encourage you to read this portion of the Swiftgron masterpost if you’re new or need a refresher!

Sit and Wait, Sit and Wait

The first theme we’ll discuss is longing/yearning. Both in “Peter” and “I Look in People’s Windows,” Taylor conveys a strong sense of yearning for a person with whom a relationship has permanently died, despite her hopes.

From “Peter”:

The goddess of timing Once found us beguiling She said she was trying Peter, was she lying? My ribs get the feelin' she did And I didn't want to come down I thought it was just goodbye for now

Said you were gonna grow up Then you were gonna come find me Words from the mouths of babes Promises oceans deep But never to keep

Forgive me, Peter, please know that I tried To hold onto the days when you were mine (Hold onto the days) But the woman who sits by the window has turned out the light

The woman (Taylor) who sat by the window has given up hope (turned out the light.)

Also, fun fact about "my ribs get the feeling she did": Dianna Agron removed a Wonderland tattoo after the song "Wonderland" was released. Guess where the tattoo was?

On. Her. RIBS.

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"We're all mad here."

Also, "What will we become? We become ourselves," is a quote from poet Patti Smith. Yes, the same Patti Smith referenced in the title track for The Tortured Poets Department. (Thanks to thea from the WIWS discord for pointing out the Patti Smith connection to me!)

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(Shoutout to reddit user aztraps for pointing out the rib lyric to me!)

The themes of yearning continue on “I Look in People’s Windows” during essentially the entire song, but here are some highlights:

A feather taken by the wind blowing I'm afflicted by the not knowing so

I'd be remiss not to mention that Peter Pan, throughout many adaptations, is known for his feather in his cap.

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The Paradise of Peter Pan by Edward Mason Eggleston, 1934

You might notice in this painting that Peter looks like...well, a woman (stereotypically and historically!) The character of Peter Pan is normally played by a woman on stage and is often depicted with female features. This makes Dianna being Peter even more...suspicious.

More from “I Look in People’s Windows”:

I look in people's windows In case you're at their table What if your eyes looked up and met mine One more time

This is a love that is ended, yet Taylor can’t help but wonder what might happen if flames rekindled.

I know what you’re thinking – Taylor Swift isn’t walking around random neighborhoods peering into neighbor’s windows. You’d be right (hopefully.) This song is a metaphor, in my view, for “insta-stalking” or social media “stalking” an ex, constantly checking up on them to see what they’re up to, who they’re with. She checks mutual friends’ pages, looking to see if she sees her love (Dianna) “at their table” (with them.)

The real question is - why use windows as the metaphor for internet stalking your ex? Perhaps to tie it into another song about that same ex?

More "ILIPW" lyrics:

I tried searching faces on streets What are the chances you'd be Downtown, downtown, downtown Does it feel alright to not know me? I'm addicted to the "if only"

Taylor is YEARNING for this person. She also seems to be unable to believe this person has been able to seemingly move on without her (just like Peter has.)

In “Peter,” Taylor’s relationship didn’t turn out as she hoped. She hoped this person would come back, and they didn’t. (“Come Back…Be Here” anyone??? PART TWO)

“I Look in People’s Windows” highlights the fact that Taylor has not completely moved on. As she goes about her daily life, she still “peers in people’s windows” (checks instagram/twitter/etc.) for this person. IT’S THE SAME MUSE!!! (Allegedly.)

In addition, the line: “I'm addicted to the "if only"” is especially interesting given Dianna’s interesting response to rumors of dating Taylor in a May 2023 (!!!) Rolling Stone article:

The theme of waiting is also important to discuss. In “Peter,” Taylor is waiting for someone who said they would grow up and find her; she’s sitting by the window waiting for them. In “ILIPW,” Taylor is looking through windows waiting for this person’s eyes to meet “mine one more time.” Both songs have this sense of sit and wait, sit and wait, sit and wait.

Taylor looking into people's windows and obsessing over gatherings where the muse might be in attendance reflects a sense of longing and yearning, reminiscent of Wendy's yearning in Peter Pan to reconnect with Peter despite being unable to bridge the gap between their realities:

Lyrics from “Peter”:

We both did the best we could do underneath the same moon In different galaxies

Eternal Youth

More from “I Look in People’s Windows”:

I look in people's windows Transfixed by rose golden glows

To view something in rose colored glasses is to see something in “favorably disposed opinions : optimistic eyes.”

One could compare this to the rose colored glasses Wendy takes on when visiting Neverland, or when Alice visits Wonderland. (Again, we will be reviewing Wonderland’s connection amongst many other songs in connection to “Peter”/“ILIPW” in Part 2.) Both of these fairytales cater to the inner child and youth.

The theme of eternal youth in “Peter”, based on the fairytale of Peter Pan, is self explanatory, and I don’t feel the need to go into detail in this already MASSIVE post.

For this example, we’re going with the theory that “Peter” and “ILIPW” are inspired by the same muse/relationship. “ ILIPW’s” theme of yearning can be interpreted through the lens of Wendy's relationship with Peter—a story that encapsulates the longing for eternal youth (which Taylor writes about in “22” on Red, a song that is DEDICATED TO DIANNA, the pain of growing up, and the poignant realization that some connections are meant to remain in the realm of dreams and memories.

Rediscover Your Sense of Wonder

Peter appears unexpectedly and at random to seemingly bring a sense of magic and wonder to those around him, including Wendy and her siblings. Peter visiting the Darling children through their window symbolizes the allure of escapism, especially for someone like Taylor who cannot lead a normal life, and the desire to remain forever young.

“ILIPW,” if you allow the interpretation that it is intrinsically connected to “Peter,” indicates a longing to recapture, if anything, the innocence and adventure embodied by Peter/the muse. Taylor’s fixation on windows is a search for moments of enchantment and wonder that the Peter muse gave her.

If we follow this line of thinking and allow Dianna to be the muse of “Peter” and “I Look in People’s Windows,” it’s very interesting that the song canonically dedicated to Dianna centers around the very idea of youth and wonder: “22” from Red, as seen in the Rolling Stone piece mentioned above.

From “22”:

We're happy, free, confused, and lonely at the same time It's miserable and magical / It seems like one of those nights We ditch the whole scene and end up dreaming Instead of sleeping / Everything will be alright If we just keep dancing like we're 22

Tumblr / felldowntherabbithole

Dianna once had a tumblr with the url felldowntherabbithole. While I searched what archives I could find, it was quite overwhelming, and I didn’t get through many of her posts throughout the years she was active. However, I will mention posts I did find that showcased her interest in fairytales, and why Taylor might choose one (or two…“Wonderland,” anyone?) as inspiration for songs she has written about Dianna.

FIRST: This old post was found by Cam from whatiwillsay. She is not affiliated with this post and did not endorse it. However, I was unable to find this screenshot myself on the Wayback Machine, so I want to give her credit for finding this post on Dianna’s blog:

Credit

Now, onto some screenshots I found myself of Dianna’s love of fairytales, all courtesy of the Wayback Machine:

References from bottom to top: Goodnight Moon, Dr. Suess, Alice in Wonderland, Little Red Riding Hood, Underland (a retelling of Alice in Wonderland)

Part Two

PART TWO is here!

If you have any comments, suggestions, or questions, I’m more than ready to hear your thoughts!

Part Two will cover "Peter" and "ILIPW's" connections to other songs associated with Dianna.

Part 3 will cover anything I missed that I didn't feel I could edit into Part 1 or 2, as well as some more reach-y theories that I still feel deserve an honorable mention!

This post will be edited for grammatical and factual errors as necessary, as well as adding more evidence I feel needs to be included in this post.

#gaylor #swiftgron #gaylor swift #peter #i look in people's windows #gaylor theory #gaylor lyric analysis #swiftgron lyric analysis

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be-compromised · 4 months ago

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One Prompt Challenge Masterlist

This is the masterlist for the One Prompt Challenge - as a warm up to the big promptathon, this challenge was for everyone taking part to fill the same prompt. Although we actually ended up with two as joint winners in a discord vote: ‘rooftop’ and ‘time travel’. Thanks to everyone who played and commented!

beginnings & endings by @archers-and-spies (G; choose not to warn and no warnings apply) Summary: When the dust settles, Clint meets Steve on the bench by the lake, two hours before sundown.He has a promise to keep.

Distracted by @firlalaith (Teen; no warnings apply) Summary: Clint on his first SHIELD mission.

from brooklyn with love by @icantopenwaterbottlecaps (Teen; no warnings apply) Summary: Immediately, Clint knows something is wrong. You don’t get to hang around the Avengers, fighting crime and supervillains on the daily without developing a serious Shit-is-about-to-go-down-o-meter, and this… Well, maybe shit isn’t going down, not exactly, but something is definitely wrong. The buildings are all off, there aren’t enough flashy, LED shop signs or social media trap cafes. The regular bodegas are around, but the signs all look mysteriously newer. The people around him are decked out in suits and minidresses that he hasn’t seen in vogue since–– Since… Aww futz! Or: Clint and Natasha meet on a rooftop in New York City, only, it's 1969 and they're both stuck in time.

infinity in the palm of your hand by @inkvoices (Teen; no warnings apply) Summary: For the Ancient One, it’s only moments after she entrusts the Time Stone to Bruce Banner that it’s returned to her.

It Should've Been Me by @iriel3000 (PG for language; no warnings apply) Summary: During house arrest, Clint is visited by a familiar face.

Some Day by ultra_fic (Teen; no warnings apply) Summary: Clint has a chance to go back and fix things for Natasha.

Teatime at Tiffany's by @alphaflyer (Teen; no warnings apply) Summary: "This is one of the most powerful objects in the universe and I am not letting you use it to buy your girlfriend a box of chocolates or some lingerie, Barton." Clint forgets Nat's birthday and goes to Dr. Strange for help.

What You Give Is What You Get by @cassiesinsanity (Explicit for sex/smut; no warnings apply) Summary: Strike Team Delta enjoys some private time up on the roof during target practice.

#fanfic #clintasha #be_compromised #clint barton #natasha romanoff #hawkeye #black widow

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1-800-m1ka · 4 months ago

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LOOKING FOR LONGTERM RP PARTNERS!

Hello! My name is Mika! I'm 19, f, adv-literate to novella writer. I'm currently looking for a few more partners / rp friends! I've been writing for several years now and its one of my favorite hobbies.

On average I write around 800 - 1200+ words per reply. I love talking to my partners OOC as it keeps me engaged and interested in the rp. I only write in third person and am looking for only MxM ships. I'm pretty relaxed regarding reply times as long as it's mentioned beforehand as my reply times can vary. I ONLY USE DISCORD TO RP.

I ask all my partners are 18+ for my comfort.

FANDOMS I'M INTERESTED IN: JJK, CSM, MHA, TWST, ONE PIECE, DR.STONE & more!

CHARACTERS I PLAY!!!

Satoru Gojo

Senku Ishigami

Vinsmoke Sanji

Angel Devil

Riddle Rosehearts

Vil Schoenheit

Hawks

Katsuki Bakugou

SHIPS I'm looking for: SUKUGO (pleasepleaseplease), Tsukasa/Senku, Vil/Leona, Dabi/Hawks, Zosan, Aki/Angel. If you give me Sukugo i will fall in love with you.

Smut is fine but ALL MY CHARACERS ARE SWITCHES AND I ONLY RP WITH OTHER SWITCHES IF SMUT IS INVOLVED!!

#rp partner wanted #1 x 1 rp #jjk rp #discord rp #csm rp #one piece rp #dr stone

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ballad-of-encore · 6 months ago

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MUSE LIST + RULES !

i have no idea how much, but there's mostly females since i'm most comfortable with playing female characters asides from enstars and league HELLLLL

more hidden under the tab <3

please note that characters that are bolded are main muses!

MUSES

PROJECT SEKAI

An Shiraishi, Kohane Azusawa, Akito Shinonome, Toya Aoyagi, Mizuki Akiyama, Haruka Kiritani, Airi Momoi, Emu Otori

ENSEMBLE STARS

Ritsu Sakuma, Natsume Sakasaki, Sora Harukawa, Shu Itsuki, Subaru Akehoshi, Izumi Sena, Hokuto Hidaka, Mao Isara

WUTHERING WAVES

Female Rover, Encore

GENSHIN IMPACT

Lumine, Ayaka Kamisato, Arlecchino, Eula, Hu Tao, Xiao, Venti, Aether, Zhongli

MAGI

Kougyoku Ren, Morgiana, Kouha Ren

OSHI NO KO

Akane Kurokawa, Ai Hoshino, Minami Kotobuki

LEAGUE OF LEGENDS

Ezreal, Aphelios, Kayn, Ahri, Seraphine — please note that all of them are meant to be roleplayed in their Riot Music alternate universe!

BUNGO STRAY DOGS

Atsushi Nakajima, Kyoka Izumi

MIRACULOUS LADYBUG

Marinette Dupain-Cheng, Kagami Tsurugi

ONE PIECE

Uta, Nami, Trafalgar Law (ONLY mlw pairings)

OTHERS

Maomao (Apothecary Diaries), Lucy Heartfilia (Fairy Tail), Shinobu Kocho (Demon Slayer), Diana Cavendish (Little Witch Academia), Mikasa Ackerman (Attack on Titan), Noelle Silva (Black Clover), Gen Asagiri (Dr. Stone), Anya Forger (Spy x Family), Kaoruko Waguri (Kaoruhana), Mizi (Alien Stage)

RULES

please comment on here first if you want to rp with me!

mlw, mlm + wlw and all gender-inclusive pairings allowed, but i'd rather have mlw roleplays preferably :)

rp asks allowed, but only sfw!

if you want to do an rp ask, please state which one of the characters above that you want to interact with!

in contrast, as i'm of age, i am capable of doing nsfw writing even though i'm publicly embarrassed to say so LMAO. i'd rather keep all the nsfw stuff to private/dms thanksies <3 (OR A GOOGLE DOCS. LORD KNOWS HOW MUCH THIS GIRL CAN TYPE.)

but in the event that the plot requires characters to be aged up (e.g., marriage, drinking shenanigans, college/university setting, etc.), that is ALSO allowed

OCS WELCOMED!!! i am NOT against cc x oc roleplay as i also have my own original characters i roleplay and yap about!!!

AUs are SO welcomed, genuinely

characters of all ages are allowed!!

romantic and platonic are highly preferred!

i don't do well with horror, nor am i all that great at action scenes, so i'm 100% more partial to a fluff and light-hearted setting!

you don’t always gotta give me a plot, just give me a character, the setting, and WE BALL!!!

crossover pairings, multiships, polyamory—all are welcome, but in terms of polyamory, i'd be fine if it's just between three people :'D

please also note that there are also canon ships from certain fandom/media that i prefer to not roleplay as i primarily see them as friends and nothing else! (eg., anhane, shin soukoku, atsushi and kyoka)

if you ask to roleplay on another platform, then it would be discord i'm most comfortable with!

if you're a minor and ask for nsfw roleplay, then i'm sorry, but i'm turning you down because i'd be comfortable doing that with an adult.

do NOT control my character, i will actually be turned off from replying for a long while if this happens.

this list will grow as i figure tumblr out more! (despite being a user for... several years now... sigh...)

RP CARD: symphonic encore

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