#dr g tell me all about how cool it is to have a fully developed brain and financial independence

[daffodil--lament]

I can’t wait to be a 40yo professor

[karezzasstuff]

From the project of interviewing Stanley S. Bass about his experiences with Karezza techniques, The Life Science Publishing created the 2008 book Energy-Karezza. Here Dr. Bass tells the story of how, in his 30’s, he was on his way to become a celibate yogi through Brahmacharya, when he learned about reaching the same spiritual goal via Karezza & Tantra. He decided to try Karezza instead.

Even though his personal goal was spiritual, Dr. Bass soon discovered that women loved Karezza, and couldn’t get enough. When he started teaching the improved Energy-Karezza method to couples with marital problems, the results were astounding. Usually, within weeks, the couple had fallen in love again. Problematic marriages healed, becoming more and more harmonious and stronger with time.

Over time, over 50+ years, he not only gained experience concerning every aspect of Karezza/Tantra, but also – thanks to his energy-understanding, being an orthopathic doctor – developed an improved, more powerful & easy-to-learn, version. Traditional “Karezza/Tantra” can be difficult for men, but “Energy-Karezza/Tantra” is easy, and also gives more pleasure & prolongation..

INTRODUCING OTHERS TO KAREZZA

Karezza is about one thing, the man has to control himself. It is so easy. I got so good at this control that I soon was able to go almost a whole year with no accidents. With very heavy sex - three times a week, four hours each session. It didn't take long to get to a high level of proficiency.

In a few months I was very good at it already.

It is very simple, it is natural. It is not difficult. Prove it for yourself, don't take my word for it. Try it out. The first time I heard about it, it was strange to me, so I tried it. It didn't take me long to get good at it. It was easier than I thought. In fact, I taught Karezza to a lot of friends, and everyone had success.

If one of them asked me, "how do I know if it will work?", I gave him a simple method of trying it. I usually said, "why don't you first try:

1. Don't have an orgasm quickly, but wait until the woman is finished, until she has had her enjoyment. Practice holding back for half an hour, for an hour, for several hours, if you can.

2. Then you'll see that your own orgasms are better; they are more enjoyable.

3. Also try having an orgasm only every other time you have sex.

Skipping one time. Every other time, try without orgasm. See how you feel."

With my sex students, those were my instructions, to begin with. These instructions summarize basic traditional Karezza. But these simple instructions could still be difficult for some men. They lost control (ejaculated) early, and were never able to do Karezza for a full hour.

Therefore, to make it easier, I gave my students some Energy-Karezza secrets. I asked them to improve their diet, and to avoid alcohol and all drugs. I told them not to eat before sex, because a man can not control himself after he has eaten. Why? Because then too much blood goes to the stomach.

Also, I gave very detailed instructions on the best movements in sex. I told them to move slowly, and explained how to move, so they wouldn't get too excited, e.g. sideways, in semicircles, avoiding the in-out moves.

For the premature ejaculators, I told them to give up salt, and to not use anything spicy hot, avoid hot peppers, stay away from spices, because this throws them out of control. And then I told them to use certain motions, slow motions, that makes it easy to control oneself. That's all.

Then the women will get the pleasure, because the men are controlling themselves.

For some men the pleasure was so overwhelming that they were still unable to control themselves very long, more than perhaps 45 minutes, even if their diet was good and they had high vitality. In these cases I think the solution is just doing it over and over. Sometimes men, just like women, may need saturation with lots of high-pleasure peak orgasms, before they can start with serious self-control and higher-pleasure valley orgasms. It may take months, but in the end they will get there.

I myself was never overly concerned with the clitoris or the G-spot, because the Karezza was so enjoyable and I was so good at it that a woman couldn't hold out long. If they wanted to have an orgasm, they could have it quick. Women enjoyed it.

The women were very happy. After beginning Karezza, it became unnecessary to calculate all this stuff. I never had to actually figure it out.

All I did was to function naturally, the way I felt like, without thinking about it. And it was right, for every woman. If one gets too mechanical about it, one becomes a dud. Then it is not real. Real sex has nothing to do with the brain, it has to do with feelings, true feelings and movement.

That's all. The brain is not needed.

From page 45 the Technique to Paradise.

🍎🐍🏖️

YAB YUM

What are you experiencing?

~ by yab yum

Be patient. At first you can't experience the orgasmic part of this process. Some get it on their first try and for some it can take years. Keep practicing with the exercise your teacher gives you. Even if you don't experience the orgasm, just the breath and energy circling alone is of great value. It will clear blocks so that eventually the orgasm can pass through you. Blocks can be experienced in many ways – crying, gagging, getting frustrated, resurfacing old memories. Just keep breathing. Visualize letting go of the "old" on the exhale, ringing out the "new" on the inhale. Energy levels will most likely rise and fall, like mercury in a thermometer. Tell your partner where it slipped. Your partner will encourage you to tap into your sexual center when energy is slipping. One of the main keys to learning this technique is KNOWING that it is possible.

(When asked if she had an orgasm, Sara responded 🙂

It was uninterrupted, uninterrupted… This was definitely something else, which I have never experienced so fully.

(Sara was then asked if there were any psychological changes.)

Oh yes, sure. From the point of view of spiritual practice it is always full of insight, a kind of insight that comes after, about how I am in ecstasy in my usual state, because it is obvious that the ecstasy is inherent in the body (level), of my being… and also of course this would affect my meditation. I am much more relaxed and receptive physically, emotionally and psychologically when I sit down to meditate…. I don't know what this has to do with anything, but meditation becomes very sexual, very physical, playing with all these hormones. Very often in my meditation there is a stage like deepening where it goes through something like lovemaking in a hormonal sense. I feel the heat and change of energy and so forth, and then it just cools down. That is when deep meditation begins.

It is absolutely blissful in ecstasy because the bliss is something I feel in the body. The ecstasy is something where the body is no longer. Energy goes up. His community. It is love. The transcendent, the energy feeling, transcends even the light that I'm talking about in meditation, and just went into the light.

One tree merges with another tree, the earth merges with the trees, the trees merge with the sky, the sky merges with the unknown...you merge with me, I merge with you...everything merges...differences lost, melting and merging as waves into other waves…an enormous unity vibrating, alive, without limits, without definitions, without distinction…the sage melting into the sinner, the sinner flowing together in the sage…becoming good becoming bad, becoming bad…the night turning into the day, day turning into night… life melts into death, death plunges into life again – then everything has become one.

This has changed my experience with sexuality forever… It has blown up things like this what you have about sex, the good feeling you get from sexual experience or trying to get. It broke that because it was so obviously about submission. It wasn't about me trying to do something. It was about not doing something, but rather receiving or allowing it, rather than doing and creating and making.

This is the most profound healing practice I have ever encountered. It has awakened me to realize that my body is often shut off from the bliss and ecstasy it might be experiencing. Through this practice I have come to learn that emotional pain occurs when orgasmic energy does not flow freely through my body and that there is an infinite flow of orgasmic energy available to me. It has taken me years to gradually release the tension and pain in my body and I still have areas of tension to unblock. The sensations can be different each time depending on my condition, sometimes there is a pulsating vibration and sometimes it feels like some kind of electrical current circulating through my genitals throughout my body. There may be tears of joy. My mind can be perfectly clear and it can seem like everything I feared has been resolved. When a certain area of ​​tension is unblocked and the orgasmic energy circulates, there is always an amazing sense of oneness with the life being awakened.

Mel 40 Auckland

My teacher knew how to touch – and where to make contact – He knew places to touch that I didn't know about – and soon I was on my way to another place in another universe. I was in a trance of breathing and sweat and pleasure that so long and so dead do had gone – that I traveled through light and sound. I never knew that such an experience could be had without actually making love. When I finally climaxed and climaxed and climaxed, I couldn't believe I was having a sexual climax in the presence of someone other than my husband. I felt both excitement and a little embarrassment. Looking back at this moment, I would never have thought that having an orgasm for another man would actually be the "beginning" of this whole journey in Tantra

Emma S 35

Auckland

And this is the joy of Cosmic Spiritual Orgasm, because you disappear for a moment. That moment is very small, but its impact is immense. For a moment you are no longer the ego, you do not think in terms of 'I', for a moment you dissolve into the oneness of the all, you become one with the whole, you pulsate with the whole. You are no longer an individual… you are no longer limited to your body. You have no limitations, for a moment you are unlimited, infinite.

That is the meaning of Cosmic Spiritual Orgasm – that your frozen energy melts, becoming one with this universe, with the trees and the stars, and the woman and the man, and the rocks – for a single moment, of course. But in THAT moment you have a kind of consciousness that is religious, that is sacred, that is one with all things. – OSHO

Unbelievable! Some are very strong and some are wonderfully subtle. In general, the more time you spend building up the energy, the more powerful the sensations. You experience “electricity” throughout your body, hands, feet and lips tingle, and there is a sense of letting go and receiving at the same time. You will feel high, euphoric and light-headed. It feels very different from a clitoral orgasm (but it can happen at the same time as a clitoral orgasm). You see a seed sprout, flowers appear on a tree somewhere, the birds are singing – the whole phenomenon is sexual. It is life manifesting in many ways. When the bird sings, it is a sexual call, an invitation. When the flower attracts butterflies and bees, it is an invitation, because the bees and butterflies bear the seeds of reproduction. Everything seems to be divided into these two polarities. And life is a rhythm between these two opposites. Repulsion and attraction, coming closer and getting far… these are the rhythms.

Z

[cruddyborderlandstheories]

Sanctuary-III: Demo Analysis

Hi again! I’m here to do my full Sanctuary-III analysis. (im back on my bullshit of actually structuring posts like a functioning human. holy mother of g-)

Tl;Dr: So from what I’ve gathered so far, Sanctuary-III looks like a Maliwan-inspired ship, but was actually built by a company named <SUPAMAX MFG>. I do think the ship we go on in the demo is taken from another part of the game, probably the time period when we’ve reached the Maliwan/Monastery planet of which I don’t know the name (the one we see Maya on). I understand that we can see Pandora in the demo, but it’d be easy to travel back there and simply remove the option for the monastery planet when we go to Promethea. I have a couple reasons for thinking this, so I’ll go over it when we get there.

For now, let’s get started :D

So, even though we’re going to be doing a full analysis of the demo, I did want to start with our previous sightings of the ship.

Ellie hanging onto a smaller version of the ship.

Lorelei resting her foot on a larger model

one hiding behind Zane near the car

better view below:

and a ship as we see it on the cover art:

notice I say A ship because there are definitely differences between this one and the Sanctuary-III we meet in the demo.

Most notably the colors/design, but also the back engines are missing from below the spoiler and the fins on the front are different shapes. Additionally, the one in the cover has windows that are significantly different from the demo and the engines in demo have fins coming off the tops that we don’t see here. I’ve been yelled at before that this isn’t a noticeable enough difference to think about, that the developers just decided to roll with it, but honestly I believe if the designers put that much time into ensuring the cover art has a dozen easter eggs to solve, why would they look at the ship and decide “eh, that’s good enough”? I wanna believe they’re not that laidback about this.

So I’ll give them the benefit of the doubt for now and provide a handful of theories as to what this cover art ship could be:

1. Sanctuary-II or an earlier model of Sanc-III (or both)

2. A shuttle used to move people to-and-from places Sanctuary-III is too large to access and the drop pods are too violent to hit (I’m thinking meteors/asteroids here) annnd hopefully we get to putz around space in one

3. A fully separate ship from Sanctuary-III that we’ll have to use later on in the game, either due to Sanctuary-III being destroyed, or other weird circumstances that would render it unavailable. Could possibly be used to reach Elpis?

Anyway, enough of that. Let’s get right into the thick of things with the actual ship from the demo!

This hit me right in the heart. I love that u can see Pandora in the background, too.

The actual ship! Do you see what I mean by those minor differences to the cover art ship? Moving on.

The reason I thought this ship was mainly because of the huge swaths of orange and the blue engines/bridge. I had thought it was Atlas as well at one point, but retracted both those statements when I saw the name of the manufacturer printed everywhere inside lol

It is possible it was made specifically for either of those companies. I am leaning towards Maliwan, so I’ll point out my reasons why as we move through this.

Also, check out the docking bay on the bottom there. That door leads to the large room we see Ellie in. I think the fins on the front of the ship are to hold it up when it’s landed so we can drive vehicles out the bottom. I am hoping for a scene near endgame where the ship is shielding us from huge attacks from above as we drive out of the bottom and, right as we escape, it collapses behind us. Fingers crossed.

the back of the ship. And the engines I mention you can’t see protruding out the back on the cover art.

Oh, and say hi to the CoV!

that’s where Troy’s sword gets launched from orbit

as we zoom in, we can see a whole bunch of things

to start, looks like Hyperion got some nice rebranding. I hope Blake took over tbh

a poster of moxxxi’s. I love the feather in her hat; I wonder if that means her a mordy got back together...

also im going to take the time to point out

how much I love that each Vault Hunter gets something that glows. Amara has her tattoos (and she can customize the color!), Fl4k has their eye, Moze has Iron Bear’s digistruct pack, and Zane has a cool jacket. Rock on my babies, you’re all beautiful. Oh, and the whole teleporting animation for this, I don’t know if its like a “first time” only thing or what, but I love it, I love it so much. I’m so glad we’re going to be able to see our Vault Hunters in the third person.

okay moving on

so right away you notice the guide telling you where places are, with arrows point in different directions. It’s quite hard to read at the moment, but we do see it again later. 

We all know about the quick change station and the lost-and-found, so I don’t think I ought to go over those right now. 

claptrap seems to have his own little cereal or something, not sure if that’s been sighted anywhere else, but im afraid for anyone who eats it

player quarters! holy balls im so excited for these

We can see the display cases everywhere, but there’s also a vault (not that kind) in the back left. I imagine that’s the bank. Hoooopefully we get a larger storage capacity or my mule characters are gonna have a ton of new buddies to talk to lol

better look at the cereals.

also apparently that water bottle we see in the Game of Thrones joke the twitter posted is an actual asset in the game.

While we have singular display cases for guns, it looks like items get their own display cases

it can show off rarity color and on the bottom left, you get to see exactly what you’re looking at. no more confusing grenade mods for shields in this house

a non-holographic poster for the Typhon Deleon movie. I think this is the first we’ve seen outside of Promethea. I guess Amara’s a fan.

A vault symbol rug, and the symbol spray painted onto her punching bag. I think that poster in the back is a Monty Python reference? I didn’t get quite a good look at it, we might see another one later on.

Amara has a window seat, I’m actually hoping we’ll be able to hang out in our rooms and look out the window at space. I would honestly spend so much time here. Also, regarding the bed (not pictured, that’s the window seat), I’m wondering if that will have any gameplay effects or if it's just aesthetics. I hope it’s at least bouncy...

she does have some jakobs crates holding up the plants. Don’t know if that has anything to do with her backstory or if its just to fit the aesthetic of her room.

we’re also told “again, you can modify your player quarters to how you want to play” which... I don’t know if I’m looking too deeply into that, but it seems like we’ll be able to pick and choose things like furniture or overall layout. I wonder if they’d let us cycle between the other VH’s rooms. Not sure exactly what it’s supposed to imply, but it is something to point out.

Our first look at the SUPAMAX MFG logo. “Ships made Quick”

We also get our first look at Ellie’s cargo bay. More on this later

behind the curtains to the left of here

a poster of Jack and some lootable washing machines. We’ve seen the poster before, from what I’ve heard it's a movie poster starring timothy doppleman. Which... What a legend. 

Now, I do want to point out we see this logo next to the cargo bay

this is one of the reasons I thought the ship was Atlas at first, however you can tell there’s no gap on the right of the triangle and the bottom edges don’t match. I definitely think the new Atlas logo is a delta to signify change, though, cause Rhys is a big ol nerd.

some blueprints of the ship and a bunch of reused posters from BL2 thrown in for decor purposes. There’s another poster of Typhon to the left of that, but since we’ve already seen it, fuck ‘em

We also see a buttload of Maliwan crates hanging around the ship, matching the color design of the one we saw floating around space 

here’s one of them!

a better look at the blueprints as a standalone poster. It looks like ‘Sanctuary’ was written over with something, but I can’t make out what. also checkout how the paint on top doesn’t match the paint on the cover art’s ship. Nor does the cover art have the fins coming off the engines like we see here. I actually just noticed that even the spoilers are different shapes.

Moving on before I go off on another tangent

a poster for Marcus’s shop

the new golden chest as Randy called it. I believe we’ve seen the animation already, where the guns splay upwards like a peacock or smth

a cowgirl hangin out on more Maliwan chests

Marcus’s new sign. Honestly? He’s rocking the bun.

this dude we find walking out of the store. Don’t know what his deal is, but I’m digging it.

this Amara already has 5/8 Pistol SDUs unlocked! (Also, there are 8 max SDUs) Makes me think she’s a high level character. That’ll come into play later lol

5/8 Backpack SDUS. I didn’t show it but she also had 1/8 Shotgun SDUs. Also only +3 to backpack space each. Considering Amara already has 5 unlocked, that means we get the regular 12 backpack space to start. D:

bank space only gets +2. Amara already has 2, meaning the bank can only hold 8 items without upgrades. F in chat for the big bank dreams. Max amount the bank can hold is 24. Somebody comfort me... hopefully these SDUs increase exponentially 😭

the mystery SDU. It looks like a box with a question mark on it, giving out guns and grenades. Makes me worry this is some form of loot box, but considering it can be bought with cash in-game, that’s probably a good sign. Maybe you can buy golden keys in game to open the gold chest now? Randy said no microtransactions and, while he is Randy, I want to believe him (disregarding the skins fiasco because we all knew that was coming).

since i’ve also seen speculation that it’s the upgrade for the capacity of the Lost-And-Found, I think that’s probably what this actually is.

the shooting range we can see from here. Doesn’t appear to have any targets yet, but it may be like the one in BL2 where they only appear when we enter.

more Maliwan boxes to the left of the shooting range.

Crew Quarters sign!

some very big (tm) Maliwan crates

tannis’s sign!

this NPC actually seems important, I’m wondering if she’ll give us a side quest or something

what i’m guessing is the power core to the ship. It’s in such a great place to get shot... i wonder if perhaps... we’re going to have to do that at some point...

“ain’t no place like space” I love this place.

also looks like there’s a shortcut here. You can see the planks across the pipes, the balcony, and the railing here that’s gonna be easy to get over. Excitement!

looks like a control panel right in front of the core. Yeah, there’s definitely going to be something related to it. Maybe we’ll get attacked and we have to go stabilize it. Maybe our ship will get hijacked and we’ll have to blow it up from the inside. I can’t be the only one who thinks this place is wayyy too grand to not get destroyed...

better look at that bad boy

the opening to moxxi’s bar

actual bar

i have no idea what this is, but i dig it. Also the zer0 for the O is making me go  🤔 i don’t THINK Zer0 would get involved, but then again, they are doing missions for Moxxi in Tales, so maybe the two got together to make something

this door seems different enough and detailed enough (red glowing light) to make me think we’re going to be unlocking this and going through it at some point. Then it shall glow green and make me happy instead of frustrated. the minimap, unfortunately, does not agree with me, but I want to believe. or that’s gonna bother me to no end. Maybe some sort of “we just escaped control core angel” situation, idk.

some slot machines. Ca$hTrap! and Tinx’s Hijinx. Looks like an NPC is using the latter though so idk if it will be available to use. 

scoring system. Looks like the ??x row will give us a new character skin!! hype.

the uhhh... Lava Lamp column... will give us...? ???

A devil fruit?? A grenade? wtf is that???

3 bananas gives us new colors! Crowns = head

the... Eridium...? That seems way too pink to be Eridium tbqh. It reminds me more of Seraph crystals, but maybe its a reference to the ‘Eridium’ growing out of the ground on Promethea? ...... Maybe that’s growing because Atlas/Typhon actually DID open the Vault on Promethea

uh anyway

The last column is about more crystals and then cash and then the last one... I assume the icons are Claptrap’s eye (considering the game), but the reward? i think that’s the grenade the demo player gets in the demo 

we’ve also got Loot Boxer (also taken by an NPC) and Vault Line. I’m wondering if the NPCs using the machines are just a gameplay mechanic and they’ll disappear after a certain level/event. Maybe those ones give us better loot. idk.

for Vault Line, i think that says “Knockout Prizes” but I could be wrong. More importantly, it looks like we can get legendaries from this one! First column shows a green/purple/yellow (legendary?) gun. I can’t tell what the other icons are meant to be, though. i think the next 3 are shields, then maybe class mods? or... grenade mods? i don’t know. The last one is a total blob for me, no ideas on that. Also wondering if that machine costs Eridium to play or something, 1) because of its design and 2) because the rewards seem sooo much better than Claptrap’s.

outside we see the Crew Quarters sign for the first time and, interestingly enough, a TV broadcasting the same symbol we see being broadcasted all across the CoV camps. What’s up with that?

infirmary and crew quarters signs on the wall this time

more Maliwan crap. even says it right on the tin. Why is there a pokeball on there?

a map of the ship. We see this on a bunch of monitors, even ones on Promethea, for some reason. This one is mirrored. dunno why.

more signs. Left top to bottom: “Cargo Bay” “Armory” “Infirmary”

Right top to bottom: “Engine Room” (OwO) “Crew Quarters” “Cargo Bay” “Armory” annnd nothing on the last line this bend around. when they turn the corner, you can see that it, too, says “infirmary”

Also, the Heatant and Coolant Pipes lmao

“LAB/SICK BAY” pointing to the left towards Tannis’s corner

so, here’s where we get our first glance at something very very interesting

now, the crew makes us think this is our first time visiting Promethea in the demo. But if it is, why are there Promethea civilians wandering around the ship? I believe i go over this some in an older post, but I’ll recap:

1) It could be that Sanctuary III was already in the air before the game starts and had already visited Promethea to take some Civilians off Rhys’s hands so he had less to worry about. That would mean that we’d need a shuttle or something to reach the ship in order to activate the fast travel station, which is (possibly) where the ship on the cover art could come in. Because in the borderlands universe, you need to reach a Fast Travel station first before you’re able to teleport to it and if Sanc III is flying and Lilith doesn’t have her powers, we’re stranded on Pandora. (Alternatively, the ship could come down from space, but... I kinda doubt it can without not being able to take off again. Maybe borderlands just has cooler spaceships... idk. They were able to make a caravan space capable). Unfortunately, this would mean those screencaps from the new trailer that looks like Sanctuary III being infested with wildlife would not take place on early-game Pandora/that we wouldn’t rescue the ship and claim it as our own. (We could possibly get Sanctuary III in the air in the new BL2 DLC if this is the case.) The ship getting infested then could take place above the Maliwan planet or Promethea or soon after we join the crew and we’re sent down there to clean it up as a side quest. Or there’s a time skip and the ship gets overrun and we have to fix it. Now that’d be rad... 

2) gearbox is being sneaky beaky about the demo time. We do see Maya later on, which leads me to believe this takes place after we meet her. Where does it look like she’ll be? On the Maliwan/Monastery planet. It could be possible that the devs took the ship back to Pandora and simply removed the Maliwan planet from the list of places to take our ship. That would leave Promethea as an option while also explaining why there are both Promethean citizens and Maya on board. Could also explain Lilith having her tattoos back, since we don’t know the events of the story that lead to us going to find Maya. Though, I think I have an idea... I’ll leave that for my Maya masterpost though. Lilith also says “We arrived in one piece... that’s a first” when we travel to Promethea, leading me to believe either that’s where Sanctuary-II warped and got destroyed (maybe explaining why there are Promethea Civilians with us now), possibly in the asteroid fields, also maybe due to a mechanical failure, or Sanctuary-III, when it first went to Promethea with us, got a bit damaged by the rocks floating around Promethea or some other thing like the CoV attacking, idk. What are those rocks for, anyway? ....... I gotta make a post on that, don’t I? oi oi oi...

Moving on

the front of the Infirmary

....

this kinda looks like a baby T-Rex. There are T-Rexes on the swamp planet, which we now are assuming is Promethea, aren’t there? Oh hell yeah. If the swamp planet ISN’T Promethea I’m gonna be all like [shocked pikachu face]. that outskirts area was really making me believe. 

anyway, see above lol

we also get another glimpse at the SUPAMAX logo

some lootables in the back

not sure if these are Maliwan or not.

Zed also has a machine in the back here. We haven’t seen him around yet, but odds are he’s still kicking because of this. And hopefully still friendly with the crimson raiders. Maybe Tannis locked him in a closet or something, idk.

oooo i haven’t seen this screen before

i want to know what it isssss

this also looks eerily familiar. brb, gonna go find what this reminds me of

okay, so

not sure if its exactly the same material/type of symbol, but this location, what i have dubbed the “temple” cuz i got no better name for it, does have square emblems across the floor with borders.

so, interestingly, this one has what looks like an eye with beams shooting out of it. if that description sounds familiar to you, it should, because

EYEBALL

now i got no idea if these are related aside from being in the same game, but it does interest me that they’ve both got eyeballs and streaky beams.

Oh and Tannis’s Vault symbol doesn’t have the writing (?) across the edges, but I will say, it does kinda look like cuneiform and eridian writing had a baby. Like, if you super heavily pixelate the Watcher’s name on her title card...

tbh I’ve theorized a lot about this place, but haven’t found anything I particularly like. From the place where the first Vault Atlas ever opened is (meaning its on Promethea and could explain why Tannis has that slab), the Great Vault’s holding place (where the skeleton on the ground is Typhon and his final journal) (perhaps the Great Vault is the entryway to the Eridian homeworld... that could explain why the CoV are trying to find it... might be a reason why they’re being manipulated by new aliens to find it. god please let them be the Seraphs...) uh, anyway, I also had an idea that it was someplace on the Maliwan planet, and maybe that it was in the archives area that was taken over by Maliwan and that the skeleton was of a Siren. That would explain why Maya is shown handing the book to Little Blue in the MoM. I go over that in an old post though, so moving on.

 oh, there’s also a frame of Tannis’s animation where the dinosaur she was inside stands up and clips through the table:

there’s a small room over here we don’t get to see, and I’m wondering if there’s another NPC joining us on Sanctuary-III that isn’t showcased. god I hope if its pickle he got more bearable as he got older because dear god i hated him in tps. I can’t see Athena nor Janey with a desk like that. Maybe Vaughn? Though would he really want to go back to being an accountant after everything...?

more maliwan boxes btw. looks like someone scribbled on this one lol

now we head to the bridge!!!

looks like an arcade game lol

but possibly a control mechanism for shuttles coming in???  👀 👀 👀

Crew Quarters and the SUPAMAX logo

oh yeah, and in case you were doubtful that this was a borderlands game:

“Caution: Excessive Farts Detected”

the Bridge!!!

We’ve got a holo-projector thing up front like we’ve seen Rhys use, as well as a mini one used as a digistructer during Lorelei’s hamburger quest. Most interesting, Lily has her tattoos! Definitely wondering if this takes place later on in the story or if they swapped her early game model in. either way, they’re definitely there. 

some cool art of Sanctuary III zooming away

just have to say

i love this so much

its great

okay moving on

I wish they’d be more specific. do ruins = vault? Typhon says he discovers the Vault and the Key in one fell swoop. if Typhon DID give atlas the Vault key and the location to the Vault (and we’re not just listening to an ARG for the movie or smth) then why didn’t Atlas open it immediately?! I mean, in TFTBL Cassius says Gortys is their last ditch attempt at opening a Vault! So what the heck?? I can’t believe that it would be less than 200 years from the first Vault being discovered to the Eridians abandoning everything. like vault keys take 200 years to naturally charge so there’s no reason why it wouldn’t be already charged and available (Unless its more of a cycle thing where it charges and then discharges after a while for safety’s sake??). 

And another thing, if that IS Eridium growing out of the ground on Promethea, then they totally DID open the first Vault. Or at least Typhon did. Unless there was something stopping them... like... Maybe in the temple those demon-looking-things stopped them from getting through and that’s why we find a bunch of skeletons around the place? Or maybe the Guardians got to them, or some other Eridian protection scheme. i don’t know... im so confused... brain hurt...

anyway

why the fuck does Elpis look like this

is that the light side of the moon? dear god im blind.

hhhh at least we can still see the crackening

lowkey wondering if the ship is based off of Eridian tech. I could totally see a slip-space drive being based off Lilith’s phasewalking

when we finish travelling, Lily says “We’ve arrived in one piece. that’s a first” and yeeah, i can see whyyy

rocks. rocks everywhere. tbh i think these rocks are 1) why lilith says that (we’ve either been to Promethea before in Sanc-III or Sanc-II got decimated slip jumping here) and 2) why the VH’s entry into Promethea is apparently so awful Lilith needs to ask if they’re actually still alive. also, we get to see just how much of Promethea is cities and goddamn. that’s a lot for a borderworld.

sorry for the youtube bar. 

Deck A: Hammerlock - Infirmary/Tannis - Deck B: Marcus - Moxxi Deck C: Cargo Bay

I am honestly so curious how they got this ship with that lettering on it. I guess they could’ve made it themselves, but... you gotta wonder... maybe we get the ship built on Pandora by Ellie. Or she helps us fix it up after we remove all gross rat things from it.

MAYAAAAA

better look at the Monty poster plus some other stuff, like a clock, dartboard, and a gas mask. Also if anyone knows what that says up top there, please let me know, im super curious!

Hammerlock’s quarters!

this guy has the same facial hair as Zane. I swear to god if I hear “Oh, that’s me fourth brother” im gonna lose my absolute shit

something to the far left outside of Hammerlock’s quarters we’re not allowed to see yet :(

there’s also graffiti of “Charge port here” around the ship and i think that’s hilarious. It’s like an airport

put your ports in, damn it!

Ellie!!!

More maliwan boxes to her left, btw

the actual cargo bay. remember how i said to look at the bottom of sanctuary III to find the door? I’m like 90% sure that’s it right there. Randy also says “down here we can check out the vehicles we’ve collected AND this is how/where we get access to the planets while we’re in orbit”.

Crazy Earl’s black market! dunno how he’s actually, like, connected to the black market from here, but, hey, who knows what he’s got in there.

veteran rewards, apparently drawn over one of Marcus’s machines lol

“Inter-Galactic” a little drawing of Sanc-III and another Maliwan box (you can see why I think this ship is Maliwan, right?)

Clappy and his GF... yeah...

one very big digistruct pad. listen... im praying for a space shuttle. i really am.

finally:

the drop pod

god this looks awesome. I bet we’re gonna have many a fun time in there lol

I finally get to live out my dream of being an ODST in borderlands. what badasses they are.

[luchalabor]

TL, DR

I have nothing to do at work so I am going to try and write an obnoxiously detailed “about me” post to talk about the things that are important to me right now and why.

I was born June 14th, 1988 in Miami, Florida, which sucks because that means despite hating Nazis I have “1488″ in my birthdate when I write it in MMDDYY format.

My dad’s an immigrant from Havana, Cuba who came to the United States in 1959 in the first wave of immigrants to the US after the victory of Castro’s revolution. Growing up in Miami I was fed a steady diet of nostalgia and longing for a country that my dad’s family left voluntarily, without really explaining WHY they left. It’s only now after I put together all the stories about how they had a farm and my grandfather owned a boat that instead of having their property nationalized they... left it behind? Makes sense. 

My mom’s a wasp from Nashville, Tennessee. English is my first language and that’s what we speak at home. However, my dad made sure I always took Spanish as a class in school, and living in Miami meant knowing spanish was a functional necessity of everyday life. I was fully fluent by the time I finished high school and got a 5 on the AP Spanish exam. My grammar is super correct but you can tell from the slight imperfections in my accent that I’m not a native speaker.

When I was in seventh grade, I began studying Japanese because my middle school randomly offered it that year. After that year they stopped offering it so I studied with a private tutor all the way through college, where I majored in it along with Mandarin, which I started in college. I really hate the word “fluent” because I can’t, say, read a legal contract in Japanese or Chinese, but I would say I have advanced proficiency in both languages and can understand movies and TV without English. Usually if someone sends me a screen grab and asks “what does this say?” I can tell them.

Ever since college, acquiring languages has become a hobby of mine, especially since I discovered Duolingo. French still eludes me, but I’m functional in Portuguese, and trying to become functional in German.

I’ve been a wrestling fan since 2002. That’s right after the end of the Monday Night Wars and when it stopped really being cool to watch wrestling, but one day I was flipping channels and saw the Rock cutting a promo and I was hooked. I was 14 and I was amused by the fact that he said “sammich.” 

Like most of my interests, it turned into an obsession and I decided I wanted to actually be a wrestler. I joined my school’s wrestling team freshman year of high school, and that was the first time I became anything resembling an athlete as I had been a little fat kid most of my life until that point.

In 2005 some guys who had mostly been backyarders but had some professional training opened up a pro wrestling school in a warehouse in Little Haiti, so that was when I started learning how to take a bump and do it like they do on the TV. After a few months an actual professional by the name of “Soul Man” Alex G took over training us, and eventually he began just training me and a couple of other holdovers at Coastal Championship Wrestling’s Bodyslam University in Coral Springs.

I had my first professional match in July 2006 in an empty municipal gymnasium in Daytona, Florida and got paid $20. It was the first time I had gotten paid for any kind of work.

I stopped wrestling basically because I went to college. Dartmouth is in Hanover, NH, which wasn’t really close to any schools where I could keep wrestling. I tried to keep in shape, but at some point I realized I was 5′6″, 160 pounds, and nowhere near able to do all the same flips and jumps as the wrestlers my size who made it to TV, so I eventually gave up. I ended up finding another passion soon after, anyway.

I was home on a long break between my freshman and sophomore years of college right after having studied abroad in Japan and China for 5 months. Going from that hyperstimulating environment to being at home where none of my friends were because of differences in schedules and my family beginning to unravel as many do when the kids leave the nest, I had my first depressive episode. So I sat down and wrote my first jokes.

I began doing stand-up comedy at school in spring of 2008. We had a club and we’d preform in frathouses and local pizza places. If anything, it was a kind, gentle comedy womb in which to mature into a competent joke-teller. My first performance in front of an actual audience of strangers was in June of 2009 at the Comedy Studio in Cambridge, MA, which apparently as of this year no longer exists.

Stand-up gave me something to actually feel passionate about in college. I had absolutely no idea of what my post-college career plans were going to be with just a Chinese degree beyond vaguely teaching somewhere. After I caught the comedy bug, though, I knew I wanted to get into performing and writing. I joined the humor magazine at school, I spent the whole summer between junior and senior year performing in Boston. The only grad school I applied to was for a writing and producting for TV master’s program in NYC, and thankfully I got it.

The masters program was for two years from 2010 to 2012. At the end of the program, I wrote a half-hour animated TV pilot called “The 100 Deaths of Mort Grimley.” At the same time, Amazon Studios had just begun accepting TV scripts, so I submitted it. To my surprise, they actually optioned it, and then I was approached by an agent from William Morris Endeavor. I thought my writing career was off to an instant kick-start!

It wasn’t. I spent the next year hanging out in New York doing odd jobs while the script lingered in developmental hell. Eventually I decided to make the jump and move to LA thinking that being closer to the studio and my agent would help things move. 

Within a few months of moving, Amazon dropped the pilot from development, and my agent stopped picking up my phone calls. That basically brings me to where I am today, working in post-production to pay the bills and trying to make something else happen in the showbiz sphere.

I’ve kept doing stand-up for the 4 years I’ve lived here in LA, but doing stand-up here is more exhausting than NYC because you have to make more deliberate plans to go to a show or a mic because you have to figure out traffic, spend the time and the gas to drive, then you STILL might not get pulled out of the bucket. On top of that, at least in NYC everyone who does stand-up wants to BE a comedian, and they treat their stage time like it’s valuable. In LA you have to sit through a string of beautiful actors who were told to do stand-up by their agents struggling to figure out what to talk about when their set is only 3 minutes.

I discovered improv last year mostly because I got a job that was paying me better money, so I could finally afford it. I’m enjoying it but it sucks to feel like another white middle class nerd in an art form that feels like an exclusive white middle class nerd club.

Like most people who are privileged enough to realize the world was already shit, the 2016 election got me motivated to give more of a shit about politics. I liked Bernie at first because it felt like he was talking about racial issues in a frank way that hadn’t been discussed by a major party candidate before, but then got frustrated with his lack of specifics regarding HOW he was going to “break up the banks,” etc. It then finally hit me that any candidate working in the Democratic party would always be subservient to capitalism and never go as far as I wanted them to go. So then I finally relented and realized I was a socialist. I joined my DSA local in July after RL Stephens had been elected to the NPC and it felt like it might become more of a revolutionary organization instead of just a bunch of tepid reformists. So far, I have experienced a mix of both that has been frustrating. After a bunch of drama from both the national org and local chapters, I’m considering leaving and joining PSL instead. I want to work with an org that won’t make it difficult to build coalitions with other orgs and make marginalized people feel safe and welcome.

So there I am! I still have an hour before my next meeting, so wasting all this time still wasn’t enough! Boo!