#doug lussenhop

[kickerofelves]

[samtaylorillustrator]

Stoked to do this illustration for the best podcast in the world @officialofficehours ⚠️✌️❤️ Thanks to the gang @timheidecker @douggpound @vicbergeriv @matthewc333 😛💦

[nofatclips-home]

Gremlins 3: Dawn of Desmond - A “film” by Nick Lutsko and Justin Cipriani

[thecarlosramos]

happy birthday dj douggpound

[nofatclips]

Everyday by Weyes Blood from the album Titanic Rising - Directed by Natalie Mering

[wybmf]

Doug Lussenhop (2018)

[buttererer]

TV POW - “Video” by Doug Lussenhop 

From A Box Full Of Ghosts (Gentle Giant Records) 2001

[half-a-tiger]

WEYES BLOOD - "Everyday" taken from ‘Titanic Rising’, out April 5th, 2019 on @subpop. Video self-directed by Natalie Mering

Director of Photography: Micah Van Hove

Editing by Doug Lussenhop

[feartube2000]

The Midnight Gospel

Uno space caster lascia la comodità della sua casa per esplorare mondi psichedelici, grazie al suo simulatore di universi, ponendosi domande esistenziali su vita, morte e tanto altro. Titolo originale The Midnight Gospel Creatore Duncan Trussell Soggetto Pendleton Ward Cast Phil Hendrie, Duncan Trussell, Joey Diaz, Doug Lussenhop Produttore Shannon Prynoski, Tony…

[kickerofelves]

Daddy Done Did it Again — DJ Douggpound

[samtaylorillustrator]

IT’S DING DING SUMMER   March Of The Ding Dings on @adultswim SMALLS: Created by The 3 Year Olds (@douggpound @CerSpence) Directed by @tokyomegaplex Ding Ding design and album art by yours truly 

[nakedcomedy]

The Satellite becomes POUND TOWN THIS SUNDAY, thanks for the reminder The Eastsider LA, Discover Los Angeles, Restless Nites, Okayplayer and ITK!

PLUS we just added Kyle Mooney & a SECRET special guest that you won't wanna miss, truly a RARE appearance!! 8/18 8p $8 get those tix now!

#LA #Silverlake: DJ Douggpound mixes beats and multi-media absurdity with his favorite comedians. Welcome to POUND TOWN. Featuring Kyle Mooney, Brooks Wheelan, Maggie Maye, Rick Glassman, Sarah Squirm, Chill Kottkamp & a SECRET special guest! PLUS a **new** Pound House Episode Premiere SUNDAY August 18th, 2019 Doors: 8:30PM, Show: 8:30PM 21+ $8 Tix: https://www.eventbrite.com/e/pound-town-with-dj-douggpound-feat-brooks-wheelan-maggie-maye-more-tickets-66074692183 at The Satellite 1717 Silverlake Blvd LA, CA 90026 DJ Douggpound aka Doug Lussenhop is a comedy writer, editor and performer. His distinctive style can be seen on such shows as Tim and Eric Awesome Show, Great Job! and Portlandia. He often performs as his alter ego DJ Douggpound – a “Joke DJ” who tells jokes that lead to musical numbers and remixes. Doug was the opening act for several tours with Tim and Eric and he has performed all over the U.S., including The Bridgetown Comedy Festival and Just For Laughs.

[randomvarious]

DJ Lunatic & the Asylum - “Atari 2600 VCS” Lumptronic 2: Pickin' Boogers and Butter Beats 1997 Abstract / Minimalism

I have no idea who DJ Lunatic or the Asylum are, but they're (singular or plural) probably from Chicago, since this comes off a comp put out by Lumpen, a Windy City-based weird arts and hard-left politics organization that produces a magazine and has released a bunch of comps over the years, too. Coincidentally, I was listening to an episode of the Media Roots Radio podcast a couple weeks ago, and their guest, Doug Lussenhop, aka DJ Douggpound, of Tim & Eric and Office Hours Live fame, mentioned that he was part of Lumpen in his early days. So maybe DJ Lunatic and/or the Asylum is DJ Douggpound, but probably not.

Anyway, I really admire the courage of someone who makes weird, abstract, minimal shit like this and thinks, "yeah, that's good enough" when they've decided that they're done making it. I mean, this is so far off-the-grid that I can't even begin to fathom what it was that DJ Lunatic & the Asylum were going for with this song, but naturally, it also elicits a bunch of questions from me, like:

Why did you make this?

What were you trying to get across by making this?

Were you on drugs when you made this?

What kind(s) and how much drug(s) were you on when you made this?

How much time did it take you to make this?

Why did you spend that much time making this?

Was there anything in this song that you spent a substantial amount of time on trying to get just right?

I'm really fascinated by the thought process behind things like this that are just so unrelatable when compared to other forms of music. Like, if you're a pop producer trying to put something together, you can tangibly build something and then feel satisfied when you find that missing piece that completes your song. But with this? It's totally uncharted territory. There's absolutely no structure or constraints. It's not even really a genre, whatever you want to call this, and I guess that's sort of the implied point. With sound, you can literally make anything that you want. And here's DJ Lunatic & the Asylum to remind you of that fact.

[jsoliday]

Sunday, January 3rd, 2021 5PM PST/7PM CST Soundcrack.net & Crank Satori present: Principles of Non-Isolation in Audio No.29 we invite you to listen in on an evening of live sonic exploration with MEDIUM performing LIVE IN REAL TIME in non-isolation from remote locations on the Earth

no interludes only drone

MEDIUM is both an ensemble and a piece originally created in 1997 by Doug Lussenhop, Brent Gutzeit, and Todd A Carter. MEDIUM is an open member platform where anyone who wants to drone can take part. Guidelines of Medium: drone - do not disturb the drone - drone. Since 1997 Medium has performed many longform improvisations, including their annual 24 hour performances on New Year’s Day.

For Principles of Non-Isolation in Audio No.29, Medium will be cinchel, Greg O’Drobinak, Michael Hartman, Brent Gutzeit, Todd A Carter, Neil Jendon, Erik Schoster, Will Soderberg, J.Soliday, and others TBA Tune out at: soundcrack.net twitch.tv/sounjaerk YouTube.com/sounjaerk pscp.tv/branpos

More information on PONIIA, including upcoming episodes and archives of episodes past can be found here

[wolftattoo]

doug lussenhop paved the way for the best comedic editor ever