#donna hayward icons

[editfandom]

Twin Peaks, S02E16

[moviesycho]

Lara Flynn Boyle as Donna Hayward

TWIN PEAKS (1990-1991) 1.01 — "Northwest Passage"

[parasiteicons]

like or reblog

[chromacloudicons]

★ ☆ ☾ ✮ ☼ ✵ ✦ like/reblog if you use or save  ✭ ✷☽ ✯ ❂ ★ ☆

[helloicons]

twin peaks icons

just like or © siriuzbvlack please

[drownersicons]

the women of twin peaks

[leonardbetts]

TWIN PEAKS — “May the Giant Be with You”

[arrchhive]

like or reblog. enjoy babies.

[fullmetalyakuza]

[polemicpsd]

twin peaks icons (annie // donna)

[editfandom]

Donna Hayward - Twin Peaks, S01E01

[daenrys]

send me recommendations for what my icon should be??

[moviesycho]

Lara Flynn Boyle as Donna Hayward TWIN PEAKS (1990-1991)

[bandstolookup]

chuck

brice wilson

classic case

cruiserweight

the drifters

dead lazlo's place

clyde

drunk in public

cmten

kid ferris

Judy Garland*

108

* Crystal Gayle* (

* Gentle Giant*

* Bobbie Gentry

* Sonny Geraci*

* Gerry and the Pacemakers )

* Glass Tiger* )

* Jackie Gleason*

* The Golden Cups

* the golden age of tv

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monowhales

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titanium

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Glitch Gum

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* Hager Twins

* micro tdh

* on repeat

* the knocks

* Merle Haggard* )

* Geri Halliwell*

* Caylee Hammack (Capitol Nashville)

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* Odessa Harris*

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* Jamie Haywards

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* we were blank

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* nails

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* Jimmy G and the Tackheads

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* cheap peach

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* Show Lo

* sunnbrella

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* muscle shoals rhythm section

* wildstreet

* eisley

* the linda lindas

* Laurie London

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* Donna Loren

* Luscious Jackson*

* Donna Lynn

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* the sundays

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* myle

* Mandy Capristo

* Marillion*

* Dean Martin*

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* Mason Dixon

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* Maze*

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* The Motels*

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* WARGASM

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* of the (SiC)

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* ACHILLE LAURO

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over motion

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and so i watch you from afar

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boris

ty segall

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* mario judah

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lunar riptide

spîked mînd

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karmadella

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*

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[stone23]

[redantsunderneath]

West Side Story, Twin Peaks, and the Death of the 60s

I poke around at this a lot, but I thought it might be good to get it all down in one place.  

I feel like I grew up in an eclipse of West Side Story.  Grease had taken over its space as a specific cultural artifact, and it wasn’t pushed on TV that much. When I got around to it, I realized it was not what you might think it was – it was influential way past the direct references like Springsteen’s first 3 albums, theater offshoots, and modern Romeo and Juliet takes.  The filmmaking was daring and I noticed may stolen shots (this is about David Lynch, so I’ll use an example of the dissolve to the party being stolen for the jitterbug contest at the beginning of Mulholland Drive) not to mention the way New York City is shot becoming the only way to shoot it in the 70s and 80s.

The color scheme bears notice.  The Jets have goldenrod jackets and light blue ensembles, while the Sharks are purple and red (there is that one Orange girl that really pops) with a red background at the dance.  The jacket yellow and the red and white of Maria’s dress are the same as those of the high school in Twin Peaks.  Here, look:

Tony and Maria 

Tony and Maria 

But the real connection I want to make is the lead actors in WSS, both of whom were cast in Twin Peaks: Richard Beymer playing yearning Tony then scheming capitalist Ben Horne and Russ Tambyn playing gotta move Biff then try anything burnout, metoo bait Dr. Jacoby.  

The characters in Twin Peaks are embedded in a web of reflections and foils and, in many ways this diad is the center of that, even though they shared no scenes in the show (which is why the pic is a rarity).  But let’s look for a minute at these two actors and their lives.

Richard Beymer was a child actor that, other than WSS and Twin Peaks, is primarily known for journeyman TV work.  His WSS role was that of a guy who wants something specific and peruses it who has a job and generally follows the rules. The actor was, for most of his life, an example of someone in the glass closet, but he dated Sharon Tate before that choice.   He was more associated with the mod end of the 60s “split,” though he marched for civil rights. He settled into a typical TV guest starring career playing the straight-man career guy.  

Russ Tamblyn wanted to be a circus performer and, other than WSS and Twin Peaks, is primarily known for dance.  His WSS role was that of a guy who is all energy and just wants to engage and experience who has no job and generally flaunts the rules. The actor has been married and divorced many times, including to a Vegas showgirl.   He was more associated with the hippie end of the 60s “split,” and gave Charles Manson a ride in his VW bus once. His career is wild and diffuse, but he worked predominantly as a choreographer.  

There is much cultural myth acceptance of the Joan Didion narrative, that the problems with the 60s were there but the Manson Murders were when the idealism gave way and birthed the harsh 70s: the murders were the moment the 60s died. In a way, it is a story of the dirty hippie 60s leaking into the flashy Hollywood 60s.   But then, every male on both sides involved even peripherally with the event was guilty of rape and there was a way that all “sin” was normalized.  That’s the story, anyway, but we’re talking about stories.  Beymer was Tate adjacent, Tamblyn ran in Manson circles. Beymer and Tamblyn, from a purely superficial narrative lens, lived the two sides of the ideal 60s.   But after the 70s came the 80s.

In the 80s, the spirit of the 60s, such as it was, had given way to two archetypes that were fairly legible in entertainment at the time – the sellout and the burnout.  The businessman ruled by greed (Gordon Gekko was the apotheosis) and the hippie whose fading cognition struggled to remember the last 10-20 years had happened at all (think the image of Regan era Dennis Hopper, especially his Flashback character Huey Walker). It’s this that Twin Peaks was drawing on for the characters of Ben Horne and Jacoby.  

So the threads here are cute and obvious.  In casting Twin Peaks, they took WSS’s straight-laced icon of “you want it you take it you pay the price,” played by a lifelong career actor and Sharon Tate dater, and cast him as the rich businessman trope, and took WSS’s delinquent icon of “if it feels good, man,” played by a far out maximum experiencer and Manson valet, and cast him as the fried hippie trope.  Great, just regular casting, right?  But how does this build a network of associations?

The first most obvious reflections of the pair are Mike as Jacoby and Bob as Ben.  These are archetypal characters that represent the rapacious consumption (Bob) and the seeking/experiencing-tendency which has stepped out too far (Mike).  Mike also “splits” into the Mike the spirit and Philip Gerard which reflect a kind of addiction to experience that Philip eventually “kicks.” All this is centered around the idea of Garmonbozia, an ambivalent symbol of industrially ground down life essence produced by pain and suffering (sort of too much experience embodied but also a kind of jouissance the bad system depends on) which Bob and Mike sought but Phil has disavowed by cleaning up. This all relates to absent mother Judy but talk about her we won’t.

Ben is also reflected in Jerry, his brother, splitting the avarice of the Wolf of Wall Street type into the power hunger (Ben) and the hedonism (Jerry). He is further diffracted by the generational lens into Gen X Audrey and (in later S2) Bobby. Audrey is the youthful activism trying to reassert itself in the child, and Bobby turns into Alex P Keaton, the young stepper and protégée (that whole plot line reminds me of Family Ties for some reason).   The connections to other characters continue on their own wavelengths. Audrey mirrors Laura, who is mirrored by Donna and Maddie, many other businessmen reflect Ben, Bobby bounces off of James and Mike (no relation), Bob’s gender reflected mom Judy is Naido is Diane, etc.  There’s even an 11th hour play to connect Doc Hayward to Ben in a good dad/bad dad plot.

Mark Frost has always said that they were cast because they were the best actors for those roles, but Lynch’s casting by feel with no audition process is well known - he’s looking for people to “paint” with.  The history here brings up powerful associations that may have made him feel quite a lot.  I got through this entire post without using the word Boomer, not sure how, but Tamblyn and Beymer were both Silents who code as late and early Boomers respectively.