#don't get me wrong I love the angsty tropes between characters and their parents where one/both is estranged or dead
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She’s the sky that holds the clouds
She’s the lady of our house
We all need her
But no one more than me
[Image ID: A close up of Lief from the shoulders up. Sharn’s hand is cupped around his right cheek, a gold bracelet dangling from her wrist. Her hand is pale. Lief is looking in front of him in her direction, tears forming in his eyes. His teeth are bared. He has brown skin and hazel eyes, and dark brown curly hair falls just below his face. He is wearing his Toran cloak and a grey shirt underneath. Scars from the Masked Ones incident are still healing on his face. The background behind him is varying shades purple with lighter-colored cracks along the canvas. /End ID]
One of my favorite things about Deltora Quest is Lief’s relationship with Sharn. She has been constant through his life since the start of the story. When Endon died, she was there to help him. She’s like a mother to Jasmine, one of Doom’s closet friends. She is strong and undeterred. When the Grey Guards tried to get her to give up her son she fought back even in chains. She would die for him.
And just imagine the pain she went through when she had to send him away on this harrowing trip that he might not return from. Her son, and she sent him to all the dangerous places in the world without being able to give him any further information. And then seeing him have to step to the throne without his father’s guidance, to lead the people and fix the mistakes of his father and his ancestors. And then he had to leave again to an unknown world in the second series. All the while, he’s lying to the girl he loves and Sharn can do not very little to help him. He’s been trying to push everyone away to protect them. Sharn understands this, but others do not. Once again, she watched him go with little reassurance he would return.
Three times this happened. Each time, he did return, with a heavier burden. When he returns for the third time, she isn’t lucid enough to see him. When she finally does see him, he’s changed, like the other two times. This time, he bears horrible scars all across his face that will forever be there. Sharn might have not put those scars there, but there is nothing she can do to wipe them away. Not this time.
All throughout this, Lief has had to put on this front with most people. Sure, Jasmine and Barda are there with him through it all, but there are some things he simply cannot tell them. Like the fake belt, or the crystal. And there are things that he can tell them, but they might not fully understand. Sharn was once a Queen, and she is his mother. She survived where his father did not. And every time he returns from his journeys, she is there to greet him.
Except for the third time. She is sick and dying and he feels helpless to protect her. He saves her, realizes that he was wrong, and then is told that no, he was right to begin with. So she is alive and awake. A horrible threat is posed towards their people, but his mother is alive. And when he finally gets a moment alone with her, he suddenly realizes just how close he was to losing her, too.
#deltora quest#emily rodda#roddaverse#lief of del#sharn of tora#my art#don't get me wrong I love the angsty tropes between characters and their parents where one/both is estranged or dead#but sharn and lief hold a special place in my heart#she wakes up to find her son back home and alive but he has these scars all over his face#and he hates these scars not because they've married his face but because they're a symbol of what he almost let himself become#and apart from barda and jasmine who were there to witness it he can't tell anyone#but sharn would understand#she always understands him
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without fail tag
THE “WITHOUT FAIL” TAG — List five things that you, WITHOUT FAIL, weave into or explore in your stories, whether it be specific themes or tropes, character archetypes, allusions to other literary works, what have you! It really can be anything that you consistently include in your narratives for whatever reason. Then invite others to share theirs by tagging them!
I was tagged by @deadlymodern - thank you so much for tagging me, this tag is amazing and I loved reading your answers! I can tell you have a very thorough approach to your writing & themes, it’s so cool!
(tagging people at the bottom of the post if you want to skip)
1. flowers, skies & words
grouping them together since they're all related to a wider, general literary device: symbols and allegories in my stories. Without fail, I’ll always use flower symbolism to evoke certain themes, places, characters... withered petals for death, blossoms for youth, you name it, it’s probably been in one of my stories. just consider my main WIP’s title, The Grave of Roses (Le Tombeau des Roses). It’s a little basic, and has been used time and time before in literature, but I still love it.
Other elements that often make it into my stories as symbols are planes (because I love aviation obviously, but also as a symbol of breaking free, independence, of man’s domination on mortality, what with having tamed the skies, but also his frail condition and how everything hangs on a thread). Also, the sky is pretty.
And lastly, words, stories, novels always have their place in my stories, and more often than not one of my characters is a writer, or someone who uses words and stories as some kind of comfort, outlet, or a driving force.
At its [the tombstone] foot, below the name, red roses piled up, enough of them to cover ten graves. A single vermilion bud, a wind-swept poppy, clashed with the rest of the bouquet, and Samuel knew that it was William's children who had placed it there. Only they knew that he didn't even like roses anymore, and that he would come to lay poppies on his father's memorial every time he returned to London...
The tomb was both smaller and prettier than Samuel imagined, less opulent than England would have wanted to give its precious child. The morning sun, like a caress, illuminated the epitaph, a Latin verse that Samuel had known in the past. “Bury me southward,” he heard William say so clearly that he almost turned around, "so that I can look at England and France in the same breath." His name, however, was drenched in full light, facing east, and inexplicably this saddened Samuel.
“And there it is... it's pretty, don't you think? I don't know if he would have liked it... You probably know it better than I do...”
“And why do you care about that, huh? You don't even believe in God.” “He's a writer. He believes in symbols.” “He believes in vanity, alright.”
“I think he would have liked it anyway,” he nodded in agreement, his eyes glued to the lonely poppy. (Translation)
2. parental roughnesses
this was bound to come, because I feel like we were all pretty fucked up at some point in our lives from our upbringing. I didn’t go for straight up “parental issues” because I don’t deal with like, abusive or absent parents or anything, just complicated relationships between parents and their children, but who still love each other. Oftentimes it has to do with one of the children idealizing the heck out of their parent and slowly realizing that they make mistakes and are not a hero at all, and/or unmeetable expectations and parental pressure. but it’s not like I’m projecting or anything lol
“You never knew Father, William,” Grace stopped him immediately [...]. “Don't you dare pretend you know what it's like.”
“Growing up without a father is not necessarily better than losing him in childhood! Everyone here has suffered from his disappearance, Grace. You have no idea how much I miss him, despite never meeting him. But that's all in the past now. And there's no reason for there to be another war.”
“Of course there is!” she retorted ferociously, despite the tears spilling from her eyes. “Of course there is, and they're going to send you there like Father, and you'll want to play hero like Father, and then you'll get shot down like a dog! Where's it going to be this time, huh? Above Luxembourg, just like him, or maybe somewhere in your beloved France?” (Translation)
3. patriotism
One way or another, all my stories always deal with patriotism, nationalism, pride in one’s country and more broadly speaking one’s relationship to it. It questions what it means to belong to a country, to share one culture, one language; does it justify acting in the benefit of one’s country, and where do you draw the line before you intentionnally harm others’; what even is a country, a nationality, and it what sense do you belong to one, and what do you owe it, if you even owe it anything? Is it wrong or right to feel love and attachment to your place of origin? And what does it mean to fight for your country, for its values, for its people? & other things of the like. It probably stems from my own experience as a binational person; growing up, I was always asked stuff like “but who do you root for in a football game” “but are you like really French or not?” “if Spain and France got into a war what would you do?”, and this all lead me to question “am I more French or am I more Spanish - which one am I, and which one would others perceive me to be - do I need to pick a side? And how can I express my affection to these places that raised me both differently, without undermining the other - or others? can I still be proud of my heritage given the horrors my countries have committed in the past?”. I still haven’t found a definitive answer, so my writing is just me throwing trails out to the world and hoping I’ll figure it out someday. that’s why my stories often have a war setting; firstly I just love historical fiction, and secondly it’s the perfect backdrop for all these questions to unfold.
William laughed at the idea - he, a true Frenchman! It was a very silly thought. He may have loved what he had seen of Charlotte's country, but England was not to be ashamed of any other land, for it was the only one he would love until his last breath. (Translation.)
4. just a hint of supernatural
I love me a good ghost story, and I’m a fan of everything spooky, but what’s subtly spooky, and not the gory, in-your-face horror. This particular theme may have increased since I saw The Haunting of Hill House which completely OBLITERATED ME with how it uses the house and its ghosts to tell a story of family and trauma and memories... but I’ve loved ghost stories forever. Another piece that truly resonated with me was One Hundred Years of Solitude (Cien años de soledad) by Gabriel García Márquez. It was my first dive into the world of magical realism and I didn’t make it out of there the same person I was when I entered. This one is not necessarily included in every piece without fail, because some are just too anchored in reality, but if it’s not a straight-up spirit or an otherworldly creature, I’ll always find a way to include an aspect of superstition, a myth, a legend, a tale from faraway that is neither proved nor disproved throughout the story. It truly adds to the atmosphere of the world, even in a very realistic and gritty setting, I believe.
I hear murmurs of legends among the soldiers. [...] One of those stories caught my attention, I must admit... It is not very special, nothing more than a children's tale, but I thought it was beautiful enough to please your Romantic soul. Some pilots speak of a cemetery, somewhere in the countryside north of London, which has something mystical about it, lost in the flowers that sway as far as the eye can see, in the calm rhythm of the wind, wrapped in the heady scent of eternal spring, and where the bravest warriors would go to rest forever, tired of their exploits and the continual explosions. No one knows exactly where it is or what to do to be buried there, but this beautiful image simply floats like a dream in the minds of many and, I confess, in mine as well since I first heard about it.
It is said that there only flowers dare to disturb the heroes in their sleep... This fragment of silence is called the Grave of the Roses.
So if I were to leave you, if you were to hear that I am gone...
With a bit of luck, that is where you will find me.
5. love
this one is broader and less obvious than you might think. Of course, I’ll always, always implement an element of romance to my story (and more often than not it’s angsty with star-crossed lovers or insurmountable obstacles or forbidden romances and whatnot), but there’s more to it. I don’t think I have ever written a story that is entirely grim and bleak, simply because I do not believe the world is built like that. I’ve said time and time again that love is my favorite thing in the world, and I believe it is the force that drives us all forward and connects us all together; love is, to me, the truest power of humanity, and its inherent purpose. And love covers all subjects and all types of relationships, but my absolute favorite ways to explore and show love in my stories is through long-lasting, rock-solid friendships (because friendships are often overlooked both in fiction and real life), and just a grandiose love letter to humanity as a whole. I’m an optimist, and many people who have suffered more than I have would deem me naive for thinking this - and I cannot blame them -, but as Anne Frank put it more bravely than I ever could, “despite everything, I still think humans are good at heart”. My stories are always born out of love and made for love. For the love of humanity and kindness and literature and love of myself, too, because sometimes I just like rereading the words and thinking, “wow, I’ve made it this far. look at me go.” In a word, yes, I would say that is what it boils down to; my work, but also what I hope my entire life and being will be. An ode to love.
“He admired you and truly loved you, you know. You were a good leader, I'm sure, and a good friend, above all.”
He thought she was going to put her hand on his shoulder, and prepared to bend to avoid it, but instead she came to rest on the polished marble of the tomb, which was already beginning to erode at the corners. The soft light bathed her hand, and Samuel's on the other corner, still resting above William's surname, the only thing he had been proud of from beginning to end.
“And I loved him too. I loved them all. If you only knew...”
well, I got carried away, as I always do when talking about my writing, but it made me miss it so much. I haven’t worked on any of my projects since literally October and I’m feeling the void rn. anyway, thank you again for enabling me to ramble about what I love most, Thais! and I’m tagging @softeninglooks, @lxncelot, @myriadimagines, @swanimagines & @randomfandomimagine + plus any writer who wants to talk about their marvelous work <3
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