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argyrocratie · 2 years ago

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The Degenerate “Art” show — the work of the Third Reich’s Ministry of Public Enlightenment and Propaganda’s Chamber of Fine Arts — was one of the numerous efforts of the Nazi state to purify Germany of any remnants of modernist Weimar culture by mockingly displaying more than seven hundred modern paintings, prints, drawings, and sculpture as a freak show of dangerous ideas and images. The organizers designed the didactic exhibition to illustrate the pathological links between modernism, mental illness, and biological imperfection; sneering propagandistic wall texts and object labels festooned the halls and relentlessly accused the work of artists Ernst Ludwig Kirchner, Kurt Schwitters, Otto Dix, Lyonel Feininger, Max Ernst, Marc Chagall, Raoul Hausmann, Max Beckmann, and many others as crimes against culture, race, capitalism, sanity, and homeland security. In case anyone missed the point, docents well-versed in Nazi doctrine were on hand to police visitors’ opinions; professional actors who had been carefully rehearsed by the government went undercover among the crowds to play the role of ordinary citizens who would suddenly explode into furious indignation while looking at the works by these traitors to bourgeois German respectability and morality.

The German title of the exhibition (Entartete “Kunst”) warrants closer examination for the discussion that follows. Entartete was the term specifically used by the exhibition’s organizers in order to attach their cultural program to the Nazis’ obsession with racial hygiene, since the word is loaded with biomedical connotations commonly associated with organisms whose characteristics or structures have become so degraded or otherwise altered that the specimen has been pushed to the far margins of what defines its species. The Nazis’ use of scare quotes around kunst is meant to indicate that this is not art in any meaningful or accepted use of the term, but is instead a pathetic and shoddy effort to imitate the lofty category of high aesthetic expression. To underscore the message that the paintings, sculptures, and books created by these Expressionists, Cubists, and Dadaists were nothing more than sick scribbles and smears made by subhuman throwbacks (Jews, communists, perverts, and mental defectives), the Entartete “Kunst” show opened in Munich’s Institute of Archaeology, a venue where one usually found the crude works of the long-dead or stagnant societies of non-Aryan primitives.

Here, then, was an immediate and well-reported case of what Breton and Trotsky had identified in “For an Independent Revolutionary Art” as the “reactionary persecution” of free thought and expression. The Nazis had institutionalized their violence against the modernist imagination with the Degenerate “Art” exposition and linked it to their systematic assaults on beings that they considered to be substandard life-forms. Bureaucratically determined definitions of biological, political, and moral inferiority were used to measure the worth of ideas, images, and art, and this was precisely the sort of censorship and cultural conformity that the Breton-Trotsky statement had denounced. This is why the Egyptian “Long Live Degenerate Art!” pronouncement of December 1938 is a key precursor to the organized Art and Liberty activities formally launched by the Cairo surrealists a month later.

“In Vienna, which has now been abandoned to these barbarians, a painting by Renoir has been torn into pieces and books by Freud have been burnt in the public squares,” declares the statement. “Works by great German artists…have been confiscated and replaced by worthless National Socialist art,” while “in Rome, a committee recently has been formed ‘for the purification of literature.’ It has taken up its duties and has decided to withdraw everything that is anti-Italian, anti-racialist, immoral, and depressing.” The Egyptian manifesto goes on to assert that it is impossible for creativity to exist when it is forced to serve the coercive, politically-correct “artificial limitations” stipulated by party ideologues and other state watchdogs of moral decency. The proclamation concludes: “We must stand in solidarity in the ranks of Degenerate Art, for it is our only hope for the future. Let us work to support Degenerate Art so that it will prevail against those trying to resurrect a new Middle Ages within the heart of the West.” More than forty signatures closed out the statement, including those of surrealists (Henein, el-Telmissany, the Kamil brothers), future Art and Liberty partisans (Scalet, Kamil Walim, Marcelle Biagini, Albert Cossery, Aristomenis Angelopoulos, Angelo de Riz, Hassia, Laurent Marcel Salinas, Seif Wanly), journalists, and a number of lawyers from Cairo and Alexandria. In its original published format, the declaration was illustrated with a black-and-white reproduction of Pablo Picasso’s Guernica (1937), an astonishing painted account of a Nazi-engineered atrocity in the Spanish Civil War.

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#surrealism #degenerate art #Egypt #don lacoss

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rcsodak · 2 years ago

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Check out this listing I just added to my Poshmark closet: 1987 San Francisco GIANTS NL West Champs Auto printed Ball,Stadium Giveaway.

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spaceintruderdetector · 2 years ago

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https://archive.org/details/race_traitor_13-14

SPECIAL DOUBLE ISSUE: Surrealism in the USA: The Complete Contents of the Suppressed Surrealist Issue of "Socialist Review" - Guest Editor Ron Sakolsky. Editorial: A Note to the Readers of RACE TRAITOR; Ron Sakolsky: Return of the Suppressed, Introduction - Surrealist Subversion in Chicago; Franklin Rosemont: Surrealism, Poetry, & Politics; Danny Postel: An Interview With Penelope Rosemont; David Roediger: Radical HIstory Without Surrealism; Anne Olson: The marvelous Against the Sacred; Paul Garon: Houston Baker's Blues Position; Joseph Jablonski: Their Millenium and Ours; Mari Jo Marchnight: Surrealism and Women's Liberation; Penelope Rosemont: Ody Saban - Surrealist and Outsider; Don LaCoss: Conflicting Views of Surrealism - Vaneigem vs. Kelley; Robin D.G. Kelley: A New Look at the Communist Manifesto; FROM THE SIXTIES TO THE NEW MILLENIUM: Nancy Joyce Peters: Long Live the Living! Les Blank's Always for Pleasure; Paul Buhle: Herbert Marcuse, Surrealism, & Us; Herert Marcuse: Interview With the Surrealist Journal L'Archibras; Joseph jablonski: Surrealist Implications of Chance; Philip Lamantia & Nancy Joyce Peters: Surrealism Today & Tomorrow; Robert Green: Against the Art Racket; The Chicago Surrealist Group: Maxwell Street Forevr! The Surrealist MOvement in the United States: Who Needs the WTO? Franklin Rosemont: The Only Game in Town: Surrealism and Play; SURREALIST GAMES: If He/She Were a Flower; Latent News; The Exquisite Corpse; Time-Travelers' Potlatch; INQUIRY: SURREALIST SUBVERSION IN EVERYDAY LIFE: Franklin Rosemont & Paul Garon: The Role of Inquiriy in Surrealist Research;

#surrealism #surreal #society

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meatthawsmoth · 5 years ago

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Arguably, Charles Fourier was one of the most visionary of the first-generation anti-capitalists. An embittered traveling textile salesman, Fourier reacted angrily to ways in which robber barons and tyrants had hijacked the most revolutionary aspects of the Enlightenment into creating bigger cages and longer chains; the alienating tedium of work, the criminal waste of overproduction, and the ugly violence of destitution and class oppression multiplied rather than diminished under this new world order, and Fourier's constant criticism earned him the distinction of having been imprisoned by the Jacobins during the French Revolution as well as having been spied upon by the secret police of Napoleon and the Bourbon Restoration.

Don LaCoss, “Charles Fourier Prefigures Our Total Refusal”

#fourier

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t4t4t · 5 years ago

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In so many respects, the knotting together of God, capital, and weaponry calls to mind countless other examples in human history when, armed with missionaries and artillery cannons, European and US military-commercial expeditions “explored” and ruthlessly colonized other lands. Bush’s diktat for a US invasion and occupation of Mars is not some visionary notion or a freak aberration, but rather one more point on a continuum that began when Columbus and his crewmen pillaged, enslaved, Christianized, and infected the Tainos in 1492. Knowing what we know now, what would have green anarchists done when they learned the news of Francisco Pizarro’s military mission for gold, God and glory in the Andes? What would have been the anti-civilization anarcho-primitivist solution in 1805 to the problem of the Lewis and Clark expedition? How would have radical, deep enviromnentalists reacted to what was going on in the Wright brothers’ crude aviation workshop? These questions about the abominations of long-lost yesterdays may seem foolish to ponder in the midst of what we are all fighting against today, but we cannot lose sight of what our struggles might very well be tomorrow, regardless of whether or not such schemes seem feasible from a technological, scientific, or budgetary standpoint. Rather than shrugging off the Bush-Cheney regime’s audacious plots to militarize, annex, strip mine and contaminate the lunar and Martian wilderness, we should begin considering it to be a sick outrage no less loathsome as their wet dreams for a metropolis of police barracks, oil rigs, banks and churches built in the heart of the 19 million-acre Arctic National Wildlife Refuge.

Don Lacoss

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bdscuatui · 5 years ago

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brthrx · 6 years ago

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Anarcho-Surrealism in Chicago (2019)

via Ill-Will Editions

This zine explores anarcho-surrealist imagination in midcentury and current-day USA, with particular emphasis on the Chicagoland scene. If folks are nearby Chicago, there will be a reading group on this text on May 21 (details here).

Dreams of Arson & the Arson of Dreams: Surrealism in ‘68 (Don LaCoss)

The Psychopathology of Work (Penelope Rosemont)

Disobedience: The…

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goarticletec-blog · 6 years ago

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Von Miller chose to channel Bill Belichick

New Post has been published on https://www.articletec.com/von-miller-chose-to-channel-bill-belichick/

Von Miller chose to channel Bill Belichick

DENVER (AP) – Von Miller declared earlier this season that his job was to “sack quarterbacks and tell jokes.”

With a half-a-sack to show for chasing around Ben Roethlisberger all afternoon, Denver’s superstar chose not to talk about the Broncos grappling their way back to relevance but instead channeled Bill Belichick and his “We’re onto Cincinnati” credo following a stirring 27-17 win over the Steelers.

With the Bengals up next, Miller figured a stand-up routine was in order as he donned a hoodie and a poker face as he stepped up to the microphone, staring ahead, seemingly emotionless.

Miller could have used his postgame news conference to shower praise on a resilient team that has scratched and clawed its way back into the AFC playoff picture by beating the Chargers (8-3) and Steelers (7-3-1) in consecutive weeks.

Although he mentioned Shelby Harris and Will Parks had “incredible games,” every question generated short, clipped, monotone answers that ended with “We’re onto Cincinnati.”

While Belichick uttered the phrase over and over to show he wasn’t going to let his team harp on an embarrassing loss to the Chiefs in 2014, Miller either hoped to highlight the Broncos’ one-game-at-a-time approach or he wanted to be funny.

Seven times Miller answered, “We’re onto Cincinnati” – cutting off the last question mid-sentence to reiterate his point – before the Broncos’ public relations staff put a merciful end to it and Miller walked off the stage, sticking out his tongue in a mischievous manner as he left.

The Broncos’ captain missed a chance to heap praise on Parks for a never-say-die play in which the safety chased down a tight end about to score on a 24-yard catch-and-run and popped the ball loose an inch from the goal line and out of bounds by the pylon for a touchback.

He didn’t really highlight the game-sealing interception by Harris, the nose tackle who has found a home in Denver after getting cut seven times by the Raiders, Cowboys and Jets – and who coach Vance Joseph revealed Monday came within a week of getting waived by the Broncos in 2017, too.

Miller didn’t talk at all about the Broncos’ other star, cornerback Chris Harris Jr., who had one of Denver’s four takeaways and helped quiet Antonio Brown, who had piled up 189 yards and two touchdowns on Harris the last time the All-Pros squared off.

Miller didn’t laud cornerback Bradley Roby for bouncing back from surrendering a long touchdown pass to force a key fumble in the fourth quarter that ignited the Broncos’ comeback.

He didn’t say anything about Case Keenum’s third straight game without an interception, Emmanuel Sanders’ big day against his former team, tight end Matt LaCosse’s first career touchdown or Phillip Lindsay’s 110-yard rushing performance.

He didn’t mention safety Justin Simmons’ second blocked field goal of the season, something nobody thought would be possible anymore when the NFL tightened the rule book in the offseason, eliminating the running starts, which are something Simmons proved he doesn’t need in order to leap linemen.

And he didn’t really say anything about Joseph following the second-year coach’s signature win.

Miller often pulls stunts like tripping on the podium to lighten the mood at his mid-week news conferences but on Sunday night, he never broke character to laugh off his corny jokes or schtick to answer honest questions with honest answers like he normally does.

“It’s on to Cincinnati,” he said one last time to crickets before exiting, at which point he might as well have added, “Is this mic on?”

Week 12 was chock full of other curious, even costly, calls, including Melvin Gordon running a reverse with the Chargers comfortably ahead only to get leg-whipped and injured in the third quarter of a 45-10 win over Arizona, and Hue Jackson getting emotionally stiff-armed by Baker Mayfield when he went in for the hug with his old QB.

NO REVERSE REMORSE

Gordon will miss the Chargers’ game at Pittsburgh this weekend and maybe many more. But Chargers coach Anthony Lynn didn’t second-guess his call like so many fans are doing because he figured he had to stay aggressive even with a 28-10 lead.

Gordon rushed for 61 yards and two touchdowns before getting leg-whipped on the reverse.

“That’s a play we’ve had in for a long time, and we’ve been trying to get it called in a game,” Lynn said. “It’s a play that if we get around the perimeter, he would still be running. They made a heck of a play and hit us in the backfield.”

Gordon has already scored a career-high 13 times and is a major reason the Chargers are 8-3 for the first time since 2009.

HANDSHAKE BUT NO HUG

Mayfield and his former head coach didn’t hug it out but they did shake hands after the Browns quarterback led Cleveland to a 35-20 win over the Bengals, whom Jackson joined as a special defensive assistant following his firing by the Browns.

“I didn’t feel like talking,” Mayfield said, adding he was motivated by Jackson leaving for the Bengals. “Left Cleveland, goes down to Cincinnati, I don’t know. It’s just somebody that was in our locker room, asking for us to play for him, and then goes to a different team we play twice a year.”

Mayfield has nine touchdowns and one interception in the three games since Gregg Williams replaced Jackson, who started the season with Tyrod Taylor as his quarterback before an injury opened an opportunity for Mayfield, who had eight TDs and six interceptions before Williams took over.

“We have people that we believe in calling the plays now,” Mayfield said.

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Follow Arnie Melendrez Stapleton on Twitter: http://twitter.com/arniestapleton

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More AP NFL: https://apnews.com/NFL and https://twitter.com/AP_NFL

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