#do not perceive me for a while

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[buqbite]

Halo

[eightdoctor]

(revolution man; book 21)

vs

(city of the dead; book 49)

the doctor is literally a glue trap that fitz got stuck in. don't pull him out though because he likes it there

[luuxxart]

leaks from the anime post bnha 430……. #REAL #NOTFAKE

[sylusenthusiast]

/SURRENDER.

ෆ genre : one-shot with a dash of spiciness. ෆ pairing : sylus x you / sylus x reader

The stars outside Sylus's garage glitter like frozen diamonds, distant and unfeeling, much like the man standing across from you. The strange silence fills the room, as you take in the man in all leather as he leans up against his motorcycle. You had been exploring his expansive home and found your way here after avoiding Mephisto, Luke and Kieran despite having been here various times before.

Sylus liked to keep you close when he felt you were too close to danger. He knew you hated it, but he loved telling you what to do - especially when you listened.

"You enjoy control too much," you say, your voice low but challenging, stepping toward him from the shadows. The dim light hanging from above casts a faint blue glow over his face, accentuating the hard angles of his jaw, and the tension in his stance.

His gaze narrows, his lips curving into a smirk that never quite reaches his eyes. "Control keeps me alive. It's kept you alive too, in case you've forgotten, kitten."

You don't flinch at the nickname, standing your ground as the space between you crackles with tension. Sylus is always calculating, always one step ahead, never allowing anyone to see beyond his carefully crafted exterior. But tonight, something in him seems different. His eyes flicker with a darker intensity, a restrained hunger that he's trying to keep in check.

"Maybe you should try letting go," you suggest, your voice bold, though your heart races at the audacity of your words.

Sylus arches an eyebrow, amused but intrigued. His hand reaches out, and his fingertips brush against your arm, the touch feather-light but electrifying. "Letting go?" he repeats, his tone going lower and more dangerous. "You think you're up for that kind of challenge?"

Your breath hitches, and before you can respond, he pulls you toward him, standing between his long legs as he manspreads while on the bike. His lips hover near your ear, a raspy voice leaving them. "I control everything here - every system, every weapon, every outcome. What makes you think you can change that?"

You look up at him, your pulse quickening. "Because I see the way you look at me when you think I'm not watching. You're not as untouchable as you want everyone to believe."

For a moment, his mask slips. His expression darkens, and there's something raw, something vulnerable in his eyes that you've never seen before. Sylus's hand moves from your arm to your jaw, gripping it firmly but not harshly, forcing you to meet his gaze. "You're playing a dangerous game," he warns, though his tone wavers slightly. It's not just a threat - it's a confession.

"Then why don't we both take the risk?" you challenge, pushing back against the control he clings to so tightly.

The silence stretches between you, heavy with unspoken words. And then, as if something snaps, his lips crash against yours. It's not the careful, calculated Sylus you've come to know - it's raw, intense, filled with need. His kiss is possessive, yet there's a desperate edge to it as if he's been holding back for too long. His hands roam over your body, exploring, but still, there's a sense of restraint in him, a constant battle with himself.

You pull back just enough to catch your breath, letting out a shaky sigh. "For once, let go. Let me take control."

His eyes search yours, the flicker of uncertainty there again. Slowly, his hands relax their grip, and he leans in, his breath hot against your skin.

"Fine," he murmurs with a growl. "But only for tonight."

[lavenoon]

@naffeclipse the bounty hunter continues to not be free of me, same as I am not free of him

*self insert is not a girl (he/she)

og detective au by sunnys-aesthetic!

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[hplonesomeart]

I’m pitifully late to properly celebrating the spooky season, but hey at least I’ve got some cool fanart to show now lol

[ddarker-dreams]

jjk leaks have me adopting this stance

[nabaath-areng]

Ieeha: it is pointless to try and reconnect with my mother and brother. What they mourn is their daughter, not a grown man who is broken beyond repair pretending to be the child they lost. It is better if I stay away, lest they find their grief fueled further by what they will undoubtedly perceive as a stranger beyond their recognition.

Ieeha, then and now:

[uramitashi]

kind of a new personal quest i want to try for myself is to stop highlitghting/noticing another woman's beauty for the next week (and my own!)

so because i am very much against our actual conception of female beauty because of the tremendous focus we put on the least important part of a person (their body) i want to actively start training myself to stop caring. Like seeing a beautiful, stunning, aesthetically perfect woman and simply not focusing on her appearance, doesn't matter how hard.

Also stop noticing if a random girl has nice lips, or good hair, or a nice outfit, or if she's hot. If i find myself thinking about it, redirecting my thought on something else. Becoming totally neutral to a woman's outer appearance.

This is also valid for me: for a week i will start caring about my body only from a neutral kind of way (do not shave even if i feel pressured to, dont put makeup even if i fell pressures to, dont care about my body type, dont use any particular jewelry etc.; only care about physical self for hygienic and practical purposes). For a week, i want to try to become a person who doesn't care if "her skin is the softest" "her outfit is beautiful" and all that. I want to be neutral. I want to notice new things.

I do think that even beauty critical women still notice other women's beauty, and the fact they passively give importance to another woman' aesthetic conquest does influence their relationship with their own self. I'm one of those women. Therefore it is only right i shut up the aesthetic gaze inside of me

Will update from time to time!!

[codacheetah]

5 for the isat ask game!

5 - What's your favorite optional event?

VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.

Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.

So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.

Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.

I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes

Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek

[carnivalcarriondiscarded]

hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[0509-brainrot]

Look at them. Look at the