#do it right this time or something but no! that's not how that works! obviously!

[mrsshabana]

𝐆𝐢𝐯𝐢𝐧𝐠 𝐌𝐫. 𝐂𝐫𝐚𝐰𝐥𝐢𝐧𝐠 𝐚 𝐛𝐚𝐭𝐡 :･ﾟ✧

꒦꒷‧₊ Content Mr. Crawling x gender!neutral!reader, MDNI, nudity, fluff, suggestive but no smut ꒦꒷‧₊ Note 1.5k words. Mr. Crawling is so cute, I just had to write a fic where we take care of him. He deserves it (╥ ‸ ╥)

He followed you like a lost puppy.

The entity that clung to you like his life depended on it, refusing to return to the world in which he came from. His intentions aren't clear, but he isn't causing any harm so you had no issue with him sticking around.

Mr. Crawling was what you called him. He spoke a strange language you couldn't understand at first, but after spending so much time with him you picked it up after a while.

When you get home from work he's always so excited to see you, chirping excitedly and grinning widely at the sight of his favorite human.

As soon as you arrive he sticks to you like glue, watching you as you do mundane tasks or relax around the house.

Tonight you were making spaghetti, and Mr. Crawling seemed extra intrigued by you cooking the dish.

He peers up at the stovetop, watching as you heat up the tomato sauce. His curiosity gets the best of him as he tries to get a better view, he bumps into you. Causing the red sauce to topple over and spill all over him.

"Mr.Crawling!" you shout, "I'm so sorry!"

He just smiles and licks the sauce off of his face. Seemingly not affected by the hot temperature or the fact that it has splattered all over his clothes.

"You ok?" you ask in his language.

"Me surprise! Saturate clothes, hair, body!" he says between giggles.

You're glad he finds it funny and he's not upset. You don't know what you'd do if you ever saw Mr. Crawling cry.

But he's right, he's completely covered in sauce and his clothes will need to be washed right away.

You kneel down to his level and wipe away the excess sauce with a paper towel, "Me take care of you."

"Me grateful," he smiles wide, leaning into your touch as you clean him off.

You know this won't be enough though, he needs a bath. But you feel slightly awkward giving him one. Not that you mind caring for him, but as far as you know there isn't a word for bath or clean in his language so you don't know how to ask him if he's okay with it. And the thought of seeing Mr. Crawling naked... well you've never really considered it before. But thinking about it makes your cheeks redden and your body heat up.

First things first, after cleaning the chunks of tomato you take his hand and lead him into the bathroom before you try explaining to him.

"Um... Mr. Crawling," you mumble, "Me change you clothes. Water container. You give clothes?" You try to explain it to the best of your ability as you hold out your hand.

"Saturate clothes, water correct! Me give," he nods and takes off his clothes.

There's no embarrassment or shyness evident as he removes his clothes. Mr. Crawling is either just too innocent, or he's just so comfortable around you that he knows he has nothing to be shy or embarrassed about.

You try not to look at his body as you take his clothes. Hurried walking to the laundry room and shoving them into the machine at a rushed pace.

You know he's waiting patiently for you to return and give him his bath but you have to try to calm down first! Your creepy cute ghostly roommate is naked in your bathroom right now and you're freaking out!

Mr. Crawling may act like a pet, but this isn't like giving your dog a bath or something! Maybe it feels so strange because your relationship with Mr. Crawling isn't well-defined.

He's obviously obsessed with you and adores you in every way, but is it romantic? You aren't sure...

However, you do feel confident that Mr. Crawling wouldn't say no to being in a romantic relationship with you if you asked. Judging by how he constantly craves your affection, touch, and attention - he'd probably love it.

And you'd be lying to yourself if you ignored the feelings you had for him. Sure he's not human, but he's so sweet and genuinely cares about you.

Before you met him sometimes you felt like if you disappeared no one would care. You felt insignificant in the grand scheme of things. On lonely nights you'd question why you're even here at all. Is there even a point?

But Mr. Crawling changed all of that.

When you leave, you know Mr. Crawling is always waiting in front of the door for you to return. No matter how long it took, even if it was 100 years, he would still wait for you.

He makes you feel important for the first time in your life. Like if something happened to you he wouldn't rest until he was able to have you again - even if he spent eternity searching for you. He wouldn't stop looking for his favorite human. That's how much you mean to him.

And if that's not the definition of love then you don't know what is. Because it's obvious that Mr. Crawling loves you, and honestly you love him too.

"Mr. Crawling..." you whisper as you walk into the bathroom again.

He turns and makes that high-pitched sound he makes when he's happy.

"Water container, correct," you say, patting his head as you start the faucet.

"Me go into?" he tilts his head to the side, not sure what to do. The gesture is cute and makes you smile.

You nod, "You go into container."

Even though he's never had a bath before, he trusts you and gets into the tub. Watching in awe as his long hair floats to the surface, creating long black streaks within the water.

You can't help but blush as you look at his body. Never had you expected him to be so toned under his loose-fitting clothes. Especially his chest and arms. But it makes sense, he crawls around all day so his upper body strength has to be good, right?

Now that you're seeing him like this, you can't help but notice how long his legs are too. You've never actually seen him stand so it never occurred to you how tall he could be. Judging by how he fits into the tub, he must be taller than any person you've ever met before.

Imagine if he stood up like this...

Your thoughts drift and you get distracted, accidentally pouring loads of bubble bath into the tub instead of just a tad to keep him occupied.

"Fun! Fun!" He shouts excitedly as the tub fills with foaming bubbles, completely covering his body and overflowing from the tub.

"Shit!" you say under your breath, cursing yourself for letting those perverted thoughts sneak into your head. You can't stay mad though as you watch him giggle and play with the bubbles. Why does he have to be so freaking cute?

As he has the time of his life, you dig through the bubbles to clean him. Starting with his body and finishing with his hair. Taking over an hour to wash his hair alone.

As you clean his hair he experiments with these fluffy white things he's never seen before. Curiously eating them, sculpting them with his hands, and even putting them on you. He takes a clump of bubbles and forms them into cat ears on the top of your head.

"You cute!" he shouts excitedly.

You smile and do the same for him, "You cute!"

"We cute together!!" he smiles, having the funnest time with you.

Finally, once he's been all cleaned you help him dry off as he sits on your bathroom floor, watching curiously as the bubbles get sucked down the drain.

His clothes aren't quite done yet so in the meantime you let him wear an old pair of pajamas. They're pink Hello Kitty pajamas to be exact. Sure you had a plain black set that would do as well, but you just couldn't resist putting him in this. He looks so adorable as he crawls into the bed with you, laying on your lap as you brush his hair.

"Water container fun..." he mumbles on the edge of falling asleep, "Again again."

"Fun again," you smile, promising to give him another bath someday.

"Thank you," he nuzzles into you, "Me like you. Like you much..."

"Me like you much," you kiss the top of his head, "Me take care of you, you rest."

He doesn't want to sleep, he wants to stay up with you all night taking baths and playing with bubbles. But being in your embrace as you take care of him is just too much to resist. He hopes you'll do this again soon, or maybe you'll let him give you a bath and brush your hair next time.

He quickly drifts off to sleep, thinking about all of the fun things he wants to do with you. Meanwhile, you sit there and brush his long hair for another hour. Though you don't mind. Sitting here with him, brushing his hair as he sleeps on your lap, it doesn't get any better than this.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[cinnamorollcrybaby]

i loved the dom nanami headcanons, can you do one with shiu?🤍

The way Shiu obviously doms you

Tags: Shiu x fem!Reader, dom!Shiu, sub!Reader, dom/sub relationship, aspects of bdsm, daddy kink, NO age regression, nsfw, mdni

An: yeahhh nanami is very subtle, but shiu is quite obvious in his domming antics

• Shiu’s the type of man to cook for you nightly. He’ll employ your help with smaller tasks, but he’s the head chef in the kitchen: showing you how to do basic tasks.

• He’s the one in charge, but like…. is he? When you give him those puppy dog eyes, Shiu will bend over backwards to give you the world and more. He lives life by making sure you don’t get too big for your britches and by the saying, “happy wife; happy life.”

• He worships the ground you walk on. You’re his princess. Why wouldn’t he?

• If you’re shoes are untied, Shiu’s the type to put his cigarette in his mouth, get down on his knees, put your foot on one of his legs as he ties it back for you.

• Unlike Nanami, Shiu will tell you what you can and can’t wear. He’ll honestly pick out your clothes for you on most days, dressing you up like his little doll.

• Loves to bathe you along with simple tasks of taking care of you like brushing/styling your hair. Although, usually bath time turns into something more as you can’t handle when his hands are tenderly rubbing and massaging all over you.

• Shiu does not care where you two are. If you’re acting in a way that could potentially be troublesome, he’ll turn his attention to you and give you that stern but caring. “No.” or “You better start acting right.”

• A little bit condescending when he’s asserting his dominance over you. “Don’t you think daddy knows what’s best for you?”

• He’s the type to say, “Because daddy said so.” When you’re questioning why you can’t do something.

• Shiu’s favorite form of punishment for his sweet sub is spanking your bottom. When he catches you misbehaving or mouthing off, it only takes a few swats from his hand to make you act right.

• Don’t get him started on the rare times he has to bend you over his lap, pull your panties down, and leave handprints on your ass. You also better be counting and saying thank you after each one.

• HATES when you interact with Toji. He tries to keep you separated from his work, but you’ve met Toji on a couple occasions. Shiu gets extra handsy when Toji’s around, clearly staking his claim on you in any way he can. If he didn’t want Toji seeing how pretty you look when you come undone, he would’ve already finger fucked you in front of him.

• Shiu’s the king of mixing praise with degradation. “Yeaahh, you like when daddy treats you like a slut? Mmm, go on. Show daddy just how much you can take. Fuuuuck. Good girl.”

[sunnylucy31]

TheShatteredQueen posted in /r/AmITheAsshole:

AITA for doing whatever I can to save my people from genocide?

So obviously that title needs a bit of clarification. I (21f) am leader of a very small and tight knit minority group that's being persecuted by a very rich and very powerful man (3200m) and his family. For anonymity's sake we'll call him "Thunderbeard." He wants us all exterminated and our souls sent straight to eternal punishment, just because he has beef with our parents, my father (10000m) in particular. My father is also his father, but that doesn't really matter to him so we'll leave that aside.

We don't want anything to do with our parents; they made us solely to use as expendable soldiers, and we want more out of life. I literally diced one of them (7400m) and threw the pieces into super hell so we could avoid that. Unfortunately we only got a couple days of peace before Thunderbeard learned about us and had a bunch of his "employees" start hunting us. This was about five years ago.

I've lost good people. I can't imagine how they must be suffering right now, for no good reason. We'll all join them if we don't do something. I have a long term plan, but to enact it I need to buy us time.

Here's where things get complicated. Thunderbeard and his co-tyrants have kids similar to us, and a lot of them. Some are much younger than us, a few are much older, but they definitely outnumber us by a sizeable margin. Whenever Thunderbeard and Co need a job done, they typically send a few of the kids out to do it, more depending on how big the job is. The only reason they haven't been sent against us yet is because Thunderbeard thinks there's not enough of us to warrant it. My worry is that once he realizes he's wrong, he'll "rally the troops," as it were, and we'll be overwhelmed.

So I looked for ways to mitigate that, and happened on one that's a bit morally contentious. See, their kids are split into two groups (the criteria for which is a bit hard to follow and not really relevant atm) that have fought each other in the past. My thought was, if they fight again, maybe they'll weaken each other enough that we stand a chance against them. We've been laying the groundwork for that for a few years now, and earlier this week we kicked things firmly into motion. Barring any unforeseen mishaps, it could be the saving grace we've been praying for.

Now clearly that's not a good thing to do, I'm fully aware of that. It's already putting strain on my personal relationships. I just learned that I have a half-sister (19f) who I'd love to get to know, but she thinks I'm a "warmonger" and won't hear me out at all. It's all I can do some nights to fall asleep while the guilt eats away me.

But what else should we do? My people are counting on me to save them. We're damned even if we do nothing, so isn't the moral thing to fight however we can, even if it's sneaky and underhanded?

AITA?

StrengthAndEndurance: NTA. It's your job to think about what's best for the people under you, not anyone else. Keep your head high, don't let the guilt get to you.

FerrumMemoria: NTA. The oppressed have never gained anything by playing fair with their oppressors. In any liberation movement, bloodshed is inevitable. The ruler who does not recognize this is not fit to rule. Carry on as you have, and worry not about the judgement of history until you've survived to write it.

StargazerButch7: NTA. I understand feeling guilty, but there's no easy way out of this mess. We all appreciate the hard choices you have to make for our sakes. Keep the faith!

WaterloggedRedhead: NTA! Thunderbeard is the real asshole! Keep up the good work, we're all behind you!

Write an r/AmITheAsshole post told from your OC’s perspective. (Bonus: include replies from your other OCs.)

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[jo-harrington]

Blueberry Muffin (Eddie Munson x Reader)

Summary: Eddie notices you're good at sharing your food. A little too good.

Pairings/Relationships: Older!Eddie Munson/Reader

Warnings/Themes: Established relationship, Food/Eating, Angst, Hurt/Comfort, Fluff, Brief mention of financial concerns, Discussion of trauma from previous relationships

Note: This is something entirely personal to me, it was something my ex did one-upon-a-time ago. But, like with everything else, Eddie Munson is a powerful tool to help you get over some of your issues. This fic might not be the best, but it helped me work through some old issues. And I'm pretty proud of that.

Shoutout to @undead-supernova who inspired me to write this while we were chatting about her excellent fic We Are Going To Be Friends, and @dr-aculaaa who is one of my lifetime mutual trauma ride-or-dies and told me my ex was actually trash (and they were trash).

You can find my masterlist here.

Please do not interact if you are not 18+.

Enjoy!

---

If there was one thing that was the key to yours and Eddie's relationship, it was food.

Before there even had been a relationship, food had been one of the keystones of your friendship. You met at a friend's thanksgiving potluck, you always planned your outings around where you'd eat and the snacks you’d get, and during the group road trip up to Milwaukee for Mac and Cheese Fest, he'd finally gotten the courage to ask you out.

Food was life. You both agreed.

You were always good about sharing your food.

You, as in the two of you, sure. But specifically you.

It wasn't until the two of you were together and spent more time alone with each other that Eddie realized just how good you were at sharing.

Actually, good wasn't the right word.

Meticulous was more accurate.

If you took a bite of his burger when you went out for dinner, he had to have a bite of your pasta.

If you bought a pint of ice cream to share during movie night, you matched each bite spoon for spoon. However, if after a certain point of sharing he insisted that you could have the rest of the pint because it was your favorite flavor, the pint would inevitably make it back into the freezer without another spoonful taken.

On and on it went.

He tried to ignore it, but once he noticed it, it was hard not to.

At first, he thought that it was some relic of a less-than well-off childhood. Like Eddie, you'd grown up with a single parent and were occasionally foisted off on well-intentioned relatives to watch you while your mom worked. Thankfully, food was never scarce for either of you, but the fact that you'd been forced to grow up quicker than the others made you aware of generic-branded groceries and your mothers stretching their dollars and the pursing of lips when the bills came for special occasion meals out.

After a while, though, that reasoning disappeared. Yes, there were still habits that you formed from your mother's frugality but never to the point of anxiety.

This was something else.

And it all came to a head the day you brought home a bag of leftovers from work.

"Tom always orders too much when the execs visit the warehouse," you explained excitedly as you proudly showed off a plastic container of some gourmet salad and a few wax paper-wrapped sandwiches.

Then came the pastries.

A cherry danish you grabbed for Eddie specifically, and a pistachio-cream filled croissant that Eddie had heard you gush about a million times over. A few tiny cream puffs that both of you eagerly popped into your mouths.

And one blueberry muffin.

"Oh!" You faltered at the sight of it and then looked back into the obviously empty paper bag. "I thought there had been two."

"That's ok," Eddie shrugged. "We can just split it."

"No!" you snapped at him, your eyes wide. "You can have it."

"Sweetheart, I know you love muffins as much as I do," Eddie scoffed. "We'll just split it. No big deal. It's a pretty big muffin."

He watched as you worried at your lower lip for a long, drawn out moment before you nodded.

He kissed the side of your head and turned to grab plates and drinks. He carried as much as he could out to the living room so you could eat dinner in front of the TV. When he returned to your side to grab the food and start plating up your plunder, he stopped in his tracks at what he found.

Splitting a muffin was a no-brainer, typically. Or so Eddie thought. Just peel the paper lining and split that sucker in half. But there you stood, knife held in a shaky hand, shifting back and forth a few millimeters every so often, trying to find the exact equator of the confection before you so it could be cut in equal halves.

"What are you doing?" Eddie asked as gently as he could, but you still flinched, and when you looked up at him, your eyes looked glassy.

"Just cutting the muffin in half," you tried to laugh and play it off, but Eddie could see through the facade.

"It's just a muffin," he tried to offer, as though reminding you that it was, indeed, just a muffin would break you from this fit.

"It is," you looked down again, almost in shame. "Isn't it?"

He let you have a second, let you put the knife down and take a few deep breaths to calm yourself. When you nodded and held yourself a little more confidently, Eddie closed the distance and split the muffin in half by hand, right down the middle along the score line you had started.

And he pretended that he didn't notice the way you'd held your breath while he did it.

"Let's have dinner then," he suggested.

---

"You gonna tell me what all that was about?" Eddie asked once dinner was almost over, his mouth full of cherry danish, crumbs spewing from his lips as he spoke.

You ignored him for a second, picked at your own laminated pastry, until he continued.

"You know I always thought your mom really hammered the sharing is caring thing with you. But you went full King Solomon on that muffin and...I know that look in your eyes because I've seen it in the mirror a ton of times. That was fear. That was pain. So, are we gonna talk about it?"

You sighed and considered telling him no, you wouldn't be telling him jack shit, but...how many times had you pried into things that you really had no place asking about and he still told you anyway. That's how communication worked; that's how a relationship worked.

And that was how you got into this mess wasn't it?

"You remember my shitty ex?" you began tentatively, with a question.

"Shitty ex Number 1," Eddie scoffed. "Or shitty ex Number 2?"

"Number two."

"Should've known," he said under his breath but nodded for you to continue. "Alright, so what else did they do?"

Because the list had been...extensive already, you were loath to admit.

But you were with Eddie now, and things were infinitely better. You could work through these hurdles with him.

"It all started when we still worked at the mall together," you began. "Before we even started dating, actually. We'd meet on breaks and shoot the shit and one day, the little bakery only had one blueberry muffin."

You glared at the split muffin sitting on a plate on the coffee table, as though it was at fault, and not your ex.

"We decided to split it. Nothing wrong with that. We only had a fifteen, it was just a snack. But when they went to split the muffin...they took the muffin top, and left me with the stump."

"The...stump?" Eddie asked slowly, unable to comprehend.

"Yeah," you leaned forward and tapped on the base of the muffin that had previously been encased in paper. "The stump."

"That's...only assholes split a muffin that way." He paused and considered it. "But it's Shitty Ex Number Two. So I shouldn't expect anything less."

"I didn't think anything of it then," you continued. "Or the next hundred times we split a blueberry muffin on breaks, even when we started dating. They would always get the delicious, crispy, sugary muffin top, and I would always get the stump. Half-clinging to the wrapper, maybe a blueberry burned on the bottom. Never an equal half, always less-than!

"Until one day, there was this especially delicious looking muffin. It wasn't even at the mall, we were on a real date! At a real, nice bakery. With blueberry muffins, because that was our thing, and I made the mistake of asking if I could have the muffin top. Just once. And they looked at me like...like I just asked them to sacrifice their mother or something."

You felt your lip tremble, and the familiar sting of tears in your eyes.

That sense of loathing that you always felt when you thought of that moment, or really any time you got a blueberry muffin.

You took a breath and said, "they just told me that if I really loved them, I would let them have the damn muffin top. Because it was their favorite."

"That's bullshit!" Eddie got to his feet, arms thrown up in the air. "Sorry sweetheart, that's bullshit and, I'm sorry but, you deserved so much better. You deserve to have half a muffin. Half of the whole muffin, not just the stump. Fuck, you deserve the whole damn muffin yourself! It’s just a muffin!"

"I know!" You shouted back at him, causing him to stop his ranting and raving. "Don't you think I know that? It’s just a muffin and I shouldn’t have had to make myself accept less than what I deserved but it was the first in a long line of things where they made me feel like I wasn’t worth half. I wasn’t worth anything. And if I tried to prove that I was, to them and to myself, I would look crazy. Because it’s just a muffin.

“That's why I started...that's why I started taking what I deserved. I started taking half, instead of giving everything Eddie. If you get a bite, I get a bite. With everything. Because I deserve it!"

You thought of the way you had to meticulously tried to split the blueberry muffin earlier.

"Maybe...maybe I take it a little too far sometimes," you muttered, letting the tears finally fall. "Because I don't want to be selfish like they were, and take more from you than you deserve."

"Baby," Eddie dropped back onto the couch and corralled you into his embrace, pecking kisses to the side of your head. "Who fucking cares? Don't worry about me. Shit, I'll give you anything you want. I'll take anything you leave behind. I'll give you my whole cheeseburger at Benny's, if only you asked for it. And if you left me one singular pickle chip, I'd take it without complaint."

"I would never ask you," you laughed wetly.

“No, but you could ask, that’s the point. And I would give it to you.”

"I know I could. And I know you would...I just...I can't break myself from the habit. Not yet, at least."

"I get it," Eddie said into your hair as he continued dropping kisses. "The shitty exes leave their scars and you do your best to keep from opening the wounds up again. I get it."

You knew. You both had your fair share of scars.

---

It took a few minutes, as you basked in one another's comforting presence, before you inevitably shared the damn muffin you brought home. Eddie insisted on letting you take an extra bit off his muffin top, even when you rolled your eyes and told him to stop.

Neither of you brought it up again for a few days, but you both were a little more conscientious when you shared food.

You made nachos for his Friday night DnD session with the guys and he left you the core nacho that held everything together; it was extra gooey with cheese, and loaded with jalapeños. You made sure to take an extra big bite of his pint of rocky road when he offered, even if he didn't want a single bite of your rum raisin. And when it was his turn to take bites of your food, you didn't pay attention to how much or how little he took.

It still felt a little wrong, but it was insanely healing. You didn't need to worry about keeping things fair and equal with Eddie; your relationship was already fair and you were equals.

And of course, Eddie kept your revelation at the forefront of his mind to hold you accountable to your own bullshit. He noticed when you fell into old habits before you could and even came up with a form of punishment if you subconsciously made sure to take the same number of bites off a shared plate as he did:

He would give you a vegetable off his plate.

"I'm not a fan of broccoli anyway," he grinned cheekily, waving his fork with the aforementioned green in front of your face one night at dinner.

"You're an idiot," you shook your head, but took the bite regardless.

It was slow and steady, but you were getting over the hurdle together.

Then one day, the unexpected happened.

You were at work, doing your little mindless computer work as you did, when your coworker called your name from the front of the office.

"Is it your birthday or something?" Jill laughed as she hauled something through the sea of cubicles.

"No, did someone get me flowers or something?" you asked and stood from your desk to meet her halfway.

"You can't eat flowers," she said as she turned the corner, holding a massive basket.

Full of blueberry muffins.

You didn't need to read the card tied to the cellophane-wrapped basket full of baked goods to know who it was from, but you did anyway to satisfy your coworkers' curiosity.

And they didn't quite understand it, but it made your heart melt.

I didn't ask if they sold a basket of only the tops, because I didn't want them to think either of us were sociopaths. It’s just a blueberry muffin. But you're worth every muffin in this damn basket, sweetheart. Never forget that. Love, Eddie

[ireneaesthetic]

Pointing out little moments and details of the last yr scene.

wilmon endgame • episode 6

the camera work is so on point - it follows wille around moving frenetically, as to emphasize the hurry and the tension.

simon gets in panic mode for a sec. he was never over wilhelm but definitely thought their relationship was.

at first he looks ... scared - not of wille but of what he feels for him at this point. he's still in love but they got to the finish line, they broke up with no idea of when or if they will talk to each other again, there's no reason for wille to chase after him if not to change something.

it makes his thoughts spiral, but somewhere in his little heart he has a lot of hope too and that's why he steps out of the car to hear what he has to say.

these words really mean everything and i'm glad they're told directly to simon. it's such a sigh of relief for wilhelm to get this off his chest and mean it for real: he's doing something for his own sake finally - to be free, to be happy, to be in control of his own life for once.

he never got to choose anything - somebody else has always done it for him - but he no longer has to be afraid anymore.

simon is just as relieved and the proudest: he proved over and over again to care so deeply. to see wilhelm constantly hurting inevitably hurt him too.

he knew wille was brave - he actually told him once - and he was so right. it takes a lot of courage to do what wille just did.

shut up he's adorable :') playing with his fingers and trying not to break into a smile. he wants to look calm and collected but his heart is jumping out of happiness.

this comes after the are you sure you're over me? - breaking up was all it took for wille to think that simon must not love him anymore: to earn love and for everything to be perfect in order to deserve love is what his family and royal life always taught him - but simon's what the hell do you think? proves him so wrong.

the tears in his eyes i cannot - this is the face of a man who's bursting out of love, he adores simon this much.

they crush into the hug like they've been dying to do it. what a moment it must be for them to close the distance.

in this hug they find what they both were needing the most.

they hold on to each other. emotions are so overwhelming and it's written all over their faces - it feels too good to be real.

it's almost scary to let go now and i love how they tighten the hug at the same time, clinging to make it last longer.

and they're at the same height so simon has to be on his tippy toes ahsjkh.

oh the beauty in simon feeling every emotion to the fullest and letting them all out. he doesn't hold himself back and it is truly heartwarming to watch.

this hug is healing - he's giving joy to be back in wille's arms, proud of wille for putting himself first, relief because the fear of losing him was too much to handle.

the single tear drop and the pure disbelief in his expression. he caresses wille's cheek and keeps looking at him like he's the most precious thing.

doing the triangle method - again. old habits never die huh.

wille letting simon choose to whether kiss him or not.

it's our simon we're talking about, the one that risked it all and initiated their very first kiss bc he liked wille that much already, so could he possibly not do that now? he obviously does and can't help but smile into it.

they can't get enough of kissing and wandering hands. it's like their only way to make this become more and more real.

fair to say they're kinda obsessed with each other's hair!

love love looove the transition from them kissing in secret in the dark of the night to them kissing freely out in the open in the daylight - the most beautiful metaphor.

completely different plot points but the feelings involved are so familiar - reunion kisses are very much their brand: there's longing, passion, need to savor the moment to make it last.

and this time it can really last forever.

something super special about simon not replying with i love you too but sticking to i love you - it is not just reciprocal.

this shot haunts me. it's from the documentary and idk why it wasn't used in the final cut, i'll make space for it here anyway!

wille can't stop smiling and simon never takes his eyes off of him - he's emotionally overwhelmed by the way he bites his lip and his chin trembles. my heart.

no ray of sunshine between them could ever distract me from wilhelm diving into this kiss with his eyes open.

simon is definitely being pulled closer by the waist here and i take it very personally.

i was already full on sobbing when this part of the scene came up - sara and felice calling them out bc they are too caught up in their own bubble.

they still take one more moment to just look at each other so fondly tho and try to get a grip on what has just happened.

i get you wille! simon is the loml too.

this shot is sooo!!! hillerska in the rear view mirror as they drive away - time for the last bittersweet goodbye.

all of them are wearing white, they're driving off in a white car, most carefree than ever - sounds a lot like freedom and fresh start.

some things never change - they're the most comfortable and happy when they can be just them, just like this.

god knows where they're headed but it doesn't really matter as long as they're together.

wilmon endgame babyyyy.

they've been through so much but come so far eventually. it's the end of young royals but the beginning of a new chapter in wilmon story - the best one - and it's only theirs to write from now on.

it's still going to be tough, storms are still about to come their way and ruin plans, life is a mess but at least they have each other. they're holding hands in a we are in this together kind of promise and it's so reassuring to know.

it was a hell of a ride but love and hope wins - and there's truly no one who deserves it more than them.

time to appreciate the comparison between wille the perfect crown prince and messy hair with undone shirt wille!

he looks at the audience for the very last time with the most content smile and we can tell he really is - ready. to leave us behind, to face the future, to experience life in the way we've seen him fight for before.

wilmon breaking the fourth wall together at the end would've been insane, but it feels so right to focus on wille actually: it's always been just him, it all started with our eyes on him and his journey, the choice to abdicate is for his own sake and not for simon - he said it himself - so for him to be alone in the closing shot makes the most sense to me.

wilhelm finally getting his own little family of people who loves and values him, simon sharing life with the person who's made him feel seen and cared for - this is honestly the best finale we could’ve ever asked for.

[nottswitch]

Hey love, i was wondering if you could do 22 and 24 with sub Draco :) ? Absolutely loooveee ur work and I'm super curious to see what you come up with !!

hi babe, i’m so happy you like my work, and thanks for your request!! 💘 it’s my first time writing for draco, so i’m a bit nervous, but also excited. hope you enjoy :)

prompt list

22. "not here, please."

24. "it’s all over."

۶ৎ navigation ; masterlist ; draco m.list ; how to request

18+ smut

dinners at the malfoy manor had always been a fancy occasion, even with just draco’s friends – he was a bit of a show-off, or a lot, depending on his mood at the exact point in time. you were sitting next to him at the generously served table, sipping on the most expensive white wine one could find in the entirety of britain and listening to the guys discussing something quidditch-related.

his suit caught your eyes again, and you turned your head to have a better look – not that you hadn’t already seen it from all possible angles, but there was something about this particular piece that made you want to ruin the perfection that was the smoothness of the designer fabric. and you knew just the way to do it.

pretending to listen to mattheo’s endless rambling about the latest falmouth falcons win against appleby arrows, you casually slipped your hand under the table. it found draco’s thigh with practiced ease, softly caressing the silky-smooth leg of his trousers. immediately, you felt his muscles tense under your touch, which made your lips tug in a smirk around the rim of your wine glass.

"not here, please," draco whispered in a strained voice, trying his best not to look as your hand started traveling up, up, up, your fingers skimming and kneading his inner thigh. you raised an eyebrow, the gesture subtle, but obviously catching his attention even from the corner of his eye. draco swallowed, obediently spreading his legs a bit further apart to grant you access – the look in your eyes told him everything he had to know, and his cock, already half-hard, twitched at the realization of what was about to happen.

you watched the situation sinking in for him, and without further ado, placed your hand right on the tent in the black, silken fabric of his pants. draco’s fingers tightened around his own glass, as tight as his teeth were clenched – he prayed to everything that was holy that none of the guys would have an idea to ask him a question right now.

you slowly palmed him through his trousers, the time spent to get him fully hard being comically short. you felt the flutter of his pulse nearly beating out of his cock under your hand, making you feel even more powerful than you already were. draco’s thighs tensed at each movement, and you could hear his breathing getting more shallow – a sign that no one but you could understand.

a few torturous moments later, his trousers were unbuttoned, the bulge in his briefs now bared to the chilly air inside the dining room. a shiver ran up draco’s spine at the sensation, and he took another sip of wine to at least appear somewhat nonchalant. his gaze was fixed intently on mattheo, who was in the process of demonstrating a particularly impressive movement of his favourite beater during the game. under the table, hidden by the cloth, your index finger was circling the tip of his cock through the briefs, feeling the spot rapidly dampen with precum.

"f-fuck," draco quietly stuttered out, immediately washing the word down with a sip of wine. your eyebrow quirked up, and the next second, your palm landed silently but firmly on his thigh, giving it a punishing slap. draco closed his eyes, his hand almost squashing the glass, to stop himself from flinching. his cock didn’t listen, though, twitching eagerly at every single brush of your hand, be it a gentle caress or a smack.

"quiet,” you whispered, your eyes not leaving the chatting guys across the table, blissfully unaware of what their friend was going through. draco swallowed and nodded, leaning back against the leather of the chair and pretending to keep up appearances.

your hand went back between his legs, continuing the up-and-down movements over his warm length. you knew it wouldn’t take long for him to cum, not when he was in public like that, so to say. he kept still, but you could see tears starting to well up in his eyes from how painfully aroused he was and how much he was already aching to come undone.

a squeeze, and there it was. you could see draco’s legs shake under the table as his cock was nearly bursting out of his briefs, string after string of white seeping through the thin fabric and staining his pants. your hand was safely out of reach, so you didn’t even have to wipe it, just pull it up and rest it on the table. draco didn’t have such a privilege, discreetly glancing down and realizing he would have to either clean all of this up somehow or stand up with obvious white stains on his crotch. he glanced at you, his eyes pleading for you to do something, but the only thing you gave him was a small shrug. however, the sight of his glassy eyes made your expression soften just a bit.

"it’s all over," you murmured quietly, so that others wouldn’t hear. you leaned in, your lips brushing against draco’s ear and making the tiny platinum hairs on the back of his neck stand up. "if you clean yourself up nicely, i’ll give you a reward once everyone leaves."

it took everything for draco not to whimper at your sultry words. he knew exactly what you meant – the night was going to be a long one.

[whaleofatjme1920]

Creepypasta/Marble Hornets X Reader with A Small/Flat Chested F!Reader

[Warnings: NSFT/smut, size kink mention, praise, body worship, breeding kink, MINORS DNI]

[AN: sometimes I find you guys out in the wild (and what’s crazier is I get recognized sometimes??) and I go :0 in a good way!! Anyways here’s this lol. Made it while drinking canned bubble tea. Enjoy, for all my small titty goddesses]

Reblogs are appreciated!!

Jeff the Killer

Gods he’s so feral about small tits. And I mean FERAL. He has no eyelids so of course he’s going to stare. Loves seeing your nipples, clothed or not. Prefers when you don’t wear a bra in colder weather just so he can gawk at you and how they perk up.

He’s always cupping and rubbing them. When he’s able, he’s sucking on them. The way he loved your tits is raunchy and wild. Always making lewd comments about how hot you are how he loves how well you fit in his hands, how your skin is so soft and you squish just right for him.

Jeff obviously loves all parts of you, but whenever he sees you wearing a top that’s a little too thin and a little too tight and he can see the outline of your breasts, he finds himself drooling. He can TRY to be professional but good luck, his gaze always gives it away.

His kind of love for you is aggressive and possessive. If you EVER show any doubts, he’ll take offense. “Who the fuck are you to question my good fucking taste?” He doesn’t like you doubting him because how dare you? He sees your beauty, both inside and out, so why can’t you?

He’s going to show you off every chance he gets. Comes with the territory of dating him lol. He loves when people look at you but can’t touch, because you belong to him and him alone. No one else, just his. He doesn’t want to treat you like an object! You aren’t, but gods you have a gifts in your life and one is your body, don’t be shy. All that said, he loves you, truly and genuinely. Don’t look a gift horse in the mouth.

Eyeless Jack

Size kink. Huge. Huge size kink. He loves that he’s so much bigger than you in every way possible, and something about your tits fitting into his large hands, engulfed by his clawed palm make him melt. He purrs whenever he sees you changing and you let him lovingly gaze upon your body.

I’ve always felt Jack is into art, and sketches a lot in his free time. His art is mostly based on his medical knowledge, studying anatomy and whatnot, but he draws your breasts any chance he can get. And it’s not always in a sexualized way, but a very artistic focus. You, slowly waking up and gazing out the window, a warm drink in your hands as the sheets cascade over your body… and you’re nude.

He loves you without clothes on. With clothes on, however? If you wear any necklaces or whatnot, he melts because he thinks they fall between your breasts so elegantly. Everything about you is perfect to him.

Jack goes through heats, of course, and when he goes through them, he spends special attention on your tits. Lots of bite marks, especially when he’s sucking on your perfect nipples.

He’s got a habit of sitting you down on his lap while he’s doing work and playing with your breasts like a stress toy. Or just,,, playing with them because he can. Your body is his and his alone. He says you’re perfect to him, so you better believe it. If not, don’t worry, Jack is surprisingly good at talking through more sensitive topics without overriding your feelings. He’ll always take care of you.

Tobias Rogers

He’s just like Jeff in terms of being raunchy. He prefers you to wear skimpier, form fitting clothes just to show your body off to the world. When he’s out in public with you, he likes you to be the candy on his arm. Thinks you’re drop dead gorgeous, and the way your tits sit on your chest contribute a great deal to that.

If you have nipple piercings? Lord help you, Toby can’t keep himself off of you. Not even when he tries, he’s just so into you. The moment you take your shirt off and show them to him, he’s drooling and fucking you into the floor, folding you like a lawn chair so he can watch your breasts bounce a bit as he drives you into the floor.

Toby doesn’t actually like the necklaces too much. Not the long ones. Not only do they get in the way of sex, but he likes chokers and shorter chains better. He’s kinda particular like that. Sometimes, he’ll playfully complain whenever you wear baggier clothes and hoodies (he never means it, he wants you to be comfortable).

Toby is also a huge fan of you not wearing a bra so he can gawk at you. But!! If you do fancy wearing bras, he’s especially into the cute ones that are clearly meant for adult activity. Seeing you in lingerie makes his caveman brain warp into hyperdrive.

He does understand the shadowy sides of you though. He’s dealt with body image issues himself, specifically his face. But, he’s grown confident in who he is. He won’t ever push toxic positivity on you, but he won’t let you say awful things about yourself. He says it hurts his feelings, because how could you talk so poorly about yourself when he loves you so deeply? It actually messes him up.

Masky/Tim Wright

Masky loves you so boldly. Your body really sparks some protective nature or something in his head. When he first saw your breasts once your clothes came off, all he could think about was how sweet you must taste and how soft you must be to squeeze. He wants you all to himself, your body is his to enjoy as much as he is yours to enjoy. It’s usually him somehow giving pep talks, but he’s an aggressive supporter. Loves you, refuses to let you speak like that about yourself.

Tim however, Tim is a little cuter about it. Make no mistake, he’s still a pervert but it’s sweeter, somehow. Tim loves to worship every bit of you, showing attention to your breasts because they’re his favorite part of you. He finds himself staring, blushes and tries to shake himself back into focus but can’t. Really, he can be such a nerd at times. Doesn’t mean to, but look at him. Look at him and tell me he isn’t.

There’s hickies all over your body when he’s done with you. Hickies all over your breasts and sometimes, he’ll form them in a heart because that’s cute. His large, calloused hands love how soft and small you are as he squeezes and cups. LOVES to fuck in positions that let him see your breasts, as that’s what he’s focused on outside of the way your eyes roll upwards when he pushes in extra deep.

He LOVES seeing you all dressed up but also really loves whenever you’re all comfortable. Either way, he’ll make cheesy jokes like “your clothes look better in my floor ;)” so be prepared for a lot of cheesy, horny jokes. Or if you say “my eyes are up here??” He’ll keep honing in on your tits. That’s just the kind of man he is.

Some of his favorite moments with you are the kinds where you’re all curled up in bed together, spooning and his hands are able to roam your body. He often falls asleep holding your breasts, hand spread out over them and squeezing you to his chest like you’re his squishy toy. He often falls asleep better this way! If you’re not in the mood to be bear hugged to sleep, he’ll still keep a hand resting on your chest or hips somehow.

Hoodie/Brian Thomas

Hoodie is a very silent, down to business kind of proxy. Deeply cocky and self assured, maybe a bit too hot headed. When it comes to you, he knows his taste and what he’d choose and he chose well. Whenever he sees you all dolled up, he’ll bend you over just to have his way with you before you have to go. Hoodie’s gloved hand squeeze at your tits every chance he gets before he pulls them off so his fingers can play with your nipples with no barrier in between.

Brian’s a southern gentleman. This does not apply to how he worships your body. He’s FERAL for your body and will try to get you pregnant any chance he can. There’s times you’ll come out of the shower and drop the towel, he sees your nipples, the curve of your breasts, and he’s on you, mating press, trying to get you pregnant. He can’t help himself when you look that sexy.

He’s also really fond of holding your breasts in any way he can. Makes him happy just to touch you. Cuddle? Grab titty. Doing anything on the computer? Grab titty. Has no restraint, and in the safety of your home? He doesn’t care (unless you’re overstimulated or don’t want to, of course). He’s HUGE on physical touch. Everything from your ass, your thighs, your arms, titties, everything.

Also really weak for lingerie. Wearing something sexy and lacy, maybe has his name on the waist band and he’ll fold for you. He’s really, really fond of the bras that let him have access to your nipples. He’ll squeeze your breasts as he bends your legs upwards, then press chest to chest with you to feel your heartbeat as your soft breasts bounce against him. He’s weak.

Maybe it’s just the vibe I get, but he somehow manages to make you feel really at peace with yourself, and if you aren’t, then he’s always there to let you vent and reassure you that he loves you and PREFERS YOU the way you are! Nothing about you needs to change or be bigger. He prefers your body the way you are now, and by the way he’s always staring? You’ve never a reason to doubt him.

Bonus Kate the Chaser!

She’s no better than a man with the way she stares at your tits. She’s pretty muscular and I write her as really tall now, so she LOVES how your titties fit in her hands. There are moments she will squeeze with her hands and then press her face into them, not caring if she suffocates. Kate stares so boldly. And then when she’s eating you out, her tongue buried deep in your pussy, all she can focus on is how beautiful you look. Your chest is rising and falling and your nipples are hard, and when you’re on your back she can see the little shivers. If you’re riding her face, she’s melting at the curve of your breasts, the gentle slopes that make them, and making little grabby hands to reach and play with them. When is she not playing with your breasts? Kate sometimes wears lipstick (a rarity) and covers your breasts in her kisses just to reaffirm to you how beautiful you are and how much she loves this part of your body. Make no mistake, she’s still lining your body with hickies and bite marks, but your neck, collar and titties especially. She can probably cum from just seeing you.

[bloggerspam]

Steph's new year resolution is to spend actual time with Val.

First step: Val's phone number.

Asking Jason will be a bust. He's Val's boss, a good one, so Steph won't even bother asking when she knows he won't divulge employee information like that.

That leaves asking Val herself, or passing a note along with Jason.

She trusts Jason, she does. He's leagues better than if Steph were to ask Dick, or even Tim.

She'd rather get made fun of, in that loving way Jason does, than be smothered and inundated with questions and screams the way Dick and Tim do.

But Jason is a good boss, and Steph's grown up with too many Bats to know what the normal boundary is between employee and employer.

So, obviously, she stalks Jason at work in her free time to see if Val works any of those shifts to ask her herself.

She hits money on the third day.

"Val!" Steph saunters over with a wide smile. "I haven't seen you since Riddler took you away."

"Hey, Steph." Val looks so cute when she's flustered, "Yeah, sorry about that."

Val's working on a car, in that delicious coverall grease monkey look, doing a simple oil change. Steph perches herself delicately on the side, so as to not be in the way.

"I'm just glad you're okay," Steph pouts, "It's dangerous to go towards the Rogues, you know."

"Oh, well…" Val laughs nervously, smudging more grease when she rubs at the back of her neck "Y'know, Amity Parkers are just built different I guess."

"I have no doubt that you…handled yourself just fine," Steph placates, leaning forward a bit to run a finger down Val's well muscled biceps, "but I would feel so much better if you played by Gotham rules…"

Val does that nervous little laugh again, breathy, and gods does Steph want to ruin her.

"I can try," Val bites her lip, "But with friends like Danny…"

Steph giggles. "He's a trouble magnet huh?"

"You have no idea." Val smiles helplessly, and they get caught like that for a long moment.

Val's eyes skip back and forth between hers, even flicking to Steph's lips for a scant second, making Steph's heart skip a million beats.

But then Val coughs, breaking eye contact to reach under the hood to do…something. Steph's too busy mourning the death of a moment to really figure it out.

But Steph is nothing if not persistent.

"So, hey, speaking of friends…" Steph clears her throat, "You go to Gotham U, right?"

"Yeah," Val confirms, flicking a glance over at her as she shuts the car hood, "Early education major."

Steph pauses. Because what are the chances? "No way."

Val hunches her shoulders up, "I know, doesn't really suit me but—"

"No!" Steph frantically interrupts, "That's not what I meant, it's just, I'm a human development major!"

Val stares at her, uncomprehending, which is fair. Steph smiles helplessly as she explains, "I want to be an special education teacher, for teens with learning disabilities."

Val blinks. "…How have we not seen each other on campus?"

"I have a night job, so I take a lot of my classes online." Steph explains, "The ones I do have to go in person for are late afternoon classes, usually Wednesdays."

"Ah." Val nods in understanding, "I take mostly morning classes, and afternoon shifts here at the shop."

"Like ships in the night," Steph smiles ruefully, "Or bikes in the afternoon, I guess."

Val laughs, voice a yummy timbre that brings a little shiver down her spine. There's a rasp to her, and her accent makes everything sound so much nicer.

"That means this will work out." Steph gets them back on track, feeling all sorts of nervous.

"What will?" Val wipes her hands on a rag, tossing it over her shoulder as she leans on the car next to her.

"I wanted to see if you wanted to study together some time," Steph bats her eyelashes, "With my schedule being the way it is, it's kind of hard for me to make friends…"

"S-sure, yeah, sounds great." Val stutters, patting her pockets for her phone, only to realize she's in her coveralls. "Ah…"

"Just dictate it to me, and I'll text you so you'll have mine." Steph giggles, pulling out her phone and creating the new contact as Val gives her the info.

"And hey, maybe we could spar some too," Steph eyes Val's biceps, remembering the little brawl she and Danny had and licking her lips, "It's one of my new years resolutions to keep fit."

"I'm not an easy opponent y'know." Val smirks, looking Steph up and down and sparking shivers with her gaze.

"Trust me," Steph mutters as she sends of a winky face text, "I know."

(Val, without Steph's knowledge, doesn't realize it's flirting flirting.

She just thinks it's Steph's personality, being flirty with the winky face.

Sam bangs her head on her desk when Val texts her so.)

===

Danny is visiting on Valentines Day, in protest to the holiday itself.

Danny's always kind of hated holidays in general, now that Val thinks about it.

Tucker says it's leftover trauma from the school bullying, Sam says it's because his parents are assholes about them. Val just thinks Danny hates capitalism.

It could be all of the above, honestly.

The point is, it's Valentine's Day and Danny has just texted her that he's on his way to Gotham to hang out with her, and Val's not sure if this means Jay's done something wrong or not.

Val has been talking to her friends on almost a daily basis, but Danny's been tight-lipped about his friendship with Jay.

After Christmas Break, after the phone number exchange, Team "Get that D in Danny" thought it was a done deal.

Jay was a straight forward kind of guy, and Danny's never been shy about flirting.

Surely, something should have happened, right?

But Val wasn't really present when Danny and Sam were sort of dating, and Val was in the relationship with Danny, so she doesn't actually know how Danny is when he's dating someone.

She's been taking her cues from Tucker, who says that Danny isn't really the "my girlfriend/boyfriend" type. Danny's always referred to Sam and Val, in their respective relationships, by their names.

But then again, everyone in Amity Park knew each other, and ghosts hardly ever care about such mortal statuses. (Ignoring Johnny and Kitty, whose whole shtick is their relationship. That's a whole different can of worms.)

The point is, Val is suffering. Team "Get that D in Danny" is suffering.

And she needs to know if she has to beat up her boss for Danny or not.

Jay's been Fort Knox about the whole thing too, and it's getting irritating.

"Danny's coming to pick me up." Val finally says at the end of her shift, glaring up at her boss. "What did you do?"

Jay, wide eyed and covered in grease, drops the washer fluid in his hands on his (thankfully) steel-toed boot.

"Danny's what—" Jay lunges for his jacket, draped over his workstation, frantically pulling up his phone and— "I gotta go."

She then watches her boss, resident Crime Lord, Billionaire baby Jason Peters Todd-Wayne, book it to the back rooms.

What the fuck?

Ten minutes later, Jay comes back out, freshly showered and in clean, fitted clothes. He's even got a red rose from…somewhere.

Val reiterates: What the fuck?

"Danny hates red roses." Val says, confusion laced through her entire fucking being. They look too much like blood blossoms for any of the Amity Parkers to have any sort of affection for the flower. "He doesn't like red flowers in general."

Jay immediately tosses it into a nearby oil catch tray, looking like he might even set it on fire, if he could just find a match…

"Okay, seriously," Val puts her hands on her hips, "What the fuck is going on? Was that an apology rose?"

"What?" Jay whips his head towards her, "No!"

"Gods," Val throws her hands up in exasperation, "Are y'all dating or what? Danny's been weirdly adamant y'all are just hangin' out but I see you in here, moonin' and what not."

Her accent is getting worse in her agitation and she really hates it, which turns into a vicious cycle.

"We're not dating." Jay finally admits, sitting heavily down on one of the stools by his workstation. "But I am wooing him."

There's a long beat of silence.

"Pardon?" Val's voice is flat, disbelieving. "You're what?"

"Wooing." Jason juts his chin out, "We've done a couple of face time hang outs, streamed movies together and stuff. But it just never seemed the right time to ask him for a visit, or for me to go visit him."

"What's that got to do with anything?" Val tries to soften her voice. Red Hood, resident crime lord and bad ass, is a romantic. Huh.

"I wanted to ask him in person." Jay mumbles, "Important stuff's for in person conversations."

"In this day and age?" Val asks unthinkingly. "I doubt Danny would care."

They both know he'd probably say yes.

"Yeah, but Danny's been…he's been looking into schools to transfer to," Jay looks down at his hands, "Didn't want to influence the choices."

Danny had come out to this parents about Phantom just last month. It was a development everyone was not only extremely thankful for, but still getting used to.

The Fentons, as expected, were fully supportive. They turned a dime, burned their research metaphorically and literally to 'start over from an unbigoted perspective.'

Jazz has been thoroughly enjoying the family therapy sessions.

Schedules were created, to lessen Danny's load, and better safety locks were made to mitigate the necessity of those patrols in the first place.

Overall, Danny's been sleeping more, less stressed, and happy as a clam, if a little embarrassed by his parent's smothering love and support.

Val had thought that maybe Jay was a big part of that too, romantically speaking. Clearly, she was only half right.

"Danny loves Gotham." Val starts, carefully picking her words. Because it's true, he loves it more than she does. "He likes how weird and crazy it is, and Gotham U's engineering program is one of the best in the nation."

It would have to be, with how often things need to be reconstructed around here.

"The pizza's great too," Danny's voice suddenly cuts in from behind her, "Not to mention the company."

Val twirls around, hearing the clatter of Jay jumping up suddenly and banging his hip on his worktable with a pained hiss.

"How long have you be standing there?" Jay squeaks as he rubs his hip, face burning.

"Not long, since Val said I love Gotham. Which I do." Danny tilts his head with a confused smile. "Why? Gossiping about me?"

"We were talking about your choices in transfer." Val quickly covers, as much fun as it would be to just call both of them out, Val's not that mean. "Didn't want to accidentally influence the choice or anythin', y'know."

"Last time I checked you were looking into Star City, right?" Jay quickly adds, shooting Val a grateful look.

"Yep." Danny grins, popping the 'p' obnoxiously, "They've got a pretty comprehensive scholarship, but it's about the same as Gotham's, and honestly, Gotham's in my top two choices—"

"Gotham's a top choice?" Jay cuts in, confused but sounding a little…hopeful, "Nobody ever…I mean, even I know Gotham's crazy…"

"Gotham's a lot like Amity Park," Danny shrugs, before looking away with alarmingly red ears, "Just bigger, more goth. Plus, y'know, you and Val are here…not to mention the rogues here are way more fun than Amity's ghostly menagerie…"

"Are you sure you don't mean the vigilantes?" Val smirks, sensing an opportunity. "Or maybe a certain vigilante?"

"Mmm…nope." Danny feigns thinking hard about it. "I definitely meant the rogues."

"Uh huh…" Val drags out, "Nothing at all to do with your third place hall pass pick."

"Hall pass pick?" Hook, line, and sinker. Jay tilts his head. "What's that?"

"It's a list of celebrities monogamous couples will allow their significant other to sleep with and not count as cheating." Val innocently explains, gleefully watching Danny squirm. "It was mostly a joke, but me and Danny had one when we were dating."

"And heroes and vigilantes are basically celebrities," Jay follows the line of thought, before his eyes get a little gleam to them, "Which Bat does Danny have a celeb crush on?"

"No-one!" Danny hastily answers. Val wonders what Jay would do to his siblings if Danny did have a celeb crush on them.

"Red Hood." Val smiles with all her fucking pearly whites. "Danny likes bad boys."

Danny makes a noise like a tea kettle. "Don't judge me!!!"

To Val, Jay looks like he doesn't know whether to be flattered, or concerned.

To Danny, he must look thoroughly confused.

"Listen," Danny tries to explain himself, "Have you seen those thigh holsters???"

Jay chokes. Val laughs her fucking ass off.

(The three of them get pizza afterward.

Val missed her opportunity to leave them to it, and has to sit there and watch Jason stare at Danny making porno noises at how good the pizza is.

She texts Steph about how much she hates Valentine's Day because of it.

Until, of course, Steph joins in and she hates it a little less.)

===

Easter break, and Steph is bored out of her god damn mind.

She texts Cass first, then Babs, but one's in dance practice and the other's working a shift at the library.

Naturally, she texts Val next, sending over a selfie of her pouting and sad, with an appropriately dramatic lovelorn caption.

She gets back a picture of Sam, Tucker, and Danny fighting each other on a couch, controllers in hand with a glow reflecting against their faces in a dark, but massive looking room.

"Back home in the trenches," Steph reads aloud, sighing and lovesick.

They've been texting back and forth for the past month now, and honestly? Steph considers them dating.

The problem is, even when Steph says "it's a date!" Val just…doesn't seem to get it.

Steph would call it a straight girl move, if she didn't know 100% that Val at least thinks Steph's sexy af.

Or, at least, really wants to kiss her, if the way the other girl stares at Steph's lips is anything to go by.

And Val stares a lot.

But she always pulls back with a nervous laugh, as if Steph is the one rejecting her.

It's very frustrating, but Steph has learned that Val doesn't actually have a lot of experience with girls, so she might just be…shy.

But! At least they've been on study dates, and sparring dates, and one time they even got froyo!

Steph's been trying really hard to be patient.

It's not really working.

There's another ding! It's Cass, telling her to come over to Wayne Manor. The Batkids are having a sudden movie marathon.

She has a lot of fun with her family, watching terrible horror movies and throwing popcorn at all the stupid people doing stupid things. She sends Val a selfie of her cuddling up with Cass and Damian, of Dick and Jason dumping buckets of popcorn on each other, of Tim and Duke taking god damn notes.

It's even more fun when Val sends pictures back. Of Sam sitting on Tucker and Danny laughing so hard he's fallen off the sofa. There's a selfie of Val and Sam painting the boy's nails in bright neon green color, and a selfie of the group in matching ghost themed pajamas, what looks like Wallace and Gromit playing on the big screen behind them. A picture where Danny and Tucker are snoring, cuddling each other very intimately, with Sam in the background doing a little peace sign.

Steph's buried under Tim's legs and Dick's arms now, hardly able to send a selfie of her face with the way it's covered in limbs, but she manages it.

Val sends one back, in a darkened room where Sam is watching some movie next to the sleeping boys. Val's sleepy smile and half lidded gaze warms her up from the inside.

It's a great night, all in all.

She dreams of soft kisses, warm cuddles, and B grade horror movie kiss scenes with a smile on her face, she's sure of it.

(Steph wakes up to someone rudely tearing off the blanket she was sharing with Cass and loudly announcing it's breakfast.

She throws a pillow at Damian for it, who scoffs and dodges her 'paltry attempt.' Her head hurts from all the sugar she consumed last night, and there's an ache in her back from sleeping on the floor.

Val sent her a good morning text and rumpled selfie that features a soft smile, and Tucker two steps away from spilling pancakes all over Val.

Steph eats breakfast with such a wide smile, Duke asks if she won the lottery or something.)

===

It's looking to be a very hot summer in Gotham, if April is anything to go by.

Isn't April supposed to be full of showers? They had an abrupt chill last week due to Mr. Freeze, but since then it's been hot and Val is suffering.

But Danny has come 'round to visit, and it gives her the energy she needs to get through the day so she can hang out with them over the weekend. Danny's always run cold, and Val's never been shy of siphoning off that chill in the summertime.

Val didn't have a shift today, so Danny picked her up from school and they've decided that pancakes and waffles are in order.

It's 2pm on a Thursday, but that hardly even matters.

What matters is that Danny is wrong and waffles are clearly more superior than pancakes.

"You can throw pancakes like a frisbee, what are you even saying," Danny rolls his eyes as they cut through an alley to get the Denny's, "Waffles are way too crunchy."

"I want to look inside your head and see what delusion is playing 24/7," Val shoots back, "Why would a food need to be used as a frisbee to be superior, first of all, and second of all, the texture is not crunchy."

"The inside of my head is just like any other human," Danny scoffs, "It's been tested and everything. Plus, if you can't use your food item as a frisbee in order to quell the sausage rebellion, is it even worth having as food?"

Val squints her friend for a moment, even going so far as to pause her walking. Danny, after another moment, stops with her but does not meet her eyes.

She smacks the back of his head.

"Ow! What the fuck Val! Just because I'm right!"

"No joking about tests." Val growls, waiting until Danny shows the appropriate amount of regret, before swiftly getting back on topic, "Besides. Waffles are sturdier, and the shape can still be used as a frisbee against sausage rebellions."

Danny takes a breath for the admonishment, centering himself from bad memories. He thinks on her latter statement, nodding reluctantly. "Textures still shit though."

Val groans, continuing their way through the alley, "The texture is so that syrup has places to be, syrup on pancakes just slides off—"

"Hands up!" Just in front of them, a man is brandishing a knife in one hand, with the other reaching palm up, "Give me your wallets and nobody gets hurt."

Val internally scoffs, making eye contact with a gleeful Danny. He's been involved in more Rogue incidents than Val has, and he doesn't even live here.

"Aw, c'mon man," Danny simpers, hands in his pockets and shoulders scrunching up, "Can't you see we're just poor college students just trying to get to Denny's?"

"And you and your girl can go along your merry way," The mugger rasps, "after you give me your wallets. You can take the date home."

Val and Danny simultaneously make an uck sound.

"Been there," Danny grins, ruefully.

"Done that." Val rolls her eyes.

"Got the scars and everything to prove it!" Danny chirps, showing his lichtenberg scars even though they're irrelevant.

Val smacks him upside the head again, but Danny doesn't even flinch. Stupid halfa-biology.

"Just give me the money!" The mugger loses his patience, pulling out a gun. Ugh.

"And why don't you give me a break," A modulated voice says from above, before something large drops down and breaks the mugger's arm.

"Hah! Break, that's a good one." Danny laughs.

Red Hood freezes, before groaning with that modulated voice. "Nobody tell Nightwing. I'd never live it down."

Val bites her lip, wondering if Nightwing is Dick Grayson, the asshole cop who arrested her and Danny a couple months ago. Dude was not subtle in the interrogation of his sibling's new friends, and kept riffing with Danny using puns.

Val hates the guy on that principle alone, so it won't be hard.

"Lips are sealed, Bo—ahem—ig guy." Val really has to figure out the best time to let her boss know that she knows.

"Thanks for saving us, Red Hood, sir." Danny smiles at Hood, shy-like. "I didn't think we'd see you again after…"

"That thing with Riddler?" Even through the modulator is apparent Hood is smiling. "I thought you were finding trouble on purpose, but maybe trouble just likes to find you?"

Val's gotta hand it to him, Jay's a good actor. But as someone who knows who he is? It's clear that Hood is relishing the attention. Finding out your crime lord persona is a top choice must have outweighed the confusion of a crime lord persona being a top choice.

"Either way, it's no problem. Punks shouldn't be muggin' in my territory anyway." Hood peacocks his way into a casual leaning pose, and it's funny as all hell.

"Oh!" Danny looks around, "I didn't realize we were already in Crime Alley?"

"The one Denny's in Gotham is in Crime Alley," Val sighs, "I told you this."

"I thought we established that I don't listen to you." Danny retorts, "That's why we broke up."

"We broke up because of your clear preference for dick, Danny." Val drawls.

Hood chokes.

"This is bullying," Danny jokes, ears bright red from Val no doubt embarrassing him in front of his favorite vigilante, "And you have no leg to stand on, with the way you were drooling after Kate Winslet."

"Most of your hall pass picks were men," Val reminds him, and because she's nothing if not an opportunist, "Speaking of which—-what's it like to be texting one of them almost every day?"

"I don't know what you're talking about." Danny sniffs, trying to pull Val through the alley, "Why do you keep bringing up my hall pass picks anyway?"

"Everyday?" Hood's voice, even modulated, sounds jealous. He's probably wondering if Danny's been texting the other top two choices above him.

"Yeah, everyday." Val confirms, much to Danny's dismay.

"Val!" Danny hisses as Hood leans a little closer. "Shut up."

Danny's probably thinking she might embarrass him by mentioning that Red Hood is Danny's third place pick. If only he knew.

"My boss is his fourth place pick." Val grins, as Danny slumps in relief. If only he knew!

She watches intently as Hood freezes, hand going to a pocket that isn't there, almost like he wants to immediately text someone. He seems to settle for a slow drawl, "S'that so. Small world. You work for a vigilante I know or something?"

Damn good actor, but not subtle enough for someone whose looking. He's definitely warring with a bunch of different emotions, and even through the helmet she can tell.

He wants to know why his civilian identity is fourth, when his crime lord persona is third.

"O-KAY!" Danny yells, pulling her more forcefully, "That's enough of oversharing with a crime lord who doesn't know us and clearly has other things to do. Thank you again Mr. Hood, big fan, love your work, the 8 heads was inspired really—"

Val cackles all the way through the alley, watching as Hood grapples away in a daze.

When they sit down at Denny's, Danny gets a text from Jay that makes him mumble into his menu.

"Why does he want to know my top two hall pass picks? I'm not even in a relationship!"

Val tosses a jam packet at his head.

(Steph texts her afterward, asking about Val's Hall Pass picks.

Val texts her no comment.

Somehow, Jay finds out, which leads to Danny finding out.

Danny texts Steph that Kate Winslet, Amanda Seyfried, and Black Canary were her top 3.

When Steph texts All Blondes, huh? Val lunges at Danny right there in the Denny's.

They get kicked out, and are summarily banned from the establishment.)

===

Gotham is muggy in May.

Steph hates how sticky it makes her skin feel, how lethargic her body gets, and most of all, she hates how her she stupidly made her Spoiler uniform have a lower face mask.

She's definitely going to get pimples, and it's going to suck.

The bright side is that she's best friends with not just one, but two Wayne kids.

This means that she can enjoy the Wayne Manor indoor pool with the other Batkids for most of the summer day until patrol time.

It's good to have connections.

She's relaxing with Babs and Tim on the lounge chairs, and whilst normally she would join in on the watergun fight the other batboys and Cass have going on, she's just too tired.

It's been a long first week of summer, especially with that Mad Hatter case she and Cass broke two days ago.

Mad Hatter cases always gave her the heebie jeebies, considering her own blonde hair and blue eyes.

So: chilling at the pool. Val comes back next week, with a bonus Danny in tow to start the process of finding an apartment for both of them to share, and Steph's not the only one excited about it.

Jason's been over the god damn moon.

Her phone buzzes with two incoming texts, but before Steph can even reach over to grab it, a loud thump! startles all vigilantes to whip up towards the sound.

Jason has tripped over a lounge chair, ass over kettle, groaning.

Amidst the laughter, Steph gets another buzz, so she checks her phone. It's two discord messages from Val.

valerino: Phantoms dog has invaded sams pool valerino: D's really excited about it 🙄

The last text is a photo of Danny, shirtless, getting absolutely slobbered on by a glowing green dog. Holy shit. Wait a second.

stephieeee: uhm???? green dog????? stephieeee: did u send this pic to Jason too? valerino: Yeah, long story short, hes a ghost dog. Hes cool though. And what? No, why? stephieeee: cuz he just ate shit tripping on a lounge chair stephieeee: right after u sent that pic valerino: Lol danny sent a selfie i think. We're taking a break from a water fight tucker started to play with cujo stephieeee: lolllllll stephieeee: that tracks stephieeee: we had a water gun fight too stephieeee: but i sat out with the girlies stephieeee: the heat is just stephieeee: Too Much valerino: Lol danny just showed me the pic he sent. Its a thirst trap, and he didnt even know valerino sent an image

The picture of of a shirtless Danny, with abs, holding up a see through, green dog. His arm muscles glisten in the lighting as he smiles a beaming smile, teeth white and gleaming, with his face smooshed up against the dog's stretchy, pudgy little face. It's adorable and all kind of rippling muscle-y. Boy is lean, mean, and looking good in his NASA swimming trunks, even to Steph.

stephieeee: OMGGGGG stephieeee: hes actually RIPPED??? stephieeee: also i love cujo so much? he's adorable???? valerino: Hes stronger than he looks, remember? lol and yeah, cujos a real sweetheart

Steph honks out a laugh so loud it echoes even amidst the clamour of Jason being chased around for his phone. Babs hums an intrigued note, but Steph simply smiles at her and flaps a hand at where Dick has Jason in a headlock, whilst Damian grabs the phone and attempts to hack into it.

Steph decides to take a picture of the rowdy group, Jason with his really red face, Duke and Harper jeering at the photo with Dick. Damian had gotten bored once he saw it was just a picture from his so-called 'paramour.'

stephieeee: the fam is never letting him live this down stephieeee: plssssss stephieeee: Jason is so down bad its embarrraasssssiinnngggg

Satisfied, Steph decides to get up and grab some of the iced tea Alfred left for them earlier. She's taking a much deserved sip to soothe her throat when she her phone buzzes twice more.

valerino has sent an image valerino: Danny is embarrassed as all hell, his face is SO red!

It's a selfie of Val laughing with her whole body, sort of cut off as Danny scrambles to get a shirt on. He's alarmingly red, looking like he's tripped in his haste to get the Red Hood themed shirt on, but Steph can't focus on that.

She focuses on Val, wet in a bikini top and daisy dukes.

Steph chokes on her tea and falls into the pool, cup and phone and all.

At least, Steph thinks as she recovers from her almost death-by-bikini-pic fall, my phone is bat certified and waterproof.

She takes another quick look at the photo, before she dunks herself in once more, just to cool her flaming cheeks down.

Tim'll fish her out, if only to see what happened.

Until then, the water feels great.

(Val and Danny get a series of photos after, from an unknown number that claims to be Jay's brother Tim.

One of Jay and Steph red faced and commiserating with each other. They're clearly talking about something, hands gesturing at what looks like Jay's phone.

One of Steph in a simple purple bikini emerging from the pool glorious and slicking back her hair out of her face, eyes half open, looking sultry as she catches sight of the camera.

One of a shirtless Jay getting shot by multiple streams of water, one arm up and laughing and smiling, handsome and joyous.

One of Jason, toppled over a lounge chair with his hands covering his clearly red face.

One of Steph with only her eyes above the water, cheeks and neck so red you can still see them even submerged.

Val and Danny practically faint. Sam and Tucker have to write their thank you texts for them.)

===

"I might be dying." Val groans from where she's sprawled on the floor of the new apartment she and Danny are sharing for their duration of Sophomore year.

It's a nice place, for the Narrows. Big living room, two bedrooms, a nice bathroom that heats up in only a couple minutes. The kitchen isn't anything fancy, just a stove top and a microwave, but Val and Danny don't have the capability of cooking up fancy stuff anyway.

Val's stuff was packed up easy, not hard to do when a college dorm room doesn't really allow for a lot of stuff in the first place. Though she did have Tucker bring up Huntress stuff, as well as some of the packed up clothes she didn't get to bring up the first time she moved now that's she's got the room.

Danny doesn't have that many belongings, per say, He's minimalist, in that way.

But he has a lot of stuff for his workshop. Since they don't' have a third bedroom, most the living room's going to be dedicated to it. There's a big rolling table with drawers under it for storage that can be pushed to the side so Val can practice her katas, and an industrial tarp they can throw over it to use it as a dinner table if need be.

Danny, like his parents, likes to spread out whenever he's working on something.

Unlike his parents, however, he's paranoid about contamination, and always puts everything back in its place when he's done.

He's been burned too many times to not be.

Plus, Val can use his stuff to do maintenance on her hoverboard.

They like to be efficient and practical about things.

The point is, she, Danny, Tucker and Sam have spent most of the day lugging up heavy cardboard boxes and furniture that is heavy and sometimes metal.

"I said I might be dying!" Val reiterates into the silence of the now cardboard filled room.

"We heard you to the first time." Sam drawls as she walks into the living room with a cup of water from the kitchen. "I don't even know why you're whining."

"Yeah, Danny did most of the heavy lifting," Tucker chimes in as he trails in behind Sam with a box of pizza. She hands it over to Val as she sits up from her sweaty sprawl.

Val rolls her eyes, because that is inherently untrue. "It's June, it's hot, and most of us did heavy labor."

"No, no. Tucker's got a point," Danny cuts in, lugging the last box of what looks like a bunch of a tools. "I did, in fact, bring up all the furniture, and the bulk of the community stuff."

He sets it down with the rest of his workshop stuff, dusting his hands and adopting a stupid pose where he flexes his arm muscles. Val gulps down her water in disgust.

"And Val and I brought up all the clothes and bedroom stuff," Sam scoffs, "Tuck got a couple boxes of all that electronic crap."

"And none of us have halfa strength to make it easy." Val points a finger threateningly at Danny, who puts his hands up in surrender. "Hard. Labor."

They sit in a circle around the pizza and shoot the shit—making the same old banter that never gets old, making grandiose travel plans that may or may not ever leave the group chat.

About how Sam's set to intern at the Daily Planet, finally about to work with her hero Lois Lane. How she hates how shiny and modern Metropolis is. How Wes has this crazy theory that dorky, clumsy, always going to the bathroom Clark Kent is Superman. How Sam believes him 100%, but won't ever tell him because she thinks it's funny.

How Tuck has this suspicion that the Flash is affiliated with Star Labs, somehow. That the tech in there seems out of this world almost, inter-dimensional in the way ecto-tech can be, but on a different frequency. How his dorm-mate is definitely some kind of meta, maybe even a time traveler, with the way he keeps using words like crash and mode in weird ways. But he's a great roommate, so Tuck minds his business.

And then, of course, the conversation ends up to their love lives.

Sam's got this enby in one of her journalism classes that keeps talking circles around her and Sam's this close to hate fucking them about it.

Tuck's been flirting it up with the girls, per usual, but there's a girl whose been trying real hard to pick up what he's putting down, and he's not actually sure if he wants that.

That conversation goes on a tangent about asexuality and aromanticism, but it'll have to be tabled until after Tucker has time to really…research the idea.

"I'm telling you, Val," Tuck changes the subject, "Steph is definitely into you."

"All the spars? Study dates?" Danny adds in, "Hasn't she been taking you on those ice cream dates too?"

"First of all, it's froyo," Val corrects haughtily, "Second of all that's all friend stuff. I did all that stuff with you guys, and I'll be doing them with you once the new semester starts."

"Third of all," Sam continues, "You have no leg to stand on, Mr. can't play doomed tonight guys," Her impression of Danny is nasally, and horribly wrong, but it's too funny to not laugh at, "I'm gonna watch a movie with Jason on discord!"

"That's—that's different." Danny sputters.

"Dude sends you food on a weekly basis because you said you forget to eat sometimes," Tucker says reluctantly, "And sends you letters."

"Letters???" Sam says indignantly, "You didn't tell me about any letters!"

"Since when has he been sending you letters??" Val asks, grabbing Danny's collar and shaking him when he mumbles and doesn't answer them clearly.

"Since January!" Danny finally yells, grabbing her hands and pulling them off, "They're just, they're not—they're nice! He's being nice. I told him I missed getting letters, and…"

Tucker, Sam and Val all groan in unison.

"He's been wooing you for half a year and you didn't even notice??" Val shrieks, into the ceiling. The ceiling is unsympathetic, but Sam and Tucker are.

"You've basically been dating Steph for half a year and you didn't notice!" Danny's voice is high pitched, his ears are red, and he's screeching with his hands on his face as he falls back and rolls all over the ground.

"You're both useless." Sam intones, "This could be solved by texting them."

"I can't just text her." Val says hotly, at the same time Danny says "Important conversations are not for texts!"

"Gods, you're perfect for him," Val mumbles under her breath, remembering Jay's very same fucking words all those months ago.

"Relationships are all about open communication, y'all." Tucker says in a wise tone.

They all stare at him. He makes a face, shrugging. "Fair enough. Carry on being useless."

"You really think he likes me?" Danny says, in a small voice through his fingers. He's not looking at any of them, and is curled up on the floor. "You think he's been…wooing me?"

"Danny…." Sam shakes her head, reaching over to pat him on the shoulder. "The man has been trying his damnedest to make this whole thing romantic for you, hasn't he?"

"You've been having virtual breakfasts together, haven't you?" Tucker softly adds in, scooching over to pat Danny on the head.

Val rolls herself over to Danny's other side, the three of them surrounding him and patting him in some way. He reaches over, snags on Val's shirt sleeve.

"I'll text him," Danny's voice trembles, "But only if you text Steph."

Val opens her mouth to argue, but shuts it at Danny's pleading eyes. She sighs.

Tucker hands Danny his phone, and they draft about a million texts before they collectively settle. Movie and a dinner, just the two of them. Easy.

"Here goes nothing…" Danny takes a deep breath, before pressing send. He laughs nervously, before straight up chucking his phone at Sam, who catches it.

"I'm going to obsessively check my phone until he answers so let's work on your text instea—" A buzz interrupts him, all four heads swinging towards the phone in Sam's hand.

Her eyes widen, mouth gaping. Danny rolls over, leans to see—

"…Oh." Danny's face crumples. "I guess…I guess that's a no, then."

"Danny…" Tucker reaches for him, but Danny shakes his head and stands up.

"I gotta…I gotta get my room set up. Thanks for all the help guys, I—" He cuts himself off, voice going small and hurt, "I guess he got tired of waiting?"

He bites his lip. Val doesn't know what to say. None of them do.

He goes to his room, and Val never sends that text to Steph.

(Red Hood gets a text message from Danny asking Jason if he'd like to catch a movie together.

There's a follow up text where Danny asks if maybe Jason would like to get dinner afterward too, just the two of them.

Red Hood is in the middle of Nanda Parbat, stealing his stupid brother's no longer missing spleen back from the creep who tried to clone him.

Red Hood has bloody gloves, and has three ninja assassins stalking him.

Red Hood texts back a "can't." but nothing to follow up, not without getting a knife to the neck.

He manages to get back home, toss the spleen back at his brother, and fall into a dead sleep 18 hours later.

When Jason wakes up another 10 hours after that, it's to an abundance of messages from his friends and family. Only one is important.

dannywithawhy: ok.

Jason falls out of bed.)

Mechanic!Val AU, but make it gay and sapphic.

ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)

Dead on Main and with some future Val/Steph >)

also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.

===

Val’s pretty sure her new boss Jay is actually a crime lord.

She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 

The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.

To be clear, she’s not mad about Red Hood himself. 

She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.

She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 

Gotham is Amity Park Lite: Gargoyles and Furries Edition. 

Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 

So here she is, working for the resident Crime Lord in his civvies. 

Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 

All in All?  It could be worse—she could still be working for Vlad, after all. 

It's the little things.

[eph3merall]

can you write something abt loser!reader x fratboy!chris, where reader starts seeing someone else and chris gets jealous. I love your writing sooo much !!!

it's been radio silence from you to chris for about a week now. he's confused, because what the hell? last time he noticed, he was the only guy who ever gave a shit about you. so to see you posting a picture on your instagram with you and another guy made his face twist into some disgusted expression while staring at his phone.

you looked happy. like, happier than you usually were with him. which he found fucking ridiculous, considering for a good chunk of time chris was the only one who put up with your rambling and annoying habits. the post didn't get many likes, barely up to 150. it was mostly just some of your friends who probably thought your new boyfriend was hot and some random people who thought you were pretty, based on the comments.

he doesn't notice the swirl of jealousy unfurling in his chest, a second later and chris is banging on your dorm room door only to be met with silence. his knuckles bang against the wooden door unsteady on it's hinges, jaw ticking and teeth grinding together subconsciously. only again, you don't peek your head out in the crack of your door like normal, you don't come to answer and smile almost immediately as you spot chris.

he's standing awkwardly in front of the door to your dorm, either no one's home and he looks like a fool right now or you're ignoring him. he knows that 'friend' of yours who shares a room with you is out at a frat party tonight, and you don't even go anywhere—so why the fuck aren't you answering?

he's about to blurt out your name but thought against it as the hallway was deathly silent right now, especially so late at night. he'd probably get complaints from whoever roomed here. his knuckles rap against the door again, shifting around awkwardly. a swirl of frustration and annoyance bloomed in his chest, because you couldn't possibly be busy.

he tries the knob—obviously nothing. until the sounds of shuffling are heard inside, and a second later you're standing in the doorway with messy hair and weary eyes. a yawn mixes in with your words, too tired to even realize this is chris. you've been ignoring him for a little now, afraid if your new boyfriend found out he'd call it cheating or something.

chris doesn't say or do anything before shoving you inside and closing your door, met with dim darkness and the only lighting provided from the warm lamp on your desk. your dorm room is a cluttered mess of trinkets and work and textbooks, tabletop a pile of studies and some clothing items littering the floor.

"what's your fuckin' problem, kid?" you stare at him. it's like this for a little, the two of you staring as chris impatiently waits for his words to register in your thick ass skull. you don't really know how to respond, truthfully. lips tugging into a frown and shoulders lifting up and down a little, you take a seat on your bed. the sheets are everywhere, having just woken up.

chris is standing there looking so out of place. he keeps on thinking about that stupid post of you and that guy, forcing himself to try and calm the fuck down. "what, gonna sit there in silence? fuckin' heard me, know y'did. what the hell is goin' on? you've been ignoring me like i have the flu."

the little space is silent, and you kind of hate it. normally, silence comes as a comfort to you. it relaxes your head and makes you much less anxious, but this time it felt uncomfortable. it felt deafening, as you gnaw on your bottom lip until it's started stinging from the constant abuse. "i dunno. i, uh, i got a boyfriend," you shrug, like it wasn't a big deal. because it technically wasn't, you and chris weren't even together.

"oh, alright. whatever, then, so you go n'give me the silent treatment? that's some childish shit n'you know it," he scoffs and crosses his arms over his chest lazily, obviously upset. but why? he was more so upset at you not telling him and forcing him to jerk off into his hand for the past week, than the boyfriend part. he couldn't give a shit if you started dating your best friend.

chris isnt good with feelings. he'll play everything off, ignoring the way his chest burns as you justify what you did. he's barely listening to a word you say, the particular label 'boyfriend' stuck in his head. he couldn't believe someone like you pulled.

"so.. y'know," you've crossed your legs together on the plush mattress of your bed, eyes darting around your littered floor and practically refusing to look chris in the eyes. "sorry. didn't mean to ignore you.." and that's the truth. because chris has stuck with you, while your life turned to practically shit and everyone started becoming someone you couldn't trust. chris just rolls his eyes, scoffing under his breath and starting towards you. he stands in front of you, lip curled in annoyance as he looks you up and down for a second.

"whatever. y'should pay me back for all that lost time though.. so uh," chris' hands are gravitating towards his belt without another second, unsure of how to deal with what he's feeling in his chest every time he hears you mumble the word 'boyfriend' in his mind. it makes him feel sick. he wont ever admit it though.

—

@conspiracy-ash @sturniolosfavkayleigh @lvrsturniolo @st7rnioioss @meatballlover10 @ashlishes @ferdzom @55sturn @chriseatingmeoutin4k @unknvhx @mattslolita @chaossturns @slut4brunettes

©eph3merall 2024

[affableramen]

Wriothesley x fem!reader fic

request domestic angst+comfort

Roommate

Pt.1

“Wonderful. Our kettle is broken”, Wriothesley spread out his hands in a mild disappointment. “This is all your doing, you constantly crushed it into the base. As if you don’t know how fragile it is.”

You find yourself incredibly angered by his bold statements. You and your roommate had quite the opposite personalities and would often end up in a heated bicker. You two also had incredibly different schedules which would lead to obviously clashing routines. He woul always do his paperwork at night when you’d try to get a sleep. However Wriothesley was not the worst choice among the other candidates so sometimes you would turn a blind eye on the misunderstandings between you two. But not today.

“What do you mean this is my doing? You left the kettle on.”

“Yeah? I simply did not unplug it. I’m not some paranoid type of idiot.”

“You left the kettle on and it’s broken now. I told you to always unplug it! I requested this of you every single time!”

The arrogance in Wriothesley’s tone is almost palpable, and he simply turned around facing away from you. The movements of his body were artlessly languid, and you could swear you sensed coffee from his hair as he faced away from you. Perhaps the scent was coming from the nape of his head—you thought. Otherwise, it was still intoxicating to you, and even being as irritated and maddened as you are now, you could not deny that you found his scent tolerable if not likeable. Any other candidate to being your roommate could have been a nasty and bad-mannered student or some sort of criminal, but this man definitely stood proud before them all.

“Listen—I really have no time for this. I have more important things to do.”

“More important things to do!”

“Yeah? I’m engrossed in my work, I’m making money, okay?” He was speaking to you as if you were a complete idiot. “See you can’t even come up with a response because you know I’m right.”

“Fine. Whatever. I have enough money to buy a new teapot. Don’t even bother giving me money.”

Wriothesley raised his hand and waved to you not even looking back a second. 

“I take it you’re going to only drink takeaway tea from now on”, you said but he could be hardly bothered to listen to you.

When the two of you were at a respectable distance, his shoulders dropped and he let out an exhausted sigh. He occupied his desk and started working on his usual papers as the duke of Meropide’s ‘homework’.

It’s not that he was not rich, but he preferred saving money thus he rented this house with you. The house itself consisted of two floors (ground floor and first floor). It was not big, but very pleasant to be in. It was not exactly a countryside but not a city centre either. The area was quite tranquil and calm there, and your neighbours did little to disturb you, which was good both for your studies and Wriothesley’s work. But the kettle usage was sincerely a sensitive topic. You only had one in the whole house since Wriothesley did not see any sense in buying his own: you mostly drink water, gallons of it actually, using the boiled water only for noddles, while Wrio would always abuse the poor kettle with his 10 tea mugs a day. But that all did not matter now since the kettle was stupidly broken. It was a cheap one, and something in between its micro wires was faulty which would cause the kettle to turn itself on without the button being pressed on by someone. It was unfortunate, really, because Wriothesley did not bother to unplug the kettle and thought the action completely paranoid. You thought him as a person who doesn't give a single damn about others—well now it seems he doesn't give a damn even if this house ends up in flames.

“Thankfully it just got broken without any flames around”, you sighed exhaustedly, too.

Why wouldn't he listen to your little requests?

That day seemed to be designed for failures, as later in the evening the power of the whole street went down. That day the power was cut off and your room had grown exceedingly cold. 

“This is getting ridiculous. How am I supposed to work like this?”

But unlike Wriothesley who had a fur coat, you were only wrapped into your fuzzy blanket which did, frankly speaking, a bare minimum to save you from the cold.

“How frustrating, I cannot work like this”, he massaged the bridge of his nose. 

Meanwhile you were freezing until your patience finally exploded and you got up from the bed to get a robe for your nightwear. It might have been that Wriothesley heard you rummaging through the closet as he inquired with no visible interest:

“Cold, are you?”

“Yes.”

“You’re a little too sensitive to cold, don't you think? Sometimes I wonder if you were a feline in your previous life.”

“Ha-ha”, you utter with a sleepy and grumpy face before pulling the robe and slipping back to the bed. A while after the cold becomes unbearable for you and unacceptable for someone else.

Wriothesley comes from behind, noticing that you never stop shivering. He approached from behind, standing staight a few steps from your bed and cleared his throat to grab your attention.

“You don’t look very comfortable, you know? Looks like you’re still shivering.”

“Yeah?” You parody his manner of speech. “What do you suggest?”

You secretly knew what this was leading to but did not want to suspect it just yet.

“I can think of a few ways. But sharing the body’s heat would top them all.”

You were speechless for the first few seconds before you spat out a response both with horrified expression and loud voice:

“Are you serious?” 

For Wriothesley it didn't seem to be a nasty idea at all. He shrugged, though his gaze ran around the room, trying to suppress the sudden embarrassment he did not once consider appearing. A grown man.

“It’s not like we didn't share the bed before, so I don't see why not-”

“Hello? We are in an argument”, you cut him off. “So there is a reason to avoid close contact now.”

He groaned, because you would put your emotions higher than the rational thought at the moment when you both damn needed the latter.

“What?! Don't be so stubborn. I’m cold too, you know.”

“Oh, are you? I thought you’re invincible.”

“Listen… I can go to my bed but this isn't gonna work, I’m sure you understand. You’re shivering—I am shivering, too. Now, please, move.”

You made a ‘tsk’ with your tongue upon hearing Wriothesley’s convincing proposal. Making a space for him, you share your fuzzy blanket witht he man who smells like tobacco and coffee, though at this time there is a thin layer of sweat added to it, as a natural result of the day coming to an end and his… well, hard work.

“I thought you weren’t going to sleep tonight. You were engaged with your extra hours.”

“Yeah, overtime duties, but at home. Annoying shit”, for the next moment his voice takes a softer tone, indicating his tiredness. “Changed my mind.”

Wriothesley subtly pulls the blanket so that it covers the both of your bodies, and you can feel a slight shift in his body as if he were trying to press flush to you. The beating of his heart was noticed, and to the rhythm of it you found yourself falling asleep with unexpected ease. Wriothesley’s arrogant exterior melted away too as he wrapped his arms around your waist but never going bolder and lower.

Maybe the next morning you two could discuss the kettle issue again and come to a diplomatic decision without unnecessary hostility?

[captainsophiestark]

Dance Like Nobody's Watching

Dick Grayson x Reader

Masterlist - Join My Taglist!

Written for Fictober 2024!

Fandom: DC

Day Twenty-Seven Prompt: "Let me remind you."

Summary: Dick's SO is having trouble adjusting to the new scrutiny of attending Wayne galas as his date, but thankfully, he has an idea to help with that.

Word Count: 1,449

Category: Fluff

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I sipped my champagne, trying to get a handle on my nerves. I could handle fighting the Joker and Scarecrow with no problems, but attending a Wayne gala as the partner of Dick Grayson was throwing me for a loop.

I fought the urge to scowl about it. If one thing could make this night more awkward, it would be some person I barely knew finding me making faces in the corner.

What irritated me the most was that this was by no means my first Wayne gala. I'd grown up with Dick and spent countless hours in the manor with him and his family. We'd been each other's primary entertainment at these things as kids. But being here as his date, and as an adult expected to do more than turn the banquet tables into a fort, was turning out to be surprisingly stressful.

When we were kids, nobody seemed to care what we did much beyond just noticing and thinking we were cute. Now, it seemed like everybody in this room wanted something from Dick, and either saw me as a threat to their ability to get it or as a secret backdoor to him, if only they could get me on their side.

I was seriously on the edge of losing it and going back to the buffet tables kid-style.

Dick had done his best to stick with me, but people kept showing up to pull both of us away from each other for a conversation, and we hadn't been able to do much without being incredibly, obviously rude. I'd finally managed to extract myself enough for some breathing room, but I could see Dick still in the middle of things, a group of old men who almost certainly wanted money from Bruce talking his ear off.

Even from here, I could tell Dick was barely paying attention to them. His eyes scanned the crowd, and after a moment, they landed on me. He raised an eyebrow, and I gave him a reassuring smile. Unfortunately for me, he knew me too well and was too good of a detective to believe it.

Dick quickly made his excuses to the men around him, and didn't take no for an answer as he left the conversation and headed in my direction. He crossed the massive room quickly to stand before me, and this time when I smiled at him, it was much more genuine.

"Hey," he said, returning my smile and leaning in to kiss my temple as soon as he reached me. "How are you doing?"

"Good." I tried to strengthen my smile, but Dick saw right through it. He raised an eyebrow at me.

"...Are you sure?"

I sighed. "It's just... this all feels a little weird. I've known you forever, you know it's never been important to me that you're the famed son of billionare Bruce Wayne. But it seems like that's all anybody else here can think about, and they all either hate me because they want to be with you or want to be my new best friend, all so they can get to you and Bruce. It's fine, none of their opinions matter to me, but... I just didn't expect to feel so weird coming to one of these things again."

Dick took a step closer to me, reaching out to take my arm with a concerned look on his face. He spoke quietly enough that, even if someone had been intentionally eavesdropping (which had happened more than once tonight), they wouldn't be able to hear him.

"Do you want to go? I'm happy to leave if you want to. We don't have to stay here."

I shook my head before he'd even finished his sentence.

"Running and no-showing Bruce's galas isn't a long-term solution. And seriously, it's fine, I'll adjust. I just... I don't know. I miss the days where we hid under the punch bowl giggling out of sight of everybody, you know?"

My boyfriend grinned. "I mean, if you really think about it, there's nothing keeping us from doing that again."

"I can think of a few things," I laughed, swatting his shoulder lightly. He hummed, but sobered quickly as he scanned the room, clearly thinking.

"Well... if you're sure you don't want to commandeer the space under the desert table?"

"I'm sure."

"Then why don't we try dancing? That's a little more... socially acceptable than hiding under the tables, but it's one of the things we used to have the most fun doing at these things. Remember how we'd just take over the entire floor to do whatever we wanted when we were kids?"

I laughed. "Yeah, of course. Although it's a little harder to remember the feeling that inspired us to just run out there before."

Dick smiled softly and extended his hand to me.

"Let me remind you."

My heart did a little backflip, especially when I met Dick's sparkling blue eyes. I huffed a little laugh of disbelief, especially at the thought of stepping into the center of the spotlight when I knew just how many people were going to be watching. But then I looked at Dick again, and I decided that, as long as I was with him, they didn't matter.

I took his hand, and he didn't waste a second before pulling me after him to the dance floor. I laughed, unable to hold back a smile even as heads turned towards us. Dick ignored them completely. He pulled me to his chest when we reached the center of the floor and wrapped an arm securely around my waist, the other taking one of my hands. I rested my free hand on his shoulder, and as we started swaying together to the music, his eyes didn't leave mine for a second.

"You know..." he started after a moment, drawing my attention back from a glance over his shoulder to where people were watching us. "This is nice, but a slow dance wasn't exactly what I had in mind."

I gave Dick my full attention and raised an eyebrow.

"I'm almost afraid to ask, but... what did you have in mind?"

He grinned. "Something more like this."

Suddenly, Dick was spinning me out and away from him, twirling across the floor before pulling me back. We'd know each other long enough and spent enough time as vigilante teammates that his steps were easy to follow, even as he started something closer to swing that didn't match the music at all.

I laughed, a warm feeling spreading through my chest as I shared a smile with my partner. In the back of my mind, I knew more people were probably watching and judging than ever. But suddenly they didn't matter like they used to.

Dick swung me around again, then pulled me close and into an exaggerated dip. If I didn't know he was a superhero, I probably would've been a little worried about him dropping me. Instead, it just made me laugh, especially as Dick grinned and led me into something way too close to something you'd do to Cotton Eye Joe.

With every second that passed on the dance floor with Dick, everyone else in the room faded further and further away. It felt like when we were kids, just me and the most important person in the world to me having the time of our lives.

"Feel any better?" asked Dick, whispering in my ear as he pulled me close again, both hands wrapped tight around my waist. I smiled, running my hands up his arms and across his shoulders.

"So much better. Thank you."

"You don't need to thank me. We're partners, you know I'd never leave you hanging."

I pulled back enough to meet Dick's eyes, and found their familiar sparkle and a smile waiting for me. I gave him a soft smile back.

"I love you, Dick Grayson. So fucking much."

Dick beamed back at me. "I love you too. Now come on, the band's finally catching on to what we want. I want to dance with the love of my life to music that's actually fun for dancing."

I just laughed as Dick swung me out and away from him again, the two of us twirling across the floor, this time in sync with the now-faster music. Suddenly, after a few minutes with Dick, the propsect of all these Wayne galas didn't seem nearly so daunting anymore. Sure, I might have to deal with a few unpleasant strangers whose opinions didn't matter to me. But I'd also get to do this, laughing and dancing and having the time of our lives, with my favorite person in the world.

Worth it in the long run, as far as I was concerned.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen @misshale21

DC Taglist: @gaychaosgremlin @v1ckycheesue @lavender-dinos @g0atmansbridge182

[the-au-thor]

A Complete Guide to Delivering Bad News | Spencer Reid Blurb

"You're scared. I'm scared. But we'll figure it out—together."

Pairing: Spencer Reid x Fem!Reader

Warning: click here!

You crossed the door softly, your steps as silent as a ghost. Even the usual clack of your heels didn’t echo through the living room like it normally would when you had something to say. But this time, you weren’t sure how to feel about it. That sharp, gnawing sensation of uncertainty weighed on you, as though the longer you delayed walking to the study, where Spencer was probably sitting and reading, the more time you have to solve that Rubik’s Cube. Yet, when you turned down the hallway and reached the study’s threshold, you realized it was less like a cube and more like a Penrose staircase.

Frozen in place, you stood just inside the doorway, clutching the straps of your bag tightly, already regretting your choice of heels. You watched him from the shadows in that gentle, looming silence—like some kind of deadly warning: break the stillness, and face the consequences. It was as if Spencer were a mythical beast, an ogre, perhaps, who would be angered by any interruption of his reading. But you knew better. He’d finish the book soon enough, lifting his gaze once it was done.

When Spencer read for pleasure, he took his time, savoring every page. But when it was for work or research, he read ravenously—devouring words, lines, and paragraphs like a starving predator. He absorbed them completely, committing every critical detail to memory. Not a single line was ever lost on him.

It only took him a few long seconds to finish his book before he closed it with an almost annoyed snap. He seemed frustrated—maybe the mystery remained unsolved, and that was bound to irritate him. Running a hand through his soft, slightly unkempt hair that was overdue for a cut, he finally lifted his eyes. His chocolate gaze settled on you, and you could see the surprise flicker across his face.

His hand rose to his mouth, his fist partially covering it—a thoughtful gesture you’d come to recognize as religiously Spencer. Behind his reading glasses, which he’d started wearing again after a mandatory work eye exam, his brow furrowed slightly, as if he saw something in you that he couldn’t quite name.

“Hey,” he greeted you simply. “Didn’t think you’d come by today.”

That was just how he was. Spencer didn’t bother with formalities or obligatory social niceties. No “hello” or “how are you.” He always went straight to the point.

For a moment, you forgot how to speak. Looking down at the tips of your stilettos, you let out a soft, almost inaudible sigh.

“Yeah,” you murmured, “I was nearby and thought I’d stop by to say hi. But you’re working on a case, so… obviously, it’s a bad time. I’ll just come back when we agreed.”

You faltered, retreating into your own nervousness.

You didn’t believe in irrational fears. Every fear had a source—either a clear, imminent danger or a subtle, buried trigger. Natural fears, like the instinct to flee from a hungry predator, were different from conditioned ones, like the rising panic in a crowded room with stifling air. Whether natural or induced, you couldn’t yet tell which kind of fear this was.

“Hey, no.” Spencer stood, crossing the room to you in just two strides. His hand gently wrapped around your arm, holding you in place as you glanced down at his touch. “You always do this—you show up, say something half-formed, and then you leave. You don’t have to come over just because it’s a day we planned. You know you can come by anytime, right?”

Your brow furrowed slightly as you shook your head.

“There are planned days because you work,” you replied. “And I respect your work too much to get in the way.”

A soft smile tugged at his lips. Slowly, he leaned closer to you, his movements deliberate, testing, teasing. You knew what he was doing—he loved the control, the way he could make you feel completely his without even touching you.

It didn’t take much for you to melt into him. With Spencer, you felt like water—your boundaries dissolving, your willpower slipping. When he kissed you, it was as though every principle, belief, and argument you had vanished. You became something fragile yet intensely alive, caught in the paradox of being both deconstructed and reconstructed by him.

When his lips finally met yours, you surrendered, feeling his breath warm against your skin. Your eyes fell closed, not entirely sure why. Perhaps it was a way to shield yourself from the overwhelming rush of it all, or maybe it was your body’s instinctive attempt to hold onto the feeling, locking it inside where it couldn’t escape.

But then something snapped—you realized it was you, shifting closer to him, pulling him to you as your hands clung desperately to his frame. The fear coursing through you drove you into his arms, like this might be the last time you’d let yourself do this.

Spencer didn’t seem to mind. His hands moved from your cheeks to the small of your back, gentle yet unyielding, like he was afraid of breaking you but couldn’t resist the pull to touch you.

He always touched you. When you ate together, your feet would inevitably find each other beneath the table, a playful connection. On rare, rainy afternoons spent watching TV instead of him reading aloud to you, your legs would tangle in an unspoken agreement of intimacy. Even in the quietest moments, when you rested beside him, he would absentmindedly brush his fingers along your shoulder or twirl a strand of your hair around his finger, completely unaware of how tethered he kept you.

As his hands returned to your cheeks, you knew the kiss was ending. He pulled back, pressing a series of soft, lingering kisses to your lips before stopping altogether. His smile brushed your forehead as he rested his lips there, lingering for a moment before taking your hand.

“What do you want to do?” he asked, his tone light. “I was working on some research for an old case that’s been reopened. The FBI wants every department to solve at least one old case. But I could use a break—you have great timing.” His eyes sparkled with intensity as he lifted your entwined hands to his lips, kissing your fingers. “How about Chinese takeout?”

Your stomach churned at the suggestion, bile rising at the back of your throat. Normally, you’d say yes, but today, the thought of eating anything made you shake your head. You stopped him halfway down the hall, unable to speak as a tight knot formed in your throat. The words were there, tangled, trapped, unable to escape.

"I need to tell you something."

You couldn’t look him in the eye, so you focused on the undone buttons of his blue plaid shirt. He wore a gray vest over it, with the sleeves rolled up to his elbows. Normally, you’d call it formal, but on him, it was quintessential. Spencer Reid simply wouldn’t be Spencer without his signature style.

"Hey," he whispered, dropping his smile and replacing it with a worried expression, as if your single sentence had triggered his defenses "What is it? What’s wrong?"

You lifted your gaze, realizing your eyes were clouded with unshed tears, ones you didn’t want to let fall but knew would eventually betray you. You hated being the cliché of the girl who cries before saying something important, but there you were. You also hated how you couldn’t rein in your emotions.

You’d tried convincing yourself to see him as just another man you had to interview. That didn’t work. Then you told yourself: He’s older than yoy; he can only ever be your friend. And finally, you can’t love him. And yet, here you were, in love with him, tears threatening to spill over because of him.

"I’m so sorry," you said, pulling your hand free from his.

You wanted to hold on, to cling to him like your lungs clung to air. But touching him only made it harder. Touching him hurt. Looking at him hurt. Loving him hurt.

When you looked at him again, his expression was pained. Spencer couldn’t help it. His job sometimes required him to mask his emotions, and though he had the ability to do it at will, he never did so with you. He allowed himself to be vulnerable around you, and that made you feel even worse. You wanted to give him the same, but your defensive nature always got in the way, tugging at you like two ends of a rope being pulled in opposite directions.

"Why are you apologizing? Seriously, love, you’re scaring me"

Spencer covered his mouth with his hand, studying you thoughtfully. He was trying not to analyze you—you could tell. He always made an effort because he knew how much you hated being read. He had told you before that he preferred hearing things directly from you when you were ready, instead of taking what was yours to give.

You, on the other hand, nervously tucked your hair back and glanced around again, as if the vase, the mirror, or the coffee table might lend you courage. But if courage came, it would have to come from within.

"I know," you stammered. "And I’m sorry for that too. Normally, I’m good with words, you know that, but..."

"Hey," he said again, softly, stepping closer and gently cradling your face to make you look at him. When his kind brown eyes met yours, part of you calmed, finding solace somewhere between the dark freckle in his iris and his pupil. You closed your eyes to shut him out. You didn’t need solace; you needed the dizzying unease to summon the courage.

"You know you can tell me anything," he paused, giving you space to speak, but you didn’t. "Love?" he called again, but you couldn’t answer. Not if the first thing you’d see upon opening your eyes would be him. "Is it really that bad?"

That’s when the first sob escaped you. It wasn’t intentional, but it was the release of all the panic bottled up over the past two weeks and three hours. Two weeks of sleepless nights, subpar work performance, and the subsequent three hours of pure anguish and tension. Nothing about this was okay.

"If I tell you, you’ll hate me," you said, muffled against the fabric of his vest as he embraced you.

Spencer’s hands traced soothing circles on your back and nape, but he tensed at your words. You’d expected that. You were being so ambiguous he could’ve easily imagined you were about to tell him you had mere months to live. You couldn’t help it. That flickering fear ticked away like the seconds on a time bomb, and your tears continued to flow, defying your determination to hold them back.

"I could never hate you," he said with the certainty of someone stating that grass is green and water, when liquid, is wet. "The only way to deliver bad news is to just say it."

"I can’t do it."

"Then pretend you’re a doctor, and I’m your patient. Follow the protocol," he suggested. You rested your cheek against his shoulder, trying to calm yourself despite the tears that kept falling.

"What’s the protocol?"

"First, the doctor must keep their emotions in check."

You scoffed.

"I already failed at that."

Spencer chuckled.

"Alright, let’s move to step two: practice ahead of time what you’re going to say."

"I did," you nodded, sighing as you tried to breathe normally through your sobs. "But I forgot everything."

"That’s okay. Step three: make sure the environment is pleasant and safe."

You glanced around. Still in the hallway, it was safe but far from pleasant. You stepped back, slowly pulling away from Spencer, and led him to the living room, sitting him on the plush sofa. Instead of taking a seat beside him, as you would’ve preferred, you sat across from him. The space between you felt like a chasm. Spencer looked at you attentively, restraining himself, when it should’ve been you—the one delivering this ethical "protocol"—who was calm.

"What’s next?"

Admittedly, it was more an excuse to stall the inevitable than genuine curiosity, but Spencer had started this game with his suggestion, so you felt he should guide you through it.

"Choose the right moment. Is this really urgent?"

You nodded quickly, wiping your cheeks with the sleeve of your cardigan and trying to stop the tears, even as more threatened to replace the ones you’d just dried.

“I can’t wait until tomorrow.”

“Then the next step is to look the person in the eye and explain everything without overcomplicating it,” Spencer instructed.

Without thinking, you automatically looked at him, your expression contorted in pain as you blinked rapidly to chase away the tears.

“Okay,” you said, your voice breaking into a hushed whisper, but he heard you clearly. “Well… two weeks ago, I had that episode, remember?”

Spencer nodded, his eyebrows lifting in alarm at the memory.

“Yes, but you said it was stress from finals. I insisted you see a doctor. Stress can cause fainting spells, but there’s usually an underlying reason. I would’ve felt much better ruling out anything serious.”

You nodded slowly.

“I went to the doctor this morning.”

Suddenly, Spencer’s expression turned as pale as rice paper. A tremor ran through him, and you could sense it even from where you were sitting.

“It’s not serious… is it?”

His chin quivered with acute panic as he looked away, avoiding your eyes.

One.

Two.

Three.

Four.

Five.

You gave yourself five seconds to muster the courage, then let it out.

“I’m pregnant.”

You could’ve sworn you heard a sharp, ringing sound—like a clap too close to your ear that left you dazed and half-deaf. Then came the dreaded silence. You could hear the ticking of the cuckoo clock hanging on the wall, the streetcars outside, even the construction at the end of the avenue. It all swirled around you, as if every small noise now existed inside the room. Even your heartbeat thundered loudly, like a persistent panic alarm inside your chest.

This was what you had feared the most: his silence. You would’ve preferred if he’d yelled, growled, or outright refused to be a father. But his silence was so calm it became deafening.

Minutes passed, and you started to feel suffocated, restless. You fiddled with your hands, glancing at your pale pink-painted nails. You wondered how long it would take before your fingers swelled so much your rings wouldn’t fit. You also questioned if you could do this alone.

You liked kids, and your job would allow you to spend time with a newborn without risking your career. You’d had great parents, who would undoubtedly make excellent grandparents. Your mom—above all—would probably be the first in line outside your apartment, ready to be your main support system.

But you wouldn’t have Spencer, and the baby wouldn’t have a dad.

Life without Spencer… you’d never considered that as a possibility. And you were the type of person who sat down and analyzed every possible option.

Hot tears burned your eyes again, and you decided this was the end of it. You wouldn’t break down in front of your baby’s father. Taking a deep breath, you swallowed the bitter saltiness of your tears and stood slowly, smoothing your cardigan and your hair.

When you finally looked at Spencer, you were startled to see his face filled with distress, still seated in the same position. His eyes were brimming with tears, and he barely seemed aware that you’d moved.

His gaze rose to meet yours, and he finally spoke.

“Do you promise?” he asked in a whisper.

Under different circumstances, you might’ve made a sarcastic comment, but you didn’t have the energy to joke. Instead, you nodded silently.

“I just found out this morning. Honestly, I didn’t even suspect. If it hadn’t been for the fainting and nausea, I wouldn’t have gone to the doctor. My cycle was even normal last month.”

“Yeah, that can happen sometimes. It’s called implantation bleeding. It occurs when the fertilized egg moves into the uterus,” he said, shrugging, “in simple terms, of course. But sometimes… it could be something else. Did the doctor say anything more?”

Your hand rested on your stomach, as it had done instinctively since you’d learned the news. You couldn’t feel any difference, but you knew something tiny was growing inside you.

“They said everything’s perfect, but I have to go back in a few weeks for my first ultrasound.”

Spencer nodded, and for a moment, you wanted to shake him, to force out the words you needed to hear. But you decided to give him the time he needed to process the news.

He frowned, looking confused.

“Why were you scared?”

That word unlocked the fear you’d been holding back, and the heat of fresh tears returned to your eyes.

“Because it wasn’t in the plan,” you mumbled, feeling your nose start to tingle, your chin trembling again. “God…” You wiped your tears with the back of your hand and shook your head. “We don’t even have a plan.”

Spencer stood from the couch and pulled you gently toward him, cradling the back of your neck in his hand as he kissed your forehead tenderly.

“I know I said I was being careful, and I was, I swear,” you sobbed, finally letting your fear and sadness pour out. “But I don’t know what happened. The gynecologist said it could’ve been something like a certain food. Even with the most careful use, the pills only have a…”

“98% effectiveness. I know,” Spencer interrupted, stepping back just enough to wipe your face and study you carefully.

You felt like a mess. The tears had left you congested, but none of that seemed to faze him.

“I think I was more prepared for you to explode about it than to act all understanding and loving.”

He raised his eyebrows in surprise.

“I’m always understanding and loving.”

You bumped your forehead lightly against his shoulder, embarrassed by your outburst.

“I know. But you once said you were afraid of having kids. You said it was because of your mom…”

“I know what I said,” he murmured, pressing a gentle kiss to your cheek. His warm breath brushed your skin like a caress. “But I didn’t really mean it. I’ve always wanted kids.”

“Really? But what about me? I’m not even sure I’m the woman you’d want to have a family with. I’m so younger than you, and I know that bothers you, even if you don’t say it. Then there’s your job. And I’m not… you know, cool or a badass. I don’t hunt serial killers for a living.”

Spencer laughed—a deep, genuine laugh that made you step back with a frown.

Here you were, spilling your insecurities, and he was laughing in response.

"That’s never mattered to me," he said, shaking his head. Honestly, it’s a relief you don’t “hunt serial killers for a living.” I’d spend my life worried sick about you."

You frowned harder, scrunching your eyebrows together so much it almost hurt.

"Like I do for you all the time."

Spencer nodded, a soft smile tugging at the corner of his lips.

"You’re amazing. The kindest, most caring, thoughtful, and intelligent woman I’ve ever met. “Cool” is honestly the simplest word I could use to start describing you."

He took your hands in his, his eyes dropping to them as he smiled faintly, shaking his head in thought.

"Sometimes, I’m scared that one day you’ll realize you could do better than someone as damaged as me and leave."

You gently pulled your hands free from his and stepped closer, cupping his face in your palms. Your fingers traced the small creases at the corners of his eyes and the ever-present shadows beneath them. You tried to think of something you’d change about him, but nothing came to mind. You shook your head firmly.

"If I wanted to be with someone else, I would be. I’d never play games with your feelings, and you know that," you said with a smile. "I don’t care about your traumas. Do you care about mine?"

He shook his head, his typical shy smile appearing as he pressed his lips into a thin line.

"The only reason I ever think about our age difference is because I worry that one day I won’t be able to walk as fast as you."

This time, you were the one to laugh.

"Then I’ll walk slower."

You knew people who had larger age gaps in their relationships. The only reason it ever came up between the two of you was because a few others had noticed. Sixteen years wasn’t that much, and even if it were, it had never really mattered to you. You were 28, and Spencer was 44—a fact that might have concerned others, but for the two of you, it was just a number.

Spencer ran his hand along your arm, his fingers stopping to rest on the hand you still had on his cheek. He smiled softly.

"I can’t imagine a better woman to start a family with than you. And I know the undefined nature of our relationship must’ve worried you."

"What are we going to do?" you asked quietly.

He looked thoughtful for a moment.

"Well, first, I guess we’ll have to start looking for a house with a yard," he said, glancing around the room with a laugh "We’ll tell our friends and our parents."

His expression grew somber at that last part, and you immediately understood why.

"Your mom is going to be an amazing grandmother, whether she knows it or not. The baby will know. And we’ll be there to help her remember. I know that."

He nodded, his eyes glistening with emotion, before his smile returned.

"I’m sorry I was so scared. I must’ve scared you too."

He sighed and chuckled, sitting back down on the couch. But instead of letting you stay standing, he pulled you down with him, wrapping you in his arms and encouraging you to lean against him.

"I thought the doctor had found something strange or serious," he admitted.

You laughed softly.

"I didn’t know how to tell you. We’ve never talked about relationships or kids—except that one time you mentioned schizophrenia and I panicked."

"Next time you have a pregnancy scare, I want to be involved. I don’t want you going through that alone."

You frowned, looking up at him in mild surprise.

"I’m barely two months pregnant, and you’re already thinking about another one? You’re insane."

He groaned in mock protest.

"An only child? I was an only child, and I was constantly bored."

"And I’m the middle child with three siblings on either side. Let me tell you—sometimes it’s better to play alone"

"Four," he countered with a grin.

"Two," you replied, negotiating with a smile.

Spencer’s eyes sparkled with amusement.

"Three, and that’s my final offer."

[xetlynn]

I crave s2 claggor x reader cuddling please 🙏🙏🙏 I just need to lay in a warm bed with that man for as long as possible

<3

Arcane Imagines- Claggor

Dramatic Needs

[arcane] [main page]

Summary: in which [name] is in desperate demand for attention. (super short)

I tiredly slam through the door of my own home. I didn’t even know the time due to how invested I was in the work I did with my friends. Powder pushed us to keep going even though we were all on the brink of falling asleep. 

I shut the door behind me, leaning on it for a moment with my eyes closed, kicking my shoes off. I look around my apartment for my boyfriend of four years. My feet shuffled underneath me, somehow keeping me going toward my shared room. I opened the cracked door, pushing in and plopping right down on the bed behind Claggor who was seemingly doing something since he wasn’t paying attention to me. 

I let out a large huff of air from my lungs, clinging onto the sheets. He doesn’t even flinch. I pout, sighing once again. I see his head go up for a moment only to go back down to whatever he was doing. I scrunch my nose. Getting upset.

“Sigh!!” I flip over dramatically, flinging myself up against my boyfriend's back.

“Sigh! I’m dying!” I cry out, closing my eyes and sticking my tongue. Pretending to be dead. 

Silence. 

“The only cure… is! Attention!” I smack his back with the palm of my hand. “If I don’t get it in t-minus five seconds it will be the end for me!” I exclaim. More than five seconds pass and I sit up angrily.

“What is more important than giving your obviously distressed girlfriend attention?” I ask, shoving his shoulder but it doesn’t even move him. “[Name], please.” He laughs.

“I’m trying to finish this list.” He pushes me with his hand on my face. I fall back onto the bed, getting right back up and leaning over his shoulder. “Are you almost done?” I quietly question. He scoffs out a laugh, shimmying his shoulder to get me off but instead I grab onto both and then wrap my legs around his waist from behind. 

“I’m just trying to make sure I’m remembering everything.” He tells me, grabbing onto my calf with his free hand, massaging it gently. “It looks good enough to me.” I kiss his back. 

“I’m sure it does.” He shakes his head at my behavior. He reads over his note and writes one last thing before putting it on his nightstand.

My legs squeeze around him and he stands up. My arms quickly went around his neck. “Ack!” He grabs my wrists, loosening them. “Where are we going?” I sluggishly posed, resting my head on the nape of his neck. 

“To get some water before bed since you always need it in the middle of the night.” He answers, his hands go to my thighs to make sure I stay up. “Awe, you know me so well.” I raspily coo. 

Claggor gets the big bottle of water and heads back to our room. He sits on the bed letting me uncurl myself from him and climb into my side of the bed. 

He reaches over me, putting the bottle on my nightstand. I watch his facial expressions as he makes sure to set it on a coaster. His tongue sticking out since he was stretching out his body then goes back to his side. 

“Alright, you have my undivided attention now, honey.” He places the blankets over us. “Good. I deserve it.” I yawn, stretching my legs. He snickers. “I want to cuddle.” I tell him, throwing my body over his, his arms instantly embracing me. “Alright.” He whispers.

“Want to tell me about your day?” He asks, his hand rubbing up and down my back. “Mm, boring. I want to listen to you talk.” I tiredly say, closing my eyes. My arms were around his neck as my right leg hooked over his torso and my left leg laid on the bed. 

“Well, I had to stop Mylo from embarrassing himself in front of Gert for the hundredth time.” He chuckles and I hum out, amused. 

“Then I just helped out Silco and Vander for the rest of the day, just waiting for my lovely girlfriend to come home.” He kisses my head a few times. “You’re obsessed with me.” I whisper. 

“I guess so.” He squeezes me and I let out a small huff. 

“I’m falling asleep.” I mumbled right as I was dozing off. 

“Love you too, hun.” I feel his body shake from him laughing at me but I was already in dreamland to say anything back.

[hrrtshape]

THINGS TO REMEMBER WHEN YOU'RE DOUBTING SHIFTING a.k.a REAFFIRMING YOUR MINDSET.

welcome back to HRRTSHAPE's series of: THINGS TO REMEMBER WHEN YOU'RE DOUBTING SHIFTING. where i hold your hand and help you through helping your mindset if it was mixed by the blender that is shifttok.

in this chapter, we're talking about the why. why does shifting work? why is it possible? why can you, specifically, do it? the truth is, it comes down to mindset, belief, and the magical soup of existence that connects everything. if you want to shift, it’s not about "if"—it’s about when.

✶ NR ONE. YOU ARE THE ARCHITECT OF YOUR MINDSET.

your mind is POWERFUL. like, you could be chilling in your room and suddenly be in a DR castle because your consciousness is the architect of everything you experience. think of your brain as a projector: whatever’s playing in your mind becomes what you see.

⋆   LAW OF ASSUMPTION. what you assume to be true becomes true. if you walk around KNOWING that you can shift, then shifting is inevitable. your subconscious doesn’t differentiate between “real” and “imagined.” if you FEED it with affirmations and belief, it builds that reality for you.

affirm, affirm, affirm !! "i am the creator of my experiences. shifting is natural for me. my mind and reality align effortlessly."

⋆   WHY IT WORKS. your brain loves patterns and shortcuts. when you repeat affirmations, your brain starts to accept them as facts. it’s like carving a path through a forest—the more you affirm, the easier it is for your mind to follow that path straight to your DR

✶ NR 2. LET'S DIVE INTO SCIENCE.

okay, let's get a little nerdy because i LOVE to sprinkle some quantum spice into this. science might not outright say, “shifting is real,” but it gives us so much evidence to vibe with.

⋆  MULTIVERSE THEORY. every choice, thought, and possibility exists somewhere. you’re not creating your dr; you’re just stepping into the version of reality where it already exists.

⋆ NEUROPLASTICITY. your brain literally rewires itself to match your beliefs and experiences. when you practice visualisation, scripting, or affirmations, you’re training your brain to believe in your dr—and to eventually shift there.

⋆ THE OBSERVER EFFECT. in quantum physics, particles behave differently when they’re being observed. translation? your focus changes reality. what you focus on grows.

✶ NR 3. SCHRÖDINGER’S CAT: HOW A DEAD-AND-ALIVE CAT PROVES INFINITE REALITIES.

now, we're far from dummies, but let me freak down schrödinger’s cat down like we’re having a latte and chatting about quantum mechanics? it’s a wild concept, but soooo perfect for understanding the possibility behind shifting. let’s go:

alright, picture this: there’s a cat in a box. it’s not just chilling in there, though—it’s part of a very weird science experiment. inside the box, there’s:

a cat (obviously), a vial of poison, a radioactive atom, and some device that might break the vial if the atom decays (science is chaotic, let’s move on).

HERE'S THE DEAL.

⋆  the radioactive atom has a 50/50 chance of decaying within an hour. ⋆  if it decays, the poison is released, and the cat dies. ⋆  if it doesn’t decay, the cat lives.

BUT—and this is the trippy part—you, as the observer, don’t know what’s happening inside the box until you open it. so, until you check, the cat is in this in-between state. it’s both dead AND alive at the same time. this is called superposition—when something exists in multiple states until it’s observed. It’s not until you open the box that the reality “collapses” into one outcome: the cat is either alive or dead.

WHAT THIS MEANS FOR SHIFTING. now let’s take that poor cat out of the box (RIP or congrats to it) and apply this to your reality:

⋆  YOUR REALITY IS A QUANTUM SOUP. just like the cat, you and your consciousness exist in a state of superposition. right now, you’re in your current reality (CR), but there’s a version of you in your desired reality (DR) too. both exist at the same time, in the same “box.” ⋆  OBSERVATION CREATES REALITY. in quantum mechanics, things don’t take on a definite state until they’re observed. In the same way, your dr is “waiting” for you to observe and claim it. when you focus your mind on your dr, you collapse the possibilities and step into that version of reality. ⋆  YOU GET TO CHOOSE THE OUTCOME. the cat doesn’t get to choose its fate, but YOU DO. you’re not just an observer; you’re the creator. by choosing to focus on your DR, you make it the “reality” that wins out. ⋆  WHY THIS IS SO MOTIVATING. think about it: schrödinger’s cat teaches us that multiple outcomes exist at once. the universe doesn’t “lock you in” to one reality. shifting works because your dr isn’t some faraway dream—it’s already there, existing simultaneously with your cr. all you have to do is open the box (or, in this case, SHIFT) and see yourself in the reality you want.

HOW DO I USE THIS IN MY MINDSET?

⋆  VISUALISE YOUR DR AS THE CAT. instead of asking, “can i shift?” think of your dr as already existing in superposition. it’s BOTH real and reachable, waiting for you to observe it.

⋆  COLLAPSE THE REALITY YOU WANT. focus on affirmations, meditations, and practices that align with your dr. the more you believe and focus, the more you “collapse” the possibilities into the reality you desire.

⋆  TAKE THE PRESSURE OFF. just like you don’t need to “force” the cat to be alive or dead, you don’t have to force shifting. your dr already exists. it’s inevitable—it’s just waiting for you to claim it.

✶ NR FOUR. SO, WHAT'S THE DEAL WITH DIMENSIONS?

𖥻 3D (third dimension): the "PHYSICAL REALITY." let’s start with what you already know. the 3D is the world we live in every day—the world of physicality, logic, and observation. it’s the “solid stuff” you can see, touch, and experience. things here have length, width, and height.

think:

⋆  that chair you’re sitting on. ⋆  your phone screen. ⋆  the way your crush smiled at you yesterday (!!!).

the 3D is super focused on “what’s real,” aka what you can prove or measure. it’s all about time moving in a straight line (past → present → future) and cause-and-effect logic.

𖥻 4D (fourth dimension): the realm of "THOUGHTS & BELIEF." the 4D is where the magic happens. it’s not just physical—it’s the dimension of consciousness, thoughts, emotions, and POSSIBILITY. time here isn’t linear like in the 3D; it’s fluid. in the 4D, your focus determines your reality, not the other way around.

think of the 4D as:

⋆  YOUR MENTAL PLAYGROUND. it’s where your imagination, affirmations, and beliefs exist. ⋆  THE CREATOR'S DIMENSION. what you think and feel here shapes what you experience in the 3D.

when you’re in the 4D, you’re no longer just a passive observer of reality—you’re creating it. your thoughts aren’t just “floating ideas”; they’re the building blocks of the world you want.

𖥻 3D vs 4D: WHY IT MATTERS FOR SHIFTING.

⋆  THE 3D IS REACTIONARY. it only shows you what you’re currently focused on. if you’re stuck in doubt, negativity, or thinking “shifting is impossible,” the 3D reflects that back to you like a mirror.

⋆  THE 4D IS LIMITLESS. it doesn’t care about the “rules” of the 3D. In the 4D, you can visualize, affirm, and believe in your DR, even if it hasn’t shown up in the 3D yet.

⋆  SHIFTING HAPPENS IN THE 4D. your dr isn’t tied to physical limitations—it exists as a POSSIBILITY in the 4D. when you focus your thoughts and emotions on it, you bring that version of reality closer to your 3D experience.

𖥻 HOW TO USE THE 4D TO SHIFT.

⋆  STOP REACTING TO THE 3D. the 3D might tell you, “you haven’t shifted yet,” (u have. a thousand times) or “this reality is the only real one.” that’s a LIE. don’t let the 3D trick you into thinking it’s all there is.

⋆  TIP, TIP, TIP. whenever doubt creeps in, remind yourself: “the 3D is just a reflection of my past focus. my dr is already mine in the 4D.”

⋆  LIVE IN THE 4D. spend time in your dr mentally. visualise it, affirm it, FEEL it. the 4D doesn’t care if it’s “real” yet; it only cares about what you believe.

⋆  CREATE NEW ASSUMPTIONS. the 4D operates on the law of assumption: what you assume to be true becomes true. assume your dr is inevitable, and don’t waste time questioning it.

⋆  ANYTIME YOU CATCH YOURSELF DOUBTING, flip it into an assumption: instead of “shifting is so hard,” say, “shifting is natural for me.” instead of “what if i fail?” say, “i’ve already succeeded.”

⋆  SEE TIME AS FLUID. in the 4D, time isn’t a straight line. your dr isn’t in the “future”; it already exists, and you’re aligning with it.

⋆  IGNORE THE HOW. the 3D will scream, “HOW is this possible? HOW will it happen?” Ignore it. The 4D doesn’t need explanations. your job is to focus on the end result—living in your DR. the universe handles the how.

✶ NR FIVE. THE IMPORTANCE OF AFFIRMATIONS.

affirmations are your bread and butter, your foundation, your ride-or-die. why? because they reprogram your subconscious to align with your dr. they're not just “words.” they’re instructions to the universe.

HOW TO AFFIRM EFFECTIVELY. ⋆  speak in the present tense: “i am already in my dr.”⋆  make it emotional. the more you feel it, the stronger your focus. add excitement, joy, or calmness. whatever your dr feels like. ⋆  keep it simple: “shifting is easy for me.” ⋆  sneak them into your day. affirm while brushing your teeth, scrolling your phone, or walking. your dr energy should feel as casual as breathing. ⋆  repeat, repeat, repeat. consistency is queen. say your affirmations in the morning, before bed, or anytime your brain tries to pull a "what if?" moment.

✶ NR SIX. THE BOOSTER PACK OF BELIEF.

here’s the tea: belief is EVERYTHING. you don’t have to be perfect. you don’t have to follow a method like it’s a rigid rulebook. you just have to believe it’s possible for you.

⋆  WRITE A LETTER TO YOUR DR SELF. pour your heart out. about what you're doing. what you're excited to do. it makes the connection feel real.

⋆  TRUST THE TIMING. just because it hasn’t happened YET doesn’t mean it won’t. think of it like baking cookies—just because they’re in the oven doesn’t mean they’re not baking. your dr is already aligning with you.

✶ NR SEVEN. THE PHILOSOPHICAL MINDSET.

now let’s take a step back and look at the big picture. why would shifting even be real? why would the universe allow it?

⋆  WE ARE CONSCIOUSNESS EXPERIENCING ITSELF. at the end of the day, you are not your body. you are not your cr identity. you are a soul, a spark of consciousness, moving through infinite experiences. shifting is just a way to explore that freedom.

⋆  REALITY IS REFLECTION. everything you see around you is a reflection of your inner world. if you shift your beliefs, your reality will shift too.

⋆  YOU ARE INFINITE. the fact that you can imagine your dr means it already exists. the universe doesn’t create limitations; it creates possibilities.

✶ NR EIGHT. IT'S ALREADY YOURS.

this isn’t a question of “can i?” or “will i?” it’s a statement: i AM shifting. your dr already exists. your soul, mind &&& consciousness already knows how to get there. the only thing standing in your way is the belief that you can’t. and guess what? that belief? it’s an illusion.

think of shifting like a cosmic cheat code—it’s not “too good to be true”; it’s your birthright. every doubt, every fear, every tiktok rant in your head about ‘what if it doesn’t work’—yeet them into the void. affirm, affirm, affirm.

you are meant to experience everything you dream of. whether it’s walking into hogwarts as a wizard, sipping lattes in a fame dr apartment, or going full demigod chaos—your reality is yours to claim.