#disney songs in swedish

[lasirenaquellora]

I'M LOOKING FOR SOMEBODY THAT IS ABLE TO GIVE ME THE LYRICS FOR THIS. SWEDISH IS MY FAVORITE VERSION OF THE SONGS AND I CAN'T FIND LYRCYS FOR THIS. I WANT TO KNOW WHAT IT SAYS.

[sinkingtime]

Ok, so I've studied english, spanish, portuguese, french, japanese, german, latin, greek (ancient) and nahuatl. But I have to say, this is a ridiculously lenient definition of "speaks".

If you want me to communicate, it's just english and spanish, plus arguably portuguese but only by virtue of the famous transparency between those two.

And then I can read fiction in french and japanese, but slowly and with frequent dictionary pauses. Could presumably do the same for the others, with varying levels of effort, but I haven't really tested it since school.

how many languages do you speak?

(i’m counting languages where you took one class for a semester if you retained any of it congrats you are a little multilingual)

(reblog for bigger sample size!)

[doyoulikethissong-poll]

Ace of Base - Happy Nation 1993

"Happy Nation" is a mid-tempo dance-pop song with strong influences from reggae fusion and euro house, it was recorded by Ace of Base from Gothenburg, Sweden, for their 1992 debut album with the same name. Later re-issued as The Sign, the album was certified nine times platinum in the US and was the best-selling album of 1994. One of the most successful debut albums of all time, it was the first to produce three number 1 singles on the Billboard Mainstream Top 40 chart: "All That She Wants", "The Sign" and "Don't Turn Around". Ace of Base is the third most successful Swedish group of all time, behind ABBA and Roxette.

The single peaked within the top 10 across Europe, and reached number 22 in New Zealand, but did not chart in the US.

Most recently it featured heavily in episode five of the X-Men '97 series on Disney+, first aired on April 10, 2024.

"Happy Nation" received a total of 64,2% yes votes!

[adobe-outdesign]

a while back I mentioned The Muppets Sex and Violence pilot and seeing as most people haven't seen it I wanted to bullet point out some of the insanity in it for everyone

This was the second pilot produced, with The Muppets Valentine Show being the first

The entire thing USED to be freely available on YouTube but Disney decided a pilot from 1975 that you can't watch on Disney+ anyway was losing them money so I had to cobble these notes together via memory and YouTube clips

The setup is a bit different from the actual show. There's no guest star (this idea was instead used for the aforementioned first pilot), there's very little backstage story and more focus on unconnected skits

There's no background music throughout most of it and pacing is sluggish at best, leaving periods of silence behind. about halfway through you WILL start to wonder if you're in Muppet Purgatory

Instead of Kermit the host is a guy named Nigel. I'll probably make a separate post on him later but for right now all you need to know is that he has the personality of wet cardboard and looks like he wants to lie down and take a nap 24/7 which like. same

For some reason the main three characters are Nigel, Sam the Eagle, and Floyd(???). Kermit shows up for like 30 seconds

Crazy Harry is in. the ceiling??

Animal is there but he's literally so feral he's kept locked in a dungeon that they have in the conference room (as you do)

Janice has a line and sounds absolutely nothing like herself (as Fran Brill is her performer here instead of Richard Hunt)

There's a wiseman in the backstage area and nothing about him is ever explained. they're just like "oh and that's our wiseman"

The seven deadly sins are there. that sounds like a joke but it's not

Their version of Lust is a Muppet made entirely of tongues that flirts with the female secretary then proceeds to say "love you, sweetheart" to Nigel after giving him a full-body look-over. To date this is unironically the best depiction of Lust I have ever seen

Actually a few of the sins have cool abstract designs. for example, Vanity is a literal vanity desk and Avarice is a cash register

Their proposal for an eight deadly sin is "wearing funny pants to a funeral"

at least one of the female Muppets that Kermit briefly dances with looks like This

There's a sketch just called "Aggression" that's done entirely in gibberish and about halfway through I wondered if I was having a stroke

There's also a sketch involving living pencils and puns

The Electric Mayhem perform a song and it's just straight up 90% innuendo

Statler and Waldorf have a few scenes but they're just sitting in a room instead of heckling and come across like they're Literally Dying

at one point the grandfather clock in the background stops ticking and Statler just says "either that clock is stopped or we've just died" and that's the last we see of them

The Swedish Chef segment has Chinese subtitles under it and honestly that kind of makes it funnier

also at the end of the segment the Chef takes out a blunderbuss and shoots a sandwich with it

During the credits the camera pulls back to reveal all the Muppet performs running around. Disney would NEVER

Sloth shows up fifteen minutes late with Starbucks

[liljakonvalj]

I watched the Great Mouse Detective tonight and as someone who loves this movie, here's some of my thoughts:

First of all and this cannot be overstated: Best. Sherlock. Holmes. Adaptation.

I was today years old when i discovered that Olivia and her dad are Scottish (which explains her father talking about catching a train at the end of the movie)

(I grew up with the swedish vhs and watched it in english for the first time today. in swedish none of the character's have any particular dialect )

The aesthetic of Victorian human London but with mice having a miniature society mirroring it?? Love that!!

Despite Basil being the titular character and being the main character in so far that he's the one going on a personal journey and change through the movie- Dawson is the POV character for most of the movie which I find interesting

The transitions when Basil tells them about Ratigan and then showing the audience what he's up to and then back to Basil's apartment are stellar

All the songs are sung in universe - I think this is the only disney movie to do this??

And two of them sung by the villain?! Outstanding move

(It should be mentioned that the remaining song was sung by sexy, stripper mice in a bar)

The heroes drink alcohol, get drugged, enjoy a strip tease and accidentaly causes a bar fight all in the same scene

Yes, the toy store was both entrancing and scary to me as a child. The first doll they see when they enter? That doll whose face smashes and nearly kills Basil and Watson? The toys from which Fidget steals the mechanics? All super terrifying

Ratigan is the only character to have a human-like five-fingered hand, all the others have standard animated four-fingered hands

Ratigan mention a that he thought basil would be 15 minutes quicker to find his lair - which he uses to taunt his enemy but it also means he cannot be there to observe his machine killing his captives. That gives them the opportunity to escape unseen. If Basil and Dawson hadn't been late they probably wouldn't have survived, just saying

The clock tower sequence!! I actually clapped when it started

The cogwheels were computer animated while the mice were drawn by hand - which makes for a really dynamic moving camera

(The man who talked about this in the extras were so enthusiastic about this. Love that for him)

Speaking of moving camera - I greatly enjoyed the camera movement when Rattigan jumped over the citizens to reach the balcony with Olivia and the bat after his plan had been foiled at Buckingham palace. It was really fluent and full of angles

Back to the clocktower: when Ratigan snaps and you can see the angry pen strokes?? They simply don't make movies like this anymore

That was of course very scary too as a child

The final battle outside on the clock hands? Give this movie all awards !!

When Basil comes cycling on that little propeller thing? Link in Tears of the kingdom wishes he could do that

In the extras someone mentioned that they'd made extensive backstories of all the characters: why Rattigan became evil, how it was for Basil to grow up so smart etc. And i desperately want to read that

I know no one cares about the swedish voice actors but I found the different performances of both Basil and Rattigan interesting. I know Vincent Price is much beloved as Ratigan (justly so) but idk if it is nostalgia speaking but I think swedish Ratigan really held up. There were actually some lines that I knew by heart in swedish where the delivery was preferable to the English one for me. After looking it up i saw that the swedish VA is an opera singer (base) which really isn't a surprise given his performance. Basil's voices were really similar normally (so similar I didn't hear the change when I switched between languages - which i did one time to freshen up the swedish voices) but the VA in swedish goes up in falsetto quite often which gives a quite manic impression. Swedish!Basil's sanity is hung by a thread in his restless pursuit of his arch nemesis - which makes his devastation when Ratigan bests him more believable imo. English!Basil is much more a proper, brittish gentleman throughout. All performances were great, I just found the differences interesting.

I have some Core visuals from this movie living rent free in my mind since childhood which are: when Basil compares the two bullets, the closeups as Fidget jumps out at the audience, when Dawson pulls out the glass door with his finger, Ratigan squishing Olivia's doll, Basils machine when analyzing the paper, when Toby makes a stair out of his ear, that flag/balloon/matchbox contraption they used to chase Ratigan at the end, the end fight on the clock arms.

Did i miss your favourite part of the movie? Any core memories from this movie for you?

[virtual-winter]

Frozen memories #002

My Frozen story - Part 2

"But, isn't that just a kids movie about some reindeer?"

My dear mother had no idea what her 22-year-old son was getting into on November 20th 2014 😅 Following my introduction to Frozen via ABC's Once upon a time-series, I was eager to find out what all the fuzz about the original movie was about.

I still lived at home at the time (in the countryside) and I had asked my parents to see if the movie was available at the local library. I can’t remember if I watched it the same day I got it or not. Probably a few days later (on my old Philips not-even-full-HD monitor 😅).

Prior to watching it, I had learned a few things about the plot and it sounded unlike any other movie I had previously seen. In addition to that, I had watched the Let it go-scene which was very captivating and I was very much in love with the song and the animation!

My original Swedish copy of Frozen

Seeing the movie for the first time was a bit of an otherworldly experience. I’m not sure how to describe it. I think everything about the characters, the story and the setting just clicked for me. Even though I don’t even have a sibling, I was awestruck and very touched by the tragic story of Anna and Elsa. And the theme of isolation and feeling of being an outcast was something I could relate to, always having been the introverted quiet one with very niche interests. I think I saw a lot more of me in Elsa than I even realised at the time. I think I watched the movie three times in just a couple of days.

From the first day of experiencing it “properly”, I was very much in love with Anna and Elsa and their world of Arendelle, which seemed so familia to me, being from Norway's neighbour Sweden and having experienced the wilderness of this real-life Disney-like nation just around the corner. I still vividly remembered going there on vacation some 8 years earlier. So, it wasn’t just the characters and the story that made it feel like it was “my movie”. The landscape, the art, the culture and the folklore (trolls) also felt so close to home!

Sisterly love

Midsommarstång

Scandinavian trolls

Old Norse revival architecture

I had not expected to get pulled into a fandom the way I was because I usually never do and this is still true till this day - I haven't found anything else that I enjoy as much as Frozen. But this movie was just… I couldn’t get it out of my head! All the songs were so incredibly catchy! I think I spent most of winter 2014/15 just replaying them constantly in my head (and on my phone). I also couldn’t get rid of the feeling of how incredible it would be to get to see Anna and Elsa in real life. I guess this was really the first time I got to experience something like this 😊

And so, my journey into the Frozenverse had begun. I was thrilled when I learned there was a new Frozen short film coming out in 2015 (along with some Cinderella remake that I wasn’t really interested in) and I even brought my mother with me to see it in theatres. She had no clue at this time what Frozen was! She probably liked Cinderella better but I was a blessed Frozen fan! Funny enough, it was my mother who told me Disney had just announced they were gonna make a Frozen II…

I’ll cover my continued journey through the Frozen fandom in part 3.

See ya soon!

[weirdthoughtsandideas]

TOP 10 KIDS SHOW OUTROS

Cause you know, kids shows can have pretty nice intros, but sometimes the outro songs are SPLENDID.

So here’s my top 10 outros from kids shows.

10. ”Here in drainworld” from Hippo Tub Co

Idk I love the beat and catchy lyrics of it

9. 90s moomins ending

SUCH A COZY ENDING!

Side note but shoutout to the swedish version that went "and mom, and dad, and THE GROKE and My, they give us a story that always is new."

YEAH. THE GROKE SURE DOES. Love how they keep her in this as one of the wholesome characters and not at all as the thing that got nordic kids nightmares for years (even if I can appreciate her now... she still scared the crap out of me when I had to run from her in the snufkin game)

8. In the night garden ending song

It's somehow so melancholy, yet so... beautiful. Idk, I can't describe it.

Always felt slightly sad for Iggle Piggle, having to sleep alone in the sea rather than with his friends in the garden :(

7. Brum ending song

I thought Brum was pretty meh as a show… until the ENDING of the episode came on and they took out THIS bop.

Everyone is so overexcited over this little car and it cracks me up every time

6. "Vintergatan outro"

VÅRA LIIIIIV BLEV EN SAGA UTAN REGLER OCH LAGAR!!!!!!!!!!

This was an only-aired-in-sweden kids show, and what a BANGER it was! It made me somehow feel nostalgic at age 5 to hear them sing "Our lives became a fairytale, without rules or laws. But does someone know if the journey ends?"

Many kids shows had them singing in the intro, and then in the outro it was just an instrumental of the intro. A lot of disney cartoons had that. But this was the opposite. THE INTRO was instrumental and then they sang in the outro. And for some reason it became way more impactful because of it.

5. Gummybears ending theme

See this is what I meant! The Gummy Bears theme is catchy as it is, but GOSH the outro!!

4. Bob the builder ending theme

Same reason here. Intro slaps, and so the instrumentals slap.

3. "Maasalama" from Swedish kids show Pomos Piano

This show aired in Sweden and only in Sweden, but the music in it is wonderful. And the outro song, where they sing goodbye or goodnight in several languages… ”Adjö, Godnatt, Maasalama, Adios, Goodbye” have always stuck with me. The coolest part is that the version changes each episode depending on the theme. This episode was about a magical garden, so the outro has a ”magical garden” theme. One time they were in space, and the outro was more techno.

2. Goodbye song from Bear in the big blue house

I WANT THIS SONG AT MY FUNERAL!!! (the swedish version does not mention the moon, bear or the big blue house and thus can fit more). I also wanna sing this as a lullaby to my kids.

Luna may have scared crap out of me as a kid, but this song just soothed me so much that it didn't matter.

But hey! What could POSSIBLY be number 1, then, I hear you ask?

Hehe >:3

The Bing Bang Song from Lazytown

Lazytown is one of those shows where EVERY SINGLE SONG slaps. And the ending song CERTAINLY. I got so excited every time they sang it, and I still do! It's a masterpiece! It's the best thing ever!

HAVING FUN IS WHAT IT'S ALL ABOUT!!!!!!!!

[disneyparksattractionstournament]

Disney Parks Animatronic Tournament Match ups: Round 1

Should start tomorrow!

Bracket A/Tier 1:

Hondo Ohnaka vs Beast

Davy Jones vs Disco Yeti

Lava Monster vs Kylo Ren

Anna (Hong Kong version) vs Mr. Potato Head

Jack Sparrow vs BB8

Stitch vs Hopper

Lumiere vs Sven

Belle and Prince Adam vs Tiana

Stunt Spiderman vs Clawhauser

Wheezy vs Tiki Room Stitch

Rocket Raccoon vs C3PO

Shaman of Songs vs Elsa (Hong Kong version)

Ursula vs Lieutenant Bek

Dragon under castle vs Olaf

Hatbox Ghost vs Lantern Belle

Albert vs Dwarves in Mine Train

Bracket B/Tier 2:

Madame Leota vs Fantasmic dragon/Murphy

Giant from Sinbad's Storybook Voyage vs Swedish Chef

Finale conductor Sebastian vs Big Al

Roger Rabbit vs Br'er Porcupine

Dreamfinder vs Constance Hatchaway

Redd vs Munchkins

Skippy vs DJ R3X

Singing Geese vs 1900 Patricia

Daisy Duck vs Mary Poppins

Trixie vs The Five Bear Rugs

Jack Skellington vs Carnotaurus

Buzz Lightyear vs John

Aladar vs Zazu

RX-24 vs John Wayne

Max, Buff and Melvin vs Teddi Berra

Iago vs Panchito

José vs Uh-oa

Sun Bonnet Trio vs Br'er Raccoon

Figment vs Little Leota

Horned King vs Roz

Malestrom trolls vs Donald Duck

Abraham Lincoln vs Q’aráq

Statler and Waldorf vs Gene Kelly

Marshmallow vs Wicked Witch of the West

Will Rogers Jr/Lasso cowboy vs ExtraTERRORestrial Alien

Farming bunnies vs Frank

Timekeeper vs VR Grandma

Luggage Scanner Droids vs Railway end Mickey

Scuttle vs Bean Bunny

S.I.R.(Tim Curry robot) vs Liver Lips Mcgrowl

Buzzy vs Phantom

Ellen Ripley vs Sonny Eclipse

Bracket C/Tier 3:

Hitchhiking Ghosts vs Blue Fairy

Mr Bluebird vs Hag with apple

Richard the pineapple vs Sea Serpent

The Muppet Penguin Orchestra vs The Lost Safari

Horizons Robot butler vs Girl with goose

POTC Donkey vs Goat with dynamite

Jessica Rabbit vs Tiki room birds

Evil queen in window vs dancing Ariel

Puffins vs Mickey Mouse Review Alice

Little Red vs Unnamed laundry girl

Computer engineer woman/Foxy vs Indiana Jones snake

Hula Girls vs Disappearing butterfly

Splash Mountain finale chickens vs Sauropod

Tiger with umbrella vs Br'er Fox and Bear end scene

Donald's butt vs Drunk hats stealing pirate

Xenomorph vs Sally

Drew Carey vs Figaro

Rover vs Nemo seagulls

Exercise Patricia vs Tiki room Jose

Rosita vs Small World hippo

Darla vs POTC prison dog

Beating heart bride vs Barnstormer chickens

Boothill Boys/Vultures vs Ballroom dancer ghosts

Pansy, Poppy and Petunia (Splash opossums) vs Pig pirate

"Here kitty kitty" pirate vs Evil queen turns into hag

Skeleton ship pirate vs Small World cowboy

Singing birds of paradise vs Primeval World diorama

Jungle cruise elephants vs Barker Bird

Uncle Orville vs Granny ghost

Carlos' wife vs Energy dinos

Rabbit family with carrot vs jungle cruise hippos

Dirty foot pirate vs FSU gopher

[gilliebee]

New month, same listening patterns😂 Receiptify

Tagging: @danhalen @an-ivy-covered-summer @mortirolo @annphorism @andreethier

If you're up for it of course🫶🏼

[roo-bastmoon]

In Defense of Our Nightingales

When I was a child, I'd spend each weekend with my Nana, and she would take me to the library for books and then read to me every evening.

One story that deeply impacted me was The Emperor's Nightingale by Hans Christian Anderson, which he wrote in tribute to Swedish opera singer Jenny Lind.

There are many versions and retellings, but it is essentially the tale of a Chinese emperor and his beloved nightingale that goes something like this:

Once upon a time in China, there was a great palace made of porcelain and surrounded by beautiful gardens. Behind the gardens was a wooded area that stretched to water. Within the woods lived a nightingale with the most beautiful song. So beautiful, in fact, travelers would come from all over to hear the bird.

When the Emperor received word of this, he immediately commanded that the nightingale be brought to court so that it could sing for him. The nightingale was put in a gilded cage and presented to the Emperor. He was quite surprised that it was such a simple-looking bird that could make such an incredible tune.

He fell in love with the bird and its abilities and would cry when he heard it sing. Everyone at court celebrated the wonderous creature.

One day, a rich merchant gifted the Emperor with a mechanical nightingale made of gold and bedecked with gems. Overjoyed by this modern technical marvel, the Emperor had the real bird and mechanical bird attempt to sing together.

It did not work because the real bird sang its own melodies, not a predictable string of notes.

When the mechanical nightingale sang alone, the melody imitated the beauty of the real bird well enough, and it was much more attractive to look at. It didn't tire. It didn't need to be tended. It didn't long to fly. So the Emperor preferred it.

Heartbroken, the real nightingale decided to fly back to the woods.

Upon realizing his departure, everyone slandered the bird for deserting the court. They threw all of their loyalty to the new mechanical bird, harshly besmirching the real nightingale in the process.

The mechanical bird was given a seat beside the Emperor's bed and gave public concerts each week, while the real nightingale was banished from court.

Over the years, the emperor became bored with the mechanical bird's repetitive songs, and eventually the machine wore down and fell silent anyway.

Then one day, the Emperor fell ill. On his death bed, he begged for his golden bird to sing a comforting song, but it did not. Yet outside his window, the real nightingale sat perched on a branch watching over him.

The bird sang a tune so lovely, that Death itself agreed to leave the emperor alive in exchange for more music.

(In other versions I've come across, the nightingale died of a broken heart, and so the emperor succumbed to his illness.)

This story DEEPLY DISTURBED me as a kid. I refused to go anywhere near life-like baby dolls or animatronic toys from then on. (Huge robotic rats at Chuck E. Cheese or miniature stuffed animals never bothered me--but if it looked like something fake was imitating real life, I absolutely rejected it.) I went to Disney years ago for my 30th birthday and the Tiki Room honestly made me break out in a flop sweat and hives--that's how visceral my reaction is to this fable, even as an adult.

That's great, Roo, but why are you bringing this up?

Lately, I keep thinking about Hybe's plans to embrace AI.

I understand that Artificial Intelligence is inevitable, and when it comes to practicum (like dissecting virtual animals so the real ones are spared, or using simulation labs to teach medical students how to perform complicated procedures that won't put live patients at risk), I'm generally on board. Technology is a useful tool.

But the idea that a lifeless, soulless, hollow machine could ever replace our artists, our writers, our singers...?

It sickens me.

Don't people understand, it's the unique foibles, the fragile propensity to make and then overcome errors, and the ability to evolve and change during the acts of creation that separates art from product?

The world is filled with sound. The same musical notes will exist long after humanity is wiped out.

But without a soul to appreciate it, without a beating heart to create music based on real emotion, without a spirit to put a unique signature on it... it's just noise.

The music industry wants to sell repetitive noise, crafted expeditiously by modern technological marvels, packaged in fake gold and jewels.

People will tire of it quickly.

But by then... what will have happened to our artists' hearts?

Who will save us from death and despair?

I will always choose the real nightingales.

Always.

I hope you will, too.

[elderemorune]

An Interesting Title

What a monumental week it's been.

Awful, but monumental.

My best friend introduced me to the whitest band I've ever heard, Bear Ghost, something like six months ago, and I've been a little hung up since. Not obsessed, but they're damn good. Hell, I'll share one of my favorites from them here:

Take a Disney Villain, give them a guitar and a bit of ska, here you go. Bear Ghost. They call themselves 'adventure rock', a genre created by Swedish band Hällas, who play "a blend of progressive rock, hard rock and heavy metal inspired by 1970s bands". You know what, I see it, and it fits.

Anyway, they played a show at Madame Lou's in Seattle on Monday, and holy shit were they fun. Honestly way better live than I ever thought they'd be! Their crowd work was impeccable, I loved the way they moved about onstage and dude, their smiles are so fucking warm, it was like being in a sunlit field while they were onstage.

The brought with them a smaller band by the name of Damn the Weather.

Their music is truly beautiful, and I honestly couldn't really explain it, so here's a song from them:

They're tiny right now, and this was their first time on the road, same as Bear Ghost. I couldn't tell you the name of any song they played, but I was enraptured by them during the opening act. They were less bombastic, lower energy, but there was something so incredibly beautiful about that melancholic vibe they brought that not only matched the venue, but served as the perfect palate cleanser prior to the main act taking the stage.

I love them. Please, anyone reading this, give them a listen on Spotify, sub to their YouTube, signal boost the hell out of them!

After the show, the frontman (whose name I have tragically forgotten) was going through the crowd and thanking everyone who would talk to them. I was waiting in line to get some merch signed by the dudes of Bear Ghost, and they walked up, so I told them what I felt:

"Your music was so beautiful, I cried during the violin solo holy shit dude" and they thanked me so much. I offered them a hug, and they took it and started crying, saying "I never thought we'd make it here, I can't even believe this is real." I just kept hugging them and said "You made it baby, you made it and you'll always be welcome back here."

So overall 10/10 show. The venue was perfect, the sound was on point, and the drinks were cheap too! The bands were amazing, and I cannot wait for them to come back.

[hcaivoices]

sweden singing disney songs in his native language is amazing omg, his voice is so gentle😔💕

can I request I won't say I'm in love from hercules but in swedish? (with sweden ofc)😊

He tried his best Sweden doesn't do well with high notes.

mp3 on discord Sweden made by me posting for entertainment only

[inkdrinkerworld]

Tagged by: @bruisedboys 🩵

Your favourite: movie, hobby, animal, character, color, place, season, song/album, good

Disney’s Hercules, junk journaling, golden retrievers, percabeth, this specific shade of yellow, the ocean, winter (even tho we don’t have it I just LOVE Christmas) unreal unearth, kardamummabullar (swedish cardamom buns)

no pressure tagging: @ssahotchnerr @ssamorganhotchner @hausofwhores @velvetcloxds @ddejavvu

[namor-shuri]

Marvel Studios: Voices Rising - The Music Of Wakanda Forever [Series]

Episode #1: "Nigeria: Past is Present" [available on Disney +] [w/ time stamps to follow along]

- - - - - - - - - - - - - - - - - - -

▻ "Soundtrack's like this just don't happen anymore, with the high percentage of the songs that are embedded in the movie, and to this level of cultural specificity." - Ryan Coogler [Director] [0:00]

▻ "Here you have a story that intertwines people [Wakandans & Talokanil] of beautiful, rich ethnicities. What do you do with that as a composer? You use it!” - Letitia Wright [Princess Shuri] [0:14]

▻ We learn that Ryan Coogler and Ludwig Göransson first started off as friends, meeting one another at a film school [USC]. They then hit it off from their joint love of Swedish music. "They make magic together, and they seem to just pick up where the other has left off. They just have this seamless way of getting in each other's heads and hearts, and it ends up creating such incredible music.” - Lupita Nyong'o [Nakia] [1:51]

▻ The first Black Panther soundtrack is heavily inspired by Chadwick Boseman's Black Panther and his overall character. After his passing, they had to go back to square one. "I couldn't really imagine what the movie [soundtrack] would feel or look like without Chadwick in it. So, I'm basically going into this experience starting from scratch." - Ludwig Göransson [Composer] [2:42]

▻ They [Ryan and Ludwig] chose to go to Nigeria, Lagos to recruit artists and composers, it being a major hotspot for music in the world currently. "What Lagos is to music right now is what London was to music in its heyday. What New York was to hip-hop in the 90's. I genuinely believe the most exciting music in the world is being made in Lagos." - Seni Saraki [Music Consultant] [3:16]

▻ "Ludwig came to Lagos, because he, as a creative, understands the need to feed off of the energy of a particular place." - Fireboy DML [Artist] [4:04]

▻ There were a huge mixture of both contemporary artists [ie. singers, rappers, etc] and traditional artists [ie. musicians, instrumentalists for the score such as, but not limited to: Jedalo Percussion Ensemble, Fusion Nigeria] coming together to create this soundtrack. Instruments such as, but not limited to, the: sato drum, sakara drum, iyaálù bata, omele bata, kakaki horn, ojà flute, goje were all used on the traditional side. "Everyday we had different sessions with musicians that would come from different tribes from the Igbo, from the Hausa, from Yoruba and they would have their own instruments and different types of set of drums." - Ludwig Göransson [Composer] [5:57] Ryan and Ludwig are seen workshopping ideas of scenes and where musical segments may exist in the movie during these musical sessions [7:28]

▻ "He [Ludwig] and Ryan had been talking about it for years. ‘Let's write songs just for this film.’ There's no licensed tracks." - Monica Sonand [Score Supervisor] [9:39]

▻ “The generation that I'm in right now is speaking Afrobeats. We are all doing our own things individually, but as a unit together, we are pushing the culture. This is Afrobeats. This is Niger. This is Lagos. We're taking that old culture with us to the world." - Fireboy DML [Artist] [10:48] His song “Coming back for you" was used towards the end of the movie in the scene where Shuri is shown planting the heart-shaped herb [12:15]

▻ Ryan and Ludwig wanted to have artists who sang in Xhosa [the language of the Wakandans] so they did their research and flew out artists from South Africa to Nigeria to meet with them. The music style “Amapiano” had the sound that they were looking for, which plays on most South African radio. "It's so unique and it comes out of the club scene there [South Africa] and it makes you want to dance. What I love about that music [Amapiano] is that it feels futuristic to me." - Ludwig Göransson [Composer] [15:05]

▻ Ryan, Ludwig and artist Bloody Civilian are shown brainstorming Bloody’s beats pack she made for them, discussing where her track may exist. She showed them her song “How to kill a man. “I was very nervous, but the environment felt safe and everyone's creativity was just going. It didn't really feel like work at some point." - Bloody Civilian [Artist + Producer] [23:04] Her final track in the movie “Wake up" ft Rema is about "pushing yourself regardless of the things that try to pull you back." - Bloody Civilian [Artist + Producer] [24:33]

▻ Some of the African producers involved were ecstatic to have representation of a variety of African artists and sounds on this Marvel movie and it’s soundtrack. "I think the album sounds like Wakanda!" - Osarumen Osamuyi [Music Producer] [25:28]

▻ "I've been able to travel here [Nigeria] with Ryan, one of my closest friends. Doing something like this together where we can share this experience has been such a blessing." - Ludwig Göransson [Composer] [25:52] "It was really important for us [Ludwig and him] to come to West Africa. Myself being African-American, a lot of my heritage is from here like most African-Americans. The biggest take away for me is the personal connection that I have myself. I'm constantly looking at people saying ‘that person looks like my cousin, that person looks like my friend, that person looks like my brother.' That experience is one that's very different from being a black man that was born and raised in a predominantly white country. Folks born on the continent often take for granted to just walk down the street and everybody looks like them. That wasn't my truth. That wasn’t my reality. It's a very strange experience to fly for thousands of miles and land somewhere you've never been, but it feels like home. There's a beauty to that, but also a sadness that comes with it.” - Ryan Coogler [Director] [26:06]

- - - - - - - - - - - - - - - - - - -

Soundtrack: [tracks referenced in this episode]

ʀɪʜᴀɴɴᴀ: ʟɪғᴛ ᴍᴇ ᴜᴘ / ʙᴜʀɴᴀ ʙᴏʏ: ᴀʟᴏɴᴇ / ғᴏᴜᴅᴇᴏ̨ᴜsʜ + ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴄᴏɴ ʟᴀ ʙʀɪsᴀ / ᴛᴇᴍs: ɴᴏ ᴡᴏᴍᴀɴ ɴᴏ ᴄʀʏ / ᴀᴅɴ ᴍᴀʏᴀ ᴄᴏʟᴇᴄᴛɪᴠᴏ + ᴘᴀᴛ ʙᴏʏ: ʟᴀᴀʏʟɪ’ ᴋᴜxᴀ’ᴀɴᴏ’ᴏɴᴇ / ғɪʀᴇʙᴏʏ ᴅᴍʟ: ᴄᴏᴍɪɴɢ ʙᴀᴄᴋ ғᴏʀ ʏᴏᴜ / ʙʟᴜᴇ ʀᴏᴊᴏ: ɪɴғʀᴀᴍᴜɴᴅᴏ / ʀɪʜᴀɴɴᴀ: ʙᴏʀɴ ᴀɢᴀɪɴ / ᴛᴏʙᴇ ɴᴡɪɢᴡᴇ + ғᴀᴛ ɴᴡɪɢᴡᴇ: ᴛʜᴇʏ ᴡᴀɴᴛ ɪᴛ, ʙᴜᴛ ɴᴏ / ᴅʙɴ ɢᴏɢᴏ + sɪɴᴏ ᴍsᴏʟᴏ: ʟᴏᴠᴇ & ʟᴏʏᴀʟᴛʏ [ʙᴇʟɪᴇᴠᴇ] / sɴᴏᴡ ᴛʜᴀ ᴘʀᴏᴅᴜᴄᴛ + ᴇ-40: ʟᴀ ᴠɪᴅᴀ / ᴀᴍᴀᴀʀᴀᴇ: ᴀ ʙᴏᴅʏ, ᴀ ᴄᴏғғɪɴ / ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: ᴀ́ʀʙᴏʟᴇs ʙᴀᴊᴏ ᴇʟ ᴍᴀʀ / sᴛᴏʀᴍᴢʏ: ɪɴᴛᴇʀʟᴜᴅᴇ / ᴏɢ ᴅᴀʏᴠ + ғᴜᴛᴜʀᴇ: ʟɪᴍᴏɴᴄᴇʟʟᴏ / ᴄᴋᴀʏ + ᴘɪɴᴋᴘᴀɴᴛʜᴇʀᴇss: ᴀɴʏᴀ ᴍᴍɪʀɪ / ʙʟᴏᴏᴅʏ ᴄɪᴠɪʟɪᴀɴ + ʀᴇᴍᴀ: ᴡᴀᴋᴇ ᴜᴘ / ᴀʟᴇᴍᴀ́ɴ + ʀᴇᴍᴀ: ᴘᴀɴᴛᴇʀᴀ / ᴅʙɴ ɢᴏɢᴏ + sɪɴᴏ ᴍsᴏʟᴏ: ᴊᴇʟᴇ / ᴄᴀʟʟᴇ x ᴠɪᴅᴀ + ғᴏᴜᴅᴇᴏ̨ᴜsʜ: ɴᴏ ᴅɪɢᴀs ᴍɪ ɴᴏᴍʙʀᴇ / ɢᴜᴀᴅᴀʟᴜᴘᴇ ᴅᴇ ᴊᴇsᴜ́s ᴄʜᴀɴ ᴘᴏᴏᴛ: ᴍɪ ᴘᴜᴇʙʟᴏ

Score: [tracks referenced in this episode]

ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴡᴀᴋᴀɴᴅᴀ ғᴏʀᴇᴠᴇʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴛ’ᴄʜᴀʟʟᴀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ʏɪʙᴀᴍʙᴇ! / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ɴᴀᴍᴏʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ʙᴀᴀʙᴀ ᴍᴀᴀʟ: ᴡᴇʟᴄᴏᴍᴇ ʜᴏᴍᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ʙᴜsɪsᴡᴀ: ᴡᴇ ᴋɴᴏᴡ ᴡʜᴀᴛ ʏᴏᴜ ᴡʜɪsᴘᴇʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ᴊᴏʀᴊᴀ sᴍɪᴛʜ: ʜᴇ ᴡᴀsɴ’ᴛ ᴛʜᴇʀᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: sɪʀᴇɴs / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ɴᴀᴍᴏʀ’s ᴛʜʀᴏɴᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ʏᴜᴄᴀᴛᴀ́ɴ / ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: ᴀ́ʀʙᴏʟᴇs ʙᴀᴊᴏ ᴇʟ ᴍᴀʀ [ғɪʟᴍ ᴠᴇʀsɪᴏɴ] / ғᴏᴜᴅᴇᴏ̨ᴜsʜ + ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴄᴏɴ ʟᴀ ʙʀɪsᴀ [ғɪʟᴍ ᴠᴇʀsɪᴏɴ]

Episodes: 1 2 3

[randomvarious]

Today’s compilation:

Now That's What I Call Music! 2 1999 Alternative Rock / Adult Contemporary / Pop-Rock / Teen Pop / Pop / R&B / Hip Hop

Back with another dispatch from the early run of the US' Now That's What I Call Music!, with the second installment from this gargantuan, neverending series. Take yourself all the way back to 1999 with this great ad for it!

Now, I definitely have not kept up with Now for a long while, but as a series that's known for repackaging huge chart hits on CD, I think this might have been its most unique volume of all, because a lot of these songs did not end up charting all that high in the US—at least not on Billboard's Hot 100—and a number of them actually fared far, far better in the UK, which is where Now originated from, with its first ever release dating back to 1983.

A prime example here is Robbie Williams' great pop hit, "Millennium." Williams is regarded as an absolute pop superstar in the UK, but he's only charted twice as a solo act on the Hot 100 in the US, and both of those singles have failed to reach the top 50. This one, which pairs recreated dreamy strings from James Bond's You Only Live Twice theme with a hip hop-type backbeat, only made it to #78, but it was a #1 hit across the pond! And I think outside of all that well-made, Swedish-produced teen pop/boy band fare, this one very well might've been the best pure pop song of the entire late 90s. The use of those epic Bond strings smacks of The Verve's "Bitter Sweet Symphony" too, which certainly suggests that there's something about Brits and those damn strings.

And another #1 UK smash that didn't do nearly as well in the States was Fatboy Slim's irresistible big beat summer classic, "Praise You," which sampled from a lot of different places, including a Disney disco record, a JBL test album to get those iconic keys, Steve Miller Band, the Fat Albert and the Cosby Kids theme, and a song by Chicagoan Camille Yarbrough called "Take Yo' Praise," from which Fatboy Slim took the lyrics. There was a whole undercurrent of this big beat stuff that was coursing through a lot of our commercials and movie and video game soundtracks back then, led by acts like Fatboy Slim himself, the Chemical Brothers, and The Prodigy. But it never went super mainstream like it did in the UK. Fatboy Slim's singles only charted twice in the US on the Hot 100, and "Praise You" was the best-performing one, making it to #36.

By the way, I have a really killer turn-of-the-millennium-type summer playlist on Spotify that has a bunch of songs like "Praise You" on it. It's called "An Endless Capri Sun or Juicyfruit or Starburst Commercial From Like the Summer of 2002," which will hopefully give you an idea of the type of vibe that I was trying to channel with it. God, I love that sun-shining big beat stuff!

And color me surprised to hear Jay-Z on here, because until 2001, Now pretty much seemed to purposely go out of its way to avoid hip hop altogether. I guess it makes sense though, since the music usually has explicit themes, and these albums are typically targeted at kids. But they really just couldn't help themselves when it came to Jay-Z's first real, true breakout hit in "Hard Knock Life" here. Mark the 45 King's novel sampling of the song of the same name from Annie made this one feel very kid-friendly and fun to sing along to, despite the numerous lyrics that had to be censored from it to get it on radio in the first place. Funny, though, that in a very American 90s way, and in a pre-onset-of-mass-shootings era, that they'd let a line like, "when my situation ain't improvin', I'm tryina’ murder everything movin'" slide through without any kind of edit. I mean, if they're playing this song on radio now, I'm thinking that that line gets hit with some kind of sound effect. But it didn't in '98 and '99, and that feels pretty remarkable in hindsight, especially since hip hop verses were constantly censored on radio, MTV, and BET, so much so that some songs felt like the track was getting jammed up at certain points 😅.

So, honestly, this might be the most unique release that Now ever put out in its main US series, as it seems to be the volume that's the least concerned with overall chart success among its selections. It still comes with some staples you'd expect, from Britney's "...Baby One More Time" to Everclear's "Father of Mine," effectively running a small radio gamut from the poppiest of pop to the most banal of alternarock, but acts like Robbie Williams, Fatboy Slim, Garbage, and even Cake are on here, and as an entity that's chiefly known for presenting the *biggest* pop hits of the day, those are probably some names that you wouldn't typically expect to be on a US release from this series.

And it closes with that odd Baz Luhrmann spoken-word advice column about wearing sunscreen that you might have totally forgotten about too. That one's probably the most ephemeral song of all on here; the ultimate entry in any sort of 'only 90s kids will remember these songs' type of list.

Hopefully you get a sweet memory-jogged nostalgia rush from some of these other songs I didn’t make mention of.

Highlights:

Britney Spears - "...Baby One More Time" New Radicals - "You Get What You Give" Robbie Williams - "Millennium" Semisonic - "Closing Time" U2 - "The Sweetest Thing (Single Mix)" Fatboy Slim - "Praise You (Radio Edit)" Garbage - "I Think I'm Paranoid" Cake - "Never There" 98° - "Because of You" Mýa & Blackstreet feat. Ma$e & Blinky Blink - "Take Me There" Everclear - "Father of Mine" Sublime - "What I Got (Clean Version)" Backstreet Boys - "I'll Never Break Your Heart" Jay-Z - "Hard Knock Life (Ghetto Anthem) (Edit)" Baz Luhrmann - "Everybody's Free (To Wear Sunscreen) (Edit)"

[liljakonvalj]

I watched Disney's Robin Hood tonight, and here are some of my highlights:

This movie is so FUN. Even as an adult who has seen this movie so many times I laugh out loud multiple times when watching it

Prince John being fooled by The cross-dressing Robin Hood and little John because he cannot fathom the idea of Female robbers

Everything about their heist is fun- but especially kissing away the ring jewels, the entire conversation between Robin and prince John, Prince John's reflection in the ball, sir Hiss being stuck in a basket and the thieves colliding when running out with their bounty

We're really shown how wicked the sheriff is, stealing coins out of the cast of a cripple, the birthday gift from a kid and a beggar

Robin is very good with kids and gives the birthday boy a bow, arrow and even his own hat

Turns out both Marian and her Lady in waiting Kluck are also terrific with children and their little playing with the children is absolutely adorable

Marian having a wanted poster of her beloved in her room is so funny to me, I cannot get over it.

Robin being a horrible cook because he is thinking about his lady love 😍

The cartwheels he does when he hears that the winner of the archery competition will get a kiss from lady Marian!❤❤👌

Also he has zero chill during the competition. Someone with brain cells might think that he should mess up a couple of the shots to be more inconspicuous, but not him.

Cleaving the sheriff's arrow with his own is a Legendary TM moment though

The little turtle cheering for his dad was adorable. I really enjoyed the looks of all the contestants too!

Robin and Marian's love confessions when he's been found out 😭

Little John is literally saving the day multiple times during the aftermath of the contest while wearing a crop top. Also him just vibing with the prince, or "PJ", is a testament to his acting skills.

After the fight breaks out Robin and Marin agree to marry, where to go for their honeymoon and discuss their future number of children (robin:"We'll have six children". Marian: "no, a dozen at least") They both have zero chill and are so hot for each other, it would be sickening if i didn't love it so much

Lady Kluck literally being Player of the Game during the fight, every single thing she does is a win

The entire fighting sequence is a joy from start to finnish

The song "Love" while Robin and Marian just walk around in the forrest talking and being well ... in love 😭😍❤

The scene with the warerlillies, fireflies and the flower-ring while they gaze into each others eyes is the textbook definition of Romance

Much of the animation in A Phoney king of England is borrowed from earlier movies, but I like the little game I make of trying to remember wich animations are from which movie

I also like Friar Tuck's little theatre setup and Robin using his bow as a, well, bow when playing the violin

The song becoming such a hit in the town that Prince John raises the taxes even more, resulting in several people being put in jail (The jail part is not a favourite but the song being a hit is)

Friar Tuck absolutely losing it when the sheriff steals from the box for the Poor in his church.👏👏

The double take Robin does when he hears his friend is to be hanged on the morrow, first out of character then in character as the beggar.

(In the swedish version Trigger, who is suspicious of the beggar remarks that "han har en räv bakom örat" lit. trans ="he has a fox behind his ear" which means that he is up to something. I thought it was a fun pun considering Robin is a fox)

I view the whole breaking into the castle sequence each Christmas (as is tradition) but I always forget how much from the movie they cut out of the Christmas show

(The whole sequence with Robin masquerading as Nutsy, John freeing the prisoners and about half the fight/flight when they escape is cut from the Christmas show)

Trigger being unable to properly secure his crossbow is a great running gag. He calls his crossbow "gamla Bettan" in Swedish- probably translated: "Old Betsy". I wonder what he calls it in other languages?

And each time I watch I lament that Robin gets too greedy, just leave that last money sack that the prince is cradling in his arms!!

Robin (and little John) turning around to fetch the little bunny is so in character and kinda heartbreaking because Robin almost dies

Robin is really fearing for his life - especially in the burning tower

Robin's face after his escape and Skippy claims that he could've swum double the distance

Was the ending rushed? Yes. Do I care? No.