#didnt think id ever be capable of reading a whole book in one sitting again

[dailycupofcreativitea]

The day I installed an app and website blocker for my time-wasters, especially Reddit, I read a whole fucking book from start to finish 🤷‍♀️

[lovebunnie]

nick carraway and jay gatsby are both gay and heres why

its 11:30 at night and i have class tomorrow but ive been itching to make this post for about a week so im gonna do it. this wont be centered as much around jay and nick being in LOVE, since id have to read and analyze it a bit more to make honest to god claims and opinions for that, but these r some of the reasons that point to both of these characters being completely gay. also, im going to be issuing some points from others sources, but ill include links to the original texts which i recommend reading!

1

so the great gatsby was written in 1925, a time full of alcohol, financial bliss, and parties like u would not believe. many of these themes are prevalent in the novel, making themselves known all throughout. even the term ‘gatsby-like’ is extremely well known. needless to say, this book is extremely well known in every front. one of the ones i saw the most was calling the great gatsby ‘the greatest love story ever written.’ and before i read the novel myself, i wouldnt have been able to tell u any different. but when u read it, and really, how u analyze it, really shapes how u see the characters. to some people, it really could be an amazing love story. but to me, this story is written about someone obsessed with a facade, denying himself who he is, and a man who watches his downfall and can do nothing to stop him.

one very important thing to acknowledge is how this novel is told: its told completely in nicks perspective. we only know how he feels, we only know these characters based on how nick sees them. it is immediately biased towards nick. and what he does is describe a hell of a lot of people. but it is very distinctive in the way he does it; men and women are very differently described.

nick describes daisy in her voice and the power it has over people. all of nicks flowery language goes into daisys speech, but not in great length about what daisy looked like. with jordan, nick does a bit more describing in the way she is ‘small-breasted’ and had the ‘shoulders of a young cadet.’ these traits are masculine, and we know from the novel that nick does enjoy jordans company and he does say he ‘enjoys looking at her.’ hell, even the name ‘jordan’ is traditionally masculine. nick sees jordan leaning more towards masculinity than femininity. but even still, the flowery language is not as grand as it could be, not as we know nick can get.

its when nick is describing men that things get bold and expressive. even while describing tom does nick go into great and intimate length with him;  ‘ He had changed since his Haven years. Now he was a sturdy straw haired man of thirty with a rather hard mouth and a supercilious manner. Two shining arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward. Not even the effeminate swank of his riding boots could hide the enormous power of that body he seemed to fill those glistening boots until he strained the top lacing, and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage -- a cruel body’ the author of this paper literally said this passage ‘pulses with sexual energy,’ and this is for a character nick doesnt even like. it obviously means more in the way nick describes him, has more heart and passion put into it.

and now gatsby, who nick, in the final chapters, dwells on even more. we know gatsby is attractive, that much we can tell without nick even really having to describe him. but even in a single paragraph about his smile does it provoke more feeling than anything else about daisy or jordan;  ‘ He smiled understandingly-- much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you might come across four or five times in your life. It faced --or seemed to face-- the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.’

like. damn nick. this is only about gatsbys smile. this was no accident or cruel twist of fate; nick is enamored with jay and obviously finds him attractive and also enjoys looking at him, like jordan. nick sees men and women differently. this could be chocked up to ‘it was the olden days’ and ‘sexism,’ but nick isnt rude to these women, nick is simply not interested in them, at all.

but how do we know nick is gay? wheres the textual proof? its written out word for word, you just have to know where to look. and where to look is at the very end of chapter 2.

so chapter 2 does a lot for the plot; it basically introduces nick to the life these people live and makes him see how unappealing it is. we meet a large cast of characters and expand on others, like myrtle, her sister, and most importantly to the subject of nicks sexuality, mr. mckee.

mr. mckee is described as a ‘pale feminine man’ and nick offhandedly describes the smudge of shaving cream on his cheek. weird right? later in the night, nick describes himself as ‘ Taking out my handkerchief I wiped from his cheek the remains of the spot of dried lather that had worried me all the afternoon.’ nick has been LOOKING at this married man all night and cleaned him up when he was messy like come ON. plus, a ‘pale feminine man’ could very easily be a stereotype of a gay man, especially in the 1920s.

but then comes the most important part about nicks sexuality in the entire book: the ellipses.

the great gatsby is relatively short, only about 200 pages or so, give or take. fitzgerald would not include anything he wouldnt need, as he is also an expert in metaphors and making things seem as they are not. everything is masterfully placed and paced, making it seem to flow like water. 

the scene in question describes mr. mckee and nick on an elevator, leaving the party. mr. mckee walked out, leaving his wife, and nick decided to follow. heres the scene:

Come to lunch some day,” he suggested, as we groaned down in the elevator.

“Where?”

“Anywhere.”

“Keep your hands off the lever,” snapped the elevator boy.

“I beg your pardon,” said Mr. McKee with dignity, “I didn’t know I was touching it.”

“All right,” I agreed, “I’ll be glad to.”

. . . I was standing beside his bed and he was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands.

“Beauty and the Beast . . . Loneliness . . . Old Grocery Horse . . . Brook’n Bridge. . . . ”

Then I was lying half asleep in the cold lower level of the Pennsylvania Station, staring at the morning Tribune, and waiting for the four o’clock train.

LIKE. WHAT.

those ellipses separate the time between nick and mr. mckee on the elevator and nick and mckee at his home, with one in underwear and then nick leaving for the train at 4am. there is a large gap of time missing from this, and nick decided to leave it out while fitzgerald decided to keep it in. it means something, and the use of ellipses gives the audience enough to know what is happening without explicitly telling them. it is the authors ‘wink wink nudge nudge’ to the audience. think of the environment nick was in; tom was cheating with myrtle, the heavy metaphor of the eyes watching over the sins we think no one can see. this party was full of mischief and nick fucked a married man.

mckee does not seem intoxicated, he invites nick out to lunch while gripping the elevator handle, which are always objects shaped like dicks. plus in the novel, the scene does feel somewhat out of place; nick does not spend too much time discussing the interactions between mckee and himself, it seems thrown in. i get the impression that nick almost didnt want to include it it his writing, and put it in last minute. however, nick is fictional and i dont have much to go on off from an almost 100 year old book. its open to personal interpretation, but it seems like nick and mckee had sex and nick left on the 4am train, leaving mckee in his underwear at his own home looking through his pictures.

even at the beginning of the novel, nick is planning on living in a house with another man before the plan falls through and he goes to washington dc. could this be a failed boyfriend? we cant say. but it is a possibility.

nick carraway ends the novel mourning his friend jay gatsby, moving back to the midwest alone and away from the glitz and glam of new york. his ending does not involve getting married and having kids and riding off into the sunset, which seems bittersweet for our narrator. however, given the way things planned out for other characters, this is the best ending we could hope for for nick, one away from the destruction and one where he can at least begin to to to be happy again.

and now we move onto jay.

ill admit, this has little to do with textual evidence; i cant point out a place where jay fucks a dude or describe the way jay sees men and women; with nick being our narrator, again, he only know his perspective. but we do hear things about jay from other characters, how he acts and acted before nick and the type of man he is.

wolfshiem describes jay as ‘ very careful about women. He would never so much as look at a friend’s wife.’ this means that jay knows women and knows when to back off, never advancing on someone he had no claim to. this is very important to me for several reasons.

1. it implies jay is not a cheater

2. it implies jay has been around enough women to know who is who

3. it shows jay is respectful

this also says to me that jay is not bi; he only has eyes for daisy, and not other woman. and those eyes for daisy are questionable.

we know daisy and jay had last seen each other 5 years prior to the events of the novel. in that time, jay had collected numerous things about daisy, built a house just so he could see her, and blew thousands of dollars every weekend for parties in hope that daisy would show up, even obtaining money illegally just to impress daisy.

jay gatsby is obsessed with daisy.

this is obvious from the text, the behaviors he puts forward are strange and creepy in pursuit of daisy. gatsby stares longingly out the window, cant hold a conversation with nick, and flat out bolts out of a restaurant to avoid embarrassment. he is an awkward guy, no doubt. and he lives his life as trying to be someone else, specifically, the man he thinks daisy wants from 5 years ago. when the car crashes with myrtle, all gatsby cares about is how daisy feels; when hes literally about to get ganked all he thinks about is daisy, daisy daisy daisy.

this isnt love, and i think deep down, jay knows it. this is the equivalent of dudebros who go above and beyond to prove they arent gay but end up the most gay of them all. gatsby is compensating for his feelings and trying to push the limit to deny himself more and hide back into the closet. he wants to seem the most manly he can get and basically say ‘wow i love women! i love women so much! look what i did for this woman! look at how much i love her!’

daisy is the first person jay felt he could be himself around, could begin to feel happy. and when he went to war, he no longer had something to push all his feelings onto. plus he was surrounded by other men, and for someone so in denial about their own sexuality, it probably drives them to pretty bad places. pretty obsessive places. he needs daisy, not because he loves her, but because he needs to security blanket. he needs to feel validated.

those glaces and stares out at nick feel like cracks of the real jay poking through, one who likes men but cannot admit it to himself. after all, as a man so attached and desperate for the ‘american dream,’ back in the 1920s, that did not include marrying a man. jay lives with internalized homophobia and tries to calm his nerves with his pretend love of daisy.

i could go on and on about this forever but its 12:30 and i have class.

if u take nothing from this, let me leave u with these main bullets:

TL;DR

nick fucked a dude

nick describes men erotically while he describes women very dully

nick almost lived with another man

jay is obsessed with daisy to repress his emotions

the separation and wartime made things worse for him

his internalized homophobia causes the plot

his longing stares out the window at nick are cracks in his facade

ty and goodnight