#did i ever tell you about the lisa frank musical i wrote
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me: i need to save money so i can afford to finish my living room setup already
also me: do i want a garbage pail kids tarot deck
#why isn’t there a lisa frank one yet#did i ever tell you about the lisa frank musical i wrote#about like the scandals of the company etc
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GENERATION KILL: COMFORTING THERE PARTNER
"This is just me formally submitting a request for that gk boys offering their own forms of comfort fic/ headcanon/ thoughts wtevr. Lol just as a reminder. 😀"@theboardwalkbody
Gif Credit: @ymagor
A/N: You're wish is my command, homes❣️ Here's a little change of pace! @theboardwalkbody inspired this post (and asked it!), so thanks for the Inspo friend! 🤩 I'm doing this for BoB and TP because I'm going through a slight writer's block and instead of thinking about long descriptions, I just wanna so head canons that get a little out of hand. I hope this isn't too ooc😔 Reader has *inserted mental illness* btw, it's up for interpretation! ALSO GN! READER! Enjoy!
Taglist: @theboardwalkbody @contrabandhothead
Masterlist
NATE FICK-
Nate's a calculated person. He can see the patterns in people, things, etc. Like how his father's eyebrows wrinkle when he's excited, or when his mother likes to prep a meal from vegetables to the main course. So when you're happy, sad, whatever-he knows it, and you don't even have to tell him.
He'll come home and see you. He knows that you've heard him calling you're name, but you don't move. He looks all over the house and finds you inside of your tub, just sitting there with no response. The water is running, and your clothes and hair are soaked.
So in an attempt to not disrupt your peace, Nate climbs in and sits next to you. You look over and he's stares at you. Just as your about to speak, he beats you to it.
"I'll get you a towel and some clothes."
And then, he just leaves. You hear the door quietly shut, and you blink for a few seconds. What the hell just happened? It snapped you out of your depressive trance. Now instead of feeling sad-you just were confused.
So you hear the door lightly open again and then close. After a few more minutes of soaking, you get out and see a towel and a set of clothes that are most certainly not yours. It's Nate's Dartmouth Lacrosse sweater and a pair of underwear-he knows you too well.
So you exit the bathroom and you see Nate, putting two cups down of you're favorite tea
And he's got that face. You know the face were he's like ☹️
"Hey, c'mere."
The two of you climb into bed with eachtoher. He throws one of those ugg blankets over you. You rest his head in his chest and he pats your head. There's a silence, until Nate says, "Do you wanna walk about it."
Normally, you'd say no and he'd read you a book you're reading or hold you as you cry, but this time, it's different.
"Yeah, I do. You won't judge, right?"
Nate tilts you chin up, and he's got a tired smile on his face.
"Why would I?"
BRAD COLBERT-
Brad may appear horrible with emotions and reading the room...in which he isn’t
Okay, scratch that. He tries to understand them, it’s just hard for him to give advice and use words to comfort you. He feels like he’s walking on glass, But sometimes, you just need him psychically more then anything.
When you storm out of a room when Chaffin makes a comment on your weight, Brad takes a few minutes to think what he should do.
Normally, he’d just leave you be, but he’s gotta do something. Getting up, he follows you down the hallway. You’re not far, and he’s calling you’re name.
You stop in the hallway, wiping the tears coming down toye face. Brad turns you around with his hands on your shoulder. He’s got a blank face on as he looks at you, seeing your red face and the tears.
While you sob and stutter, he fixes the collar of your shirt, tucks your hair behind your ear, which is normal. He likes to neaten you up to make you feel better.
But he starts to use his thumb, wiping the tears coming down your face. You shocked as he cups your face, making you look into those icy cold eyes. He looks like the Iceman, cold and emotionless, but what he says very Brad.
“You’re beautiful.”
Then he pulls you into a tight grasp. He’s a whole foot taller then you, and you like the way he snakes his hands around his waist and slightly lifts off you your feet. His sheer presence is intimating, but for you; comforting. 
RAY PERSON-
THIS MAN. although a hick with a big mouth, he does know when to shut up and can read you’re emotions like the back of his hand.
He can just see the sadness swelling in your eyes and the way you pick at the foot at your plate and avoid all of needs for cuddles in bed. Heck, it’s making Ray sad.
So he does what he does best-not shutting up, well-about things he likes about you.
“Man! Look at my hot girlfriend/wife! There reading books by the liberal media, total smartie here! Oh! And they have a degree from-“
Ray will also beg for to your attention and follows you around like a puppy. Like you’ll be sitting on the couch and he’ll come rest his head on your lap. You ignore him, but he starts to twist and quote random movies so you finally give in.
Is Ray annoying? Yes. But did he make you smile? Also yes.
Also Ray is a cook, and knows all of your favorite meals. Of course, he sets the table, lights a few Mantown candles (yes there real google them), and comes to serve your meal with two plates.
“The most beautiful man/woman I have ever seen, the love of my life, the apple of my eye, the Avril to my Bizzy D-you’re hot pockets.”
It makes you laugh, which makes Ray happy. He feeds off of that attention. You sit in Ray’s lap, eating hot pockets, and watching The Best Damn Tour. You lean on Ray’s shoulder, and he leans right back.
POKE ESPERA-
Alexa play Whatta Man’ by Salt-N-Peppa BECAUSE! WHAT! A! MAN!
Poke is one tough mofo. He embodies the meme of “Good morning to my beautiful wife/husband and child everybody else get fucked”.
But like every baddie; baddie’s gotta have soft spots for there bitches. He has two; you and his daughter. And oh god he’s love the two of more then anything in the world.
Poke knows you and his daughter well enough. His daughter first notices that your not as enthusiastic and bubbly, and then she tells Poke. But Poke already knows because he’s observant and very in touch with his emotions.
So when he’s a work; he thinks and does a lot of self reflection. He wonders why you’re upset. Did he cause it? What can he do to make it better? He asks all the guys for advice, and even his own daughter.
An idea strikes! Poke’s got a lot of anger, so his therapist told him to express his emotions by journalling. But Poke learns that it helps him get everything out of system, so he’s a secret writer. Heck, he even likes poetry; and would kill anyone if they’d find out.
While off at work, small letters start to appear across you’re house. Some are long, some are short, but there sweet and make you’re day.
“I held the stars in my arms wen I held you”
“I can’t wait to kiss you.”
“Your eyes stole all of my words away”
And the covers of the notes are done by Poke’s daughter, covered in glitter and Lisa Frank stickers.
You confront Poke about this “mysterious pen pal” and Poke is like “I mean, your lips do sound tempting”
You know it’s Poke, and he knows it, but there’s something about the mystery that is very romantic.
WALT HASSER-
Here comes our favourie country pumpkin
Now let me say. This man LOVES you more then anything the world
Doesn’t wanna show you off (but he does)
So when you’re the slightest bit sad, Walt is even sadder then you are
Walt is someone that lives to receive attention, and also he’s someone that likes to give it. Especially to the love of his life!
Walt gives you things you actually need, and nothing that is materialistic. Growing up, his parents had a healthy relationship, and the apple clearly doesn’t fall far from the tree.
Waits on you hand and foot. A back massage? Done. A fuzzy blanket? Right on it! A specific burger from a joint that is thirty minutes away at three in the morning? Walt’s driving like a manic just for you. You have the man’s undivided attention.
“Walt?”
He stops whatever he’s doing and runs over, getting on his knees, “Yeah, what’s up baby?”
“Can you sing the song? Y’know, our song?”
Walt nods his head, now an eager puppy, and gets his gutair to play the song he wrote especially for you. And this is making me realize how painfully single I am oh my
RUDY REYES-
Rudy has an iv of respect woman/men juice. He always understands the assignment-and desires extra credit.
So whenever you’re down in the dumps, Rudy will drop everything and drag you into the car to go walk on his favorite trail. It’s ten miles long, but Rudy is a fitness freak.
First, you hate doing it. But the more you talk these long walks, the more you begin to enjoy it.
Sometimes there silence. Rudy won’t speak force you to talk. Talking is stressful, and Rudy will wait until you’re ready. The two of you holds hands, and Rudy has such a calming presence. It’s really hard to get angry at him.
You finally speak and tell Rudy you’re problems, and he listens and doesn’t interrupt. He’s got a hand on you’re lower back, or on your thigh. He’s basically you’re emotional support teddy bear and will always be a lending ear, or a total cuddle monster.
Rudy has the best advice as well. It’s always some yoga shit, but damn, those breathing  exercises do actually help.
EVAN “Q-TIP” STAFFORD-
Oh Q-Tip. My feral goblin son😭
I love him, but sometimes-things can fly over his head.
But when you start to ignore him and hide away from him, he begins to notice. And he HATES IT.
Like Christianson will ask him if he’s okay and he’ll literally quote a 2pac song and be like,
“I would drop all my girls for you, Walk barefoot 'round the world for you, Fly around like the birds for you, Thats why I wrote these words for you..”
Lilley is like “Brah we gotta help a homie out”
So the three stooges create Lovegate. The mission? to make Q-Tip’s partner happier.
Q-Tip is very artistically inclined. So with Christenson’s editing skills and Lilley’s camera, Q-Tip writes you a song and does a whole music video.
The man rents out a movie theatre venue just to show you. Of course, you’re blown away. It’s horrible and you can taste the autotone, BUT IT’S THE EFFORT THAT COUNTS. and q-tip has that smile on. you know what i’m talking about!
Doc Bryan walks in on the two of you making out and is pissed since all he wanted to do was see the re-screening of Bridemaids but NO, Q-Tip just had to rent out a theatre to show his partner a music video about them and then make out.
He see’s Lilley, who’s recording and asks to interview what Doc’s opinion on the music video, and this is what he’s says.
“I think my ears bled, but thank fuck those two aren’t acting like emo’s.”
DOC BRYAN-
The gif has a purpose. Trust me. SPEAKING OF THE MAN OF THE HOUR
Bryan, like Poke, is a very observant guy. He’s an angry motherfucker, and even a little insensitive, but ever since dating you; he’s tried to change.
He hates the world. People are shitty, and it makes him feel shitty that you’re sad because when you feel shitty, he’s in a shitter mood then he’s usually in
Knowing that his words might sound a little harsh, Byran knows how to distract you. Without words. After all, he didn’t work out for nothing.
Long hugs are you’re thing. The two of you will run into eachother, find a private place, and he’ll just wrap his arms around you. His big arms are protective, and he’s warm, and you just sink into him.
Sometimes, you’ll fall asleep. Byran sometimes will fall asleep with you, other times he’ll gently lay you down and put a blanket with a gentle forehead kiss.
When you cry in his arms, he’ll wipe the tears away. He can feel them against his arm, and he doesn’t know what to do. Crying girls/guys are not his speciality.
But when you squeeze his arm back, to let you know what your there and that you love him, Byran will freeze. He has no idea what to next with words. He’ll put his hand over yours, and turns out; it works well.
After this is all over, he’ll check up on you and ask you simply if you’re okay. You respond with a smile. Byran isn’t one for smiles, but for you, he shows a subtle smile back. Just to let you know.
#carrie writes#carrie’s headcanons#generation kill#nate fick#brad colbert#ray person#poke espera#walt hassar#rudy reyes#evan stafford#doc bryan#generation kill x reader#generation kill headcanons#generation kill imagine#hbo war
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DCAU #20: Prophecy of Doom
“You gave him ten million dollars, sir? And to think I was fretting over the electric bill…”
Hey, guys, so lemme tell you about the craziest thing that just happened to me. There I was, dressed in my cloak at the DCAU brotherhood meeting. And the leader of the brotherhood, Nospoilerz, looked right at me and said, “You! Young man! You are in graAaAve danger! I see disappointment! I see pain! I see misery and woe!” I left the place scoffing to myself, not believing one word of it. But then I turned on Prophecy of Doom and I realized that this guy actually may have known what he was talking about.
Episode: 19 Robin: No Writers: Sean Catherine Derek (teleplay), Dennis Marks (Story) Director: Frank Paur Animator: Akom Airdate: October 6, 1992 Grade: D
Am I being too generous with that D? Because this is definitely my second-least favorite episode so far. It’s another Sean Catherine Derek/AKOM “classic” from season 1, and this just goes to show that sometimes reading the episode credits is all you need to do… Sigh… Bruce Timm himself has made certain remarks about both of these creative forces, citing AKOM as a subpar studio, and Sean Catherine Derek as a writer that would always try to throw in a big message, but could never really make it work in practice. We saw this in The Forgotten with the subject of homelessness, and we see it here again with the fortune teller who is actually just scamming people out of all their money. Yeah, she didn’t write the story of this one, only the script and such, but her fingerprints are all over the place when you break out the powder. Unless you’re a really good writer, a half-hour Batman show is just not a good way to get some of your important, socially-conscious messages across to the public. Who exactly wants to see that? Eric Radomski and Bruce Timm were going for a grim, crime-noir. Sean was pushing for a recycling bin and a god damn dog to be in the show, guys. I think recycling is as important as the next guy. And boy do I love a cute pupper. But this says a lot. Boy. Don’t you just wish that we got a whole episode about why we should should recycle? Just imagine how that woulda turned out.
We would see some of the “big, real world statements” taken on much later with Static Shock, and from what I understand, it often worked quite well. But this was after a lot of DCAU establishment. It also was a very different show than Batman TAS. Not to mention, well, Sean Catherine Derek wasn’t involved with Static Shock at all. I wish her no ill will, and I hope she’s happy writing for whoever she writes for nowadays, but the sooner these episodes we’re looking at leave her behind, the better. Reportedly, she clashed a lot with Bruce and Eric when it came to their visions for Batman the Animated Series, so overall I would say that she just was not meant to be part of this team, or wasn’t flexible enough to write stories that would suit this show.
I didn’t think he was legit until he showed me his kickass flyers!
Nostromos is the one-off villain of this episode, and I’m certainly not gonna be anxiously awaiting his return for a future episode. He’s a guy who supposedly has magic powers and the ability to read fortunes, but as we can tell from spending less than five minutes with him, he’s a big fraud. In this episode, it makes for some confusion as far as how we’re supposed to see and react to him. Mysterio from Marvel did this concept wayyy better because Mysterio was more frightening than this guy. At least back when I was a kid he was (yeah, I get it, he’s got a big bowl on his head)! With Nostromos, we, the audience, along with Bruce Wayne, are skeptical of him from the beginning, and the way he carries himself makes it really hard to feel threatened by him at all.
Top 10 DCAU guyliner material
“The vibrations are right for prophecy.” This guy offers a translation to a completely lost Bruce Wayne
“You are merely the eye trying to view itself!” explains Nostromos. Now this guy looks just as confused as Bruce is.
Even after we come to the conclusion that he likely was responsible for the sinking of the gambling cruise ship. He’s just so silly and his plan is so uninteresting. And then we see that the other people involved in Nostromos’ brotherhood (a big group of rich/important people) are eating up every word that he spews out, and we get music cues and other moments that almost seem to try and make us take him seriously. It makes the people in this episode seem like absolute dimwitted fools, and how all of them managed to finesse their way to the top of the money tree with that kind of gullibility is beyond me. The tone is really mixed. And it continues to stay mixed throughout the entire episode. It’s just weird to see Batman, the strong creature of the night who always saves the day (not literally, saving the day at night sounds bonkers), be in any sort of danger, but then see everyone else being idiots and that the villain is just a big joke.
“You!!!” This was a pretty poor-looking shot, especially when you see it in movement.
Bruce’s glass mysteriously shatters.
And what is Nostromos’ plan? Well, his main one is to basically convince the brotherhood that an economic crisis is right around the corner in order to get them to give him all of their money. Is that not the least creative place you could go with a crazy cult in a Batman episode? The least they could have done was made it so that Nostromos wants to kill Bruce for a specific, personal reason or something. Things do get a little bit crazier eventually, but in a way that’s almost as dull as everything else. Nostromos ties Ethan Clark’s (a friend of Bruce in this episode) daughter to this giant solar system display, where she is in danger of being crushed if another planet happens to collide with her.
Seems to me like he could have made things a little simpler if he had just threatened to shoot her.
This sequence just doesn’t visually suck me in, nor did it with Char. She thought it could have looked a lot better, especially when it’s such a preposterous idea. The episode needs to do something for me to fall under the spell of the suspension of disbelief. It has been said that Akom just didn’t have the chops to animate this the way it was asked for. And trust me, I believe that. It hasn’t taken me long to understand the impact of Akom on Batman the Animated Series. But in my mind…even with proper transition from the storyboards to full motion, is this really a scene that I would have been asking for? Did I really want a conclusion where Batman jumps around on moving papier-mâché planets gone awry?
This is pretty much the best we got, folks
So yes, I do in fact agree with Char, this scene could have looked a lot better. But I also have to ask the writers whether or not this was even a good idea in the first place. And Nostromos causes the planets to spin all over the place, past their normal speeds, by beating on the control panel and breaking it. Why does whamming on a piece of technology not usually just shut off the technology? It always sends it off on a deadly rampage. By the end, Batman escapes, saving Clark’s daughter. And Nostromos gets caught by a stray planet from the spinning display as it lands on top of him.
Nostromos and his crazy plot are much like how Red Claw ended up being a few episodes back. Has potential, then does nothing worth remembering with it. Y’know, this episode also feels like a 70’s Scooby Doo episode. The villain seems like a Scooby Doo villain, has a Scooby Doo villain-esque plan, and even gets caught like one of Fred’s traps. And y’know how usually Fred’s traps are completely over the top, but ultimately the animation and everything keeps it pretty underwhelming? That was the whole climax to this one. It’s like Batman was Scooby Doo, wrecking the bad guy’s plan and managing to trap them. I really wish everyone on the Batman TAS team had known better by this point when it comes to what type of show they should have been writing. Clearly some of them were in on it, but not some of those stubborn ones. I get that it’s still season one, but this episodes wastes time. Instead, we could have gotten something much better in its pace. But these writers were here taking up staff slots, not trying their hardest to produce a really good Batman show. They were too focused on only pushing hard enough to create a typical Saturday morning cartoon show, or a show that displayed a moral, and it’s like, another show could be used for things like that. I think when Paul Dini or Alan Burnett wrote their episodes, they made it so damn evident that they were pouring their hearts into the scripts, and were actually trying to make something good, something they they would have wanted to see. They were giving the best to Batman that they could. This show was airing before I was born. And even if it were brand new, it wouldn’t make any sense to hold a grudge or anything on some of these earlier writers. The ones who didn’t utilize the potential of a Batman show like this. Because what these writers did was make the good episodes seem even better. Not every episode may have been ground-breaking in this series. But even with those which weren’t quite up to snuff, with those which didn’t elevate the animation landscape, we still got so many episodes that did, and they are why the cartoon is remembered as being so important, so influential, and so gosh-darned entertaining. Them, and Batman going, “Psyyyyychic energiiiees, Alfred”. I could listen to that on repeat.
One of our establishing shots of the episode, use for a prelude which ultimately doesn’t end up being all that significant for the story. But at least the jazz was nice!
I don’t believe that we ever actually get any confirmation as to whether or not Nostromos planted this. I’m surprised an episode like this didn’t take the extra step to spell it out for us.
Uh oh, don’t let the fish drown!
Ethan and Lisa Clark. Wonder if they’ll appear past this episode.
Total Scooby Doo villain vibes.
Here are the mugshots
These keyboard sound effects, though. Let’s get some official Batman TAS ASMR.
Batman flees the falling elevator, not falling victim to Nostromos’ plot
This was a pretty shitty fight scene.
Were you even trying to avoid that swing, Batman? He even gave you some time to react before he swung!
This was a decent shot.
Kevin Conroy’s acting was a lot of fun here. He put a tremble into Bruce’s voice that we all know is Bruce faking, but that’s only because we know better!
The most disturbing moment of Batman TAS so far. This damn smile. Especially with the way his eyes move. And you’re telling me that Bruce couldn’t hold in this smile? It’s not like he saw the camera and knew we were watching. They shoulda had him wink right at us while they were at it.
Maybe the bit that saved this episode from an F
Or maybe it was specifically this ass shot. And you say you watch Batman for the plot.
This is the shot our climax ends on. Just take it in.
This one was harder to write for some reason. Could have something to do with the fact that I’m staying in some friends’ living room and sleeping on their couch with another person over spring break. Not to mention, I have to do a lot of this typing on the floor. But I hope it gave something worth reading regardless! Here’s to a smoother review for next time. They can’t all be winners. Much like the episodes themselves.
Char’s grade: C
Next time: Feat of Clay (Part 1) Full episode list here!
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Rec This Thing: Panic! At The Disco Pray For The Wicked Europe Tour at AFAS LIVE
Panic! At The Disco Pray For The Wicked Europe Tour at AFAS Live
My story: Look, in the span of less than a year I became a huge fan, so when they announced their show at AFAS Live, I was in.
Story: It’s a concert.
Rating (1 to 10): 10
Why?: After Hayley, and Troye, it was time for Panic! and lemme tell you something.
This was my favourite.
Once again, I was on my way to Amsterdam with Sammy in tow. We originally planned on going with Maikel, but tickets were sold out in seconds and he didn’t manage to grab them.
The road towards Amsterdam was wonky due to a possible terrorist attack in my country and due to faulty trains. On our way, we met up with two strangers who were also on their way to the concert. We talked about fake vegan burgers and airport security fails and of course Panic! At The Disco.
We parted ways at the entrance. It was packed. We were lucky we got there after the doors opened, because the line was so damn long that they added a second line. That line also happened to be shorter. That was our line. We still queued for a small half hour (and the police kept driving by because... y’know... possible terrorism) (it really was a terrible day for my country).
We bought merch and I got the long sleeved white shirt with High Hopes lyrics and then it was time to find a spot in the venue. Eventually, we got great balcony seats. Third row, close to the middle aisle. We had an amazing view.
*record scratch*
Wait. Hold on? You’re telling me that you could’ve found a standing place almost up front, like you did with Troye Sivan’s concert, and you didn’t?
Nope. I didn’t. For a few reasons actually:
We didn’t have to use the wardrobe.
The show was a very visual show and you could see it best from the balcony, since you could see the entire stage.
After all, Sammy and I are relatively small, so we wouldn’t be able to see shit unless we were completely front row.
I don’t like being stuck in crowds.
And the crowd was massive. It’s really confusing, cause both Troye and Panic! played sold out shows at AFAS Live but Panic!’s crowd was double the size. Ever since it got announced that Panic! got AFAS, I was very confused, because if you look at other venues of the PftW tour, they have massive venues sold out. Panic! easily could’ve played Ziggo Dome or whatever, but nope, they got AFAS. Hmmmm.
Anyway, I did consider going all the way up front so that I could hopefully give Brendon an ace flag to wear during Girls/Girls/Boys, cause that would mean the world to me, but the cons outweighed the pros and besides, I have nothing to complain about my seats.
Especially now that I’ve seen YouTube videos from the people down at the standing room. It got hectic and loud and woah, at least I could still hear Brendon Urie himself.
The opening band was A R I Z O N A. The band, not the state. They’re from New Jersey. I wasn’t familiar with them, but by now I’ve listened to their entire discography and they’re good.
Then, it was time for an half hour long break and it was time for people to get annoying. Yup, as I mentioned, I had a great seat on the third row on the balcony. I was the first seat of that row, so no one blocked my view. It was wonderful.
But during A R I Z O N A’s set, people started leaning against the banister (is it called a banister?) of the balcony and people were crowding the steps in the aisle, aka people were blocking our views.
Sammy and I got so pissed.
Luckily, we weren’t the only ones cause the man in front of me actually told some people to leave, because they were blocking our view, but the moment those people left, new ones arrived.
So yeah, Sammy and I were pretty annoyed and then the countdown started, so we had a “well, shit, if we have to” moment, but three minutes before Panic! came on stage, security wiped the entire aisle. Everyone had to go all the way to the back to stand there behind the rows of seats.
A part of me felt a bit bad that all those people got pushed to probably the worst places in the entire venue, but man, on the other hand, Sammy and I were so damn glad.
And so, the countdown counted down (wow) to zero, while Toto’s Africa was playing, and the show started. I actually took a small video of all numbers and I put them together in a complication, excluding Girls/Girls/Boys and Bohemian Rhapsody. Those were long enough to have videos of their own.
Now, if someone’s reading this (hi), get something to drink cause this is gonna get long. When I talk about concerts, I write down the entire setlist and my thoughts on the performances, and wow, Panic!’s show was almost two hours long.
How long? Well, someone put the full show online and it’s 1:48:20 long.
So yeah, the gorgeous purple lights turned on and Nicole (I’m gay), Mike, Dan, the horny boys and the wicked strings (I’M GAY) started playing and then Brendon arrived to start off with...
F**k A Silver Lining: We had one of those smaller stages (cause again, Ziggo Dome who??? I don’t know her!) so all those extras like Brendon jumping out of the stage didn’t happen. Luckily, the wonderfully beautiful visuals and lights were there. Silver linings came out of cannons and the show started. It was a beautiful sight, although it took me a while to realise that the images on the projections were supposed to be “motherfucking” cherries, not dicks.
Don’t Threaten Me With A Good Time: Ah yes, Brendon Urie showing off his vocal range by singing random parts in falsetto. I love it and I sang along.
Ready To Go (Get Me Out Of My Mind): So delighted to hear this one, since it’s my favourite V&V song and once again, Brendon killed everyone with those high notes. They also put Mike in the spotlight, and it wasn’t the last time they did that during the show.
Hey Look Ma, I Made It!: Ah yes, Beebo. He actually showed up before the countdown. He was just chilling on stage. Anyway, I fucking loved the song.
LA Devotee: Nicole and Mike got front stage and bam LA Devotee, my favourite song from Bachelor, started playing. It was awesome.
Hallelujah: The girls in front of us lost it when the first note started playing. Brendon did his classy falsetto again and it was great.
Crazy = Genius: Hey look, fire. Anyway, this song is amazing and is it underrated? Idk? I love it so much.
The Ballad of Mona Lisa: People went apeshit when the first notes started playing. I really liked it.
Nine In The Afternoon: Where did Brendon go? Oh, he’s at the piano, aka it’s time for Nine In The Afternoon. I loved that you could hear the strings at the end so clearly.
One Of The Drunks: Ah yes, they added this song for the second leg and boy am I glad they did, since I absolutely love this song.
Casual Affair: Wow, okay. The visuals and the lights were amazing in every damn song, but Casual Affair had by far one of the best. AFAS Live became a big laser show. And nearing the end, a laser circle appeared on stage and Nicole and Mike joined Brendon in the circle. And then Brendon started singing very, very high. Probably the highest notes he’s had all evening. I was in absolute awe.
Vegas Lights: I am also so happy they did this song. I’ve loved it ever since I first listened to it and the energy in the room was so high.
Dancing’s Not A Crime: Annika from Plurk said that this song was so much fun live, and I am inclined to agree with her. This was so much fun! They did change the lyrics from “MJ up in the clouds” to someone else and the ending was also done in falsetto, which was great. Yup, yup, yup, Annika was right.
This Is Gospel: Brendon got a guitar and it was time for This Is Gospel. Now of course, this song is great and the added high notes were wonderful, but the very end was the best. After the song ended, Brendon, Nicole, Mike and Dan just jammed for one whole minute. Just music. I knew it was coming, so I filmed it.
Death Of A Bachelor: No surprise here, but Brendon told everyone he wrote it because he wanted to be Frank Sinatra. Since this is a smaller venue (... still... why...), he didn’t have to do the Death Walk, which is a good thing. It was just him and the horny boys on stage and the funk part was so much fun. Heh, horny boys. What a great pun.
It was time for a silent moment. The horny boys left the stage and Brendon started talking about he tried to learn Dutch at 3AM but he couldn’t get very far. Well, he got “Hartelijk bedankt” and “Ik hou van jullie allemaal”, and he thanked Google Translate. Anyway, he moved to the piano and he talked about how he hated it that his mum tried to teach him piano, but that he learned this song. The wicked strings returned and he started playing.
I Can’t Make You Love Me/Dying In LA: In the middle of the song, it transitioned into Dying In LA. Again, smaller stage (wtf), so the whole floating piano thing wasn’t there, but the music was obviously the same.
The Greatest Show: From a slow piano ballad to BAM this. I was not as disappointed by Panic!’s version of The Greatest Show as others, but I definitely agree that the song is much better live. Brendon sounded a bit raspy, which was great. He’d been raspy the entire show and it was great, but here it was amazing.
Girls/Girls/Boys: YES. IT’S TIME TO GET GAY. THE ONE I’VE BEEN LOOKING FORWARD TO. Sure, I didn’t get to show off my ace flag, but Brendon still got flooded by flags, including 2 pan flags, 1 bi flag, and 1 trans flag. He commented on how it was the most flags he’s ever gotten. I saw even more flags in the audience, so he didn’t even get all of them. The Panic! Hearts were lovely, even though there was no rainbow. There was no assigned seating, so colours were everywhere. I had an orange heart and Sammy had a blue one. It still rained glitter and I almost cried when the rainbow love banner appeared. After the song, the rainbow laser lights appeared and Brendon gave a small speech. I want to relive this moment again.
King Of The Clouds: Smoak clouded (pun intended) the stage and it was time for King Of The Clouds. Not much to say, apart from the usual: it was great and the visuals were beautiful. The purple/green/blue colour scheme at the end was mesmerising.
High Hopes: CAN I JUST SAY THAT THAT MOMENT WHERE THE WICKED STRINGS BEND BACKWARDS IS ONE OF THE MOST BEAUTIFUL MOMENTS EVER? And also, oh boy, there were some high notes at High Hopes.
Miss Jackson: Brendon lost his golden jacket and Miss Jackson started playing. He did a backflip as well.
Roaring 20s: Another song that got added for leg two and just like One Of The Drunks, I welcome this change. Yup, I was one of those “*shoves 20$ to Brendon* Add Roaring 20s to the setlist!” people. NOW ONLY THE OVERPASS AND OLD FASHIONED LEFT.
Bohemian Rhapsody: How can you not sing along with this song? It’s iconic. I love the “ending”, so I filmed that (see link above). It’s 3 minutes long.
Emperor’s New Clothes: This is the one song in all of Panic!’s discography that I have mixed feeling about. Like, there are some songs I just dislike, and some I like, and some I love. But this song? Bruh idk. I sing along from the top of my lungs, because I like the energy, but do I like the song? Well, this time I fucking did cause it was a blast to hear it live and the lights were beautiful.
Then it was time for the encore. Some poor unfortunate souls behind us left. I heard another woman saying: “Don’t ever do that. Oh, this is so stupid.” The band slowly came back to the stage and Brendon lost his shirt.
Say Amen (Saturday Night): HE HIT THE HIGH NOTE HECK YEAH. I LOVE THIS SONG.
I Write Sins Not Tragedies: Ah yes, Sammy’s favourite song, since it’s a banger according to her. Well, she’s right. I am kinda glad that Brendon didn’t ask an audience member to sing with him.
It was time for the last song. Brendon said that he’s not the smartest guy (”I didn’t even go to college���), but that he knows that everyone is important due to, well, biology. He gave one of those inspirational celeb speeches about how everyone is important to him, but also to themselves. We were all born as winners, and that stuff.
Victorious: I knew they were going to end with Victorious and it’s the perfect song to end the show. It rained confetti and it was time for them to go. I didn’t want it to end.
They all waved goodbye and Mike and Dan threw stuff to the audience (probably guitar picks and those things). The girl in the seat behind me dropped her heart before Girls/Girls/Boys and she couldn’t find it. I found it after the show. I wanted to return it, but she was already gone, so I now also have a yellow heart.
And yeah, that was it.
Overall thoughts? Well...
I can’t go into detail about the visuals, but they really added something to the overall experience, so I actually recommend getting a seat that allows you to see the full stage in its glory.
Also, Sammy said: “I can no longer listen to the recorded versions now that he’s added all those amazing high notes” and that’s a big ass mood.
To quote Sammy some more, she said something about the beautiful intermission instrumentals between songs and how she’d even buy an album filled with those. That is also a big ass mood.
To continue this trend of quoting Sammy, I agree with her that watching Brendon dance was so much fun. I like that he’s having fun.
Anyway, it was time to go. Some girls complimented me on my ace flag, which was so fucking cool. Just like with Troye, the train station was flooded and there were still many flags.
Sammy and I got the train back home and we briefly saw the girls from before, so I said hi.
And that was it. What a day.
Recommend?: Please.... I want to do this again... oh god....
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Skam France 2.10 and 2.11 reaction
Skam France dropped two episodes last week, so I’m gonna put them together.
this is another angry recap so heads up if you’re not into those
Episode 10
Clip 1 - Mickael and Lisa are very loud
Right off the bat - worst birthday ever. Making it Manon’s birthday was a good way to adapt these scenes into a holiday setting, though.
Are they play-acting so Manon can hear, or is this supposed to be a conversation between them and they’re careless enough to be too loud?
Actually I think this is a real conversation, not a performance for Manon. I think Lisa is sincere and she’s genuinely forgotten Manon’s birthday. Also that she really thinks for a second they’ve got to celebrate the pope’s birthday.
Lisa saying she misses Manon is sweet. Pretty sure they’re not going to delve into this family relationship or anything but it’s nice especially considering Lisa seems quite cantankerous.
Lisa telling Mickael to open the door faster made me laugh for some reason. She doesn’t have time to prolong the drama.
This whole conversation is funny but poor Manon, she just wants to shut out the world.
Clip 2 - Mickael gets real
Manon’s actress continues to do a good job. She looks so tired and beaten down by everything.
Mickael and Lisa are both cute in their rendition of Happy Birthday! Lisa has so much more energy than Linn.
“We’re sorry to steal from your cupboards all the time and ruin your life like leeches from hell.” lmao I love Mickael.
I was apprehensive following the previous scene, because we got a funny conversation between Mickael and Lisa, but not the more serious and caring side of Mickael and the talk with Eskild that was in the original clip. I was worried because overall his character has felt less nurturing than Eskild and he hasn’t seemed to have as close of a bond with Manon - there were a few moments that were played more for humor than to indicate a strong relationship. It made me nervous that they were taking Mickael more in the direction of “gay comic relief” rather than showing his more substantial sides. So the fact they followed up the earlier conversation with Michael talking to Manon in a heavier way here was reassuring. We get to see his more caring side. He sympathizes with her and acknowledges how much he talks about his life but offers to listen as well. The actor is great and I hope they continue to give him the meatier material, especially in S3
I know he’s saying it because he’s worried, but telling a person with an eating disorder she has to eat entirety of her tray maybe isn’t the best advice? Though I doubt he knows about her ED.
Clip 3 - Charles shows up
I do think it makes it more random and less sense that she’d be like “go party with your friends, Charles” when it’s her own birthday. Or does he know that? He has to know that, didn’t he get her the cake? He’d probably see it on social media?
This is in my opinion the best Noorhelm scene of that relationship, and it almost was of Marles, too. Charles/William acts like a decent person, comes in semi-confrontational but gets his priorities straight when he sees that Manon/Noora is breaking down and panicking, and tries to calm her down and support her. The original scene of him lying down with Noora was genuinely touching and supportive.
They were on the right track and then they botched it. I have an anxiety disorder. I have had panic attacks. I know how scary they are. You don’t “help” someone with a panic attack by physically picking them and making them leave despite them crying at you they don’t want to go out. What the hell. Why would they add that?
I mean I feel like there’s some weird gender shit going on here, with Charles being the alpha male type and then Manon being the fragile woman and it’s OK for Charles to ignore what she’s saying because Charles Knows Best. Not to mention this is the show’s idea of a swoon-worthy moment. We gotta get the guy carrying the girl around like a little doll.
Lol, I even saw some weird justification of this moment along the lines of “Well, if she really didn’t want to go out, I’m sure he would have respected that.” She’s crying and telling him she doesn’t want to go out. What more does she have to do to get the message across? Does she have to physically fight him?
Clip 4 - Birthday cake
Well, the cake looks pretty, and at least they wrote in a new scene to acknowledge her birthday.
Also, don’t totally love that he took her phone away. I get it, he probably wants her to just chill, but in connection with everything else, it’s just another small way he’s jumping in and making decisions for her. I would not have been as annoyed if this wasn’t a pattern in their relationship or if this wasn’t immediately following a moment where Charles overrides Manon’s pleas on how to handle her own panic attack.
This scene of them on the rooftop felt like something out of a kdrama in terms of music and slow motion staring at each other. Or at least how I remember the kdramas I’ve seen.
I don’t get why he needed to take her to the rooftop other than the #aesthetic since he just carries her back to her room. I know it’s where their first date was, but she was freaking out and panicking when he tried to make her leave. I really can’t get over that! Whyyy did they need that moment?
Did Charles look at her phone? Sort of dilutes the impact of him not reading her Facebook messages.
He muted the volume on her computer at least.
Episode 11
Clip 1 - Charles writing
I guess Charles was up writing this article for a while since it’s like 5 in the morning.
Confession time: I’ve never really liked that William (and now Charles) wrote the article for her. I know it’s considered to be one of the better things he did for her but even when I was watching S2 for the first time, I was like 😕 “Can’t they give me something to like about him that I don’t have reservations about?” I don’t think this was a terrible horrible thing he did, and admittedly I am bringing personal feelings into this situation, but it’s just something that I would not be OK with if someone did it for me without telling me first. I would be really panicked and upset if someone did this to me even if they meant it to be a kindness. He wrote the article and submitted it without her consent. Her name is on it. That means she’ll be held accountable for whatever the article says. Consider that Manon and Charles have been disagreeing on tons of topics so far - in fact Charles’ ability to make Manon rethink her opinions is a point that has been explicitly made about their relationship. So when it comes to the article, how can you expect that Manon and Charles would agree on the same points? Someone can be well-intentioned and still say stuff that’s a bit clueless, or make a mistake, and then it’s Manon who would be responsible. This only works if you assume Charles was a great writer with the right opinions - it excuses the action based on the outcome, without considering if the action itself is appropriate. (Which, to be frank, is true of many actions in this season.)
I would’ve preferred if he’d written it and then shown it to her to get her approval before sending. (“But that would have ruined the surprise/she wouldn’t have agreed to send it” - uh, too bad? She should get a voice in this. I get that she’s dealing with serious anxiety, I know what that feels like. But lol, imagine the resulting anxiety if Charles had sent out the article and it had a bunch of errors or some questionable opinions in it and Manon was criticized for it.)
The best case scenario is that he just took her notes and compiled them into something cohesive, which was somewhat implied, but she didn’t have enough notes to make a long enough article without him injecting his own thoughts.
Clips 2 and 3 - Manon and her girls
Did Charles make her tea? Now that’s a nice gesture.
Charles is watching her sleep, just to bring in those true Edward Cullen vibes. Manon was right about this being Twilight!
Lmao, explain to me why she had to wear that tiny dress? That looks like something I’d have worn to a middle school dance when I still had braces. It’s not Norwegian Constitution Day where the girls are going to be dressed up. It’s Manon’s birthday - she can dress however the hell she wants. She doesn’t have to dress up, she could wear her normal clothes. She could roll over to the party in sweats and a nacho cheese-stained T-shirt.
The music and imagery in the last two clips has been getting super soap opera-ish.
And when Manon shows up, the other girls are wearing their normal clothes, jeans and comfy clothes. Again, why did Manon need the dress?
Heh, how much did they pay for the rights to sing Happy Birthday? Or is it only in the US that you have to cough up a pretty penny to use it on TV?
I looked it up and apparently the song was officially recognized to be in the public domain in 2016! Good to know.
The girls are very cute performing Happy Birthday, though. Love the placement of the birthday hats at jaunty angles.
I’m not really qualified to talk about this as a non-Norwegian but I’ve read a bit about the patriotic themes in S2, and how it’s fitting that Noora tells the girls on Constitution Day (how living in a free, democratic country means you have to believe the law will protect you from assholes like Niko) and that ties in to the overall motifs of the season, and so that’s obviously lost here. It’s a missed opportunity, especially with the article. I think if they tried harder they could have written, you know ... something that related more to this adaptation and French youth, instead of repeating a speech that specifically about Norwegian culture. That’s the bare minimum, my dudes.
Like when Daphne says they need to go to the police because they’re in France and the law will protect them ... I mean, sure, but it’s just one of those things that lacks the thematic relevance of the original as it’s not a national holiday at the time.
(They’re going to do 21:21 for S3 without any changes, aren’t they? Goddammit. I will believe them that they’re changing the storyline when I see it and not just hear it.)
A minor nitpick: I also feel like it’s kinda odd to read her article aloud? It made sense with Noora since it related to the holiday they were celebrating and could fit into their festivities but this is just a random article. In that case I’d find it weird if my friends just started reading something I’d written out loud. I mean it’s one thing to congratulate her for a job well done but IDK, felt out of place.
But Emma only gets a few lines in, so thankfully we didn’t have to hear the whole thing awkwardly re-purposed for this remake.
Poor Manon with tears in her eyes. Her acting continues to be very good. Manon is more openly emotional and sad than Noora, who seems more like she freezes or shuts down or tries to close herself off.
Hug pile :(
Loved to see Daphne be at the forefront of taking Manon to the hospital and supporting her while they’re there.
Clip 4 - Justice
Nico is such a rat.
Also his ass is dumb.
But that’s no surprise.
Manon is more no nonsense and less playing with Nico than Noora was.
Actually I preferred that they cut out the line about not dropping the soap and had her throw her drink in his face instead, good job, Manon! That was satisfying.
Clip 5 - The point of no return
So. This is the part when watching the original series where I knew I could never like William or Noorhelm.
I’m going to go into a personal tangent, skip if you want. I can’t remember if I’ve mentioned how I got into Skam in one of these recaps so my apologies if I’m repeating the story.
I discovered Skam completely randomly during S3, via a YouTube recommendation. Of all things, strangely it was because I had watched a preview for the show Eyewitness, which was an American remake of a Norwegian show about two boys who witness some murders while making out in the woods. I enjoy crime stories/mysteries and the premise sounded intriguing, so I watched the first 10 minutes of the pilot that the network had put on YouTube as a teaser, and then some interviews talking about the show. Eyewitness turned out to not to be my thing and I didn’t watch more than a few episodes, but because I’d watched it, YouTube started recommending me clips from other shows with gay couples, including Skam. One night I was bored and decided to finally click on one of the Skam clips. I was hooked right away, impressed by the writing, directing, acting, and chemistry.
This was still really early in Skam’s viral spread during the fall/winter of 2016. There wasn’t nearly the amount of information and organized how-to-watch-Skam guides available in English at this point. I learned about the social media concept and real-time distribution of the show from reading the YouTube comments. The first clip I got to watch in real time was the pool scene. If you were there at the time, you might remember the 10-day hiatus between episodes 5 and 6. That was when I decided to watch seasons 1 and 2. Before that point, I had not heard a single bad thing about Noorhelm, William, or S2. In fact, I only heard overwhelming praise from the YouTube comments - people commenting that they missed William, encouraging people to watch the previous seasons and singling out S2 as an amazing storyline (and a number of people saying S1 was boring but to stick it out to S2), telling people Noora and William’s relationship was fantastic. I mention this because for some reason, certain fans are under the impression that people decided to randomly hate S2/Noorhelm/William based on opinions they read on Tumblr and it’s only bandwagon hate. So this is just to say - I did not go into S2 with any negative expectations. I wouldn’t even say I was hyping it too much in my mind so that I was bound to be disappointed. I just expected it to be decent television.
I watched S1 in like a day and loved it. I especially admired how all of the characters had both good and bad sides, and how the characters who easily could have been demonized, like Ingrid and Iben, were made into human and sympathetic figures by the season’s end. Did not love William’s behavior at all, thought he was a creep, but hey, he apologized to Vilde at the end of the season! That must be the character development I saw people mention in the comments! And so I reasoned that S2 would redeem William and manage to sell me on Noora/William. It wasn’t my preferred storyline but I loved S1 and I loved what had been released of S3 so far, so they could probably make me enjoy it, right? And besides, S1 had been pretty good in a lot of ways about sexism and gender roles, I trusted the show to continue that into S2.
So I started S2. And I saw William text Noora even when she’d rejected him. Okay, I thought, not a great start, but it’s the beginning of the season. Surely this behavior will be addressed, and he has plenty of time to change his attitude. And I saw William use Vilde in order to finally get Noora on that date. Yikes, I thought, I thought he was supposed to get better? This is textbook male entitlement. I didn’t feel OK with his behavior.
But OK, we’re only on episode 2! So much time to turn it around! And then we learned that William apologized to Vilde in exchange for a date with Noora. Errrr, that makes his apology a lot less satisfying and much more self-serving, I thought. And then I watched William take Noora on a date, and Noora confront William with his shitty behavior toward her and Vilde, and to my great bafflement, I saw William not express regret for his actions, but instead justify his actions not once, but repeatedly, with reasons that were flimsy at best and appalling at worst. I saw Noora tell William he had manipulated her in order to get her on that date and William deny it and turn it back on Noora. The scene made me furious. At that moment I hated William even more than I’d disliked him in S1 - because S1 was supposed to show him at his worst and ended with a moment of him displaying some self-improvement. Why the fresh hell would we then get this scene that effectively erased that character growth in order to show how selfish his motivations really were? I hated that scene. Hated hated hated it.
We were still early in the season, though. And episode 3 had admittedly a nice scene of Noora and William hanging out together - it was a nice scene because Noora was so cute, though, not because of much to do with William, and marred by William saying some misogynistic crap and then not owning up to it when called on it. But all right. It was progress.
Throughout the season, however, there was a pattern, where there would be a moment where William seemed decent for a fraction of a second, only to show his ass and do something I found obnoxious, entitled, or awful shortly afterwards. The midseason peak was him bashing a bottle over a dude’s head, justifying it, and belittling Noora for not understanding his Great and Important motivations for bashing a bottle over the guy’s head. This was followed by a scene I found horrific in which the show’s designated voice of reason told Noora that she needed to understand why her boyfriend bashed a bottle over a guy’s head, or else it was unreasonable and just like how war begins or some shit like that, in response to Noora’s objections to her boyfriend being violent. Viewing this scene was deeply surreal, as I was aware that this was the voice of the writer telling me why I should like William or why it was wrong for me to dislike William. The scene’s message made no sense in context.
At this point I had realized I probably wasn’t going to like William - in addition to his crappy behavior and attitude, he wasn’t written in a particularly compelling or 3D way, and the performance wasn’t charismatic enough to hold my interest (although I want to stress that it wasn’t the deal-breaker and I could tolerate mediocre acting for a well-written complex character). Yet I held out a little bit of hope that there would be an 11th hour revelation or redemption arc where we could see how much William had grown and the sexism and male entitlement that had been threaded throughout the season would be addressed properly. We got William calming down Noora from anxiety in what I thought was a genuinely lovely scene. I didn’t much care for him writing the article but it wasn’t something I hated him for. For a moment, things seemed like they might turn around.
And then, we came to this clip. The point of no return.
A scene in which William gets in Noora’s face, towers over her, doesn’t hear her out, shakes her off and leaves her crying in the middle of the schoolyard.
That would be bad enough as it is, though I can maybe understand his reaction in the heat of the moment. Maybe. But it wasn’t until I read the text messages afterwards that I was well and truly done. Noora texts William like an hour after this scene happens. She explicitly says that if anything happened between her and Niko, it would have been assault, she blacked out, and she’s pressed charges against Niko. And William ignored her for days afterwards.
This is so unbelievably cruel that it killed any hope I had for this storyline, it killed any possibility that I could like his character or root for this relationship. He knows she might have been raped and he ignores her when she is pleading for him to talk to her. He doesn’t reach out to her on his own, either; it takes Noora tracking him down and demanding his attention. I don’t remember him ever specifically apologizing for this behavior (if he did and I forgot about it, feel free to remind me). He apologizes for Niko. Not for himself.
Imagine Noora, who still thinks she may have been assaulted, who is still dealing with the trauma, having to also deal with the boyfriend she loves abandoning her and shutting her out. Imagine how tender William was with her earlier in the episode as he saw she was breaking down, and how it feels when he withdraws that tenderness after he finds out the reason why she was breaking down in the first place.
Let’s not even get into the real-life context of this scene, and how rape victims are often treated like dirt by friends, family, and romantic partners after they come forward about their assault. Let’s just mention that rape victims fear their loved ones won’t believe them, will blame them, or reject them, to the point where it’s a huge factor in why they don’t come forward, and that what happens with Noora here when William leaves is the embodiment of that fear.
It’s not just that William has flaws. Everyone on this show has flaws. It’s the way his flaws are handled. There is too much baggage with his character in terms of real-life sexism and gender roles, too little remorse and empathy from the character himself, that it’s beyond what I can enjoy in a fictional love interest.
“We don’t know what Niko may have told him.” That’s true, and I did consider that at the time. But you know what? William knows Niko is a creep. If Niko made any kinds of threats toward Noora, if there was any way he misled William other than just saying Noora was a slut who threw herself at him or anything we could have predicted knowing what we’ve seen from Niko, we needed to hear about it once the situation had been cleared up. Julie needed to have William explain so we know he at least had an understandable, non-self-centered motivation for reacting the way he did.
“William was just hurt/didn’t know how to deal.” I cannot stress how much I don’t give a shit about how William was so hurt compared to how Noora must feel in this situation. Noora told him rape may have happened. Why in the world would I prioritize William’s feelings over the feelings of a sexual assault victim in relation to her own potential rape?
Fuck William. Fuck Charles. Fuck this narrative that is constantly putting a guy’s boner feels and manpain above the female lead’s agency, rational concerns, and mental health. Fuck this narrative that is constantly encouraging us to empathize and understand an entitled dude’s emotions and actions, including sexism and violence, while the same entitled dude shows little empathy or understanding for a potential rape victim, a girl whose self-image was damaged by him telling her she wasn’t attractive enough, or a girl who rejects him romantically. Fuck the double standards of women having to understand and empathize with men when they are behaving like assholes but men not having to empathize or show compassion to women, including when they are victimized, by putting aside their own feelings for a goddamn minute.
Anyway, back to the Skam France clip.
Daphne got aroused from kissing Emma … hmmm
Once again, absolutely no comment from or about the supposedly bi girl sitting right there with them, which might change the context of the scene a bit.
This soap opera music starting as Charles comes thundering up to Manon.
DID THIS ASSHOLE MOVE IMANE OUT OF THE WAY WHEN SHE TOLD HIM TO WAIT
FUCK YOU DUDE
DID HE SHOVE MANON AGAINST THE WINDOW
“Answer yes or no” “I don’t know.” YOUR FIRST CLUE, JACKASS.
oh BOO FUCKING HOO Charles is crying, so glad this is about his hurt feelings and not his girlfriend potentially being raped.
Oh cool and he knocked her on the floor so she’s crying on the ground, great, she thinks she might have been raped and here’s what we have now.
SHE TEXTS HIM AFTERWARDS. AND TELLS HIM. IT WOULD HAVE BEEN AGAINST HER WILL.
HOW DID THEY MAKE THIS SCENE WORSE
General Comments
I was willing to give Marles a chance in the hopes that they would rewrite the worst parts of this relationship, but instead it’s like they’ve double down on Charles’ domineering bullshit and it makes me so angry. That’s really all I have to say.
I’m not French so if I misunderstood some context, feel free to correct me.
If you got this far, thank you for reading!
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In grade school I used to get in trouble on purpose so I wouldn’t have to go to recess. It freaked me out having all this open space to have to walk around and act normal. it was a weird amount of work. So I would do something bad during lunch, disobeying a rule or whatever. The punishment would be having to sit outside against a brick wall during recess, which honestly was enjoyable for me. I could watch everybody and enjoy the weather without having to navigate social interaction or worry that I was looking strange if I chose to do something alone.
At some point I had a teacher who would make us stay in during recess if we didn’t finish whatever we were given to work on during class. So I would work SO slowly, pretending not to be smart, writing my letters so carefully and tracing them over.
I was called weird so many times, I started to just embrace it and learn how to like it. I did have a few friends, usually one or two people with whom I became extremely close, but if they weren’t in my class, I felt paralyzed and really had no ability or desire to make new friends. It was like I only had so much energy for that type of thing, and for some reason I wasn’t given as much energy or skill as everybody else.
Savannah was my best friend. She had long dirty blonde hair, her eyes could look green but weren’t really, her middle name was Jill, she played clarinet in band and was really good at spelling. Her handwriting was better than mine. She wrote thank you notes to everyone for everything, on Lisa Frank stationary. She was extremely organized. Sometimes we went over to her grandparents’ house to swim in their pool. We would play mermaids and eat barbecue flavored chips. Savannah had a boom box and we would listen to tapes. Lisa Loeb, Melissa Etheridge, Ace of Base, Blackstreet, Boyz II Men, TLC, or sometimes just the radio. We would recite the rap part of “Waterfalls” together, usually they would cut that verse from the radio version but every now and then they would play the album version and we would get so excited.
We would have sleepovers, we’d fall asleep watching SNL and Mad TV. In the morning her mom would make us cinnamon rolls and we would drink orange juice from cool plastic cups with characters on them. Her dad worked construction and talked with a raspy voice, he terrified me but was actually very kind. Her mom had pretty long brown hair. They had Grateful Dead posters everywhere and seemed like they had been hippies. Incense was always burning and it made me cough a lot. They would always say I must be getting sick but then I wouldn’t cough once I left.
One time Savannah said she heard her parents arguing about money. She said she was really worried and she cried as she was telling me about it. Money was not something that was ever discussed in my house, I didn’t even consider that somebody could not have enough of it and that it would cause stress and fear. I felt guilty and didn’t know what to say. I patted her back while she cried and we fell asleep watching a Bob Dole skit on Mad TV.
One time her parents drove us to St. Louis for the St Patricks day parade. Savannah and I both wore turtlenecks, sweatshirts, and baggy jeans. I wore Adidas gazelles and I think she wore Vans. We both had long hair that we usually tied back. I printed out “interviews” for us to fill out on the drive. I would make up all of these questions like we were famous and being interviewed for a magazine article, i would type it all up on my family’s computer, print out two copies and staple the pages together. Savannah and I loved filling these out, writing in pen in the blank spaces I left for the answers. Her parents thought this was hilarious (”You two are just going to sit back there and fill out your surveys?” “Yep.”) At one point in the drive, her parents asked if we had brought any music to listen to. I very shyly pulled out a Rolling Stones album that I had taken from my parents. I handed it to her parents, Ron and Teresa. I remember exactly what they said because it made me feel proud. “Hey! An oldy but a goody!” They played it and we all sang to Jumpin Jack Flash. I loved that song so much.
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It’s pretty cool when you find an Easter egg on a Blu ray or hidden within a movie, but it’s even more fascinating when you uncover mysterious messages buried in famous works of art. Some of the secrets on our list remained undiscovered for over half a millennia Including a hidden musical score, A mysterious object floating in the sky, And one famous composer’s tribute to a clandestine worldwide organization. Here is our list of the top seven secrets hidden in famous art works.
7: The Secret of The Last Supper
Leonardo DaVinci was a man of many talents. He was an Inventor, Architect, Scientist, Sculptor and of course an Artist. But there’s one more talent, DaVinci is known for which may have been hidden in one of his most famous works The Last Supper and that talent was music. In 2003 Giovanni Maria Paula Discovered that if you draw lines of Musical staff across the painting, to correspond with the positions of the hands of the Apostles and loaves of bread, you uncover a melody that had remained secret for over 500 years. At first the music didn’t make any sense but after remembering that Leonardo wrote music right to left, Giovanni reversed the score. You see, Leonardo wasn’t the only one who could hide things in great art.
6: The Secret Diagram
Michelangelo’s the Creation of Adam is one of the most iconic images in human history, depicting the book of Genesis scene where God breathed life into Adam through his fingers obviously because a painting of the Lord Almighty going mouth to mouth with Adam may have been a little risque for the walls of the Sistine Chapel. But in 1990, an american physician, Dr. Frank Meshberger, noticed something familiar about the area surrounding god. What is that weird shape that the Lord seems to be crowd surfing out from? Meshberger noticed that the border of the area behind God corresponds precisely with a side profile cross section of the human brain. Here’s the pituitary gland, the frontal lobe, the vertebral artery, the spinal cord, the pons, the Sylvian fissure, and the brain stem and if you need further evidence, then consider the fact that at the age of 17, Michelangelo was a passionate anatomy student who dissected corpses from his local church graveyard to study and that alone will get you on some sort of watch list so maybe don’t judge that kid in your class who likes to play with roadkill because he could be the world’s next great artist.
5: Evidence of Ancient Aliens?
Take a look at this image of Dominical Gillan Diyos painting “The Madonna with Saint giovannino” and see what catches your eye immediately;
is it the attractive lady in the center perhaps it’s the baby with the low-slung slacks trying to give her a high five while the other angel baby checks out his Jillian Michaels physique, that kid is more ripped than I’ll ever be, or maybe the first thing you noticed was the strange object hovering in the sky and the dude below it wondering what the heck it is. There are a number of paintings which depict unidentified flying objects in the sky but geelen deals is one of the most startling due to its prominence in the reaction of the guy on the right. He’s looking at a disc-shaped object which seems to be shining brightly while stepped out in a strange array of Spears, what on earth was Gil and I Oh trying to show us or maybe Earth isn’t the proper word to use .
4: A Message for the Pope
this is Michelangelo’s “The Prophet Zechariah” and it was painted in the Sistine Chapel in 1512 during the reign of Pope Julius the second. Now to say Pope Julius wasn’t everybody’s favorite is a bit like saying people thought the new Ghostbusters 3 trailer looked a little crappy. Julius the second was known as “papa terrible” and you can translate that for yourself but Michelangelo wasn’t a fan either and it’s believed that he painted Zechariah in a way that closely resembles Pope Julius. Now that’s not particularly insulting is it, sounds like quite a nice gesture actually until you realize one of the two babies sat behind Zechariah is making a little gesture of its own. See the thumb poking out between the middle and index fingers, well the Pope didn’t and nor did the Vatican due to it being placed so high up in the chapel but if they had they would have seen a little baby making a gesture known as the fig which is an ancient way of saying and let me get this translation right,
*clearing throat* “F*** You.”
3: Mona Lisa’s Secret
So we already know that Leonardo DaVinci likes to hide musical scores in his work but what secrets could possibly remain hidden in the Mona Lisa, one of the world’s most famous pictures of someone being forced to smile on picture day. Many theories have been thrown around regarding the layout of the picture, such as the idea that Mona Lisa was pregnant due to the arrangement of her hands, that she may have been a prostitute due to her lack of facial hair and when the image was analyzed by a doctor he noticed the Mona Lisa may have been suffering from a tumor in her right eye, a tumor davinci clearly must have noticed so did he tell her? And that’s not the end of it because there’s even more to this picture than meets the eye literally, by magnifying her right eye you’ll see the letters “LV” appear probably a signature but the left eye shows “CE” so whose signature is that? On the bridges arch there’s the number “72” and beneath the painting itself the number “149” is hidden away. We are able to view to Vinci’s previous attempts at the painting through layer amplification technology which is how we know about the number “149” and also how we know there’s a whole other painting of a completely different woman underneath. So who is she and what do all those letters and numbers mean? Davinci, not the type of guy to put those things there for no reason so if we don’t know yet probably going to take us another 500 years to figure that one out.
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2: The Purial Portrait of a President
This is a portrait of former President Bill Clinton which hangs in the Smithsonian Natural portrait gallery and its artists Nelson shanks has admitted that hidden within the painting is a reference to one of the most shocking moments of Clinton’s presidency. See the dark shadow on the mantle of the oval office just over bill clinton’s right shoulder, this shadow came from a mannequin which shank snuck into the Oval Office whilst painting the backdrop when Bill Clinton wasn’t there, the mannequin was covered with a blue dress similar to the one worn by monica lewinsky when she most famously helped the president find his lost contact lens over and over and over. And Shanks claims that this shadow is a metaphor for the stained legacy of Clinton’s time in the Oval Office. Makes you wonder which other famous presidential portraits of secrets hidden within them. Does Theodore Roosevelt have a teddy bear in his pocket?>> or is he just happy to see you?!
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1: The Mysterious Musical Maestro
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This is a painting of classical composer wolfgang Amadeus Mozart when he was just 6 years old The painting was created by Pietro Antonio lorenzoni in 1763 but did you know that the way Mozart is depicted hints at his membership of the world’s most secretive Society, the mysterious Freemasons. It is well known that Mozart became a Freemason later in life but does this painting indicate his involvement from a much earlier age? A hand hidden within the shirt or jacket pocket is believed to be an indication of one’s dedication to the Masonic cause and whilst many of his later works do allude to his devotion to Freemasonry, it would be quite shocking if he had been indoctrinated from the age of 6…!
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7 SECRET Messages Hidden in Famous Art | Da Vinci Code | Secret Society It's pretty cool when you find an Easter egg on a Blu ray or hidden within a movie, but it's even more fascinating when you uncover mysterious messages buried in famous works of art.
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