#desmond the phantom witch
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apparently posts have a tag limit so here's more oc tags lol
here's the next part of this post
Also here's the mutants
#fred the grouchy lizard#phantasma the ghost#delve the battler#globe the rhinoroller#grunt the goar#moulton the magmadon#musk the stench#duster the snipe#poltergeist the grimly#scrape the ratcicle#tk sanders#spike the spike hero#hiro the spike hero#syrup the pink sludge#zapply the ee lectric#conch the shellephant#dzo the yuktopus#strawberry the scorporilla#detritus the sludge hero#grimknight the magmadon hero#pippy the snipe hero#razor the ratcicle hero#track the grimly hero#desmond the phantom witch#buddy the gaster blaster#willy the wanderer#vlad the destroyer#notebuster#rzore the void demon#avtug the lucem
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Bell Witch Country: United States Genre: Funeral Doom Metal Formed in: 2010
Lineup: Dylan Desmond - Vocals, Bass (2010 - Present) Jesse Shreibman - Vocals, Drums, Organ (2015 - Present)
Albums:
2011 - Bell Witch (Demo) 2012 - Longing 2015 - Four Phantoms 2017 - Mirror Reaper 2020 - Bell Witch & Aerial Ruin - Stygian Bough: Volume I (Collaboration) 2023 - Future's Shadow Part 1: The Clandestine Gate
#Telegram#Bell Witch#Funeral Doom Metal#Doom Metal#Dylan Desmond#Jesse Shreibman#United States#USA#US#Aerial Ruin
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Erik (The Phantom)
Doctor Jekyll/Edward Hyde
The Doctor (Doctor Who)
The Witch (Into the Woods)
Norma Desmond (Sunset Boulevard)
Mrs Lovett/Sweeney Todd
Making a list of the most characters of all time. They don’t have to have anything in common, they just have to be The Most Character. Here’s my list so far, I hope it’s incomprehensible <3
Jean Valjean
Benjamin Franklin “Hawkeye” Pierce
Lestat de Lioncourt
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Bell Witch Interview: New Voices
BY JORDAN MAINZER
One of our favorite albums of the year was Seattle metal band Bell Witch’s Mirror Reaper, a moving, 80-minute, one-track metal opus centered around death. The album features two distinct halves called “As Above” and “So Below”, the first featuring previously recorded vocal takes from late founding member Adrian Guerra, who after separating from the band two years ago died of a heart attack last year. The other founding member, bassist Dylan Desmond, recruited Jesse Shriebman to replace the drums of Guerra; as before, they both sing, as does guest Erik Moggridge on the second half of the album. Bell Witch also introduced organs to their arsenal. “How do we create this new voice in what has been a bass and drum band?” Desmond hypothetically asked over the phone last month in reference to one of the many dilemmas the band faced during the recording of Mirror Reaper.
In general, for Bell Witch, the fluidity of voices is a major theme. The band was in the middle of a tour during our conversation, one in which they had been playing the first 48 minutes of Mirror Reaper up until the point the song flips, right where Guerra’s vocals stop and it becomes ambient before Moggridge enters. If they were to play the second half live sans Moggridge--alive and well and making music as Aerial Ruin--it would feel kind of empty and wrong. Playing the first half without Guerra--they have no choice--rightfully makes his absence loom as large as it has since he died.
The band does have plans to play all of Mirror Reaper with Moggridge at Roadburn 2018, and they’re planning a European tour from March to May around their festival appearance. Having just finished a West Coast tour, as you read this, they’re likely already thinking about their next record. For now, check out my interview with Desmond below, edited for length and clarity.
Since I Left You: Did you decide during the recording of Mirror Reaper that having the album be one track was necessary?
Dylan Desmond: Yes and no. The song kept coming together, and the structure started to get finalized. I suppose it became a little more obvious that “maybe this isn’t something we need to be breaking up.” This is one song built off of one simple riff and variations. As it became apparent to us, we thought, “Well, one long song is going to be kind of annoying to listen to in one regard, but in another regard, maybe it’s fitting to what the song is and what we’re going for.” We started leaning more towards that. You kind of listen with different ears at that point. Eventually, we thought, “We can’t break this up into tracks.”
I feel that even more so playing it every night. When we finish playing--we just play the first half of the song--I think, “I’m so glad we didn’t break this into tracks.” It would have been doing a huge disservice to it.
SILY: How was the album recorded?
DD: Basically, we went through it once with the hopes of putting the drum tracks down, and a usable bass. Then we went through and did the organ and vocals after that. The main goal was to get the drums solid and keep adding layers. I think that makes it kind of hard. Some bands go in and do all the tracks at once. It’s tough for us because while it works live, recording it, tapping on the bass doesn’t properly communicate to the microphone the highs and lows at the same time. I’ll go through and do the lows and the highs separately. It ends up being 30-40 bass tracks per song.
Mixing took forever because it was such a large track. We were exceeding the bounds of Pro Tools as designed for one track. We had to keep stopping it. It kept overloading the computer. It was kind of annoying but kind of exciting. There were these error messages that Pro Tools kept shooting up. The engineer, Billy Anderson, would go, “I don’t know what this means.” So he would ask in a forum, and someone from Pro Tools chimed in and said, “That error message should never ever happen. It’s pushing past what Pro Tools is designed to handle.” [We were like] “Yes, that’s cool!”
SILY: What is it like working with Billy?
DD: He records really creatively. It’s almost like having another member of the band there. He never puts input into the playing style. But during the mixing process, he’s brilliant. He’s got the best set of ears I’ve ever seen in a person. He brings things out I don’t even notice. He can hear so many tracks simultaneously. I remember, I stayed at his house one time. He has a display of the records he’s done. There was a 7-inch from an old Seattle band, and [it was signed,] “Billy, You are alchemy.” That’s a good summation.
SILY: How did you balance your and Jesse’s different vocal styles?
DD: I guess the way that all came about was when Jesse started, it was after Adrian had left. He was playing and learning the vocal lines from the older songs. So he was trying to emulate and was on board with the style the band was doing already. That’s always been the case, where I’ll do the screams and he’ll do the growls.
SILY: To what extent in the back of your mind were you thinking about past notable one-track albums?
DD: We definitely discussed that. Dopesmoker gets the most attention. But I don’t think we were creatively referencing it. If anything, El mundo frio by Corrupted is what we’re more in line with stylistically, especially with the long passage in the middle that’s more of an ambient thing. I wouldn’t say we were trying to recreate anything in that regard. Our approach was more just to write a song as a Bell Witch song would be. The original approach was to write one song with several movements. As the movements whittled away, we were left with one big song. I don’t think we were trying to recreate or create something that hasn’t been done.
SILY: What’s the story behind the album art?
DD: We were searching for artists and had a couple in mind, but we were kind of just creatively shopping around, looking for who out there was doing really cool stuff. We came across [Mariusz Lewandowski] and thought, “This guy’s incredible. If he’s available and willing, we should do it.” We wrote him an email, and he wrote back that he had always wanted to do a record and had never done it before. He even listened to [previous record] Four Phantoms and said he was really into that. We kind of described what we were thinking based off of his style and the themes of the record, the “as above, so below” aspect. He came back with [the cover], and we were both floored.
SILY: Had you decided on the title at that point?
DD: No, at that point we were sticking to the “as above, so below” idea. I think the artwork was even a point of us thinking “as above, so below” is over-said and overused. One of the Erik Moggridge lyrics--“Mirror reaper / arrow of my eye”--was related to “as above, so below,” so we thought we would use that, and it fit with the cover.
SILY: What about the feature-length video Taylor [Bednarz] is doing? Is that set to the entire piece?
DD: Yeah, he’s still working on it. He’s past the half-way point. He’s working on archived footage from the 50′s and 60′s. It’s really cool. He’s trying to piece together stories to make a bigger one. We saw the videos he’s done. He has a really cool approach to things.
SILY: Adrian’s vocals on the album were from unused vocal takes from Four Phantoms. Were there any unused takes that didn’t make it onto Mirror Reaper?
DD: Nothing from Adrian. He had already died when we were doing that. We just dug back and were like, “Here are some takes that didn’t make the final recording.” We found some that could be lined up and fit. Having Billy Anderson be the guy who can do that was great. I think there are leftover vocal tracks from Mirror Reaper from Jesse and I’s recording. Maybe if I die, he can use that [laughs]. Let’s hope that doesn’t happen.
SILY: Even before Adrian passed away and after he left the band, do you feel the fan base embraced Jesse as part of the band?
DD: Yeah, I think so. Jesse’s a pretty cool guy. He’s a lot of fun. Maybe a few friends might have been on the fence because they were personally close with Adrian. But it was a good fit, because Jesse and Adrian were friends as well. It wasn’t an outsourcing scenario. He was already in the family.
SILY: How do you guys feel about people constantly labeling you “funeral doom?”
DD: It doesn’t really come up in conversation. When Adrian and I were starting the band and sort of toying with the direction we would take, we would talk about bands we liked, and what aspects we liked, and what made those bands so special. Those conversations were centered around funeral doom and death metal, more or less. I think that Bell Witch’s style is set at this point. That’s not really a conversation that happens as much.
SILY: Is there anything cool you guys have been listening to in the tour van or on your own?
DD: We’ve been listening to a lot of Waylon Jennings. I’ve been listening to the new Ruins of Beverast album. We’ve been listening to a lot of Blut Aus Nord. A Scottish band called FVERNALS--they’re great. Those have been the things on heavy rotation the past few days.
#bell witch#Interviews#music#mirror reaper#adrian guerra#dylan desmond#erik moggridge#aerial ruin#roadburn#roadburn 2018#pro tools#billy anderson#dopesmoker#el mundo frio#corrupted#Mariusz Lewandowski#taylor bednarz#four phantoms#waylon jennings#ruins of beverast#blut aus nord#FVNERALS#profound lore#jesse shriebman
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Where Are The Ghostbusters When You Need Them?
Hi! Thanks for checking out my story!
Despite the title, the story actually does not feature the Ghostbusters, but it does feature the Flash Rogues. That's almost as good, right?
The story can't really fit anywhere canonically since Evan and Sam are alive simultaneously, among other things, but hopefully it'll be an enjoyable story anyhow.
Mirror Master I: You ever seen one of those creepy houses? You know, the ones with broken windows and crumbling spires and ivy growing all over them? The ones that used to belong to super rich people and are now allegedly owned by some mysterious “third cousin once removed” that no one’s ever actually seen? The ones that stupid teenagers dare each other to spend the night in? Well, Central City has one of those creepy houses. Or, more accurately, Central City’s Pine Woods suburb has one of those creepy houses. It’s commonly known as the old Jackson place. It's a three-story mansion, with broken windows, crumbling stone, a creepy staircase, massive spires....the works. It was even used as a set for a horror movie back in the 80s. Even though it technically isn’t in the city proper, it’s close enough that everyone knows about the house-and the stories surrounding it. Allegedly, the old Jackson place was built by Adolphus Jackson in 1792, after he immigrated from somewhere in Ireland with his family. They were Central City’s first settlers (the Rathaways were second). He and his wife, Betty, had sixteen kids (although only ten survived to adulthood). All the dead kids were buried in the backyard of the house, so things are already getting creepy. (Some people say that you can hear crying when you go by the house, and other people have claimed to see ghostly children.) His oldest son, Jared, inherited the house when old man Jackson died in 1846. (He was buried behind the house, and yep, people have claimed to see him, too.) Jared worked alongside Martin Garrick (yes, he IS related to Jay Garrick) and my great-great-great-great-grandfather, Shawn Scudder, in Central City’s Underground Railroad. (Am I shaming my heritage? Yeah, probably. Moving on.) People have claimed to see the ghosts of slaves and such around the old Jackson place, and they’ve also claimed to see the ghosts of Harold and Rufus Jackson, an uncle and nephew who fought on opposite sides of the Civil War. In 1877, Jared died, and his second son, Arnold, inherited the house. (His oldest son was Harold, who died at the Battle of Chancellorsville.) Arnold got married to his second cousin, which is several levels of weird, and he added onto the house, making it a lot bigger and more impressive looking. He died in 1885, after adding to the family’s sizable fortune, and his son, Bernard, inherited the house and made it even fancier. Bernard is also where the really messed up stories about the Jackson place begin, as his oldest son, Robert, fell in love with a girl his father hated (partially because he had planned for his son to marry Lydia Rathaway, Piper’s great-great-great aunt). Their arguments over it got really nasty, and so eventually Robert ran away with his chick and got married to her, only for his father to threaten to cut him off. Sonny boy decided that he wanted the money more than his wife, and he abandoned her and was remarried to Piper’s great-great-great aunt. There was only one snag: his old wife had gotten pregnant and drowned herself in the pond (now dried up) on the back of the property to get revenge a few days after her baby was born. (People claim to see her ghost quite frequently.) Her parents, the Desmonds (and the Rathaways, who were mad that Bernard had had his son marry their daughter when he already had a wife) sued the pants off the Jacksons and the family was reduced to semi-poverty. Robert hung himself a few weeks after the lawsuit was settled (he allegedly haunts the house, too) and Bernard started drinking. A lot. He died in 1910 (probably from alcohol poisoning) and the estate was inherited by his only surviving offspring, a 19-year-old daughter named Alicia, who became a librarian and never married. (Alicia didn’t live in the house after the age of 21, probably because of all the bad memories, but people still see her ghost there.) She died in 1971, and the house, which had sat unused for over three decades, had already gained a reputation as being massively haunted, a reputation that only increased when some stupid 17-year-old broke into the house on a dare, fell down the old stairs in the dark, and broke his neck in 1995. (Since then, people have claimed to see HIS ghost as well.) So you get the point: the old Jackson place is massively haunted, massively creepy, and massively empty, so, of course, Captain Cold decided that we needed to break into the place on Halloween. Now, to be fair, we do something to get our adrenaline up every year on Halloween, but there’s a difference between going to a commercial haunted house, where nothing is real, and going to an old house that might actually be haunted, especially when said old house is falling apart and everyone is wearing ridiculous costumes (as we do every year). Earlier in the month, we had decided to dress up as classic movie monsters. Or at least I thought we had. As it turned out, some people had badly missed the memo….
Mirror Master II: Okay, so maybe the scarecrow costume I had wasnae all that scary, but it wasnae my fault! How was I supposed to ken that all the scary scarecrow costumes would be sold out by October 24? I wasnae PLANNING to be the Scarecrow from the Wizard of Oz! But I’m off topic. All of us had agreed to meet on the front lawn before we broke into the haunted house, so at 7:00 PM on Halloween night, I got into me costume and went to the lawn. Golden Glider (dressed as a vampire), Scudder (dressed as a zombie), the Trickster (dressed as a bedsheet ghost), Captain Boomerang (dressed as Frankenstein’s monster), and the Pied Piper (dressed as the Phantom of the Opera) were already there, and, of course, as soon as he saw me costume, Scudder started laughing. “They were sold out of the scary costumes, ye eejit,” I said. “Then why didn’t you alter it or something? You don’t look scary at all!” Scudder asked. “Hey, at least I look scarier than the Trickster. And besides, not all of us be seamstresses, Scudder,” I replied. (He’d made his own costume and thought that nobody knew. Eejit.) Scudder flushed and suddenly became very interested in the bushes. At this point, Captain Cold showed up in cat ears. That was his whole costume. Otherwise, he jus’ looked like a hockey fan (which he be). His sister-a bonnie lassie, she-wasnae pleased with that. “Lenny, you were supposed to dress up as something scary!” “I did. I’m a werecat.” I’m nae sure why he thought that would be convincing. “Oh, come on! You didn’t even try!”“I never try. Why are you acting like this is something new?” The Glider threw up her hands. “Because you promised me you would try this year!” “I have a tail. Does that make it better?” The Glider rolled her eyes.“I give up.” She tossed her golden hair over her shoulder-I tell ye, she is a bonnie lass-and went to talk with the Piper. The Weather Wizard showed up a few seconds later, and I saw soomthing I never wanted to see: him in a dress. “What are ye supposed tae be, me gran?” The Wizard scowled.“I’m a witch!” I looked at him oddly. “Ye could have been a werewolf, and ye decided tae be a witch?”“It’s thematic! You know: wizards are magic; witches are magic….” I laughed. “Look, if ye want to dress up like a lassie, ye kin. Just donae expect me tae understand why.” The Wizard stormed off, and the Top arrived on the lawn, dressed as a gigantic top. Scudder laughed so hard that he had tae sit down, and I laughed pretty heartily myself. “What is so amusing?” the Top asked. Naebody bothered to explain that it was because he wasnae cooperating with the theme, because we all knew he wouldnae listen. “They’re just being stupid, sweetie pie. You look amazing,” the Glider said. (I’m nae sure if she meant it or if she was just trying to calm him doon.) Luckily for the Top, Heat Wave decided to show up at this point, and his costume made Captain Boomerang laugh so hard he wet himself and made me laugh so hard that I had to join Scudder on the ground, so everyone forgot about him. “Why are you wearing a tutu?” Captain Cold asked (as soon as he was capable of speech again.)“Well, I was gonna be Frankenstein, but Digger stole my idea, and I didn’t have any other ideas, so I decided that me in a tutu was scarier than any monster,” Heat Wave replied. I looked him over again and immediately wished I had nae doon it. He was right; the sight of a 6’6”, 250 pound man in a frilly pink tutu is more terrifying than any monster. His logic seemed to work on everyone else, too, because Captain Cold quickly changed the subject. “Okay, are we ready?” Scudder raised an eyebrow. “To break into the creepy ghost house? No, but I know I’m doing it anyway,” he replied. (At the time, I thought that he was being a wet blanket, but as it turned out, he was right to be a tad worried.) “As long as we’re bringing flashlights, I suppose so,” the Piper said. (He had been against going to the haunted house, tae, but he had been opposed to it because of some kid who had died there back in the 90s because the house didnae have lights, not because of Scudder’s ghosties, which he didnae believe in. Because of that, he had changed his tune after Cold promised him that he could bring a flashlight if he wanted tae.)“Then let’s go,” Captain Cold ordered. With that, Scudder and I transported everyone to the house via Mirror Realm. Having only lived in Central City for a year, I had never seen it before, and I was a tad freaked out by what I saw. The house itself wasnae too bad, but the creepy dead grass and trees, and the graveyard in the back of the house, were spooky, especially under the huge moon.“‘Abandon all hope, ye who enter here?’ Really?” Golden Glider said scornfully, pointing at a sign in the yard. Her brother shrugged. “Probably some kid’s idea of a prank.” Piper, meanwhile, was looking nervously at a different sign. “Cold, this sign is from the government. It says the building is condemned. Are you sure we’ll be safe to go in there?” he asked. “Since when do we care what the government thinks?” Captain Cold replied. “When a building might collapse on our heads!” Piper exclaimed. “And when it’s haunted!” Scudder added, sounding happy to have an excuse tae go home. Captain Cold sighed and rolled his eyes. “Piper, if the house seems like it’s gonna collapse on us, we’ll just have Scudder and the Scotsman transport us out. We’ll be fine,” he said. Piper seemed to relax.“Good point,” he said. Sam didn’t look as calm. “But what about the ghosts?” he asked. “Sam, ghosts don’t exist. They’re a product of overactive imagination and too many horror stories,” the Piper replied, only for Captain Boomerang to join the conversation.“They are too real! My second cousin’s ex-girlfriend’s ex-boyfriend’s dad’s third cousin’s aunt saw one!” he exclaimed, sounding offended. Piper didnae look convinced. “That’s hardly conclusive proof of-” he began, only tae be cut off by Captain Cold. “Enough about ghosts! Let’s go inside already!” he exclaimed. With that, Trickster picked the lock on the door. He pushed it open, producing a loud CREAK, and then we went inside.
Weather Wizard: I’m going to tell you a secret: the witch costume was an accident. I swear, I thought I ordered the Dark Wizard costume, but when I opened up the package a week before Halloween, I found a witch costume instead, and because I didn’t have another two weeks to wait (or any more money) I was stuck with it and just decided to pretend it had been my plan the whole time to save face. (At least it matched the theme, unlike cats, tops, and ballerinas.) But I digress. So, after the Trickster picked the lock, we went inside and Piper and Cold turned on their flashlights. The hallway contained cobwebs and a moth-eaten carpet, but nothing else.
“We'll cover more ground if we divide and conquer, so let’s split up into groups and search this place for valuables. Lisa, you’re with me. Scudder, you’re with McCulloch. Mardon, you’re with Rory. Rathaway, you’re with Jesse. Dillon, you’re with Harkness,” Cold barked.
“WE’RE SPLITTING UP? That’s like the #1 way to die in a haunted house!��� Scudder whined. (As it turned out, he was right to be worried, but at the time, I thought he was overreacting.) Hartley sighed.
“Sam, ghosts do not exist,” he said. (He was wrong.) Then he turned to Cold and asked,
“How will the Mirror Masters be able to transport us to safety if we’re not in the same part of the house?” Cold rolled his eyes.
“Piper, unless there’s an earthquake, the Mirror Masters will be able to get to all of us before the house falls. They basically have access to a teleportation system. We’ll be fine,’” Cold replied. Piper didn’t look entirely convinced, but he didn’t keep arguing.
“Why am I with Harkness? He’s an uncultured boor,” Dillon demanded.
“Well, I ain’t too fond of you, either, you wowser!” Harkness yelled.
“Why can’t I be with Roscoe, Lenny?” Lisa asked. Cold sighed wearily.
“Fine. Dillon, you’re with Lisa. Harkness, you’re with me. Sam, stop whining. Now let’s go!” Cold exclaimed. McCulloch saluted, dragged Scudder into a mirror, and vanished, and the rest of us fanned out to search the house. After walking through some more cobwebby hallways, Mick and I reached what I assumed was the living room. The room was filled with decaying furniture and mysterious old knicknacks, everything was covered in cobwebs, and part of the roof had fallen in. Seeing this, I had to wonder if the Piper had been right about the dangers of the building.
“How long do you think it’s been since someone touched any of this?” Mick asked me.
“If I had to guess, I’d say at least forty years,” I replied. I glanced out the window and noticed that a cloud had covered part of the moon and that the rest of it had turned red, and I shuddered. “Mick, there’s a blood moon.” I said quietly.
“So? They talked about that on the news,” Mick replied as he started pawing through the knicknacks laying on the floor.
“Never mind,” I said quickly as I joined him. I didn’t want him to think I was scared or anything. Several minutes later, we were still sorting through things and had found nothing but a broken teacup, a broken porcelain doll, and a dusty beaded shawl.
“I hope the whole house ain’t like this. If it is, Captain Cold’ll be mad,” Mick said. I shrugged.
“That’s his problem, not mine.” I heard a rumble of thunder in the distance, and, a few seconds later, the sobs of a child. Mick looked up from the floor in shock.
“Did you hear that?” he asked me.
“The thunder, or the kid crying?”
“The kid crying!” I nodded.
“Yeah, I heard it too. Why?”
“Because we need to go help that kid!” he replied. I rolled my eyes.
“Mick, we’re here to get rich, not help some kid.” Mick ignored me and pulled me in the direction of the crying sound, despite my attempts to break free from his grasp. We had gotten halfway across the living room when we saw a little girl. Her hair was in...uh, ringlets, I think they’re called?-and her dress came down to the floor. She was crying (of course) and Mick went over to her.
“Hey, there, little one. Are you lost?” he asked gently. I thought about leaving Mick with the girl and continuing to search for loot, but there was something about the little girl that made it impossible for me to pull away, and NOT in a “she’s so small and helpless” way. Mick reached out to put his hand on the girl’s shoulder-and his hand went straight through her! My knees went weak under me, and then the world went black. When I came to, I found myself on a dusty couch. I looked around the room and saw Mick waving good-bye to the vanishing ghost.
“Oh, hey, Mark. Glad to see you up-although there wasn’t really a reason for you to faint like that. Georgia was just worried that we were gonna hurt her doll. When I told her we weren’t, she cheered right up and went away,” he said cheerfully.
“The ghost has a name? And is friendly?” I asked. Mick nodded.
“I don’t even think she knew she was dead. Poor little thing,” he said, and I sighed in relief.
“In that case, let’s get back to work. If she’s the only ghost here, we’ve got nothing to worry about,” I said. (Famous last words.) With that, the two of us continued our search of the living room.
Trickster: The Piper and I- James Jesse, con artist extraordinaire-decided to investigate the attic. I’m a horror movie junkie, so if I’m breaking into a haunted house, what better place to get that adrenaline rush than the attic? Piper and I climbed three sets of narrow, creaky, cracked, cobwebby stairs to the attic (although Piper got winded halfway up the second flight and I had to drag him up the last one). Then I opened the door to see lots of cobwebs, a shattered mirror, a broken window, an old, rusted bedframe, some old-fashioned cabinets, a sword, an old rocking horse (sadly, it was too small for me), and a bunch of other old stuff. The roof was low, and it was really dark. My heart pounded, but in a good way.
“This is so much better than the fake haunted houses! We should go here every year!” I exclaimed. Piper swept his flashlight from left to right, and then started examining the boring knick knacks that were lying around. I pulled out a yo-yo and some bubble gum and waited eagerly for the walls to start dripping blood. After about two minutes, Piper pulled a stack of old papers out of one of the cabinet drawers.
“James, these are from the Civil War!” he exclaimed excitedly. I yawned.
“So?” I asked. Piper looked shocked.
“James, these are valuable historical documents! If they’re really as old as they look, they could provide priceless information about the role of Central City in the Civil War!”
“Can they summon a ghost?” Piper sighed.
“No. They cannot.” I blew a particularly large bubble.
“Then I’m not interested. Let’s find something that CAN summon a ghost!” Piper rolled his eyes.
“James, you’re not going to find something that can summon a ghost, because ghosts-” Suddenly, the windows rattled and we heard a loud moan.
“Don’t exist?” Piper squeaked. Five seconds later, a transparent man with a noose around his neck appeared and floated towards us. Piper screamed and bolted down the stairs, and I whooped with joy and followed him, narrowly missing the ghost’s clammy hands.
“Catch me if you can, you stupid ghost!” I yelled. I followed the Piper to the second floor and into a spooky old bathroom, complete with dusty mirror, a big tub with clawed feet, a broken toilet, and a sink. Mold was growing in the sink and on the walls, and I grinned. This day just kept getting better and better! Piper slammed the door and locked it behind us.His chest was heaving and he looked exhausted. (Rich kids don’t have much reason to be athletic.)
“You were saying?” I asked ‘sweetly’. Piper gave me a death glare.
“NOT the time!” Piper said. I laughed.
“Do you really think a locked door will keep out a ghost? It can’t even keep us out!” I asked him. Piper’s face went white, and he ran over to the dirty mirror.
“Sam! McCulloch! Get us home now!” he yelled. There was no response.
“Piper, you know the Mirror Realm doesn’t work that way. You can only talk to them through it if they want you to, and if they haven’t had the good luck to run into a ghost, they won’t be able to guess that you might want them to pick us up.” I said as I played with my yo-yo. Piper whimpered and buried his head in his hands, then started muttering incomprehensibly as I whistled merrily.
“How can you be so happy?” Piper demanded after a few minutes.I grinned.
“Kid, we’re being chased by a real, honest-to-goodness ghost! It doesn’t get more awesome than that!” Just then, the ghost drifted through the door, and I pulled out my camera and started snapping pictures as Piper screamed.
“We’regoingtodiewe’regoingtodiewe’regoingto die !” He darted to the door, fumbled with the lock, and opened it just as the ghost brushed his clammy fingers against his back. He screamed louder and ran down the hall. I snapped a few more photos, stuck my tongue out at the ghost,and followed Piper. The ghost roared angrily and flew after me. I caught up with Piper after about a minute and lead him into a dumbwaiter, then slammed the door behind us.
“James, how is this closet preferable to hiding in the bathroom? The ghost can still walk through walls!” Piper demanded.
“Piper, YOU’RE the one who had all the servants. Shouldn’t you know what a dumbwaiter is?”
“I know what a dumbwaiter is,I have just never seen one before. I was not allowed to spend time with the servants.You can hardly blame me for mistaking it for a closet. Besides, my point still stands: why would hiding in here keep us safe from the ghost?” I laughed.
“Piper, that ghost is Robert Jackson, who hung himself because he wasn’t rich anymore and gave up the love of his life for money! Entering the dumbwaiter that the servants used would be beneath him. As long as we’re in here, we’re safe. For a guy who’s college educated, you sure are stupid,” I explained. Piper frowned.
“You were taking selfies with the ghost, and I’M stupid?” he yelled. I smiled “innocently”.
“I never said I wasn’t stupid...but I’m not a graduate from Harvard, either. But I knew how to save us from the ghost, and you didn’t,” I replied. Hartley sighed wearily.
“Whatever you say, James...but how did you know what a dumbwaiter is? You thought that the American Civil War started in 1961 until last month, so you cannot have known about them from history, and you were not wealthy, so you cannot have had servants who used one,” he asked.
“My Nonna Gianna was a maid for a wealthy family in Italy when she was a girl, and she used a dumbwaiter when she worked for them,” I explained.
“Wait...you’re Italian?” Hartley asked.
“Sí. Well, Italian-American, anyhow.My paternal grandparents immigrated from Italy in 1935 after Mussolini took over and invaded Ethiopia. When they got to America, they joined the Big Circus because my Nonno Antonio had been an acrobat in Italy. They had a whole lot of kids, and my dad was the youngest. He was born in 1955, and he married my mother, who was a second-generation Italian immigrant herself, in 1980. I was born eight years later,” I explained.
“But your name is James Jesse! That doesn’t sound remotely Italian!” Hartley protested.
“Hel-lo! My nonni were Italian immigrants performing for the American public at the height of World War II! They took stage names: Jesse for the last name, and Rosie and Jared for their first names. By the end of the war, they’d gotten so famous under the Jesse name that they couldn’t really change it back to their real one, so they just kept the stage name. My dad’s real name was Alessandro, but he called himself Jacob. My mother’s name really was Helen, though, because her parents had given her an American name. My real name’s actually Giovanni Giuseppe. How’s that for a mouthful?” I exclaimed.
“Sai parlare italiano?” Piper asked.
“Nonni, nonna, nonno, pizza, spaghetti, Venice, Rome, sí, il Dulche, Mamma Mia, madre, padre, nipote, figlia, figlio,Ti amo, caro, Coinvolgimi, bella noche, Dov'è la birra? That’s all the Italian I know. Well, that and a lot of swear words,” I replied.
“En d’autres termes, tu sais autant d’italien comme vous le français?” Piper asked. I looked at him oddly.
“English?”
“So, in other words, you know as much Italian as you do French?” he replied.
“Yeah, pretty much. Not everyone can afford tutors for twenty languages,” I said.
“I only speak six languages-Spanish, French, German, Italian, Japanese, and Mandarin Chinese, and I can only write in the first four. I’m passable in Arabic and Russian, too, but I’d hardly say I can speak twenty languages.” I grinned evilly.
“Let’s go find some more ghosts!” I exclaimed.
“No! I’m staying right here, where it’s safe,” Piper yelled.
“Spoilsport,” I said. I started using my yo-yo again.
Captain Cold: So, as I guess you already know, I ended up partnered with Captain Koala, because he and Roscoe insisted on being stubborn morons. I wanted to look for the safe, but Digger insisted that we go to the kitchen because he was hungry, and, since Digger seems to have an immunity to food poisoning, I figured it would probably be safe to let him eat 85-year-old food, and feeding him would get him to shut his big mouth besides. Digger, who practically has an internal homing device for food, found the kitchen in about a minute flat. The kitchen was dusty, covered in cobwebs, and filled with a lot of rusted-out junk, and it was so dark that, without my flashlight, I don't think I would've been able to see two feet in front of me. It was a little creepy, I’m not gonna lie. But I don’t scare easy, so I started pawing around for valuables while Digger found the world’s oldest box of crackers and started digging in. I found a bunch of silver spoons and shoved them into my bag…and then something weird happened. A really attractive lady appeared out of basically nowhere and walked right through me like she couldn’t even see me. It felt like when I accidentally shot myself with my cold gun, and I frowned. Ghosts weren’t supposed to exist. However, I had business to do, so I ignored the ghost lady and went back to my work. Digger, on the other hand, didn’t take the ghost so well. He let out a string of Australian swear words, yelled something about a “ghost sheila” (knowing him, it was probably the exact opposite of polite), grabbed his crackers, and started to run. I grabbed him by his scarf before he could exit the room.
“Let me go, you bloody loon! You’ve got kangaroos loose in your top paddock if you want to stay here with a ghost, Cold!” Digger yelled.
“Stop freaking out, Digger. She doesn’t have any weapons, she’s not dripping blood, and she’s not bad to look at besides. Just ignore her. We have work to do.” Digger looked closer at the ghost and grinned.
“Bloody oath! She is a beautiful Sheila, ain’t she?”
“Yeah, she’s pretty. I just said that. Now get to work.” I said. Digger ignored me and walked over to the ghost.
“G’day, Sheila. I’m Captain George Harkness of the Australian Secret Service. Who are you?” he asked. (He tells every girl he takes a fancy to that he worked/works for the Australian Secret Service. It’d be a great pick up line if it wasn’t a total lie.) I rolled my eyes as I helped myself to some fine china plates. Was Digger seriously hitting on a ghost?
“Is Australia a northern state, Master Harkness?” the ghost asked. She sounded terrified, and had an accent I couldn’t quite place. Digger laughed.
“Oz? In the North? Sheila, it’s called the Land Down Under for a reason,” he replied. The ghost looked terrified and started to cry. I tried valiantly to ignore the sound and shoved the remainder of the china into my bag.
“What’re you crying for, Sheila?” Digger asked, sounding annoyed.
“B-b-because if you a Southern soldier, you gonna take me and my baby back to slavery!” I noticed that she was, indeed, carrying a baby and grimaced. I did NOT have time for dealing with this crud. Digger walked back over to me.
“I didn’t notice she had an anklebiter. She’s a lovely sheila, but not enough for me to want to be a daddy. And why’s she wailing about slavery?” he asked.
“How should I know? I dropped out of high school at 14, and I don’t have many dealings with ghosts,” I replied in annoyance as the ghost’s wailings got louder. She moved rapidly toward Digger and fell on her knees.
“Please, don’t take my baby, Master Harkness. Let him be free, please, please!” she begged. Digger shot me a pleading look, and I sighed wearily. How did Digger get himself-and me- into these situations?
“Look, lady, we don’t want you or your baby. Now go on, shoo. You and the kid are free, and “Master Harkness” and I have business to do,” I said. The ghost stared.
“Ain’t you Confederate soldiers?” she asked, obviously confused.. Digger and I looked at each other in equal confusion.
“What’s a Confederate?” Digger asked the ghost.
“They’s the soldiers who be fighting to make their own country,” she replied.
“What’s she talking about?” Digger asked me. I shrugged.
“The Civil War…..I think,” I said, drawing desperately from my memories of 8th grade history.
“You mean the war you Yanks had between each other? What’s that gotta do with this sheila?” I racked my brains for any connection between the two and wished that I hadn’t chosen 8th grade history as the class to sleep through.
“Um...she was talking about slavery…I think the South had slaves...probably….and that was maybe why the war started? Possibly? And-and since you said you were from the South, and she’s probably about as well-educated as we are, she didn’t realize that you meant you were from another continent entirely, and so she thought that you were gonna want to make her a slave again,” I said, feeling pretty proud of myself for figuring all that out.
“Didja hear that, Sheila? I’m not a Confederate, whatever that means! Australia’s an island. It ain’t part of America. Now, it’s London to the brick that I’m dangerous, so you probably wanna steer clear of me, but I’m not gonna be taking you to slavery, neither. And, hey, if you got any single friends without anklebiters,, tell ‘em t’ look up Captain Harkness, will ya?” Digger told her cheerfully.
“I..I’m free?” she asked quietly.
“As a bird. Now get outta here. You’re safe in this city,” I told her flatly.
“Thank you, sir! Thank you!” she said. She kissed her baby, and they passed through the kitchen wall and vanished into thin air. As soon as she was gone, I glared at Digger.
“Okay, now that you’re done hitting on a ghost, can we get back to work, please?” I asked.
“If you want to, that’s fair dinkum. I’m gonna go back to my chips,” Digger said. He tried to walk back to the table, but I grabbed him by the scarf before he could and forced him to clear out the rest of the valuables while I took a smoke break. He swore colorfully in Australian the entire time, but I ignored him. He was just packing the last of the chinaware away when another ghost, this one holding a gun, showed up. One look at him told me that we were in trouble, and so I ran out of the room, Digger hot on my heels.
Golden Glider: So, while Mick and Marky-Mark were in the living room, James and Hartley were running around like lunatics, and Lenny and Digger were running away from history as much as they were running away from ghosts, Roscoe and I had decided to investigate the backyard. It contained a rotting porch and a small cemetery, one which was surrounded by a wrought iron fence. It was quite dark, because there were no porch lights, but that just made it all the more romantic. As soon as we left the house, I snuggled up close against Roscoe and we both sat down on the one intact porch step. “Isn’t the darkness so romantic?” I asked him. He looked puzzled, and it was adorable. “I believe that the darkness is the absence of light, my darling,” he said. I tittered. “You’re so funny, Roscoe,” I cooed. He smiled. “I am glad I have pleased you, sweetums,” he said. A cloud moved and revealed the moon, big and red and lovely. I pointed at it in excitement. “Roscoe, look at the moon! Isn’t it beautiful? Doesn’t it remind you of us?” I asked. Roscoe looked concerned. “My darling, the moon is a celestial body that revolves around the Earth. I do not see how it can remind you of us. Did no one teach you about the nature of the moon? It is not a human being,” he said. I sighed; having forgotten how literal Roscoe can be. “Roscoe, dear, I was speaking figuratively. I said it was like us because it’s beautiful, just like we are,” I explained. Roscoe’s eyes lit up in understanding. “I see. Forgive my confusion, my darling,” he said. I kissed him on the cheek. “Of course, honey,” I replied. He kissed me on my cheek, and then I kissed him full on the lips. We were still embracing five minutes later, when a young girl in a white dress appeared. She was completely transparent, and stared at us in silence for a few seconds. “Are you lovers?” she asked quietly. “We are indeed, and my Lisa is a goddess among women,” Roscoe replied. Her face fell, and then twisted into fury. “How dare you flaunt your happiness in front of the grave of a poor rejected woman? Is it not enough that I was rejected by my Robert? Is it not enough that I killed myself of despair? Must I be mocked by your love as well? For your impudence, I will make you suffer as I have suffered!” she screamed. She moved over to Roscoe, kissed him on the lips (please don’t ask me HOW) and then disappeared. Roscoe shoved me off his lap violently and stood up. “Get off of me, you wretch!” he spat. The words felt like a blow. “R-R-Roscoe, what….what’s wrong?” Roscoe had never talked to me like that before, and in that moment I saw Lewis-my “father”-in his face. “You are what is wrong! I am a gentleman, and you-you are common trash. Why I was mad enough to kiss you I’ll never understand!” Roscoe said coldly. “What are you saying?” I asked. “I am saying that I have had enough of dating a welfare queen,” Roscoe replied. Normally, I would have struck back, but I was so bewildered by his behavior that I just stared at him. After a few seconds, he scowled. “What are you staying for, you pathetic wretch? Leave me!” he ordered, and I found my tongue. “No, Roscoe. I am staying right here with you. You may not think you love me anymore, but you will not drive me away. I won’t give you the pleasure of ordering me around like a dog,” I said. “Why not? You are a dog,” Roscoe spat. I moved to slap him, but before I could, we were interrupted by another ghost, this one wielding a old-timey gun, who charged at us. I kicked at the ghost on impulse, but, of course, it went straight through him. While I was distracted, Roscoe abandoned me, but after I regained my balance, I rushed after him and we went into the dining room. “Stop chasing me, you hussy!” he yelled. “I’m not chasing you, I’m running away from the ghost,” I said. As if on cue, the ghost lifted a table and threw it at Roscoe’s head. I pushed him out of the way and narrowly avoided being hit myself. “Why did you save me? It will not make me love a woman like you,” he demanded harshly. This time, I did slap him. “You’re welcome,” I spat. Roscoe frowned. “You dare lay a hand on a gentleman?” he demanded. Before he could continue, however, the ghost levitated all six chairs in the room, and so I grabbed him and pulled him into the hallway. A series of loud crashes followed almost immediately. “I notice that you don’t complain when I touch you in order to save your life,” I said pointedly. Roscoe sniffed haughtily and didn’t reply. Under normal circumstances, I would have led us to the door and left the house, but with Roscoe acting so strangely, I couldn’t. I didn’t want to leave only for Roscoe to keep treating me like dirt, so I decided to stay and take charge of the situation. “All right, so where do we go from here?” I asked. Roscoe scowled. “‘We’ are not going anywhere. Have I not made my disdain for you utterly clear? I am going to one of the bedrooms to go to sleep, and you-I care not where you go, so long as you stay away from me,” he said. I shook my head firmly. “No, we’re staying together. Even if you really do hate me, from a logical standpoint you’re obviously safer with me around,” I replied. Roscoe pondered this for a few seconds, then nodded. “Very well. We will stick together. However, let me make one thing clear: I do not love you. Our current predicament does not change that,” he said, and I felt my heart break. I slapped him again and said, “Fine! See if I care!” With that, I pulled Roscoe up the stairs to the second floor and into one of the bedrooms, which contained an canopy bed, a broken window, an old armorie, and a painting of a handsome young man. The plaque beneath it read "Robert Jackson, beloved son". It was a picture of the man who had spurned his lover. How appropriate. Roscoe laid down on the bed and fell asleep almost immediately (he is definitely not a night owl) and I started crying. How had this perfectly romantic night gone so badly awry?
Mirror Master II: After a quick trip through the Mirror Realm, Scudder and I arrived in the basement. It was awfy dark doon there, I’m nae gonna lie, but the way Scudder was reacting, you’d have thought it was a torture chamber. He was jumping at every little sound and keeping so close tae me that I was practically tripping over him. After aboot a minute of that, I got fed up with him and decided tae tell him tae grow a spine.
“Stop acting like a wean, will ye? It’s hard eno to move doon here without having tae avoid you,” I told him. He moved about an inch further away.
“If we run into a ghost, I’m feeding you to it,” he muttered. I laughed and started looking for trinkets, while he stayed right next tae the stairs. After a few minutes, I uncovered an emerald ring.
“This is worth something, int it no?” I asked happily. Scudder shrugged.
“Great, you’ve found your prize. Now let’s get out of here!” he said.
“Not yet! I need a bigger haul than this!” I replied. Scudder frowned.
“Look here, you second-rate Mirror Master. I am not about to have my brain turned into soup by a ghost just so that you can sell two rings instead of one. We’re going upstairs now,” he said.
“Who are ye calling a second-rate Mirror Master? I use the Mirror Realm better than ye ever could, ye minger!” I yelled.
“You don’t even know how it works. You just swiped my equipment, you Glaswegian thug!” Scudder replied. Then I punched him, and he punched me, and we got into a fist fight. He was trying tae get oot of my stranglehold when soomthing weird happened: a ghostie showed up. You ken those drawings of fat rich people? It looked like that. I was so surprised that I let Scudder go, and he screamed like a lassie and dove intae the Mirror Realm. Me? I just froze. I didnae have a clue how to fight a ghostie, so I did soomthing pure stupid: I waved at it! The ghostie levitated a lamp and threw it at me head, only narrowly missing me. I dove intae the mirror after Scudder. He was panicking.
“I don’t wanna die I don’t wanna die I don’t wanna die; please don’t let me die please please please don’t let me die!”
“Calmy doony, Scudder. The ghostie canae come intae the Mirror Realm,” I said. Ten seconds later, the ghostie came intae the Mirror Realm.
“You just had to say it!” Scudder wailed.
“Dinae just stand there, run!” I yelled. Both of us took off running, and only stopped when the ghostie vanished. I grinned.
“We did it! We escaped the ghostie!” I yelled. Scudder smiled slightly, but then he looked around and his smile vanished.
“Oh, no. This is bad, this is bad, this is really bad,” he said.
“What do ye mean? We escaped from the ghostie!” I replied.
“Look around you! Do you recognize any of this?” I looked around, and realized that we were in big trouble: I didnae recognize anything around me, and I ken most of the Mirror Realm like the back of my hand.
“We’re lost,” I said.
“No duh, really? I had no idea,” Scudder replied sarcastically. I tried tae punch him for that, but he dodged me swing.
“I don’t see why you’re punching at me. I was against coming to the creepy ghost house from the start, and if we had stayed home and watched A Nightmare on Elm Street like I suggested, we wouldn’t be in this mess! But did you-or anyone-listen to me? Oh, no! “Ghosts don’t exist, Sam.” “Stop being such a wimp, Scudder.” “We’ll be fine.” “Stop being such an idiot, Scudder.” Well, WHO’S THE IDIOT NOW?” he yelled hysterically, and I wished that Captain Cold hadnae put me with him, because he looked downright loony.
“Ah am, all right? Now help me find a way oot of here!” Sam laughed weakly.
“Find a way out of the Mirror Realm? You might as well tell me to beat Superman in a fist fight. It’s impossible. There’s a reason that I never go out of sight of the mirror portals: the Mirror Realm is so vast that if you get lost, you’ll probably never find your way back to them-and they’re our only way out of the Mirror Realm. I can’t get us out without the portals, and, thanks to you, Len, and that ghost, I have no idea where they are. Heck, I don’t even know where WE are!” he exclaimed.
“The Land of Abstract Art, mebbe?” I suggested. We were surrounded by swirls of colors and strange shapes, ye ken? Scudder didnae seem to find that as funny as I’d thought it was.
“Really? We’re lost in a never-ending mirror maze, and you’re cracking jokes?” I shrugged.
“Aye. Beats whining aboot it, ye jerrie.” To tell the truth, I was just as freaked out as Scudder was, but I wasnae about to let him know it.
“You’re a lunatic,” he spat.
“Ah am’nae!” I yelled back. I punched him, he punched me, and we ended up in another fistfight that only ended when both of us collapsed from exhaustion. Apparently, all the running had taken a lot oot of us. Scudder basically ended up falling asleep on my lap, and I was too tired to move him. After aboot a minute of embarrassment, I fell asleep tae.
Heat Wave: Hi, there. I’m Mick Rory, but you can call me Heat Wave. Everyone does. So, uh, while everyone else was running away from angry ghosts, Weather Wizard and I were still searching for valuables, and not finding any. After about an hour of searching, I got bored, pulled out my flamethrower, and lit the sofa on fire. It was beautiful and pretty and warm, and I decided to touch it. Bad idea, because I was still wearing the tutu, and..well...tutus are really flammable. The fire didn’t exactly hurt me (the prison doc tells me my skin’s so badly burned by this point that it doesn’t feel pain anymore), but it did freak out Weather Wizard, who doused me (and the sofa) with what felt like a gallon of water.
“Hey! You put out my beautiful sofa fire!” I complained. The Wiz scowled.
“In case you didn’t notice, YOU were on fire, too!” he said angrily.
“And now I’m sopping wet AND don’t have my precious fire. I don’t see how that’s an improvement,” I replied. In response, the Wiz beaned me over the head with his wand. (He doesn’t have a good swing, so it didn’t really hurt.)
“Being wet doesn’t kill you, you big oaf! You know what does? BEING ON FIRE!” His face was red and his eyes were crackling with electricity, so I knew he was pretty upset. Because he can create tornadoes, I decided to apologize.
“You’re right, Mark, and I’m sorry. Thanks for saving me,” I said. His eyes stopped crackling.
“Just don’t do it again,” he said. I nodded and sat down on what was left of the sofa, and Wiz went over to the window and gazed out of it.
“A storm’s brewing,” he said. I don’t think he was trying to sound spooky, but with his tone of voice and his witch costume, he did. A few seconds later, lightning flashed and thunder boomed. Wiz opened the window and leaned out. The wind whipped his (impossibly spiky) hair, and he stared at something in silence. After a few seconds, it got creepy, and so I went over to him and dragged him away from the window. I closed it as soon as he wasn’t in the way.
“Come on, Mark, let’s go to another room. Captain Cold’ll be mad if we don’t find something valuable,” I said. When he didn’t move, I picked him up, threw him over my shoulder, and took him up the stairs and into a bedroom which looked like it might have belonged to a little kid at some point, since there were a bunch of old toys in it. One of the windows was broken, and everything, including the toys, a rocking chair, and a crib, was covered in dust and cobwebs. It was very spooky, although it was in better shape overall than the living room had been. I started looking for something valuable, and the Wiz made a beeline for the window.
“Hey, knock that off! Just ‘cause you’re the Weather Wizard doesn’t mean that you get to look at the weather and not help me!” I said. Wiz turned around and locked eyes with me.
“The storm...it’s an ill wind that blows no good,” he muttered. It was almost like he was in a trance or something. And then it happened: a ghost appeared. Now, it wasn’t super gory-really, it just looked like a transparent teenager-but let me tell you: it was scarier than anything I’ve ever seen in a horror movie. At almost the same time, it started to rain heavily. The Wiz passed out again, and the ghost advanced on me. I decided that discretion was the better part of valor (what? I saw Shakespeare on TV one time), threw the Wiz over my shoulder, and ran downstairs and out of the house with him. (Question: Why is it that he was WAY heavier when he was unconscious than when he was conscious?) I wanted to make Captain Cold happy, but I wasn’t gonna fight a ghost just for some loot. As soon as we got out the door, the ghost stopped following us, so I dumped the Wiz on the ground and began what proved to be a LONG wait for the Mirror Masters to come pick us up. Wiz woke up about five minutes after we got out of the house and cleared up the rain (thank goodness), then took a look at me and smiled.
“You should see yourself. Your tutu’s unrecognizable and I can see your underwear,” he said. I felt my cheeks heat up. Man, that was embarrassing.
“Yeah, well, you fainted twice, so I think we’re even,” I replied. The Wiz flushed, and looked at the ground. A few seconds later, he yawned, then produced a wind that dried up the ground.
“I’m gonna take a nap. Wake me up when Scudder shows up,” he said. With that, he curled up on the ground and dozed off. After a couple seconds, I sat down next to him, and, after a few minutes of trying and failing to come up with an excuse for not finding any loot, I dozed off too. (One of the benefits of being….less than legally employed is that you learn to fall asleep anywhere.) I woke up about twenty minutes later when the Wiz poked me in the side with his wand.
“Huh?” I asked drowsily.
“Where are the Mirror Masters at? Surely they’ve gotta be finished by now,” he whined. I shrugged.
“Maybe they’re still looking for stuff. Or maybe they hit the jackpot and are still gathering up all the stuff they found,” I suggested.
“Well, they better hurry up. I’m bored and tired and I want to get back to my nice soft bed,” the Wiz replied.
“I’m sure they’ll be here soon,” I said. Then I fell back to sleep and was dead to the world for another forty minutes.
Pied Piper: After being trapped in the dumbwaiter for about ten minutes, I turned off my hearing aids. Not being able to hear is never a pleasant experience, but it was highly preferable to listening to a bored Trickster sing “This Is the Song That Never Ends” again and again and again. This solution worked reasonably well until I realized that I very much needed to use the powder room and needed advice as to how to do so without attracting the nightmare creature that wanted to devour my internal organs. Therefore, I had to turn my hearing aids back on, because none of the other Rogues have ever bothered to learn sign language and I had no desire to play charades. As soon as my hearing turned back on, I was greeted with what must have been the fortieth rendition of “This is the Song That Never Ends”.
“James. James. JAMES! I, um, need to use the powder room. Do you have any idea as to how I can do that without meeting the ghost?”
“Depends. What’s a powder room?” He batted his eyes and smiled in the most irritating manner imaginable.
“You know full well what a powder room is!” I exclaimed. James’ smile grew wider as he shook his head.
“I can’t help you if I don’t know what you need, Piper,” he said. I sighed and gave in.
“It’s a restroom,” I said, blushing terribly. James laughed and did a particularly impressive trick with his yo-yo.
“Oh, so you need to pee! Why didn’t you say so?” he asked.
“Because my parents did not allow me to discuss bodily functions in public. Ever,” I replied.
“Did your parents allow you to breathe without their say-so?” I frowned. My parents had indeed controlled my days down to the second before they disowned me, but I didn’t want to admit it, so I said,
“Never mind that. Just tell me how to use the powder room without getting killed!”
“Oh, that’s easy. I’ll close my eyes, and you can do your business in here,” James replied. As I did not have access to a mirror, I cannot be sure about this, but I believe that I blushed even harder.
“No!”
“Why not? You can even blindfold me if you want. Believe me, I do NOT want to watch that,” James replied. I scowled.
“Because that is disgusting, James.”
“I don’t see why. It’s what we did in the circus,” he said, sounding genuinely confused.
“This is not the circus!”
“Well, it isn’t exactly Rathaway manor, either. I’m not saying that it isn’t gross, but this place is in bad condition already. You can’t make it much worse,” James replied.
“I think I would rather face the ghost,” I said. James laughed.
“I can’t believe that you’re more scared of breaking your parents’ rules of being “proper” and pretending that you don’t have bodily functions than you are of a literal ghost,” he said.
“This has nothing to do with my parents!”
“Somebody’s in de-ni-al!” James singsonged.
“I’m not in denial. Just because I do not want to be Digger does not mean that this has anything to do with my parents,” I insisted.
“Yep, definitely in denial,” James said. I ignored him and pulled out the mirror that I had brought with me in order to contact the Mirror Masters.
“Sam! McCulloch! If you can hear me, I need you to get me-and James-out of this house!” Nothing happened, and I sighed wearily. There went that idea. About three minutes later, I decided that I couldn’t wait any longer. I opened the doors nervously and, not seeing anything, bolted down the hall to the powder room, used it, and was on my way back when the ghost reappeared. I screamed like a little girl (which is quite humiliating in hindsight) and just froze up in terror. If I had been alone, I don’t want to know what would have happened next, but, luckily for me, James showed up at exactly this point and yelled,
“Hey, Casper! Over here, you preposterous poltergeist!” The ghost howled and started chasing him, and he whooped with glee and ran down the hall in the direction of the staircase. Thirty seconds later, I heard a loud cry of pain from James. I bolted to the top of the stairs and saw that one of the steps had given way under James, and that he had clearly broken his ankle. Worse, the ghost was floating over top of him, and, for the first time, he looked scared. I stared at the scene for a few seconds, unsure of what to do, and then pulled out my flute and started playing it in the desperate hope that its hypnotic powers would work on a ghost. I tried to ignore the fact that my knees were shaking under me as I played, and, after a few seconds, the ghost stopped howling and floated away from James. I carefully went down the stairs to my partner, still playing, then knelt down beside him and put the flute away.
“Do NOT do that again! You scared the daylights out of me!” I snapped. James smiled.
“Aww, you do care,” he said. All his fear seemed to be forgotten and I shook my head in amazement. He had almost been killed (possessed?) by a ghost, and he was already making jokes.
“I did owe you. After all, if you had not attracted the ghost’s attention, I might have been killed. How’s your ankle?” I asked.
“It hurts like the dickens,” he replied.
“Can you walk?” James stood up shakily, winced, and quickly sat back down, then smiled and said,
“I can walk on my hands!” He proceeded to demonstrate. In spite of myself, I laughed a little.
“Can you keep that up long enough to get to the front door?” I asked him after I stopped laughing.
“Probably. Why?”
“Because we are leaving. I don’t know how long my hypnosis will last, but it will wear off eventually, and I do not want to be here when it does,” I explained.
“Aww, but I wanted to see some more ghosts!”
“Can you run on your hands?” I asked. James grinned slightly.
“Maybe?” he asked. I shook my head.
“Let’s go. We can watch The Shining when we get home if you want,” I said. (It’s James’ favorite horror movie, and very useful as a bribe.) James’ grin widened.
“You know me well, Piper. Let’s go home,” he said. With that, we left the house-only to find Mick and Mark asleep on the lawn; Mick in little more than his underwear.
“There’s something you don’t see every day,” James said.
“What, Mick and Mark sleeping on the lawn or Mick in his underwear?” I asked.
“Both, but mainly Mick in his underwear. That’s an image I’ll never get out of my mind,” he replied.
“Me, neither,” I agreed. After a few seconds, James sat down on the ground and pulled out a pack of bubble gum.
“I swallowed my gum when that step broke under me. Want some gum?” he asked.
“I suppose,” I replied. James handed me a stick of gum and then took out one for himself as well. I sat down next to him, unwrapped the stick of gum, and started chewing it. James blew a huge bubble.
“How do you do that?” I asked.
“Blow bubbles? Haven’t you ever had bubble gum before?” he asked. I shook my head.
“My parents said that gum was for plebeians,” I replied.
“Well, if they really did cut you off, you are one now, so that shouldn’t be a concern anymore,” he said. I smiled.
“You have a point. So, carnie, how about teaching this ex-patrician how to properly blow bubbles with bubble gum?” I asked.
“You’re on!” James exclaimed.
Captain Boomerang: I hate all the bloody ghosts in that bloody ghost house! (I also hate Cold for making me go into the ghost house, but that’s beside the point.) After Cold and I ran out of the kitchen, the ghost chased us through several rooms and to the basement stairs. We exchanged a brief look and ran down the stairs into the basement.
“If that bloody ghost follows us, I’m gonna be as mad as a cut snake,” I said. I was tired of all the running, tired of risking my life, and even more tired of not getting to eat my chips.
“I think he’s stopped chasing us,” Cold said as he looked around. Then he gasped.
“What is it?” I demanded. Cripes, I need a coolie , I thought.
“The Mirror Masters...at least one of them left their Mirror Gun here. It’s their only way back into our dimension. They’d never leave it here.”
“Well, if they’ve carked it, there’s nothin’ we can do. Let’s take our loot and leave this spooky place before another ghost shows up!” I said. I thought that I’d made a good point, but Cold disagreed and punched me in the face.
“We don’t have any proof that they’re dead, so we’re goin’ in after them. They’re too valuable to lose, and besides, the Rogues don’t abandon their own,” he said. Cold activated the portal to the Mirror Realm and dragged me inside by the scarf. As soon as I got inside, I had a sickie and vomited all over the floor.
“Scudder? McCulloch? It’s Cold. Where are you?” Cold yelled. No answer. I stopped vomiting and looked around, then noticed something shiny. I went over to it and discovered that it was an emerald ring.
“Cold, have a Captain Cook at this! We’re rich!” I exclaimed. Cold looked at it...and went pale.
“Oh, no….one of the Mirror Masters must have been spooked by something and dropped it-and if they ran that way and were so panicked that they didn’t notice that they dropped a valuable thing like that, then they’re lost in the Mirror Realm,” he said.
“Okay. They’ve carked it. Oh, well. Let’s go home,” I replied. Cold shook his head.
“No. We’re gonna find them,” he said.
“Cold, you just said that they were lost in the Mirror Realm. If THEY got lost, we’ll get lost, too,” I protested. Cold didn’t listen.
“We ain’t gonna get lost, because we’re going to make a trail to follow,” he said. He drew one the spoons out of the bag and placed it on the ground next to his feet. Then he moved about ten feet forward and did the same thing, and did it again about seven feet after that. He’s got kangaroos loose in his top paddock for sure, I thought.
“What are you doin’, Cold?” I demanded.
“I’m making a trail,” he said.
“Outta spoons ?” I asked.
“Didn’t you ever hear the story of Hansel and Gretel?”
“I don’t read fairy tales. They’re for wusses,” I said. Cold scowled.
“Look, I have a little sister, okay? Anyway, Hansel and Gretel didn’t want to get lost in the woods, so they used bread crumbs to mark where they’d been. That way, when they turned around, they’d know which way would take them back to their starting point. This is the same idea, only our markers can’t be eaten by anything,” he said. With that, he started dragging me by my scarf towards the direction he thought the Mirror Masters had taken.
“You know, I can walk on my own,” I said.
“ Maybe so, but if I let you go, you’ll probably be walking towards the exit, so I’m keeping ahold of you to be on the safe side,” Cold replied. I stuck my tongue out at him, but he ignored it. After about twenty minutes of walking, we entered the weirdest place I’d ever seen. There were all these bloody weird shapes and colors, and I couldn't tell which way was up. It freaked me out, but for some reason, it didn’t seem to bother Cold at all.
“Cold, this is really freaky. Can we go back now? We’ll never find the Mirror Masters in this crazy place,” I said.
“Shut up, Digger. We are going to find them, and we are not going to stop walking until we either do or run out of silverware,” Cold replied.
“Ace!” I muttered sarcastically.
“What was that?”
“Nothin’,” I lied.
“That’s what I thought.” He dragged me along for about ten more minutes before I opened my big mouth again. (I think that must be some kind of record.)
“Can we stop now ?” My legs were killing me (not to mention my neck)!
“No. Stop acting like a six-year-old,” Cold replied. I really need a coolie, i thought.
“I wouldn’t be actin’ like an anklebiter if you weren’t actin’ like a dictator,” I snapped. Cold punched me in the side and continued to drag me along like a bloody kelpie. After about four more minutes, i decided that I’d had enough of being dragged around and stabbed Cold in the arm with one of my razor-sharp boomerangs. He swore in pain and let me go, and I grabbed the mirror gun and ran towards the exit. Sadly for me, Cold managed to bean me over the head with a plate and knocked me out. When I came to, I awoke to see a pair of unconscious Mirror Masters. Normally, I would’ve been crosser than a frog in a sock that Cold had knocked me out, but at the moment I was too glad that Cold wouldn’t be dragging me through the Mirror Realm anymore to really care.
“You little Ripper! You found them!” I exclaimed happily.
“No thanks to you,” Cold muttered. He shook McCulloch awake.
“Cold? How did ye get in here?” he asked.
“Either you or Sam dropped your Mirror Gun outside of the mirror in the basement, and I used it to get in here,” Cold explained.
“But how did ye find us?”
“Stubbornness, mainly,” Cold replied. I laughed.
“That’d be right!” I exclaimed. Cold looked at McCulloch oddly.
“Why is Sam sleeping in your lap?” Cold asked.
“ WHAT? ” McCulloch yelled. He quickly moved Sam off his lap and stood up. This woke Sam up, for obvious reasons. Once he realized what had happened, he noticed Cold, gave him a huge hug, and then punched him in the face.
“I’m...getting some mixed messages here,” Cold said.
“I’m happy you found us, because I thought we were going to die here, but I’m about equally angry at you, because you wouldn’t have had to rescue us if you hadn’t decided to take us to the creepy ghost house in the first place,” Sam explained. I laughed. It’s always good to see Cold get taken down a peg, the arrogant knocker.
“I do nae see why you being here is a good thing. We do nae ken how to get back to the Mirror Portals from here, we’ll all die here,” McCulloch said.
“Actually, we won’t. I marked the path we took from the portals with our loot, so we’ll able to get back fine,” Cold replied. McCulloch grinned, and my stomach growled.
“Can we go home now? I’m hungry,” I asked.
“Ye and me both, Digger,” McCulloch said. Cold nodded.
“Let’s get back to our reality,” he said. With that, we started the long walkabout back to the Mirror Portals.
Top: My nap lasted precisely twenty-five minutes and fifteen seconds. Then I awoke to see Lisa crying quietly. Normally, I would have felt horrible upon seeing such a sight, but at the time, I simply felt disgusted.
"Stop sniveling, you piece of gutter trash. I will not be moved by your feminine wiles,” I spat. (I have since apologized profusely for this comment, and for all others made under the influence of the ghost, but my darling Lisa is still distrustful of me, and her brother would have beat me to within an inch of my life for them had she not stopped him.)
“All right. I WILL stop crying. I should have known better than to show weakness in front of a man who’s just like my father,” she replied angrily. If I had been myself, I would have been horrified by this accusation, but as I was, I merely sniffed dismissively.
“I am nothing like your father. He was an alcoholic boor who lived off of welfare for most of his life, and I am a gentleman,” I said haughtily.
“And yet you’re calling me names just like he did,” Lisa replied. (In hindsight, her self-confidence was quite admirable, but at the time, I found it irritating.)
“Shut your mouth!” I snapped, unable to refute her argument.
“And let you walk all over me? I don’t think so,” Lisa said. Furious, I raised my hand to slap her, but thankfully, the Civil War-era ghost interrupted us before I could. Lisa grabbed me and pulled me out of the room before the ghost began to levitate anything, thereby saving my life for the third time that night.
“I told you not to touch me!” I said icily. In response, Lisa kissed me on the cheek and I pulled away sharply in utter disgust. (I believe that she was trying to make me uncomfortable in an attempt to snap me back to my senses.)
“I just saved your life again , and you want to complain about me touching you? AGAIN?” she yelled.
“I was aware that we were in danger. There was no need for you to touch me,” I replied coldly. The ghost drifted out of the bedroom we had been in, and the two of us ran to the stairs-only to find that one of the steps had collapsed. Lisa sighed and slid down the banister to the bottom of the stairs, and I reluctantly followed her when the ghost appeared behind me and it became apparent that there was no other means of escape. (We were able to keep our balance because my darling Lisa was a figure skater and I am very resistant to vertigo.) We ran back through the dining room and back into the backyard, and were greeted by a most unusual sight. The ghost who had kissed me was holding hands with another ghost, this one with a noose around his neck.
“Oh, darling, you’re back!” she cooed. The other ghost kissed her.
“Yes, and I’ll never leave you again. I’m so sorry that I abandoned you all those years ago. My father was wrong: you were more important than our money ever could have been,” he said.
‘I forgive you, Robert,” she replied. Lisa started to cry again.
“Oh, shut up, you sniveling hussy! You are too far beneath me to deserve my sympathy,” I said harshly. Lisa frowned and dried her tears rather angrily, then elbowed me in the side.
“Where have you been, Robert?” the female ghost asked.
“I don’t know. All I remember before seeing you tonight was a lot of anger at something,” the other ghost replied. The female ghost embraced him.
“Oh, well, you’re here now. That’s all that matters,” she said. They kissed again, and then the female ghost noticed us and frowned.
“Are you the lovers?” she asked.
“Formerly. I thank you profusely for showing me my folly,” I said. Lisa nodded sadly.
“Why do you want to know? You can’t possibly make me any more miserable,” she said. The ghost smiled.
“Because I am going to show you both mercy. Since my happiness has been restored, I will restore your happiness,” she said. She kissed me once again, and all my love for Lisa came flowing back-as did a crushing sense of guilt.
“My darling, I am so sorry for what I said. I don’t know what came over me, but I swear to you that I do not care how rich you are. You are a goddess, and I adore you. Please, please forgive me,” I pleaded. I felt like an utter cad. Lisa frowned.
“R-Roscoe?” she asked nervously.
“Yes, sweetums,” I said. I tried to kiss her, but she pulled away.
“Don’t , Roscoe. After what you said to me tonight, I just don’t trust you. How can I be sure that you aren’t saying you don’t care that I’m “gutter trash” only because of your hormones? What if two or three years down the line, you don’t find me attractive anymore? Will you still love me, or will I suddenly become a “welfare queen” again? I still love you, but I can’t trust you anymore,” she asked
“You...you are breaking up with me?” I was heartbroken and rather tempted to attack the ghost (if that was even possible), but I could not really blame her.
“I’m not sure. Let’s call it a vacation,” she replied quietly. There was an awkward pause, and then I said,
“In that case, since our date is off, perhaps we should go to the front lawn and wait for the Mirror Masters to take us back to our hideout.” Lisa nodded, and we left the backyard, walked quickly through the house, and made it to the front lawn of the house without issue. Upon arriving, we saw Mark curled up on the lawn, fast asleep, Mick napping in little more than his underwear ( a sight that will haunt me until my dying day), and James and Piper blowing bubble gum. James waved at us.
“Hi there, lovebirds! How was your date?’ If there is one thing that James is the master of, it is saying things at the most inopportune times.
“Badly,” Lisa replied. With that, she left my side and sat down next to Mick. James looked at me quizzically.
“It is a very long story that is frankly none of your business,” I told him. I walked a few feet away from him, sat down, and buried my head in my hands, ashamed of what I had done to the one person in my life I ever cared for. Apparently, I dozed off at some point, because the next thing I remember was the two Mirror Masters arriving alongside Digger and Leonard.
“Look alive, everyone! We’re moving out!” he barked. Five minutes later, we were all back in our hideout (thanks to the Mirror Masters). Lisa immediately ran over to her brother and started sobbing. My stomach twisted with guilt and I looked away.
“Shhh..shh...shhh..Sis, what happened?” In response, Lisa told him the whole story through hiccups and sobs. When she was finished, Leonard marched over to me.
“ Is this true, Dillon?” he demanded.
“Sadly, yes,” I replied awkwardly. In response, Cold punched me so hard he knocked me to the ground.
“Then you’re gonna wish you’d never been born. NO ONE hurts my baby sister,” he snarled. He moved to hit me again, but before he could, Lisa ran over to him and grabbed his arm.
“Lenny, don’ t! He was under the influence of a ghost! It wasn’t all his fault,” she said. Cold scowled, but he walked away anyway as Lisa helped me back to my feet.
“Are you alright?” she asked.
“Better than I should be after treating you so terribly,” I replied.
“It’s good to to have you back, Roscoe,” she said.
“Does this mean that we’re back on?” I asked eagerly.
“No, Roscoe, I’m afraid not. It’ll probably be awhile before I feel comfortable around you again,” she said. She left me and went upstairs, and I was left to mentally berate myself for my idiocy.
Mirror Master I: And...that was basically it. We managed to get home alive from the creepy ghost house, everyone changed out of their costumes, and most of us, exhausted, went to bed (except James and Piper, who decided to watch The Shining for some reason.) The next morning, Trickster went to the hospital to get his broken ankle treated, and the rest of us decided to never, ever go to any house that was supposed to be haunted again. A week later, the Flash caught Len trying to fence his loot, so he’s in prison again. Lisa still hasn’t forgiven Roscoe, and James’s ankle is still very broken, but otherwise, things are pretty much back to normal for us Rogues. So, with that in mind-we would like to wish you all a Happy Halloween!- What James said.
FIN
#flash rogues#ghosts#dc comics#lisa snart/roscoe dillon#len snart#sam scudder#evan mcculloch#james jesse#hartley rathaway#george digger harknesss#mick rory#mark mardon#fanfic#@gorogues
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As requested by ❤anon❤ to post my favorite 60 women from films, here you go! As ive seen on pbs shows about greatest books, please applaud between every one of these!
1. Amy Dunne played by Rosamund Pike on Gone Girl 2014
2. Alma played by Vicky Krieps on Phantom Thread 2017
3. Ponyo on Ponyo 2008
4. Patsey played by Lupita Nyong'o in 12 years a slave
5. Omocha played by Isuzu Yamada in Sisters of the Gion 1936
6. Tonya Harding played by Margot Robbie in I, Tonya 2017
7. Valkyrie played by Tessa Thompson in Thor: Ragnarok 2017
8. Jennifer Check played by Megan Fox in Jennifer's Body 2009
9. Dona Flor played by Sonia Braga in Dona Flor and her two husbands 1977
10. Princess Yuki played by Misa Uehara in The Hidden Fortress 1958
11. Lady Asaji played by the Isuzu Yamada again in Throne of Blood 1957
12. Carmen Jones played by Dorothy Dandridge in Carmen Jones 1954
13. Sabrina played by Audrey Hepburn in Sabrina 1954
14. Oharu played by Kinuyo Tanaka in The Life of Oharu 1952
15. Blanche DeBois played by Vivien Leigh in A Streetcar Named Desire 1951
16. Norma Desmond played by Gloria Swanson in Sunset Boulevard 1950
17. Gilda played by Rita Hayworth in Gilda 1946
18. Laura Hunt played by Gene Tierney in Laura 1944
19. Mildred Pierce played by Joan Crawford in Mildred Pierce 1945
20. Ki-jung played by Park So-Dam in Parasite 2019
21. Cleo played by Yalitza Aparicio in Roma 2018
22. Elle Woods played by Reese Witherspoon in Legally Blonde 2001
23. Clementine "Tish" Rivers played by Kiki Lane on If Beale Street Could Talk 2018
24. Madeline played by Helena Howard on Madeline's Madeline 2018
25. Anne Graham played by Tonie Collette in Hereditary 2018
26. Marlina played by Marsha Timothy in Marlina the Murderer in Four Acts
27. Paula played by Noamie Harris in Moonlight 2016
28. Sook-he played by Kim Tae-ri in The Handmaiden 2016
29. Elaine played by Samantha Robinson in The Love Witch 2016
30. Thomasin played by Anya Taylor-Joy in The Witch 2015
31. Maggie played by Elizabeth Taylor in Cat on a hot tin roof 1958
32. Emmanuelle Riva's anonymous character in Hiroshima Mon Amour 1959
33. Eurydice played by Marpessa Dawn in Black Orpheus 1959
34. Betty played by Naomi Watts in Mulholland Drive 2001
35. Mon played by Machiko Kyô in Older Brother, Younger Sister 1953
36. Kiyoko played by Hideko Takamine in Lightning 1952
37. Cabiria Ceccarelli played by Giulietta Masina in Nights of Cabiria 1957
38. Mamma Roma played by Anna Magnani in Mamma Roma 1962
39. Cléo played by Corinne Marchand in Cléo from 5 to 7 1962
40. Charulata played by Madhabi Mukherjee in Charulata 1964
41. Licia played by Adrienne La Russa in Psychout for Murder 1969
42. Ganja Meda played by Marlene Clark on Ganja & Hess 1973
43. Claudine played by Diahann Carroll on Claudine 1974
44. Foxy Brown played by Pam Grier on Foxy Brown 1974
45. Conchita played by Carole Bouquet and Angela Molina on That Obscure Object of Desire 1977
46. Gorgeous played by Kimiko Ikegami on House 1977
47. Alma Starr played by Natalie Wood in This Property is Condemned 1967
48. Anna played by Isabelle Adjani in Possession 1981
49. Vivian played by Julia Roberts in Pretty Woman 1990
50. Mozelle played by Debbi Morgan in Eve's Bayou
51. Elizabeth Bennett played by Keira Knightley in Pride & Prejudice 2005
52. Masako Kanazawa played by Machiko Kyô in Rashomon 1950
53. Elena Tejero played by Ninón Sevilla in Aventurera 1950
54. Masako played by Chieko Nakakita in One Wonderful Sunday 1947
55. Beatriz Peñafiel played by Maria Felix in Enamorada 1946
56. Celine played by Julie Delpy in the before trilogy
57. Ed played by Holly Hunter in Raising Arizona 1987
58. Mrs. Chan played by Maggie Cheung on In the mood for love 2000
59. Kitty March played by Joan Bennett in Scarlet Street 1945
60. Sumie played by Noriko Sengoku in Scandal 1950
#Cherry says#counted these i got 30 out of 60 of these women are nonwhite!!!#hey anon i did it#this shit took almost 3 hours XOHEKXOSHDMXIWBNDKS#anyways im sleeby.....#gonna nap pls enjoy this isnt ranked#its supposed to but i got too tired
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Casting Goals for Stephanie J. Block?
WOWZA!!!!!!!! SO MANY!!!! ONE OF MY QUEENS!!!! (See below cut off because there are SO MANY!!!) I’m sure I’m forgetting some.
Casting Goals
Morticia Addams in The Addams Family
Alice Beineke in The Addams Family
Miss Hannigan in Annie
Desirée Armfeldt in A Little Night Music
Barbara Fordham in August: Osage County
Nettie Fowler in Carousel
Margaret White in Carrie
Stine in City of Angels
Carla/Alaura in City of Angels
Judy Boone in The Curious Incident of the Dog in the Night Time
Margaret New in Everybody’s Talking About Jamie
Golde in Fiddler on the Roof
Sally Plummer in Follies
Helen Bechdel in Fun Home
Rose in Gypsy
Elizabeth Vaughn in If/Then
The Witch in Into the Woods
Baker’s Wife in Into the Woods
Anna Leonowens in The King and I
Lilli Vanessi in Kiss Me, Kate
Aurora in Kiss of the Spider Woman
Madame Thénardier in Les Miserables
Marmee in Little Women
Lady M in M*cb*th
Donna Sheridan in Mamma Mia!
Marya Dmitriyevna in Natasha, Pierre and the Great Comet of 1812
Diana Goodman in Next to Normal
Lily Garland in On the Twentieth Century
Carlotta Giudicelli in The Phantom of the Opera
Catherine in Pippin
Mother in Ragtime
Slyvia/Ruth in Ruthless!
The Lady of the Lake in Spamalot
Norma Desmond in Sunset Boulevard
Mrs. Lovett in Sweeney Todd
Once Upon a December
Annie Oakley in Annie Get Your Gun
Sally Bowles in Cabaret
Julie Jordan in Carousel
Carrie Pipperadge in Carousel
Bobbie in Company
Amy in Company
Eva Perón in Evita
Louise in Gypsy
Yitzhak in Hedwig and the Angry Inch
Regan in King Lear
Meg Giry in Love Never Dies
Ellen in Miss Saigon
Sonya Rostova in Natasha, Pierre and the Great Comet of 1812
Winnifred in Once Upon a Mattress
Dot/Marie in Sunday in the Park with George
Betty Schaefer in Sunset Boulevard
Violet in Violet
Nessarose in Wicked
Fly Into the Future
Madame Armfeldt in A Little Night Music
Violet Weston in August: Osage County
Joanne in Company
Dolly Levi in Hello, Dolly!
#What's the Buzz?#Casting Goals#Once Upon a December#Fly Into the Future#Stephanie J. Block#Annie#Hello Dolly!#Company#A Little Night Music#Sunset Boulevard#Violet#Wicked#Miss Saigon#Evita#Gypsy#Cabaret#Carousel#King Lear#Sweeney Todd#Little Women#Pippin#Ragtime#Spamalot#Ruthless!#Carrie#City of Angels#If/Then#Mamma Mia!#Next to Normal#Follies
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what i think the professor layton characters would look cool in for halloween costumes:
hershel: knight
luke: wizard apprentice
flora: witch
emmy: prince
desmond: vampire
randall: howl from howls moving castle
what they would probably dress up in-canon for halloween:
hershel: himself
luke: ‘the professor isn’t dressing up so i won’t either!’ *goes as gon from hxh*
flora: disappearing peace sign meme or the barbie girl from that one barbie movie where the princess barbie and the seamstress barbie sing together
emmy: glues a bunch of candy to herself
desmond: thinks he’s too cool for halloween but goes as whatever the phantom of the opera dude is
randall: goes as naruto and forces henry and angela to partner cosplay sasuke and sakura with him
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Bell Witch Scale The Depths of Loss in Mirror Reaper
~By Jacob Mazlum~
Reviewing a new release from a band you totally love should not be allowed. In any other industry this kind of behaviour would be seen as a fatal conflict of interests. You love the band and their release is great – suddenly the record is inflated to stratospheric degrees of hyperbolic praise. You love the band and their release is lacklustre – suddenly the record is nothing but an ugly effigy of everything you loved about them, and your writing shows it. Sure, there are plenty of reviewers who aren’t swayed by such petty sentiments, but I am, and I fucking love Bell Witch more than most of my relatives.
BELL WITCH are an odd band, which is good as it keeps away the kind of doom fans who don’t deserve to listen to them. They are now composed of Jesse Shreibman (drums/vocals) and Dylan Desmond (bass/vocals), who both previously performed live with the inimitably brilliant Wrekmeister Harmonies. The latter also previously played bass for Samothrace, which essentially makes the quality of artistry possible here truly exciting.
Photo by David Choe
Shreibman is a new addition to the band for this release following the departure and tragic passing of former drummer, Adrian Guerra, in 2016. It feels uncomfortable writing on such a topic, knowing how important it is both to the writing process and context of the album, while acknowledging the constant reminders the band will be experiencing in the inevitable furore surrounding the release (this review included).
Truly, however, the lingering memory of loss must be understood to comprehend 'Mirror Reaper' (2017 - Profound Lore Records) in its fullest. This is given the most evident fruition at the midpoint of the album, where some of Guerra’s unused vocal outtakes from the Four Phantoms sessions were inserted. Far from being the kind of morose novelty that listening to Dawn of the Black Hearts can feel like today, the inclusion of Guerra’s vocals act as a conceptual shift that both progresses and solidifies the theme Mirror Reaper so deftly crafts. And what a theme it crafts over its punishing 83 minute length, sounding like a towering edifice akin to the mirror on the front artwork. Having all the album material as one song is both brave and ambitious, possessing the kind of atmospheric unity to execute such a move in a way that makes listeners question how else it could ever be presented.
Mirror Reaper by Bell Witch
On top of this, Bell Witch simply do not need to compromise to make their material more palatable. This is not music for people who demand neat breaks, track titles, a pause to gather ones thoughts and offer trite applause. This is music to get deeply and profoundly lost in, to lose all understanding of time and live in one single divine and tormented moment.
Bell Witch capture a feeling and craft every nuance of every sound around it. This means that regardless of whether there is space or density, silence or chaos, hope or despair, each component will be in service to the album’s overriding identity. This is the opposite of rock star solipsism; it is the obsessive pursuit of the intangible, the sacrifice of the self to create something greater – a conceptual purity formed only of sound. There is no ‘I’ in such a thing, and it is all the more beautiful for it.
This is seen in Schreibman’s drumming, where his performance fits so well that it lays to rest any questions about his suitability. His style is so congruent that in any other band you may question whether he was simply aping Guerra’s blueprint laid in Longing and Four Phantoms. In reality, however, his skills are not so much a replacement or imitation of Guerra’s as they are a continuation of keeping Bell Witch the sad wounded beast it is.
Enough reviewers will note the use of a Hammond organ, the added vocal passages, the clever use of a six-string bass. What is important for me, however, is the thickness created in Mirror Reaper. It is no ‘fat tone’ or Orange turned up to 11, it is the suffocating misery in which each Bell Witch album unceremoniously emerges and marches through with ritualistic yet pained dignity. The album ends on the kind of note that suggests a further passage to come, a trailing sentence left uncompleted. This is not the sound of resolution, it is catharsis in futility. Enjoy.
Jacob Mazlum is the frontman and guitarist for Sheffield doom-sludge band Kurokuma. This is his first contribution to Doomed & Stoned.
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Bell Witch Mirror Reaper
“Mirror Reaper bleeds profusely with misery, crushed by its own incredible weight, and locks eyes with you… blankly staring you down as it slowly perishes from all existence.” -- Invisible Oranges
Seattle doom metallers BELL WITCH will kick off a North American tour with Denver doom trio Primitive Man this week. The journey begins on October 24th in Salt Lake City, Utah and runs through November 19th in Mesa, Arizona. From there, the band will take a short break before joining French doom metalists/labelmates Monarch! for a stretch of live dates from December 1st in Vancouver, British Columbia through December 7th in Los Angeles, California with more performances to be announced in the coming days. Additionally, BELL WITCH will bring their devastating odes to the stages of Roadburn Festival 2018 in Tilburg, The Netherlands. The band will perform two sets, the first on Saturday April 21st at the 013 venue and Sunday, April 22nd at Het Patronaat recreating Mirror Reaper in its crushing entirety. See all confirmed dates below.
BELL WITCH will be touring in support of their breathtaking Mirror Reaper full-length, released last week via Profound Lore. Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ), Mirror Reaper delivers one continuous, eighty-three-minute piece unfolding as a single track. While retaining the immense weight of their previous releases, Mirror Reaper sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of vocalist Erik Moggridge (Aerial Ruin), offering a prominent presence.
Mirror Reaper is available on 2xCD, 2xLP, and digital formats. Order your copy today at THIS LOCATION.
BELL WITCH w/ Primitive Man: 10/24/2017 Diabolical Records – Salt Lake City, UT * no Primitive Man 10/25/2017 Hi Dive – Denver, CO 10/26/2017 O’Leavers – Omaha, NE 10/27/2017 Cobra Lounge – Chicago, IL 10/28/2017 Rock Island Brewery – Rock Island, IL 10/29/2017 The New Dodge – Hamtramck, MI 10/30/2017 Ace Of Clubs – Columbus, OH 10/31/2017 Brillobox – Pittsburgh, PA 11/01/2017 Coalition – Toronto, ON 11/02/2017 Bar Le Ritz – Montreal, QC 11/03/2017 Geno’s – Portland, ME 11/04/2017 Cop Frat – Oneonta, NY 11/05/2017 ONCE – Boston, MA 11/06/2017 Saint Vitus Bar – Brooklyn, NY 11/07/2017 Kung Fu Necktie – Philadelphia, PA 11/08/2017 The Meatlocker – Montclair, NJ 11/09/2017 Sidebar – Baltimore, MD 11/10/2017 Strange Matter – Richmond, VA 11/11/2017 Drunken Unicorn – Atlanta, GA 11/12/2017 Exit/In – Nashville, TN 11/13/2017 White Water Tavern – Little Rock, AR 11/14/2017 Growlers – Memphis, TN 11/15/2015 Santos – New Orleans, LA 11/16/2017 Lost Well – Austin, TX 11/17/2017 Ridgelea Lounge – Fort Worth, TX 11/19/2017 Club Red – Mesa, AZ w/ Thra, Ceremented * no Primitive Man w/ Monarch!: 11/30/2017 Cobalt – Vancouver, BC * Bell Witch only 12/01/2017 Highline – Seattle, WA 12/02/2017 Tonic Lounge – Portland, OR 12/03/2017 Old Nick’s – Eugene, OR 12/05/2017 Blue Lamp – Sacramento, CA 12/06/2017 Golden Bull – Oakland, CA 12/07/2017 Five Star Bar – Los Angeles, CA End Tour 4/21/2018 013 @ Roadburn – Tilburg, NL 4/22/2018 Het Patronaat @ Roadburn – Tilburg, NL
Formed by Desmond and ex-drummer/vocalist Adrian Guerra, BELL WITCH released their first self-titled demo in 2011 and partnered with Profound Lore Records for their debut album, Longing, in 2012. The duo’s second LP, 2015’s acclaimed Four Phantoms was recognized as one of doom metal’s triumphs of the year. The band extensively toured in North America and Europe, securing notable festival appearances including Roadburn, Basilica Soundscape, Sled Island, and Psycho California.
http://www.facebook.com/BellWitchDoom http://www.profoundlorerecords.com http://www.facebook.com/profoundlorerecords http://www.profoundlorerecords.bandcamp.com
#smnnews#smnews.com#maentglobal#maentglobal.com#earsplitpr#earsplitcompound#bellwitchdoom#profoundlorerecords
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Music Review: Bell Witch - Mirror Reaper
Bell Witch Mirror Reaper [Profound Lore; 2017] Rating: 4/5 “Reigned, (Weaved in the needle) the cycle turns around Air, burnt to ashen mountains (Weaving the ground) Swimming underground Pendulum, Silent gavel (of time)” – Adrien Guerra, “Words of the Dead,” Mirror Reaper Bell Witch’s 2012 debut, Longing, was a vigorously slow-burning album that counterposed airy doom tones and heavy-landing melodies against a distant, shadowy landscape of solemn drumming. Longing gestured toward the ground and our inevitable reunion with it, but it also pointed ahead, its rumbling guitars drafting a contract that would be signed by 2015’s Four Phantoms. That album not only saw the music of Dylan Desmond (bass) and Adrien Guerra (drums) come into a stunningly coherent maturity, but it also ushered in a colossal sense of funereal drama that pushed Bell Witch to the head of the contemporary doom metal pack. It is a formidable work that warrants deep listening; its third track alone, “Suffocation, a Drowning: II - Somniloquy (The Distance of Forever),” is a 23-minute tour de force that takes a journey from shimmering nickel-and-steel solitude to deafening canyons of blown-out fuzz and back again. The delivery of lines like “Cold betrayal/ With the river flows the lesser souls of hell/ So the river holds me as well” is nothing short of an unwelcome punch right to the sternum. Indeed, with Four Phantoms, Bell Witch arrived as a reckoning, but their beginning was also, in a sense, the beginning of an imminent end. Shortly following its release, Desmond confronted Guerra about his increasing alcoholism. Facing a choice about whether to stay or go, Guerra parted ways with Desmond and was replaced by drummer Jesse Shreibman. On May 17, 2016, Guerra died in his sleep. Although Mirror Reaper — a single 83-minute track — was already being composed before Guerra’s passing, the album is very much an attempt to wrestle with his loss. “The song is about something that is in the gray area between death and life,” Desmond would tell Noisey. “Its body is dying, but it is still conscious. It’s saying ‘make this purgatory stop. Have Mercy.’” Mirror Reaper by Bell Witch Building on the work with Guerra, Desmond and Shreibman as Bell Witch have an uncanny ability to make their metal feel ancient, spiritual, even liturgical. It’s a skill that, one would imagine, comes from both an intense study of black metal and a deep-seated holding of melancholy and grief. All of Bell Witch’s music is about death in one way or another, but Mirror Reaper represents a different kind of immersion with it. Guerra is present throughout, his ghost presiding over it all. In the moment where the album’s first half transitions into the second, his voice is audible, a calculated and moving tribute to the late musician. His verses, which are printed in the epigraph to this review, are remnants from the Four Phantoms sessions. At its core, Mirror Reaper explores the relationships between apparent opposites: stasis and movement, life and death, time and infinity. The ceremonial guitars of its opening moments demand stillness, their methodical harmonic changes seductively beckoning the listener into the world of “As Above,” the unofficial title of the first half of the album. The first “movement” of “As Above,” which feels like the soundtrack to an arcane and sacred ritual, lasts around 25 minutes (in my estimation) and has a distinctly elegiac vibe that should be instantly recognizable to fans of Four Phantoms. Since there are no demarcated songs here, the transition into the next section starts with an elision. The music maintains its drive as it moves, which risks the occasional drag that one wonders is intentional. In that respect, the meaning of the album’s slowest moments comes down to a question of the listener’s ability to invest their attention without wandering or taking breaks. These transitions are necessarily slow, because in the absence of individual tracks, they’re a relief from the tempestuous moments. For example, one can’t simply start listening to the second “movement” of Mirror Reaper without first having to be parsed out between the listener and their preferred medium. Regardless of how you approach it, Mirror Reaper is a challenging experience, tasking listeners with the question of whether they can actually listen to these 83 minutes as intended: together. In my dark apartment, amid candles and a muted phone, I tried to do it, and I found myself sliding toward a different temporality. Mirror Reaper’s third “movement” is a vision of serenity in the void, a fragile vessel caught in the flow of infinity. Meter doesn’t exist here, only the pulses that Desmond’s bass gives off with its peaceful harmonies. A voice enters: “Be not where you lay, lest the bond be broken/ Vanish you stay/ Timeless in the well, lest the song is spoken/ Over for the sell.” Celestial sighs enter in falsetto against murky whispers, a prolonged moment of vulnerability that’s truly rare in doom metal. The album’s finale follows, an extended, organ-filled fantasia that bears the distinct feeling that time and space have been traversed. A heavy bass melody announces our arrival on the shores of somewhere unknown. Crashing drums are navigated by mountainous bass lines. At the end of this journey, Desmond and Schreibman are still in control, still alive, their essence intact. “The pendulum slows/ Then stilled under the cold/ In absence he flies/ In presence we will writhe.” Everything evaporates into stillness. Bell Witch’s vision of what lies beyond is filled with both rippling beauty and the looming threat of negation. Still, somehow, it’s a tempting invitation. http://j.mp/2h3eKO7
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*the darkdroid that help Quntion are in fact! dead! from the seats they stood on collapsing!* Synth: uh Duster? you ALREADY killed them??? was that SKILL or just dumb luck? cause EITHER way! that was IMPRESSIVE! and yer invited to poker night! *the water puts out the NORMAL fires! makes the electrical ones WORSE! *
Quinton picks up the three, one with each head, and starts booking it away
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Bell Witch - Four Phantoms (April 28th, 2015) Country: United States Genre: Funeral Doom Metal
Lineup: Dylan Desmond - Vocals, Bass Adrian Guerra (R.I.P. 2016) - Vocals, Drums
Guest/Session: Erik Moggridge - Vocals (Track 3)
Tracklist:
Suffocation, a Burial: I - Awoken (Breathing Teeth) - 22:29
Judgement, in Fire: I - Garden (of Blooming Ash) - 10:18
Suffocation, a Drowning: II - Somniloquy (The Distance of Forever) - 22:55
Judgement, in Air: II - Felled (in Howling Wind) - 10:45
#Telegram#Bell Witch#Funeral Doom Metal#Doom Metal#Dylan Desmond#Adrian Guerra#Erik Moggridge#United States#USA#US
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Michael Harrison, David Ian and Curve are delighted to announce further touring dates for the forthcoming UK and Ireland tour of Andrew Lloyd Webber’s award-winning musical SUNSET BOULEVARD starring Ria Jones as ‘Norma Desmond’ and Danny Mac as ‘Joe Gillis’. Directed by Nikolai Foster, the tour will open at Curve on Saturday 16 September 2017 (press night Thursday 28 September). Full tour schedule below. SUNSET BOULEVARD also features Adam Pearce as ‘Max Von Mayerling’, Molly Lynch as ‘Betty Schaefer’, Dougie Carter as ‘Artie Green’ and Carl Sanderson as ‘Cecil B DeMille’. The rest of the company includes Bernadette Bangura, Matthew Barrow, Benjamin Chambers, Joanna Goodwin, Kristoffer Hellström, Iain Mattley, James Meunier, Gemma Naylor, Fiona O’Carroll, Joanna O’Hare, Jessica Paul, Sam Peggs, Tom Vincent and Barney Wilkinson
Last year, Ria Jones played the role of ‘Norma Desmond’ at the London Coliseum when Glenn Close was indisposed, receiving rave reviews and standing ovations for her performance. Ria has recently starred as ‘Dorothy Brock’ in “42nd Street” at the Théâtre du Châtelet in Paris. Her West End credits include ‘Fantine’ in “Les Misérables”, ‘Grizabella’ in “Cats” and ‘Florence’ in “Chess”. Her touring credits include ‘Alex’ in “The Witches of Eastwick”, ‘Mrs Overall’ in “Acorn Antiques – The Musical”, ‘Reno Sweeney’ in “Anything Goes” and ‘The Narrator’ in “Joseph and the Amazing Technicolor Dreamcoat”.
Danny Mac captured the nation’s hearts and received overwhelming support during his incredible time on BBC1’s “Strictly Come Dancing” making it all the way to the final. He most recently starred as ‘Gabey’ in “On The Town” at Regent’s Park Open Air Theatre. His other musical theatre credits include “Wicked” and “Legally Blonde”.
Adam Pearce’s many West End credits include “Les Misérables” at the Queen’s Theatre, as well as the original casts of “Love Never Dies” at the Adelphi, “The Light Princess at the National Theatre and “Urinetown” at the St James Theatre. Adam has also appeared in “Evita”, “Joseph and the Amazing Technicolor Dreamcoat” and “Sweeney Todd”, all at the Adelphi.
[See image gallery at http://ift.tt/1FpwFUw]
Molly Lynch most recently appeared in English National Opera’s “Carousel” at the Coliseum, where she has also appeared in “Sweeney Todd”. Her other credits include “Fiddler on the Roof” at Grange Park Opera.
Dougie Carter recently played ‘Jean-Michel’ in the national tour of “La Cage Aux Folles”. His West End theatre credits include “Les Misérables” at the Queen’s Theatre and “Alice” at St James Theatre.
Carl Sanderson’s many West End credits include “Cats”, “The Phantom of the Opera”, “Acorn Antiques – The Musical” and “Starlight Express”. His other theatre credits include the national tours of “My Fair Lady” and “Hairspray” as well as “Guys and Dolls”, “The Music Man” and “The Pajama Game” all at Chichester Festival Theatre.
One of the all-time great musicals, Andrew Lloyd Webber’s Tony Award®-winning (Best Musical, Best Original Score and Best Book of a Musical) masterpiece SUNSET BOULEVARD is a compelling story of romance and obsession, based on Billy Wilder’s legendary film, with Don Black and Christopher Hampton’s wonderful book and lyrics. This much-loved score includes the title number Sunset Boulevard, With One Look, As If We Never Said Goodbye, The Greatest Star Of All and The Perfect Year and will be performed by a full orchestra.
In her mansion on Sunset Boulevard, faded, silent-screen goddess, Norma Desmond, lives in a fantasy world. Impoverished screenwriter, Joe Gillis, on the run from debt collectors, stumbles into her reclusive world. Persuaded to work on Norma’s ‘masterpiece’, a film script that she believes will put her back in front of the cameras, he is seduced by her and her luxurious life-style. Joe becomes entrapped in a claustrophobic world until his love for another woman leads him to try and break free with dramatic consequences.
Full Casting Announced
SUNSET BOULEVARD UK AND IRELAND TOUR 2017/18 2017 SATURDAY 16 SEPTEMBER – SATURDAY 30 SEPTEMBER CURVE, LEICESTER http://ift.tt/165GdBd
TUESDAY 3 OCTOBER – SATURDAY 7 OCTOBER EDINBURGH PLAYHOUSE http://ift.tt/2j83diG
MONDAY 9 OCTOBER – SATURDAY 14 OCTOBER NEWCASTLE THEATRE ROYAL http://ift.tt/U2q2OB
MONDAY 16 OCTOBER – SATURDAY 21 OCTOBER SWANSEA GRAND THEATRE http://ift.tt/1oZ5gQ7
MONDAY 23 OCTOBER – SATURDAY 4 NOVEMBER MANCHESTER PALACE http://ift.tt/2j8iwaX
MONDAY 6 NOVEMBER – SATURDAY 11 NOVEMBER HIS MAJESTY’S THEATRE, ABERDEEN http://ift.tt/2fG1612
MONDAY 13 NOVEMBER – SATURDAY 18 NOVEMBER BIRMINGHAM HIPPODROME http://ift.tt/14iJTzX
MONDAY 20 NOVEMBER – SATURDAY 25 NOVEMBER BORD GAIS ENERGY THEATRE, DUBLIN http://ift.tt/RbxcU5
TUESDAY 28 NOVEMBER – SATURDAY 2 DECEMBER MILTON KEYNES THEATRE http://ift.tt/1Txe0cK
2018
TUESDAY 9 JANUARY – SATURDAY 13 JANUARY 2018 BRISTOL HIPPODROME http://ift.tt/1ePFxcZ DANNY MAC WILL NOT BE PERFORMING AT THIS VENUE
TUESDAY 16 JANUARY – SATURDAY 20 JANUARY MAYFLOWER THEATRE, SOUTHAMPTON www.mayflower.org.uk DANNY MAC WILL NOT BE PERFORMING AT THIS VENUE
MONDAY 22 JANUARY – SATURDAY 27 JANUARY NEW VICTORIA THEATRE, WOKING http://ift.tt/2g28GT0 DANNY MAC WILL NOT BE PERFORMING AT THIS VENUE
MONDAY 29 JANUARY – SATURDAY 3 FEBRUARY THE CLIFFS PAVILLION, SOUTHEND http://ift.tt/1MwTxRZ
MONDAY 5 FEBRUARY – SATURDAY 10 FEBRUARY THE ALHAMBRA THEATRE, BRADFORD http://ift.tt/1ejuZCR
MONDAY 19 FEBRUARY – SATURDAY 24 FEBRUARY LIVERPOOL EMPIRE http://ift.tt/2h1DCoa
MONDAY 26 FEBRUARY – SATURDAY 3 MARCH WALES MILLENNIUM CENTRE, CARDIFF www.wmc.org.uk DANNY MAC WILL NOT BE PERFORMING ON MONDAY 26 FEBRUARY
MONDAY 5 MARCH – SATURDAY 10 MARCH IPSWICH REGENT THEATRE http://ift.tt/2vY9VtP
MONDAY 12 MARCH – SATURDAY 17 MARCH THEATRE ROYAL, PLYMOUTH www.theatreroyal.com
MONDAY 9 APRIL – SATURDAY 14 APRIL NEW WIMBLEDON THEATRE http://ift.tt/2fbh98X
MONDAY 16 APRIL – SATURDAY 21 APRIL THE MARLOWE THEATRE, CANTERBURY http://ift.tt/1dw0U00
MONDAY 23 APRIL – SATURDAY 28 APRIL SHEFFIELD LYCEUM http://ift.tt/Z3Lm6I
http://ift.tt/2tIXrcX LondonTheatre1.com
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Bell Witch Album Review: Mirror Reaper
BY JORDAN MAINZER
It’s absolutely impossible to separate Bell Witch’s Mirror Reaper from its backstory, yet it still manages to stun. A recap: In 2015, after the release of their breakout album Four Phantoms, bassist/vocalist Dylan Desmond split from drummer/vocalist Adrian Guerra due to Guerra’s continued problems with alcohol. Guerra died of a heart attack a year later, and Desmond continued the band with roommate/manager Jesse Shreibman on drums, vocals, and organ. Mirror Reaper, the duo’s third album, is one track, over 80 minutes long, and featuring not only vocals from honorary vocalist Erik Moggridge, but unused Four Phantoms tracks from Guerra himself. Although the album is comprised of one track, its two distinct sections, “As Above” and “So Below”, are mirror images of each other, the latter simply darker versions of the former, hence the title.
Mirror Reaper sounds in real life what it sounds like on paper, but that doesn’t lessen its impact. It begins immediately with Desmond’s incredible bass. By now, it’s Desmond has well exposed his ability to make the bass sound like an electric guitar. He plays it gorgeously with echo and expanse, sounding at peace when he’s by himself. When Shreibman’s drums kick in, a few minutes into the record, the vibrations from the drums, bass, and organ combine to achieve a sense of unease. Everything slowly goes higher--not in tone, but in pure mountainous escalation. The vocal stylings between the two main members--guttural growls from Shreibman and Gregorian-style chanting from Desmond--alternate between intense and definitely mournful.
While you may be able to pick apart certain segments of Mirror Reaper--for instance, the quiet around the 17-minute mark could be an interlude--it’s clearly meant to be heard as a continuous piece, one that goes by in a blur. The interplay between conflicting elements, like chanting and growling, or uplifting bass and repeated bass notes that test your patience, makes the whole experience blend together. Shreibman’s organ at the end is the most funereal the album gets, really shining with emotive bass and drums laden with distortion. Of course, there are the moments with Guerra’s and Moggridge’s vocals, but the very fact that Mirror Reaper, a doom metal album through and through, ends with singing, shows how boundary pushing it is. It’s also devastating, an album that rivals A Crow Looked At Me in terms of its ability to live both as a tribute to a lost loved one and a statement on death and mourning.
8.9/10
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#bell witch#album review#mirror reaper#profound lore#four phantoms#dylan desmond#adrian guerra#erik moggridge#a crow looked at me#jesse shreibman
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*Zombozo ducks outta the way! BARELY being missed! instead the feathers fly- past! and hit several surfaces! bouncing all around! hitting and DESTROYING the supports on the audience's seating area! causing it to COLLAPSE SKEWERING ALL the dark droids's cores! killing them instantly! one hits the fire Desmond started and catches a light! hitting the edge of the tent! and it CATCHES FIRE too! causing a set of lights to break'n hit the dark droids holding Desmond! THEY then catch on fire! a final feather bounces around! and hits Zombozo's suit! activating the machine he's on! actually! just the thrusters on it! which suddenly'n VERY violently LAUNCHES into the air before EXPLODING VIOLENTLY! bits of metal'n FIRE rain! EVERYWHERE!- Synth's jaw HIT the FLOOR from SHOCK- *
Duster glares daggers at the Darkdroids that're holding Quinton. "Let him go" he says, still fuming a bit.
Desmond is throwing splash water bottles at the fire to try to stop it before it gets too bad.
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