#designagainstdesign

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WD+RU (1994—)

The Women’s Design + Research Unit (WD+RU) was founded in 1994 with the intent of raising awareness about women working in the field of visual communication and design education. WD+RU has never operated as a commercial studio but functions more as a collective, collaborating with students or design professionals who join the core team of Siân Cook and Teal Triggs in the realisation of self-initiated projects or responding to specific project invitations.

WD+RU’s focus has gradually changed more towards encompassing general social responsibility rather than just focusing on ‘women’s issues’, but all projects are underpinned by a core feminist philosophy and approach. WD+RU is an inclusive organisation interested in facilitating initiatives that give voices to communities that do not have a platform. http://wdandru.tumblr.com

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No Logo (1999) Naomi Klein

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Design Anthropology Rap Dori Tunstall

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Design Justice Network (2016—)

We are striving to create design practices that center those who stand to be most adversely impacted by design decisions in design processes. We work to challenge the ways that design and designers harm Indigenous peoples, communities of color, poor and working class people, the sick and disabled, migrants, LGBTQ people, women and femmes. We use design to imagine and build the world we need to live in — one that is safe and just. We do this by producing work that is based on shared principles of design justice, by growing our international network of design practitioners and advocates, creating critical publications, and curating exhibitions.

Design Justice Network Principles

This is a living document.

Design mediates so much of our realities and has tremendous impact on our lives, yet very few of us participate in design processes. In particular, the people who are most adversely affected by design decisions — about visual culture, new technologies, the planning of our communities, or the structure of our political and economic systems — tend to have the least influence on those decisions and how they are made.

Design justice rethinks design processes, centers people who are normally marginalized by design, and uses collaborative, creative practices to address the deepest challenges our communities face.

1. We use design to sustain, heal, and empower our communities, as well as to seek liberation from exploitative and oppressive systems.

2. We center the voices of those who are directly impacted by the outcomes of the design process.

3. We prioritize design’s impact on the community over the intentions of the designer.

4. We view change as emergent from an accountable, accessible, and collaborative process, rather than as a point at the end of a process.

5. We see the role of the designer as a facilitator rather than an expert.

6. We believe that everyone is an expert based on their own lived experience, and that we all have unique and brilliant contributions to bring to a design process.

7. We share design knowledge and tools with our communities.

8. We work towards sustainable, community-led and -controlled outcomes.

9. We work towards non-exploitative solutions that reconnect us to the earth and to each other.

10. Before seeking new design solutions, we look for what is already working at the community level. We honor and uplift traditional, indigenous, and local knowledge and practices.

—designjusticenetwork.org

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Dutch Profile: Jan van Toorn (2013)

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Inkahoots Short Doc (2013)

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Adbusters Billboard (2001) Jonathan Barnbrook

Barnbrook was one of original signatories of the revised First things First manifesto that was reissued by Adbusters on 2000 and signed by 33 leading visual communicators. The original was written by Ken Garland in 1964. The manifesto called for meaningful design and question the role of designers in society. Jonathan Barnbrook designed Issue 37 of Adbusters ‘Design Anarchy’ and completed several other associated works discussing the themes of the manifesto including this billboard. This was put up in Las Vegas to coincide with the AIGA (American Institute of Graphic Arts) conference. The billboard states “Designers, stay away from corporations that want you to lie for them” — a quote by Tibor Kalman.

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Anti Shirt (2000) Experimental Jetset

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First Things First Manifesto (1964) Ken Garland

Written in 1963 and published in 1964 by Ken Garland along with 20 other designers, photographers and students, the manifesto was a reaction to the staunch society of 1960s Britain and called for a return to a humanist aspect of design. It lashed out against the fast-paced and often trivial productions of mainstream advertising, calling them trivial and time-consuming. It's solution was to focus efforts of design on education and public service tasks that promoted the betterment of society.

The influence of the manifesto was quick to reach a wide audience and was picked up by The Guardian, which led to a TV appearance by Garland on a BBC news program and its subsequent publication in a variety of journals, magazines and newspapers. It was revisited and republished by a group of new authors in the year 2000 and labeled as the First Things First Manifesto 2000.

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A Feminist Organization’s Handbook Women’s Center for Creative Work

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Signal: A Journal of International Political Graphics and Culture (2010—)

Signal is an ongoing book series dedicated to documenting and sharing political graphics, creative projects, and cultural production of international resistance and liberation struggles. Signal digs deep through our common history to unearth this often-overlooked but essential role art and culture have played in struggles the world over. Published by PM Press.

https://justseeds.org/project/signal-a-journal-of-international-political-graphics-and-culture/