#describe a game plot badly

[subnautica-reviews]

Deacribe a game plot badly:

A polycule of 9 bisexuals and a 50’s noir detective fight robots in boston

[dorkszn]

7 MINUTES IN HELL + satoru gojo

SYNP — getting stuck with your ex-boyfriend during a dumb game of seven minutes in hell heaven

WARNINGS — amab reader, dom!top!reader, sub!bottom!gojo, brat gojo, porn w plot, forced proximity, pet names, dunk sex, drinking, smoking (weed), closet sex, fingering, orgasm denial, anal sex, college au, implied commitment issues, implied toxic relationship, gojo’s kinda an asshole, degradation, creampie, minor feminization | 3.8K words

A/N — my first time writing top reader i think 🥹🥹 I’m actually so proud of this

Everyone knows when and why the two of you broke up. If you can even call it a breakup. It was more of a tear-filled yelling session between a pair of friends with benefits. That’s how he described it. One where Satoru ended up walking out your front door and you dropped onto your couch with angry tears in your eyes.

Nobody questioned you guys afterward though. Suguru kept quiet, listening to Satoru whenever he ranted. Shoko sat beside you, sharing a cigarette and takeout with you. Haibara kept his usual self, forcing everyone into group activities. And Nanami who kept to himself, per usual.

The house was full to the brim of loud, drunk college students. Music blaring and the stench of alcohol intoxicated every inch of the air. Your typical party. Some people play beer pong in the basement of the home you knew all too well, some make out in the corners and crevices, and some dance with their friends in the middle of the living room you’d hung out in many times.

Haibara wasn’t particularly known for his parties but he had thrown a few good ones in the past few months. Some you had attended and some you decided to miss out on. You couldn’t miss this one though. No matter how badly you wished you could. Shoko dragged you here because she couldn’t say no to Haibara’s invitation. Which for some reason meant that you couldn’t say no either.

Currently, you stand in the kitchen, leaning against the counter as a girl you recognize as a lower classman speaks to you. “But yeah, Mr. Yaga is just—“ her words are interrupted by a small hiccup. “Such an asshole, you know? And I don’t even have his class!” She’s been stumbling and stammering the whole conversation but for some reason, she’s one of the only bearable people here.

“Ain’t that the truth,” You blandly chuckle, sipping at your drink and emptying your red solo cup. “Be right back.” You tell her through the boisterous tune playing through the house. You slide past a few people to make your way to the fridge.

You open it and let the cool air abduct you. A nice break from the stuffiness of the crowd. An arrangement of alcohol sits in front of you. Your gaze runs through it, trying to pick whatever stands out. A singular white claw catches your attention. You reach for it only to be interrupted by another’s hand grabbing it.

“What the he—“ you whip around to face the thief. Of course, it’s this bastard. White hair and black, circular sunglasses greet you along with a stupid signature grin.

“Oops, did you want this?” Satoru hums. He cracks the can open and takes a dragged-out sip of it. You roll your eyes at his typical antics, shutting the fridge.

“Fuck off, Gojo.” You scoff.

“Ow, last name basis, baby?” He hums, drinking from the can once more. You feel your blood beginning to boil in your veins. You push past him, knocking him back ever so slightly with the force.

“Don’t call me that.” You grumble. You make your way to the basement where you know Haibara would have more alcohol. Gojo chuckles and trails behind you.

“We’re playing some games upstairs if you wanna join.” He offers. You glance back at him with narrow eyes.

“With you? No thanks.” You hum, jogging down the stairs. A cup pong game runs in the large basement, a crowd building around it. The well-known jocks stand in the middle, being hyped up by their teammate.

You hold a prolonged stare at one of the jocks. He’d always caught your eye. “Really? Jocks don’t give a good fuck. I know they seem like it but they don’t.” Gojo suddenly speaks up again.

“Do you ever stop and think that some people want more than a fuck-buddy?” You hiss, turning to look back at the man. He gives you a softer look. Your past flashed through his mind. He sits in silence. You sigh and continue to the box of beer in the corner of the room. You grab a can and crack it open.

“Go find something to do, Gojo.” You mumble, leaving him in the basement.

An hour or two and a few more drinks in, you find yourself watching a UNO game running at Haibara’s dining table. Utahime sits in front of you, holding three cards in her hand. She might be the only other person that Gojo irritates more than you. A focused aura surrounds her, keeping you just a foot away from her.

“You got money on this game?” You ask her, glancing over her cards through slightly hazy eyes.

“Of course she does. As do I,” Another voice speaks up. Mei Mei sits just one seat away from Utahime, she holds just two cards in her hand. You can’t help but chuckle. Of course. Utahime is too competitive for her good and Mei Mei is one of the freakiest gold diggers ever.

Suddenly a hand lands on your shoulder. You turn at the weight and see Shoko. She holds up a plastic ziploc bag, with a small bundle of green inside of it. “Holy shit, Sho.” You slightly gasp with a grin.

The woman smirks back at you. “Found out my guy was here. Plus it was free, beat him in Smash Brothers for it.” She explains. If there was anyone to count on to find something to smoke, it was Shoko.

“Wanna go up? I hear Yu’s room is open.” She questions, gesturing to the stairs. You nod and give Utahime an encouraged pat on the shoulder. You and Shoko find your way through the crowd, squeezing past people kissing, and dancing. You finally make it to the stairs where two students sit at the bottom, one sitting in the other lap. Everyone’s gonna feel like shit on Monday.

You somehow make it up the stairs and follow Shoko’s guide. You find your friend’s room but Shoko stops you before you can open the door. “Don’t freak out, okay? I know that’s unlike you but still.” She murmurs.

You shoot her a confused look before shrugging. “Okay?”

Shoko nods and grabs the knob, opening the door. Haibara’s bedroom looks how it usually does. Suguru and Gojo sit on the bed, sharing a bag of chips between the two of them. Haibara is on the floor beside Nanami, running a game of shogi. You look over at Shoko and she furrows her brows. You sigh.

“Hey, I found y/n.” She hums to the group before closing the door behind the two of you. You awkwardly wave to your group of friends and join Shoko on the floor against the wall.

“Y/n, will you tell Kento that this can't move diagonally?" Yu huffs, showing you one of the game pieces.

“You know I don’t know how to play shogi.” You reply. Yu facepalms before nodding and turning back to the blonde. You watch as Shoko quickly works to roll the weed into the paper. You think she could do this in her sleep if she tried.

When done, she passes you the blunt and reaches for her lighter. “Shit.” You hear her mumble.

“Suguru, got a lighter?” You ask, focusing your gaze on him and only him. You see Gojo watching you out of the corner of your eye but ignore him. Suguru digs through the pockets of his baggy sweatpants, finding his old-fashioned flick lighter. He tosses it to you and you catch it in your right hand.

Shoko cups her hand around the flame as you hold it to the paper. It lights and you shut the lighter. Gojo’s staring at you, you can feel it. You place it between your lips and tuck the lighter in your pocket. You look back at him as you take a drag of the drug. You pass it to Shoko and gently blow out the smoke.

Gojo’s face flushes a soft pink before he turns his attention back to Suguru.

“Oh my god!” Haibara suddenly outbursts. You all turn to look at him. “Ok! Ok! Let’s play something else.” He seethes, frustration written on his face.

“Jeez, grab a beer, dude,” Shoko says, blowing smoke out from her lips.

“What d’you wanna play?” Gojo hums, clearly amused by the idea. Haibara ponders for a moment before his eyes settle on a hat on top of his dresser.

“I have an idea,” he smirks. He stands and grabs the hat then a piece of paper and a marker.

“I don’t like this.” Nanami groans, dragging a hand down his face. While Yu begins ripping up the photo, the door bursts open. An angry Utahime and a grinning Mei Mei enter.

“How’d the game go?” You hum, turning to the two girls. Utahime simply glares at you and you smile back.

“I ran her pockets of course,” Mei answers with a smug grin. Before Utahime can remark, Yu calls out.

“Ok! Everyone write their name on a piece of paper and put it in the hat,” Haibara tells you all, handing everyone a small piece of paper and Suguru a pen.

“We’re not children, Yu-Bara,” Shoko scoffs.

“Exactly. That’s why we’re playing big games,” he says excitedly. “Spin the bottle and seven minutes in heaven.” Everyone groans or sighs at his antics, except for Gojo. He laughs.

Reluctantly, you all scribble your names down and drop the folded papers within the hat. You all form a circle in the middle of Haibara’s room floor. Shoko on your right, Kento to your left, and the white-haired bastard across from you.

An empty beer bottle is placed in the middle of the circle. “Let’s keep this fun, guys. No fighting or arguing, alright?” Yu hums. You all nod and he grabs the bottle. It spins rapidly between you all. Everyone’s eyes trained on it. The bottle comes to a slow before stopping, the mouth of the bottle pointing at you.

A cloud of smoke leaves you with a sigh. “Of course.” You mutter. Yu then replaces the bottle with the hat of names. You look at the antsy expressions on your friends' faces before closing your eyes. Your fingers shuffle through the papers then grab one.

A combined “ouuuu” from Haibara, Gojo, and Mei Mei fills the room as you open your eyes. You roll your eyes at their childishness. Slowly, you open the small piece of paper.

‘Satoru ;)’

You’ve got to be fucking kidding. Your facial expression must’ve given away your thoughts because everyone stares at you oddly. Shoko leans over and reads the sheet. “Oh shit.” She gasps slightly.

You look up to meet blue eyes then flip the paper around for everyone to see. Numerous reactions leave the group. But you focus on the grin that covers Gojo’s face. “Well, isn’t it your lucky day?” He quips. He stands and holds his hand out to you. You take one last drag of the blunt before standing and ignoring his assistance.

“Sure is,” you mumble, smoke flowing through your words. Yu trails behind the two of you to the closet. You walk in first, Gojo following.

“Be nice guys! Have fun!” He waves with a taunting grin before shutting the door. You hear him push a chair up in front of it, preventing your escape. “Your seven minutes start now!” He yells, his voice slightly muffled by the door.

You hesitate through the darkness, trying to space yourself away from Gojo. “Just stay on your side for the next 7 minutes and we’ll be fine.” You sigh. Gojo pulls out his phone and turns on the flash, shining the bright light at you.

You wince at the light and put a hand up to shield your eyes. “You see the space we got? There aren’t any sides, sweetheart.” He scoffs, showing you the minimal space of the closet. He stands just about a foot and a half away from you. The proximity almost made your skin crawl.

“Why are you such an asshole?” You question, dragging a hand over your face.

“I don’t know, sweetheart. Most people disagree with you, y’know?” Satoru hums, flashing you a grin.

“Don’t call me that,” you hiss again. “Plus, most of those people don’t know you.”

“You didn’t seem to mind it the first time,” he snickers and you glare at him. “Besides, are you implying that you know me?”

“No, I thought I did but clearly not.” You grumble, folding your arms over your chest. Satoru ever-so-slightly frowns at this.

“C’mon man, it was just a misunderstanding,” Satoru sighs, pushing his snowy hair out of his face. A misunderstanding was a severe understatement. You couldn’t tell if it was the closet or the alcohol in your system but anger began to fuel your body. “And it’s not my fault you were naive.” He adds.

Before you can think about it, you’re grabbing his shirt and shoving him against the closet wall. His phone falls to the floor with a soft thud, the light illuminating the closet from the ground. Satoru swallows and looks at you with wide eyes. His hand grips your wrist.

“Sorry, baby. I didn’t mean to get you all worked up,” he apologizes with a smirk, gently tapping at your wrist. This bastard.

“I can’t fucking stand you, Satoru.” You seethe, bringing your face close to his. You didn’t want the others to hear and think something was going on.

“You say that and you still haven’t found anyone better than me,” The male replies, putting the two of you just inches apart. A sudden warmth surrounds you, your heart pounding in your ears. “You know you love how I make you feel.” He whispers.

He wasn’t wrong there. Every fuck after him just felt dull and you were left feeling bad for whoever you were with. And nobody pushes your buttons quite like Satoru does. Nobody makes you feel like he does. And you hate it.

“Fuck you,” you finally stammer out with a shaky breath. He lets out a low chuckle.

“You miss that, don’t you?” Satoru murmurs, his grin just inches away from your lips. You’d like to blame the alcohol for your next actions. But both of you know, your mind and body were craving the man in front of you. He was addicting.

You finally took him into a rough kiss, pulling a small sound from him. His lips feel so natural against yours. They feel no different than a few months ago. The two of you move so knowingly with each other, lips in sync. Satoru’s hands grip your shirt, slightly pulling at the fabric. One of your hands finds his waist while the other makes its way to his hair.

You tug on the snowy tufts, pulling a wince from the man’s throat. You slip your tongue past his lips, taking in every inch of him for the first time in a while. Your mind has every part of him engraved in it but your body longs to re-explore him once more. The taste of alcohol lingers on his tongue, matching yours.

You want to breathe him in more. Use him as your oxygen source instead of the small air supply of the closet. However, you pull on his hair once more and pull away from him. A string of saliva connecting the two of you. Your chest heaves up and down, pressing against his. You wonder if he can feel your racing heart.

“Missed you too, baby—“

“Shut up.” You say, voice stern. You pull at his belt with one hand, the other wrapping around his throat. Satoru lets out a weak groan as you undo his belt buckle. You move to his pants until they’re both loose around his waist. The waistband of his boxers reveals itself, as well as the slight bulge in the cotton.

You don’t loosen your grip on his neck when you lift two fingers to his lips. “Get 'em’ wet.” You mumble to him. Your fingers slip past his shining, pink lips and into his mouth. His tongue pressed against your fingerpads before swirling around your digits.

Satoru’s eyes stare straight into yours over the edge of his sunglasses. You feel your dick slightly twitch in your pants, making you swallow harshly. “So you do listen,” you hum. You pull your fingers out with a small ‘pop’ from him.

“When I want to—“ his words are interrupted again when you turn him around, his back facing you. You make quick work of pulling down his pants and boxers. Satoru’s back naturally arches when the cold air hits his skin.

You snicker in response with a small hiccup. “You’re such a slut, Toru,” you tell him as you reveal his hole to you.

“Shut the hell up.” He replies, his words breaking down into a moan when you spit on his entrance and push two fingertips past the ring of muscle. You push your fingers further, prodding at his walls.

“Shit, has anyone stretched you out since me? You feel exactly how I left you.” You grin cockily. Satoru grumbles curses in response and rolls his eyes. You scissor and part your fingers inside of him, stealing lewd noises from the man.

“Yeah… tons, guys way better than you.” Satoru pants, a faltering smile on his face as he glances back at you. You lean forward and bite down on the sensitive spot of his neck. His cry is like music to your ears, making you smirk against his skin. Your tongue laps over the reddening spot as your hand moves to his mouth, covering it with your palm.

“Quiet down, will you? Everyone already knows you’re a whore,” you hiss. You feel Satoru tighten around you, making you groan and his eyes roll. He’s close. “Gonna cum already?” You hum, quickening the pace of your fingers. Your digits curling inside of him.

“Ngh— fuck off,” Satoru mumbles, slightly moving his hips to fuck himself on your fingers. But you pull away, watching his entrance clench around nothing. A small gasp escapes the man. “What the fuck is wrong with you?” He examines, turning his head to look back at you with a deep glare.

You scoff before reaching for your belt. “Nothing nearly as bad as whatever is wrong with you.” You reply, undoing your belt buckle and your pants zipper. You pull down your boxers that are slightly stained with your precum. Satoru swallows as he looks down at your growing erection, mouth practically salivating at the sight. A hungry lustful look in his bright blue eyes.

You tease Satoru’s entrance with your tip, just barely pushing into him and pressing kisses to the ring of muscle. Satoru lets out an annoyed whine, his hips squirming and pushing back against you. You groan when he desperately grinds against your length. “C’mon, just put it in.” He pleads.

“Such a needy boy,” you murmur. You push into him and his eyes roll back in his head as your cock fills him. Your breath shakes as it passes your lips, his walls tighten around your length. So warm and holding you just right. “Fuck Toru, you’re so tight.” You hiss in his ear, pressing a kiss against the skin.

“Just fuck me already.” He scoffs weakly, his chest slightly heaving against the closet walls. You wrap a hand around his throat and grip his hip with the other, your fingertips surely bruising where they sit. You pull out of him agonizingly slowly, taking inch by inch away from Satoru.

You then slam back into him to the hilt, a choked whimper leaving him. “Not such an arrogant bastard anymore.” You murmur before picking up your pace again. His muffled sounds don’t go unheard as you focus on the way your cock disappears into the plump flesh of his ass.

A harsh clap echoed throughout the closet with every collision of your hips. “agh— sweetheart, s’too good.” Satoru pants, hands clawing at whatever fabric was closest to him.

“Yeah? Who fucks you the best?” You hum, relentlessly as you buck your hips forward. Your leaking tip punctuating every time you hit that certain spot inside him. A spot you’d never forget.

“Shit, you do. You fuck me the best.” The snow-haired male whimpers. You shift your hand around his throat, pulling him right against you. A pornographic moan erupts from his throat. A noise everyone outside the closet definitely heard. Two of your fingers find their place in Satoru’s mouth again, pressing down on his tongue.

“Shh. Don’t want everyone to hear how much you love my dick, right?” You coo, running your tongue along the exposure of his neck. A muffled “mhm-mhm” leaves Satoru as his tongue focuses on your fingers occupying his mouth.

However, this can’t distract from the feeling of slamming into him. Spreading him apart and filling every centimeter of his insides, reaching sensitive spots he never knew even existed. The feeling of Satoru’s hand pushing against your abdomen doesn’t even register in your mind for seconds as you get lost in his cunt.

You take hold of his wrist and move it off of your flushed skin. “Take it, Toru. You know you can.”

“Can’t, m’fucking— gonna cum.” He babbles.

“Yeah? Go ahead, cum around my cock. Make a mess for me.” You tell him through a smug grin. Your hand drags down from his mouth to his dick, wrapping around it and pumping him to the rhythm of your thrust.

“Fuck, baby, missed you so so much.” Satoru groans before ropes of cum spurt from his tip. His eyes squeeze shut so tight and his body trembles against you. His seed coating your hand and fingers.

“So fucking sloppy.” You mewl, feeling your balls clench as you stuff yourself into Satoru to the hilt. You bite down on his neck as you release in him, stuffing him to the brim with your cum.

A weak whine pulls from Satoru when you finally pull your teeth out of his neck and lap your tongue over the spot.

The two of you sit in your mess, the smell of sex and sweat intoxicating the small space. You can feel Satoru’s heart racing in his chest. You just sit for a moment until you go limp within him before pulling out. Satoru leans against the closet wall, lips glossy with spit and eyes hazed over with lust.

Suddenly, he gives you a weak grin. And you can’t help but drunkenly smile back. Idiot. You glance down and see your cum beginning to dribble out of him. Satoru grunts when you push a finger into him, assuring your seeds place inside of him.

“Missed you too, baby.”

[lizzybeeee]

DATV Spoilers - The Handling of Previous Story/Lore In DATV

Quick PSA: If you’ve read my post on the lore/story threads dropped – it’s not a list of what I expected or even wanted to see addressed/answered in DATV.

It’s pretty much a given that Kieran and the Architect were never going to come back in any meaningful way, I understand that. Questions about what happened to Anora, Anders, Cullen’s clinic etc...never expected to get an answer about them – at all. The line of succession in Ferelden and Orlais? I expected that sometime down the line it would have to be streamlined into one option for both nations, not a problem – there’s so many choices it’s impossible to account for, and I understand that.

This is just a list of plot threads left unanswered that will, most likely, remain unanswered.

There’s no DLC planned – the team is working on Mass Effect 5 now. There’s no conclusion to the fate of the south of Thedas outside of some codex entries and some dialogue. They can patch the Executors cutscene out, maybe - perhaps they could even do the same to anything relating to the south of Thedas. Yes, these areas were not completely destroyed by the Blight – they can rebuild – but it comes across as being so meaningless that I ever cared for these places in the first place. To learn that after ten years of waiting all we cared for get devastated and left in limbo...it’s hard to put into words the bitterness I felt at that realization, and seeing that final cut-scene drove the nail into the coffin of how foolish I felt for even caring in the first place.

A codex entry or letter would have been nice – but my expectations for DATV was solely for a good story that added to the lore and world of Thedas. Instead, it felt entirely reductive – glaringly so when you account for the ‘Executives’ twist.

The world of Thedas has been watered down and its worldbuilding/lore diminished - slavery in Tevinter is non-existent, the Crows being an organization that indoctrinated children is never touched upon, any mystery of ancient Tevinter and the elves is answered (badly!), the Dalish have effectively disappeared and become the Veil Jumpers...it all feels so hollow, so shallow, that I ever cared about these things in the first place.

The issue is that the dev’s gave us only three choices, told us that as the story was contained to the north of Thedas – that our other choices weren’t relevant to the rest of the game with their intent being to not effect anyone's head-canons...before doing so with ‘the blight has devastated most of everywhere you went previously’.

These were story/plot threads that were woven throughout the narrative of the first three games – the things that made me care and become invested in the world of Thedas to begin with. In a game that was set-up to be a direct sequel to Inquisition and Trespasser I hoped that, at least, what was brought up in Inquisition would be mentioned.

Perhaps my list is a little too detailed with plot threads and issues – if anything that can be attributed to the incredible world-building done in the first three games! I love those games, I love the world of Thedas...which is why this game utterly baffles me with its choices.

Dragon Age: The Veilguard is a good game but not a good Dragon Age game.

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Edit: DATV absolutely has a lot of problems outside of its handling of the lore and story of the previous games. I would not say its a good rpg in any sense, but as a weird 'action-adventure rpg lite' game I did have some fun moments and enjoy myself. Would I recommend it to anyone? Absolutely not.

I heard someone describe it as a 'junk food' game and I very much agree with that statement. I found enjoyment in it, but to do so I usually had to turn off my brain, which is not a compliment towards DATV.

The game released very well optimized (especially considering how most companies are content to release half-baked games and patch them later) and did create some really interesting visual set-pieces like the Battle of Weisshaupt. But those moments I enjoyed were few and far between, and far overwhelmed by the negatives of the game - such as story, lack of conversation/conflict/role-play options, bad character writing etc...

Calling the game 'good' is, perhaps, a stretch, and I totally get that. Calling it 'mediocre with some good parts' may be more accurate.

[ask-games-from-a-weird-girl]

New fanfiction ask game!

Send me a number/several numbers and I'll answer:

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Best unfinished fic I’ve read?

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If I would describe my fics in one sentence, it would be...

[itwasntimethatdidit40]

Happy Birthday, little finch.

Gif credits

Pairing: Jackson!Joel X AFAB!reader

Words count: 6731

Rating: +18 NSFW, Minors please don’t interact

Summary: Everyone forgets your birthday but you receive an unexpected invitation (wink) that will change the fate of the day.

Warnings: POV second person, smut, little power dynamic, little brat taming, begging, unprotected P in V (please, always use protections in real life!), Reader's age is intentionally unspecified, you can imagine an age gap between her and Joel or not, oral (f receiving), fingering (f receiving), nipples play, Joel comes on reader's tits, just a little of pulling hair, soft!Joel, grumpy!Joel, pet names (little finch, honey, baby, babe), mention of fasting as a sarcastic joke (I don’t condone joking about no one’s eating habits), reader has hair (It is not specified how long they are or what they look like), reader can be lifted by big and strong Joel, reader has a able body, breasts and vagina and she wears a dress, apart from that no other description is given, reader is part of the Jackson community, I don't know anything about Jackson, I only know a few details about second game’s plot (including that detail, yes) so everything I describe is purely from my imagination and may have no bearing on the original Jackson, brief appearances by Maria, Tommy, Ellie and Dina, drinking, swearing, Joel calls reader “little finch” (I came up with this nickname just because my grandpa used to call me with a bird name when I was little and I always found it sweet, so here we go ❤️), Joel can draw (I don't know if it's true but for me it is, okay, allow me). I hope I haven't forgotten anything but if I do I'll add it as soon as I notice.

English is not my first language so please be kind, I always try to do my best, no proofreading (sorry), very little editing, I apologize for any mistakes. I'm writing on my phone, I hope the formatting isn't too bad 🥲

Thank you so much to anyone who will read this, I really hope you’ll like it, kind comments and advices are really appreciated ❤️

I've been listening to Hozier's "Talk" heavily while writing this so here it is, I'll let you know. It's such a beautiful song and I love Hozier so much 🫠

Archive tags: @pedrostories ♥️

You wake up struck by a ray of sunlight that enters faintly through the half-closed shutters and dies right on your face.

You have no idea what time it is and your head feels heavy and confused, you turn over in bed thinking that maybe you can give yourself another 5 minutes but then you hear voices outside already awake and ringing and then you think that maybe it's really late. You sit up and retrieve the clock from the bedside table, it's 7 in the morning.

You get up and go to the kitchen to make some coffee and from the window you see some people already busy doing their work. Some children head towards the building designated as school in Jackson, happily laughing while they chase each others.

You yawn and open the cabinet in the kitchen where you keep the coffee filters, a precious supply recovered during an exploration that you jealously preserve.

The coffee is also the result of a find and therefore it was carefully rationed with the other members of the community.

You are grateful that it exists because this morning you really need it, last night you slept badly, continuing to toss in your sleep and always dreaming of the same thing again and again. You being swallowed up by a hole in the ground and no hand reaching out to help you. Just a great dream.

The coffee maker burbles a few minutes later, releasing the drink you crave.

Temperatures are milder in this season so you no longer need to put on a heavy jacket and snow boots, there is a bit of fresh wind but nothing compared to the harsh winter that has just passed.

Today in particular you feel like dressing better than usual, you go back to your room and open the wardrobe, carefully inspecting the few clothes hanging there.

You obviously don't have much choice because they're all salvaged second-hand clothes, but Maria gave you a nice pair of denim shorts a month ago and they look very nice on you.

You take it out of the closet and place it on the bed along with a white tank top that highlights your boobs just right, it’s nothing particularly fancy but it makes you feel good, you head towards the shower humming softly.

The shower helps you wake up, you dress and you leave the house feeling a bit better.

You meet a couple of people who greet you as you make your way to the library.

You enter, smelling the familiar smell of books and immediately get to work cleaning and dusting the shelves and the floor, like every day.

The morning passes peacefully, only a couple of people come in to borrow books, so after doing your chores you took the opportunity to rearrange thriller’s books section.

You're a bit shocked by the fact that no one told you anything particular but you don't mind, these people have a lot to think about and a lot to do.

When you leave it's lunch time, so you head to the common room.

The crisp air caresses your face and the sun gives you a little warmth that you missed so much, you really love this season in Jackson.

You enter the room filled with chatter that echoes off the walls. You take your place in line and once you have had your portion you sit at one of the tables.

No one reaches you yet. You're alone in a room full of people.

You see him in a corner, sitting with Maria and Tommy and you get lost for a while observing the way he moves his large hands, how his hair rests at the base of his neck, his big brown eyes, so communicative, the way his flannel shirt - which has practically become a distinctive trait of Joel - hug his muscles, the way his lower lip slightly twitch while he’s talking.

You’re totally captivated.

You can't help it and you know it.

Every time he spoke to you, even for just a few minutes, your body reacted unequivocally at his deep low raspy voice, his proximity always caused you trouble.

You like this man, much more than you are willing to admit.

Joel Miller.

You're friends, you might say. As much as it is possible to be friends with a man like him.

He's friendly, but always with an undertone of detachment that you can't define, as if he's afraid of letting himself go with someone and let his feelings flow freely.

And just as you're thinking this, he turns and looks at you for a moment.

You are sitting, yet your knees feel weak and you feel your cheeks redden knowing you've been caught.

You turn your eyes back to your lunch, quickly finishing your meal and bringing your tray back. You leave the common room feeling in a bubble.

It's stupid that he makes you feel like a little girl with her first crush but it always happens, by now you're resigned to always making a fool of yourself with him.

You walk home to do your household chores and then go to the patch of garden you've been assigned to take care of.

You meet various people along the way but again everyone just say hello, you see Ellie with Dina and they both wave at you and nothing more. In the meantime, Maria has left the common room and the only thing she asks you is how the courgettes you planted a month ago are coming along.

It's strange, but you shrug your shoulders and think that deep down today is not such a relevant day for others even if you hoped it would be because you now consider these people as your new family.

You stop thinking about it and focus on the things you have to do but a tiny piece of your heart hurts a little, just a little.

What the hell is wrong with people today? Only a month ago they throw a big party for Tommy and now nothing, not even a hint.

Okay, Tommy is higher rank, he is married to Maria, everyone sees him as a guide just as they see his partner.

And he goes on patrols, certainly offering others a greater sense of security and protection, unlike you who deal with less dangerous things.

That's probably why, you're just a minion in Jackson's pecking order.

You let off some steam by plowing your field with more force than necessary, small drops of sweat slide down your forehead and you end up hot and with your arms aching from the effort.

Stupid girl, stop thinking about it, it's not that important to have a birthday, not in a post apocalyptic world where everyone is struggling to get ahead.

But still, they acknowledged every single special day of everyone’s here before, except yours and nothing particularly relevant is happening, it’s been a couple of quiet weeks.

You're wiping sweat from your forehead with one hand when you hear a voice behind you.

"What are you doing tonight?" It's his voice, you'd recognize his among a thousand.

You turn around stuttering “uh, what?”

And there he is, flannel shirt, curls slightly blowing in the wind, mouth curved in a smirk, dark piercing eyes.

Fuck.

“I asked…what are you doing tonight?”

You feel the nervousness rising in your chest, it's the first time he's spoken to you in a week and you weren't ready in the slightest.

“Uh…oh…nothing special, I guess, I think I'll read a book and go to sleep early”

you say trying to maintain a certain apparent nonchalance.

“You didn't mention dinner, are you going to fast?” Oh, great. Sarcastic jokes, classic Miller behavior.

“No, of course not,” you reply, rolling your eyes.

He chuckles “okay, so, would you like to come to my house? I cook”

Fuck. Is that, a date?

You instantly feel your mouth dry as you try to reply “Well, it’s not like I have something better to do so yes, why not”

You don't want to make it obvious to this man how he makes you feel. There are worse things to worry about in this world, but letting yourself go with someone who always shows restraint only to be rejected - on your birthday, no less - doesn't seem as pleasant.

And that's how you usually communicate anyway, bickering.

Maria often laughs about it, you are both stubborn and neither of you ever wants to agree with the other.

One day she told you that she thinks you'll end up together and you practically laughed in her face. Not because you don't want to, but because you thought Joel didn't even see you that way.

Maybe Maria was right all along, who knows.

“Good, see you at 7”

And he goes.

You watch him walk away for a while, still with spade in your hands.

Suddenly this day became interesting.

You run into the house and take off your dirty clothes throwing them in the basket you keep in the bathroom and go to the shower.

While you're soaping yourself up you wonder what came into his mind.

As you rub your hair, you think that maybe he's making fun of you but Joel doesn't seem like the type to make a prank, he's always quite sarcastic but not a proper prankster.

It's part of his charm, he always looks grumpy but you know he's not bad, the way he looks at Ellie or his brother says everything about him.

He would do anything for the people he loves.

And he’s not mean, he was kind to you too.

You've spent more time looking at him, analyzing every chat you had with him than you like to admit, so yeah, you're pretty sure he's okay.

Once you get out of the shower you open the wardrobe and find yourself contemplating the usual clothes with which you have to make the best of things.

There is a cute dress that you have never worn because you have never found a particular occasion. It's quite short and low-cut, definitely not suited to Jackson's lifestyle, here everyone wears jeans and sweaters or t-shirts.

You think that maybe tonight is the time to dare even if you don't want him to burst out laughing and ask you what you've got in your head.

It's just a dinner.

He never mentioned anything romantic.

You're obviously nervous, because you like him and if it doesn't go well you should continue to see him every day anyway.

In the end you decide to wear the dress anyway but to tone it down with a cardigan and a pair of boots, so as to make it look less like "please fuck me" style.

You shake your head, how much trouble are you going to for Joel Miller.

However, you have to admit that it's the first really exciting thing that's happened to you since you've been here. You thought that surviving was enough so you obviously never complained about it.

You fix your hair after drying it, you look at yourself in the mirror and you think that you're not that bad after all.

It's almost time, you leave the house and walk the few meters that separate you from Joel's house with your heart beating wildly in your chest.

You climb the few steps to his porch feeling insecure and stupid for accepting, who knows what you expect from this lonely man.

You shrug and knock on the door, snuggling into your cardigan in the cool evening air.

You consider going back and pretending you had a mishap, but Joel opens the door.

“Hey, come in” he smiles at you. You cross the threshold timidly as a delicious scent invades your nostrils.

Who knew Joel Miller could cook?

You follow him into the kitchen and Joel pours you a glass of wine.

“Where did you find this?” you ask in surprise. Wine is a luxury that you haven't been able to afford many times in Jackson, usually the only thing they bring back after searches and patrols are bottles of cheap whiskey.

“I found it two km from here in an abandoned shop. It was stuck under a shelf, probably for years”

“Oh, great”

“Well they say that aged wines are better. Like men, don't you agree?” He smiles, winking at you.

He winked.

Fuck.

You try to hide your surprise by taking a long sip from your glass.

While Joel is busy checking on the stew you take a look around the living room.

It's a nice house, simply furnished like all the houses in Jackson, tidy and clean.

There are some sheets with drawings on the coffee table in front of the couch. You know Joel made them because you've seen him several times on his porch busy drawing animals. A squirrel, a deer, a small bird. He's really good at it.

And obviously his guitar, resting on a stand in a corner near the couch.

In a totally cheesy way you would love to hear him play something for you.

“So, do you like wine?”

You turn and see that he is a few steps away from you, glass in hand.

“Uhm, yeah, it’s good”

He gives you a smile “stew is almost ready”

“Can I help you with something?”

“No, don’t worry, you’re the guest”

You see him linger with his gaze on your legs and up to your breasts and you think that the dress wasn't such a bad idea after all.

He is wearing a black t-shirt and a pair of dark blue jeans and is breathtaking.

You scan each other for a few seconds, without speaking. You are like two predators sniffing each other to see who will give in first.

“That dress looks good on you” he finally says and for the first time you notice that he is slightly embarrassed. He looks down at his glass and stares at it harder than necessary.

You still don't know why he invited you tonight but honestly at this point you don't even care. He's more handsome than ever, his hair still slightly damp from the shower and pulled back, that little scar on his cheek that you'd be eager to find out the story of, that smile he's giving you and his hands nervously gripping the glass, everything about him draws you in like a magnet.

"Thank you. You're not bad either." You giggle and you know that it’s definitely what you needed tonight. To feel attractive. To feel seen.

He comes back to the kitchen and after a few seconds he calls you “Dinner’s ready”

You sit at the table in the kitchen and he places a plate in front of you that smells of home, of memories and takes you back to when you were little and your mom cooked for you.

It's like Proust's madeleine.

Evoking sweet feelings with food is one of your favorite things to remember who you were, who you loved, and what was before this debacle.

It's melancholy but also comfort in a certain way, it's like holding on to the truest and most authentic part of you, the one that made you who you are today and probably allowed you to survive.

You take a bite as Joel looks at you in anticipation.

“Wow, this is good!” you exclaim “extremely good. Who knew that you were a chef”

“Ha! I’m really not, it’s just a stew and I’ve done it so many time that I can’t get it wrong at this point”

“It's still the best I've had in years, I need to get invited to dinner more often”

You chuckle and then you blush, because you've made it clear that you hope it's the first of many times.

Damn you.

You hadn't had a love interest in years, obviously, there wasn't time to think about that while the world burned and you had to fight to stay alive. But here, in this little bubble, where people have welcomed you and you have recovered crumbs of normality, it doesn't seem too stupid to feel something for Joel.

Is he grumpy? Sometimes. But he is also incredibly generous, to be honest. When you asked him, a formal contractor, to help you create the library he snorted, he told you that it wasn't necessary, that no one would ever go there anyway.

You shrugged and said that you would have done it anyway with or without his help, Maria had already given you permission.

The next morning you got up early to go and clean up the designated building and found him there, he was repairing a damaged window that wouldn't go up or down.

He grumbled when you asked him ironically what he was doing “someone has to stop you from opening a crumbling library”

You smiled, feeling your heart warm.

And so it was every day until the place was ready. Joel showed up early in the morning or in the evening, spent a few hours fixing the steps, eradicating moths, building shelves and cabinets, even a desk for you.

You've never talked in depth about your lives but you still know something you've heard through the grapevine. He's very secretive about his past so you never asked him any uncomfortable questions, the last thing you would want is for him to never share anything with you again.

The time he helped you with the library was the most enjoyable time you've had here so far and that's when you realized that your crush was more serious than expected.

“Do you want another glass of wine?”

“Why not, i don’t have to drive home”

He laughs “Yeah, no fines for you”

“At most a headache, but I'll think about that in the morning”

“Were you surprised when I invited you?”

he leaves you speechless for a moment and then you find, you don't know how, the strength to use irony, like you always do "I've known for a long time that you want me" you giggle and brush your hair away from your face while you say it.

"Oh yes? How strange, I actually thought it was the opposite” the smirk and the deep chuckle he gives to you goes straight to the most private part of you. Right there. It sits on your clit and you feel it tingling.

Fuck, this man.

You never experienced a flirty Joel Miller before and you were actually quite sure he wasn’t even capable of being so but he is.

“Oh shut up, finish eating” you scoff, feeling your cheeks turn on fire.

He lets go for a while and watches you amusedly fill your mouth with his stew.

“It's a pleasure to see you eat, little finch”

He started calling you that when you couldn't move the furniture in the library on your own. "I don't know how you thought you could manage on your own, little finch."

At first you hated it, now you pretend to hate it but you actually like it.

“Stop calling me that!” you still have to keep up a facade after all.

“Oh come on, finch is the cutest bird, don’t be offended”

“I’m no bird” you pout.

“Yep you are, finch. Delicate. Elegant. Pretty. You walk like you’re floating in the light air and your voice is a lovely chirping sound. It gets on my nerves sometimes, but I actually like it. A lot.”

Oh.

Oh, fuck.

You can't believe he said that.

You feel your heart melt like snow under the sun, your lips involuntarily curl into a smile, your hands tremble with the desire to touching him and between your legs a lustful heat invades you all over.

His face is relaxed, his eyes sparkle mischievously and his smile…his smile pins you to the chair.

You raise your glass in an attempt to drink some courage while he doesn't stop looking at you silently.

Just enough time to bring your lips close to the glass and you find yourself coughing, you're too distracted and the wine goes sideways.

Obviously.

You can't help but look like a fool in front of him, you don't even know how he thinks you're elegant.

“Jesus, are you okay?” he asks in alarm as he reaches up to wrap his arm around your back and pat you lightly.

To your surprise, his large, calloused hands can be very gentle.

“Oh my god, yes, yes I’m okay” you reply between coughs "I'll get over it now"

Now that he knows that you will survive he sits back down to his chair and scrutinizes you with an amused expression.

“Did I go too hard on you?”

“What? No, not all” you reply red-faced, while trying to regain some composure.

“Okay, if you say so” he places a hand on yours gripping the table “Has it passed?”

“Yeah, I think it is” You pour a little water into the other glass he has set and drink, this time slowly.

Finally you feel your breathing return to regularity and your cough gradually subside.“Thank goodness, little finch, think if I should have taken you to the doctor in that lovely dress” and laughs.

You've never seen him laugh so much.

He is intelligible most of the time but tonight he is an open book.

“What's wrong with this dress, Miller?” you ask, ironically, you may be clumsy but not to this point and you want to try to get back at him.

"Nothing. You don't see many of them in Jackson, that's all."

“It doesn't look like anything special to me,” you say, as you realize he's staring insistently at your tits. “Do you see anything special, Miller?”

He shrugs “It’s pretty low cut for nothing”

You bend over slightly, resting your forearms on the table smiling at him, exposing your boobs even more. He is sitting in front of you and still watching at them.

“You're pretty good at it after all, little finch” his eyes have become darker and it's as if a small flame is burning inside them.

You feel a certain pride rising in your chest.

“Now you look like the embarrassed one, Miller, have you seen how things have changed?” Your smirk doesn't go unnoticed by Joel who squirms in his seat as if it has suddenly become uncomfortable.

"Can you tell me something? Why did you invite me tonight?” you’re pushing him, and you know it. And actually, you like it, for once you feel like you have the upper hand.

“Isn't it obvious, finch?” he mutter.

“Maybe, but I'd like to hear it from you. Use your words, Miller, I know you can."

“When you asked me to help you to arrange the library I thought you were crazy. Then I realized I was wrong. It was a nice idea. It was a great idea actually. No one here can go anywhere anymore, and in any case there is nowhere you can go so it is comforting to know that there is always a way to take refuge elsewhere, at least for a few hours, reading a great book. So yes, finch, I like you. I like you because you gave us back some beauty.”

“Fuck Miller, you can make speeches whenever you want”

“It's just one of the reasons I like you, you’re also smart and thoughtful and gorgeous but yeah, that’s it, I’ve said it”

His gaze is languid, you'd almost say longing. Maybe you managed to scratch a small piece of the invisible armor he built to protect himself.

One moment you were bickering as usual and the next Joel fucking Miller left you speechless.

No sarcasm, not an ounce of irony, he sounds sensitive and vulnerable.

It's so strange to see him in this light, the only other time it happened to you you were in the library, he found a children's book and held it in his hands looking at it in silence.

For a moment you could have sworn you saw tears in his eyes, he looked helpless and hurt and then it was the usual Joel, complaining about the mess and the weight of the boxes you had made him lift that gave nightmares to his back.

You get up from the chair without even realizing it, as if it were an involuntary movement that your body needs.

You stop in front of him, who is still sitting, his arms abandoned on the table, his gaze following you questioningly.

You put a hand in his hair and let it run through his dark curls while he instinctively closes his eyes, abandoning himself completely under your touch.

You would like to say something but you don't want to ruin the moment and in any case you can't find any words suitable to describe how you feel.

Moved, yearning, grateful, overwhelmed?

All these things together at the same time.

You let your hand linger on the base of his neck, stroking softly

“Look at me” you whisper.

And his gaze turns, his whole body turns, and you've never seen him so clearly. He rests his large hands on your hips and his gaze pierces you as he lands on yours.

You feel his grip tighten as you lean over him and leave a shy kiss on his lips. Small. Brief. And another, instinctively. And yet another.

And another until his lips part on yours and fit perfectly in a long sigh. He tastes like wine and loneliness and desire.

It’s manly but tender and demanding for more.

Your tongues meet and it's like an electric shock that surprises you but at the same time it's inevitable like when two surfaces rub together generating energy, it is an unwritten physical law that holds you together despite having used all your strength to keep each other at a distance for months.

Now, all you can do is give up.

You kiss him like it's the last thing you do in your life, his eager hands roam your hips, gripping your ass and squeezing tightly.

He part from your lips just the time to stand up and wrapping you entirely in his arms, his mouth searching for yours again, eager, his hands stroking your back while you feel just like a little finch in the most comfortable nest you could find.

“God, I want you” he mutter in your ear nuzzling at your sensitive skin.

“Take me. Just… take me, Joel”

It’s a dreadful need that you feel deep in your bone, the last shred of love you could find in this broken world, a sweet feeling of release that you desperately wanted.

You can’t think straight and don’t want to.

He take off your cardigan and reaches for the hem of your dress and lifts it up roaming your thighs feverishly, squeezing and stroking, his fingers digging into your flesh as you moan softly into his ear. He pulls it up to your waist and you help slide it off your head.

He bends down to take off your boots and throws them on the floor in an unspecified place, then he gets up and takes you back in his arms. He's still dressed while you're almost naked and exposed in a pair of black lace panties and a matching bra. You might be intimidated but you're not. You let yourself be held and explored by his hands. His calloused fingers, rough but gentle, touch you everywhere, giving you goosebumps. He lifts a hand to one of your breast and squeezes it through the fabric.

You can't help but let out a muffled moan while he is filling his hand with your flesh.

“Do you like it, finch? Me squeezing your boob?” he says in a whisper, looking into your eyes.

“Y-yes” you mumble “give me more”

There's a smug, lecherous smile painted on his face as he reaches for your bra and unclasps it with a single gesture.

He slides it off and drops it on the kitchen floor. Your nipples stiffen in an instant, hit by the air, he takes one between his fingers and pinches it, pulling it gently and then his mouth is on it swirling his tongue and sucking it. You squirm at the sensation, digging your hand into his hair again, pushing his face into your breast “more, more” you stammer. You feel his smile spread across your skin and his teeth bite lightly into you.

“You’re ravenous, aren’t you?”

You pull his hair and tilt his face slightly to regain eye contact. “Do you mind?”

“Absolutely fucking not.”

“Good, you can continue doing what you were doing” you smile defiantly. You like to provoke him, especially now.

“You're bossy for a little finch, I like that”

he smiles back, his eyes shining bright with thrill and anticipation.

He returns to greedily licking and sucking like a thirsty man on your nipples, another loud moan escape from your lips.

“Fuck, you’re so good”

“I just started with you, you have no idea what awaits you” he whispers.

“Mmm then less talking, Miller, show me”

Without having to be told twice, he picks you up, much to your surprise, and places you on his couch in the living room.

“Woah, Miller, easy”

“You told me not to waste time talking” he shrugs. chuckling.

He pulls you to the edge of the couch “spread your legs”

You open your legs a little but he is visibly not satisfied, he takes your knees and opens them more "Like this. Now stay still” he orders.

He kneels between your thighs and pulls your panties aside.

You feel his fingers trail up your thigh, slowly, taking the time to slide lightly over your skin, causing you a mixture of tickling and excitement.

You writhe when you feel his index finger grazing your pussy lips, wandering up and down caressing for a little bit before sliding it between them and wetting it completely in your juices.

“You’re soaking wet, baby”

You can literally feel your cunt dripping when he keeps going up and down, briefly sinking into your hole with the tip of his finger and then on your clit, moving in circle with two fingers over your bundle of nerves.

You’re whining again, you’re growing impatient and he perfectly knows that

“Joel…”

“Yes, Finch?”

“You're doing it again”

“What”

“You know what. Do you want to torture me?”

"No. I just want you to beg me."

“God, you’re impossible” you roll your eyes out of exhaustion and arousal.

He stops completely.

“So are you, babe. Can you please let me do what I know best?”

He presses on your clit with two fingers and you squirm.

“Fuck. Okay”

He starts teasing your clit again, moving his fingers up and down to gather your wetness and spread it all over your lips.

“The thing is, finch, your pussy is so good. Look at her, I can’t rush it. She deserves to be loved nicely and slowly”

He is sitting on his heels just taking his time with you and you can’t be more eager to have him in your hole but you breath, resigned to wait for his pace.

He teases your entrance again, this time with two fingers, pushing in a little deeper.

His thumb is still taking care of your clit, moving a little faster than before.

“Eyes on me, babe”

And you do, you lock your eyes with his and you see hunger and lust and wonder.

He’s admiring you and you feel flattered.

He brings his face closer and sticks his tongue out, licking you from bottom to top and then again, letting it slide between your lips.

His beard is scratching you, his tongue stops on your clit swirling around it, jerking it slowly, again and again until you see him closing his lips on it and sucking gently.

He’s devouring you at this point and you mewl and cry and scream for more.

“Jesus - fuck - oh my goodness”

Your fingers are entwined into his curls and you’re pushing his face against you as much as you can, his tongue is fucking your hole now, he delves into you and lick all he can and you start to feel an incredible warmth rising from your core, in your tummy, to your chest.

He finally lets his index and middle finger sliding into you, pumping slowly in and out of your dripping wet cunt.

“Joel, oh my God I - ha! - I can’t, oh God”

“Yes, you can. Just like that, baby, give it to me” he whispers softly against your skin.

You’re on the verge of coming, the most incredible orgasm is knocking at your senses, overwhelming and brutally crushing into you.

“I’m com - oh GOD - yes,Joel, fuck”

He praises you again “come for me, soak my fingers, come on”

And you do. You gush all over his fingers like it was the last thing you do in the world, your legs shake and your heart reach an impossible pace that leaves you breathless.

He keeps licking and pumping into you until you calm and you can’t take your eyes off him bowed between your thighs, he drives you wild.

He stands up grunting at his poor knees and you giggle, he raises an eyebrow at you

“I wouldn't laugh considering the fact that I just made you scream my name”

He sits down on the couch next to you, circling your waist with his big strong arm and pushing you against him.

You bury your face in his chest “Aw, you’re so touchy, Miller” and you giggle again.

“You’re such a little brat.” He says, stroking your hair “But see? I wasn’t lying. It's been many years since I last did this but I still know what to do”

You raise your eyes at him “yeah, I give you that. You’re fucking good” and you place a kiss on the hairless part of his beard “but I-”

“What?” he interrupts you, looking at you maliciously

You bite your lower lip, feeling hot again just for the way he’s holding you tightly watching you with lust in his eyes.

“I want your cock”

“Oh. It’s time to beg, baby”

“Joel…”

“Beg for it, little finch” he’s smiling but his voice is firm and slightly authoritative

“I never beg” you scoff

“You will start now, sweetie, if you want to see me naked”

You look at him with exasperation, rolling your eyes immediately after “okay, Jesus. Can you please give me your cock?”

“Manners, babe. Ask gently”

You ask yourself what have you done wrong to fall for such an unbearable man “Good Lord”

“Beg with conviction”

“Joel Miller, could you do me the courtesy of fucking me? Please?”

You’re smirking hard. You definitely love to get on his nerves.

“You’re getting into trouble with this attitude, you know that?” He reaches one of your nipples and pinches it hard making you whimper into his arms.

You turn serious, looking him in the eyes intensely, licking your lip before saying “Fuck me, Joel. Please.”

“Mmm yes, just like that baby, it didn't take much”

He finally stands up in front of you. He takes off his shirt, revealing a strong, broad chest.

You can see a thin strip of hair disappearing under his jeans but apart from that he is almost hairless, his skin is delightfully dotted with freckles that make your mouth water.

He throws off his shirt and bends over to remove his boots.

Your eyes linger on his back, on his tense, rippling muscles, you can't believe how gorgeous he is, after all you think it was worth begging for this but you will never tell him.

He unzips his jeans and takes them off, remaining in his boxers. The sight of his deliciously soft tummy drives you completely insane. You’re craving him like you never did with anyone before.

“Kneel on the couch for me, baby” he orders and you immediately do, you turn your head just in time to see him taking off his boxers, freeing his already hard and swollen cock. Your knees sink into the pillows and your hands rest on the armrest, you are completely exposed to his will.

He gets behind you on his knees, gripping your hips and pulling you towards him.

“Fuck me Joel, please, fuck me now” you cry

“Such a good girl, begging for my cock like that. You learn quickly, little finch”

You only feel the tip poking at your entrance, he slides his cock against your dripping folds “Beg once more, babe”

You writhe, it’s more than you can take right now, you want him desperately.

“Please, Joel. Please” your voice sounds distraught but you don’t care, not now.

He enters you with a single thrust that makes you scream “Fuck!”

He’s big, so big that his cock burns in your center.

“I told you you were getting into trouble, baby, if you wanted me to be gentle you should have behaved better”

It's a small punishment you can bear, after a few seconds you already got used to his intrusion, you never felt so full before and right now you couldn’t ask for anything better.

He begins to move slowly, in and out of you, sinking deeper each time and reaching that spot that makes you see stars.

His loud grunts numb your head, his fingers dig into your hips as he thrusts into you, maybe he will leave some marks and the thought excite you even more.

“Oh God, please don’t stop, please”

He’s pounding into you incessantly, every thrust more deep leaving you short breath, you’re so wet that every lewd sounds coming from your cunt is making you feel like you’re on the brink of falling apart.

“Fuck, you look so pretty like that, babe, the most gorgeous woman I’ve ever seen, so perfect for me”

You whine even more at his praises, feeling your pussy clenching hard around his cock.

“Joel please I’m-”

“I know baby, I know, I can feel you, squeezing my cock just right, God you’re taking me so good”

You basically spasm on his cock right now, legs trembling as your sink your fingers in the fabric of the couch desperately trying to hold your posture.

He holds you tightly by your hips, grunting with each thrust into you, hitting your cervix again and again.

“Come for me baby, come all over my cock”

You’re quivering so hard that you almost think of being on the verge of losing your mind.

You cry his name feeling so full and dazed while your orgasm explodes inside you.

He pumps into you until you calm down but he’s still throbbing against your walls “Where do you want me?”

“On my tits - please”

He comes out of you and you lie down on his couch, his throbbing cock is in front of you, he takes it in his hand, milking it a couple of time before releasing his cum all over you. He moans loudly as he paints your tits and chest with his pleasure.

He lies down on top of you, groaning “God, this was amazing”

You feel his sticky seed spreading on your skin but you don't care, you wrap your arms around his neck and kiss him softly.

He moves to the side so as not to weigh you down and takes you in his arms again.

You hide your face for a moment in the crook of his neck, inhaling his woody, citrusy perfume, with a hint of the natural sweaty scent of his skin. He smells amazingly.

“I could get used to it” you giggle

“Me too, little finch” and he leaves a kiss on your hair.

“Oh, you made completely forgot about it, do you know what day it is today?”

“No, should I?”

“I don’t think I’ve ever told you. It’s my birthday.”

His eyes widen, “Really?”

“Yep”

“Well then happy birthday. Did you like your present?”

“It’s the best I’ve ever received”

You kiss him again, knowing how true it is.

“We should take a shower,” he laughs.

“Yeah, you’re… well…all over me…but to be honest, I like it.”

He smiles widely “Come on little finch, I might have another gift for you in the bathroom”

“Oh, then I can’t wait to unwrap it”

[madeby-meru]

Thoughts on Episode 10 (Jason Route)

Now that I am chill after losing both the illustration and the route and having to watch it somewhere else, I can give my thoughts on this episode! ^^

I wanted to upload this sooner but had no time to finish it lol

beware of spoilers under the cut!

Overall, my main feeling while playing and after finishing was that i was tremendously bored for 90% of the episode. And honestly this makes me sad! I really like filler episodes, i love silly little moments that don't add much to the story itself but that let you see the characters in different situations and learn other tidbits of information about them. For example, I liked going with Brune and Elanda to look for Thomas, seeing them in a situation where they're worried about a friend that could be in serious trouble and how they reacted differently to everything. It adds depth and personality (which these characters desperately need). I have seen Roy's route in this episode too and i liked how it added a bit to his characterization of this very sweet and caring man. I have to say that i also loved seeing Thomas' mom again and im soooo happy that she got a redesign! (even though I wish she looked like an actual 60 year old woman, girlie looks addicted to botox). I would have loved to see Iris too but we got a couple more characters from the MCL games so I'm happy with that. I like seeing that we are, indeed, in the same universe lol.

However, in my opinion anything good or interesting in the episode was completely overshadowed by the sheer *absurdity* of it all.

It's the same issue as always, the "plot" doesn't make sense and unintentionally the characters end up being depicted terribly and (usually) Devon and Thomas suffer the most.

Devon looks like an irresponsible boss that doesn't keep his empoyees in check and lets them do whatever they want even if it harms the job or other emoplyees's work. He postpones the meeting with the town hall (would he even be allowed to do that? i'm sure this would have negative impact on Devenementiel) to look for Thomas, which honestly that's a good friend move so respect for that... but that is a full grown adult, not a child, and you dont even know if something actually happened to him. I'm sorry but here the job should take priority, it makes no sense for everyone to halt their work day and waste time (with a relevant project !! with the town hall !! in their hands !!) cause someone didnt come in.

Sending everyone to just look around the city is... so stupid? how big is Amoris? 1km square? for them to think that they can wander around and magically find him? ????

Now the ending was just... what the actual fuck.

I don't think the writing team is truly aware of how badly Thomas is portrayed. First of all, if you have a motorbike accident that is serious enough to leave the morotbike destroyed like they describe it: you do not walk away like nothing happened! Talking from experience, even a relatively small accident can leave you badly injured. And from what is being described in the episode Thomas should have been hospitalized! It makes no sense. Second of all, who in their right damn mind leaves a demaged vehicle in the middle of the street and walks away to buy a replacement? That is a fine, that is a public safely issue, a general safety hazard and a traffic obstruction, who does that ?! "He is socially unaware!" no, that is being straight up stupid and a jerk.

Y'all are portraying Thomas as an egocentric, careless, and self centered guy that does not care for anything or anyone around him other than himself, an irresponsible person that does not care if his actions are detrimental to his job or colleagues. And if we put this together with episode 8 showing him as someone with zero respect for boundaries or privacy and that will stalk coworkers with no remorse, yeah you're making a wonderful love interest.

And this pisses me off, this feels out of character. Thomas is such a fun and interesting and cute love interest, he could have one of the best romance stories in the game, why would you paint him like this? I'm sure that the intention was a "haha silly guy doesn't understand!" moment but y'all definitely don't know how to write that.

And I don't think this is "reading too much into it", cause you can see it all in plain sight. And also, analyzing shit and "reading too much into something" is fun for me.

This episode could have been so fun. It could have been a silly misunderstanding with some days off that Thomas takes to go to a competition (maybe we initially could think that he had an accident because a similar bike had one that morning! or because he had been complaining about motor issues and being wary of a potential accident!). In his route we could go see him and he could tell us about his hobby, and in other routes we could do something related to the other character's interests. We could get to know more about them, its an appropiate episode topic for the place that we are in in the relationships and its just cute and fun.

But anyway, I unfortunately could not play Jason's route myself and I had to watch it somewhere else instead, which honestly pissed me the fuck off cause i can't afford a replay at all. The special scene was cute, I liked the tone and how Jason sounded like he was trying to play it cool with all the "heh i just did it to show im better" (i can see right through you silly man). Ngl im sad i dont have the scene to replay it u-u

Thomas' illustration was my favorite by far, both him and Ysaline look gorgeous fr fr

[batsplat]

This line made me sooooo insaneeeeee

BUT ITS TRUE

they did not expect it from each other

You mention that after sepang 2015 that marc refused to take it lying down and retaliated, would you say that one some level vale expected him to just take it?

And also could you please recount events in which marc also waged mind warfare on other people after the divorce™ I think that the psychological aspects of his style are so incredibly interesting like how in le mans, bezzechi kind of crashed out and how viñales mentioned in post race interview how " when he heard marc's bike he knew it was over"

Thank you for your very valuable contributions to motogpblr, you enrich the experiences of all

right. right! following on from this post... fair warning: 'what was valentino's plan in sepang 2015' and 'what mind games has marc cooked up over the years' are two questions that don't exactly lend themselves to concise responses, though I've done my best to edit this down to a somewhat more palpable length. so *cracks knuckles*. let's do this

first off, sepang 2015. yes, marc did very much refuse to lie down and, yes, he did instead very much retaliate. I'm not sure if I'd say valentino expected marc to 'take it' exactly, though the hope would have been that it would a) make him more cautious around valentino, b) throw him off-balance, and c) make him more error prone. I mean, certainly you'd have to assume he didn't expect marc to react like that because.... well. otherwise, why would valentino have done it? yes, he has repeatedly alluded to having wanted race direction or dorna or whoever to step in, but those guys infamously aren't particularly proactive. and, let's just pretend for a second here that marc really had been plotting to ruin valentino's title - what are you going to do about it if you're the ones responsible for enforcing the rules? even after sepang, when it was reasonable to suggest marc had been messing with valentino in that race specifically, there was only so much they could do. sure, the main reason they didn't penalise marc was because he'd crashed and had in essence already been penalised. but if you want a more drastic penalty, then you're going to have to show that marc is doing something emphatically illegal. I mean, it's not like race direction penalised valentino when he was racing jorge in what can only be described as a cheerfully malicious manner in motegi 2010, at a time when jorge was close to sealing that year's title and the two of them were racing for *squints at notes* p3. they can't actually stop you from being a little shit, you know

this line of argument might be ascribing too much rationality to valentino's actions - maybe he was hoping race direction would do something. it's worth pointing out that one of valentino's later comments (from march 2016) to my reading suggests that valentino had already spoken to race direction several races before sepang about marc's behaviour, but they didn't listen to him. the sepang presser then constitutes an attempt to publicly force their hand... except it still wasn't enough. and a part of valentino surely must have already known it was going to go wrong after saturday's qualifying. the incidents during the practise sessions that weekend weren't particularly egregious, but they involved two riders who were both clearly willing to play games with each other (including in some towing-related shenanigans). crucially it's not really the type of thing that would happen if one rider had been spooked so badly they're making sure to ride on eggshells around the other bloke. at the end of the day, valentino thought he could unnerve and disorientate and unsettle marc - and if you're being generous you could say he at least picked the right target. marc had broadly demonstrated he could be unsettled that year, which jorge had very much not

if you're being less generous you could say 'but it's crazy he's doing this to the bloke who isn't even his title rival'. which is the whole problem from valentino's perspective - he simply couldn't engage jorge in direct combat (and again, this does make it more remarkable he even got it to valencia given one of his big big strengths in title fights was being completely neutralised). jorge has been involved in plenty of great battles over the years, but his 2015 title was won purely on raw pace and having just enough tracks where he was fast and it wasn't raining for things to work out in his favour. it was marc who valentino was continually getting into fights with, whether at argentina or assen or silverstone or... well, even phillip island, valentino fights marc a hell of a lot more than he does jorge. which makes for a weird championship in a lot of ways, but also makes it a bit inevitable that valentino ends up disproportionately focused on a bloke who isn't actually his title rival

if you want to be even less generous, you can say it was a rather radical misread of marc's character from a man who (any conspiracy theories aside) has always seemed to understand marc pretty well. like, this is the thing right, obviously hindsight is 20/20 and all that but can you really imagine any universe in which marc hadn't done something roughly along the lines of what he did that weekend? in a way, this is probably the bit that bothers me the most about the whole thing, just feels like it couldn't have ever achieved what valentino intended it to. I can excuse breaking the heart of the kid who hero worships you, but I draw the line at being kind of dumb

the way I'd break it down is by looking at why he was in a headspace in which he wasn't making good choices, and then consider what his actual thought process (however irrational) might have been. so on the one hand, you've got all the contributing factors that explain the poor decision-making process, that explain why he wasn't thinking clearly. on the macro level, you have the arc of his career and what this title meant to him and how it fits into his desire to win on his own terms and prove everyone wrong and all of that. you have the pressures of that specific season and how it had gradually gotten more and more intense post-assen, the influence of the people around him and how they had allowed/contributed to him getting increasingly distracted from the actual riding as the season went on. this factor obviously includes the man who actually presented valentino with the phillip island telemetry and had seemingly been badmouthing marc for more than two years. you have the arc of valentino's relationship with marc, his belief that marc was a sore loser who only played nice with valentino while he was winning and who valentino thought he had been more than generous to in response to marc's lack of composure earlier that season. this eventually coalesced into a mental list of all the times that year valentino felt marc had fought him differently than he would anyone else, from argentina to assen to silverstone to misano to, of course, phillip island. you have the compressed time scale - four days from the race at phillip island to the presser in sepang, at a time at which valentino will have been at his most exhausted and spent after the travails of first motegi and then phillip island at the closing stages of the toughest season of his career. it's this that creates the sense of urgency, the need to do something now to stop the opportunity from slipping away. and then, of course, on the micro level you have the actual details of the supposed conspiracy that relied on the specifics of how the race at phillip island ended up unfolding... of tyre management and seagull murder and fluctuating lap times and suspicious late race pace and a perfect last lap

which, okay, I think it's fairly obvious that valentino wasn't thinking clearly. but he still must have been intending the presser to do something, something that was different from what it actually ended up doing. now, the way this works in my head is that valentino basically did the equivalent of pressing a big red button labelled 'chaos'. if you do what he does in the presser, that's the inevitable outcome, right: you're ensuring this entire weekend is going to be a complete mess. in theory, you're the one person who's had the chance to mentally prepare yourself for that mess, because you're the person who's pressing the button. you're hoping everyone else will be off-balance, distracted... to some extent it's less about wanting to intimidate marc per se (bad idea!) and more about making sure he has other stuff to worry about. maybe you're hoping marc's going to make some mistakes, crash in ways that aren't caused by a movement on your part that looks suspiciously like a kick, be a little out of it all weekend. I mean, marc did have a tendency to hit the deck when under pressure that year. the hope is at the very least he's going to be a little more cautious, so worried about ruining his reputation that he's not going to attack you too hard. basically, hope he does anything other than what he actually ended up doing, aka throwing himself at you again and again in the race in a sort of agonised fury that paid no consideration whatsoever to his reputation, ruined or otherwise

this is where the sepang 2004 parallel is at its most instructive to me. you're giving everyone something to talk about and you know it's going to be the centre of attention that weekend and you just kind of have to hope that the chaos ends up creating an opportunity. and, for a hot second there, it did look like valentino might have been onto something. he qualified on the front row for only the fifth time that season (y'know his qualifying actually got a fair bit better in 2016, presumably because he just wanted to maximise the number of awful vibes pressers) and he outqualified jorge for only the second time that season (again I don't mean to be rude but, jorge, how the fuck did you almost lose that title what were you DOING). it's pretty unfortunate that the very start of the sepang race played out in the exact perfect way to allow dani and jorge to escape while marc and valentino started divebombing each other. this is the thing right, there are lots of ways that race could have unfolded and it basically could not have gone any worse - and it's helped make valentino's initial decision to blow shit up age particularly horrendously

the other underlying explanation is a somewhat more opaque one. people want to feel good about themselves, they want to have a positive sense of identity along several different metrics like self-worth and moral virtue and so on. it doesn't feel good to lose, and it especially doesn't feel good to lose if you've tried really, really, really hard. a lot of sports psychology is about the challenge of managing vulnerability. there is something inherently vulnerable about competing in the public eye: you are trying hard to win but there is always the possibility that you will lose. if you lose with other people watching, you are making your inadequacy public knowledge. this is why athletes search for explanatory mechanisms - maybe they make a public show of how they weren't actually trying hard, about how they don't actually care that much, or maybe there's something they can blame like the machinery or injury or the team not being on their side or whatever. maybe there's someone to blame. a narrative of sabotage allows you to preserve belief in both your own ability and your own self-worth; it is the perfect explanatory mechanism. and to some extent, this type of thing is necessary - you're not going to be able to compete well unless you have high self-belief to the point of delusion, which means you do have to tell yourself all kinds of things to keep the faith. but paradoxically, these explanatory mechanisms are also incredibly dangerous, because you cannot compete to the fullest extent of your ability if you are not throwing yourself into what you are doing in your entirety, without any restraint or self-defence. you have to be open to experiencing the pain of defeat in its rawest form to be at your best. you have to be willing to go to those infamous 'dark places' within yourself to win. the moment you are thinking about how you will explain your defeat, chances are you've already lost

but hey, I've never competed in a motorbike race before, what would I know of the psychology of it all? let's get the words of someone who should know a little more than me:

Looking back, what I said about wanting a bike that could win at Welkom, well, that was a way of boosting morale, an attempt at wishful thinking. You can't demand something like that. And even if you get it, there's no certainty you'll win. But then again, we riders always say all sorts of things. Sometimes we believe what we say, even when it sounds crazy, other times we're just being hopeful and, still at other times, it's all an exercise in self-delusion. We try to convince ourselves of something, because ultimately, every time you step on the track, words don't matter, and it's just you, the bike and your opponents. In fact, that's the only time you really have a clear picture of things. When you're actually on the track, racing against your opponents. That's when you know where you are and where the others stand. You know how your bike is doing and how those of your opponents are faring. That's the moment of clarity. Then, you can say whatever you like to everyone else: your chief mechanic, your mum, your girlfriend, the press... but, deep down, you know the truth and you know it with crystal-clear clarity. You can tell people you fell because the bike didn't follow the trajectory it was supposed to follow, or tell them that you're actually really fast, but the bike simply isn't. Inside you, however, you know the truth. You know you fell off because you made a mistake, or because your opponent is simply faster than you. And the opposite is also true. Deep down, you know whether your victories were deserved. You know if you won races on the turns, when it's down to your ability as a rider, or on the straightaways, when it's all about the power of the engine. You know the others are looking to make excuses when they say you beat them just because the bike was better. I always knew the truth behind each of my victories, and behind each of my defeats, too. I knew exactly why and how I won or lost. And so, at the end of 2003, after winning everything in sight with the Honda, I was certain I could win with another bike. But, of course, until I actually did it, I couldn't be truly certain. Thus, I set off on my journey, in search of that place where certainty meets truth.

(sidebar: I find it funny how the bit about straight line speed reads like just an extremely obvious dig at casey in his ducati days but, published in 2005, your honour he's innocent)

what valentino describes in that passage is the awful, inescapable secret at the heart of all competition: at the end of the day, you do know. you can only do so much to protect yourself from the truth. you have to tell yourself a story, even if it's crazy, engage in all manner of self-delusion to throw yourself into the field of battle again and again and again - where inevitably you are going to lose, again and again and again. any great athlete has to start out at least a little delusional, for there is something inherently insane about thinking you will be one of the very best in the world in your field. eventually, much of that delusion may turn to reality for the chosen few, but the delusion never completely goes away because there is always more to win and always more losing to do along the way. when the delusion stops, so does your career. valentino's endless capacity for storytelling and self-delusion is inherent to his success - he would not have been as good as he was if he had not found all these stories to tell himself, all these reasons to believe, to keep motivating him, to wring special performances out of himself when he needed them most. he told stories that were ridiculous until he turned them into reality. if valentino were anyone other than the person who killed his tenth title in sepang, he would not have won the other nine in the first place

and yet, chances are, valentino already had lost headed into sepang. chances are, he knew as much. chances are, he chose the kindest possible story to make sense of it all. at the very least, what he wanted to do was expose the truth as he saw it - make sure that everyone in the world knew what marc had done to him even if it didn't end up saving his title campaign. but in exposing one truth, at the same time he managed to obscure a different one. because in the end, certainty never did meet truth in 2015, because we'll always have a question mark about what would have happened if valentino hadn't said what he had said in that press conference, what would have happened if marc had reacted differently, what would have happened if race direction hadn't handed out penalty points or if marc hadn't been so hurt and angry he was unwilling to take risks against jorge in valencia. yes, of course it's likely that jorge would have won anyway, but we don't know that. it's 2006 all over again, isn't it? there's a likely winner, there's maybe somebody who should be winning, but there's never any certainty. that's why we line up on sunday, or so the cliche goes. the main lasting success of that press conference is that it has cast a shadow over the whole championship - not just in the sense of making the whole thing unpleasant to think about, but in the more literal sense of concealing the realities of that title fight, of generating ambiguity as to how it all might otherwise have played out under more 'normal' circumstances

except, of course, valentino has told us himself that he does know the truth about all of his victories and defeats. of course he knows jorge was faster than him that year, which is why he wasn't trying to win that title on pace. by any reasonable standard, there's no shame to that, not at that stage of his career and not against that level of opposition. there's plenty of ways in which valentino was the stronger rider that year, still, somehow, and enough sliding doors moments that would have given valentino just enough points and granted him a completely deserved title. but of course it was still frustrating, and it was frustrating to be reminded constantly in the paddock - including by marc - of how jorge was the faster of the two of them. valentino knew he couldn't beat jorge on pace, which is why he never tried to, but it still wasn't easy. it still required him to just... put away his ego, ignore all the snide remarks about his speed, ignore marc's digs and jorge's cockiness, and just devote himself to winning the title in the only way he could. that's the heart of 2015: it's all about valentino suppressing his worse instincts right until the moment he doesn't. it's the pressure, it's all the blows his ego has taken that year...

and of course, it's also marc. at the end of the day, it'll always come back to that - the fact that marc had made himself into someone who had the power to genuinely hurt valentino and how he then managed to make himself a target of valentino's suspicions (topic for another post). going into sepang, valentino already knew that more likely than not he was going to lose the title, and he decided he blamed marc. at the very latest during the race, he knew he was almost certainly going to lose the title, and now he definitely blamed marc. that's how it goes, isn't it... valentino's reasons for saying what he said in the press conference were complicated, but marc's actions then proceeded to simplify everything. any uncertainty, for valentino, was removed by that race. it was stripped away even further, if possible, by how marc approached the valencia race and his decision that he wasn't going to risk anything - not when it could help valentino. their whole tragedy, of course, is that if you had placed valentino in marc's shoes that weekend at sepang, he would have done the exact same thing

which is unfortunately as smooth a transition as I can come up with to stop discussing valentino's psyche and starting discussing marc's. let's talk mind games

the first point that's worth stressing is this: most of the mental pressure that riders exert on each other happens on the track. I think this is where 'mind games' becomes a bit of a tricky term, because inherently the connotation there is that you're doing something a little sneaky, a little underhanded to get under the skin of your opponent. but valentino has said it himself: you need to be performing on-track for any of this to work. and it goes beyond that - the on-track performances are key in determining what kind of psychological pressures you are exerting on your opponent. ideally, this is a symbiotic relationship where, as valentino puts it, the off-track 'work' that makes the opponents 'suffer' is used to... well, just back up what you're doing on the track, to make sure they're getting the message. to just play with them a little in a way that is conducive to bringing about further on-track success

so, in the interest of not getting bogged down in semantic debates about what exactly counts as playing 'mind games', I'm going to throw out the term for now. I think it's interesting in itself that this phrase is how people refer to that kind of behaviour, something about how it comes across as just a little derogatory, a little suspect... but we're going to ignore that. it's completely useless to discuss 'mind games' as this kind of ethereal higher-plane tactic that only happens in press conference rooms and on three hour long podcasts, as if it's somehow disconnected from the reality of what's actually happening on-track. (on-track behaviour is also at times referred to as mind games - but less frequently, and it tends to be used more for behaviour in non-race sessions.) it's also a bit of a sleight of hand: there's not anything inherently more 'honest' or 'straightforward', anything less 'psychological', about deliberately bullying someone on the track versus saying something snide about them to the media. what we are interested in here is the question of mental pressure, how riders exert it on other riders, and how riders go about working on the suppression of their rivals. basically, for a more fun term, think of anything you'd consider to be psychological warfare and go from there (the ask does actually specify mind warfare, which feels like a happy middle ground)

and just to reiterate this, the vast majority of the psychological work valentino himself did on his opponents - including in ways that marc has gone on to emulate - was done on the track. a race like laguna seca 2008, which relies so heavily on tactics and valentino's assessment of casey as a person and what message valentino decided to send casey that day... well, it may have had its effects reinforced off-track, but fundamentally that's still a heavily 'psychological' victory that enraged and unnerved casey through what valentino was doing during the race. and if you're assessing valentino's 'mental game' while leaving out laguna 2008, you really might as well not bother

so what we're looking at here isn't going to be exhaustive, but it's still going to hopefully cover most of the major aspects in a way that gives a sense of that integration between the off- and on-track. now, coming up with a list of examples isn't all that easy, because first of all... man, marc's been around for a long time by now... if we recounted every minor incident with another rider, we'd still be here by the time twenty to thirty years have passed and valentino finally gives marc a call. second of all, marc does undeniably leave less of a paper trail than valentino. partly he has objectively gotten himself involved in fewer feuds (though I'd argue there are also circumstance-related factors there), partly he's also been warier of how he approaches this kind of thing as a direct result of sepang 2015, and partly it's just a question of personal style

valentino tries to suffocate you with the paper trail, leveraging his skills at manipulating the media to make your life unpleasant, to throw distractions in your direction, at times to make sure you are overwhelmed by the frenzy and the noise and the chaos. all this, obviously, he does in addition to making your life on-track as miserable as possible. marc prefers a slightly quieter approach, maybe an indirect dig here or there, a habit of letting you know on the track if he's decided he has a problem with you. which means that a lot of what people consider marc's 'mind games' basically go something like this: a) rider does something to piss marc off (this can just be 'beating him'), b) marc does something dubious to them on-track, c) rider complains about marc, and finally d) marc goes ?? idk why they're saying all that but not really my problem :) and goes along his way

but that does make it a little tougher to actually provide a good overview of what he's doing - because, at the end of the day, I too can only be so certain that he's attempting to fuck with rivals. that's the nice effect of it, right, you get these statements from other riders where they're complaining about marc and broadly speaking I do believe them when they say he's being a little shit again... but it's a little harder to prove that this is his intention. which means they also end up engaging in a form of shadowboxing, where they think he's messing with them and they say he's messing with them but it feels kind of one-sided and silly and like maybe they're simply imagining things. which must be just... incredibly annoying. god

in a way, the best proof we have that marc regularly fucks with his opponents is that everyone in the paddock is more or less agreed in their belief that he is constantly engaging in psychological warfare. you've got other riders saying that marc is continually dabbling in 'mind games', you've got journalists on their podcasts saying that marc is always messing with people and is an awful teammate to everyone who isn't his brother etc etc, and you kind of assume they'd be the ones to know. though, if anything, this can mean they sometimes have a tendency to overshoot, which is how we got endless speculation at the start of this year on whether marc was lying to people or sandbagging or whatever when he was busy adapting to a new bike. sepang isn't irrelevant here - marc became more closed off and private and secretive and circumspect about his real feelings as a direct result of how bad that whole experience was for him. sometimes it feels calculated to unnerve his competitors, and sometimes it does seem more about just protecting himself. but that's the thing, right - if you acquire a reputation for "mind games", then people will think you're fucking with them even when you're not. which can be useful! but, as should be obvious, it demonstrates that just because somebody is accusing marc of engaging in gamesmanship, doesn't mean it's actually true (which is also of course the case for valentino)

^'who's most likely to play mind games in a press conference?' winning here! alex rins hands on hips we will get to you in a bit

all that being said, we do have plenty of fairly clear examples of the ways marc tries to fuck with his opponents, so let's get to those. here are the elements I'll focus on: 1) an explanation of how the on-track exertion of psychological pressure works, in races as well as outside of them, 2) intra-team dynamics, and 3) some specific examples of how the on-track and off-track tactics are integrated. again, far from exhaustive - the examples are supposed to be more akin to illustrating marc's approach rather than definitively listing every instance in which marc has exhibited a particular behaviour. the streamlined approach, if you will

so, let's start with the actual racing. the aspect you bring up in the ask: the intimidation. bez doing his sad little crash out of p2 in the le mans sprint, maverick thinking it's so extremely over the moment marc came too close in the main race. I've edited this section down a lot to avoid getting too into the weeds here, but let's just give the brief sparknotes version of how this intimidation works:

speed: if you are not capable of performances that unnerve your opponents, obviously you will not unnerve your opponents. no shit. marc's sheer pace is terrifying in its own right... it makes you wonder if that cushy gap you have to him is quite as cushy as it looked a lap ago. how often he seems to be able to access something special, how it piles on pressure in the context of a title battle to know that he is fast pretty much everywhere. the speed does a lot of his work for him in the intimidation department, nothing fancy required

circumstance: so, say you've got an alien behind you. not to name any names... but there are some aliens where, if they are having a good weekend, they wouldn't be behind you in the first place. that doesn't mean the alien can't still be plenty scary... but when they're at their best, they're dominating out front and so are less 'threatening' when they're sitting on your rear tyre. when things aren't going their way in a given weekend, you maybe don't have quite so much reason to be worried. marc (similarly to valentino) is a lot more flexible in how he wins his races - which might mean he's looking very ominous from say p5 at the end of the first lap. there's less possibility of respite, less chance that if he qualified badly, he has the decency to still be slow come sunday. if you find yourself on the same bit of track as marc... that's probably not great news for you in any weekend

aggression: the obvious one. marc isn't as afraid to crash as everyone else is, he's willing to go for it if he's given half a chance - which he never fails to remind people of. he said it about half a dozen times at le mans this year, including with his competitors in the same room. convenient when you have such an immutable character trait you couldn't do anything about even if you wanted to, which also just happens to make you terrifying to fight with. sometimes he mixes up this rhetoric a bit - e.g. in 2016 after his messy 2015 he did talk plenty about his newfound maturity. still, not bad if his opponents are constantly reminded of how unyielding he is... which is of course part of the reason why he bangs on about it so much

(on the flip side, while it is obviously in his best interest to barely say a word against hard racing because it would make him come across as a massive hypocrite, marc has this nice little habit of reframing his opponent's moves as just not being particularly sensible in that situation. look at how he talked about the pecco portimao crash this year - sure, it's a racing incident, but it also wasn't "necessary" to fight like this for fifth/sixth place given pecco had a championship to consider. pecco's move was "too optimistic" - and, my favourite bit, he would "learn" from what had happened. which is nicely condescending, and a good way for marc to criticise aggression in a more circumspect manner: don't call your opponent dangerous, call them an idiot instead)

tactics: linked to the second point - part of the reason why valentino instantly recognised himself in marc and has always acknowledged what a clever and tactically astute rider he is. the other aliens to varying degrees tended to prefer the 'start fast and fuck off' approach to winning races. by contrast, it's hard to really pinpoint what an 'average' race win would look like for either valentino or marc. they are capable of the 'dominate out front' victory (marc historically more so than valentino), but they also have a bunch of other ways of winning races that all produce their own psychological effects on their opponents. to give a few brief examples, you've got the 'stalking and studying' approach, closely tailing opponents and gradually ramping up the pressure while you analyse where they're strong and where they're weak before eventually making your move. you've got the 'comeback ride', which is frustrating in how it means the field is basically never guaranteed a break from these assholes - this is all about relentlessness and generating a sense of inevitability. you've also got the 'fucking around before fucking off' approach, where you get involved in a scrap for much of the race and it looks like you and your opponent(s) are on equal footing... before suddenly pulling the pin and disappearing off into the sunset. there might be good reasons for marc and valentino to stick around that don't just amount to 'playing with their food' (though there is that too) like tyre preservation or figuring out grip levels in the wet or whatever. nevertheless, it's intensely demoralising for the competition, because it almost feels like the whole thing was a lie, an illusion of a fair fight... they've been tricked into thinking they had a hope of emerging victorious. obviously, all these different ways of winning are also investments for the future, so that next time your opponents are in xyz situation you generate uncertainty and doubt and preemptive frustration in their minds, as they wonder whether they can really get the better of you this time

now, obviously a lot of this is just about marc's natural strengths as a rider - but the point is that these operate on the psychological level as well... and you can gently encourage this with a little bit of extra off-track 'work'. what you say about your own aggressive riding, what you say about your opponents' aggressive riding, any impression you want to reinforce in the minds of your competitors. there's a lot of long-term reputation management involved here. (a little more about these reputations in the context of argentina 2015 in this post.) most of the 'intimidation' happens on-track, and it's also a result of deliberate riding choices that aren't just about winning any given race. of course, it's helpful if you are particularly adaptable to different race situations, if your flexibility allows you to reinforce the impression that you are always a threat. if successful, you can make sure your opponent is already mentally beaten by the time they know you're coming for them. (I'm not personally massively a fan of the term, but this kind of thing is what generally counts as the 'aura' an athlete has.) ideal, really - to be so intimidating your opponents can't even put up a proper fight

then, of course, there's the stuff that happens outside of races but in practise and qualifying instead. a perfect opportunity to be a dick to others on-track without the stresses of a race. which means... well, look, we can't ignore marc's habit of sitting on other riders' rear tyres when they're attempting to hook together a fast lap. the towing thing radically escalated when the honda was at its least competitive post-2020, but marc was definitely very much already at it before that. (incidentally, one of the cuntiest things he has ever said was when he pointed out in 2019 that he was leading so many laps in the actual races that he wasn't getting much chance to study the other riders there.) nobody really needs me to list every single towing-related controversy marc has involved himself in over the course of his career, but it might be a good idea to get the thoughts of somebody who knows a thing or two about fucking with his rivals. valentino himself has gotten the towing treatment a few times over the years courtesy of marc, and both pre- and post-sepang his stance has generally been 'listen it's a dick move but smart play, gotta hand it to him'. take this from catalunya 2019:

and y'know, he gets to the heart of the whole matter rather nicely -thanks to the local marc marquez understander for logging in years before the discourse about it became such a big thing. marc follows other riders around because it's a great way to study them and he also does it because he knows it's extremely annoying. it's annoying both because you know you're helping out another rider who you don't want to be helping out, and because it is just quite distracting to have someone that close to you, being able to hear their engine, etc etc. one thing that changed after 2019 was how necessary it was for marc to do this... marc went crazy with it at a time when it was often the only way he could put together a decent lap (and also because it played into the strengths of the honda, for a given value of the word 'strengths' - he's spoken a fair few times this year about how he finds it harder to follow other bikes on the ducati) (not for lack of trying). but valentino is also spot on in that marc is excellent at choosing his victims, how marc understands you have to pick someone who needs to put a good lap together and has no choice but to drag you along with them

I mean, think about why he just couldn't seem to leave poor pecco alone for a while there. first of all, pecco is fast, and marc clearly feels quite comfortable following him around. secondly, pecco tended to put himself in positions where he really needed a good lap because he'd gotten himself stranded in q1 or only had one more shot at a lap or whatever. plus he was fighting for championships, so he couldn't afford to fuck marc over out of sheer spite. thirdly, pecco has been fighting for titles for the past few seasons, making him one of the riders to beat. which means that marc was motivated to a) study him, and b) fuck with him - both of which were investments for a future in which he could fight pecco properly. makes complete sense! insanely irritating if you're the victim, which is half the point. also helps that pecco very obviously found the whole thing frustrating and tiring and really hated being asked about it, but also was equally obviously adverse to kicking up too much of a fuss about it for various reasons. the perfect victim

on the flip side, marc has been known in the past to be quite careful about who he is giving a tow, like for instance this from brno 2014 (ironically the first race that year marc did not win):

The two front row slots for the Ducatis were a problem for Rossi, dropping the Movistar Yamaha rider down to seventh, and the start of the third row. Rossi joked darkly about Marquez’s strategy, claiming that he was giving the Ducatis a tow to put them in between him and his main rivals. “For sure he is clever,” Rossi said. “He doesn’t pull Jorge, me or Dani, always a Ducati.” Marquez laughed at the suggestion, admitting only half of Rossi’s accusations. He certainly didn’t look for Ducatis to give a tow, but he would not give one to his rivals, he said. “It’s your decision to close the gas,” Marquez told the press conference. “If it’s Dani, Jorge, or Valentino behind me, for sure I will close the gas, but if it is another rider, it doesn’t matter.” That is in itself an admission of just how little competition Marquez sees. He is prepared to give anyone a tow, except for the other factory Honda and the two factory Yamahas. In effect, he is dismissing the threat from any other riders. Harsh, but fair.

and, y'know, if it were so easy then everyone would do it. you need a certain level of skill to actually pull off the towing bit, which marc is clearly very good at. you also need to have a good feel for picking your moments, who to bully, when to slot in behind them, all that kind of thing. and, lastly, you also need the sheer power of shamelessness on your side. which, that should more or less cover it... there are some real gems like mugello 2019 where marc accused ducati of ordering pirro to shadow him and then played a complicated game of chicken to catch a tow from dovi and snag pole, or mugello 2021 where marc was so determined to follow vinales through q1 that he was even alert enough to dive back into the pits with him as vinales tried to get rid of the small train of guys following him... but overall, I think valentino did a pretty good job at summing up the main points for me, so let's leave the towing discourse at that. returning to catalunya 2019, obviously it is also extremely valentino that he then had a sneaky little look at the honda's dashboard 'just out of curiosity'. truly a meeting of the greats, those two, we'll never find their like again

let's move on to intra-team fuckery - which is all about suppression of rivals. your first job is to beat your teammate, and the first arena of trying to fuck with your opponents is what happens within the team. my general assumption here is that marc's particular approach is less inspired by valentino and more just the result of his natural competitive instincts (which, to be clear I do think is true for much of the tactics described in this post). it's also not something... I know the ask specifies post-2015, but I don't think it's something that changed after sepang, except insofar as marc had won the most important teammate war of his career and didn't need to be quite as aggressive towards dani any more. given the continuity between the intra-team situation pre- and post-2015, I'm not going to make much of a distinction here and just rattle through some details about the intra-team dynamic from the start of marc's time in the premier class

so, the first bit of context that has to be acknowledged: a lot of the dani/marc war wasn't really fought between the two of them directly. both of them had... well, rather drama-happy managers, who a) were willing to do a lot of the mudslinging on the behalf of their charges, and b) were pursuing agendas of their own to establish themselves within the honda hierarchy. I think it's fair to say that not all of what they were getting up to was necessarily just about acting in the best interest of their riders - and it is an internal power struggle that could've had pretty disastrous consequences for marc in particular. here's a longer write up I quite like about the situation within honda in 2013, which came to a bit of a head with the phillip island fiasco (when marc was disqualified as a result of failing to change bikes early enough). just a few excerpts (though again I'd recommend reading the whole thing):

(gabbarini is pecco's crew chief these days by the way, small world.) so obviously a lot of this is kind of dumb, not least because marc came very close to losing that year's title to a yamaha rider as a result of all this behind the scenes bullshit. it also is just the kind of thing that happens when you lock a bunch of big egos into a small space within a competitive environment - and is a nice little insight into the early year machinations that were going on as marc and his team attempted to establish themselves within honda. which they did in part by pushing through key personnel changes that replaced anyone too closely associated with the old regime... and there's also the less pressing but interesting question of whether (as casey believes) marc's team pushed casey out the door because they felt 'threatened'. this sort of backroom manoeuvring is part of the game, albeit an unsavoury one, and great athletes do have a tendency to be ruthless in asserting themselves within team environments

of course, by 2014 marc was asserting himself ever more on the track. dani might not have yet fully accepted the number two status, but he was increasingly pushed into a position where he knew he had to play along, to not kick up too much of a fuss in his own best interest. did that perhaps play a role in how all those 2013 complaints about marc's aggressive riding - not least when it caused dani to crash in aragon and effectively ended his title bid - died down a little in the following years? who's to say! of course, marc has been pretty open in admitting his abrasive approach to the teammate dynamic, which he was kind enough to shed some light on more recently in marc marquez all in. I assume pretty much everyone reading this will have watched marc marquez all in, but for reference I've still included a transcript of the relevant bits of marc marquez all in. here's marc talking about the teammate relationship:

Dani and I, now we get along great, and he's an amazing person. But in 2013, 2014, there was a lot of tension. He was the king, the number one. People listened to what he said in the box. Everyone expected something from him... The team was focused on him. And out of nowhere comes this kid. A kid in his first year after Moto2. And well, first race and... boom. Second race, boom. And it's a hard pill to swallow. [...] I've never been a nice teammate. I've always liked to... You've got to make your teammate's life impossible, if you can.

and dani's take:

Those years there was a lot of tension because we were fighting for the same thing. He knew about my potential. That's why he always tried to stick to me, so I had no space to really take off. [...] He's very competitive. That's his strong suit, how competitive he's always been with everything.

and then at the end of that segment, marc says the following:

It is true that after 2015, 2016, everything calmed down, and we had a good, normal teammates relationship. After a while, I think you learn to accept the situation, right? It happens, and I'm sure it'll eventually happen to me too.

which I suppose is a fairly diplomatic way of saying the relationship got better when marc had won the war and dani had to 'accept' his lot in life. the king is dead long live the king, etc etc. intra-team competition is perfectly natural, but of course that doesn't mean all riders approach that dynamic in the same way. dani's "I had no space to really take off" is a nice way of putting it I feel, how he talks about marc 'sticking' to dani, marc's determination to just continually work away at his teammate... to suppress him, to smother him, to ensure that not only was marc winning the war but he would keep winning the war. marc made that team his own and he ensured that dani's continued presence in that team was happening on marc's terms. a job very well done

marc is also remarkably open in describing one of the specific tactics he utilised to achieve the desired effect in suppressing his teammate. in marc marquez all in, he admits to intentionally giving misleading bike feedback when it could give himself an advantage over dani:

But back then we had a great bike, everyone worked well. So if a replacement piece worked for him, I didn't like it, "This doesn't work. I want this one. I want this replacement piece, since I'm leading it. I want it. Don't give him this." "You want to try it?" "Yeah, sure." But I didn't want to.

now, listen, I'm sure this kind of thing does happen. that being said. marc, come on, not everyone is engaging in this degree of underhanded behaviour wherein you're intentionally hampering your teammate's efforts to improve the bike just to ensure you continue to have an edge over them. let's make a casey stoner comparison, given that I am legally obligated to mention him in most of my posts. he is actually relevant here though, as dani's pre-marc teammate and the bloke who would have more likely than not been marc's teammate if he hadn't retired. casey talks a bit in his autobiography about working with pedrosa at honda, mentioning how it was nice to have a teammate with a similar pace so they could actually develop the bike together. he also says this:

I never felt threatened by a teammate because I have never had one that I felt was consistently quicker than me and throughout my career our biggest competition always came from outside the garage. Still, I have great respect for Dani, our partnership was a fruitful one and I think we worked really well together to help Honda build their best ever bike in the RC213V.

while I do quite like the implication that casey would have felt 'threatened' by any teammate who could match him, I think it's fair to say that this is a pretty different approach from what marc's describing above. of course, casey could be misleading us... but, call me naive or gullible or whatever, I really just don't think casey was pulling that kind of shit on his teammates. I'd go so far as to say that this kind of thing is maybe not quite as widespread as marc portrays it as being. it might also be worth quickly bringing in casey's thoughts on such a combative style of teammate relationship (from 2009):

probably for the best we never got to see how that particular teammate dynamic would have played out! also, luckily enough, we do actually have somebody who can corroborate that casey and marc behaved differently as teammates. let's get the thoughts of dani himself (april 2023, so after marc marquez all in had been released):

“At least in the team we were in, HRC, it was like this: the one who goes the fastest is the number 1, the one who chooses the parts and the one who determines the direction a bit. “When [Marc] arrived, I was in that position and with the races and the championships he took that position and decided in his own way. When I was directing more the evolution of the bike I had the parts first and I never thought in [my] own way.  “My way has always been to do the best for the team, and if I have the best parts to make the bike the best, I'm not thinking about my rival right next door, but about Yamaha, Ducati... whoever the rival was, because I consider myself part of the brand. Later he had that other way of doing it.  “I don't think I was missing [the same way as Marquez], because my way of being was that one. For example, before Marc came in, with Casey Stoner, he never played that game either."

so, yeah, maybe not completely universal behaviour. I don't know, I do find it kind of charming that marc has this very 'ah well everyone does it' attitude. now quite honestly I personally would not admit to this sort of behaviour even in confessional amazon prime documentaries - and it's fascinating what kinds of things he has a filter about and at what times he just decides to be, uh, very candid. I mean, I suppose this is a nice way of publicly forewarning any teammate who isn't your brother that you're going to try and make their life miserable. so that's something. anyway, marc did obviously win the internal war - which is the kind of thing that does matter if you're trying to impose your will on bike development... even if you're just doing so to fuck with your teammate. so by 2016 you reportedly had a situation where marc's direction was being followed to the extent that it harmed all the other honda riders:

But Pedrosa claims he had no input in the decision, and is now paying the price of having to compete on a bike built around Marquez’s preferences. The 30-year-old also said that he knew he would be in for a difficult time in 2016 as early as the Valencia test last November. "In the end we didn't have many specs [of engines], but out of the ones we had I wouldn't have chosen the current one,” Pedrosa admitted. "When we picked the bike I already knew things would be very hard. I already knew how the bike handled in November. But it is what it is. The choice of bike that we have was [Marquez's], I had nothing to do with it. For the moment, he's ahead and he deserves to be. He likes the bike, he adapts better to it, while I struggle more. That's obvious, you can see it in the results and in the way we ride." Pedrosa said the poor performance of Honda’s satellite bikes this season in comparison to previous years was yet further evidence of how the RC213V has been designed around Marquez’s needs. Cal Crutchlow’s sixth place at Catalunya has been the best result for a Honda rider besides Marquez and Pedrosa of the campaign so far. “You have to think of the team, not only about yourself,” Pedrosa added. “If you look at the rest of the Hondas, they are a lot further behind than two or three years ago, when you had [Stefan] Bradl or [Alvaro] Bautista finishing fourth or fifth. Now they are 10th and further [back]. So we have to try to get the other teams to work too."

obviously, to some extent teams following the lead rider and prioritising their feedback is completely natural and even wise - they're the one who is winning for you. it does also end up being a bit of a self-perpetuating cycle that makes the rider already winning more likely to continue winning, which helps explain why these riders are even so invested in their internal bickering. all that being said, of course it's worth noting that different riders conceptualise that teammate relationship differently, and the extent of intra-team cooperation can vary drastically. marc has a very particular understanding of that relationship when he is paired with anyone who is not his brother - one that is generally speaking pretty far along the combative end of the scale

unfortunately, we never really got to see how bad the whole marc and jorge (also not the easiest of teammates) situation could have gotten. in 2018, their relationship was definitely better than say 2013, but also jorge was still perfectly happy to criticise marc - whether after argentina, or that whole aragon incident they had

(marc did call jorge afterwards to check in on him, which jorge did appreciate.) but jorge never had the pace in his honda days to threaten marc, so nothing really got going between the two of them. if memory serves, the closest we ever got was catalunya 2019, where they had a bit of a coming together in practise - incidentally the first (and in retrospect only) weekend that season where jorge had potentially dangerous pace

But Lorenzo’s apology seemed to clear the air. Marquez explained that once he “was calmer” and the fear of dropping outside the all-important top ten had subsided, he could see the #99’s point of view. Marquez also noted how he was twice penalised in 2018 for similar actions to Lorenzo’s in FP3. He then pointed out how neither his team-mate, nor Joan Mir, who blocked the reigning world champion at one point during the Mugello weekend, were punished. Speaking to Spanish journalists after Saturday’s press conference, Marquez, said, “He [Lorenzo] apologised to me, because he was in the middle of turn three. While people can say it's only free practice, it was the third one, in which the last laps are like qualifying. “I was so angry because I knew that my lap was the one to enter Q2 directly. In the end I finished ninth, the worst classification of the year. It’s clear that last year I was twice in the middle of the track and on both occasions I was penalised. At Mugello I came across [Joan] Mir, we touched and everything and then at the end of FP3 it happened again with Lorenzo. But this happens... When it does everyone has to be judged equally. There is no difference. He simply apologised. Logically [after the session finished] I was calmer and I understood, because no rider waits in the middle of the track – or at least I hope they don’t."

obviously, this isn't like, a big deal, but in the moment it was one of those 'oooh maybe this'll go somewhere' incidents and the eternal drama enthusiasts in the commentary box were talking about it at the start of the race. like I said, that was jorge's first honda weekend where he was showing actual pace, so it felt like this might be building to something. except then, uh, jorge decided to skittle all of marc's rivals in one go in the race itself and somewhat hilariously managed to just miss marc. and then jorge got injured again the next race and it all just kinda fizzled out after that, so we never really got to find out what dramatics could have been possible there

and that's it as far as teammates prime!marc had in the premier class go. childhood rival pol espargaro took on the mantle for two years in 2021-22, at a time in which there was much kerfuffle about honda's development direction and whether they'd followed marc's path for too long. espargaro did attempt to assert himself in that team and they did try to develop the bike in a way that suited all the riders better rather than just marc, which *gestures at honda post-2020* worked insofar as marc also ended up in the trenches. that being said, pol was never a particularly serious threat to marc - aside from that one race to start off 2022, which maybe prompted a little bit of needle from marc (based on what the podcasts™ were saying at the time in any case) but nothing dramatic - so, y'know, that was kind of that. in those two years plus the year where marc had joan mir as his teammate, of course you can go into the weeds and dig out minor disagreements... but apart from the conversations around development direction and how marquez-centric honda should be going forward, it's just a bit of a different vibe when you're beefing for pee one million or who gets to be the leader of that year's crash rankings. of course, if you really want to stop marc from tormenting you, maybe you should just try being his literal brother. pecco, if you want any more useful advice like that: I offer very reasonable rates, just give me a call and we can hash something out

so, we've covered how the on-track stuff works and looked at the intra-team dynamic - what's next? time to explore a little more how marc goes about unsettling his rivals, how he attempts to give himself the decisive edge over his opponents... and also, what purpose this all serves when it comes to his own psychology. intimidating rivals typically has another underlying goal: it's about motivating yourself. it's about proving to your rivals just how far you'll go to beat them while proving as much to yourself in the same breath

again, at times we're a little light in terms of an actual paper trail of this intimidation... given that marc does like to take on the role of the aggressor in on-track disputes, often he doesn't even have to be the one to comment - and instead the onus is on his rivals to voice their dissent. there's also the issue that marc did have a paucity post-2015 in terms of 'serious title threats over the course of multiple seasons' - which, I don't know, this does feel like a thing somehow, you just don't really build feuds in a single season. even valentino, known feud enjoyer, always needed a little longer to really get something going. looking at marc's career, obviously you do have dovi, with whom he had a very cordial rivalry between 2017 to 2019... but the only year in which dovi was a serious title threat was in the first year of that rivalry, in 2017. after dovi's poor results in the first half of 2018, that title bid was essentially dead on arrival, and the 2019 title fight generously lasts until catalunya when jorge skittled the field minus marc. there's a couple marc rivalries with young challengers that looked like they were just about to kick off after 2019... but, well, we'll never find out how those would have played out. and it might be worth pointing out that in his prime, valentino's disagreements with riders who weren't serious threats to him winning titles didn't really go beyond what marc had going on with assorted other riders from 2016 to 2019. it's a bit of an open question if you want to attribute marc's lower number of feuds primarily to his actual personality and how it differs from valentino's, or whether you think it just reflects their respective competitive situations. the boring answer is that it's probably a combination of both of those things

that being said, obviously you can engage in a wee spot of psychological warfare without it escalating to feud level. now, let's get the obvious out of the way: marc and valentino were still very much at it post-2015. of course they continued to be deeply invested in their attempts to undermine and mess with each other. but, let's be honest, they're their own special little thing and it's just going to derail this post if I pay too much attention to them. there's a certain level of feuding where it becomes increasingly detached from any sort of actual competitive calculus and is more about a fraught relationship between two people who have managed to severely hurt each other. that being said, it's worth pointing out that marc was perfectly capable of using that feud to spur himself on. for the easiest evidence of that, just look at some of his misano performances... in 2017, valentino had just nerfed himself out of the title fight, whereas in 2019 he was no longer a serious threat to marc on-track. and yet despite how valentino wasn't the on-track rival marc should be concerning himself with, in both cases marc ended up using his valentino-related rage to find that little bit extra within himself in order to steal the victory

^from the marc (+ dovi) race rec post

there's plenty to be said about the misano 2019 qualifying incident, but let's set aside the specifics for now (though, speaking of towing-related drama, marc had again during fp3 shadowed valentino around the track, which... why are you hounding this man in misano of all places, marc). the whole kerfuffle certainly didn't hurt marc's race performance, and it's fair to say he seemed particularly thrilled with that victory. obviously, these were pretty pointed celebrations, very in your face, big fuck you to the nation of italy and valentino rossi specifically. celebrations like this are important in both what they're signalling to the enemy and what they're signalling to yourself. if there's one thing you can learn from valentino, it's that a celebration is a public message, and can function as a statement of sorts about what the victory 'meant'. what's the story you're telling with your victory? what do you want to take away from this race? what do you want your opponents to take away from it?

misano that year had come after marc's struggles in last lap duels, with the two races directly preceding it featuring last lap losses to dovi and alex rins respectively. now, on the one hand it's not always catastrophic on a psychological level to be constantly losing last lap duels... because in marc's case they did help reinforce just how dangerous he was, where even at his weaker tracks he would hound his rivals until the very end. on the other hand, obviously it's preferable to have a reputation for winning last lap duels as opposed to losing them - not least because it adds to how intimidating you are when you are locked in another last lap duel. valentino of course had a reputation for being lethally effective in that sort of situation, and it's nicely helpful if your enemies assume they're fucked when you're in their postcode with around three laps to go. I discussed this dynamic a little bit in how it relates to the sete rivalry here and here, which links back to the discussion of how you exert psychological pressure on the track. some relevant excerpts, plus some of my race notes:

marc is obviously more than capable of adopting similar tactics in his racing, but the sete rivalry still holds up as a really good demonstration of the kind of rewards you can reap through a steady diet of psychological intimidation. this is why it's so important to keep an edge over your rivals: you want them to be haunted by the ghosts of all your past on-track encounters whenever you're fighting to the point where it's detrimental to their actual riding. anyway, let's quickly check who marc was actually fighting with during the last lap of misano 2019, and whether that might have had anything to do with why marc was so thrilled to get the victory. oh, the rookie revelation of 2019 and the guy marc quickly identified as the big big threat of the future, you say? poor little fabio quartararo who still hadn't won a race yet, but who marc managed to dramatically deny on two separate occasions that year on the final lap? getting in early on the mission of building up some crucial psychological baggage, are we now?

obviously, and pretty tragically, this future investment on marc's part has ended up being completely irrelevant (unless yamaha wants to do something so so crazy for me and build a functioning bike before marc's hair goes grey), but equally obviously none of us knew that at the time. and fabio was able to take away some positives from the misano experience:

“I knew he would try something, but you never know with Marc,” said the Frenchman. “He can overtake and pull away because I really don’t know if he really saved his tyre. “The good thing was I could overtake him back, and this going home gives me a lot of confidence, to say ‘he’s a seven-time world champion, but we can overtake him’. So, he’s a human like us.”

because that's what it's all about, isn't it. giving the opposition the impression that you're not even human - and, even if fabio is saying the experience gave him 'a lot of confidence', imagine how much more confidence he would've gotten if he'd won. also, check out fabio's comment about not knowing whether marc had been saving his tyre. that's why the 'fucking about before fucking off' approach to races is so effective: because of how it generates uncertainty, it generates doubt, it makes your rivals wonder even during races whether there's a chance you're just toying with them

we do have a bit of a sample size issue here when it comes to assessing marc's celebrations, in that his two last lap duels with fabio came a) in valentino's backyard, and b) when marc sealed that year's title. it means that if the celebrations seem excessive, there's still other plausible explanations for why marc was so happy to get one over the rookie that aren't related to trying to bully fabio into submission for as long as he still could. did marc really use them as a way of reminding everyone, including fabio, including himself, of who's really in charge? again, you'll have to draw your own conclusions

I'm doing my best not to cover anything that's happening this year too much, since this is the stuff I'm assuming people reading are basically familiar with. but of course, if we're talking 'pointed celebrations' then there's also a few from this year that stand out. this isn't to say that marc's joy at his ducati successes have been anything other than genuine, that he isn't happy or relieved or revitalised by his current season... but, well, part of being revitalised is also being back in the game where fighting for titles is concerned. take the jerez celebrations, ecstatic in spite of losing a tight battle, openly loved and adored by his home crowd. look at how he's done his thing repeatedly this year of engaging with all these crowds, getting them to celebrate with him specifically. a cynic might say it's a way of reminding his opponents that they might be winning right now... but they should never forget who the crowds have really come to see. which would be charmingly valentino of him. while marc (probably wisely) never went too far in mimicking valentino's unique style of celebrations, he is an avid enough student to understand the importance of the theatre of victory. like in his third ever premier class race (from the jerez post):

racing is one thing, but it's always important to consider how you're reacting in both defeat and victory. like valentino before him, marc prefers not to openly show his rage. like valentino, more often than not he will be publicly magnanimous in defeat. like valentino, he's not adverse to twisting in the blade a little further in victory. like valentino, he's very much aware of when a camera is watching him. with marc, you can also observe how determined he is to appear unaffected and unbothered by the effects of sepang 2015 on his public image (except in displays of very carefully managed vulnerability like marc marquez all in). there's plenty of examples of this, but most relevant here is how marc concerns himself with not being openly affected by fans booing him. take blowing kisses to the misano 2017 crowd after his warm up crash... which, looking at his post-race presser comments, whatever he may say clearly (and understandably) did bother him. likewise, see the glee of the misano 2019 celebrations. with those celebrations, he's trying to tell you that not only does it not bother him that they're booing, but instead he relishes it. the more they do this, the more he will win

one more case study before we wrap this post up, this time using a specific rival to illustrate some of his more common tactics and how the spats he gets himself involved in generally play out. said rival is alex rins, who especially in 2019 had emerged as one of marc's prime challengers. now, before we talk about any disagreements between those two, I do have to mention that rinsy has a bit of history with the marquez family (this from 2016):

in the end, dani stayed on for another year and was replaced by another ageing spaniard marc felt confident he'd have the measure of while rinsy signed for suzuki - so it's very unlikely marc had to play any active role in blocking him from taking the seat. that being said, obviously the main takeaway is the bad blood stemming from alex marquez's moto3 title campaign and how alzamora organised that team around the younger marquez. god knows how rins felt about this by 2019, but I doubt he'd just forgotten about it. there's also this from 2020, which to me reads as a little dismissive about someone who was your teammate in moto3? I don't know, judge for yourself:

anyway, back to marc. the 'biggest' incident between the pair of them was a coming together in qualifying at brno 2019 (one of the all time great qualifying performances from marc by the way, well worth a watch):

During qualifying at Brno, cameras picked up the end of a tense tussle between MotoGP champion Marc Marquez and Suzuki's Alex Rins. The pair were caught putting some close passes on each other before pulling into pit lane, where they continued to 'duel' - until Marquez reached out with his arm to put some space between their machines. Marquez then over swapped to slick tyres and romped to pole position on the drying track, with Rins claiming sixth on the grid. "It's a tricky thing because for sure [Marc] is now one step in front of everybody. He put the slick tyres and he was super-fast. But I think he has no respect for the other riders. He is riding on his way," said Rins. "I will explain to you what happened: On Corner 5, he went a little bit wide and behind him was Miller and me. When he went wide, he looked back and saw Jack and me. Jack passed him, but then he went back onto the line and sincerely he disturbed me. I was pushing. I was not super-fast, but I was pushing. "So on the next left corner I tried to do my line. He opened a little a bit the door and I go in. I touched him, but I think it's his fault; if he is riding slow he needs to open the door and that's it. But anyway, then on the last corner he braked super-hard to overtake me [back]. Then when we were coming into the box I was in front of him and I go straight and he has no space to go by my side. If I was him, I would cut the gas…" "I ran wide at Turn 5 and Jack overtook me because I checked behind and I only saw him, so I tried to follow Jack because I know he had good pace. Then I went a bit too wide and there was a small space, but enough and [Rins] ran into me…" said the Repsol Honda star. “The funny thing was when we entered the box and the tyre wall was there [in front of me] and I didn’t have the space [to get through] because he was going that way. I don’t know if that was intentional or not, but for me it wasn’t important. I lose zero time on these sort of things.” Told Rins had said he had no respect for other riders, Marquez responded: “Of course I don’t agree with this, it is his opinion." "It's not the first time," Rins had explained earlier. "Everybody knows Marquez and everybody knows that he has an incredible talent, but also what happened in FP1 with Vinales was more-or-less the same. Marc loves to play this game and try to get in the head of other riders. But in my case I'm really calm. I just tell the truth and that's it." Asked if he thought he needed to try and get into Marquez's head, Rins responded: "No, I don't think so…. For sure if I'm fighting for the world championship with him I will try to do something, but he's 80 points in front of me - maybe he's scared, I don't know!" Austin winner Rins, who has fallen in the last two races, is fourth in the world championship.

their most significant race clash was in silverstone 2019, where alex got the better of marc in a very dramatic last lap duel. I've heard journalists make vague reference to marc not taking that loss particularly well, though... again. hard to actually pin him down on a lot of this! but we do have more extensive comments rinsy provided in early 2020 to work with, and he at least seems to agree with that assessment:

"Marc is so good at these mental things, he plays a lot with all the riders," Rins told the official MotoGP website. "For example in Brno last year, I was on a fast lap, he looked behind at me and opened the line a little bit, but not too much. I was on the dry line and I touched him. I lost my lap, but I continued pushing. Then in the last chicane he overtook me so closely, we were so close to a crash, and then he went into pit lane. From that moment, I said to myself, Marc is considering me as a rival." Rins - who declared "Marquez has no respect for other riders" immediately after the incident - got his revenge in the form of a thrilling last-corner victory pass on Marquez a few weeks later at Silverstone. "Marc is the man to beat and the rivalry is so high," Rins said. "More in 2019, because I shared more moments on track with him. For sure whenever he finishes just in front of me, I'm a bit angry, I want to beat him. But also for him. I remember when I beat him in Silverstone he was so, so angry." Rins added: "I like this because it means that I'm doing a good job. Marc is an incredible rider, winning a lot of races and championships, and if he thinks of me as a rival, it means I'm there fighting him." Rins took two wins on his way to a best-yet fourth in the 2019 MotoGP standings.

now, yeah... the problem is that this is all very much hearsay (but no more so than plenty of similar comments valentino's rivals made about him!) and rinsy could just be lying about this or misinterpreting it or whatever. we are very low on actual evidence for the stuff he says here. if you watch silverstone 2019 and the aftermath, you will not see a marc who visibly looks angry - of course you won't, because he almost never looks visibly angry. unfortunately, we don't have the chance to grill alex on why exactly he was left with this impression. at the end of the day, like with valentino, when it comes to evaluating the honesty of a lot of these character references you will just have to make up your own mind. like with valentino, some of these men will either be exaggerating the extent of the harm or just straight up making shit up. then again, like with valentino, the number of people who do seem to have the impression marc was fucking with them maybe suggests that there is something to these allegations

just a few things to note here... to highlight some of the common features that tend to crop up in these marc incidents:

there's the accusation of lack of respect towards other riders - valentino is the one who most infamously made that accusation in the aftermath of argentina 2018, but of course he's far, far from alone in making comments along those lines. marc certainly has a tendency towards being... uncompromising in his approach, shall we say, which can at times lean towards treating his competitors mainly as obstacles and inconveniences

the anger that's being attributed to marc. which he doesn't tend to directly express towards his competitors off the track! but if he is angry, it may instead... seep into how he approaches instances where they share space on-track, as well as affect his general demeanour towards them

there's rinsy suggesting marc is known for playing these games, that he does it a lot, and he's also known for being very good at them... which again is often something we only hear about indirectly, but of course it's interesting if that's the general paddock consensus

there's also rinsy's insistence that marc's games don't bother him at all - he's just calmly noting that marc's engaging in them! again, it's quite hard when you're familiar enough with valentino's oeuvre to not be slapped in the face with the similarity in some of the rhetoric their rivals use. doesn't mean all of these different dynamics are directly analogous, but it does speak to how determined the rivals in question tend to be in... y'know. telling themselves that they're above the whole thing. unfortunately, sometimes it is just very, very hard to be unaffected... and sometimes you're already losing by talking about it, because it shows you've been thinking about it

which, check out marc's response. 'oh, obviously I don't agree I lack respect' 'ah, I lose zero time on these things' (for another example of him using similar language, you could of course look to his comments about bez last year in valencia). this is marc's go-to - he generally quite likes to deny the existence of a problem, makes it sound like the whole thing is very one-sided... he keeps his distance and can maintain his poise and this veneer of neutrality, where he is not causing any drama. maybe the other guy's just imagining things! that's really not marc's problem, is it now

lastly, you've got this notion of marc messing with other riders selectively, and specifically doing it when he's identified you as a potential threat. again, maybe you think alex is reading too much into it! but equally, it's worth noting that we have as much evidence for marc messing with rinsy as we do for, say, valentino messing with casey in practise sessions in 2006 (as casey's autobiography claims). it would have been completely competitively reasonable for marc to identify alex rins as one of his primary threats in the future... and it would also not be hugely surprising if marc wanted to maintain a psychological edge over him

incidentally, at 2020 jerez rins and marc had another little run in during a practise session - where alex was left 'visibly frustrated' after marc was slowing down on the racing line while rinsy was completing a flying lap, which he ended up having to back out of. this denied rinsy direct entry into q2 (though marc didn't end up being penalised for it). of course, marc's jerez race reached an unhappy conclusion and rins was too injured to even start it, and after that they've never been even remotely close to fighting for a championship. though there's still a little bit of needle between the pair of them, mainly resulting from how rinsy ended up joining lcr honda in 2023 after suzuki departed the scene. there's marc's reasonably innocent comments in 2022, on a day in which rinsy won another last lap duel for the victory in phillip island:

"I will not give any advice," said Marquez. "For me it is another opponent. It’s good that joining Honda is one world champion [Joan Mir] and one rider that is winning races with another manufacturer.  "Like this we will see exactly the level. I’m working really hard for the 2023 project with Honda and they are working really, really hard too. I don’t say I wish [him] the best. Let’s just go and see. He is another opponent, if not it would be fake’."

or here, take this from before mugello 2023, again mostly innocuous:

By contrast, Marquez believes Mugello is one of Rins’ best tracks and he wasn’t surprised to see the COTA winner at the sharp end. “No [I’m not surprised], because Rins, even with Suzuki, had 5-6 circuits where he is very fast and then others where he struggles more. Normally here with Suzuki, he was very fast and very consistent,” said Marquez, whose only premier-class win at Mugello was back in 2014. “He is really good in fast corners so, for example, in Le Mans he was struggling more than me and here he is very fast. It is good for Honda and Honda riders that someone is faster because like this you have more chance to look and compare the things.”

love being told I have "5-6 circuits" where I'm very fast. or take rinsy's innocent surprise that marc didn't end up winning at the sachsenring, and how he suggests it was maybe because of all the pressure marc had been feeling:

"It's hard, it tastes very bad to me because Marc has a fucking talent and it's not being easy at all,” Rins was quoted by DAZN. “But hey, in the end you have to turn the tables, you have to win, you have to build a winning bike. "Damn, I thought that Marc would also win in Germany. What happened? I don't know, I have no idea. Pressure, extra pressure, I have no idea.”

and then, of course, there was always that little hint of tension that came as a result of rinsy being honda's only race winner that year, at marc's beloved cota of all places... which became a bit of a discourse point (not always propagated by rinsy) to say that, hey, maybe the honda wasn't so bad after all... anyway, here's what marc said when rinsy signed for yamaha:

Repsol Honda rider Marquez was asked about Rins’ departure and answered: “I had an interview, they asked me about this rumour. I said ‘I don’t think so’ because Rins won a race and he said ‘it’s a good bike’.  “So I didn’t expect this move. But then the day after! I’m happy for him, it’s a good move, he’s moving from a satellite team to a factory team. Yamaha has power and energy from the past.”

marc had said 'surely not' but then the very next day he was left shocked and taken aback! he'd thought rinsy loved the bike so much! he'd thought rinsy felt it was actually a good bike! he'd thought rinsy would never want to leave! how unexpected this whole thing was to him!

(there was also talk about rinsy's unhappiness at how honda treated him and his development feedback - but as there is less than zero evidence marc had anything to do with that, let's leave it there)

did marc really behave differently towards alex rins because he saw him as a threat? probably! possibly? probably! but he hasn't really felt the need to say as much. sometimes, you can fuck with people by staying silent, and sometimes you can fuck with them just because you have a reputation for mind games - which marc, like valentino, has acquired over the years. ideally, your on-track plus off-track presence gets to the point where you don't really need to do anything and can let your opponents engage in shadowboxing while you can spend your time in more useful ways. think of that excellent clip from motogp unlimited where poor joan mir complains about marc's towing, freaks out when he realises the press has said he's complained about marc's towing, and then goes to explain to marc how he hadn't actually complained about marc's towing. and marc, with the air of a man who has been high on painkillers for the past week and hasn't given joan much thought beyond contemplating how well he'd pair with potatoes, graciously accepts this explanation - which joan is painfully, obviously relieved by. marc wasn't playing any 'mind games' in this clip, he was just standing there. but sometimes that's all you've got to do! call it a good return on prior investment. (partly this is also just a result of the status the sheer extent of marc and valentino's successes provides them and, relatedly, their power and influence within the sport.) here, from one of oxley's books:

Once you've established a reputation for trickery, you can confuse people without doing anything. At this year's [2009] German GP Casey Stoner accused Rossi of attempting to confuse his rivals by scrubbing the white sidewall paint from his front slick; the paint denoting Bridgestone's softer compound tyres. In fact Bridgestone had run out of white paint (no, really), but the reality didn't matter because Stoner was sat on the grid, convinced Rossi was playing tricks when he should've been getting himself in the zone, focusing on his race.

that's the ideal, right: you don't even have to do the dirty work yourself because it's the reputation doing the work for you. marc inspires a similar effect on riders, where he just gets them to the point where they're spending way too much time hyper-analysing whatever he's doing at any given moment. which means that he doesn't actually need to be trying to fuck with anyone for the effect to still be the same. free and easy, what's not to love

so, that's it, more or less. all the on-track stuff, from 'how to build up an intimidating presence 101', to just being extremely annoying in non-race sessions, to trying to mess with your teammate, to more generally how you go about handling disputes with other riders. managing your motivation, their motivation, everyone's motivation. of course marc's not quite scaled the heights (yet) of cursing another rider to never win another race again - which, hey, nobody's perfect, but I think he's built together a fairly decent resume for himself! there's plenty more stuff you could get into here, c.f. 'everything that's been going on with ducati internal politics this year'... but this post is more than long enough, and you can follow all that stuff while it's actually happening. a few more related topics I've deigned outside of the scope of this post include how he generally manages perceptions of himself and his performance potential in ways that aren't targeted at any specific rival, for instance how he talks about his injury and has a tendency to change his tune depending on what's convenient at any given time, or how in the past he managed perceptions of the competitiveness of his honda package. likewise, I also haven't discussed the actual success rate of these tactics: let's not forget that trying to fuck with your rivals doesn't... always produce the effects you want it to. (sometimes just in kind of dumb ways, like I get messing with the rookie sensation but please try not to crash when catching a tow, marc. "marc clearly tried to get into fabio's head and I think he hit his head himself quite big." "so, I think it's karma. fabio's on pole and I hope marc is uninjured of course. but he tried to get in his head because he knows fabio is fast." not ideal!) but, hey, the most important thing is he's trying hard and having fun. or something

because that's the thing, right. when you are attempting to exert psychological pressure on your opponents, when you're trying to weaken your rivals, inevitably this also has an effect on you. there are athletes who prefer to completely ignore their opponents and act as if they are essentially competing on their lonesome. neither valentino nor marc fall into this category. as a result, how you behave towards your rivals inevitably also becomes at least in part about motivating yourself. you are attempting to focus your mind in some way - whether it is to see your rival as an enemy or to simply distance yourself from them or otherwise. you may even be minded to treat your rival particularly warmly, knowing they are less likely to give you grief if you have ensured the interpersonal relationship has remained amicable... maybe even looking for a slight psychological edge if they are not sufficiently motivated to beat you. maybe that too is about managing your reputation and drawing a line under past unfriendlier rivalries, to distinguish your most beloathed rival from all the others. you may need to find a way to keep the fire within going, to reinvigorate yourself even in periods of relative competitive tranquillity by giving yourself something to be angry at, a reason to fight and to win out of spite... finding reasons to care, again and again and again. celebrating with exuberance not just because you are genuinely filled with joy but also because you need to be filled with joy - so that you can find it within yourself to keep fighting. there's never just one brain involved in the arena of psychological warfare. to succeed in sports the first person you have to play mind games on, after all, is yourse- *gets taken out by sniper rifle*

[softmagenta]

Greetings!

I just recently found out about the vn Magenta but OH LORD do I love it and Zu! (words cannot describe how much I want to smother that being in kisses and hear him purr) but I have a few questions- about permission of course (more specifically 2) 1. Fanfiction- I enjoy writing and I would love to write potential fanfiction about the characters- are there any limits set? (like no smut or overall no fanfiction) because I sadly couldn't find any AO3 fanfiction abt this masterpiece and from replaying the games a few time many ideas pop up.

and 2 is a tad bit more personal and it is CAN I MAKE A PLUSHIE OF ZU.

I do NOT want to sell it anywhere but I want to smother this android in smooches and dress him up so badly it is diabolical again- it is all up to you I will respect your decision either way :-]

hello!!!!!!!!! <3 sorry for the late reply! I'm so happy to hear such warm words, it lifted my mood SO much when I read your message I don't mind any form of art you do, it can be a fanfiction, a toy making, a fanart, anything you can think of - but the problem is that the game is only released as a demo, and 80% of the plot is still unreleased and .... yeah ... there's not that much info in the demo you can write something if you want it, but I hope it won't be awkward for you when the full game is out, and a lot of details of the plot are different from the demo ... but if it's okay, then it's okay :D you can text me in private messages if you need any plot information!!!!!!! the design of zu hasn't changed much, only some small details, but it is a bit different in the full game. and if you're okay with that - that's cool :D lol actually i can post it right here so you can have a reference

[sonoftydeusthemusical]

My friend has never heard of Diomedes before; how would you describe him? Like his motivations, his way of thinking, his strengths and weaknesses, his relationships, major plot points?

(I would explain him myself but I'm still not that far in the Iliad.)

Hello, thank you soooo much for this ask and sorry for the late reply!

First of I want to say that we’re by no means experts on Diomedes. We’re still in the process of learning more about him and discovering and exploring him through this musical, so people with a background in ancient studies might have a more detailed/accurate analysis of him than we can provide at the moment. But we still try to answer you to the best of our abilities!

(You’re welcome to correct us in the comments/reblogs ^^” )

In the words of @holy_mother_of_whumpers:

Diomedes kicks ass more than anyone in the Iliad, is scolded more than anyone. Odysseus best friend (according to historians). Shitty childhood (incest, prophesies and and a lot of dead relatives, which is almost as ancient Greek backstories go), shitty post Troy (banished from his city, cursed by Aphrodite). Actually happy ending (founder of cities, immortalized by Athena).

He’s like Odysseus, but with an unbelievably tragic childhood and less disaster energy. He gets stuff done and slays doing it

But here’s our answer…sorry if this is turns out too long!

Starting out with your question about his motivations

Oath bound, Diomedes avenged his fathers death at the age of 14, sacking the city of Thebes (the epic surrounding it is called “Epigoni” but unfortunately it’s a story lost to history, also he was 4 when he took the oath, should that count rly? shouldn't there be an age of consent for oaths? anyway)

The story surrounding his fathers death is tragic and a bit disgusting (he ate brain and Athena who wanted to gift him immortality was too disgusted to do so)

Diomedes doesn’t remember his father, and he still gets compared a lot to him (just see Agamemnon low-key trash-talking him by stating how much of a better fighter his father was to motivate him for battle) so that kind of plays into his motivations

Additionally like so many other heroes, glory and honor are definitely also motivations of his. Often it is Athena who pushes or motivates him to many of his greatest deeds and other feats (like wounding Ares, throwing the spear at Dolon, beating everyone in the funeral games,…..yeah Athena HATES loosing)

What’s interesting that despite the fact that he was raised on war, later on – after Troy (and admittedly, even more warfare) – he’s said to have wanted to settle down more, founded his cities in peace (or as peaceful as life for kings was back then haha)

In the Iliad Diomedes is always the first to volunteer, and despite often getting treated rather badly (Nestor kicked him awake, my boy was even sleeping in his armour, Agamemnon calls him a coward) he tends to keep a cool head and doesn’t retaliate (…except that one time….or two?) BUT he also definitely doesn’t take BS, he calls out Agamemnon for being a bad leader when he suggests to leave (Diomedes insists they stay and fight until they won)

For his way of thinking…he’s rather pragmatic, a good strategist (mentored by athena), first to jump into the fray, trusts his own strength, knows when to back down/when to talk back, can get caught up in the heat of the moment in battles, doesn’t shy away from violence, lies & trickery…. (correct me on this if I'm wrong or missed something)

Strengths & Weaknesses

One thing that makes him stand out among the other heroes is that arguably, he’s one of the few greek heroes whose lives don’t end in a complete tragedy because of his hubris against the gods (…….wellll………..his wife betraying him after he injured aphrodite and being exiled for arogs is an instant where he still pays for his acts against the goddess, but its tame compared to many other heroes fates, who committed lesser crimes) and in the end he even gets deitified (or at least in some versions, like athena wanted to do with his father, but his father messed upppppp so…..)

He’s more level headed than many other heroes (cough Odysseus “i am in the infamous odysseus” King of Ithaca)

He’s one of the best fighters - or THE best fighter of the greeks next to Achilles, the trojans were more scared of him than of Achilles (….since Achilles didn’t fight) without him the Achaeans….would’ve probably lost the war

As for his weaknesses….one thing is something that’s not even within his own control: his young age (compared to the other kings), almost nobody realllyyyy respects him despite his badass deeds on the battlefield and good battle advice, his many ships he brought and his battle experience even before the war and two) the kind of lingering shame of his fathers final moments (nom nom brain, and failing to take Thebes), but also his fathers supposed greatness that he keeps getting compared to and has to live up to

Now…..his relationships…oh boy theres so many, I’ll try to sum up the most important ones I know in once sentence for each

His family:

His father: he doesn’t remember him, but people keep bringing him up and comparing him to him

We dont know much about his relationship with his mother

most…of his other (male) relatives die in his early youth (which is how he ends up as King of Argos) like his grandfathers, and his uncles…

The achaean kings:

Agamemnon: the boss who’s a bully, but Diomedes talks back to him sometimes at least (…unless he’s insulting him, he just accept that)

Ajax: Diomedes almost kills him during the funeral games….the acheans have to break up the fight

Achilles: Diomedes doesn’t like him, Dio is the only one who wants him punished for killing Diomedes cousin that everyone else hated

Odysseus: LOTS of tea to be found here (he seems to see Ody as a mentor figure and keeps picking him as companion for missions, they both have Athena as their patron goddess but while Odysseus leans a little bit more on the wisdom part, Diomedes leans more into the pure strength of battle, they work well together and have a bunch of missions together)

Comrades

Most noteable are Sthenelus (known him since early childhood) and Euryalus, who are with him in Troy, they were part of the Epigoni (its rly a long story)

His wife: is his cousin, he marries her to strengthen his rulership, in the end, its said that she betrayed him with a new lover and exiled him from his own kingdom (another long story)

Glaucus: they met on the battlefield and realized their grandfathers were bro’s so they didnt fight each other, and instead exchanged armours (but Diomedes got the better, golden armour, while Glaucus got the bronze armour..)

There is sooooo much more to say about him, all the stories of the Iliad, the events before AND after it, his relationship with Athena, etc. I barely scratched the surface here so maybe we have to make a whole series of posts about this one day so we can get more into detail because its so much! (Let us know if we should???)

I hope this answered some of your questions, though! And again thank you so much for your interest and apologies for the late reply!

[yandere-sins]

Okay guys, I have some juicy ideas and I don't know anymore which I want to do first. They've been in my drafts for so long, so imma describe them very badly to you guys and you decide which one should be the first lucky one to be written next when I get some time to write again:

edit: the one with the cook says (not) at the end, idk why that was cut...

[bibbibib]

Peeta's amputation

One of the things I really wish we'd gotten more information for in the books was the impact of Peeta losing his leg. On himself, on his habits, his reactions, anything really. We don't even know how badly he took it because around that time all Katniss was able to describe was him (understandably) being just happy to have survived it all along with her, plus he was putting on a brave face throughout the interviews, and maybe even in front of her so she would feel less guilty. And, I get it, most of the stuff I'm going to mention is just slice of life and maybe not that important as plot points, but I find them super interesting, for the perspective if anything.

Would Peeta's self-esteem take another deep dive after that? With everything happening during that time (moving out of his parents' house, his falling out with Katniss, being viewed differently by the rest of the district, living alone and possibly lonely, his romantic hopes crushed, PTSD from the Games, etc etc etc) he had a lot of triggers seemingly supporting those thoughts of being useless and uneeded and generally not good enough.

It's so frustrating to lose a limb and have to basically relearn everything from the beginning. How to navigate stairs, how to get in and out of a sitting position, how to balance and not tip over, stuff you've been doing esentially your whole life. And Peeta was athletic, he worked manually, he trusted himself to be capable of doing physical things, so that might have hurt a little more.

How about medical complications? From weird sensations to nerve pain, possibly phantom pains, everything related to his prosthetic leg (which, depending on the type, can get uncomfortable in sooo many ways, especially since he's still a teenager who's growing). And he was dumped at a place with basically no medical care at all, let alone anything specialized. Which, ok, was part of everyone's life in D12 already, but it must have still left a bitter taste... There was no one around to know much about his state, (exept maybe Ripper the liquor seller) and he had to make do on his own.

What if the Capitol had chosen his prosthetic more for aesthetic functions and less for functional? @whenthewallfell has a fantastic post about it, complete with illustrations!

Peeta's artificial foot getting tangled in the vines in the second arena and impeding his ability to run was no funny business. With prosthetic legs, there's usually different kinds for different functions. Your average foot people use to be able to walk is stiff and does a horrible job at supporting these sorts of activities. That's why equipment like running blades exists for amputees who want to be running and jumping. And you have to switch to that before the activity! Peeta apparently never got one. Even if he had, he would have to carry the alternative equipment around in the arena.

Speaking of that, even with a single type of artificial leg/foot, adjustments are frequently needed throughout the day. Most people as far as I understand remove the prosthetic to sleep, but also ball -and-socket models at least move around and need to be put back in place because it gets uncomfortable (sleeves -stump covers- sliding down, etc). The fact that Katniss never mentioned anything like this means that either he was actively not doing it in front of her or she just doesn't wanna talk about it (or maybe his leg is some fancy Capitol tech that doesn't work that way?)

Also, he's got to be hungry. All the time. He needs more food after the amputation, because the rest of his body is compensating for the lost limp and he has to use different muscles/nerves/tendons/etc. that are not designed spesifically for this. The same thing means he gets tired more easily. So Peeta being that active and training for the Quarter Quell while battling insomnia and nightmares with an amputated leg? Even harder than we thought.

[vasito-de-leche]

I have some thoughts in my mind lately in the Self aware au R1999 (I'm invested so badly), I was wondering are there any arcanist that resented the player maybe at first or still having resentment on them? Because if the player wasn't there they would be " free " (which I would doubt since there are many players and it would still happen nonetheless but just speaking from there perspective) did they just helplessly or casually got over it after some time and accepted the fact it was a game I mean they were levelled up by the player,the player was the reason why they were getting stronger and winning every battle but I have a feeling some arcanist would have some doubt in them since everything was just a script in the first place all the things that happened to them were meant to happen for the plot, I don't about how to reach when they find out that the player was a human though.. But just like earlier if the player never was here then they would be " free ",they wouldn't know it was just some game (they gonna go bree since they wouldn't exist)(RAHHH I might have wronged what I said in this😭 I just have a thought in my mind about them doubting, feeling frustrated and all...Btw I am badly down bad for your writing 💜💜💜 I admire it so well.. 🥹🫶🫶 can I get a hello Please.. ?💜🥹💜 I'd go crazy being noticed on a writer I admire)

hiiii helloooo hola bonjour and many other greetings o7 really glad you like my writing!

your question is very broad, so I can only make a quick list to categorize all the characters and how I think they'd feel overall towards the Player within this AU! since you only mentioned arcanist, I assume you mean the playable characters only, so that's also the group I'll be tackling

I don't have a good grasp on every single character, so some of these are subject to change as I learn more about them too o7

It's very, very complicated.

Vertin. Door. Mesmer Jr. Bkornblume. I consider these characters to be "outliers" in terms of how they perceive the Player--in the sense that their opinion fluctuates and varies a lot, so they cannot be easily labeled in any of the other categories. They're contradicting or find themselves at odds with themselves, seeing the figure of the Player and everything the Player represents as positive and negative influences simultaneously. To them, you're a close friend and a distant stranger, a saviour and a harbinger of ruin, a source of knowledge and the end of everything--you're all of these, all at once.

as for the rest, I only described the opposite ends of the spectrum and the neutral category!

Extremely resentful and hateful

Desert Flannel. Erick. Mondlicht. Oliver Fog. Pavia. Sonetto. Sweetheart. This one is pretty straightforward--these are the characters who are defensive, who feel like your mere existence is mocking them, who have gone through so much and feel humiliated to know you're casually looking at them from above, so out of reach and superior and unbothered by their pain. But also characters who are combative or quick to identify you as a threat, such as Pavia and Sonetto, because you go against everything they believe in.

Stressed, requires a lot of time to get over it

AliEn T. Bette. Bunny Bunny. Charlie. Ezra. Kanjira. Matilda. Pickles. Ulu.

Mostly troubled, but open to change

6. Mr. APPLe. Darley Clatter. Diggers. Druvis III. La Source. Lilya. Melania. Ms. Moissan. Poltergeist. Zima

Neutral, indifferent and/or unaffected

Baby Blue. Click. Dikke. Jessica. John Titor. Rabies. Sputnik. Tennant. Tooth Fairy. Twins Sleep. These characters remain neutral, but do not confuse their indifference or lack of reaction for ignorance. Some of them aren't quite lucid, conscious or old enough to fully understand their surrounding, such as Rabies and Twins Sleep, but I would say the rest are grounded enough as to not let a figure such as the Player affect them in any intense or extreme way. Some of them simply don't care because this entire reveal doesn't exactly change their routine nor perception of the world. Some are choosing to remain neutral until they gather more information to form a solid opinion.

Mostly curious, but open to change

A Knight. Cristallo. Kaalaa Baunaa. Ms. NewBabel. Necrologist. Satsuki. Spathodea. Voyager.

Eager to learn, requires a lot of stress to be affected

37. An-an Lee. Centurion. Eagle. Horropedia. Leilani. Nick Bottom. Shamane. Sotheby. X.

Extremely intrigued

Eternity. Medicine Pocket. Ms. Radio. ONiON. Regulus. TTT. The Fool. Regardless of how your existence affects these characters, their curiosity and the new opportunities and possibilities you bring along are much more important to them. These are characters who seek to profit from you in some way, who see you as a fascinating subject to study, who may even relate in a way to the role you play as the Player, who may pity you.

[mythrae]

On the Lowest

Summary: Sworn to secrecy, you and Gale relieve a bit of stress during a midnight tryst. (aka Gale Dekarios fucks)

Word Count: 2k

Warnings: 18+ (minors do NOT interact), smut without plot

Author's Notes:

Thank u all for voting in my tumblr poll I hope this is to your liking

Tav is described as having female genitalia

This might be a little OOC for Gale but I definitely see him as a switch kind of guy, he's just a little more of a top in this bc ya girl is a bottom

I haven't written smut in a LONG time and this isn't beta'd so please be kind

Click here to read on AO3 :)

Usually, you never mixed your business with pleasure.

It was a dangerous game, one you knew all too well. You found yourself often thinking with what’s between your legs rather than between your ears, and in an environment where you’re working closely with others, it can lead to many awkward situations with your companions. So awkward, in fact, you feared that someone could potentially leave your party over it.

But there was something about the Wizard of Waterdeep that made you want to risk it all.

You had taking a liking to Gale ever since he joined your party. Kind, intelligent, powerful, he was a formidable ally, and a good companion to keep around.

But he first intrigued you in that way while fighting through the Shadow Cursed lands, after a particularly tough battle. Gale had made a comment to you about how he read that a brush with danger may have an effect on one’s desire for… other forms of stimulation.

He understood when you told him that you weren’t looking for a long-term partner, especially with the dubious task of removing the tadpole in the forefront of your mind. But, as long as the two of you kept it a secret, you supposed there was nothing wrong with having a little fun and releasing some of your stress.

***

While the rest of the camp slept soundly at the Last Light Inn, you you found yourself tip toeing out into the night. Placing the pixies bell in your pocket, just in case, you walked on the outskirts of the safe haven, until you found the make-shift bridge made from rocks. You leaped across, being cautious to not slip and fall into the rushing water below. 

As you entered the Shadow Cursed lands, you cautiously made your way up the stairs, hand on your weapon just in case. You approached the abandoned house, the perfect size for 

“Hello?” You called out, hoping and praying no one else was there.

You approach the bedroom, pulling back the heavy curtain that took the place of the door. Gale was already lying on the bed in his camp clothes, a small candle burning on the nightstand next to him.

“Ah, there you are.” He said, sitting up on the mattress and standing to greet you. “I was starting to worry the Shadow Curse had gotten you.”

You reach in your pocket and show off the pixie’s bell as you stand in front of him. Your heart beats a little faster in your chest — it’s been a while since you’ve done anything like this. Would tonight make you feel satiated? Or regretful?

“A wise choice.” He commended as you stuffed it away. ���You never know what dastardly creatures could be out here, you know.”

“What, like you?”

“Precisely.”

He wasted absolutely no time, leaning in to press his lips against yours. He kissed you feverishly, like a starving dog lunging for a piece of raw meat. You could taste the fine wine from dinner left on his lips, and you felt yourself slowly getting drunk off him. Your knees grew weak as you feel his hands rest at your hips, your desire slowly starting to build between your legs.

You rested your hands at the nape of his neck, a shaky sigh escaping his mouth as your fingertips trailed down his spine. Hells, you knew the man was touch-starved, but you didn’t realize how badly…

You nibbled at his lower lip, enticing a soft moan from the wizard, his fingers digging into the soft flesh of your hips. He pulls you closer to him, and you can feel his arousal straining through his trousers, begging to be freed.

He broke the kiss, panting heavily. “Lie back.”

You followed his command, falling back on the soft mattress as you gazed upon his face in the candlelight. 

Dare you say, he looked very handsome kneeling in between your legs.

His fingers made light work of your trousers, untying the laces and pulling them off swiftly to reveal your underclothes. He placed a soft kiss on the thin fabric, playfully nudging at your clit with his nose, sending a dull wave of pleasure rolling through your body. You heard him breathe in deeply, taking you for a bit of a surprise as you propped up on your elbows to watch him.

“Getting a whiff of my natural musk, are you?” 

Gale let out a light chuckle, tugging off your underwear with his teeth to expose your fragrant heat to him. “Darling, there’s nothing I need more.”

Lifting your legs to rest on top of his shoulders, his mouth is on you in an instant. He couldn’t wait another moment, he had to taste you now.

You feel his wet tongue delving between your folds, lapping hungrily at your essence. Your fingers snake through his locks and grip tightly, the coils already tightening in your lower belly. Gods, how long had it been since anyone had touched you like this, let alone tasted you? You weren’t sure, getting lost in the divine sensation of Gale burying his face in you.

Whatever he was doing with his tongue must be enchanted, the way he’s making you feel right now.

Your breath hitched as you sensed two of his fingers toying at your entrance, his brown eyes looking to yours for permission. You nodded, biting your lip, as he gently pushed them inside you. A moan slipped from your lips, enticing him to move his fingers faster, more rapidly, as your eyes rolled back in your head.

Gods, this is too fucking good, you thought, tightening your grip in his hair and almost pulling Gale out from between your legs.

But the wizard was much stronger, the fingers of his free hand wrapped around your hip and keeping you in place. His ministrations continued as you felt him suckle at your clit, your hips bucking his face in response.

“Gale…” you moan softly, afraid that even though you were out of earshot, the others would still hear you.

His mouth moved away from your folds, “Yes, dear? What is it?”

The ache in between your legs intensified. His two fingers thrusting inside your sex weren’t enough to satisfy you. 

No, you needed all of him.

“I need you. Inside me.” You stammered, embarrassed to beg for him out loud.

“Ah ah, use your words,” he demanded, his fingers slipping out of you. “Tell me, what do you want?”

“You…your cock.” You confessed, bashfully.

“Mmm,” he hummed, kissing your sex one final time. “Eager, aren’t we?”

His hands move to both your thighs, lifting them from his shoulders and pushing them back onto your chest. He stood over you, quickly stripping himself of his camp clothes. You watched him intently, your eyes gazing upon his form. He was lean, but fit, almost as if you were looking at the body of a God. With the sigil in his chest glowing bright, it would be easy to mistake him for one.

As you watched him slip off his trousers, you were a little shocked at how... well endowed Gale was. You had a feeling he would be, but to see it with your own two eyes was quite the treat.

He held on to the base of his cock, stroking it as he lined himself up to your slick entrance. He looked to you, searching for your consent to sink himself in you.

You don't hesitate, nodding quickly, nearly pleading with him to fuck you already.

His slowly slides himself in your wetness, both of you letting out a delighted sigh as the two of you became one. His hands grabbed your hips, digging into the flesh as he sheathes himself in you. He didn't break his gaze with you for a single moment, his eyes growing darker the deeper he went.

"Don't be gentle," you whisper as he fills you entirely for the first time.

He lets out a groan, his breath hot with desire.

You hear him mutter something under his breath, but before you can make out what he said, he leans down, pressing a kiss on your forehead before he thrusts himself back out, only to snap his hips into yours with full force.

Nine Hells, he's like an animal.

You cry out as he pounds you relentlessly, skin slapping on your sensitive nub over and over again. The same magic that enchanted his mouth and fingers must have been at work again, the way he nearly had you at your climax so quickly. He knew it too, a small smile forming at his open lips as he reached for a clothed breast, wrinkling your shirt even further as he kneads it in his hand.

Your eyes closed tight as you turned your head away, the pleasure taking you to a different realm entirely. Sweat rolled down his brow as he continued to rock into you, his hands moved to cradle your face and spinning it back to face him.

"Look at me," he ordered, "I want to see you fall apart."

You locked eyes with him as the coils in your lower belly continued to tighten, your body beginning to shake as the hot white feeling welled up, begging to explode. He kept on hitting that sweet spot deep within you, over and over again...

You took his thumb in your teeth as he rubbed it against your lips, sucking on the digit as your eyes still focused on him. You felt his hips began to stutter, he was close to his own release. Your teeth scraped against the pad of his thumb, inciting a gasp from his lips as he bucked in response.

Oh, hells, you were done for.

You felt your walls quiver around him as you finally gave in to your climax, hot waves of pleasure coursing through your body as your vision went blurry. Gale's thumb slipped out of your mouth as he felt you around him, pulling himself out of you as you felt his hot seed pooling on your lower stomach.

The two of you panted loudly as you came down from your conjoined release, holding each other's gaze. His eyes were no longer darkened by lust, but looked rather... warm. As if he was looking upon a long lost lover.

The thought made your cheeks flush for a moment, but you quickly shook the feeling away. You didn't have time for romance, for relationships, not with the fear of ceremorphosis at the front of your mind. Removing the mind flayer tadpole was your only priority.

And yet... the thought of Gale holding you close at night didn't seem like the worst possible outcome.

"Are you all right, dear?" He asked, brushing a stray hair behind your ear.

"I'm fine," you replied, leaning your head in the palm of his hand. "That was... wonderful."

He smiled, rubbing your cheekbone with his thumb reverently.

"But don't forget, this stays between us, all right? Keep it on the down low."

"On the lowest, darling." He smiled, moving his hand to create an X over the orb in his chest. "You have my word."

***

“Thou hast now a bosom companion.” The voice of Withers wakes you from your slumber with a jolt. “Take care that thou art not distracted on thy quest, seeking the comforts of the flesh.”

A moment passes between the two of you. You’re wondering as to why Withers was standing right above your tent, let alone why he would seek you out in the first place.

Then, the words of his message become clear in your mind.

“… excuse me?” You ask, bewildered as to how he would know what happened between you and Gale the night before, especially when they weren't even at camp when it happened.

“Recall that in time, all becomes dust and bone.”

Without another cryptic word, Withers turns and stalks away, leaving you alone to your very confused thoughts. There was only one response you could give to him:

“… okay, Bone Man.”

[divineerdrick]

Homestuck: Beyond Canon Up8 for July 25 (?) 2024

Well that was fast!

I have to admit I started seeing spoilers to this alerting me it was up first, but I was one of the people that got bit by the bug where it wasn't updating. But I switched browsers and it seems to be working now.

Though we don't have a time update, this is obviously wearing on Vriska. I wonder just how long she's been doing this for.

"i, wANT,,,, tO PLAY A GAME"

We could argue Vriska was already doing that. In fact from the way the proceedings have been described that's exactly what she's been doing. But of course, we know what game Tavros wants to play.

Wait . . . does Vriska not even know that much about Tavros? Like, I knew given the chance he'd want to play fiduspawn. Does she really understand him that poorly? Wow.

Huh! It looks like they actually FLARPed. I would have thought for sure Tavros would have wanted to play fiduspawn instead. Maybe he was worried Vriska would rag on him for it? He also could have chosen FLARP because he knows Vriska likes it.

Oh wow! Is she going to realize it? Winning was never the point! Tavros had fun this time! It's obvious that she was so worried about beating him and the "session" making her do everything again, that she pulled her punches enough for him to enjoy himself. He got to actually enjoy the game he was so excited about!

And can I say, it's always nice to see Tavros happy.

By accident, Vriska ran the game in a way they could both enjoy. They could both have fun! Will she realize that's why things are going well though?

She's not grasping it. As Sally "thewertsearch" realized in her ongoing liveblog, winning is life or death to Vriska. It's impossible to be fine with losing, let alone happy about it. That's been beaten into her so badly, is she even capable of realizing there's another way?

"That is quite possi8ly the gayest thing I have ever heard someone say, Nitram." Wow! Is she using gay as a slur? Been hanging around Dave too long!

Yep! We can blame Dave for that one!

Hah! You catch on fast, Nitram! And just like that, Tavros has turned it against her.

Yeah, she's not getting it. Yes, Alternia is stacked hard against Tavros. And he can't seem to do anything about it. And nothing Vriska did ever helped him. And if it weren't for SGRUB, he'd probably be dead. So what? He's just supposed to mope and be angry and miserable all the time? He's not allowed to find joy or pleasure in things? And as we saw, he does feel down and depressed a lot. But that doesn't mean he's always going to be that way, especially if he just did something he enjoys doing.

Wow! There's a deep cut. That was like all of one panel where it showed Tavros struggling with getting into his recuperacoon and mentioned how he always had trouble sleeping. I don't think it ever got brought up again before now.

Yeah, this Tavros may be pretty accurate, but he's apparently still a construct. Of what, I'm still not sure. But again, the machine holding The Plot Point was created by Caliope and Roxy. I mentioned how strong that could be previously. So Tavros can tell Vriska the point, and still be unaware of what any of it means.

"I think if a certain uppity human was here, she'd call it 'projecting.'"

She did spend a lot of time around Rose. Man. There's some real potential for verbal sparring that we missed with the Retcon's time skip.

The Rufioh comparison is actually pretty apt. The "Tavros" Vriska is expecting or demands doesn't exist. She's never thought of him as anything but another goal, another game to win.

Man, that probably would have helped Tavros quite a bit to know she's always been a mess. Vriska has never had the positive self image she projects. It would have likely been quite a relief for him to understand just how fake her bravado often was.

I think Vriska might be starting to realize Tavros is right. Not only is he right, but what he's suggesting might actually be what this "scenario" demands of her.

And now Tavros is ribbing her about playing a blue blood. I've always guessed that Vriska bought into the hemospectrum more than she let on. If only because so much of her world view was shaped by Alternia's demands.

Vriska's turning this around again. Potentially quite viciously. But Tavros isn't rejecting it completely either.

Bam! There it is! Now I'd note I still don't think she's fully listening to him, but she actually did try this time. And yeah, her realization is true. But then Alternia is a crazy place.

Fucking Aradiabot jumpscare!

That legitimately threw me! I was not expecting that! Also, more God Tier art! Look how absolutely menacing and ominous she is!

Well Vriska should know this place well, but she's probably more surprised than I am.

"m0re accurately this is the b0ss fight t0 drive the p0int home"

And she's one hell of a boss!

Vriska really did get everything she wanted when Aradia killed her, or at least what she thought she wanted.

This feels familiar of some other, Homestuck adjacent media.

"y0ure n0t here t0 be redeemed vriska y0ure here to gr0w up"

That's a double slap to the face! Also appropriate and needed.

Everything has to have a purpose, a justification. Every tool has a use and every person a role. Vriska cannot conceive of a world where anyone is enough. And because of that, she can't conceive of a world where she is enough. She has to be saving everyone's butts, even if they hate her for it, because that's why she's here. If she's not doing that, then there's no reason for anyone to care about her.

Somewhat reminiscent of a certain Narrator and his goals . . .

"light players define themselves by their direct acti0ns and understanding"

Yes! More information on aspects! Someone knows there's still a bunch of us lore and theory nerds around!

Fucking. God. TIER!

And now we're in the Quest Cocoon, sans a traumatized Tavros.

We never really got much of seeing Team Charge together and happy. I absolutely love it.

Hah! Look at that fucking echeladder! "DANTE 8ASCO'S INFERNO" XD

And that's the end of that part of the VN!

That was so fucking good! I'm so excited and spun up now! And I have to go to bed! Settlers of Kalguur starts tomorrow and I still haven't settled on a build!

But who cares! I'm loving this so much! I hope you're all enjoying this too!

[synoddiane]

In a dream last night, I was reading a science fiction anthology that had a mind control erotica story in it. The story was pretty badly written, but got interesting halfway in when it veered away from erotica so the author could start just going off on ConcernedApe. Stuff on the level of “Then ConcernedApe, a horrible person who mistreats everybody, showed up. Even though he had access to mind control, he couldn’t get people to buy his shitty game.”

The story didn’t explicitly name Stardew Valley, but did describe scenes from it in order to make similarly unhinged criticisms of its plot. I tried to look up whether there had been any actual news of ConcernedApe wrongdoing that might have motivated this, but had my usual dream difficulty typing things into Google. My general mood in the dream was amazement that the story had gone in such a weird direction.

[myenterpriseisparked]

Rank the Star Trek captains based on whether or not they're expert road trippers

Archer - He tries. So hard. He burns a CD mixtape to listen to and rents a huge RV that only kind of works. He plans out a bunch of stops but "leaves room in the schedule for unplanned adventures :)" and then proceeds to not follow the plan at all and everything goes wrong. Actually, now that I think about it, Archer on a roadtrip would probably just mostly be the plot of the movie "RV."

Pike - He lets Una plan the stops and he METICULOUSLY plans the food. He and Una take a survey about what all their crew wants to see along the way and try so hard to integrate them all into the trip. He plays LOTS of car games, like Eye Spy or that one game where you count animals on your side of the vehicle until you see a graveyard and have to start over or that other game where you describe a movie plot badly and everyone has to guess what it is. He lets Uhura control the music and Spock read the map and Ortegas drive. The plan for the trip goes off the rails, of course, but everyone ends up having a blast anyway. Overall a SOLID roadtrip.

Kirk - Kirk takes everyone to see every single tourist trap they can find and, you know what? It's fun. Is the World's Largest Truckstop really all that special? No, but the memories they make there are. I also imagine his roadtrip largely takes place in Iowa and other parts of the Midwest so a lot of the trip is rolling cornfields. Overall not a terrible trip, if a little slow and nutty.

Picard - Due to being European, Picard's idea of a roadtrip is a little... different. The crew is a little confused as to why they are only doing about 3 hours of driving a day, but they do appreciate that it's through Wine Country, where the rolling hills are lovely. I imagine Picard plans a "themed trip" (wine tasting and touring) and Riker is the one to throw in the fun tourist traps they do end up visiting. Q is somehow at every single place they stop. Lwaxana is at a few of them too.

Sisko - Sisko takes everyone on a tour of the MLB baseball fields. He meticulously plans places to eat (mostly cajun places that he critiques as 'not as good as his dad's, but acceptable.') and fields to visit. In the meantime, Jadzia picks some more... colorful places to visit in the evenings. Different groups of people get lost but they always find each other. Everyone is a little wary of visiting baseball fields, but once they find out that it was Jake's idea to cheer his dad up, everyone acts like each field is the most fascinating thing they have ever seen. In the end, the trip is a little tedious, but they have all bonded over the solidarity of making Sisko feel better.

Janeway - Janeway drives through the middle of nowhere. Absolutely no cell signal ever. Google Maps will not work. They stop every hour or so to look at the sights. At several points, their van gets robbed and they have to craft new supplies as they go. They make some "road enemies" (other roadtrippers that get competitive about parking spots and camping areas and stuff) and get in several fights (that they win). They camp alongside the road instead of staying in hotels and it's kinda miserable but it builds a lot of relationships and character. Their van breaks down a lot but they always fix it themselves. B'Elanna ends up souping up the engine about 4 different times. In the end, they all get home pretty much dead on their feet, but the whole crew is planning the next road trip anyway.

Freeman - She has a schedule that no one follows and she yells about it a lot. The road trip keeps getting completely derailed. They absolutely do not hit any planned stops and they have to replace each of the van's tires 3 times. Good news, however, is that they got a GREAT sale on all the trinkets and stuff that they bought along the way so everyone is still having an okay time.

Dal - Barely has a plan. He basically piled everyone in a vehicle one day and started driving. They stop whenever they feel like it and do odd jobs to earn enough money to keep going. The end goal is to reach San Francisco by the end, but Dal has to keep them backtracking for various reasons and they're having a heck of a time understanding exactly how this brand-new Chevy Silverado with a fancy computer system that they accidentally stole works. Everyone has fun anyway, even though they are also kinda lowkey running from the cops.

Burnham - I don't honestly know enough about Burnham as a captain to say for sure but I think she and Saru would plan a pretty chaotic lil road trip that kinda jumps all over the country in a strange order. Lots of zigzags and backtracking and stuff. I think they have fun though?

FINAL RANKING:

1st Place - Pike

2nd Place - Kirk

3rd Place - Janeway

4th Place - Sisko

5th Place - Archer

6th Place - Burnham

7th Place - Picard

8th Place - Dal

9th Place - Freeman