#dci4k

[appliancesreviews]

Evolution of Epson 4K UHD projectors

As known, fierce competition in the consumer electronics segment stimulates companies to constantly increase the competitiveness of their models. Of course, it traditionally depends on the price, quality and functionality. As a result, all companies conduct a flexible pricing policy through distribution, warranty, price reduction, etc. But the resource of increasing competitiveness due to the quality of bundling and assembly is almost exhausted today. In fact, even the budget modern models from popular brands demonstrate a very high level in this aspect. Therefore, further improvement of this indicator requires significant costs, which, of course, reduce competitiveness due to price increases. As a result, the expansion of functionality has become the main instrument of competition. Of course, the rapid development of digital technology has radically expanded the possibilities of engineers. This trend is clearly evident in almost all segments of household appliances, including TVs, coffee machines, robot vacuum cleaners, etc. Of course, high-tech projectors are no exception. Leaders of this segment almost annually replenish their model lines with new projectors. But this, of course, a positive trend, has formed a small problem. Of course, the leaders of the segment are actively promoting their products around the world. Unfortunately, companies often use different names for one model for different markets. As a result, the market annually offers several dozen new models and a huge number of models of previous years from several companies under different names. As a consequence, a potential buyer is forced to choose between a huge number of models, many of which simply have a different name. Epson projectors well illustrate this problem. For example, today Amazon offers 5040UB/EH-TW9300, 5050UB/EH-TW9400 (USA/Europe), etc projectors. Therefore, even a simplified classification can simplify this task.

Epson UHD Pro Cinema 4030 and Home Cinema 5020UB/5030UB projectors

In the autumn of 2012, EPSON announced its next generation of Full HD 1080p 3D home theater projectors, including PowerLite Pro Cinema 6020UB, Home Cinema 5020UB/5020UBe (EH-TW9100W) and 3020/3020e. As known, the "UB" in the projector's name stands for Ultra Black. Today Epson Ultra Black technology uses a proprietary compensation filter to control the light polarization. It suppresses any stray light within the signal, producing in new models an unprecedented dynamic contrast ratio of 1,000,000:1 and more. Besides, UBe models, unlike UB models, have step-up package that integrates wireless HDMI technology based on the well-regarded WirelessHD standard. Of course, they are more expensive about $ 300. Otherwise, the models have identical specs. New line of Full HD 1080p projectors was presented оn the CEDIA Expo 2013. It included 6030UB, 4030 (EH-TW7200) and 5030UB/5030UBe (EH-TW9200). All these used an advanced Fujinon Opti Cinema lens with 2.1 zoom ratio, 480Hz Drive Technology for 3D mode, and a built-in cinema filter to improve color accuracy. In addition, all projectors supported a new Black and White Cinema mode (classic films), THX 2D and 3D Cinema modes, and a PiP (Picture-in-Picture) optionn for simultaneous use two content sources.

Epson 4K projectors

After few years, June 21, 2016, Epson introduced first 3LCD 5040UB/5040UBe (EH-TW9300) and Pro Cinema 4040 projectors with 4K UHD Signal Input and HDR for under $3,000. But already in 2017, the company offered Home Cinema 4000. It was cheaper ($2,200/$2,700), but had lower brightness (2200 vs 2500 ANSI lm) and contrast (140,000:1 vs 1,000,000:1). In fact, these models have different filters for color compensation. Moreover, 5040UB uses LCD panels with UB (Ultra Black) technology LCD imaging panels, which provide a radical increase of dinamic contrast. But overall, the 5040UB vs HC 4000 does not have a definite advantage due to the very attractive price-quality ratio of the HC 4000. The video at the end demonstrates the capabilities of this model. In the autumn of 2018, Epson introduced the Pro Cinema 4050 and 4010 (EH-TW7400), which became the first projectors of the new 4K PRO-UHD lineup with improved 4K-Enhancement. In fact, Epson Home Cinema 4010 can be positioned as a consumer version of Home Cinema 4050. Epson HC 4010 is slightly superior to HC 4000 and has a very attractive price, which provided a fairly successful competition for HC 4010 vs 5040UB. Finally, in the spring of 2019, the company introduced Epson 4K PRO-UHD 3-Chip HDR Home Cinema 5050UB/5050UBe ($2,700 / $3,000 ) projectors that come to replace 5040UB/5040UBe. Respectively, 5050UBe has a 4K wireless HDMI transmitter.

Evolution to 5040UB

As know, Epson Home Cinema 5020UB for several years was considered one of the most successful projectors in its class. Relatively low price, excellent specs, including Full HD, dinamic contrast ratio 320,000: 1 (full on / off), 2,400 ANSI lm, 30 - 300 inches Image Size, 22 dB in Eco mode, Full HD 3D, etc provided excellent competitiveness of this projector. Home Cinema 5030UB has become the next model in this line. By retaining the same chassis, engineers improved image quality by increasing the contrast from 320,000: 1 to 600,000: 1 and expanded the functionality. In particular, the model supports the Frame Interpolation option to smooth high-dynamic scenes. But the Epson 5040UB 2016 made a powerful leap in comparison with its prototypes. Its design fully coincides with Epson HC 4010. But in this model, the company first used 4K-Enhancement (pixel-shifting technology or wobulation) technology, increasing the resolution to 3840 x 2160. Of course, experts often argue about the validity of using the 4K name for this technology. Indeed, pixel-shifting does not increase the physical number of pixels. But these disputes are linguistic in nature, because wobulation really enhances the clarity of the image in its visual perception. Of course, 5040UB vs 5030UB showed many other improvements, including all-glass, 16-piece 2.1x zoom lens with 4K performance, motorized zoom, Lens Memory feature, etc.

Epson 5050UB

The latest Epson 5050UB vs 5040UB becam one more jerk. Epson Home Cinema 5050UB costs $ 700 more ($ 2,700 / $ 2,000) and provides 100 ANSI lm more (brightness of 2600/2500 lm for color and white). But, of course, the improved pixel shift technology is their main difference. Model uses the individual pixel plate with tighter tolerances. It increases the angle of the leading and trailing edges of the electronic shift pulse, redusing the delay between the trough and crest of the pixel shift changes. As a result, new projector has less downtime, providing more light output and a faster signal. In fact, 5050UB provides better accuracy, more output, and higher speed. According to the company, maximum supported resolutions of 5050UB reaches DCI 4K (4096 x 2160) vs 3840 x 2160 for 5040UB. Moreover, 5050UB provides Improved HDR Support. The projector automatically detects the HDR standard (SDR, HDR10 or HLG) and supports its adjustment from the menu. But, the final assessment of the price / quality ratio depends on the individual preferences of the buyer and his budget. Of course, projectors support a different set of technologies from EPSON, providing different functionality.

Conclusion

Of course, Epson was offered in this period a much wider range of projectors, including excellent Full HD Epson 3100, 3700 and 3900, etc. But the article format considers the line Home Cinema 5020UB/5020UBe - 5030UB/5030UBe - 5040UB/5040UBe – 5050UB/5050UBe and Epson Pro Cinema 4030 - 4000 - 4010. The parallel line of Pro Cinema 6020UB - 6030UB - 6040UB - 6050UB, differs only in the way of sale. They usually are available for sale within the custom integrator channel. But these models have identical specs with the 50xx series. It may be noted that some models have a different color. 4K PRO-UHD series use eponymous technology, which, according to the company, increased the efficiency of wobulation (4K Enhancement or pixel-shifting) and signal processing. As known, this technology divides the 4K signal into several lower-resolution pictures (Four-Phase and Two-Phase Pixel Shifting), shifts them relative to each other and displays them on the screen sequentially. As a result, the high frame rate creates an illusion of the perception of one high-resolution frame by summing up the pixels of each frame. Moreover, these models support Full HD for 3D Mode. Thus, today EPSON offers models, covering almost all price segments in this class. The simplified list includes: 1 - Full HD, including Home Cinema 5020UB / 5030UB and Pro Cinema 4030; 2 - 4K, including 5040UB (or 5040UBe, +$300) and HC 4000 ($1,850 / $1,465); 3 - 4K PRO-UHD (improved 4K-Enhancement), including 5050UB (or 5050UBe, +$300) and HC 4010 ($2,700 / $1,800). Of course, all these factors affect the choice of the optimal projector. Read the full article

[ct3ch]

Fujfilm targets video shooters with the new flagship X-H1

Fujfilm targets video shooters with the new flagship X-H1

Fujifilm has dropped a hefty gauntlet on rivals with the X-H1, its new flagship APS-C mirrorless that excels at both photography and video. It sports a 24.3-megapixel X-Trans CMOS III sensor housed in a body with features from both the ergonomically excellent X-T2 and medium-format GFX 50S. Fujifilm calls it “the highest performance camera in the X series lineup,” thanks to features like true DCI…

[moderntumbler]

Posted @withregram • @crom1231 #첫째날 #STB상생방송#상생방송#제작환경#조명#카메라#인터뷰라이팅#light#interviewlighting#daylight #hmi #aputure#mordernstudio#eggcreat #avenger#meking#camera#canon#canonc200#teradek#sachtlersystems#sigma#sigma50100cinelens#genenergy#leefilter#sennheiser#canonraw#dci4k#4k60fps#10bit https://www.instagram.com/p/Cds62eoLft6/?igshid=NGJjMDIxMWI=

[iami0]

Flash Transitions from Dyomin on Vimeo.

This asset is available here: 1.envato.market/yD4Wy

View Portfolio: 1.envato.market/j4N0a

Item Description: Best for Filmmaking. This asset includes 200 Fast Transitions for your Dynamic Video. Just Drag and Play!

What’s Inside: - 200 Flash Transitions - 50 Line Overlays (Duration: 1 minute. Loop) - Film Mask (Duration: 1 minute. Loop) - Film Dust (Duration: 1 minute. Loop) - Intro (DCI4K and FullHD)

Technical Specifications: - Project for CC2018, CC2019, CC2020 - Resolution: Resizable (Native Resolution: DCI4K 4096×2160) - Frame rate: 59.94fps - No plugins required - Easy to Customize and Colorize

- Video Preview is not part of the item - Video and Music used under Creative Commons License

Video is available here: Awei Xiao • Urban Session by CIRCOLO vimeo.com/261456467

Music is available here: Synaptic by TEQTONIQ audiotool.com/track/61ic3zch4qux/

[blackscorpionsfilm]

新しいカメラを購入しました。

BMPCC 4K

悩んだ挙句6Kではなく4Kにしました。

FS5→GH5s→BMPCC4Kという流れで使っていますが、

DCI4Kで、10bit以上、LogもしくはRAWで収録が理想です。

扱いやすさでいうとGH5sは素晴らしいカメラです。

しかしGH5sでも手の届かない部分が見えてきてしまい、思い切ってBMPCCでRAW収録に切り替えることにしました。

まだまだ必要なものもあるので、本格運用はもう少し先ですが、撮影が今から楽しみです。

by SAHARA

[updatedc-blog]

New Post has been published on https://www.updatedc.com/2018/12/17/fujifilm-release-ver-2-00-firmware-for-the-x-t3-but-a-key-feature-is-missing/

Fujifilm release Ver.2.00 firmware for the X-T3 but a key feature is missing

Last month at Interbee 2018 in Japan we gave you a sneak peek at the new Ver.2.00 firmware that was coming to the Fujifilm X-T3. Well now you can download that new firmware, but there is a problem. The much-anticipated removal of the 4GB per clip recording limit seems to be missing.

What happened to the removal of split files?

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The Ver.2.00 firmware was supposed to no longer split files when they reached a 4GB size. The file was supposed to be recorded as one file providing an SD memory card that is 64GB or bigger in capacity is used. If you use an SD card that is under 64GB in capacity when the file size reaches 4GB, it will be recorded to a separate file.  The official word from Fujifilm is that they still plan to introduce this function, but not until early 2019. We are attempting to find out more information as to why this wasn’t part of the Ver.2.00 firmware release.

What is in the Ver.2.00 firmware release?

The new firmware for the X-T3  includes 4K HDR video recording, simultaneous output of Film Simulation / F-Log, Kelvin color temperature display in the EVF and viewfinder, and support for slower shutter speeds shooting in 4K DCI.

The XT-3 can now record in F-Log to an external recorder while recording and viewing a Film Simulation image on the XT-3. The only caveat to this is you can’t do it in 4K 60p due to a hardware limitation. You can also record F-log internally and externally at the same time, as well as record F-log internally while sending a Film Simulation over HDMI externally.

Full Ver.2.00 Firmware Features

4K HDR video recording in Hybrid Log Gamma (HLG)

Supports 4K HDR video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards (*1). It allows the capture of rich and realistic images in a scene where there is a huge gap between highlight and shadow, or subjects with high color saturation. *1：Only compatible with H.265(HEVC).

Simultaneous output of Film Simulation and F-Log footage (*2) Supports simultaneous output of Film Simulation and F-Log footage. It allows you to record in F-Log while checking Film Simulation image on an external monitor. *2：Not compatible with 59.94P/50P, FHD high-speed rec., 4K interframe NR, and HDMI output info display mode. Also, cannot choose different image size (4K/FHD) for HDMI output and internal SD card recording.

Display color temperature (Kelvin) on EVF/LCD Color temperature (Kelvin) can be displayed on EVF/LCD.

Supports slower shutter speeds with DCI4K/4K 29.97P/25P/24P/23.98P (*4) Slower shutter speeds than the framerate can be selected with 4K 29.97P/25P/24P/23.98P. *4：Cannot select slower shutter speed than framerate with DCI/4K 59.94P/50P or DCI4K/4K/FHD Long GOP recording. For detail, refer to the Shutter Speed in the “Movie Recording Mode” list.

Compatible with ALL-Intra and maximum bitrate 400Mbps with H.264. Using H.264 compression, you will now to be able to select ALL-Intra at a maximum bitrate of 400Mbps.

Display power supply icon. Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD (*5) and Anker PowerCore Speed 20000 PD (*6).

Fix of slight defects.

[appliancesreviews]

Epson Home Cinema 5050UB (EH-TW9400) vs Epson 5040UB (EH-TW9300)

As known, in June 21, 2016, Epson introduced 3LCD 5040UB/5040UBe (EH-TW9300) and Pro Cinema 4040 projectors with 4K UHD and HDR support for under $3,000. Unlike UB models, UBe projectors have module for support wireless HDMI technology based on the well-regarded WirelessHD standard. Of course, they are more expensive about $ 300. These models used wobulation (e-shift, pixel-shifting or 4K- Enhancement) technology for increasing the resolution to 3840 x 2160. But, this resolution differs from Native 4K (4096 x 2160) and True 4K. As known, True 4K with Two-Phase or Four-Phase Pixel Shifting use 0.66" DMD chip (2716 x 1528) or 0.47" DMD chip (1920 x 1080), but with the division of 4K images into 4 arrays and their shift. Of course, the simultaneous use of several different names for one technology may confuse some consumers. Today, wobulation technology for video processing in projectors use the following names: - JVC - e-Shift or eShift; - Epson - 4K Enhancement or 4KE; - Texas Instruments - TI UHD (informally). However, many prefer the more common name pixel-shifting or Pixel Shifting. Of course, some experts sometimes argue about the validity of using the 4K name for all these technologies. Indeed, pixel-shifting does not increase the physical number of pixels. But these disputes are linguistic in nature, because wobulation really enhances the clarity of the image in its visual perception. At the same time, this technology has radically reduced the cost of producing projectors with support for 4K resolution. As a result, today the market offers a wide range of models at a relatively affordable price.

HC 5050UB / 5050UBe

In 2019, the company introduced the new HC 5050UB / 5050UBe, which replace the 5040UB / 5040UBe (TW9400 for Europe) of 2016. Traditionally, the UBe model has a 4K wireless HDMI transmitter and costs $ 300 more. Of course, the novelty supports all functions of the previous model. In addition, it offers an improved pixel-shifting algorithm with higher efficiency, HLG support for HDR UHD content, new Digital Cinema color mode with full DCI-P3 color gamut and 18 Gbps HDMI 2.0 port., which supports 4K / 60p HDR games.

Lumen Output

New models provide 100 ANSI lm more compared to 5040UB (2,600 vs 2,500 lumens). But, the brightness value for Epson has some specific features due to the peculiarity of LCD projection technology. As known, the light from the source in 3LCD projectors is reflected from the mirrors of the optical unit. In fact, these dichroic mirrors perform the function of color filters, passing only a certain color (red, green and blue or R, G, B). After separation, the three light streams are directed to the corresponding LCD monochrome matrices, which, after modulation, form a black-red, black-green and black-blue image at the output. A prism unites them and forms a color image, transferring it further to the optical system, the lens and to the screen. Thus, all three color components are projected onto the screen at the same time, providing the same white light output and color light output (CLO). This aspect is an important difference between 1 chip DLP projectors and 3LCD models. The perfect balance between white / color light output really affects image quality. Of course, Epson actively uses this advantage, periodically presenting the results of various tests. Therefore, Epson, unlike other companies, always specifies two values in the specs of its models. In particular, the company indicates CLO (Colour Light Output) and white light output, once again reminding of this advantage. Of course, both of these values are always identical. The video at the end demonstrates the difference in color saturation of 3LCD vs 1-chip DLP models. Epson measures white light output in accordance with traditional ISO/IEC 21118 standard and CLO in accordance with IDMS 15.4 standard, which was first published in May 2012.

Improved pixel-shifting algorithm (4K PRO-UHD), HDR mode and lens

Epson 5050UB uses second generation of 4K-Enhancement, which is called 4K PRO-UHD. In particular, 4K PRO-UHD uses a pixel plate with tighter tolerances. As a result, the engineers have increased angle of the leading and trailing edges of the electronic shift pulse, reducing the delay between the bottom and the top of the pixel shift change. According to the company, this improvement reduces downtime, increasing the light output, color accuracy, and performance, in general. In addition, Epson indicates DCI 4K (4096 x 2160) for 5050UB vs 3840 x 2160 for 5040UB. Moreover, the company has improved HDR support. In particular, the new projector automatically detects HDR content, including HDR10 and HLG, and supports its setting from the menu. As known, this line of projectors uses a 3-axis motorized lens. Unfortunately, the previous models had a rather large lag. Now, engineers have reduced electrical noise of the control system, increasing the smoothness of its work. In addition, the improved system has an auto-centering control, which is activated by the “LENS” button.

Conclusion

Of course, the improved 4K image quality, excellent colors, good HDR performance and deep black provide an advantage of 5050UB vs 5040UB. However, the new model also has several drawbacks, including the huge size, the high price for Pixel Shifting technology, and a bit noisy in high setting. But in general, the model adequately continues the evolution of Epson 4K HDR projectors. In fact, today the price difference reaches almost 30%, which is probably a lot. But the visualization of all these pros is manifested only in complex video and in difficult conditions (highly dynamic or dark scenes on the big screen or in daylight, etc.). That is, when using a home theater projector. Therefore, the final assessment of the price / quality ratio depends on the individual preferences of the buyer and his budget. Besides, all these factors affect the choice of the optimal projector. Read the full article

[updatedc-blog]

New Post has been published on https://www.updatedc.com/2018/11/23/no-more-4gb-clip-limits-fujifilm-x-t3-firmware-update-preview-interbee-2018/

No more 4GB clip limits: FUJIFILM X-T3 firmware update preview – Interbee 2018

Fujifilm have teased new firmware for the X-T3 which includes 4K HDR video recording, simultaneous output of Film Simulation / F-Log, and the removal of the 4GB clip limit. We caught up with Fujifilm at Interbee 2018 in Japan to see what the upcoming firmware does.

The biggest news for XT-3 owners will probably be the removal of the 4GB per clip recording limit. With the upcoming new firmware, movie files are no longer split when the file reaches a 4GB size. The file is recorded as one file providing an SD memory card that is 64GB or bigger in capacity is used.

If you use a SD card that is under 64GB in capacity when the file size reaches 4GB, it will be recorded to a separate file.

The other big news is that the XT-3 gets the ability to supports simultaneous output of Film Simulation and F-Log footage. The XT-3 wll be able to  record in F-Log to an external recorder while recording and viewing a Film Simulation image on the XT-3. The only caveat to this is you can’t do it in 4K 60p due to a hardware limitation. You can also record F-log internally and externally at the same time, as well as record F-log internally while sending a Film Simulation over HDMI externally.

Firmware Version: [ FUJIFILM X-T3 Ver. 2.00 : December 2018 ]

4K HDR video recording in Hybrid Log Gamma (HLG) Supports 4K HDR video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards *. It allows the capture of rich and realistic images in a scene where there is a huge gap between highlight and shadow, or subjects with high color saturation.

*Only compatible with H.265(HEVC). Please enjoy with television or display compatible with HLG formats.

 Simultaneous output of Film Simulation and F-Log footage ** Supports simultaneous output of Film Simulation and F-Log footage. It allows you to record in F-Log while checking Film Simulation image                       on an external monitor.

**Not compatible with 59.94P/50P, FHD high speed rec., 4K interframe NR, and HDMI output info display mode. Also, cannot choose different image size (4K/FHD) for HDMI output and internal SD card recording.

Recording over 4GB movie file as one file Movie files are no longer split when the file reaches 4GB file size. The file is recorded as one file providing an SD memory card greater than 32GB is used (excludes 32GB) ***.

***By using SD memory cards less than or equal to 32GB, movie recording will continue without interruption when the file size reaches 4GB, however subsequent footage will be recorded to a separate file.

Display color temperature (Kelvin) on EVF/LCD Color temperature (Kelvin) can be displayed on EVF/LCD

Supports slower shutter speeds with DCI4K/4K 29.97P/25P/24P/23.98P *4

Slower shutter speeds than the framerate can be selected with 4K 29.97P/25P/24P/23.98P.

*4 Cannot select slower shutter speed than framerate with DCI/4K 59.94P/50P or LongGOP recording.

Compatible with ALL-Intra and maximum bitrate 400Mbps with H.264 Using H.264 compression, you will now to be able to select ALL-Intra at a maximum bitrate of 400Mbps.

Display power supply icon Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD *5 and Anker PowerCore Speed 20000 PD *6

*5 Anker and PowerCore are trademark or registered trademark of Anker Innovations Limited or associated companies.

*6 Product may not be available on your country.

[updatedc-blog]

New Post has been published on https://www.updatedc.com/2018/11/13/fujifilm-announces-firmware-updates-for-fujifilm-gfx-50s-fujifilm-x-t3-and-fujifilm-x-h1/

Fujifilm announces Firmware Updates for FUJIFILM GFX 50S, FUJIFILM X-T3, and FUJIFILM X-H1

Fujifilm announces firmware updates for FUJIFILM GFX 50S, FUJIFILM X-T3, and FUJIFILM X-H1

New functions include the improvement of in-body image stabilization performance for X-H1, 4K HDR video recording and simultaneous output of Film Simulation / F-Log footage for X-T3, and 35mm format mode for GFX 50S

Firmware Version: [ FUJIFILM GFX 50S Ver. 3.30 : End of November 2018 ]

Supports “35mm Format Mode” when using GF Lens and H mount adapter: “35mm Format Mode” crops the center of the sensor 36.0mm x 24.0mm (30.5M) and records JPEG and RAW file.

Improved eye-sensor response: Reduced the time to switch between EVF and LCD when you select “eye-sensor” on the viewfinder display settings.

Supports simultaneous delete for RAW and JPEG files: When RAW / JPEG is selected in the card slot setting (for still image), RAW/JPEG image can be deleted simultaneously. By selecting “OFF”, only the RAW image will be deleted.

Supports EVF and LCD color adjustment: Color of EVF/LCD is adjustable from screen setting menu.

Firmware Version: [ FUJIFILM X-T3 Ver. 2.00 : December 2018 ]

4K HDR video recording in Hybrid Log Gamma (HLG) Supports 4K HDR video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards *. It allows the capture of rich and realistic images in a scene where there is a huge gap between highlight and shadow, or subjects with high color saturation. * Only compatible with H.265(HEVC). Please enjoy with television or display compatible with HLG formats.

Simultaneous output of Film Simulation and F-Log footage **: Supports simultaneous output of Film Simulation and F-Log footage. It allows you to record in F-Log while checking Film Simulation image on an external monitor. ** Not compatible with 59.94P/50P, FHD high speed rec., 4K interframe NR, and HDMI output info display mode. Also, cannot choose different image size (4K/FHD) for HDMI output and internal SD card recording

Recording over 4GB movie file as one file: Movie files are no longer split when the file reaches 4GB file size. The file is recorded as one file providing an SD memory card greater than 32GB is used (excludes 32GB) **** *** By using SD memory cards less than or equal to 32GB, movie recording will continue without interruption when the file size reaches 4GB, however subsequent footage will be recorded to a separate file.

Display color temperature (Kelvin) on EVF/LCD: Color temperature (Kelvin) can be displayed on EVF/LCD.

Supports slower shutter speeds with DCI4K/4K 29.97P/25P/24P/23.98P *4: Slower shutter speeds than the framerate can be selected with 4K 29.97P/25P/24P/23.98P. *4 Cannot select slower shutter speed than framerate with DCI/4K 59.94P/50P or LongGOP recording.

6. Compatible with ALL-Intra and maximum bitrate 400Mbps with H.264: Using H.264 compression, you will now to be able to select ALL-Intra at a maximum bitrate of 400Mbps.

7. Display power supply icon: Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD *5 and Anker PowerCore Speed 20000 PD *6 *5Anker and PowerCore are trademark or registered trademark of Anker Innovations Limited or associated companies. *6Product may not be available on your country.

Firmware Version: [ FUJIFILM X-H1 Ver. 2.00 : December 2018 ]

1. In-body image stabilization and optical image stabilization now work together to improve overall stability With an XF or XC optical image stabilized lens, in-body image stabilization worked with 3 axis (up and down / optical axis rotation). The remaining 2 axis (right and left pitch, yaw angle) was controlled by optical image stabilization in the lens. This firmware has a new image stabilization algorithm to allow the in-body image stabilization to work in all 5 axis and to achieve more than five-stops (up to the equivalent of 5.5 stops *7 ) image stabilization by cooperative control according to the types of frequency and blur amount. To activate this function, lenses are necessary to be updated to latest firmware version. Please check the latest firmware version from the link below. http://www.fujifilm.com/support/digital_cameras/software/fw_table.html#interchangeable_lens *7 Based on CIPA standards. When using XF10-24mmF4 R OIS, XF18-55mmF2.8-4 R LM OIS, and XC16-50mmF3.5-5.6 OIS II.

Source from fujirumors